Review: Mahal by Glass Beams melds a diverse array of influences into a unique and enchanting soundscape. The Melbourne-based trio, shrouded in mystery with their mask-wearing anonymity, lets their music speak volumes. Built around founding member Ranjan Silva, their sound draws from the rich heritage of Ravi Shankar, Bollywood, Electric Light Orchestra, and traditional blues.Inspired by repeated viewings of 'The Concert For George', Silva's vision for Glass Beams seems to echo the fusion George Harrison envisioned when introducing classical Indian music to Western pop. The EP opens with 'Horizon,' setting a serene tone before leading into the title track 'Mahal,' an instrumental piece that envelops the listener in its mystical charm. 'Orb' follows with a riveting bass riff, while 'Snake Oil' delves deeper into Indian classical territory, showcasing evocative vocals. The EP concludes with 'Black Sand,' a dramatic and beautiful track featuring interwoven vocals and guitar. As their second EP, following Mirage, Mahal solidifies Glass Beams' distinct place in music, defying categorisation and quietly demanding attention with its almost otherworldly quality.
Review: Cheb Bakr's latest release reflects the rich interplay of North African tradition and modernity. Rooted in rhythmic Arabic melodies, the tracks blend warm, soulful instrumentation with a contemporary edge. The production draws from Libyan pop's energetic pulse, merging traditional sounds with subtle nods to r&b and hip-hop. This is a striking example of how regional influences can be reinterpreted for new audiences while retaining their cultural depth and vibrancy.
Review: REPRESS ALERT!: Gledd brings a great mix of funk, disco, Afro and plenty of extra special magic to this hot new 12" on Saint Wax. It opens with 'Papa Bel' which is a steamy cut with florid melodic leads and tribal percussion. 'Tanda' then brings wailing vocals and more organic and jumbled grooves that ooze summer heat. The Afro rhythms continue through 'Rewild' which has a lively broken beat that rides stiff drums and last of all is the most intense of the lot - 'Guado Loop' is heavily layered with drums and perc, vocals, congas and background chants that will get any dancefloor in a sweat.
Lovely Day (Studio Rio instrumental version) (3:59)
Review: The bossa nova remake of Bill Withers' classic 'Lovely Day' by Studio Rio is a masterful mood lifter. Reissued by Mr Bongo, this track was a game-changer at the Shapes festival, transforming a snowy Alpine setting into a feel-good dancefloor. Originating from Studio Rio's 2014 release The Brazil Connection, the Grammy-winning Berman Brothers collaborated with Brazilian legends like Marcos Valle and Roberto Menescal. They used original multitracks to seamlessly blend Withers' soulful vocals with bossa nova rhythms. Joyful horns, a bouncing double bass, and Pretinho da Serrinha's cavaquinho playing create an end-of-night anthem that radiates warmth and positivity.
Aniceto Molina Y Su Conjunto - "Cumbria Candela" (3:04)
Catalino Y Su Combo Negro - "Cumbia Montaera" (2:23)
Los Hermanos Martelo - "Por Las Buenas" (2:52)
La Pesada - "Cumbia Y Tambo (En La Lluvia)" (3:54)
Review: The third instalment in the 'Cumbia Sabrosa' series delves into the rich archives of Colombia's Codiscos label, unearthing a selection of tracks that exemplify the vibrant energy of cumbia. Artists such as Los Trotamundos, Aniceto Molina y su Conjunto, and Los Hermanos Martelo contribute to a compilation that seamlessly blends traditional rhythms with the dynamic flair characteristic of the sonidero scene. Each track offers a unique glimpse into the musical landscape of the era, highlighting the enduring appeal of cumbia's infectious beats.
Review: Get ready for the release of Curyman II, Roge's eagerly awaited album, arriving via Diamond West Records. This record has collaborations with esteemed musicians, blending the essence of Brazilian music with innovative elements. It promises to be both a homage and an evolution of Roge's distinctive sound. As a Latin Grammy-nominated and Brazilian Music Awards-winning artist, Roge has become a key player in the revitalization of Musica Popular Brasileira (MPB). Over his two-decade career, he has released seven solo albums, establishing his presence in the contemporary Brazilian music landscape. His U.S. debut, CURYMAN, released in 2023, was produced by Thomas Brenneck of the Budos Band, known for his work with icons like Lady Gaga and Beyonce. This album celebrated samba while conveying themes of resilience and redemption. With Curyman II, Roge aims to build on the momentum of his previous success, delivering even more dynamic samba rhythms and insightful lyrics.
