Review: Alpha & Omega are serious UK dub legends and now they are back on ZamZam with a typically powerful new anthem featuring Steppas Records' Nai-Jah. Over a thunderous bassline, melodica, sparkling keys and evocative jungle sounds, Nai-Jah's heartfelt lyrics call for empathy and action as he signs "Money-making has filled our minds with disease." The flipside jam on this fine 7" is 'The Dubplate Trembles' which extends the vibes in classic style. Another fine collaboration from these mainstays who have already long since assured their legacy over the course of 30-plus albums that have shaped global sound system culture.
Review: Amami's 'Wrong Way' is a dub-infused track that exemplifies the genre's rich, immersive qualities. The song opens with a deep, resonant bassline that anchors the composition, while subtle percussion elements add a rhythmic complexity. The dub version on the B-side further enhances the track's atmospheric depth, offering a more stripped-back interpretation that allows the intricate soundscapes to emerge more prominently. The release underscores Amami's adeptness at blending traditional dub elements with contemporary production techniques, resulting in a track that is both rooted in the genre's history and forward-thinking in its execution.
Review: Another Channel's collaboration with Prince Morella on Freund Der Familie Records delivers a stunning dive into deep dub. 'Brother Love' blends a vintage dub aesthetic with a spiritual spoken-word message from Morella, creating a deeply immersive atmosphere. The production masterfully balances warm, chord-focused techno elements with the timeless depth of dub rhythms, resulting in a track that feels both classic and forward-thinking. On the flip side, the instrumental version strips away the vocals, letting the dub-infused textures and hypnotic beats take center stage. The absence of the message emphasises the track's spacious production and rhythmic pulse, making it a perfect tool for introspective listening or adventurous DJ sets. A stellar release that showcases the synergy between dub's roots and techno's evolution.
Review: Joe Armon-Jones brings a fresh layer of depth to his ever-evolving sound with 'Sorrow', a track that takes its time to breathe, much like a slow unfolding narrative. The piece moves with a deliberate grace, weaving together his distinctive jazz-infused piano work with an underlying electronic pulse. It starts subtly, slowly layering textures that push the track into deeper emotional terrain. The interplay between live drums and ambient synths creates a fluid yet focused atmosphere, reflecting the introspective mood the title suggests. With 'Sorrow', Armon-Jones proves once again that he is unafraid to let his ideas mature at their own pace, leading listeners through a rich, captivating experience.
Guru Pope - "Reggae Soldier" (Saxaphone mix) (3:15)
Aba Ariginal - "East Meets West" (Hornix mix) (3:15)
East Meets West (dub mix 1) (3:14)
East Meets West (dub mix 2) (3:18)
Review: A powerful collaboration between Jennifer Barrett, Guru Pope and Aba Ariginal released on a striking red 12". The original track blends smooth reggae rhythms with heartfelt lyrics that celebrate strength, resilience and the spirit of the reggae soldier. Each artist brings their unique flavour to the release and that leads to a harmonious fusion of voices and styles. Add in its infectious groove and uplifting message, and 'Reggae Soldier' is a standout tune that begs to be played loud.
Review: This crucial platter features two gems in 'Windrush Scandal' and 'Give A Little Love' which are fine tunes from Lizzi Bee and Ranking Ann, who makes a great return and lays down some superb vocals that will get you thinking as well as skanking, and what's more it all comes on a flame red vinyl 12". The track offers a perfect blend of reggae and dancehall influences, featuring catchy melodies, uplifting lyrics and a smooth rhythm that will have you swaying along and lost in the cavernous bass depths. Sax versions and dubs are all included to make this the complete package.
Review: The legendary Fatman is back with another must-have 10" release featuring Don Carlos's iconic vocal roots classic from 1980. The A-side includes the full 12" disco mix, highlighted by Robbie Shakespeare's unforgettable bassline which adds to the fresh, deep groove of this perfectly aged track. On the flip side, you'll find Delroy Wilson's infectious 'Live Good' alongside its dub version. The OG is a heavyweight cut with plenty of FX, echo and lo-fi sounds all making it an unforgettable jam. Essentially this is an absolute no-brainer for reggae and roots music lovers.
Review: Coyote release the second instalment of their continuing journey into all things Dub. 2 heavyweight tracks with their own unique expression of Dubness. Always ever-present in Coyote productions in some form or another here its front and centre.For big speakers and squidgy black.'Light like a feather-heavy as lead'
Review: .German low end collective Bass Come Save Me unleash a new 45 with a strong Portland portrait as Boomarm's Gulls makes their debut on the label with a warm beat that will keep the chills at bay this winter. Add Jamaica's Wayne Daniel on the vocals and another Portland native Madgesdiq on the conscious bars and there's a vibe that sits somewhere between Roots Manuva, YT and Wyclef. Yeah it's that toasty. Stay blessy.
