Argentinian jazz-funk group The Kevin Fingier Collective reissue their highly demanded 'Latin Dynamite' record, which sold out two years ago to high resale prices. 'Latin Dynamite' is a bombastic opener, the ringing cowbell over Latin soul codes conjures a cinematic atmosphere. This reissue sees a previously unreleased B-side banger in 'It's your Voodoo working' with vocals by Mandioca. An incredible year-ender for 45s, with an unmistakable '60s feel that would be perfect to drive along the Amalfi Coast with - if not for the weather.

The latest title in Impulse's 180-gram audiophile reissue series is the 1969 Pharoah Sanders classic Karma. The record has been newly mastered by Ryan K. Smith at Sterling Sound from the original analogue tapes and comes in a deluxe gatefold jacket. The album was the tenor sax master's third record for the label and has since taken on the mantle of being a milestone in the spiritual jazz movement. The A-side is taken up by one track that in particular defines that sound, while the flipside builds on the mood with 'Light of Love' and 'Colors.'

Tom Browne's 1980 single 'Funkin' For Jamaica' has long been something of an anthem - a hybrid funk/boogie classic that remains a staple in sets of hip-hop, disco and soul DJs alike. Given its ubiquity, covering the song is fraught with danger, but remarkably Japanese producer Akiko and guest vocalist Mbanja Richy have successfully put a new spin on it. Their take is subtly tougher and more synth-heavy, with bilingual French/English vocals, nods to Zouk music and a bassline so squelchy it could have been lifted from a P-funk record. Over on the flip, the pair go mellow, deep and laidback on a pleasingly skewed hip-hop soul cover of Terry Callier's legendary vocal interpretation of Alex North's 'Love Theme' from 'Spartacus'. Inspired stuff all told.

Bread & Butter Recordings is from Max Frisina, co-founder and resident at the Bread & Butter parties which have been running since 2008. The label's releases have been excellent so far and for that reason pretty much sell out the week or so they drop. Big names like Ricardo Villalobos have appeared before and this time out we get a trio of cuts from a trio of producers. Cosmjn goes first with the lush bell loops and rubbery drum lines of 'Platzpark'. There is a little grit and grime to the bumpy minimal of Giuliano Lomonte's 'Dreamscape' then Nu Zau's 'Last One' rounds out with cosmic synth rays and tech precision.

Denver solo electronic musician Seafoam debuts his first wax 12" for the Violet Series, a so far little-known imprint sure to make waves in the more colourful corners of minimal techno. Spanning cosmic disco, minimal and acid, the tracks here make for a wonderfully bleary-eyed affair, from the acid meets electro burnup 'Me Too' to closing underwater ambient banger 'Decent Paranoia'.

Prolific deep techno legend Fred P returns with 3 new tracks. 'Foward Motion Equals Progression' explores the idea of moving forward, becoming immutable in your goal to only look forward and not back. This is achieved via the lens of chilled yet driving techno, which neither lets up on its subtlety nor force.

Duster are arguably the foremost purveyors of slowcore, a genre which persists to this day as one of the most recognisable and difficult-to-nail sounds in rock music, performance-wise. Their self-titled third full album - released in 2018, a full 18 years following the album that made them famous, 'Contemporary Movement' - it heard the band update their sound with cleaner recordings, and something of sheer, gnarly quality. With that, it defied expectations beyond what most emo bands do when they make a rehashy comeback album (ahem, looking at you, American Football). Weird spaceship sounds, textures and tremolos underlie this loomy droner of an LP.

Jaribu Afrobeat Arkestra are an entirely unique phenomenon, a Japanese collective pushing forward Neo-Afrobeat with heavy influence of the classic Japanese jazz sound and the long tradition of covering iconic western soul/funk tracks. Aretha Franklin's 'Rock Steady' is a collaboration with fellow Japanese artist Tina (aka Luv Tina), a decorated vocal powerhouse in the early 2000s R&B landscape, culminating in a mind-boggling genre mashup that defies expectations. The J.A.A. chorus section matches Tina's power perfectly with the blaring jazz instrumental, with phenomenal sax and trumpets. Swipe this coloured reissue before it goes again, you have to hear it to feel it.