Review: American producer Huerta is one of the contemporary tech house world's most standout talents. He has a great range of moods and grooves and his sound designs are second to none, no matter how many jams he kicks out. This latest outing on Leizure is a four tacker with some serious heft: 'Box Of Slicers' is one for the peak of the night with its old school breaks jostling for attention next to pulsing bass, 'Get Your Cave In Order' then hits hard on stripped back, dusty kicks drums that skate along the floor of the club and 'Nx 2 U' brings some slinky percussive deftness and silky pads. 'Cool Frijoles' (feat CJ) is a nice playful beat with super cool charm.
Black Rascals - "So In Love" (feat Cassio Ware - Atjazz remix) (6:40)
Wonderland (feat Alexander Hope - Jimpster remix) (6:38)
How Deep Is Your Love (feat Alexander Hope - DJ Spinna remix) (8:50)
Breathe (Natasha Diggs remix) (5:53)
Review: Given that they've been operative since the dawn on garage-house in the mid 1980s, there's plenty of material in the Blaze vaults to remix. Re-activated British label Slip 'N' Slide agrees, hence this EP featuring a quartet of revisions of catalogue cuts. To kick things off, Atjazz delivers a smooth, effortlessly soulful and lightly tech-tinged take on Black Rascals cut 'So In Love', before fellow British deep house star Jimpster drops a tactile, musically detailed and impressively soulful take on 'Wonderland'. Over on side B, DJ Spinna's version of 'How Deep Is Your Love' is a superbly summery soulful house wonder, while Natasha Diggs' version of all-time-classic 'Breathe' sounds like Earth, Wind and Fire jamming with a Latin house band in Blaze's New Jersey studio. Undeniably ace!
Review: Loftsoul returns with three carefully crafted edits that demonstrate his undeniable ability to blur the lines between genres, effortlessly merging the old with the new. 'Maestro Dubbie', 'Black History' and 'Movement Of Jah People' offer a dynamic showcase of his distinctive sound, blending elements of deep house, dub, and Afro rhythms. These are tracks that tap into an emotive core, each composition carrying its own weight yet flowing seamlessly together as a whole. Loftsoul's deep understanding of rhythm and melody is evident, creating an EP that feels as much at home on the dancefloor as it does in more introspective settings. Played live in the studio, the raw energy captured here gives these tracks an extra edge, ensuring they'll resonate long after the final beat fades out.
Pasilda (Sunnery James & Ryan Marciano extended remix) (3:36)
Pasilda (Knee Deep club remix) (7:09)
Pasilda (Klubbheads extended mix) (5:55)
Pasilda (Blank & Jones extended mix) (6:04)
Pasilda (Afterlife extended mix) (5:03)
Pasilda (Siege extended remix) (5:29)
Pasilda (Sunship extended remix) (5:48)
Review: This limited edition 12" on translucent red vinyl is ideal for fans of Latin-infused house. Featuring the original version of Afro Medusa's 'Pasilda' along with seven stellar remixes, it's a celebration of a track that defined a genre. Sunnery James & Ryan Marciano deliver a vibrant rework, full of electrifying beats and summery vibes that transport you back to sunset parties and late-night clubs. The Knee Deep mixes, which propelled the track to worldwide fame, are here in all their glory, alongside unique reinterpretations by Afterlife, Blank & Jones, and others. While the original mix is absent, each remixer brings something fresh to the table, making this package a must-have for house music enthusiasts. From Sunship's broken rhythms to the deep grooves of Knee Deep, this release captures the essence of Latin house's heyday. Whether you're a longtime fan or a newcomer, this collection offers an exciting journey through one of the most memorable tracks in dance music history.
Review: You may not know Greg Royal, aka Pur Royale, but you're almost certainly going to be familiar with his influential work thanks to credits on seminal sounds such as Dr Dre's The Chronic, Bobby Brown's My Prerogative, and Patrice Rushen's Feels So Real. With these, Royal shaped contemporary black music from the mid-80s to mid-90s, and in the middle of that in 1994 he released a rare house 12" - 'Royal Phenomena' - which diverged from his traditional hip-hop and r&b output. It appeared on Must Have's 2016 Teflon Dons compilation and years later the artist recently shared his original DAT recordings which appear now and blend hip-hop production, Latin influence, minimalism and UK bleep for a unique underground sound.
