Audio interfaces

Notes: Compact audio and MIDI interface from one of the longest-running and most trustworthy brands in the business. Simple 2x2 setup with clear sound. A great entry-level option for getting sounds in and out of your computer.

Supplier notes:
Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: Komplete Audio 1 is a simple, great-sounding audio interface with all the software you need to put ideas into action. From recording songs, to mixing down and playing out - it helps you go from a spark of inspiration, to finished results you can be proud of.

For the songwriters:
Easily record vocals, guitar, or any other instruments straight into your DAW in high quality. With Ableton Live 10 Lite, synths, and effects included, you've got everything you need to create songs.

For your story:
Whether it's a beatmaking vlog or a podcast you're creating, the interface give you everything you need. Record speech in high quality, then give it a pro touch of mastering with the included plugins.

For the performers:
Take your music to the bar, club, or anywhere else. Bag-friendly sized - it's a simple way to incorporate a laptop into your performance. Make quick, on-stage level adjustments using the big volume dial.

For the producers:
Break out of the box - bring synths, effects, and other gear into your productions. Flip samples from stereo sources. And polish your productions with studio-grade instruments and effects included.

Komplete Audio 1 - recording made simple:
Perfect for recording mono sounds like vocals and guitar at the same time. It gives you two different inputs - XLR for vocals, and jack for guitars or other line-in sounds. Plus, stereo RCA outputs let you connect directly to hi-fi speakers and play everything out loud.

Notes: Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: Exciting entry-level interface from legendary studio brand SSL, best known for their high-end mixing consoles and outboard gear. 2-in, 2-out design with 'Legacy 4K' feature to add classic analogue sound.

*** New Loopback feature - May 2023 ***

Loopback allows you to take the output audio stream from your SSL 2 or SSL 2+ and record it back into the DAW (or another application). This can be really useful for music makers, podcasters and streamers.

To take advantage of the new loopback feature of the SSL 2/2+ you will need to update your SSL2/2+ using the SSL USB Audio Firmware updater.

Supplier's notes:
Solid State Logic studio tools have been at the heart of music production for over 40 years, helping world famous artists, producers and studios to create so many of the records you've come to know and love. Now, with SSL 2, you get all that hit-making know-how in your own personal studio.

With beautifully SSL-designed analogue microphone preamps and immaculate 24/192kHz conversion for studio-quality recording, pristine monitoring path and high-performance headphone amp for crystal-clear playback and an intuitive front-panel low-latency monitor mix control, you're always ready to capture the next great performance.

The 'Legacy 4K' mode - inspired by classic SSL consoles, gives you the ability to add extra analogue character and sparkle to your sources when needed.

To top it all off, the included 'SSL Production Pack' software bundle, which includes some of SSL's own studio-grade Native plug-ins and a carefully selected range of DAWs, samples, loops and virtual instruments from industry leaders, gives you an incredible arsenal of tools for creating your next hit.

Notes: Today's mobile devices make it easier than ever to share your music with the world. From Instagram live-streams to YouTube videos, SoundCloud playlists and more, social media and smartphones have become a key aspect of how many musicians get heard and connect with fans.

iRig Stream makes it easier than ever to share, letting you connect instruments, mixers and more to your iPhone, iPad, Android device and Mac/PC, with convenient features designed just for use on today's most popular platforms. Whether it's mono or stereo, live playing or an existing mix, iRig Stream gets you connected to all your favourite apps, so you can start connecting with listeners instantly.

Get connected:

iRig Stream makes it easier than ever to connect. With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads, and Android devices, as well as Mac & PC - even the latest devices.

2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth & drum machine setups, and more. Whether you're looking to stream your DJ set, record band practice, jam along with your favourite song, or even host a podcast, iRig Stream lets you connect a massive range of gear.

Sound your best:

iRig Stream offers 24-bit, 48 kHz A/D and D/A converters to ensure a clean, professional signal regardless of the platform you'll wind up on. And adjustable input gain and easy-to-read level indicators let you dial in the right sound level instantly

Make your voice heard:

iRig Stream offers a unique headphone / microphone jack, wired just like your smartphone, so you can listen and talk over the stereo input simultaneously.

The mic input is mixed into the stereo inputs, to ensure it works with any app, and offers adjustable volume. Best of all, it works with most headphones with a built-in mic*, and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre, giving you a wide range of options for any situation.

Designed for apps:

If you're ever tried streaming or sharing audio on social media, you know many apps only support mono signals - so iRig Stream offers a mono/stereo switch to compensate. Stereo passes both inputs as left & right channels, and mono mixes them together to a single channel, ensuring you won't lose anything panned to one side.

iRig Stream also offers a loopback function that lets you mix the output of your device with the incoming signal. Load up a backing track in your favourite music app, jam along on your instrument, then send both signals together to a video or live-stream - all on one device!

Comprehensive compatibility:

iRig Stream works with any app that records or streams audio or video, so you'll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video recording app. Record, trim, edit and share, right from your device.

Built to go and to last:

iRig Stream is compact enough to slip into the pocket of your backpack, so it's ideal for use on the go. It runs off your device's battery, so there's no batteries to run out mid-show, but can also charge your device with an optional power supply, to keep you going for extended sessions.

Includes:

- iRig Stream interface
- Lightning to mini-DIN connection cable (60cm/23.62")
- USB C-Type to mini-DIN connection cable (60cm/23.62")
- USB A-Type to mini-DIN connection cable (60cm/23.62")

Notes: Latest version of an interface that's become a modern classic. Up to 18 audio inputs and 22 outputs in total, spread over a mixture of analogue and digital connections. A true all-rounder that's hard to beat.

Supplier's Notes:
The MOTU UltraLite-mk5 is the latest incarnation of the best-selling UltraLite series (replacing the UltraLite-mk4). It takes the winning formula of the half-rack form factor with 18 in x 22 out analog and digital I/O and adds state-of-the-art enhancements at the same great price :

Best-in-class Audio Quality - the UltraLite-mk5 includes renowned ESS Sabre32 DAC technology, featuring the ES9026PRO DAC, to deliver 125dB dynamic range and -114 dB THD+N.

Ultra-low Latency - optimised Drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW the UltraLite-mk5 delivers an astonishing round-trip latency of 2.4ms (at 96kHz with a 32-sample host buffer

New Design - while retaining the same front and back panel layout as its predecessors the UltraLite-mk5 has a sleek new look, incorporating a high-resolution, high-contrast white OLED display providing precision metering for all analog inputs and outputs, along with digital I/O activity indicators and status info

Connectivity and Compatibility- the UltraLite-mk5 has a USB-C connector and is also class-compliant for operation with iOS devices. It is also compatible with MacOS 11 Big Sur and M1 Macs

New Software and Simplified Monitoring - live monitoring of inputs is controlled via the new CueMix 5 software

Rack-mount options - a half-rack mounting kit (sold separately) allows the steel-encased UltraLite-mk5 to be rack-mounted with thick steel brackets to withstand the punishment of touring. Alternatively, two UltraLite-mk5 units can be joined together with a Half-rack Coupler Kit (sold separately)

Technical Specifications:

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar inputs: 2 x XLR/TRS "combo" jacks, 1 MO impedance on the line/instr inputs
Analog inputs: 6 x 1/4" TRS line in (balanced)
Analog outputs: 10 x 1/4" TRS line out (balanced, DC coupled)

Digital I/O:
1 bank (8 ch) of ADAT optical at 1x sample rates
1 bank (4 ch) of SMUX optical at 2x sample rates
Switchable to stereo TOSLink (optical S/PDIF)
1 x stereo S/PDIF on RCA (up to 96 kHz)

