Review: Born 2 Be Free returns with a second sizzling slab of UKG-flavoured wax and this one from Azaad has a superb throwback feel thanks to the smart sampling. 'Untitled 92' hints at which period this artist has the most respect for with its silky smooth chords and thumping kicks getting you into a nice deep vibe before 'Outta My Mind' hist that bit harder with nice dry, scraping hits, bouncy bass and clipped vocal fragments. The classy vibes continue with 'Torn' which shuts down with a more high speed and slick sound smart snares and a rich, emotive vocal that finishes it in style. Three classy, timeless garage cuts.
Review: Ron Trent's 'Sensual' is a deep dive into evocative house music, filled with rich textures and a smooth, atmospheric vibe. The track epitomises Trent's mastery of blending soulful rhythms with hypnotic grooves. Its subtle layers and lush melodies create an immersive listening experience, balancing sensuality and funk with effortless grace. The track's warmth and smoothness allows you to drift into a state of relaxed euphoria. Trent's impeccable production shines through, creating an ambient yet driving energy that perfectly captures the essence of modern house music.
Review: Four Tet's Live at Alexandra Palace London 24th May 2023 captures the boundless energy of a live performance that effortlessly blends his signature electronic sound with the intimacy of a live setting. The opener 'School Green Romantics' builds slowly, layering intricate beats and subtle melodies, before escalating into a full-bodied rhythm that really commands attention. Tracks like 'Tides' take on a new life in this setting, with their intricate textures expanding and contracting, creating an immersive atmosphere that pulses with anticipation. Throughout, Four Tet's control over the crowd is palpable, using his deep knowledge of rhythm and melody to take listeners on a journey. A mesmerising live experience in every sense.
Review: Moxy Muzik's 'Moxy Editions' series of multi-artist EPs has long been a reliable source of quality underground house music, with the six previous instalments - all released between 2021 and 2023 - being packed to the rafters with high-grade material. There's plenty to set the pulse racing on volume seven too, starting with the driving, druggy and mind-altering peak-time excellence of Stacy Pullen's 'Nasty', a slamming concoction that makes great use of vocal samples lifted from a Prince-produced Vanity 6 classic. Label chief Darius Syrossian then delivers his interpretation of Audiojack's 'Get Down', reframing the track as a soul-fired slab of NYC tribal house of the sort that was once the preserve of Danny Tenaglia. Over on the reverse, Vincent Caira offers up the swinging deep house chunkiness of 'Position' and Buckley delivers the all-action, break-sporting rave hedonism of 'In 5D'.
Review: Kerri Chandler's 'Bar A Thym' is one of those tracks that seems to contain everything great house music aspires to beia groove so undeniable it feels perpetual, melodies that loop and evolve as though they've always existed. This reissue, spanning Chandler's original extended mix, Foremost Poets' vocal edit, and THEMBA's reimagined version, charts not only the track's history but its continuing relevance. The Foremost Poets edit imbues the already hypnotic motif with an enigmatic narrative, its vocal fragments both anchoring and reframing the mood. THEMBA's remix, on the other hand, nudges the groove toward Afro house, subtly opening up the track's spatial dynamics while preserving its magnetic pull. Chandler's work never feels datediit shifts and reshapes to meet each new moment, and 'Bar A Thym' remains as arresting today as it was when it first found its way onto the dancefloor.
Review: Dutch duo Dam Swindle are masters of updating traditional house sounds with a subtle contemporary twist. That is exactly what they have long been doing on their own superb Heist Recordings label and now they make the step over to Jimpster's equally vital Freerange with a fresh new EP. 'Unfinished Business' kicks off with sustained chords that bring a classic touch next to some steamy vocals and warm chords. 'Under The Spell' is more loose limbed and soul drenched, then a Crue remix brings some real heft to 'Unfinished Business.' Last but not least is 'Woman', a laid back vibe with swirling chords for loved up floors.