Review: The Original Jazz Classics series makes a triumphant return with the reissue of Cal Tjader's influential 1956 album, Latin Kick. Renowned for blending Afro-Cuban rhythms with mainstream jazz elements, this album highlights Tjader's talented abilities on the vibraphone. The ensemble features brilliant performances from Brew Moore on saxophone, Luis Miranda on congas, Bayardo Velarde on timbales, Manuel Duran on piano and Carlos Duran on bass. Though the album title suggests a Latin focus, the tracks venture beyond traditional Latin music, incorporating elements of the emerging exotica genre. Latin Kick offers a global musical journey, including songs about Paris and Vermont. Despite the absence of traditional Latin brass and fervent rhythms, the album captivates with its downtempo ambiance, dreamy landscapes, and smooth tenor sax infusions. Tjader's signature vibraphone often takes a backseat, allowing the ensemble to create a cohesive, melodious, and enchanting atmosphere. The reissue of Latin Kick reaffirms the series' commitment to preserving jazz history, offering a pristine listening experience that celebrates the timeless artistry of Cal Tjader and his exceptional band.
Review: Ticklah (Victor Axelrod) is best known for his likely copyrightable fusion of reggae and salsa musics, and this tenth anniversary special edition of his flagship single demonstrates it as much. Originally released on NYCT in 2014, this previously sought-after pressing is actually a reinterpretation and cover version of Willie Colon and Hector Lavoe's Nuyorican dance classic 'El Dia De Suerte'. Ticklah's version is an adeptly bottomless mix; its vocals soar above like overdubbed parliaments of birds in song, while Axelrod's walloping guitar is heard scooping away in the right ear channel. 'Mi Sonsito' errs more salsa, re-rendering Eddie Palmieri's 2007 album cut 'Mi Sonsito'.
Review: Danny Krivit's officially sanctioned re-edits of Earth Wind & Fire's "Brazilian Rhyme" and "Runnin" have been sought-after since they first appeared on a Japan-only 12" back in 2004. In fact, such is demand that even later bootleg pressings now go for silly money online. As this reissue proves, though, they're arguably amongst Krivit's strongest scalpel works. Certainly, his three-minute revision of the always too short "Brazilian Rhyme" teases it out to just the right length, in the process delivering a sweltering, sing-along summer anthem. The flipside revision of the equally as summery "Runnin" is every bit as good, with Krivit making merry with the original's life-affirming scat vocals and killer piano solos.
Gabriel Meza Y Su Organo Chevere - "La Luna Y El Pescador"
Los Destellos - "Tanto Tienes, Tanto Vales"
Los Diablos Rojos - "A Bailar El Son Satanico"
Anibal Angel - "Cumbia Tropical"
Camacho Y Cano - "Hagan Rueda"
Orquesta Rafalo - "Eso Es Con Vela"
Alex Acosta Y Su Orquesta - "Cumbia Del Amor"
Ramon Ropain - "Malinga"
Afrosound - "Platico Chino"
Los Destellos - "La China Maria"
Los Orientales De Paramonga - "Te Gusta Como Azucar"
Francisco Zapata - "Cumbia Candelosa"
Review: Global groove trotters and world renowned compilers Analog Africa are back with another gem for your collection, this time looking deep into the sounds of the golden age of Mexico City's mobile soundsystems. Super Disco Pirata - De Tepito Para El Mundo 1965-1980" is a musical adventure with no fewer than 23 red hot jams of topical greatness all ready to get asses shaking and floors full. They have been taken from "the finest and strangest pirata LPs" and they all shine bright from Enrique Lynch's bright and brassy 'La Quinta Sinfonia De Beethoven' to Gabriel Meza Y Su Organo Chevere's 'La Luna Y El Pescador' with its rather haunting organ melodies and shuffling samba rhythms. A real treat for world music lovers.
