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Latest reviews

Dynamite Cuts come back with a bang with four sublime cuts taken from the criminally short discography of funk soul troupe Leo's Sunshipp. The first half of their only album, we kick off with their cult solar celebration "Give Me The Sunshine" before "I'm Back For More" shreds through the stratosphere with a swooning Average White Band sparkle, "Get Down People" salutes with an Off The Wall style shine and shimmy before "Madame Butterfly" drifts back into the atmosphere with velvet falsetto harmonies and a groove so laid back it drips off the wax. Feel the sunshine.
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Analog Africa's superb Limited Dance Edition series reaches volume nine via a fine collection of cuts from Ghanian bandleader Gyedu-Blay Ambolley, who spent the early 1980s fusing highlife and funk sounds with spacey electronics, wild synth lines and righteous vocals. It's all fire, of course, though the Highlife-funk flex of opener "The Message" and deliciously summery, jazz guitar-laden Afro-Caribbean workout "Simigwa Soca" are probably our pick of the bunch. Elsewhere, "Akoko Ba" is a driving, solo-laden workout rich in dueling horns and highlife guitars, while "Burkina Faso" is a sublime experiment in P-funk, Ghanaian style. In a word: essential.
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Given the runaway success of her first three albums, BRIT award-winning singer-songwriter Kate Nash took a step back in 2013. Last year she resurfaced with "Agenda", an EPs whose sunny and jangling lead track, "Call Me", showed that Nash was in rude health musically. That track naturally takes pride of place on Yesterday Was Forever, her first album for four years. It's a strong and hugely enjoyable set, all told, with Nash serving up a string of memorable, sing-along songs that variously doff a cap to power pop, indie-dance, alternative rock, synth-pop, heart-felt folk and dancefloor-centric glam rock.
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Thee Oh Sees - Smote Reverser
CD
$11.50
Despite their garage-rock and psych-rock roots, Thee Oh Sees have always been a far funkier proposition than many of their contemporaries. In many ways, they're only upholding the traditions of the San Francisco scene, which since the late sixties has consistently blurred the boundaries between blues, funk, soul, psych-rock and harder forms of guitar music. They're at it again on new album Smote Reverser, a set that gleefully charges between funkier fare, revivalist hippy-era garage rock and the kind of intense, guitar-laden workouts that will have mosh pit lunatics jumping for joy.
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Various - Real Ibiza Volume 11
CD
$8.73
It's been two decades since React launched the Real Ibiza compilation series. In the years that followed, its annual instalment became a must-have for fans of sun-kissed chill-out and sunset-ready Balearic grooves. Returning to stores in 2015 after an eleven-year break, the revitalized series is now the work of Nang Records chief Marc Green AKA Loudery. There's no doubting that his selections on this 11th volume are spot on. Check, for example, the dreamy chords, drifting guitar solos and gentle tropical percussion of Max Essa's "Lamma Island, 5am", the dense drums and neo-classical movements of Indigo Children, the glassy-eyed slow motion Balearic disco of Dagfest's "I Got The Feeling", and the rush-inducing, head-in-the-clouds brilliance of the Reverso 68 remix of Sorcerer's "Hope For The Future".
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To kick-start its 2018 release programme, Kyoku Records has decided to offer up its first multi-artist EP. Fittingly, the producers featured have all previously released solo singles on the Melbourne-based imprint. Dorsi Plantar steps up first with "Senorita Lolita", a bumping chunk of starry-eyed peak-time warmth marked out by jaunty jazz-funk bass, spacey chords and lilting melody lines, before Sune doffs a cap to disco and jazz-funk-loving Detroit house superstar Andres on the superb "Californication". Turn to the flipside for Long Island Sound's sinewy, string-drenched loop jam "Ease In" (think Pepe Bradock's "Deep Burnt" after a fistful of anti-depressants) and the bumpin', jazzy disco-house brilliance of Ethyene's "Good", which features contributions from Folamour and Marc Bianco.
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Breach - Turtle Dance EP
12"
$10.57
Ben Westbeech continues to impress under the Breach alias, a pseudonym used for the Bristol producer's most dancefloor-focused material. In the past, much of this has been weighty and dancefloor focused, but in recent times Westbeech has served up far more melodious fare. "SOST", the track that opens the latest Breach 12", takes this approach, peppering a relaxed, funk-fuelled electro rhythm with cascading synthesizer melodies and attractively spacey electronics. The skewed deep electro vibe can also be heard on similarly attractive flipside "Turtle Dance", which fixes the far-sighted sounds of IDM/electro sort B12 to a rubbery synth bassline and punchy machine beats.
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Reedale Rise - Luminous Air
LP
$18.79
The remarkable rise (sorry) of Reedale Rise continues apace, as the Frustrated Funk regular pitches up on Kondi with an undeniably impressive debut album. As you'd expect, it's rooted in his usual brand of high quality electro, but there's plenty of variety to be found across the 11 tracks. So while "Kerris" and "Distance Between Waves" take an angular and spacey approach to dancefloor electro, the mood elsewhere is undoubtedly deeper, warmer and even more melodious. This is deep techno to stir the heart and head as much as the hips and feet, with "Canopy of Light", "Astral Flex" and opener "Luminous Air" counting amongst the most picturesque and emotion-rich deep electro cuts we've heard this year.
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