Kerri Chandler's 'Bar A Thym' is one of those tracks that seems to contain everything great house music aspires to beia groove so undeniable it feels perpetual, melodies that loop and evolve as though they've always existed. This reissue, spanning Chandler's original extended mix, Foremost Poets' vocal edit, and THEMBA's reimagined version, charts not only the track's history but its continuing relevance. The Foremost Poets edit imbues the already hypnotic motif with an enigmatic narrative, its vocal fragments both anchoring and reframing the mood. THEMBA's remix, on the other hand, nudges the groove toward Afro house, subtly opening up the track's spatial dynamics while preserving its magnetic pull. Chandler's work never feels datediit shifts and reshapes to meet each new moment, and 'Bar A Thym' remains as arresting today as it was when it first found its way onto the dancefloor.

Ryan Adams' cult classic album Blackhole is finally being released, much to the anticipation of his devoted fanbase. Initially demoed in 2006 and heavily bootlegged over the years, this long-awaited official release features raw and emotionally charged tracks, including 'Catherine', previously only performed live. The album's creation coincided with a tumultuous period in Adams' life, marked by struggles with addiction, making its release not just a musical event but also a reclamation of a pivotal moment in his career. Adams merged two versions of the albumione reflecting a chaotic vocal performance and another crafted in the midst of his struggles. The release promises to satisfy years of speculation while offering an authentic glimpse into Adams' artistic evolution. With its blend of previously unheard material and emotional depth, Blackhole stands as a testament to the beauty found within vulnerability and fans eagerly await its arrival.

Evan Parker's latest work continues to explore the sonic intricacies of solo improvisation, delving into the depth of his saxophone's expressive potential. Throughout the album, Parker's distinctive approach to free jazz is on full display, weaving in layers of rhythmic complexity, unconventional sound manipulation, and a raw exploration of texture. The tracks possess a singularity, drawing listeners into the subtle tension between calculated structure and wild, spontaneous experimentation. While Parker's legacy within the jazz avant-garde is undeniable, this release proves his ability to push further, creating an atmosphere that is both alien and familiar.

Al Hudson & The Soul Partners' 'Spread Love' remains a cornerstone of Disco, emerging as a highlight from their 1978 album Spreading Love on ABC Records. This track, which has seen numerous covers and samples over the decades, is now officially licensed and remastered for the first time in 46 years by South Street Disco. The release offers a fresh perspective on this classic, with the A-side presenting the extended intro version as heard on the original album, while the B-side features the 1978 12" single version that plunges directly into the groove. This remastered edition not only celebrates the track's enduring legacy but also provides an opportunity for both new listeners and long-time fans to experience it anew.

There's a different swagger to Chris Stussy's latest release, a tracklist that's as confident as it is infectious. From the opening beat, you're drawn into a pulse that never quite lets up, carrying you through layers of deep bass and slick rhythm. It's clear this is music made for the dancefloor, but there's something else to it i a subtle energy that goes beyond the usual house formula. You can hear the growth in the artist's sound, a new level of clarity, groove, and precision that feels fresh without abandoning its roots.

Toolroom is a house label for big moments big tracks, big rooms, big DJs and main stages. This 15th sampler offering gives a snapshot of where the label is at right now with some new cuts from its biggest players. The boss himself, Mark Knight, kicks off alongside Darius Syrossian and James Hurt n 'I Got All This' which is bouncy and full of energy. Low Steppa, Jewel Kid offers the deeper, low sung and bass heavy menace of 'Big Busta' and CASSIMM, Mahalia Fontaine then come through with 'Say Yeah' (extended mix) which is a a passionate vocal anthem which throws it back to the early days of house. Wh0's 'Sunglasses' shuts down with a blaze of melodic stabs and filtered sweeps to lift you off your feet.

Posthuman's Buzzing 24/7, released on Balkan Vinyl, is a powerhouse of a record. Side-1 features the title track, 'Buzzing 24/7,' a heavy techno piece driven by a stomping beat and a massive, rolling bassline that brings relentless energy to the dancefloor. It's a track that commands attention with its bold, forward momentum. Side-2 offers 'The Fixer,' a track that rivals the first side in intensity. With its old-school keyboard stabs layered over a similarly stomping rhythm, it's tough to choose which side to spin first. Both tracks are robust examples of Posthuman's ability to craft techno that's both raw and dynamic party starters. Pressed on a limited hand-stamped, hand-numbered black & gold marbled vinyl 12", with only 100 copies available, you will need to act quickly.

The 11th and 12th editions of this celebrated series, a bestseller for Stag-O-Lee, continue to capture the sultry and atmospheric charm of Melbourne's underground music scene. These compilations transport listeners to the shadowy ambiance of a monthly club night where vintage music lovers and enigmatic figures gather in a smoke-filled, dimly lit room to sway to decelerated r&b, soul and exotica grooves. Curated by Ritchie1250, the mastermind behind SGF and its insightful liner notes, these volumes feature a carefully selected lineup of tracks from legends like Dinah Washington, Harry Belafonte and Charles Brown, alongside hidden gems from lesser-known artists like Jeri Simpson, The Rockbusters and Hirao Masaaki. The soulful strains of 'I Left My Baby' by Count Basie All-Stars and the exotic flair of 'Caravan' by Dinah Washington deliver timeless appeal, while tracks like 'Gee Gee Baby' by Lenny Johnson and 'Danger Theme' by Tony Mottola add intrigue. With each track, these compilations create a vivid soundscape, blending the moody nostalgia and rhythmic allure that will transport listeners to another era.