Review: Peggy O'Keefe's 1966 recording, made during her six-year residency at Glasgow's Chevalier Casino, captures the Australian-born pianist's true musical talent. Her rendition of 'Cubano Chant'ioriginally popularised by Art Blakeyiremains a stand-out, a highlight in jazz dance circles ever since. Praised by jazz legends such as Cleo Laine and Oscar Peterson, O'Keefe's piano playing is rich with skill and passion, demonstrated to full effect in these two tracks. Now rediscovered and presented on 7", this gem has been hidden away for nearly six decades but is now ready for a new audience.
Review: LA-based label Milkcrate Mondays has pleased many a dancer with the MCM Edits series and now the fourth volume in relatively quick succession offers more irresistible heat from a trio of talents. DJ Abel opens up with 'Dem Nah We' which is low slung hip-hop fun with raw, characterful vocals and Afro flourishes. DJ Netwerk's 'Everlasting' is a more slow motion and Balearic joint for sundown and DJ Soulcab's 'Buena' is a shuffling and dembow-infused carnival rhythm with brilliant accordion leads.
Review: The magnificent Mukatsuku returns with another superb little package here on limited 12". It features the Afro disco sounds of Fred Fisher Atalobhor And His Ogiza Dance Band firstly on 'WTFS' which was originally released back in 1981. It's a booty-wiggling cut with myriad funky lines, squelchy synth motifs, lush chords and soul drenched vocals that bring the sunshine and party in equally playful measure. On the flip is 'Ebi Lolo' which is defined by its big brass section and loosey-goose guitar lines, bright chords and subtle funk. Two great gems once more from this on point label.
Review: One of several new Krafty Kuts edits to fly through the floodgates of late, this 7" amounts to the whopping 28th edition of the esteemed Friday's Funky series. This time hearing the editors handle and reappropriate a swathe of obscure Latin music samples, of lord knows what origin, 'Colombia' amounts to a slick two-toner backed by brass riffs and samples rap interjections. B-side 'Brujeria' is of a similar quality and verve.
Elegua (feat Jose Cochise Claussell Of Rebel Tumbao) (3:45)
Makussa Part Three (Afrikan Basement extended demo mix) (9:14)
Diyi Mayo (live Jam extended mix) (9:32)
Afrofunkjazz (extended demo mix) (8:36)
Review: Edit king and remix master Joaquin Joe Claussell's 'Ancestral Food & Healing Medicine' 12" first dropped in 2020 and became another one of his instant classics. It found him taking things to an all-new level with the reuses all best heard on loud systems when it is impossible not to be enraptured by a religious experience of gel and soul-infused sound. The therapeutic grooves heal you to your core with their uplifting synths and meaningful messages. For that reason, an original copy has become rather experience but fear not as this new reissue allows you to cop these sounds in nice new red wax.
Review: This collaboration between Nelson Angelo and Joyce on Nelson Angelo e Joyce brings a radiant blend of Brazilian folk and jazz-inflected arrangements, where lush acoustic guitars meet cool, swirling percussion. The pair's harmonies are effortlessly seamless, carrying a sense of intimacy and warmth throughout. While the sound may occasionally veer into serene, almost pastoral territory, there's an undercurrent of depth, especially in the more syncopated rhythms and spontaneous melodic shifts.
Review: Panorama Records' reissue of 'Salsa Na Ma' by Fruko Y Sus Tesos is a celebration of Colombian salsa at its finest. Originally released in 1973, this track is a timeless classic that still sets dancefloors on fire. The B-side, 'El Preso,' adds to the allure of this limited 7" release. Panorama Records has a track record of unearthing musical gems, and 'Salsa Na Ma' is no exception. Remastered and packaged in a vintage sleeve, this reissue feels like a rare find from Bogota. With support from notable tastemakers including Gilles Peterson and Patrick Forge, this reissue is for collectors and DJs as well as lovers of decent music.
Tu Tak Tu Tak Tutiyan (Elado's Gulab Jamun rework) (4:10)
Tu Tak Tu Tak Tutiyan (Elado's 4 AM mix) (4:48)
Review: Elado Gulab Jamun did a fantastic job with his edit of this Bollywood gem to the extent that it has become a real dancefloor gem that's been much loved all around the world for the last two years. Now it makes its way to a 7" vinyl pressing and is backed with his 4am mix of the same tune. This one is a sublime and dubbed out, acid tinged electronic trip that comes with original CD artwork that pays great tribute to original artist Nadim Khan. Another tasteful outing from Razor-N-Tape for this fresh edit.