Computer I/O:
1 x USB-C 2.0 audio class compliant
Compatible with USB Type A (with adapter or C-to-A cable)

Total audio I/O:
18 in / 22 out (40 total) at 1x sample rates
14 in / 18 out (32 total) at 2x sample rates
8 in / 12 out (20 total) at 4x sample rates

MIDI I/O:
1 x MIDI IN
1 x MIDI OUT
16 MIDI channels to/from computer host

Headphone: 1 x 1/4" TRS stereo phone
Phantom power: 2 x individual +48V

Front panel:
2 x XLR/TRS combo inputs
1 x 1/4" TRS headphone output
1 x potentiometer - phone/monitor vol
2 x potentiometer - mic/instr input gain
4 x switches - (2) 48V and (2) pad
1x high-resolution white OLED display for metering/status
Power: External 12-18V DC power supply - 1.0A max - tip pos or neg

Dimensions and weight: (width x depth x height, enclosure only)
8.6 x 6.9 x 1.75 inches
22 x 17.5 x 4.5 cm
2.875 lbs / 1.31 kg

Notes: mioXL- The MIDI interface redefined

mioXL is iConnectivity's flagship MIDI power-house, packed full with the very best technology and innovations. With mioXL it's never been easier to get huge amounts of MIDI gear connected and talking to each other. Harness the power of iConnectivity's advanced computer and network connectivity and experience why mioXL redefines what a flagship MIDI interface can and should do.

Connect all your MIDI devices (USB-MIDI, DIN-MIDI, RTP/Network-MIDI) and Mac, PC, and iOS computing devices to each other, and let this rugged, versatile interface put you in control of your MIDI devices and workflow.

On stage or in the studio, RTP/Network-MIDI capability means you are no longer constrained by cable length or limited USB ports. Stack multiple interfaces and computers on a network for ultimate scalability and flexibility.

With mioXL you're able to streamline and expand your MIDI setup, no matter how massive and demanding. Even though it's iConnectivity's most powerful MIDI interface, mioXL is still accessible to all users, allowing you to do whatever you want with MIDI faster, better, and in creative and exciting new ways.

What makes mioXL unique? The iConnectivity difference.

Next-gen Ethernet RTP MIDI adds massive capability and flexiibily

iConnectivity's next generation RTP/Network- MIDI capabilities, and what they'll do for you.

Ethernet connectivity means MIDI is on the network wherever you need it. Regular USB connectivity limits you to keeping your interface within 15ft of your computer. Ethernet connectivity gives you up to 330ft / 100m connection between you and your interface. Drop an interface in every room of your studio, or place an interface virtually anywhere in a venue.

RTP/Network-MIDI is not bound by some of the same restrictions as USB-MIDI.

Easy renaming of network ports - have them show up the way you want them to in your DAW.

Access to more than 22 ports per interface.

iConnectivity's unique network technology is as easy to use as USB! Enjoy your new-found MIDI power without extra headaches.

Use your 22 network MIDI ports anyway you want. Connect each of the 22 RTP-MIDI sessions to any combination of physical or virtual I/O ports. Almost any combination is possible.

Configuring mioXL:
Introducing a new version of iConnectivity's Auracle control software: taking the simplicity of workflow that the original Auracle introduced but now with the added deep configuration functionality that iConnectivity are known for. All the deep configuration options you asked for: MIDI merging, filtering, remapping, and deep routing are all there and super easy to use.

mioXL's display, rotary encoder and capacitive touch controls make navigating presets and monitoring MIDI traffic easy

Presets onboard:

Need to configure your MIDI setup in multiple ways? No problem!

New to mioXL : store and recall up to 32 presets directly on the interface, without even needing a computer!

Easily store and recall unique MIDI routing, filter and merging setups to preset scenes, and recall them all directly via the mioXL front panel.

mioXL's OLED display and encoder wheel gives you a crisp clear way of monitoring MIDI traffic, viewing, and selecting presets.

mioXL makes you the master of your MIDI domain. The MIDI interface: reinvented.

What's in the box:

1x mioXL
1x USB Cable.
1x Ethernet cable
1x mioXL 12V 36W Power Supply with interchangeable blades (NA, EU, UK and AU (Australia only)).

Device Specifications:

Width: 482.6 mm/19 in
Height (1U): 44.45 mm/1.75 in.

System Requirements

Macintosh
Mac OS X 10.11 or greater
1 free ethernet or USB port

Windows
Windows 10 or greater
1 free ethernet or USB port

iOS
iOS 8 or greater with Camera Connection Kit (CCK)*
CoreMIDI compatible app

Notes: Exciting home studio interface from one of the leading names in high-end studio tech. 2-in, 2-out design with high quality pre-amps and a 'Legacy 4K' option to add analogue flavour. Full review coming soon.

*** New Loopback feature - May 2023 ***

Loopback allows you to take the output audio stream from your SSL 2 or SSL 2+ and record it back into the DAW (or another application). This can be really useful for music makers, podcasters and streamers.

To take advantage of the new loopback feature of the SSL 2/2+ you will need to update your SSL2/2+ using the SSL USB Audio Firmware updater.

Supplier's notes:
Solid State Logic studio tools have been at the heart of music production for over 40 years, helping world famous artists, producers and studios to create so many of the records you've come to know and love. Now, with SSL 2+, you get all that hit-making know-how in your own personal studio.

With beautifully SSL-designed analogue microphone preamps and immaculate 24/192kHz conversion for studio-quality recording, pristine monitoring paths and high-performance headphone amps for crystal-clear playback and an intuitive front-panel low-latency monitor mix control, you're always ready to capture the next great performance.

The 'Legacy 4K' mode - inspired by classic SSL consoles, gives you the ability to add extra analogue character and sparkle to your sources when needed.

To top it all off, the included 'SSL Production Pack' software bundle, which includes some of SSL's own studio-grade Native plug-ins and a carefully selected range of DAWs, samples, loops and virtual instruments from industry leaders, gives you an incredible arsenal of tools for creating your next hit.

2X Class-Leading Mic Preamps (130.5dB EIN / 62dB of Gain)
Pro-Studio Quality Neutrik Connectors and Alps pots
2X High Current Headphone Amp with independent monitor mix
24-bit / 192 kHz AKM Converters
Legacy 4K Analogue Enhancement - Inspired by SSL4000 series console
MIDI I/O
Additional un-balanced Outputs for DJ Mixers
SSL Production Pack - Exclusive software bundle
Advanced Workflow Technology utilised in ergonomics, layout and metering

Notes: PreSonus Quantum 2626 is the fastest and best-sounding interface on the planet, thanks to the jaw-dropping speed of Thunderbolt 3, 8 front-mounted premium PreSonus XMAX analog mic preamps, and pristine ADA converters.

The PreSonus Quantum Thunderbolt Audio Interface is a 26x32 thunderbolt 2 ultra-low-latency audio interface. The Quantum Thunderbolt Audio Interface includes two combo mic/line/instrument inputs and six combo mic/line inputs, with each mic input featuring a digital-controlled XMAX preamp. The versatile design allows you to daisy-chain multiple units to expand your I/O up to 96 in and out connections. The PreSonus Quantum features a wide range of analog and digital connectivity making it one of the most comprehensive high-end interfaces on the market. The interface also operates up to 192kHz for ultra-high-definition mixing and recording.