Review: Under the Tigerbalm alias, Rose Robinson has done a stellar job in crafting a trademark style that blends elements of boogie, nu-disco and proto-house with a variety of global musical influences - most notably African, Latin and South-East Asian sounds. On this welcome return to Razor N Tape, the London-based producer leans into the Latin inspirations, first via the colourful nu-disco breeze of 'Profunda Alma' (featuring regular vocalist Joy Tyson), and then on the 21st century synth-samba of 'Vem Ca' (featuring Jao Selva's honeyed vocals). Yuksek turns the latter into a club-ready Latin nu-disco gem, before rising stars Make a Dance deliver two rubs of 'Profunda Alma': a superb, warehouse-ready and TB-303-laden 'Acid Remix', and a percussive, spaced-out and decidedly delicious 'Tribal Dub'.
Review: Slabs, if you didn't know yet, is the new label from Dungeon Meat duo Brawther and Tristan da Cunha that wants only to serve up music to make you sweat. This is another red-hot one that comes from Horsemen and has already been slammed down to great reactions at places like BRET in Amsterdam. 'Work It Out' is a stripped-down but chunky and rugged house monster, and 'The Strip Down' is a more lively and elastic cut with rubbery kicks, jumbled hits and irresistibly kinetic rhythms. Hugely effective yet hugely characterful, this is another doozy from Slabs.
Review: Francis Harris and Anthony Collins (aka Frank & Tony)'s New York label Scissor and Thread wraps up the year with another sublime deep house release from US mainstay DaRand Land, who first joined the imprint in 2016 and recently collaborated on their album Ethos. Originally from Buffalo, NY, the tasteful producer was a pioneer of Deep4Life, a Chicago-based cult label known for deep, dance floor-oriented productions and he is still turning out just that on new LP Wander Being. It's full of smoky pads, cuddly drums and bottomless grooves that hypnotise mind and body while warming the soul to its core.
Review: Spanish deep house proponents Mate return with a fresh new 12" from Deenamic. The Barron's EP kicks off with 'Barron's TV' featuring Danny Fm and it is a lively, soul-drenched cut with jazzy Rhodes jams and humid chords over a dusty beat. 'Running' is a Moodymann-style, frayed runs the edges and sample-heavy workout full of funk and sex, and 'Release It' shuts down with some bulky beats, smoky vocal soul and nebulous late-night synths that swirl around the mix like flickering candles.
Review: Crazy P's latest album offers a clean, classic experience, while still showcasing the band's skill in merging retro influences with fresh, modern energy. Tracks like 'Portals' and 'Not Too Late' highlight the depth of their sound, and the late Danielle Moore's signature vocals provide an emotional anchor throughout. The pressing is high quality, ensuring every intricate detail shines through. This edition is perfect for both audiophiles and fans, offering an immersive listening experience that pays tribute to Moore's legacy within the band.
Review: US label Nu Groove and UK veteran Bushwacka! are two names that will forever be synonymous with underground dance music. To have them come together for a fresh new 12" is like catnip for the real house. This faults four tracker kicks off with the dark and menacing, stripped-back house sounds of the title track before 'Dance All Night Long' picks up the pace with some hefty kicks and woodpecker bass lines. 'Sometimes I Feel' is a jazzy one with busy chords and keys and a 90s bassline and 'How To House' shuts down with a more party-starting, playful vibe featuring chunky drums and myriad voices adding some atmosphere.
Review: Detroit's always innovative Wajeed returns to his own Dirt Tech Reck label with his last EP of the year. As always it blends soulful sounds, machine funk, authentic house groves and is sprinkled with vocals, trumpet and jazzy melodies that get at both heart and heel. Superb opener 'All The Way Thru' is laced with intricate samples and funk and soul drenched drums that will surely take it to anthemic status. 'Neptune's Symphony' is Wajeed's ode to the unknowns of space and 'Dry Hatin' is a track in which the artist addresses "my own nativity" with brilliant results.
Review: 'Loose Fit' isn't always the first song name that springs to mind when thinking about the Happy Mondays, but the immediately identifiable opiate guitar riff is up there with the band's most memorable and infectious. A highlight of the group's third album, Pills 'n' Thrills and Bellyaches, the track was already dancefloor ready before this pack of re-dos arrived on the scene. We're glad it did, though. Greg Wilson and Che Wilson open the scoring, keeping things thoroughly Manchester and acid-tinged, it's a trip through the blue lights and sweat of a warehouse at 2AM. The Grid's EOE Edit and subsequent Remix take the tempo down and the atmosphere deeper, almost druggier if that could humanly be possible given the wider context here. Topped off with a post-club overture in the form of the epic downbeat Perfecto version, and you might want to stick it in the shopping cart now.