Review: Samuel van Dijk (VC-118A) and Rasmus Hedlund deepen their journey into roots-inspired dub techno with their third release featuring Jamaica-born, Finland-based vocalist Benji. His commanding voice adds layers of introspection and wisdom, enhancing the project's meditative qualities. 'Better Way' leads with a rich, traditional dub structure, its heavy basslines anchoring a reflection on humanity's challenges and the call for solutions. Benji's vocal delivery is earnest and impactful, carrying a hopeful message that resonates deeply. The instrumental 'Better Version' follows, highlighting intricate production details like shimmering synth melodies and reverberating drum patterns. On Side-2, 'Child Was I' ventures into atmospheric depths, pairing Benji's thoughtful reflections on personal growth with an expansive, slow-burning bassline. This track unfolds gradually, creating an enveloping soundscape that rewards close listening. The accompanying 'Child Version' strips back the vocals, bringing the textured production and haunting melodic layers to the forefront. With its perfect balance of lyrical depth and intricate sound design, this release honors dub techno traditions while charting its own unique path.
Yekermo Sew (feat Don De, Craig Crofton, Piotr Zabrodzki) (4:12)
Yekermo Sew (feat Don De, Craig Crofton, Piotr Zabrodzki - dub) (4:12)
Review: Dreadsquad's latest single marks the first glimpse of an upcoming instrumental dub album and pays homage to a pivotal moment in world music history. In 2005, Jim Jarmusch's film Broken Flowers introduced global audiences to Ethiopian jazz, particularly through the hauntingly beautiful 'Yekermo Sew' by Mulatu Astatke, who is considered the father of Ethio-jazz. Now reimagined as a reggae dub track, Dreadsquad has replaced electronic elements with live instrumentation and worked with an international team of musicians. Meaning "man of experience and wisdom" in Amharic, 'Yekermo Sew' reflects Dreadsquad's seasoned journey across continents and reaffirms the universal truth that music transcends all boundaries.
Review: First released way back in 1982 on Greensleeves, Eek-A-Mouse's 'Ganja Smuggling' is a towering example of early 80s "singjaying", a style of reggae vocal improv made popular by its combination of toasting and singing. Here we open with an asphyxial, spitballing steppers sound, as 'Mouse is heard scatting and bidi-bonging in his signature opening style, shortly before launching into a cautionary tale about working as a border lines marijuana smuggler. The track deals in a stoic, forborne whimsy, comically scatting and riff-licking through what is implicitly portrayed as an otherwise thankless and unforgiving task. This 7" reissue marks an important milestone in Greensleeves' release catalogue, harking back to one of Eek's earliest cuts laid down with kingpin producer Henry "Junjo" Lawes, the association with whom helped fuel Eek's early celebrity.
Review: Dutch label Fontoyard is back and doing what it does best early in this new year, and that is serving up fresh rhythms from some of reggae's best talents. This one is the sound of T Gibbs in collaboration with Empress Ahavah who is responsible for writing the original tune. It is a superb stepping riddim that is perfectly driven by a heavy bassline. Up top, like all the most crucial dub, is a mystical melody that captivates the imagination, and some silky smooth vocals. Flip it over and T Gibbs offers up a nice and tasteful dub that dials things back to the inviting low end.
Review: Footsie is widely thought of as one of grime's most legendary voices and a legend of the game. From his early collaborations with D Double E as part of Newham Generals to his solo work, his roots in sound system culture run deep having grown up as the son of a system operator. Footsie was heavily influenced by reggae and dub and now runs his father's renowned King Original Sound. Returning to the label is Nottingham's Adam Prescott, who provides a heavy, dubwise riddim for Footsie to showcase his distinctive flow.
Review: The mission-statement-and-artist-name Gabber Dub Project, from Germany, take on a bold undertaking. Doing exactly what is said on the tin, this six track explosion dispatches every possible topological contortion of what could be meant by "gabber dub", traversing transient styles from UK hardcore and hardstyle in the process. LXC, Zimmertime and Hurra Hurra offer terrifyingly shouty, jackhammering remixes checking off moods of militancy and warmongery, with 'Dubbersaet' sounding especially propagandistic, described as a "maximum amen workout", shortly before side B both hastens the pace and buries the vibe in shockingly six-foot-deep soil.
