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Latest reviews

Benjamin Smith and Paul "Mudd" Murphy are back with a Balearic gem - The Distance, featuring Quinn Lamont Luke. The release comes with a vocal and instrumental on the A side, and a remix on the flip by legend and consummate production ace - Ron Basejam. The lyrics and vocals by Quinn Lamont Luke are captivating and playfully tease us with emotional yearning. And it's Quinn who provides a stunning jazzy guitar performance that will have you air guitaring all over the dance floor, which sits splendidly alongside the beautiful layers of rich electric piano and Balearic disco grooves. The remix by Ron Basejam recasts the track as an instantly affable yacht-rock-esque anthem, that will fill your hearts and have you reaching for the Campari. This is a sumptuous groover, with layer upon layer of blissed out disco warmth. A sublime masterclass in musicianship and production that will bring joy to the most discerning of ears.
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Trombonist and producer Rosie Turton is the latest rising star of jazz to be offered a volume in Jazz re:freshed's 5ive series of EPs. Her volume, which like its predecessors boasts a quintet of original compositions, is very different to its predecessors, mixing bustling jazz instrumentation (drums, trombone and sax, piano, double bass) with wild and free violin solos, occasional electronics and the odd bout of spoken word poetry. There's much to enjoy throughout, with highlights including the lolloping, hip-hop influenced swing of "Butterfly", the gentle Latin rhythms, electric piano solos and languid bass of "Orange Moon", and the soundscape ambient jazz bliss of "Stolen Ribs". As solo debuts go, it's a bit of a doozy.
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Various - Las Vegas Grind! Volume Seven
CD
$11.25
Between 1988 and 2000, the shadowy crew behind the Strip label put out six volumes of "Las Vegas Grind", a compilation series celebrating sleazy - and usually undeniably obscure - rhythm and blues, rock and roll and novelty lounge records from the 1950s and '60s. Here the series returns thanks to Jazzman, who somehow managed to to track down the digger responsible - and his eccentric record collection. From skewed surf-rock and low-slung rhythm and blues to comedy big band swing, rousing proto-funk and "Rocky Horror Picture Show" style madcap stompers, the album offers a whirlwind romp through some seriously good - and not to mention especially silly - gems rescued from dollar bins, dumpsters and yard sales the World over. Do yourself a favour and check it out.
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More from Studio Mule's must-check "Midnight In Tokyo" series, which gathers together obscure gems from the Japan that "sound best listened to at night". While the previous volume largely focused on forgotten Japanese jazz-funk, this edition is more eclectic in tone, variously touching on rare groove, new wave, soul and disco. It's another belting selection, all told, with highlights including the breathy sleaziness of Yoko Hatanaka's "More Sexy", the post-punk boogie eccentricity of Mari Kaneko's "Get To Paradise", the sprightly synth-funk of "Sunshine Bright On Me" by Kangaroo and the synth-rock silliness of The Fad's wonderfully over-the-top "Singing Lady".
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Das Muster / Ixrq / Eargoggle / Obergman / Suiciders - STILLEBEN 052
12"
$10.18
Stilleben's latest EP is a no-holds-barred, all-action affair that gathers together previously unheard cuts from a quintet of label associates. Boss man Luke Eargoggle is naturally involved, with his hook-up with Swedish veteran Ola Bergman - the angular analogue bass, Italo-disco influenced grooves and shimmering chords of "Macho Macho" - being amongst the EP's many highlights. You'll find more razor-sharp, mind-altering robo-bass propelling Das Muster's brilliant opener "Sinnestauschung" towards the electro stratosphere, while IXRQ's "Robotic Nature" brilliantly combines ghostly, crystalline synthesizer melodies with a suitably dirty, club-ready electro groove. The most intense and sweaty cut of the lot, though, is Suicider's suitably dystopian and psychedelic closing cut "Trainwreck".
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When "Easin' In The S-System" first appeared on wax way back in 1994, Gert-Jan Bijl was still taking his first steps as a producer. In fact, the track was originally the B-side of the Dutchman's very first EP as Gerd on Brave New World Records. Curiously, this 25th anniversary edition places the superb original version - a deliciously intergalactic fusion of ambient techno sounds, hypnotic deep house drums and Detroit style sci-fi electronics - right at the tail end of the EP. It comes accompanied by a wonderfully ghostly, acid-flecked alternate version, plus four previously unheard cuts rescued from an old DAT tape. The breakbeat-driven chunkiness of "Brave New World" aside, these offer varied and largely high quality explorations of the futurist sound of vintage Motor City techno.
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Various - Happy New Year! We Wish You Happiness!
LP
$22.24
Nina Kraviz knows that January is usually a rather bleak month. Thus, she's tried to raise the spirits of Trip label fans everywhere by delivering this surprise New Year present: a tidy, eight-track compilation of previously unreleased cuts from the imprint's growing family of contributors. There's much to banish the January blues, from the all-action acid-techno intensity of Buttechno's "Rostokino Acid" and the mildy aggressive, off-kilter industrial techno hypnotism of PTU's "Mstera", to the buzzing, machine-fired dancefloor psychedelia of "Noise Psychosis" by Carlota and the sparkling, Autechre-via-Moscow bounce of The Mover's "Track One". Throw in typically sludgy, out-there workouts from Vladimir Dubyshkin, the trip boss herself and Snazzy FX's Dan Snazelle, and you have a fine collection of floor-focused experimental techno cuts.
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Rai Scott - Detached Observation
12"
$9.38
This fine outing on Church marks the return of Rai Scott, a woman who knows a thing or two about crafting quality deep house. Despite it being three years since her last EP, Scott has lost none of her production powers. For proof, check the dreamy lo-fi wooziness of "Paradise of Crane", where deep space synthesizer chords seemingly float around a clicking deep house groove, the cinematic bliss of "Lazy Sunshine" - "Deep Burnt" for a new generation, perhaps - and the lilting, enveloping dancefloor melancholia of "Detached Observation". Also worth checking is Valentino Mora's fine remix of "Paradise of Crane", which recasts the track and a slowly shifting chunk of head-in-the-clouds deep house/dub techno fusion.
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