Space Cowboy (Michael Gray's Good Vibe Zone extended) (6:23)
Space Cowboy (Michael Gray's Good Vibe Zone dub) (5:50)
Review: Jamiroquai always had a unique sound that sat somewhere between pop, house, disco, funk and cosmic delight. His great singles were always ripe for remixing and few do it better than house man Michael Gray. Here he tackles the evergreen 'Space Cowboy' with a Good Vibe Zone - extended mix that layers in some nice funky, soulful drums and lavish cosmic melodies that make it perfect for cultured clubs. On the flip of this new 12" from Sultra is a dub mix that is a little more playful and party starting. Both tunes are sure to raise the roof.
Desolate Place (Find Me) (feat Queen Sherine) (4:29)
Intertwined Cultures (feat Akeem) (4:48)
Haseebs (feat Haseeb Iqbal - interlude) (1:03)
Desolate Place (feat Queen Sherine - Ancient dub) (5:35)
Intertwined Cultures (feat Akeem - dub) (4:30)
Review: Last Nubian's debut for Eglo Records is a soulful, jazz-infused celebration of London's rich diasporic culture. With 'We Celebrate Us', the Brixton-based producer crafts a sonic journey that spans from deep house to broken beat and UKG, rooted in the legacy of Black British dance music. Collaborating with a diverse range of vocalists and poets, the EP evokes everything from the introspective moods of West London's Broken Beat scene to the uplifting party energy of Soul II Soul. With tracks like 'Black' and 'Desolate Place', Last Nubian creates an intricate tapestry of sounds, capturing the essence of London's vibrant, multicultural rhythm.
Review: Marc Cotterell's 'Feel The Groove' EP is a vibrant, disco-infused collection that merges classic grooves with modern production. The title track, 'Feel The Groove', is a light, fun disco gem, capturing a funky 70s mood with a fresh UK garage twist and that xylophone magic touch. 'Get It Right' takes the funk further, building up to a filtered disco crescendo that's perfect for late-night floors, oozing with energy and sleek edits. On the flip side, 'My Groove' offers a deeper vibe, giving the EP a well-rounded feel with its rich bassline and smooth production. Finally, 'Work Me' is catchy and playful, bringing a polished sound that keeps the rhythm flowing. Altogether, 'Feel The Groove' is a solid pick for those craving both nostalgic and modern dancefloor moments.
My Baby Just Cares For Me (Afro Sunset mix) (6:23)
Review: Nina Simone's rendition of 'My Baby Just Cares for Me' stands as a definitive interpretation of this jazz standard, with her distinct, soulful style infusing the track with fresh charm. Originally recorded in 1957, the song gained new life decades later, reaching the UK top ten in 1987 after it appeared in a perfume commercial. Simone's piano work shines, blending playful syncopation with bluesy phrasing, while her voice adds an intimate, deeply expressive layer. Her version transformed this classic into a timeless, iconic piece, reintroducing her genius to a new generation and solidifying her lasting influence in jazz.
Review: Head High is one of the other aliases of Shed, the Plash producer with a unique sound that fuses techno, house and rave in warm dancefloor gems. This EP is one of his best and opens with 'Changes (feat Cassy)' which pairs fizzy drums and synths with soothing vocal coos and sweeping strings. Ziggg Gonssalezz's 'Island 909' is another mix of lithe synth lines and floating beats with smart vocals and 'Blind (feat Virginia)' chops up a vocal and does magical things with it over stripped back grooves and vamping chords. 'Pile #00505 (feat Wax)' shuts down with some dubby goodness.
Review: Volume 4 of the Make Up series is another doozy and this one brings together accomplished house heads Camille, Chez Damier, and Nico Lahs in a celebration of underground disco classic "through the lens of 60's and 70's underground comix." Similar to these rebellious reads, the tracks on this release carved their niche with purists seeking distinct and thrilling sounds. Across the double album, Camille's contributions include Mystic Pleasure's 'Back Door (Getting Down)' and Cold Fire's 'Badder Than Bad' which both bring soulful melodies and infectious rhythms, Chez Damier adds Fascination's 'Shine My Love' and Bileo's 'You Can Win' with shimmering vocals and funky basslines and together, they make for an exhilarating mix of disco brilliance.