Review: Vin Gordon, also known as Don Drummond Jr, is a celebrated trombonist from Jamaica who now drops a second 12" on Finnish Dub & Sound International with the Dubsetters. It carries on the good work of their first outing with rootsy and organic reggae rhythms topped with the signature smooth sounds of Gordon's melodies up top. After the original version of 'Get On The Groove', the B-side keeps things sweet with a Groove Dub that is as deep as they come and stacked with echo and reverb for that lovely authentic sound and then closing it out is 'Groove 78 Style' which is more percussive, splashy and cavernous with some deft studio effects added in.
Review: Jamwax breathes new life into a rare and evocative track from Justin Hinds, a heavyweight roots reggae masterpiece that embodies the spirit and teachings of Marcus Garvey. A-side 'Marcus Tradition" delivers a powerful message of tradition and heritage, driven by a down-tempo riddim and distinctive whistle. The flipside offers a dubwise reimagining, stripping back the vocals to reveal the hypnotic depths of the instrumental arrangement. This reissue is a testament to Jamwax's dedication to preserving Jamaican musical heritage, honouring both Hinds' artistry and Garvey's enduring legacy. A must-have for any roots reggae enthusiast or those seeking to connect with the powerful message of Marcus Garvey.
Roots Defender Riddim Section - "No Justice Dub" (4:18)
Kojo Neatness - "Bun Dem Down" (4:02)
Roots Defender Riddim Section - "Dub Dem Down" (4:19)
Review: Jah Mason and Kojo Neatness bring an authentic island flavour to this solid 4/4 roots rhythm that was crafted by the Roots Defender Riddim Section. The track features soulful horn arrangements as well as mesmerising guitars and keys by Black Steele and Maestro Inyaki. Originally recorded as a full band piece in Brixton over a decade ago, it underwent multiple stages to perfect its organic vibe for sound system heads. The multitrack was then taken to Ital Soup studio in South London where Petah Sunday served up a brilliant analogue mix while also adding some mind-blowing dubs all of which have already made their mark.
Review: Dennis Anthony Thomas is known as King Kong and is the celebrated Jamaican singer behind hits like 'Trouble Again' and 'Legal We Legal.' His track 'Song of Love' was originally released by Pisces Productions and is a rare gem and a powerful anti-apartheid anthem. The song confronts South Africa's apartheid regime, referencing President P.W. Botha while urging unity and human rights. Through themes of love and resilience, King Kong highlights the strength of cultural solidarity in a tune that is rooted in reggae's tradition of political advocacy. As such 'Song of Love' transcends music and symbolises global support for freedom.
Review: Mad Professor's 'In The Name of Love' is a compelling fusion of dub and reggae, showcasing his signature production style. The track opens with a deep, resonant bassline that anchors the composition, while subtle percussion elements add rhythmic complexity. The dub version on the B-side further enhances the track's atmospheric depth, offering a more stripped-back interpretation that allows the intricate soundscapes to emerge more prominently. This release underscores Mad Professor's adeptness at blending traditional dub elements with contemporary production techniques, resulting in a track that is both rooted in the genre's history and forward-thinking in its execution.
Review: Wayne McArthur, Conscious Sounds, Lizzi Bee and Vibronics join their considerable forces for this limited edition new slab of roots vinyl. The EP features version tunes and versions starting with 'Elo Ah Him' which is a silky blend of coming vocals, happy horns and yearning vocals. Conscious Sounds serve up tasteful dub and sax versions and Lizzi Bee's contribution adds an extra layer of energy, blending modern rhythms with classic reggae roots. Vibronics close out with a couple of digi-dub reworks that are clean and fresh.
Review: This is a new and rootsy cut from the accomplished singer Echo Minott who has linked up with producer Vinney Satta for Sir Coxsone Outernational. 'Take My Hand' is a natty cut with yearning vocals that are full of poison and emotion as the earth beats and organic percussion flesh out the sound. It's a sunny sound with plenty of dubby weight, then on the flipside is a version that ups the headiness and layers in toons of signature echo and reverb.
Review: After the vital release of the Classical Roots Showcase, this reggae imprint is back with the reissue f a much mythologised roots cut from Monyka. It comes backed with the proper dubplate mixes for the first time. 'Rocking Time' is a heavy one with liquid chords and sultry horns topped with a smoky vocal, then the version makes things even more liquid and deep. 'Questions Of Life' is a real slow-motion dub bubbler with plenty of classic hallmarks - dry hi-hats, rippling bass and a great hook.