Curumin Chama Cunha Ta Que Eu Vou Contar (Todo Dia Era Dia De Indio) (3:43)
Rio Babilonia (4:50)
Review: Number 80 in Mr. Bongo's Brazil.45 series shines a spotlight on two iconic 80s tracks by Brazilian legend Jorge Ben. The A-side features the infectious groove of 'Curumin Chama Cunhata Que Eu Vou Contar (Todo Dia Era Dia De indio)' from the 1981 Dadiva album and paying tribute to Brazil's Indigenous tribes. On the flip, 'Rio Babilonia' delivers a classic Brazilian-boogie vibe that celebrates life in Rio, its beaches and landmarks. Originally released in 1983, the track showcases arrangements by the legendary Lincoln Olivetti.
Review: Should you stumble on an original copy of N'Draman Blintch's 1980 album Cosmic Sounds for sale, it would cost you upwards of 1,000 Pounds. This, then, is a much-needed reissue. It contains four fine cuts that showcase the Ivory Coast-born musician's distinctively intergalactic take on Afro-disco, where spacey electronics and mazy synth lines rise above bustling, high octane grooves. The album does contain one decidedly laidback and loved-up slow jam - closer "She Africa (Ton Tour Viendra)" - but it's the celebratory brilliance of the set's dancefloor workouts that most impress. Check, in particular, the anthem-like strut of title track "Cosmic Sounds" and the hot-to-trot, solo-laden Afro-disco explosion that is opener "Self Destruction".
Review: Mad About's latest reissue is a doozy for funk fans. Telstar's Orbiting is a soulful, ghetto-vibed masterpiece that comes all the way from Barbados and is back on wax fr the first time since its original pressing. This album blends infectious rhythms with powerful, emotive vocals that epitomise the essence of 1970s funk and Caribbean-influenced grooves. A standout track is Kool & The Gang's funky version of 'Kool Reggae,' which adds a unique twist to the classic while other highlights like 'World of Tomorrow' and 'Making a Living' have become DJ favs thanks to their killer grooves and timeless appeal.
Review: Emotional Rescue closes out another brilliant year with one final hot drop. This sorting 7" Safari by King Sporty was the artist's first ever single back in 1976. It comes after the label has served up plenty of reissues of the man known as Noel Wiliam's tackle but this one might be the best. It's from his album Deep Reggae Roots and is nice tropical excursion with steamy hits, wooden percussive sounds and funky bass over a low-slung groove and chanting vocals. This one is backed with a special disco mix by Lexx that reworks the tune for more lively moments.
Thandi Zulu & The Young Five - "Love Games" (9:36)
Tony Wilson - "Hangin' Out In Space" (dub mix) (6:16)
JC Lodge - "In Between The Sheets" (4:02)
Soyuz - "Spring Has Sprung" (feat Asha Puthli & Sven Wunder) (2:08)
Review: Mr Bongo Record Club's Volume 7 presents a meticulously crafted mix of classic favourites and exciting new finds spanning a broad array of genres, including Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo. This series has fans of the label excited about each volume that comes. With standout tracks like Os Panteras' Brazilian funk, the underground disco vibes of Claude Jay, and the soulful melodies of the Danish duo Gitte & Inger. Truth & Devotion's gospel soul and Chain Reaction's infectious grooves further illustrate the diverse range of influences at play. This volume particularly emphasises Brazilian music, diving deeper into folk and Afro-Brazilian sounds with selections from As Sublimes, Romeu Fernandes, and Conjunto de Percussao Dora Pinto. These tracks offer a refreshing shift from earlier volumes and showcase Brazil's rich musical heritage. A highlight is the exclusive 'Spring Has Sprung,' a collaboration between legendary Asha Puthli, the inventive band SOYUZ, and Swedish producer Sven Wunder. This track exemplifies the high-quality productions Mr Bongo Record Club is known for. Volume 7 blends Brazilian depth with dancefloor-ready hits, such as The Shades of Love's 'Come Inside.' This collection celebrates both timeless and contemporary music, reflecting the enduring allure of diverse and dynamic sounds.