Review: Coming off a successful transatlantic exchange, Brian Kage and his Michigander label keep the momentum, and the collaborative spirit, moving with an EP that hits closer to home. For any Detroit artist, working with Delano Smith would be on the bucket list, as one of the city's original, more influential DJs - before the D developed any of its "waves" - who would come into his own as a producer later to, once again, help mold the Techno City's sound. Make no mistakes about it, this tastemaker had a ripple effect back before techno even had a name, when it was just "progressive" music and mixing. The thing is, the feeling of admiration and respect here is mutual, from the moment Smith first stumbled across one of Kage's records and had to know who was making these sounds. This meeting of the minds happened organically and timely, with Keep 'em Movin' as the result.
Review: Caribou shares his latest record, this time for City Slang, Honey. The timely follow-up to 2020's Suddenly, Honey comes preceded by the forerunning singles 'Broke My Heart', 'Volume' and 'Honey'. Caribou aka. Dan Snaith has more than proven his mettle as a multifarious artist, with the toweringly popular Odessa album only scratching the surface of what could otherwise be described as a much more experimental, tricky and salubriously varied discography. Honey plays up the pop-oriented capabilities of Snaith's many-tentacled sound, circling the intentionally mystified identity of the artist himself; 'Come Find Me' asks the listener to come find Snaith, while its corresponding music video features a childlike figure in a Brave New World-style jumpsuit, dancing to the song, as if to suggest a coquettish playfulness, poking through the swellingly progressive, end-of-summer house track. Adding to the pangram of bright and hopeful post-folktronica hits, Honey is sure to attract all the late-summer dance bees.
Review: Kaz James launches his new imprint Krushes with 'Sun Is Shining', a deftly crafted single whose vinyl edition also includes an instrumental on the B. Sporting a highpassed breakdown befitting of only the best progressive house - the track's progression, in this case, gives rise a two-note reverie of the sweetest character - the sublime beat drop supplies the listener an almost equal sense of wonder, with vocals singing of dawn lights and nectarine skies, as the presence of a rainbow over the dance affirms our presence. The track's rhythm guitar is an especial choice by James, one that will surely go down well as a summery draw, and will stand out in the mixes and big name DJ droppings to come.
Review: A captivating fusion of house and deep house that transports listeners to a realm of unparalleled sonic bliss. Drawing inspiration from the golden era of 90s house music, Scarano weaves together enchanting piano hooks and infectious melodies that evoke a sense of nostalgia and pure dance-floor ecstasy. The EP's title track shimmers with a filtered ethereal quality, reminiscent of Ian Pooley's seminal works, its catchy rhythm inviting listeners to surrender to the moment and immerse themselves in the music's intoxicating embrace. On the B-side, 'Walking On Music' pulsates with a powerful house groove, infused with disco elements that ignite the dance floor. In contrast, 'Timeless' takes a deeper turn, showcasing Scarano's mastery of looped-based house with its intricate chords and mesmerizing basslines. With its infectious beats and nostalgic grooves, Pleasure Dreams showcases Giuseppe Scarano's exceptional talent as a producer. This EP is a must-listen for lovers of house and deep house music, offering a sonic escape and an unforgettable dancefloor experience.
Review: Next up on the To The Rock label are four firing remixes of the Danny J Lewis tune 'Best Friends'. The original is a real UKG classic but any measure and one of the tunes of the year back when it first landed back in 1999. It's got plenty of London swagger endnote of that is lost in any of these reworks. Chicago's Garett David opens up with some dancing chords and tight, shuffling drums, newcomer Late Nite City then slips things back and goes a little deeper with his more seductive take and and multi-instrumentalist Mom Tudie layers in the soul with his more heartfelt version and funky guitar twangs. The Dominic Spreadlove remix might be the best of the lot with a nice pitched up vocal hook and dry as you like drums.
Review: Daft Punk's defining album comes directly from the horses' mouths, seeing a new vinyl edition in 2022 released via the ex-duo's own Daft Life Ltd. label. With no frills or fluff, every original track on their third album from 2001 appears here in crunching glory, not sounding an inch rougher or time-weathered. Aptly, 'Discovery' was described by the duo as a reflection of their childhood memories, when they listened to music with a more innocent ear; 20 years on, Discovery can certainly be said to have lived up to that original inspiration.
