Is there no stopping Jorun Bombay? The beat freak, hip hop head, and edit king has turned out a seemingly unending stream of music this year and most of it has come on this label. His scalpel work is authentic and original and here he turns his attention to two more funk gems. He serves up it on both plain black wax but also nice limited edition blue vinyl. 'Say No Go For That' (A Jorun Bombay edit) is a deep-cut gem with seductive Hall & Oats vocals and then the more hip shining r&b sounds of 'Just A Touch Of (Keepin' The Faith )' keep the warming winter vibes alive on the flip.

Dance music stars don't come much bigger or more iconic than Carl Cox. The big man with the big smile and famous gap in his teeth has been at the cutting edge for decades. He plays all across the spectrum with high energy and a really infectious style. Now the legend returns with his first album in over a decade and it comes on BMG. It was written over the last two years at his home studio in Melbourne and takes his sound to a whole new level. It is also being played live by Carl on the road right now.

The last step in the Spiral Tribe trilogy from the R-Zac output (aka a collaboration between Sebastian Vaughan and Simon Carter) featuring three tracks in the pioneering style of early Spiral Tribe from 1994, clearly establishing the inspirational groundwork for dancefloor genres and mind sets to come. Driving layers of bass, transients and dubbed out melodic loops transforming into percussive elements and vice versa throughout extended excursions in fast paced machine powered exercises. Viciously remastered for maximum effect on large sound systems.

Another release of eccentric DJ tools by HAND's DJ PiNatas. A side starts with proto-house flavoured drum sounds from lower latitudes, moving onto mellow synth-pop with a Balearic feel, featuring female and kindergarten vocals over more chunky drum generosity. B-side features a somewhat tongue-in-cheek "remix" (with somewhat dubious similarity) of Dr. Albans 'It's My Life', followed by almost seven minutes of field recordings of helicopters taking off and landing. It's not your average release that's for certain.

This off-beat classic from Ze Carlos has been specially remastered for this reissue. It is a wonderful weird Italian product with deriving Italo melodies and Brazillian lyrics as well as plenty of freestyle beats. On the flip side is a brilliant dub version remixed by Bob One that channels plenty of Arthur Russell vibes. It has Latin drums and lots of percussive energy and is finished in a sophisticated style that makes it all the more standout. The low end is hefty and clear while the mids are nice and roomy. It's a surefire winner when dropped on the right 'floor.

With a streak of hits reaching back to the early 90s, chart-topping Brit funk phenomenon Jamiroquai have got plenty to celebrate. In 2006 they decided to remind everyone how much heat they've gifted to the world with High Times, a definitive overview of the singles that thrust them onto prime time radio and beyond. Now that compilation makes its way to vinyl for the first time, giving us the chance to spin such classics as 'Too Young To Die', 'Virtual Insanity' and 'Canned Heat' to our hearts content - all killer, no filler. This particular edition has been pressed up on green marbled vinyl and comes with and autographed art card, insert and a slipmat, making it a must-have for collectors and die-hard fans alike.

San Diego based label Neptune's Dispatch are behind this first edition of Beppe Loda's Spaghetti Disco Freak Series. He is an Italian beat stallion who serves up his own careful edits of some rare and obscure Italo disco fire. They are tunes that will remind of his iconic residency at the Typhoon Club and pay plenty of tribute to the roots of his cosmic sound. These are four dazzling and timeless tunes that will bring the good times to any dance floor in any setting.

Fumiya Tanaka is about as revered as minimal producers come. The Japanese cult hero has had a busy year too - he dropped an album One More Thing on this, his home label, only back in January, and is now back with another of his superb 12's. The title cut 'Deep One' is just that - the drums are snappy but hit down low, while menacing organ chords Ida muffled vocals are layered up top to make for a moody, churchy vibe. 'I'm Standing Beside You' is a classic minimal piece with detuned synths, those super low drum and bass rumbles and shapeshifting chords that draw you inwards forever.