Review: The second part of Susobrino's album continues his playful exploration of Latin and Cumbia rhythms, pushing the boundaries of traditional sounds while paying tribute to their roots. 'El Destino' opens with a burst of vibrant energy, where Monterrey's La Gallo 3:20's bold vocals ride over layers of quirky beats, creating a track that's as much a celebration as it is experimental. 'CUMBIA GORDA' brings a salsa flair, full of lively trumpet arrangements, while 'CUMBIA RICO' shifts into a more danceable mode, echoing the festive atmosphere of a Brazilian carnival. Overall, it's a refreshing and daring take on Latin fusion.
Review: This album transports listeners to 1950s and 60s Colombia, where the tropical sounds of the Caribbean and Pacific coasts dominated the mainland music scene. Edmundo Arias, alongside Lucho Bermudez and Pacho Galan, was one of the pivotal figures of this era, yet his introverted nature kept him out of the spotlight, making his contributions less celebrated than his peers. Born in Tulua in 1925, Arias came from a musical family and mastered several instruments. After his father's death in 1948, he and his brother moved to Medellin, the epicenter of Colombia's music industry. Arias quickly established himself as a talented musician, composer, arranger, and band leader for leading labels like Zeida, Ondina, Silver, and Sonolux. Despite his preference for working behind the scenes, Arias' impact was profound, collaborating with numerous musicians and mentoring young artists. His prolific output included hundreds of compositions and numerous albums. This compilation, Guepa Je!, shows the finest of Arias' work from the 50s and 60s, a period often regarded as the pinnacle of his career. Enjoy the vibrant, joyous sounds of Colombia's tropical music heritage.
Cipriani One Man Band - "From Peru To China" (2:01)
Review: Perhaps the most captivating moment here is OVA's 'Rainforest,' opening with lush textures and shimmering rhythms that transport you to its titular environment. Jean-Michel Bertrand's 'Engines' shifts gears, its mechanical pulses intertwining with atmospheric layers. On the flip side, Four Drummers Drumming bring intensity with 'Wok,' a tightly constructed piece driven by cascading percussion. This collection thrives on contrastsimeditative in one moment, invigorating in the nextidelivering a rhythmic journey through European percussion that feels both timeless and innovative
Leo Basel - "Quelle Drole De Vie" (Nick The Record & Dan Tyler rework) (7:31)
Love Isaacs - "Surprise Surprise" (Joao Gomes & Dan Tyler Are Predictably Delayed rework) (5:43)
Rick Asikpo & Afro Fusion - "Let's Get High" (Nick The Record re-edit) (12:36)
Review: As Tangent, one of London's cherished underground institutions, marks a decade of unforgettable nights, it does so with a meticulously curated compilation on Mr Bongo. The new release is more than a celebratory gesture; it's a sonic anthology reflecting the essence of a decade spent at the heart of the city's underground scene. Curated by Tangent's own John Gomez and Nick the Record, the compilation presents a blend of rare and dancefloor-ready tracks that have defined their parties over the years. This isn't merely a collection of past hits; it's a celebration of the edits that transformed these tracks into Tangent anthems. Alongside remastered reissues, the CD edition includes three exceptional edits by Nick, John, and Dan Tyler of the Idjut Boys, each crafted with the kind of attention to detail that only years of club experience can bring. Nick's collaboration with Dan Tyler on Leo Basel's 'Quelle Drole De Vie' breathes new life into a 1987 remix, honing in on the standout elements of the original. The result is a vibrant, French boogie-infused track that promises to elevate any dancefloor. John and Dan's rework of Love Isaacs' 'Surprise Surprise' offers a cosmic twist on 80s electro-funk, extending the grooves and adding a highlife touch that enhances the track's dancefloor potential. The compilation's crowning piece is Nick's edit of Rick Asikpo and Afro Fusion's 'Let's Get High'. This 12-minute reimagining takes the energetic climax of the original and expands it into a frenetic, cosmic journey, showcasing synthesised jazz-funk in its most exhilarating form. This release is not just about revisiting old favourites; it's about acknowledging the transformative power of edits and the unique role Tangent has played in shaping London's underground music scene over the past decade.
