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DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Fast, safe international shipping
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Latest reviews

Last year Kelly Finnigan - son of storied Hammond organist Mike Finnigan - released his debut album, "The Tales People Tell", a gloriously authentic and wholehearted tribute to 1960s soul and funk. It's from that set that these two tracks are taken. A-side "I Called You Baby" is an unflinchingly heavy deep funk workout rich in bustling breakbeats, memorable guitar riffs, sustained organ chords and fiery horn riffs, all topped off with a brilliant lead vocal from Finnigan. On flipside "Impressions of You", Finnigan switches mood, adding another heartfelt, passionate vocal to a slow, loved-up backing track that's every bit as impressive as the club-ready A-side.
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12 months on from the release of his brilliant album "Flamagra", Flying Lotus has decided to offer up an instrumental version of the set. Given that the set included some of the Los Angeles-based producer's best work to date, this is no bad thing. Stripped of almost all vocal contributions (bar the odd snatch of backing vocals), FlyLo's breathtakingly brilliant musical vision rightly takes centre stage. And what a vision! He's always been great at crafting glitchy, off-kilter hip-hop instrumentals, but "Flamagra" is much more than that, with the Brainfeeder founder utilizing the work of a wide range of guest musicians and far more nods towards his jazz and fusion roots. The original album was superb, and this is just as good, so don't sleep!
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Devon Russell originally recorded his sublime version of the Curtis Mayfield club anthem back in 1984 ultilising his own falsetto vocals to a fantastic soul reggae rendition . Years later in 1993 he subsequently record a whole album of Curtis Mayfield versions for the Darker Than Blue album from which his lesser known version of the killer 'Give Me Your Love' is taken from and incidently first time on a 45. Both tracks here are lovingly remastered for this special Mukatsuku dinked 45 as played /supported by DJ Koco & DJ Muro from Japan...
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John Beltran - Back To Bahia
7"
$9.35
John Beltran is welcomed into the MotorCity Wine Recordings family with his sun-drenched and soulful debut entitled "Back To Bahia". Titled after his MCW residency of the same name, the release combines Deep House, Jazz, Boogie, and, of course, musica popular Brasileira flavors to welcome the sunshine into your life. Housed in the MotorCity Wine 7" company jacket.
Rocksteady Disco's next release is a banger of a 12" from Blair French in anticipation of his The Art Of Us LP coming in September. It's two extended versions of two of the heaviest dance floor cuts from the forthcoming LP. The A-side features "Faded By The Sun", a cosmic afro beatdown driven by drums, with hints of boogie and frosted with guitar swells and stabs from Michael Jurczak, dripping with 3 AM Ron Hardy energy. The flip features "Celebration Ritual", a deep Afro House vibe with a ray of jazz fusion. It's drenched in marimba, hand drums, a tap dance solo from Stephanie Fica, and live bass from Peter Croce. Both tracks have been lighting up dance floors in dubplate form for the past year and are finally available as a limited 12" release. No fireworks, just a dust sleeve, cut loud to lacquer at 45 RPM, and pressed with pride at Archer on Detroit's east side. Only 200 pressed. It's currently being supported by a ton of heads from Ron Trent to Leo Mas to Kenneth Bager, Simbad, Pete On The Corner, Thatmanmonkz, Phat Phil, and more.
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Aux88 - Electro Techno EP
12"
$11.95
A re-issued classic from the veterans of the genre, welcomed back via the Direct Beat Classics (DBC) label.
Rude Marching Drum Storms.
Pins - Hot Slick
CD
$11.70
Re-grouped and, if the introductory stomp here is much to go by, re-charged, Manchester's PINS return with a generous helping of sound clash business, melding filthy electro sleaze and playful rock with two deft and confident hands, the results of which should score big with fans of seductive disco sludge. And let's face it that's pretty much most of us. Tracks like 'Read My Lips' and 'Bad Habit' are fine examples of a dark but alluring edge this lot seem more than capable of creating, while 'Daisies' could almost replace Wilson Phillips to score the final scene of 'Bridesmaids'. Which is certainly no bad thing. "We can keep going" the band threaten over 'Ghosting''s compressed but intense rave punk. Based on this, we're more than happy with that idea.
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