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interfaces on the planet". Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its bestiwhether you're recording with or without your favorite plug-ins engaged in real-time.

Every design decision during Quantum 2626 audio interface's engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking- coupled with our ultra-transparent, pure analog XMAX preamps- result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms).

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface's ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment- including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio's size, Quantum audio interfaces will streamline your recording process- you'll make better music, faster.

Notes: *** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.

Notes: Small and stylish audio interface with two microphone/line inputs and stereo speaker outputs. Includes a bundle of free software to get you started recording music, podcasts or radio shows.

Supplier's Notes:
Capture your microphones and instruments and start recording audio directly to your computer with EVO 4's intuitive feature set. Combining leading tech specs with incredible performance and sound quality, EVO 4 is the perfect interface for beginners and pros alike.

Made for the smart creative, EVO 4 will deliver a powerful recording solution no matter your artform.

Whether recording your latest track, producing a beat, or creating a podcast, get your ideas down fast with EVO 4's advanced and versatile feature set.

Building on Audient's 20+ years of audio design experience, EVO 4 gives you unrivalled audio quality on your desktop.

EVO 4's innovative technical design ensures you will get professional quality recordings from the start.

Get the most from your microphones with the clean, warm and accurate EVO preamps - offering 58dB of gain range.

Hear your recordings more accurately than ever with 113dB of dynamic range.

Plug your guitar or bass straight in through the JFET instrument input and start recording instantly.

Make sure you capture everything perfectly with Smartgain mode. Start playing or singing and Smartgain mode will automatically set the level of your microphones. You can even perfectly match and adjust gain to both channels simultaneously.

Control your speakers, headphones and channels all from one knob.

Make effortless recordings with ultra-low latency monitoring.

Individually switch phantom power on/off for each channel and give your microphones the power they need to perform.

Set levels and activate features from your computer

Take control of EVO 4's hardware with the EVO Control app. Quickly set and monitor your levels, mute microphones or even activate Smartgain straight from your computer.

Control recording sessions on the fly

Effortlessly adjust levels, mute mics and set volume

Dedicated input metering

Connecting a set of headphones to the headphone port will automatically mute your monitors, making switching between loudspeaker monitoring and headphone monitoring quick and seamless.

Compatible with all major audio software and plugins, EVO 4 comes bundled with a collection of professional software, giving you everything you need to start recording.

Plug in and power EVO 4 directly from your computer via USB and start recording on the go, whenever inspiration strikes.

Audio Loop-back enables you to record your computer audio at the same time as your microphones. Ideal for podcasters and streamers.
Record your computers audio
Record guest Skype/video calls
Record gaming audio

EVO 4's audio loopback feature can be configured via its own dedicated audio loopback mixer software, enabling you to combine audio sources and quickly route them between software.

Minimalist layout. Innovative Engineering. Modern aesthetics. EVO 4 has been designed to last and look at home on your desktop.

Notes: Compact and versatile MIDI interface capable of linking all your MIDI hardware, DAW or other MIDI hosts. Simple, effective, well built and great value. No nonsense stuff.

Supplier's Notes:

MIDIFLEX4 comes in a road-worthy housing with wrap-around aluminum cover and can easily be adapted to the ever-changing MIDI connection needs in a studio or on the road. It may be used as a 1 in / 3 out, 2 in / 2 out or 4 out interface on Windows, MacOS and iOS. Setup is instant: As MIDIFLEX is USB class-compliant it requires no custom drivers. Most DAWs recognize the ports automatically and the MIDI ports become available in the music software's track routing options right away. What's more, MIDIFLEX4 automatically detects if a MIDI in- our output is connected and displays the setting with its port MIDI indicators. For even more ports, multiple MIDIFLEX units may be used at the same time.

MIDIFLEX4 can also operate stand-alone without a computer connected. In this mode, it works as a MIDI 2-1 merge or 1-3 split box. A dedicated button on the unit ensures easy switching of the modes with instant visual feedback on the 4 MIDI LED indicators.

Notes: Excellent quality at an affordable price courtesy of Arturia's MiniFuse range. Two-in, two-out design with front panel volume control and MIDI in/out to help control hardware synths and drum machines.

Supplier's Notes:
Arturia MiniFuse 2 is an easy-to-use audio & MIDI interface that gives you pro-grade sound quality, smart connectivity, and a curated selection of the industry's best creative software. From guitar tracking to podcast recording, this is your solution for every type of audio creation.

MiniFuse comes from the award winning Arturia AudioFuse line of studio audio interfaces. Class-compliant & Bus-powered means you can plug in and go, and you won't need an additional power supply as it's USB powered. Recording has never been easier.

Creativity connected

MiniFuse 2's inputs and outputs bridge the gap between your ideas and the finished product. Record 2 instrument or mic sources simultaneously with dual combo inputs, sync and record your MIDI devices with 5-pin DIN connections, and connect extra devices with the additional USB hub socket - all via universal USB-C computer connectivity.

Simply the best sound

On paper, MiniFuse 2 gives you a 110db dynamic range and a top-tier equivalent input noise of -129dB. Put more simply, that means unbelievably great sound that can compete with even the finest studios. Enjoy responsive dynamics, a clear noise-free signal, and quality that you can really feel. Tough, portable design MiniFuse 2 is designed to accompany you for those last-minute sessions, quick deadlines, and spontaneous musical moments. It's not only compact and lightweight; its rugged aluminium ca-ing can handle the mobile producer's lifestyle. Take your sound with you, wherever you go. Fully operational Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. Better still, with the MiniFuse Control Center app, you can control its inputs, outputs, settings, and firmware updates in one place. Inspiration on the house Keep your creativity fresh and your inspiration flowing with step-by-step music production tutorials, mixing hacks, and Ableton project templates designed by artists, producers, and beatmakers, featuring the software that's included with MiniFuse. Updated frequently, no subscription re-quired, and free with your MiniFuse. MiniFuse comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge. Arturia FX Color your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus. Ableton Live Lite Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse. Analog Lab Intro Instantly add inspiring sounds from our award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds. Auto-Tune Unlimited 3-months free subscription Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month sub-scription to the industry's favourite voice tuning plugin.

GUITAR RIG LE

An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones. Splice Creator Plan 3-months free subscription Access millions of hi-def royalty-free samples and plugin presets, from lo-fi drum loops to punchy vocal one-shots, and add them to your personal collection for life.

Notes: *** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format. Designed for use in studio and live recording, the UCX II continues RME's tradition of producing powerful and flexible interfaces for the professional audio market, packing the kind of connectivity and features into a half-rack size unit that is often spread over two - or even three - 19 inch panels.

With up to 20 channels recording and 20 channels playback; RME's stellar SteadyClock FS digital clocking technology; high performance microphone inputs; TotalMix FX mixing and routing software (complete with Parametric EQ and Dynamics processing on every channel, plus Echo and Reverb sends); stand-alone hard disk recording to external USB hard drives or pen drives via 'DURec' (Direct USB Recording); MIDI I/O; a powerful headphone output; and full stand-alone operation, the Fireface UCX II excels with the highest feature to space ratio ever from an RME device.

Developed in time to celebrate the company's 25th anniversary, the RME Fireface UCX II represents the culmination and refinement of 25 years of digital audio innovation.

Throughout its 25 year history, RME has been fully committed to a principle of flexibility - the more flexible a product, the more easily it can be adapted to new requirements. For company founder Matthias Carstens, this lies at the heart of RME's success: "The Fireface UCX II makes us proud and enthusiastic as it represents a natural evolution of our product range."