Pieces: Tombo/La Escuela/Tombo/The Last Goodbye (5:17)
Groove (6:06)
Review: Opa's Goldenwings returns to vinyl after 50 years, offering a remastered take on the 1976 fusion masterpiece that has long been a coveted gem among jazz-funk collectors. Released by Craft Recordings via Jazz Dispensary's Top Shelf series, this album showcases the legendary collaboration between the Fattoruso Brothers, Airto Moreira, and Hermeto Pascoal. Goldenwings blends Latin rhythms, intricate synth work, and lush vocal harmonies into an exhilarating fusion experience. Tracks like the funk-forward title track and the cosmic 'Totem' highlight Hugo Fattoruso's mastery of layered keyboards, while 'Corre NiNa' and 'African Bird' bring a joyful and folk-inspired energy. The album's centerpiece, 'Tombo,' features an impressive suite that leads into the dancefloor-ready closer, 'Groove.' With all-analogue mastering by Kevin Gray and pressed on 180-gram vinyl, this reissue offers a pristine listening experience, complete with the original album art. Goldenwings is a fresh discovery for a new generation of listeners so this reissue will be a much needed one.
Review: Destination Nigeria, 1975, Fela and Africa 70 are indelibly locked into a hugely prolific groove with well over 10 albums behind them. Then they release this, an LP comprised solely of two wondrously extended work outs from the troupe. "Expensive Shit" famously tells the tale of Fela's brush with the jaded law while "Water No Get Enemy" speaks - or rather sings - for itself. One of Fela's many notable and hugely influential releases; your collection isn't complete without it.
Review: It's taken a while, but Philophon chief (and in-house producer) Max Weissenfeldt has finally managed to finish the album he started working on with Ghanaian Frafra-gospel singers Alogte Oho & His Sounds Of Joy. It's a set that has been promised for the best part of five years, so it's fantastic to see it finally materialize. Musically, it explores similar sonic territory to Oho's previous singles on Philophon (all of which featured music from Weissenfeldt), effortlessly joining the dots between traditional Ghanaian styles, local interpretations of funk and soul, dub-wise reggae rhythms and occasional nods towards contemporary electronic beats. The results are superb, making this a must have for those who love a bit of West African musical positivity.
Review: Described in the accompanying press release as "the halfway point between Bollywood and Balearic", Rupa Biswas' 1982 debut "Disco Jazz" has long been a favourite of dusty-fingered diggers with a healthy bank balance and a penchant for the quirky. All four tracks are cheery, charming and superior to many "Bollywood disco" records produced in the same period. The sunny disco-boogie of "Moja Bhari Moja" is followed on side A by the delightfully eccentric, bass-powered AOR-disco/funk-rock fusion of "East West Shuffle" and the effortlessly Balearic cheeriness of "Aaj Shanibar". Best of all, though, is the exotic and intoxicating flipside cut "Ayee Morshume Be-Reham Duniya" which expertly joins the dots between cosmic rock and Balearic disco grooves for 16 spellbinding minutes.
Takeo Yamashita - "A Touch Of Japanese Tone" (4:21)
Tadaaki Misago & Tokyo Cuban Boys - "Jongara Reggae" (3:38)
Chikara Ueda & The Power Station - "Cloudy" (6:08)
Chumei Watanabe - "Downtown Blues" (3:38)
Kifu Mitsuhashi - "Hanagasa Ondo" (2:51)
Monica Lassen & The Sounds - "Incitation" (5:29)
Norio Maeda, Jiro Inagaki & The All-Stars - "Go Go A Go Go" (3:19)
Akira Ishikawa & Count Buffalo & The Jazz Rock Band - "The Sidewinder" (2:41)
Masahiko Sato, Jiro Inagaki & Big Soul Media - "Sniper's Snooze" (6:42)
Review: Some compilations manage to both educate, inform and educate in equal measure; this fine collection from Japanese crate diggers DJ Yoshizawa Dynamite and Chintam is one such set. Comprising mostly little-known tracks recorded by Japanese artists between 1968 and '70, it offers up a wealth of cuts inspired by American jazz-funk "rare groove". There's much to admire across the ten tracks, from the mazy Rhodes solos, fizzing big band jazz grooves and traditional Eastern instrumentation of Toshiko Yonekawa's "Soran Bushi", and the languidly-slung brilliance of Tadaki Misago and Tokyo Cuban Boys' multi-faceted musical fusion "Jongara Reggae", to the Jimi Hendrix-goes-funk heaviness of "Incitation" by Monica Lassen & The Sounds, and the drums-driven dancefloor madness of Masahiko Sato Jiro Inagaki & Big Soul Media's "Sniper's Snooze". Recommended.
