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Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Latest reviews

Ashley Beedle and Ray Mang aka The Boogie Twins have reworked and edited one of Paul "Trouble" Anderson's biggest signature tracks. Beedle claimed witnessing Anderson at work at his Electric Ballroom residency back in the day was a major influence, where the late selector would move through boogie, electro, hip-hop and disco, particularly the low slung groove of Trouble On The Land's "A Love That Is Real" that's featured on this 12". The pair get to work, offering a special dubbed-out edit of this rare groove classic which remains a much-loved staple of today's club scene and an example of Anderson's exceptional ear for music. This is a charity record and a tribute to Anderson, with all profits directed to Macmillan Cancer UK.
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There's no shortage of great electro around at the moment, but lest we forget Carl Finlow has been dishing out some of the finest for decades now. In many ways 20/20 Vision is his spiritual home too, so it's great to see him imparting his skills for a fresh long player of razor sharp body poppers loaded with robo-funk. From charging opener "Apparatus" to freaky wriggler "Carbon Deposits", restrained creeper "Components" to punchy melodic workout "Ampere", there's a lot to enjoy and so much musical detail to absorb across this record. As if we'd expect any less from Mr. Finlow.
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Way back in 1975, two albums slipped out that would effectively establish the synthesizer-fired "new age" sound. Arguably the more important - and better quality - of the two was "Inter-dimensional Music", the debut LP from California-based musician Iasos. Here reissued on vinyl for the first time in a decade, the superb set combines drowsy ambient chords, gentle organ melodies and other subtle instrumental flourishes (bass guitar, pedal steel, lazy electric guitar solos) with field recordings of lapping waves, babbling brooks and so on. While new age would become a bit of a cheesy cliche in later years, "Inter-Dimensional Music" is a superb collection of drifting, meditative tracks that soothe and seduce the senses.
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Inner Life - Inner Life
LP
$21.69
There are very few truly essential disco albums, but Inner Life's eponymous debut album is one of those. Recorded and released in 1981 by the all-star production team of Greg Carmichael, Patrick Adams and Leroy Burgess, with lead vocals from a then young Jocelyn Brown and mixes courtesy of Tee Scott and Larry Levan, the album is one of the finest in Salsoul's catalogue. Here the original album gets a remastered re-issue, with the superb six-track set - which includes such classics as "Ain't No Mountain High Enough" and "Make It Last Forever" - with a second plate of extended club versions. This includes two brilliant Levan revisions and - most excitingly of all - the never-before-released "Let's Get This Thing Together".
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The first missive from freshly minted Russian label Rubezh dives into the back catalogue of Gruppa Imperiya, an obscure Serbian band who released a handful of CDs during the post-Soviet era of the 1990s. Side A boasts two of their best vintage tracks: the deep, bubbly Balearic synth-pop of "Leningrad Train (Extended Version)" and the chunky, Soul II Soul and Pet Shop Boys inspired brilliance of "Vspomni Obe Mne (Extended Version)", whose cherry piano riffs are wonderfully life-affirming. You'll find a trio of contemporary reworks nestled on the flipside, with the throbbing Lazerchoke edit of the Euro-disco inspired "Ne Pokiday" and the Low Budget Family tweak of "Leningrad Train" standing out.
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In the words of Greece's Melting Records, this ear-pleasing compilation "gathers ten international downtempo artists for the purpose of creating music suitable for the dreamy, languid journey through interstellar space". It is in effect a collection of decidedly spacey, otherworldly cuts that sit somewhere between hazy '90s downtempo grooves, trip-hop and off-kilter instrumental hip-hop, though the depth and variety of the instrumentation - which includes everything from angelic harps and heavenly choirs to exotic Indian sounds. Middle Eastern flourishes and toasty dub bass - guarantees a varied and suitably intergalactic listening experience.
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For the latest salvo in their occasional "45" series of seven-inch singles, Brooklyn imprint Razor-N-Tape has turned to Pittsburgh boogie badman and boom-bap hip-hop maker Buscrates (real name Orlando Marshall). A-side "Main Thing" is a revivalist synth-boogie gem that breathes new life into a well-known tribute to "Mary Jane", layering the pitched-down vocal over what sounds like a fresh bed of synth-bass, colourful lead lines and head-nodding drums. Just as good is up-tempo flipside "F.T.F (Freak The Funk)", a vocoder-laden slice of deep electrofunk goodness that hits all the right notes. If you love synth-powered 1980s sounds, you need this in your life.
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Over the years, Melchior Sultana has delivered some seriously good - and seriously dreamy - deep house. Here he takes things in another direction, applying his fluid keys-playing, drowsy chords and noted ear for melody on a decidedly downtempo collection of jazzy and laidback cuts. There's much to enjoy throughout, from the slow-motion R&B beats, hazy chords and spacey synth solos of opener "Space", and the pitched-down space boogie warmth of "The Cold Game", to the Dilla-ish head-nodding instrumental hip-hop of "Piano Player" and the twinkling bliss of "From A Soul", where starry melodies and fluid piano lines tumble down over a chunky, bass-heavy beat.
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