"Boasting up to 20 recording and 20 playback channels, SteadyClock FS, high-performance microphone inputs, built-in parametric EQ, USB direct recording plus full stand-alone functionality, the brand-new Fireface UCX II truly represents the essence of freedom, flexibility, and passion. At present, no existing audio interface offers more connectivity and functionality in a half-rack package."

The Fireface UCX II houses two mic/line preamps in XLR combo configuration on the front panel, along with two digitally controlled line/instrument inputs, followed by a headphone jack, various control buttons, a display, and the main volume knob. At the rear is a set of ten analogue balanced line inputs and outputs, MIDI I/O, ADAT I/O, AES/EBU and SPDIF I/O, USB 2.0 as well as a switchable word clock I/O.

The RME Fireface UCX II is the first half-rack interface from RME to feature RME's Direct USB Recording (DURec) functionality. Previously only found on RME's Fireface UFX, UFX II and UFX+, any of the Fireface UCX II's input or output channels can be recorded directly to a USB storage device - in any combination, up to and including all 40 channels simultaneously - via the dedicated USB port found on the back panel of the device.

Powered by the integrated DSP, DURec also enables the Fireface UCX II to be used for standalone recording and playback (i.e. without the need for a computer). Suggested applications include creating instantaneous backups of studio, live and rehearsal recording - acting as a fail-safe against a computer hardware failure - as well as for strand-alone field recording, or for use in virtual soundchecks (using DURec for playback of a previous night's live show recording).

The Fireface UCX II also features a Class Compliant / Plug 'n' Play mode, enabling the interface to be used for high-quality, mulit-track recording with an Apple iPad, and providing iPad users with a full set of professional analogue I/O connections.

Additionally, the optional TotalMix FX for iPad app adds full control over the TotalMix hardware mixer, giving users the ability to create, store and load complete mixes directly from the iPad.

Most audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies.

Whilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs.

All of the Fireface UCX II's line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers.com formats) and other studio hardware.

General Specifications:

Power supply: external power supply
Typical power consumption: 13 Watts
Current at 12 Volt operating voltage: 910 mA (11 Watts)
Dimensions incl. rack ears, full depth (WxHxD): 265 x 44 x 155 mm (10.5" x 1.73" x 6.1")
Dimensions without rack ears, body depth (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1")
Weight: 910 g ( 2.0 lbs)
Temperature range: +5- up to +50- Celsius (41- F up to 122-F)
Relative humidity: < 75%, non condensing

Notes: Four-input version of Audient's next-generation EVO interface range. Stereo speaker outputs and a pair of headphone outs. Clean sound, clean design: intuitive controls for ease of use.

Supplier's Notes:
Capture your microphones and instruments and start recording audio directly to your computer with EVO 8's intuitive feature set. EVO 8 has all of the innovative new features found on EVO 4 but provides additional inputs and outputs alongside unrivalled performance and functionality - all off bus power.

Made for the smart creative, EVO 8 will deliver a powerful recording solution no matter your artform.

Whether recording your latest track, producing a beat, or creating a podcast EVO 8's advanced and versatile feature set lets you take control of any recording session.

Building on Audient's 20+ years of audio design experience, EVO 8 gives you unrivalled audio quality on your desktop.

Get the most from your microphones with the warm and accurate EVO preamps - offering 58dB of gain range.

Hear your recordings more accurately than ever and make better mix decisions with 113dB of dynamic range.

Plug your guitar or bass straight in through the JFET instrument input and start recording instantly.

Make sure you capture everything perfectly with Smartgain mode. Start playing or singing and Smartgain mode will automatically set the level of your microphones. You can even perfectly match and adjust gain to all channels simultaneously.

Channels 1-4 and both volume buttons can quickly be muted by simply holding them down until they begin to flash.

Individually switch phantom power on/off for each channel and give your microphones the power they need.

*Four channels simultaneously requires a USB-C to C connection. USB-A to C will provide up to two channels.

Set the gain of your mic pres using your DAW, your settings will also be stored in your session.

Control your speakers, headphones and channels all using the volume encoder.

Connecting a set of headphones to either of the headphone ports will automatically mute the corresponding speaker outputs, making switching between loudspeaker monitoring and headphone monitoring quick and seamless.

All of EVO 8's advanced features are powered directly from your computer via USB, letting you start recording on the go, whenever inspiration strikes.

Compatible with all major audio software and plugins, EVO 8 comes bundled with a collection of professional software, giving you everything you need to start recording.

Audio Loop-back
Audio Loop-back enables you to record your computer audio at the same time as your microphones. Ideal for podcasters and streamers.
Record your computers audio
Record guest Skype/video calls
Record gaming audio

Designed to simplify and adapt to your workflow, the EVO Mixer enables you to effortlessly set up and route your inputs + outputs, provide ultra-low latency monitoring, balance and set your levels, activate phantom power, set up dedicated artist headphone mixes and more.

Minimalist layout. Innovative Engineering. Modern aesthetics. EVO 8 has been designed to last and look at home on your desktop.

Notes: High-end interface specialists RME deliver another winner. Amazing sound quality in a compact package, with TotalMix control, ADAT expansion and built-in MIDI interface.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
Four years ago the Babyface Pro again demonstrated RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminium, this high-end portable interface incorporated newly designed analogue and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.
The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.
For the main I/O RME have designed an XLR socket, which integrates seamlessly into the housing and saves space.
Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.
Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.
The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analogue inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.
In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degradation, and SteadyClock FS ensures your sonic image will never experience degradation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.
Like all the latest RME interfaces, the Babyface Pro FS also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.
Babyface Pro FS ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in any situation. For example, mixing your guitar and vocals to headphones has never been easier. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available.
The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available. Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock FS technology, result in exceptional specifications that will satisfy the most demanding of professionals. Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.
Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired. RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Notes: mio- the perfect 1 in 1 out MIDI to USB interface

mio is a 1 in 1 out USB 16 channel MIDI interface to connect your MIDI compatible controller, keyboard, synthesizer, or drum machine to your computer. mio is USB bus powered and is plug and play compatible with Windows and Mac computers.

What Makes mio Unique?

Even the most basic tasks need to be done right. So iConnectivity engineered a new basic MIDI interface from the ground up that does everything right.

Not one of iConnectivity's competitors' 1x1 MIDI interfaces could pass all these tests:

Indestructible drivers - Interfaces that use their own drivers have to be updated all the time, or they stop working properly. Or they were USB Class-Compliant years ago, but today they aren't anymore. mio is engineered to today's strict guidelines to ensure compatibility for years to come.

Stellar MIDI Management - When the MIDI datastream gets heavy, other interfaces choke. iConnectivity interfaces deliver MIDI reliably no matter what.

Immaculate Electrical Design - You don't want a MIDI interface that introduces noise or even crashes your system, like some do. mio is engineered properly.

Performance Optimized - A MIDI interface that works too slowly is useless. mio is optimized for the highest performance.

The iConnectivity Advantage: iConnectivity's name on your interface means that time was taken to do it right, whether it's the simple 1 x 1 models to the uniquely sophisticated high-end interfaces.

System Requirements

Macintosh
Mac OS X
1 free USB port

Windows
Windows 7 or later
1 free USB port

iOS
iOS 8 or greater with Camera Connection Kit (CCK)*
CoreMIDI compatible app

Notes: White version of Arturia's excellent entry-level interface. Standard 2-in/2-out design with built-in MIDI interface and intuitive controls. Excellent quality and value for money.

