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Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Latest reviews

Although well known on the funk circuit for their incendiary live performances, the Soul Grenades have yet to translate their hard-hitting, horn-heavy sound to wax. It's for this reason that "A Blast Of Funk!", their debut single, has caused such a commotion. It boasts fresh recordings of two of the most popular cover versions in their armoury. The pick of the pair is undoubtedly their riotous rendition of "Get Lucky", which is re-imagined as a tasty funk-soul work out smothered in headline-grabbing, New Orleans style brass. That said, their version of "Louie Louie" is rather good, too, especially the addition of Meters style Hammond organ licks. As played by The Allergies, Snowboy, Boca 45 , Voodoo Cuts, Aldo Vanucci, Dom Servini, Jack & Wayne Hemingway. Don't sleep!
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No less than five years since his last mind-busting opus, "You're Dead!", the one and only FlyLo finally returns with a staggering new album. At this point all bets are off as to which direction the visionary beat scene maven will take his stellar sound, and true to form "Flamagra" departs from solid ground quicker than you can shout "lift off". From arrhythmic spirituals to futuristic soul, the Cali man known to his family as Steven Ellison has never sounded freer in his sound. The cast of guest spots is off the charts as well - George Clinton, Little Dragon, Solange, David Lynch and Anderson .Paak are just some of the dazzling talents involved. Need we say more - take a trip once more with one of the 21st century's most visionary producers.
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Hailing from the Catskill Mountains, Emily A Sprague is a talented producer and sound designer emerging from the American underground. Her two self-released cassette albums "Water Memory and Mount Vision" may well have passed you by when they first snuck out in 2017 and 2018 respectively, but fortunately the ever-tuned-in RVNG Intl. are taking care of business and gathering these two wonderful releases together and presenting them as a beautifully packaged long playing release. This is the kind of delicate ambient material that suits both mindful immersion and environmental mood setting, emanating harmony and balance at every turn.
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This debut album from Jo'burg via Doncaster's Skinny Pelembe comes with a weight of expectation. The distinctive soul maverick has been turning heads with his output on Gilles Peterson's Brownswood Recordings for the past two years, and now he's come good on the promise of those singles and EPs with a wonderful, many-sided LP that oozes personality, depth, and a dusty, hand-wrought musicality that hits on an instinctive level. There are flurries of broken beats, low slung wood-carved percussion, rugged neo soul and weather-beaten funk aplenty, with the lines between organic and electronic beautifully blurred. This album deserves to be huge, positioning Pelembe as a vital new talent in the vanguard of UK soul music.
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Multi-track re-edits, where producers utilize the instrumental and vocal parts found on studio master tapes, are all the rage right now. While the Rephlex crew and Joey Negro are the most famous exponents of the art, Galaxy Sound Co regular Kadena has previously proved to be rather adept at it, too. Here the little-known producer channels the spirit of original disco remixer Walter Gibbons, first to provide a lolloping, groove-based revision of Instant Funk's intergalactic Salsoul classic "I Got My Mind Made Up" (side A), and then to deliver a similarly minded take on First Choice's "Let No Man Put Asunder". Like its A-side companion, it's warmer, looser and predominantly instrumental, with judicious use of key vocal passages.
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After six years, legendary Massachusetts group Sebadoh - friends of Subpop from back in the day - deliver a new album called "Act Surprised". It adds a revitalised bevy of local blues tales and happy go lucky songs to an audience that can be assured the spirit of American punk, grunge, shoegaze and rock is still strong in Sebadoh. That '90s movie soundtrack motif - whether the band wanted it or not - is still there and sounding unique and finely restored. With accents and sounds of both the music and voices giving rise to memories of when bands like Weezer, Pearl Jam and Tool were dominating the airwaves, it's good to know that the grungy low slung feels of Sebadoh are still in their melancholic, easy going, Massachusetts way.
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These days Steve Moore is better known for his film and TV soundtrack work than his dancefloor-leaning explorations for the likes of L.I.E.S. and Future Times. It's perhaps unsurprising, then, that the producer's latest album - his first "non-soundtrack" release for five years - sounds like it could have been composed for the big screen. That's no criticism, though, because these five tracks are utterly sublime. "My Time Among The Snake Lords" comes on like an unlikely collaboration between John Carpenter and the Radiophonic Workshop, while the mesmerizing "Your Sentries Will Be Met With Force" has all the intoxicating urgency of Vangelis' "Bladerunner" theme. Best of all, though, is the sublime title track, a dreamy and life-affirming blast of hypnotic, mid-tempo dancefloor bliss.
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Seismic drone and progressive rock specialists Earth return with their first studio album in some five years, It's both "Datura's Crimson Veils" and "She Rides An Air Of Malevolence" that, as would be hoped for on an Earth album, goes the distance in reminding us just how brooding and journeysome an extended instrumental with them can be. With "Descending Belladonna" stemming from a live project of soundtrack work too, the album itself is full of cinematic quality. Break downs, vamps and progressions add all manner of drama to compositions in tracks like "An Unnatural Carousel" and "The Mandrake's Hymn", with the LP overall delivering the very the best in monolithic basslines, crashing Zildjian cymbals and distorted guitars of epic rock and refrained minimalism.
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