Reverendos Of Soul - "Love Will Set You Free" (Micky More & Andy Tee mix) (6:06)
Right To Life - "Give It Up" (Micky More & Andy Tee mix) (6:04)
Soulista - "Love & Life" (feat Karmina Dai - Micky More & Andy Tee mix) (6:28)
Serge Funk - "Disco Hustle" (6:11)
Review: Groove Culture's ongoing 'Jams' series continues to deliver disco-house excellence with its fourth edition. This high-quality compilation features standout tracks from Micky More & Andy Tee, Reverendos Of Soul, Soulista, Serge Funk, and Right To Life. Highlights include: Reverendos Of Soul - 'Love Will Set You Free'(Micky More & Andy Tee mix): An all-night disco spirit track verging on Hi-NRG style, bringing big energy and a lively atmosphere to any dance floor. Another great one is Soulista's 'Love & Life" (feat. Karmina Dai - Micky More & Andy Tee mix): A perfect blend of piano disco and house, featuring a heavy beat and great horn sounds that create an infectious groove. Closing things out on a classic leeven is Serge Funk's heater 'Disco Hustle'. This fantastic edit of the classic disco track is a filtered gem that is sure to knock the roof off the discotech. Groove Culture once again proves its reliability as a source of top-tier disco-house with this stellar collection.
Want You In My Soul (Summer In London edit) (4:51)
Review: Stee Downes is one of contemporary house music's most prominent vocalists and here he lends his silky tones to Freerange, Defected and OM Records associate, Lovebirds for this new one on South Street. "Want You In My Soul" is a mix of old and new, where disco percussion and cosmic synths nestle alongside a mid tempo house groove with plenty of warmth. Downes' vocals are the loved up icing on the romantic groove cake. Flip over for the "Summer In London Edit" - a more stripped back and direct version, perfect for outdoor stages as the sun beats down.
Review: Alison Limerick's 'Where Love Lives' is the sound of a generation, a reminder of one of the most vital cultural movements of the last 100 years. It is a perma-hit that unites all ages, colours and creeds, even now, 30 years after it first got hands in the air and tears in the eyes on dance floors of cult clubs around the world. To mark the occasion it gets a special remaster treatment and 12" release for Record Store Day. The Classic Mix - which is still the best - kicks off, followed by a big piano version from Mo Knuckles and a darker, more stripped back Cut To The Bone mix.
Lou Rawls - "You'll Never Find Another Love Like Mine" (Kenny Summit, Frankie Knuckles & Eric Kupper unreleased remix) (7:43)
Kenny Summit, Frankie Knuckles & Eric Kupper - "Loving You" (feat Yasmeen) (6:50)
Review: Apparently made in tribute to the legendary Paradise Garage club some years ago, these two previously unreleased workouts are the work of Kenny Summit, Eric Kupper and the late, great Frankie Knuckles. Side A boasts the trio's near legendary (and previously unavailable) remix of Lou Rawls classic "You'll Never Find Another Love Like Mine". It's a wonderfully positive and life-affirming affair, with the three legendary producers wrapping echoing guitars, warming disco orchestration and Rawls' sublime lead vocal around a deliciously percussive Afro-house groove. The flip features another unseen and unheard gem from the vaults: a loose, groovy and positive soulful house wiggler featuring the seductive vocals of Yasmeen. Terrific stuff.
Review: As well as a black version coming later in the year, Sushitech has cut this brilliant coloured vinyl compilation featuring some of the best work from Terry Francis and the late Nathan Coles (who were the men behind seminal UK party Wiggle) as well as Laurant Webb, Dave Coker and Justin Bailey, known collectively as Housey Doingz. As far as key players in early tech house go, few are better than this lot. Their work is now compiled in a two-part collection titled A Sillybration. Each track has been remastered from the original DATs, with many not reissued since their initial release, and some making their vinyl debut. These timeless and powerful tracks are essential additions that you won't want to miss.
Catch The Beat (Dimitri From Paris & Mousse T's Oldskool edit) (3:56)
Catch The Beat (Special remix instrumental) (5:02)
Review: Slick, plinky-plonky hip disco editry/reissue-tastics from Peppermint Records, who celebrate their 30th anniversary in style with the first in a series of edits and remixes on vinyl. First up is a 7" version of T-Ski Valley's 'Catch The Beat', featuring an edit of Dimitri from Paris & Mousse T's classic Oldskool mix, flipped with the 'Special remix instrumental' on the B. Limited Edition - so act fast!