Supplier's Notes:
MiniFuse 2's inputs and outputs bridge the gap between your ideas and the finished product. Record 2 instrument or mic sources simultaneously with dual combo inputs, sync and record your MIDI devices with 5-pin DIN connections, and connect extra devices with the additional USB hub socket - all via universal USB-C computer connectivity.

Simply the best sound

On paper, MiniFuse 2 gives you a 110db dynamic range and a top-tier equivalent input noise of -129dB. Put more simply, that means unbelievably great sound that can compete with even the finest studios. Enjoy responsive dynamics, a clear noise-free signal, and quality that you can really feel. Tough, portable design MiniFuse 2 is designed to accompany you for those last-minute sessions, quick deadlines, and spontaneous musical moments. It's not only compact and lightweight; its rugged aluminium ca-ing can handle the mobile producer's lifestyle. Take your sound with you, wherever you go. Fully operational Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. Better still, with the MiniFuse Control Center app, you can control its inputs, outputs, settings, and firmware updates in one place. Inspiration on the house Keep your creativity fresh and your inspiration flowing with step-by-step music production tutorials, mixing hacks, and Ableton project templates designed by artists, producers, and beatmakers, featuring the software that's included with MiniFuse. Updated frequently, no subscription re-quired, and free with your MiniFuse. MiniFuse comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge. Arturia FX Color your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus. Ableton Live Lite Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse. Analog Lab Intro Instantly add inspiring sounds from Arturia's award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds. Auto-Tune Unlimited 3-months free subscription Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month sub-scription to the industry's favourite voice tuning plugin.

Guitar rig LE

An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones. Splice Creator Plan 3-months free subscription Access millions of hi-def royalty-free samples and plugin presets, from lo-fi drum loops to punchy vocal one-shots, and add them to your personal collection for life.

Line Inputs

Input impedance: 16kO
Maximum input level: +22dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.05dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)

Instrument Input
Input impedance: 1MO on Tip
Maximum input level: +11.5dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -91dB typical (un-weighted)

Microphone Preamps
Input impedance: 2.5kO
Maximum input level: +9dBu
Gain range: 56dB
Equivalent Input Noise (EIN): -129dB typical (A-weighted)
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)

Speakers
Output impedance: 94O
Maximum output level: +12dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 107.5dB typical (A-weighted)
THD+N @ 1kHz: -101dB typical (un-weighted)

Phones
Output impedance: 10O
Maximum output level: +11.4dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 104dB typical (A-weighted)
Power @ 33ohm: 137mW

Supported Sample rates
44.1kHz, 48kHz, 88.2 kHz,
96kHz, 176.4kHz, 192 kHz

Platforms requirements

Windows
Windows 7 (SP1) or later (64-bit)
4 GB RAM (8 GB+ recommended)
64-bit Intelr Core or AMD multi-core processor (i5 processor or faster recommended)

Apple
OS X 10.10 or later (64 bit)
4 GB RAM (8 GB+ recommended)
64-bit Intelr Core or AMD multi-core processor (i5 processor or faster recommended)

Size & weight
Size : 7.9 x 3.9 x 1.65 inches (200 x 100 x 43mm)

Notes: Arturia MiniFuse 1 is a portable 1 in / 2 out audio interface audio interface designed to work for you, whatever your style. Record your vocals, guitar, podcast, or produce your track at the highest studio quality. A complete software bundle with instruments, recording software, and effects is included - recording and producing has never been easier.

MiniFuse comes from the award winning Arturia AudioFuse line of studio audio interfaces. Class-compliant & Bus-powered means you can plug in and go, and you won't need an additional power supply as it's USB powered. Recording has never been easier.

MiniFuse 1 fits right into your setup with a straightforward set of ins and outs. Its single combo input lets you easily connect either XLR or 1/4" jack cables. Plug into your computer with quick & compact USB-C compatibility. Finally, connect USB devices like your MIDI keyboard with the additional USB hub socket.

For audiophiles, MiniFuse boasts a 110db dynamic range and a class-leading equivalent input noise of -129dB. For everyone else, that means that every recording you make sounds incredible, with rich dynamics, clear noise-free signal, and studio-grade quality - you can't go wrong.

Break the mold and take your studio on the go. MiniFuse is not only compact and lightweight; its rugged aluminium casing can handle the mobile producer's lifestyle. Put it in your bag, get out there, and find the sound you've been looking for.

Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. Better still, with the MiniFuse Control Center app, you can control its inputs, outputs, settings, and firmware updates in one place

Keep your creativity fresh and your inspiration flowing with step-by-step music production tutori-als, mixing hacks, and Ableton project templates designed by artists, producers, and beatmakers, featuring the software that's included with MiniFuse. Updated frequently, no subscription re-quired, and free with your MiniFuse. MiniFuse comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge.

Arturia FX

Colour your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus.

Ableton Live Lite

Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse.

Analog Lab Intro

Instantly add inspiring sounds from Arturia's award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds.

Auto-Tune Unlimited 3-months free subscription

Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month sub-scription to the industry's favorite voice tuning plugin.

GUITAR RIG 6 LE

An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones.

Splice Creator Plan

3-months free subscription Access millions of hi-def royalty-free samples and plugin presets, from lo-fi drum loops to punchy vocal one-shots, and add them to your personal collection for life.

Huge software bundle includes: Ableton Live Lite, Analog Lag Intro, 4 x Arturia FX, Auto-Tune 3-month subscription, GUITAR RIG 6 LE, Splice 3-month subscription, and more...

Included Software

Ableton Live Lite: For your recording and mixing needs

Analog Lab Intro: Classic and modern synthesizer and keyboard sounds

4 x Arturia FX: A world-class preamp, plate reverb, tape echo and chorus effects

Auto-Tune Unlimited: 3-month subscription to the leading pitch tuning software

GUITAR RIG 6 LE for guitar amplification emulations and guitar

Line Inputs
Input impedance: 16kO
Maximum input level: +22dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.05dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)
Instrument Input
Input impedance: 1MO on Tip
Maximum input level: +11.5dBu
Gain range: 56dB
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -91dB typical (un-weighted)
Microphone Preamps
Input impedance: 2.5kO
Maximum input level: +9dBu
Gain range: 56dB
Equivalent Input Noise (EIN): -129dB typical (A-weighted)
Frequency response 20Hz to 20kHz: +/-0.06dB (min gain)
Dynamic range: 110dB typical (A-weighted)
THD+N @ 1kHz: -100dB typical (un-weighted)
Speakers
Output impedance: 94O
Maximum output level: +12dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 107.5dB typical (A-weighted)
THD+N @ 1kHz: -101dB typical (un-weighted)
Phones
Output impedance: 10O
Maximum output level: +11.4dBu
Frequency response 20-20kHz: +/-0.09dB
Dynamic range: 104dB

Notes: mioXM - more connectivity than you can shake a stick at.

With mioXM it's never been easier to get all of your MIDI gear talking to each other. Harness the power of iConnectivity advanced computer and network connectivity and experience why mioXM redefines what a MIDI interface can and should do.

Connect all your MIDI devices (USB-MIDI, DIN-MIDI, RTP/Network-MIDI) and let this rugged, versatile interface put you in control of your MIDI devices and workflow.

On stage or in the studio, RTP/Network-MIDI capability means you are no longer constrained by cable length or limited USB ports. Stack multiple interfaces and computers on a network for ultimate scalability and flexibility.

With mioXM, you're able to streamline and expand your MIDI setup, and do it faster, better, and in creative and exciting new ways.

What makes mioXM unique? The iConnectivity difference.

