Review: Yuima Enya & Inokashira Rangers offer fresh takes on classic Sade tracks with their new release. 'Smooth Operator' transforms into a smoothed-out lounge record infused with reggae, while still retaining the soul and pop appeal of the original. On Side-2, 'Kiss of Life,' becomes a breezy jam with a subdued yet vibrant lounge band feel. Hats off to them for tackling such beloved songs and making them their own. These are great alternative versions, bringing new life to Sade's classics while respecting the originals. Perfect for fans looking to experience these timeless tracks in a new light.
Review: By now, we should all be aware of Inokasira Rangers, Japan's premier exponents of undeniably excellent reggae and rocksteady covers of everything from Nirvana, Kraftwerk and New Order to Underworld and Radiohead. Here they put their spin on two more classic cuts. On side A, they turn Madonna classic 'Like a Virgin' into a cheeky rocksteady instrumental, with the pop megastar's vocal being replaced by heady Hammond solos. Over on the reverse, they go for a sun-splashed, Balearic-leaning instrumental reggae revision of A-ha favourite 'Take On Me'. Yes, it's a novel and unusual idea, but as ever they've executed it beautifully.
Review: Over the last decade, Inokashira Rangers have proved that you can turn pretty much any track - whether it's a TV theme tune, rave banger or grunge classic - into a reggae or rocksteady gem if you know what you're doing. They're at it again on their latest "45", which opens with a storming, largely instrumental reggae-soul version of Edwin Starr's 1968 soul classic '25 Miles'. Their version - full of reverb-laden drums, fuzzy organ motifs, mazy solos, warming bass and JB's guitars - is naturally hugely different to Starr's version, but recognisably the same song. Their flipside take on Spinners' classic 'It's a Shame' is rather more difficult, with the trio slowing it down to a skanking reggae crawl while retaining the familiar melodic refrain.
Review: Inokasira Rangers is a reggae band from Tokyo who've been around since the 1990s, but they're hardly (criminally) known outside of Japan. Their latest release, 'Can't Take My Eyes Off You,' promises to change that, covering Frankie Valli's timely original from the late '60s, not to mention Crystal Waters' dance-pop hit on the B. A Shibuya-kei sensibility runs through this sweet pair of covers, but the main mode is lo-fi reggae. The Waters cover is particularly charming, as if this were the original, and the song had existed as a folk song for generations prior to the glitzy rave version.
Review: Japan's brilliantly curious but highly listenable Inokashira Ranger band has covered everything in imaginable in their storied 10-year-plus career. Now they turn to The Nolans for some buttery lovers' rock with a warm and familiar edge. 'I'm In The Mood For Dancing' biomes a rolling rhythm with bright Hammond chords and swaggering riffs. The vocal comes from Yuima Enya and is nice and sweet and soulful. 'Central Freeway' on the flip is a smiler-sounding tune with easy-going drum sways and effortless cool vocals.
Review: A slice of Daft Punk covers levity from Sokabe Keiichi & Inokasira Rangers for Park Tone Records on 7" vinyl. Here the Japanese rocker and his fellow band the Inokasira Rangers lay down an unheard-of instrumental rocksteady rollick, against which the vocal core of Daft Punk's 'One More Time' is overlaid, as seamless in feel as a freshly fined cloth on a varnished coffee table. The track also comes backed by the original Hammond triller 'Boku No Siawase', a ploddier reggae treat in stereo, against whose offbeat rummage Keiichi's voice glides in the manner of a beautiful bird's call.
Review: Over the last couple of years, we've been treated to numerous reissues of classic cover versions by Japanese reggae/rocksteady combo Inokasira Rangers, including takes on Nirvana's 'Smells Like Teen Spirit', Pharrell's 'Happy' and New Order's 'Blue Monday'. Here we're treated to another, as the band's 2017 take on Underworld anthem 'Born Slippy' gets a fresh pressing. It's certainly a revolutionary revision, with Keichi Sokabe's surprisingly Karl Hyde-sounding lead vocal rising above a lusciously languid, sub-heavy reggae groove. Over on the flip they take on 'Groove Tube', a 1991 indie-pop-meets-acid house single from Japanese outfit Flipper's Guitar, reframing it as a baggy, glassy-eyed rocksteady number.
Review: Inokasira Rangers are known for bringing their own idiosyncratic dub and rootsy take on a whole world of classic source sounds from multiple different genres. Here they look to an iconic tune from The Sex Pistols and completely rework it into a slow and skating digital-dub framework then wire it up with spangled bass, bright metallic chords and re-sing the vocal in snarling fashion. On the flip is the excellent 'Longing For Andulusia' which is a more laid back and traditional dub sound that comes doused in island sun with some epic guitar solos.
Review: By now, we've become accustomed to Japanese outfit Inosakira Rangers offering up reggae and vintage rocksteady style cover versions of pop and dance tracks of old. Their latest cover, of James Brown classic 'Sex Machine', is a little different. It's no less warm, dusty or on-point than its predecessors, but there's no reggae or rocksteady flex - just a warmer, more laidback take on the funk classic, complete with distinctive lead vocals from Keichi Sokabe. They're back in lazy, Sunday afternoon rocksteady mode on original B-side 'Nagoriyuki', a sweet and quietly soulful number that pushes the band's bassist and organist - or more specifically their fine instrumentation - high in the mix for added nostalgic pleasure.
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