Review: GAEG, featuring Monkey Timers and Keita Sano, brings a vibrant mix of sounds on Anarcho Disco Vol 2, a heady blend of wide ranging influences. Side-1 starts off with 'Fountain,' an exhilarating track that merges Italo house, post-disco, and leftfield house elements into a fresh and dynamic sound. It's a track that immediately draws you in with its energetic and eclectic mix. 'Blue Fusion' continues the momentum, offering a similarly bold approach that showcases the duo's flair for blending genres. Side-2 opens with 'Brother,' a standout with its wild drumming and distinctive house vibe, creating a track that feels both innovative and unpredictable. 'Crazy Pa Pa' wraps things up with a psychedelic touch, using varied sampling and unique effects to craft a subversive sound that's both vintage and anarchic. If you are looking for something unqiue, Anarcho Disco Vol 2 is perfect for anyone seeking a fresh, adventurous house music experience.
Jive Talk & Just Jam - "The People's Elbow" (5:32)
Redshift - "Whateva" (5:32)
Sakro - "Vocalistic" (5:14)
Turnero - "Gimmicks" (5:57)
Review: Gene on Earth's Limousine Dream label starts a new sub-series here, Limo Trax Blue, and offers four cuts from different artists. Just Jam & Jive Talk link up to start off with on the low-key house bumper that is 'The Top Turnbuckle' complete with its many deft sound designs. Redshift's 'Whateva' has a militant up right beat and anthemic vocal hooks, and Sakro then gets down to business with a cosmic, tough tech workout in the form of 'Vocalistic'. Turnero's closer 'Gimmicks' layers up wobbly basslines and sensuous vocals.
Review: Scopic Records - a new UK label which aims to "bring newcomers and artists with backgrounds, regardless of their background or gender" - launches with a single by its founder New Digital Fidelity in collaboration with singer Monet. We get three nicely different mixes of 'Getting Colder' in all. The A-side is taken up by the club mix, a classic New York deep house groove with chunky pianos chords and Monet's confident vocal performance. The flip begins with the original, a slower version but still effortlessly groovy, bringing its soul, jazz, and R&B influences to the fore. US techno's man of the moment Byron the Aquarius completes the set by turning the track inside out with shuffling hats, snapping machinefunk snares and a bubbling bass, making it even more impressive by exposing its moving parts and giving them a neat polish.
Street Player (DFP Super Disco Blend - parts I & II) (10:05)
Street Player (DFP Special dubwize mix) (7:03)
Review: Dimitri From Paris has the kind of masterful touch which makes any one of his remixes buy on sight material. But if you need to know more, on this 12" for Z Records he's taking on the Russian band Leonid & Friends and their cover of 'Street Player' by Chicago. Of course the original was an iconic joint made even more classic by 'that' Bucketheads tune, and you can hear DFP having fun nodding to that iconic bit of 90s chart-topping house in these deadly versions. If you like your disco house fierce and fiery but still delivered with finesse, this record is all you need.
Review: It would be fair to say that Roy Davis Jr and Peven Everett's "Gabriel" (originally written "Gabrielle" on early pressings) has become a timeless dance music classic - a track that both soulful house and UK garage DJs reach for in times of trouble. Should it not be in your collection already (and it should be), Large Music has decided to re-master and re-press the original 1996 12". It does, of course, contain the now ubiquitous "Live Garage" version - the groovy two-step, trumpet-laden mix that became popular with early UK garage DJs - plus a trio of lesser-known remixes. The Tambourine Dub, in particular, is something of a tough, warehouse-friendly deep house treat.
Review: There's a reflective quality at work on the latest Ellum Audio release, which finds label boss Maceo Plex teaming up with emo-tech-house stalwart Gabriel Ananda. The resulting "Solitary Daze" is laden with melancholic chords and synth sweeps, featuring a delicate drum section that buffets along the heartbreak harmonies with patience and poise. Barnt gets snapped up for a remix that injects a touch more mystery and dancefloor bite into the proceedings, using a little Eastern mysticism and a punchy bassline to make for a catchy revision that will help confirm the widespread praise the producer has been garnering of late.
Review: REPRESS ALERT!: Trelik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.