Powerful network MIDI capabilities:

Network connectivity means MIDI wherever you need it. Regular USB connectivity limits you to keeping your interface within 15ft of your computer. Network / Ethernet connectivity gives you up to 330ft / 100m connection between you and your interface.

Drop an interface in every room of your studio, or place an interface virtually anywhere in a venue.

RTP/Network-MIDI is not bound by some of the same restrictions as USB-MIDI.

Easy renaming of network ports - have them show up the way you want them to in your DAW.

Access to more than12 ports per interface.

iConnectivity's unique network technology is as easy to use as USB! Enjoy your new-found MIDI power without extra headaches.

Use your 12 network MIDI ports anyway you want. Connect each of the 12 RTP-MIDI sessions to any combination of physical or virtual I/O ports. Almost any combination is possible.

Configuring mioXM:

Introducing a new version of iConnectivity's Auracle control software: taking the simplicity of workflow that the original Auracle introduced but now with the added deep configuration functionality that iConnectivity become known for. All the deep configuration options you asked for: MIDI merging, filtering, remapping, and deep routing are all there and super easy to use.

Presets onboard:

Need to configure your MIDI setup in multiple ways? No problem!

Store and recall up to 4 presets directly on the interface, without even needing a computer!

Easily recall unique MIDI routing, filter and merging setups to preset scenes, all from the front of mioXM.

What's in the box
1 x mioXM
1 x USB cable
1x Ethernet cable
1 x mioXM 12V 36W Power Power Supply with interchangeable blades (NA, EU, UK and AU (Australia only)).

Device Specifications:

Width: 214 mm/8.43 in
Height (1U): 37 mm/1.46 in
Depth: 140 mm/5.51 in
Weight: 992g/2.13 lbs

mioXM fits comfortably in iConnectivity's iCRS Interface Rack Shelf

System Requirements

Macintosh
Mac OS X 10.11 or greater
1 free ethernet or USB port

Windows
Windows 10 or greater
1 free ethernet or USB port

iOS
iOS 8 or greater with Camera Connection Kit (CCK)*
CoreMIDI compatible app

Notes: Professional-standard 6-in/4-out interface from the trusted team at MOTU. Pristine sound courtesy of the high-end ESS Sabre32 Ultra DAC, with the versatility of MIDI in/out, dual headphone outputs and A/B monitor control.

Supplier's Notes:
Introducing the M6; Four mic inputs with best in class audio quality, speed, and metering

Audio Quality

Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M6 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone outputs, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.
ESS Sabre32 Ultra DAC Technology for superb analog sound

The same converter technology used in audio interfaces costing thousands

Measured 120 dB dynamic range on outputs

Measured -129 dBu EIN on mic inputs

ESS-driven headphone outputs

Speed

The M6 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

Metering

When recording and mixing, nothing is more critical than achieving optimum levels. The M6 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

Loopback

The M6 driver

provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with up to four mics (and/or guitars) from the M6 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

A/B Monitor Switch

The M6 is the only audio interface in its class to offer A/B monitor switching. Connect two pairs of monitors and quickly check your mixes on each pair with the push of a button.

Stand-alone operation

With the included multi-blade international DC power adapter connected, you can power the M6 when the computer is turned off (or completely disconnected from the M6). This allows you to monitor any live inputs you may have (mics, guitars, keyboards, etc.) without a host computer or iOS device needed.

A tradition of engineering excellence

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Workstation software, virtual instruments and loops to get you making music right away

Connect the M6 to your Mac or PC and start laying down tracks with the included Performer Lite or Live Lite production software, plus hundreds of loops, one-shots and sounds from industry leaders Big Fish Audio, Lucidsamples and Loopmasters.

Technical Specifications

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar: 4 x XLR/TRS "combo jack" mic/line/Hi-Z guitar inputs Independent preamp gain, 48V phantom power and monitor switch for each input
Analogue inputs: 2 x 1/4" line in
Analogue outputs: 4 x 1/4" TRS line out (balanced, DC coupled) 2 x 1/4" TRS stereo headphone with independent volume
Computer I/O: 1 x USB-C 2.0 audio class compliant Compatible with USB Type A host (*see power below) USB C-to-C and C-to-A cables included
MIDI I/O 1 x MIDI IN 1 x MIDI OUT 16 MIDI channels to/from computer host
Headphones: 2 x 1/4" TRS stereo headphone with independent volume 1 x 3-4 switch for optional monitoring of Line Out 3-4
Phantom power: 4 x individual +48V
Front panel: 2 x 1/4" TRS headphone output 1 x potentiometer - monitor vol 2 x potentiometer - phone vol 1 x potentiometer - input monitor mix 4 x potentiometer - mic/line/guitar input gain 11 x switches - (4) 48V, (5) MON, (1) A/B and (1) 3-4 160 x 120 pixel full-colored LCD with input and output level meters
Power: Bus-powered through USB* Optional multi-blade international 15V DC power adapter (included) *USB bus power available with USB-C hosts only. For other hosts, use the included DC power adapter. For iOS devices with a Lightning port, an Apple Lightning to USB3 Camera Adapter is required (sold separately).
Dimensions and weight (width x depth x height, enclosure only) 9.21 x 4.75 x 1.8 inches 23.4 x 12.0 x 4.57 cm 2.15 lbs / 0.975 kg


System Requirements

Mac System Requirements
Intel Core i3 Mac or faster (including Apple silicon Macs) 4 GB RAM; 8 GB or more recommended macOS version 10.11 or later (Optional driver requires 10.13 or later) Available USB port A large hard drive (at least 500 GB for recording)

Windows System Requirements:
1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 10 or later (x64 only) Available USB port A large hard drive (at least 500 GB for recording)

Class-Compliant Support:
USB audio class compliant for plug-and-play operation on Mac or iOS (no driver required)

Included Software:
MOTU Performer Lite Ableton Live Lite 11 6 GB of loops and sounds from Big Fish Audio, LucidSamples, Loopmasters and MOTU

Line output:

Connector type: 1/4" TRS, balanced, tip hot, Dynamic range (A-weighted): 120 dB, THD+N (unweighted): -110 dB, Max level: +16 dBu

Line Input:
Connector type: 1/4" TRS, bal/unbal, tip hot, Dynamic range (A-weighted): 115 dB, THD+N (unweighted): -110 dB, Max level: +16 dBu

Mic input:
Connector type: XLR, balanced, pin 2 hot, Dynamic range (A-weighted): 115 dB, THD+N (unweighted): 129 dBu EIN, Max level: +10 dBu (at minimum gain)

Phones
Connector type: 1/4", TRS stereo, Dynamic range (A-weighted): 115 dB, THD+N (unweighted): -110 dB, Max level: +12.5 dBu

Notes: Serious mastering-grade kit. Stereo interface with high-end converters and headphone amp circuit for pristine sound quality. Proper clarity for critical listening.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
The RME ADI-2 Pro FS is a two channel 24-bit / 768kHz AD/DA converter and USB 2 Digital Audio Converter, audio interface and high-end headphone amp with new jitter rejection SteadyClock FS technology.

The RME ADI-2 Pro FS is the most flexible converter available with balanced and unbalanced I/O, two headphone outputs, DSP-based signal processing and RME's latest Steady Clock FS jitter rejection technology. It offers Class Compliant USB compatibility, sample rates up to 768kHz as well as DSD record and Direct DSD playback.