Review: T RWK's 'Listen' EP brings a dynamic blend of soulful and New York house with two standout tracks that capture the spirit of the dancefloor. The title track, 'Listen'. is a funky, infectious number with a quirky rhythm and vocal hooks that make it an undeniable crowd-pleaseriits energy and groove are pure dancefloor magic. On the flip side, 'Hi Fi' shifts into a chugging Latin-inspired groove, blending tribal rhythms with a soulful touch that gives it a warm, resonant feel. Together, these tracks showcase T RWK's ability to create deep, rhythmic house with an irresistible vibe.
Review: Expoz by JanaretT & Miroloja marks another successful collaboration between the two camps, delivering four tracks of beautiful spacey melodic techno and tech house. The A-side opens with the title track, 'Expoz,' a club-focused tech house anthem that balances techy elements with pulsating melodies, setting the tone for the EP. Following is 'Fraistival,' offering a slightly progressive house vibe with a captivating melody that flows seamlessly. On Side 2, 'Anomisk' emerges as a catchy builder, drawing listeners in with its infectious rhythm and evolving layers. Closing the EP is 'Vertu,' a chill deep house gem perfect for late-night sessions, exuding class and elegance while maintaining a melodic allure. The resulting collaboration continues to give us tracks that are both hypnotic and immersive.
Review: Experience the innovative sounds of DJ Sneak with this 12" vinyl release, an EP delivering four standout tracks that redefine the garage and house genres. From the commanding groove of 'Years In The Game' to the dynamic beats of 'Bad Muthafucka', each track exemplifies DJ Sneak's legendary prowess. Only Cuts expertly curates these bangers, ensuring superior quality and a transformative listening experience. Dive into this sophisticated collection and discover the future of house music.
Review: Al most ten years in the making, Tom Noble's debut album is that most rare of beasts: a decidedly dusty and loose-limbed revivalist disco album that genuinely sounds like a long-lost 'private press' set from the turn of the 1980s. Noble is a renowned crate-digger, DJ and disco-boogie specialist, so it's no surprised to find that the songs and instrumentals on show, which also offer nods to jazz-funk and dancefloor soul, is exceptionally well observed and painstakingly crafted via the contributions of many guest musicians and vocalists. For proof of the set's majesty, get your ears around the celebratory and synth-speckled 'Times Are Changin', deep disco treat 'Holding On', head-nodding soul slow jam 'Diamond Eyes' and warm, heady closing cut 'Moving Away'.
Review: Gideon Jackson and Eddie Richards are bona fide tech house titans who have more than helped to shape the genre since day dot and the All Rise EP sees three of their finer past glories gathered together and remastered and pressed on lovely red wax. The excellent 'Biscuit Barrel Blues' opens with exactly the sort of compelling drum work you would expect and it is imbued with some prying synths and sultry vocals. There is an irresistible glitch and dryness to 'Pull Tab 2 Open' and its smeared pads that make it perfect body music then 'Crying' (Gideon Jackson remix) brings a more heavy tech house sound with extra dub weight. Perfection.
Last Night (feat Harriet Brown - MAD vocal mix) (7:11)
Last Night (6:27)
Phone Sexting (5:23)
New Life (5:19)
Review: One-man dance music production line Tom Carruthers - a regular contributor to L.I.E.S and the man behind the admirable Nonstop Rhythm label - makes his bow on Make a Dance's M.A.D imprint. Fittingly, the fast-rising duo kick things off with their take on title track 'Last Night', delivering a vintage-sounding house cut featuring sublime lead vocals from Harriet Brown that sits somewhere between Frankie Knuckles' turn-of-the-90s productions and Larry Heard's late 80s deep house jams. Carruthers' gorgeous instrumental original mix follows. Over on side B, 'Phone Sexting' sees Carruthers blur the boundaries between proto-house and early Chicago jack tracks, while 'New Life' is a picturesque slab of deep techno loveliness.