Review: Berlin-based musician, producer, and DJ Alex Kassian is well known for his solo works but also his work as Opal Sunn. Here he leaves behind the gritty and sweaty dance floor and heads out into the sun. 'Leave Your Life (Lonely Hearts Mix)' pairs live sounding drums and nice Balearic riffs with care-free feels that lift your spirits. The dance mix is more weight and propulsive and then 'Spirit Of Eden' again sets off through a clear blue sky, with twinkling chords and soft, pillowy drums. The Bill Laswell dub layers in the reverb and slows things down to a nice lazy tempo.
Cyndi Lauper - "Change Of Heart" (12" extended club remix) (7:52)
Pet Shop Boys - "West End Girls" (The Shep Pettibone Mastermix) (8:23)
Alisha - "Baby Talk" (extended dance mix) (6:43)
The B-52's - "Summer Of Love" (Summer party mix) (6:07)
Huey Lewis & The News - "Hip To Be Square" (dance mix) (6:00)
New Order - "Bizarre Love Triangle" (Shep Pettibone 12" remix) (6:43)
Depeche Mode - "Behind The Wheel" (Shep Pettibone mix) (5:56)
Erasure - "Chains Of Love" (Unfettered mix 2009 Remaster) (8:25)
Elton John - "I Don't Wanna Go On With You Like That" (The Shep Pettibone mix) (7:20)
Review: Arthur Baker is the perfect host for this new series from Demon Music which focuses on the famous extended remixes of the 80s. Each series will be a multi-disc, various artist collection that is united by one remixer, and there can be few better to kick it off than the legend that is Shep Pettibone. He was a hugely in demand studio hand who reworked multiple genres and everyone from Pet Shop Boys to Duran Duran, New Order to Level 42, George Michael to Erasure. This ambitious, widescreen collection takes in all manner of golden remixes from the world of soul, pop, synth and more.
Review: Italian stallions Groove Culture fling two new disco edits our way, conjuring fresh thoughts of 'Downtown LA' and leaving us feeling 'Alright'. Slippery, raw, mix-worthy and packed with punch and laughter, there's good cheer coarsing between every kick, slap and clav on this pair.
Review: Last year's 'Will We Ever Dance Again' 12" was a big one for Coyote who now follow it up and impress once more. First up they do so on 'Baka Re-Rub' by paying their respects to the iconic Jon da Silva remix of The FADS track. It's steamy, tropical, full of loose drum energy and jangling synths that lightened up any club. On the flip you find 'No Entry' which is a big house anthem plenty of classic tops, uplifting arpeggios and pianos, and dramatic strings next to big acid lines. It's an all out, hands in the air gem that brings the good times.
Review: Johannes Kolter is Kolter and is also a producer who went under the name DJOKO. He's been busy this year with plenty of goodness dropping including an album and three EPs. Now comes hit sone, again on his home label Pilot. It is inventive stuff that functions well on the floor as it straddles the worlds of breaks, house and plenty more. 'Got High Again' is lively and dynamic with its squealing leads and dusty breaks, then 'Weirdo' layers up leftfield melodies and blurts of playful synth modulation. 'Prospekt' is a wild fusion of rock riffs and high-speed funky breaks and 'Duck Concert' closes with hardcore drum breaks and soulful synths next to mad scratchinG.
Review: The fourth and final studio album from the now disbanded French electronic duo, Daft Punk, Random Access Memory gets a re-release on Sony complete with an exclusive poster and 16-page booklet. This release pays tribute to late 1970s and early 1980s American music, particularly the sounds hailing from Los Angeles at the time. For this seismic album, the band developed and enriched the minimalist production style typical of their previous releases though collaborating with session musicians performing live instrumentation, limiting the use of electronic instruments to simple drum machines, a custom-built modular synthesiser, and their signature vintage vocoders. Spanning an impressive selection of genres from disco, to prog rock and pop, the album also boasts a serious list of chart-topping collaborators - from Nile Rodgers, to Pharrell Williams, to Giorgio Moroder. Featuring hit single, 'Get Lucky', this album is already considered a defining release of the 2010s pop/electronic landscape.