It boasts a raft of analogue and digital I/O, including two servo-balanced analogue XLR/TRS Jack inputs, two separate balanced and unbalanced outputs on XLR and TS as well as two headphone outputs. Digital I/O include optical ADAT, Optical and coaxial SPDIF and AES accessible via a breakout cable.

Furthermore, its Class Compliant UAC 2 USB 2.0 port offers iOS compatibility and is necessary for firmware updates. It can also work as a 6-in / 8-out audio on Mac OSX and Windows via WDM and ASIO.

Using the latest in A-to-D technology the ADI-2 Pro FS offers best possible sound with highest signal-to-noise ratio, super low THD and noise. It supports sample rates up to 786kHz PCM and DSD recording in dual mono design, with 3dB improved signal to noise ratio. Two digital-to-analogue converters are used for the separate stereo outputs. The latest Integrated Sample Rate converter takes care of clocking issues between S/PDIF and AES thanks to RME's latest SteadyClock FS technology.

A high-resolution display shows controls for the ADI-2 Pro FS unique features including DSP effects like 5-band parametric EQ, binaural crossfeed, adjustable loudness filter, selectable AD/DA filters and four analogue reference levels. Furthermore, M/S processing is provided with stereo width control as well as phase loop. The display also shows RME's famous Spectral Analyser and 30-band bi-quad filtered analysis tool.

Notes: MiniFuse 4 is a next-gen 4in/4out audio & MIDI interface designed to transform your ideas into your art. Capture crystal-clear recordings, refine with pro-grade creative software, and get your sound out there.

The best software included

MiniFuse 4 comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge. This isn't a bundle of fremium plugins or demos - this is the same exceptional software used by music and audio professionals worldwide.

Ableton Live Lite Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse.

Analog Lab Intro Instantly add inspiring sounds from our award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds.

Arturia FX
Colour your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus.

Auto-Tune Unlimited™ 3-months free subscription Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month subscription to the industry's favourite voice tuning plugin.

Native Instruments GUITAR RIG 6 LE An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones. Splice Creator Plan 3-months free subscription Access millions of hi-def royalty-free samples, from lo-fi drum loops to punchy vocal one-shots, as well as synth sounds, Splice Skills tutorials, and much more.

MiniFuse 4 is built by audio creators, for audio creators. Expertly engineered to tick every box for whatever sound you want to make, this is one interface you can count on in every situation.

Creativity connected Your MiniFuse 4 is designed to be the hub of your sound setup. Connect up to 4 input sources at once with 2 combo inputs and 2 jack inputs; send, receive, and sync MIDI information with 5-pin DIN connections; connect extra USB devices like controllers or external drives with the USB hub socket; all connected via universal USB-C connectivity.

Simply the best sound For audiophiles, MiniFuse 4 delivers a 110db dynamic range and a class-leading equivalent input noise of -129dB. For everyone else, that means unbelievable sound quality that can compete with leading studios. Get the dynamics, clarity, and impact that your sound deserves.

Tough, portable design MiniFuse 4 is a desktop interface, but we know that inspiration can strike at any time. A compact and lightweight design with a rugged aluminium casing means you can take your sound with you - perfect for those last-minute sessions, quick deadlines, and spontaneous musical moments.

Fully operational

Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. To keep things organized, the free MiniFuse Control Centre app lets you control its inputs, outputs, settings, and firmware updates in one place.

Who is it for?

For the musician Whether you're recording your band, your friends, or yourself, MiniFuse 4 can capture up to 4 instruments simultaneously with beautifully transparent low-latency sound.

For the producer The perfect companion for making beats, tweaking your final mix, or laying down ideas thanks to easy connectivity and a bundle of the finest creative software out there.

For the singer-songwriter Track your vocal ideas, capture your new favorite chord sequence, or nail that single-take intimate vibe with multiple inputs and plug-and-play recording.

For the podcaster MiniFuse pairs with up to 4 inputs of your choosing for ultra-clear voice recordings, captivating storytelling, and in-depth roundtable debates - make yourself heard.

For the content creator Easily capture voiceovers alongside in-app or in-game audio with MiniFuse's Loopback function, tailor-made for tutorials, unboxing videos, and game playthroughs.

Notes: Connect more with the world- The original iRig Stream offered groundbreaking features that made it an overnight must-have for millions of creators. Now iRig Stream Pro takes your podcasting and streaming to an all-new level.

This 24-bit, 96 kHz audio interface for iPhone, iPad, Android and Mac/PC offers an XLR mic preamp, stereo RCA, TRRS and device inputs (loopback) - plus advanced routing, convenient controls and total portability.

It's everything you need for professional quality streaming, right in the palm of your hand.

Mix and stream up to 4 audio sources- iRig Stream Pro makes it easy to connect all your audio sources and route them to a streaming or recording app. Connect your favorite studio microphone or guitar via the XLR / 1/4" combo jack, mix in DJ decks or a keyboard via the stereo RCA inputs, then connect your earbuds to listen back and for a bonus mic/line input. You can even route in the output of your smartphone, tablet or laptop and sing or jam along.

XLR / 1/4" combo input

This input offers a pristine mic preamp with true +48V phantom power to connect studio microphones with stunning sound, switching to Hi-Z for your favorite guitar or bass.

RCA stereo input

Connect a mixer, DJ decks, keyboards and more with this low-noise stereo input.

3.5mm TRRS input/headphone output

A unique headphone/microphone jack is wired just like your smartphone so you can listen and talk over the stereo input simultaneously. It works with most headphones with a built-in mic and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre 2, giving you a wide range of options for any situation.

Device Loopback

This option routes the audio output of your digital device (iPhone, iPad, Android, Mac or PC) back into iRig Stream Pro to be mixed in with the other audio signals. This is perfect to jam or sing along with backing tracks, or process audio on one app and stream to another, all on a single device.

Each input has its own independent volume control and is then mixed down to your choice of stereo or 4 channels to stream, process or record into all your favourite apps.

Stereo or multichannel? You get both!

iRig Stream Pro offers 2 modes: stereo or multichannel. By default, iRig Stream Pro operates in stereo mode and pre-mixes multiple sources of audio (RCA stereo inputs (+ Loopback), XLR / 1/4" combo input and TRRS microphone) down to a stereo track, which is sent to your choice of streaming apps like Instagram, Facebook, Twitch, etc.

Switching to multichannel mode, the combo and TRRS inputs are routed to channels 3 and 4 respectively giving you 4 channels of audio to send to recording apps such as GarageBand or your favourite DAW.

Specs

Type: 2 in/2out or 4 in/2out
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Power: USB bus powered. 48V operations with iOS devices require battery or DC IN. When connected to an external PSU (iRig PSU 3A, not included), iRig Stream Pro charges the connected iOS lightning device.
Metering: 3x LEDs for overall streaming signal. Peak meter for Mic/Inst input.
Device Connection: mini-DIN
Dimensions: 123 mm/4.84" x 67 mm/2.63" x 40 mm/1.57"
Weight: 146g
Line input
Connector: 2x RCA (unbal.) Left/Right
Nominal Input Level: -10 dBV
Head Room: 10 dB - Level @ max
Input Impedance: 16.5k Ohms
Frequency Response: from 20 Hz to 20 kHz (-1.5 dB)

Microphone Input: balanced, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
Microphone Input Level: from 3.8 mV RMS to 388 mV RMS
Microphone Input Impedance: approx 2 kOhms
Analog Gain Range: 40 dB
Phantom Power: +48 V i 4 V
Frequency Response:
from 20 Hz to 20 kHz (-1 dB) Gain @ min
from 20 Hz to 20 kHz (-3 dB) Gain @ max

Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
Instrument Input Level: from 70 mV RMS to 1.8 V RMS
Instrument Input Impedance: 1M Ohms
Analog Gain Range: 28 dB
Frequency Response: from 20 Hz to 20 kHz (-1 dB) Gain @ min, from 20 Hz to 20 kHz (-3 dB) Gain @ max

Headset/Phones
Connector: 1/8" TRRS jack (CTIA wiring standard)
Supply voltage: > 2,5 V
Microphone gain: Adjustable with numbered thumbwheel
Frequency Response: 20 Hz - 20 kHz
Headphone Level control: numbered thumbwheel

Battery Life
Phantom power On with iOS device: up to 20 hours (Alkaline batteries), with mic input connected to 3.1 mA phantom powered load
Note: all measurements made with Stream Level knob at 0dB.