Review: Jazz-funk twosome Zamie (Jadie Kiggundu AKA Ziggy Funk and pal Jamie McShane) impressed with their recent album, Fortuitous. On this EP, two of the set's most potent cuts have been given the remix treatment with club dancefloors in mind. Incognito main man Bluey handles side A, offering up a smooth, groovy and musically detailed take on 'Smash N Grab' that peppers a slap-bass-propelled groove with spacey synth pads, jammed out Rhodes stabs and all manner of life-affirming electric piano solos. Over on side B, Glaswegian veteran Al Kent takes 'Wildfire' down the disco, turning in a near 11-minute, Tom Moulton style rub rich in punchy synth-horns, snaking sax solos and spacey synth solos aplenty. Colourful, grown-up disco with a jazz-funk flex... more please!
Review: Polish producer Shed also works as Head High where he makes house-infused sounds with brilliant drum designs and fizzing synth lines. '2nd Hand Bassline ' typifies his sound with low slung drums and swirling synths, smart vocals and plenty of heat for the floor. 'Agatha' is a soulful sound with a lush vocal and more paired back beats that build around a melancholic lead. The same cut then comes as a dirt mix which is more sleazy and club-ready. All three of these are unique weapons.
Review: Four Tet's live performance at Alexandra Palace delivers an immersive experience that blends intricate electronic soundscapes with undeniable dancefloor energy. The set opens with a subtle, hypnotic groove, gradually building in complexity and intensity as live drums and layered synths take centre stage. As the performance evolves, tracks like 'Sing' and 'Love Cry' explode with energy, effortlessly weaving between deep, ambient textures and vibrant, pulsing rhythms. The live setting offers a fresh dimension to the material, with each track feeling more expansive and dynamic. This is an exhilarating performance, showcasing Four Tet's ability to transform his recorded work into an electrifying live experience.
Review: Toronto Hustle & Sean Roman deliver the goods with 'The Symington Avenue' EP, marking WOLF Music's 77th release. The Canadian duo, known for past releases on Freerange, impress with two standout originals. House legend Kai Alce steps in to remix 'Not Now, Not Ever,' and the result is a massive track, full of his trademark finesse. Abacus, a key player from the 90s Prescription and Guidance era, brings a classy, refined edit to 'Could This Be.' A treat for genuine house lovers, this one's not to be missed.
Review: No prizes for guessing the motivation behind this new EP, 5 Years Of B2 Recordings. It is a tidy and tasteful celebration of half a decade of top quality deep house from a range of key players. This one opens with Frenchman Brawther getting dubbed out and deep as ever with some nice lounge chords and blissed-out pads. Bengoa's 'Neftina Dub' has a subtle US garage shuffle to it that harks back to the 90s and Lex & Locke then bring rich paint chords and withering synth motifs to 'Atenas Blues' before Zaq's 'Make A Wish' shuts down with some cosmic rays of positivity. A fantastic EP so here's to the next five years.
Review: Dungeon Meat's tasty new sub-label SLABS thrilled with its first outing from Dutchman Borren not long ago and is now back with a second slab of goodness. This one is from London's rising star Azaad and it comes on nice weighty 140g wax. Label heads Brawther and Tristan have already been slamming these joints at clubs and festivals around the world for the last 18 months so they come with a real stamp of approval. 'The Beat' bumps along with nice swinging kicks and steamy vocal inflections and 'The Return' is a gorge-tinged and hardcore house cut with depth and drive in equal measure.
Review: Mark E returns to his own MERC imprint for the first 12" vinyl release in seven years. Though this is a long-running label, the 'Take A Deep Breath' EP is no fanfaring comeback in itself, instead preferring a mood of technical chill and serenity, and building on Mark's unswerving love of deep house. Going by the tagline "understate to intoxicate", the takeaway is that even sedative moods such as this can function as dancefloor intoxicants: 'Transient Neighbour' and 'Deep Breath' are relentlessly smooth painkillers, administered by ear canal only and yet still working as successful deliverers of whatever the sonic entoptic equivalent of light trails are to the depressant dancer. B-siders 'Ultra Violet' and 'Sun Dog' move increasingly exotic, though the fourth track is especially moody and trembly, its fantastic low synth string resembling a prosthetic cello, not of this earth and yet doubly able to affect us.