Review: This laid-back dub 45 offers a seamless blend of positive vibes and deep rhythms. Side-1 features a classic reggae track with a powerful, uplifting message of unity. Mundell's smooth vocals are complemented by a steady, groovy rhythm that captures the essence of roots reggae. Side-2 takes the message to a more instrumental and dub-infused space, with the track being heavily dubbed out, showcasing intricate rhythms, echo effects and atmospheric layers. The dub version allows the music to breathe, emphasizing its meditative and expansive qualities. A perfect pairing for dub and reggae enthusiasts.
Natty Nature - "Write Your Story" (extended version) (8:22)
Bass Lee - "Roots Memorial" (4:12)
Bass Culture Players - "Memorial Version" (4:12)
Review: Bass Culture - the reggae label, not the French house imprint - collaborates with the incredible Natty Nature on this new release which come son a nice hand-numbered 12". The A-side features an extended vocal version which is a powerful statement of intent reflecting Bass Culture Players' (which features top musicians like Adubta, Javi Arkotxa, General Soria and Carlos Amalgamah) core philosophy. On the B-side, Bass Lee pays homage to the golden era of 70s roots reggae with an instrumental clavi and melodica cut. The release concludes with a dub version, showcasing the raw energy of the rhythm section crafted by Bass Culture Players.
Review: This little 45 is a brilliant dub release that showcases his mastery of the genre. Side-1 features 'Thunder Clapp', a smooth and atmospheric dub version of Bill Withers' 'Ain't No Sunshine'. The track oozes laid-back, reggae-inspired vibes, with Pablo's signature melodica adding depth to the mix. On Side-2, 'Lightning Clapp' takes things up a notch, delivering a tripped-out, raw dub version of the first track. It's a true dub lover's dream, with intricate echo effects, spacey atmospheres and experimental rhythms that push the boundaries of the genre. If you appreciate classic dub experimentation or unique cover versions, check this out.
Transient Transmission (Intercept Retwist Of Adrian Sherwood Iota remix) (5:17)
Third Light (Adrian Sherwood Echoes Of The Night 10" dub mix) (4:31)
1000 Mile Drift (Adrian Sherwood mix) (5:47)
A Doubtful Sound (Adrian Sherwood 10" dub mix) (3:49)
Review: Adrian Sherwood lends a generous remixing hand to the label Dubmission and their flagship productions duo come solo artist Pitch Black (Mike Hodgson), producing an effects-laden leap through four dub drastics all based on original music first recorded by Mike. This is an exemplary case of "don't meet your heroes" being disproven, as 'Echoes Of The Night' and its filial sonic friends all worked as source material for an anything but disappointing remix bundle by Sherwood. The opening 'Transient Transmission' version is lilting enough, but the gears really get meshing on 'Third Light', which brings a turntablist's whistle, a wet yet naked guitar, and a dubstep flavour to things; finally, B-siders 'A Doubtful Sound' and '1000 Mile Drift' deconstruct things to complemetary effect, effecting dually electric Lee Perry vocals and halved trumpet importunes, the latter of which is heard set against a conspiratorial vocal sample.
Ranking Joe - "Rasta Skank Aka Rootsman Skank" (3:53)
Dub Creator - "Hornsman Skank" (3:50)
Dub Creator - "Dub It Ina Rasta Style" (3:49)
Teddy Dan - "Lie Dem A Tell" (4:08)
Dub Creator - "Lie Pon Rasta Dub" (4:11)
Dub Creator - "Tell The Truth Dub" (4:08)
Review: This tasty 12" features three standout tracks that shine a light on three different talents, all of whom have their own way of blending reggae, dub and roots influences. There is just enough reverence for the traditional sounds here to make them feel utterly authentic while also looking to the future and subtle new variations on the foundations. With a powerful lyrical delivery and reggae roots style, Ranking Joe sets the tone with his smooth yet commanding presence and the dub version of the track is a signature display of Dub Creator's skill with heavy basslines and echoing effects. Teddy Dan adds his touch with his deep, soulful voice and conscious lyrics and more dub goodness seals the deal.
Review: Ashanti Selah's 'Love Shines Bright' delivers a powerful message of Jah praise, wrapped in a classic island sound that resonates with reggae and dub lovers. The track's uplifting rhythm and soulful vocals set a spiritual tone, invoking positivity and connection. On the flip side, J Rooney's 'Dub Shines Bright' is a masterful dub version, stripping down the original to its roots. With a spacey, atmospheric vibe, the dub version places the vocals in a new light while emphasising the groove and the intricate chords beneath. This 7" single provides a compelling contrast between message-driven reggae and its introspective, dub-infused counterpart, showcasing both artists' talents.
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