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A Reference To E2-E4 By Manuel GottschingTest Pressing Recordings
'E2-E4' is of course a legendary bit of music written by a legendary composer. Here, Alex Kassian serves up his own extension version of it and takes us on a 12-minute electronic trip that will be perfect for the more adventurous DJs and dancers out there - not least in Ibiza this summer. Next to the escapist original is a flipside remix from the one and Mad Professor. He heads out on his own with plenty of mind-melting effects, dubby undercurrents and mesmeric leads that encourage minds to wander. A real pearler for the hotter months and beyond.
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Island BoogieLeng
Over the years, Andrew Meecham's albums as the Emperor Machine have variously explored his love of the Radiophonic Workshop, synth-heavy dub disco, mutant boogie and electronic punk-funk. On 'Island Boogie', a set inspired by the annual Rotation Garden Party micro-festival and its' infamous custom-built soundsystem, he offers up colourful, synth-heavy takes on nu-disco and Balearic boogie with a sun-soaked jauntiness and plenty of analogue electronics. The results are rarely less than stunning, from the atmospheric, acid-flecked excellence of 'La Cassette' and a riotous cover of La Fox's 'S-s-s-single Bed', to the Chicken Lips-esque 'Devoilez-Vous' (a dubbed-out treat with added hand percussion), bubbly electrofunk number 'Wanna Pop With You' and the heady, slow-motion electronic psychedelia of 'Cha Murreh Etem'.
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Spring Heel Jack - Masses
LP
MassesTreader Recordings
John Coxon is the boss of the Treader label but is best known as part of Spring Heel Jack with Ashley Wales, an outfit with roots dating back to the electronica scene of the mid-90s. They took drum & bass down a downtempo path and soundtracked many an after party as a result and their Masses album in 2001 showed them to also have a love of jazz, particularly its structure - or lack thereof. This album found them record a number of ambient pieces and then have label mate improvise over the top. It's intense, experimental sounding even now, and as fascinating as ever.
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Seeing FrequenciesFourth Sounds
E Ruscha V aka. Secret Circuit returns with Seeing Frequencies, adding to the foundations laid on his 2022 album Thinking A View. Placing his obscure CocoQuantus synthesizer at the forefront of his arsenal, the artist importunes us to "close our eyes and see the frequencies", hankering after a synaesthetic experience in koscmische and organic ambient. We find ourselves first thoroughly aurally embedded, past the point of no return, in 'Submersion', which pits faint textural scratch-airs against risen bloop tones, which scatter about the grain-delayed side mix like icy afterthoughts. 'Feel' scopes out the ASMR potential with a similar but glitchier sophomore, while the album's development later takes the form of 'Infinite Wheel' and 'Embolic Chamber', which take the form of increasingly stalagtital ice caves and folded-in bass invaginations respectively. From there, there's many more to go, though we find ourselves thoroughly immersed in a tremulous mood record, from which we find it hard to divest ourselves.
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KokoroBatov
A collection of four old tracks and four brand new ones, 'Kokoro' is a cultural melting pot that sees Japanese belly dancer and singer Yurika Hanashima gently trilling over the Mediterranean, Middle Eastern and Afrobeat grooves of Israeli quartet Sababa 5. The fusion of East and West combines seamlessly, most notably on the title track 'Kokoro', filled with lyrical nods to the sky and the musical journey the two artists are embarking on together. The real highlight of this highly demanded release is the latter half, a collection of four tracks from Sababa 5 and Yurika's past - the standout being 'Nasnusa' from 'Tokyo Midnights', a popular track that has had recordings in Hebrew to fit demand. The strings feel perfectly calculated at every point, not even a slight misstep, whilst Yurika flawlessly serenades us, recounting memories of silhouettes against a sunset and sparkling tears gleaming by the coastline. This version is pressed on a sky blue transparent vinyl, reflecting the cerulean abstract window on the cover art.
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Aisha / Jah Shaka / Norman Twinkle / Mad Professor - Give A Little Love
12"
Give A Little LoveAriwa Sounds
Reggae singer, soundsystem heiress and "first lady of dub" Aisha (Pamela Ross) had already made an enduring name for herself by 1997, at which point she was already ten years into her singing career. A veritable blue-blood of soundsystem culture, Aisha had also already released four albums before 'Give A Little Love', which was contrastingly released as a standalone single not intended as a part of any wider record. Notably enough, it was also produced by Mad Professor, whose boxy, whistly production brings a ghostly, wastelain feel to the otherwise lively track; the instrumental version connotes entirely different themes without the lyrics, proving the infatuating effect of Aisha's words and delivery: with her, it becomes the quintessence of lovers' rock; a rousing floor-filler and lyrical impulsion to give over, so to speak, to the virtues of sharing, as opposed to withholding for oneself, love.
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Various - Elsewhere CC
2XLP + MP3
LP
Elsewhere CCBongo Joe Switzerland
The latest volume in DJ soFa's renowned Elsewhere series is here to celebrate. Elsewhere CC is the ninth installment and is always a jam packed tribute to summer and groove, curated by the Brussels-based DJ and producer known for his eclectic taste and unique musical style. Elsewhere CC is a full of tropical gems spanning from Trinidad to Brazil, Poland, Dominica, and beyond. The compilation features a diverse mix of tropical-wave, Calypso, multi-rhythmic beats, lo-fi disco jams, and more, all curated by DJ soFa. This collection is perfect for setting the mood on a sunny, secluded beach with a cocktail in hand. It includes rare tracks and some of DJ soFa's own productions and collaborations, featuring hard-to-find tunes from the 70s to today, including Jeannette Azzouz's sought-after Calypso record, 'So Close to Me.' DJ soFa, also known as soFa Elsewhere, is celebrated for his boundary-pushing curation and storytelling through music. "Elsewhere CC continues his mission to expand musical horizons and showcase hidden gems from around the world.
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Destroyed (reissue)Hey Suburbia
Formed in Indianapolis, Indiana in 1984, Sloppy Seconds were the definition of punk rock shitheadedry at its finest and most purposefully provocative. A card-carrying Ramones-indebted self-described "junk rock band", the group would gain notoriety for their controversial lyricism touching on topics such as homophobia, pornography, obesity, alcohol and drug abuse, among many other sugary subjects. Inspired by the 1976 KISS LP Destroyer, the band would release their debut full-length Destroyed in 1989 with artwork even replicating the OG KISS version, while boasting some of their most envelope-pushing and equally adored/maligned cuts such as 'I Don't Wanna Be A Homosexual', 'Come Back, Traci' and 'Janie Is A Nazi'. Crafted without any initial label backing, once Toxic Shock heard early demos of the first four cuts, a deal was broached, making Sloppy Seconds available for the entire listening world to be offended.
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