Review: Sgt Slick returns with Vol 3 of the Sgt Slick Recuts series, delivering a fresh batch of disco-infused tracks that are perfect for the dancefloor. On Side-1, 'Upton Upon Purple' blends disco, funk, and new wave into an energetic mix that evokes the vibes of Sheila E. and Prince, making it an ideal choice for high-energy club sessions. 'Missing You Is A Wish' follows with a spirited diva disco vibe, combining a driving beat and infectious rhythm that promises to keep dancers moving all night. Side-2 opens with 'No Cost To Run Youthful Hearts,' where sweeping strings create a lush late-night disco atmosphere. The groove is both sophisticated and hip, perfect for those peak hours. The closing track, 'Owned By Rhythm,' cleverly incorporates a sample from Grace Jones' 'Slave to the Rhythm,' offering a groove that's impossible to resist. Vol 3 is a great addition to Sgt Slick's catalog, offering a variety of danceable, disco-driven cuts that will elevate any DJ set.
Review: Max van Dijk and Oliver Hiam together make up both Tessellate and The Trip, the latter of whose latest record 'Uncovered' is here brought to the former record label. A retromodern take on acid trance and breaks for the present proto-cyborgish condition, 'Uncovered' propounds a stark rediscovery of elated breaks and pinging highs; A-sider 'Love Struck' likens the experience of love on the dancefloor to that of an airhorning, crowd-screaming, hoop-earringed, fringed, tube-socked, Adidas tracksuit-sporting dream; the track is an inevitable boon for any DJ hoping to quickly raise the pace. Speeking of pace, the B sports 'I Need (Speed)', which, eschewing any reference to psychotropic drugs for a sec, fuses nebulaic soul vocal echoics with lurching speed garage come pure piano house bliss. Never slow down!
A Reference To E2-E4 By Manuel Gottsching (Mad Professor Qantas Crazy remix) (11:52)
Review: 'E2-E4' is of course a legendary bit of music written by a legendary composer. Here, Alex Kassian serves up his own extension version of it and takes us on a 12-minute electronic trip that will be perfect for the more adventurous DJs and dancers out there - not least in Ibiza this summer. Next to the escapist original is a flipside remix from the one and Mad Professor. He heads out on his own with plenty of mind-melting effects, dubby undercurrents and mesmeric leads that encourage minds to wander. A real pearler for the hotter months and beyond.
Review: After years spent working alongside a talented pool of jazz musicians as the Neue Grafik Ensemble, Fred N'Thepe has decided to go solo for the first time this decade. Dalston Tapes Vol 1 is, according to Rhythm Section International, a conscious attempt by the artists to return to his beat-making roots. It's an album, then, rooted in hip-hop mixtape culture, where vocal numbers featuring guest MCs sit side by side with rap-free "beats" - lusciously and impeccably crafted instrumentals in which warming bass guitar lines, deep electronic sub-bass, sparkling electronic motifs and choice samples cluster around loosely swung, MPC-driven beat patterns. It's a great collection all told, with nods towards club-ready broken beat and deep house sitting side by side with Dilla-esque workouts and references towards London's vibrant hip-hop and grime underground.
Review: Part one of Refuge's new La Decima V/A 12" series hears select tunes from select artists, all of whom have made significant contributions to the label's catalogue over the years. Spanning everything from firmly driven nu-disco to scratch n' sniff garage house to Chi-style stompers, we're more than enthralled by this well-rounded resonator. The best of the bunch has to be Demuir's 'Vibez High', which moves unabashed and stringy, its clawing claps, freeze-locked funk licks and scraping open hats painting a vivid street scene set outside the house.
Review: Crackazat's 'In The Sky' EP offers a dynamic blend of jazzy and future house elements, delivering an engaging experience for both the dancefloor and the soul. The title track, 'In The Sky', is an uplifting tune driven by infectious piano breakdowns and jazzy undertones, creating a perfect mood for a carefree night out. It's a track designed to elevate, with its airy vibes and feel-good energy. On Side-2, 'Burnin'' brings a surge of 90s-inspired energy, with a high-octane piano banger that channels classic New York house vibes. The track is a nod to the genre's roots, brimming with nostalgic energy while still feeling fresh and relevant. The closing track, 'Dark', shifts to a deeper, hypnotic groove with rich bass notes and tribal influences. Its deep, pulsing rhythm creates a captivating atmosphere with Crackazat's versatility and range within the deep house spectrum showing brightly. With its compelling mix of energy and soul, this EP is going to be a much needed dancefloor go to.