Review: Acclaimed UK duo Jungle bring to Volcano the same sense of free-spirited energy that made their previous album Loving In Stereo such a hit. Much of this one was written while the duo was on tour, staying in an airbnb in Los Angeles, before they head to record it back in London at their favourite Studio B in Metropolis Studios. There is a wider variety of voices on this record with Erick the Architect as well as a reunion with Bas for 'Pretty Little Thing' who was last heard on the single 'Romeo.' As well as that, Roots Manuva, Channel Tres and Jnr Wiilliams also feature.
Review: Scottish artist Barry Can't Swim has made big moves in the last year or so and finally, he capitalises on his ever-growing momentum with a debut album on the mighty Ninja Tune. The multi-faceted talent explores his most broad and diverse range of sounds to date here with 11 sublime tracks that move from deep house to jazz, heavy and percussive Afrobeat to lush ambiance. Each of the tracks feels like a fine technical achievement with complexity at its core but never at the expense of good vibes, such as the choral harmonies on 'Always Get Through To You', smart samples of Brazil's Trio Ternura on 'Dance Of The Crab' and digital and organic blends on 'Woman.'
Review: (Emotional) Especial looks to the emergent producer that is Chez De Milo for a new EP that collides the energy of Glastonbury, historic echoes of the free party scene and the psychedelic electronics of Bristol and the West Country into four fresh new cuts here. 'Et Al' is a mystic late-night house cut with crisp hits and spooky synths keeping you on edge, while 'Gieser' is dark and paranoid as the churning beats and snaking leads tempt you into the shadows. 'Kremer' keeps you locked in a synth-heavy and transcendental suspense at the heart of the dancefloor with Egyptian folk samples and ethnic grooves and 'Thus One' is a razor-sharp electro closer.
Review: You've heard of Two Shell, but now it's time for Two Cold, whom you almost certainly (and criminally) haven't. A mysterious project blending lo-fi, acid house, and electro, 'Desert Leather' is their latest statement of intentional crunch, spanning everything from dungeon-synthy workouts to bouncy acid oddballs. Most of note is the sonic rubber ball that is 'Katanga Slide', essentially a sports-whistling body-motivator from cyberspace.
Review: Steve O'Sullivan returns to Phonogramme Records with his latest EP, Tribal Dubs, a strong three-track offering that exemplifies his mastery of deep grooves and atmospheric textures. Building on the success of his debut on the label, O'Sullivan reaffirms his position as a leading figure in the techno scene with this mesmerising release. The EP's title track, 'No Aura,' sets the tone with its hypnotic rhythms and immersive soundscapes, while 'We Got Dis' on Side 2 delivers a deep, looped tech-house burner that is both hypnotic and irresistibly funky. Closing the EP is 'Tribal Dub,' a sultry and deep exploration of dub-infused house music that further showcases O'Sullivan's talent for pushing boundaries while maintaining his signature style.With Tribal Dubs, Steve O'Sullivan demonstrates once again why he is regarded as one of techno's most respected artists, delivering an exceptional release.
Nicole Moudaber - "Rise Up" (feat London Community Gospel Choir) (8:13)
Armand Van Helden & Mark Knight - "Down To Earth" (6:37)
Review: NEM 100.1 Vol 1 isn't your standard deep house compilation. With heavyweight contributors like Danny Howard, Nicole Moudaber, and Armand Van Helden, this release feels like a meeting of minds with a shared purpose: to push familiar boundaries into unexpected places. Danny Howard and Eli & Fur's If You Were sets the tone with a blend of understated house rhythms and finely layered vocals. There's nothing overblown here - it's precise, refined, and confident in its restraint. PAX and Rui Da Silva's Touch Me follows, reviving the iconic anthem with modern production sensibilities. The track is driven by its deep, chugging bassline and stabs of melody that feel like a nod to the original, but also refreshing in their approach. Nicole Moudaber brings a more atmospheric element to the fold with Rise Up, featuring the London Community Gospel Choir. It's expansive, combining gospel depth with Moudaber's signature techno edge, resulting in a track that demands attention without feeling heavy-handed. Closing things out is Armand Van Helden and Mark Knight's Down to Earthia production that melds classic house tropes with a contemporary spin. Its punchy, syncopated rhythm and laid-back groove avoid the typical tropes, instead offering something warm, slightly off-kilter, and entirely captivating. This is a collection that doesn't fall into the trap of overused house formulasiit's bold without overstating, intricate without being pretentious. A strong reminder that these artists still have a few tricks up their sleeves.
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