Review: The FunkyJaws Music label invites us deep into their world for a third time here with another delicious 12".It's a various artists EP that features one of our top disco favourites - Eddie C. He opens up with 'Do You Wanna Dance' which has vocals pacing about the mix and old school acid bass twangs under raw house drums. Elado's '25.4 Millimeters' is a Middle Eastern funk workout with spangled drum hits and the flip side brings twisted acid disco and the cosmic trip that is 'In Your Ear With It' from Funkyjaws themselves.
Review: Over the years, Cesar Mariano and Cia's 1977 set "Sao Paolo Brasil" has achieved cult status, with dusty-fingered diggers regularly proclaiming it one of the finest jazz-funk/fusion albums of the period (a fact confirmed by the high prices that original vinyl copies often change hands for online). Remarkably, this timely Mr Bongo reissue marks the first time the set has been released outside of its native South America. Rich in glistening jazz guitars, fizzing, Azymuth-style organ riffs, spacey synths, warm bass and skittish drums, the album's eight tracks bristle with breeziness, subtle samba motifs, sumptuous dancefloor grooves, sunny downtempo workouts and effervescent arrangements. In a word: essential.
For All The Side Chicos & Chicas (feat Coco Maria) (3:44)
Maybe Man (feat Silvia Machete) (1:13)
Hay Esperanza (feat Coco Maria) (2:42)
She's In LA (feat Young Gun Silver Fox) (1:27)
Todo Chvere (feat Don Leisure & Coco Maria) (3:12)
Review: Rio 18's Radio Chevere is a vibrant, genre-defying musical experience that resists being neatly boxed in. Part mixtape, part radio show, it's a sprawling tribute to Tropical Music, bursting with energy, sincerity, and groove.
Guided by guest DJ Coco Maria, Radio Chevere embarks on a sonic journey across multiple continents. From the samba rhythms of Brazil to Venezuelan salsa and even Californian psychedelic disco, the album becomes a musical metaphor for migrationicelebrating the movement of people, sounds, and stories.Collaboration lies at the heart of this record. Brazilian legends the +2's appear on the soft samba ballad 'Oh Minha Querida', while transatlantic Yacht Rockers Young Gun Silver Fox bring laid-back charm to 'She's In LA'. Silvia Machete from Sao Paulo adds an infectious funk vibe to 'Maybe Man', and Venezuelan icon Luzmira Zerpa delivers rhythmic intensity on 'Padre Tiempo'. The album's linguistic variety is equally impressive, blending Spanish, Portuguese, Welsh, and English into one rich tapestry. Founder Carwyn Ellis, having explored Latin music since Rio 18's 2018 inception, takes a step back from singing on Radio Chevere, focusing instead on songwriting and production. With bold cover art by Colombian artist Yoda, Radio Chevere is a lively and heartfelt celebration of the diverse influences that make up its unique sound.
Review: This month, Echo Chamber Recordings turns one year old and makes the occasion by offering dup another instalment in the popular Boogaloo Lessons Series. This one comes from Cheeba's Latin Bros who serve up boogaloo brilliance starting with 'One Step Beyond' which has some ass-shaking rhythms and plenty of big drum sounds, rolling fills and natty chords. On the flip, 'Set Your Soul Free' has a big boogaloo vibe still but also more tender soul vibes in amongst all the vibrant percussive shuffling and unbalanced chords.
Review: For its 50th release, Awesome Tapes From Africa proudly reissues Nahawa Doumbia's Vol. 2, originally released in 1982 and unavailable outside Mali until now. This recording captures the early artistry of one of Mali's most iconic voices, featuring Doumbia's powerful vocals accompanied solely by her partner N'gou Bagayoko on acoustic guitar. Painstakingly remastered from the original LP by audio engineer Jessica Thompson, Vol. 2 brings a new clarity to the intimate yet commanding sound. This reissue exemplifies ATFA's mission of expanding artists' reach and offers fans a rare glimpse into the roots of Doumbia's enduring legacy in African music.
Review: Ray & His Court's self titled album is a masterclass in Latin funk by Ray Fernandez, a key figure in Miami's Cuban music scene. Originally released in 1973 on Sound Triangle Records, the album blends salsa, funk, soul, calypso and Afro-Cuban rhythms and is a real family affair that features Ray's wife, sons and top musicians like Rickey Washington, who is the father of the revered jazz cat Kamasi Washington. Side A boasts irresistible Latin tracks like 'La SeNorita Lola' and 'Lo Sabia' while Side B heats up with Miami funk including the DJ favourite 'Cookie Crumbs' and the standout instrumental 'Soul Freedom' to make for a magnetic fusion of Afro-Cuban energy and Miami groove.