Review: First released digitally earlier in 2024, Prince Palmer's first outing on Bobby Donny's 'Ace' series heads to vinyl in expanded form. It's the Dutch producer's vinyl debut and a quietly impressive one at that. The headline attraction is 'Serious Play', a rolling, loose-limbed and sub-heavy slab of revivalist garage house/New Jersey deep house fusion that comes accompanied by a chunkier and undeniably trippy, dancefloor dub style 'Vibe Mix' makeover courtesy of Joy Jenkins. There's plenty to set the pulse racing across the rest of the EP though, from the Burrell Brothers-meet-Jovonn flex of 'Get Down' and the jazz-house/garage-house fusion of 'Sleeping City (Wake Up Mix)', to the organ-rich house positivity of 'Polygon Island' and the peak-time-at-Sound Factory NYC flex of Frits Wentink's fine revision of 'Airlift'.
Allstar MotoMusic - "Not A Place I Call Home" (feat Roger Versey) (6:32)
Alton Miller - "Italio Love" (6:09)
KemeticJust - "Taking Flight" (7:10)
Review: People Of Earth hits release number 20 with Part 2 of The Elements series again offering some super deep sounds from Patrice Scott, Allstar MotoMusic aka Dan Piu, Alton Miller & KemeticJust, which is a cut first released on the old SOCO Audio label. Scott's 'Cycles' kicks off with super deep kicks and heady pads swirling up top, 'Not My Home' (feat Roger Versey) then brings some majestic jazz keys and spiritual vocals and Miller's 'Italio Love' is a strident cut with leggy kicks and celestial pads. KemeticJust's 'Taking Flight' shuts down with more heavy beats but still romantic moods.
Review: Three top-tier house remixers, each offering their distinct flavour. Ron Trent opens with a tribal-infused rework of 'Move Ya', delivering irresistible rhythms and a soulful groove. NDATL's vocal remix follows with a Latin-jazzy reinterpretation, blending vibrant melodies and smooth vocals for a warm, danceable vibe. On Side-2, Ben Hixon showcases his versatility with two standout remixes. 'C'est Goodnight' transforms into a dynamic house anthem, while 'Just Can't Get It Right' channels classic Chicago house with elegant, timeless production. Both tracks exude sophistication and deep respect for house music traditions. With its mix of Afro, jazzy, and classic house elements, this EP has a little bit of everything a house music fan could want.
Review: The legendary Chicago duo's knack for blending deep house with their signature acid and classic original house influences on shoiw on a new 12". On Side-1, the Gherkin Jerks Tribute remix of 'SoDp' is a Larry Heard remix bomb, with its captivating melody drawing listeners in and a wonderfully sinister acid line. We know this record will get massive play. The Fuckthegovernment Ltd remix follows, delivering a deeper, jazz-inflected take with an eerie atmosphere that contrasts sharply with the original. Side-2 presents the original version of 'SoDp,' featuring high-strung acid sounds that capture the essence of Virgo Four's raw, innovative edge. Closing the EP is '333', a track steeped in deep techno tradition, offering a minimalistic groove that underscores the band's enduring influence. With Virgo Four's return you can always expect quality and nostalgic intertwined into their signature sound.
Klima Project - "Velvet Moon" (Patrice Scott Reshape) (7:48)
Review: Sole Aspect takes us around the world and to the studios of artists based across Madrid, Switzerland, Los Angeles and Detroit on The Mystic Embrace EP. Opening it up is Ernes Joey & Robbin Hauz with 'U Should Know' (feat Shea Doll - Age Of Rage remix) which is a version by Dubbyman alongside Dan Piu with some delightfully jazzy keeps, seductive deep house drums and aching vocals full of heart. The original is a stripped-back sound with less melodic luxuriousness but the still superb vocal front and centre. Dubbyman then mixes Klima Project's 'Sweetback' into a mid-tempo, cuddly back room deep house sound and Patrice Scott Reshapes it with some crystal-cut synth lines that bring cosmic charm.