Review: Captain Planet is a globe trotting DJ and producer who mixes up worldly roots music with his own fresh take on hip-hop and dancehall. For this one he joined up with Zuzuka Poderosa & Raphael Futura for a brilliant Brazilian disco and funk song that harks back to the 70s and 80s with influences like Tim Maia, Sandra Da Sa & Gilberto Gil. 'Moqueca' though also has some nice dance floor weight to it as well as the richly tropical percussion, steamy horns and seductive chords. On the flip is an instrumental and the good news is this is a taster of a full album to come.
Lemos E Debetio - "Morro Do Barraco Sem Agua" (2:49)
Barbosa - "Seara De Oxala" (2:06)
Dave Pike Set - "Mathar" (3:43)
Lantei - "Fish & Funjee (Komi Ke Kenam)" (2:54)
Buari - "Karam Bani" (4:20)
The Rwenzori's - "Handsome Boy (E Wara)" (part 1 & 2) (6:46)
Mavas John - "Use My Bady" (4:28)
Big Youth - "Mammy Hot Daddy Cool" (3:09)
Tappa Zukie - "Freak" (7:11)
Connie Laverne - "Can't Live Without You" (2:39)
Alex Rodriguez - "El Mercado" (4:57)
Cortex - "Chanson D'un Jour D'Hiver" (5:27)
King James Version - "He's Forever (Amen)" (4:50)
Review: Brighton based record label, publishers, cinematographers and legendary former London record store Mr Bongo present the first installment in their new 'Mr Bongo Record Club' compilation series. It features, in their words "a selection of favourites, recent discoveries and sought after obscurities, which form the basis of our DJ sets and our radio show of the same name." There really is some great music on here that has been sourced from all corners of the globe and as much as they're oldies: they certainly are goodies. Our favourites weren't limited to: Brazilian duo Lemos E Debetio's charming "Morro Do Barraco Sem Agua", the African funk explosion of Lantei's "Fish & Funjee (Komi Ke Kenam)" and some truly hot reggae vibes in the form of Big Youth's 1977 unclassic "Mammy Hot Daddy Cool" among many others on this fine compilation.
Review: Three stunning flavours on Mr Bongo, none of which have ever been released on 45" before... Trio Mocoto - famously the backing band for Jorge Ben - lay down a frenetic samba where the group vocals take full lead of a sprightly groove with tinkling keys. Jazz Tenorio Jr's "Nebulosa" is exemplary jazz bossa, all heavy keys and creative drama. Finally Trio drummer Jorge Autuori gets representation with the lavish key-heavy samba "Autorizando". Each one a stunner, Mr Bongo have delivered once again
Feel It For Yourself (feat KOG - vocal edit) (4:14)
Feel It For Yourself (Smoove rework) (8:22)
Review: Infectious 70s Afrobeat vibes, courtesy of Kweku Sackey and his dynamic backing vocalists, pulsating with rhythmic depth - imagine Manu Dibango infused with Tony Allen's rhythmic flair and you're close. Richard Ormrod's crafty alto sax solo adds instrumental brilliance and with options like a shorter vocal version for quick hits and a DJ Smoove dancefloor remix for extended groove sessions, 'Feel It For Yourself' caters to diverse tastes and occasions. Whether spinning the extended Afrobeat masterpiece or the electrifying remix, DJs and listeners alike will find plenty to love in this vibrant, soulful release that demands to be felt.
Jorge Ben - "Take It Easy My Brother Charlie" (2:36)
Review: Mr Bongo's Brazil 45s series gets its rock on with two hairy grooves, both of which have enjoyed the sampler's crafty knives over the years. First up, Tom Ze's "Jimmy Renda-se" rolls with an oily sleazy groove that's peppered by a playful lyrical rhythm that transcends language barriers. Ben's "Take It Easy My Brother Charlie" joins the dots between Samba and very light Rock with all the signatures that made Mr Ben the legend he remains to this day with big vocal harmonies and infectious textures of Brazilian percussion.
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