Review: The first notes of Strength In Numbers pull you in with the immediacy of a tightly wound groove. 'Team Spirit' sets the stage with sharp percussion and a bassline that feels as if it's pushing against a restraint, only to give way to an effortless swing. 'Gear Up Rudi!' follows with a cool, almost cinematic feel, as Gibin's intricate rhythm patterns dance around the space between the beats. The pace slows slightly on 'Come Mornin' (featuring Sandra St. Victor),' where the warmth of her vocals transforms the track into a soulful, melodic anchor. Yet, it's on 'No Matter What' that the LP really finds its strideian undulating groove, building steadily before its final, emotive release. The album balances thoughtful restraint with moments of release and in that, Gibin creates something that moves through time without losing its pulse.
In The House (feat Tinglefingers- Jimpster remix) (5:52)
Get Up (5:06)
Fresh Air (5:43)
Review: Shadow Pressings hits its stride with release number three, featuring Detroit's own Mike Agent X Clark. A stalwart of the Beatdown movement, Mike's contributions to the scene are legendary, and this EP only adds to his already impressive catalogue. 'In the House Club' leads the charge, a minimal yet impactful track that showcases spoken word from fellow Detroit artist Dr. Tinglefingers. The raw, unpolished feel captures the essence of true Detroit house, with a stripped-back approach that leaves space for every element to shine. Jimpster steps in on remix duties, building on the original with a subtle, yet effective touch. His rework maintains the track's integrity while injecting a deeper groove, with added Rhodes stabs and warm textures that push the energy forward. On the flip side, 'Get Up' serves as a proper homage to the stripped-back, bass-driven sounds that Ron Hardy would have spun at the Muzic Box. Its simplicity is its strength, providing a hypnotic pulse that's impossible to resist. Wrapping up the release, 'Fresh Air' stays true to the underground, offering a deep, minimal cut that speaks directly to the heads. Mike Agent X Clark proves once again why he remains a revered figure in the scene, delivering a release that's primed for both the discerning selector and the dancefloor devotee.
Review: People Pleasers is a brand new label that kicks off with the first sounds of a new project, Shep, by respected veteran producer Jay Shepheard. It is house music which underpins these but plenty more goes on up top. 'Peach Buzz' shows that from the off with some nice airy pads and emotive vocal stabs that will make any floor take note. 'Trust Your Nose' is a deep, warm cut with shuffling drum and humid 90s organ stabs while 'The Bell Curve' has a late-night feel thanks to the pulsing synth sequences that roam about the mix. 'Higher States Of Nonchalance' shuts down with the most heady sound of the lot and a persuasive dub feel that is perfect for back rooms.
Review: Oooh! Angie Stone's "Wish I Didn't Miss You" definitely belongs in the canon of all time modern soul classics. Taken from her 2001 second album Mahogany Soul, the Swizz Beats produced track made optimum usage of an O' Jays sample and was instrumental in that LP going gold and propelling the former D'Angelo collaborator to stardom. It also inspired countless official and under the counter remixes with Blaze's perhaps the most recognisable. So yes this reissue on 7" from Outta Sight is worthy if you don't have the original in your collection and features a housed up remix from Hex Hector on the flip.
Review: Uladzimir Patapenka is a name you might not know, but you may know that he previously worked under the LIPSKI alias. Now leaning into disco and working as Patapenka, he is a Minsk-based artist who steps out with his second solo EP and the opener 'Bisous' features a host of talented musicians adding their skills. It's a lush and rich sound with great instrumental grooves and catchy hooks. All three of the other cuts mix up different elements of disco, funk and soul to make for irresistibly feelgood and emotive listening. Another vital slab of wax from the Funkyjaws Music crew.
Out Of The Present, Out Of The Future (version) (6:20)
Review: The legendary and ever-green talent that is Satoshi Tomiie is back with more of his house excellence. 12B Dub highlights Tomiie's versatility and innovative production style as he nudges at fresh territory here on Phonogramme Records. Opener 'Haus Muzik' blends deep grooves with experimental flair, 'Shakedown' is dubby, stripped back and raw but packed with feeling and 'Out Of The Present, Out Of The Future' is a beautiful track that all have you gazing off into the middle distance, happy to be lost in its balmy pads swirls.
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