Package includes
iRig Stream Pro interface
Lightning to mini-DIN connection cable with charging features (60cm/23.62")
USB C-Type to mini-DIN connection cable (60cm/23.62")
USB A-Type to mini-DIN connection cable (60cm/23.62")
2x 1.5V AA battery
Velcro strip

Notes: One of the most trustworthy brands in the industry delivers another winner. Proper high-end business, with 12 analogue inputs and 12 outputs, plus an extensive array of digital connections. Great value at this price point.

Supplier's Notes:
Next-gen 28 x 32 USB3 audio interface - Builds on 22 years of proven success as an industry-leading audio interface brand.

New 3.9-inch TFT display - The bright, 24-bit RGB LCD provides 480 x 128 pixel high-resolution metering for all analogue and digital I/O, plus detailed status info and access to hardware settings from a simple and convenient menu.

Superb analogue audio quality and high-end converters - Renowned ESS Sabre32 DAC technology delivers 125 dB dynamic range. Support for all standard sample rates up to 192 kHz.

Ultra-low latency and proven, high-performance MOTU drivers - Round-trip latency (RTL) performance as low as 2 ms at 96kHz with high-performance DAW hosts.

Universal connectivity - Connects to your computer with 5 Gbps USB3 (compatible with USB2) for up to 60 audio channels. Class-compliant firmware and industry standard drivers work with any audio apps. Connects to an iPad™ with USB-C or a Lightning adapter kit (sold separately).

60 simultaneous audio channels - 28 inputs and 32 outputs, including two combo XLR/TRS mic/line/hi-Z guitar inputs with send/return inserts, 8 TRS analogue (line-level) in/out, separate main outs on XLR jacks, two banks of 8-channel optical I/O, stereo RCA S/PDIF digital I/O, and two front-panel headphone outputs.

Advanced mic channels - Cutting-edge components deliver ultra-transparent sound with -114 dB THD+N, 118 dB dynamic range and -129 dBu EIN. Each mic channel provides individual controls for +74 dB of preamp gain, -20 dB pad, 48V phantom power, and phase invert. All settings can be controlled remotely from a computer or iOS device. Each mic channel includes a dedicated send/return insert for outboard gear processing.

Flexible insert returns - When nothing is connected to the front-panel mic inputs, the two rear-panel returns function as additional line inputs with identical signal path characteristics as the other eight line inputs.

DSP mixing and effects processing - Flexible 24-input digital mixer with 8 stereo busses and DSP effects, including reverb, 4-band EQ, gate and compression.

Wi-Fi control - If the 828 is connected to a computer on your Wi-Fi network, you can control everything wirelessly from the CueMix 5 app running on mobile devices or other computers on the same network - even multiple devices at the same time. Manage access to the 828 with network discovery and password protection.

Precision boost/trim for analogue I/O - Calibrate analogue input and output signals in precise 1 dB increments. Apply phase invert individually to analogue inputs.

Control room features - Control your sessions with front-panel "talk" button and "A/B" speaker select buttons to quickly compare your mixes on two sets of studio monitors.

Two flexible headphone outputs - With independent volume control, each headphone output can mirror each other, the Main Outs, any other analogue output pair, any CueMix bus, or any USB output channels. Or you can create a completely customized mix for each headphone that includes live 828 inputs and built-in reverb.

Two banks of optical I/O - Connect outboard digital processors, digital mixers or other gear with 16 channels of ADAT at 44.1/48 kHz or 8 channels of SMUX at 88.2/96 kHz. Bank A can optionally provide stereo TOSLink (optical S/PDIF) I/O up to 96 kHz.

Foot switch input - Connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.

MIDI in/out/thru - connect MIDI gear without the need for a separate MIDI interface.

Word clock in/out/thru - Supports all sample rates up to 192 kHz.

DC-coupled TRS outputs - Use the 828 to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.

Loopback for live streaming and podcasting - Easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the 828 in your host software for live streaming or podcasting.

Guitar re-amping - Connect your guitar to the front-panel input, use CueMix's near-zero latency to loop to any output (with a re-amp adapter, if needed), and record both the dry signal and your mic'd up amp simultaneously. Then re-amp the dry signal later with different amps and cabs - or amp modelling plug-ins - to experiment with different tones.

CueMix 5 app - Control mixing and settings from your Mac, PC or iOS device.

Performer Lite - Workstation software with over 100 included instruments, dozens of effects and 6 GB of included loops to make music right away. Also includes Ableton Live Lite.

Next-gen 28 x 32 USB3 audio interface with DSP, mixing and effects
New 3.9-inch 24-bit RGB LCD with precision metering for all I/O
Superb analogue audio performance driven by ESS Sabre32 Ultra™ DAC Technology
Ultra-low latency and proven, high-performance MOTU drivers (~2 ms RTL with a 32 sample buffer @ 96 kHz)
Universal connectivity with 5 Gbps USB

Technical Specifications
Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz

Mic/line/instr inputs
2 x XLR/TRS "combo" jacks
Individual -20 dB pad and 48V phantom power
Preamp gain: +74 dB in 1 dB increments
1 MO impedance on the line/instr inputs
Independent balanced send/return inserts

Analogue inputs
8 x 1/4-inch TRS line in (balanced/unbalanced)
2 x 1/4-inch insert returns function as balanced TRS line inputs (with no mic inputs connected)
Max level: +21 dBu
+20 dB digital gain on each input

Analogue outputs
8 x 1/4-inch TRS line out (balanced, DC coupled)
2 x male XLR out
Max level: +21 dBu
2 x 1/4-inch TRS stereo headphone
2 x 1/4-inch TRS sends (balanced, pre-converter)

Digital I/O
2 banks (16 ch) of ADAT optical I/O at 1x sample rates
2 banks (8 ch) of S/MUX optical I/O at 2x sample rates
Bank A switchable to stereo TOSLink I/O (optical S/PDIF)
1 x stereo S/PDIF I/O on RCA (up to 96 kHz)

Computer I/O
1 x USB-C 3.2 Gen 1 (5 Gbps) Type C - USB2 compatible USB audio class compliant (no driver needed)
1 x IF-certified USB 3.2 Gen 1 Type C-to-C cable included
Compatible with USB Type A (with a C-to-A cable, sold separately)
Total USB audio channels: see "Total Audio I/O" below
Round Trip Latency (RTL): ~2 ms (32 sample buffer at 96K)

Total audio I/O
28 in / 32 out (60 total channels) at 1x sample rates
20 in / 24 out (44 total channels) at 2x sample rates
10 in / 14 out (24 total channels) at 4x sample rates

MIDI I/O
1 x MIDI In
1 x MIDI Out/Thru
16 MIDI channels to/from computer host

Headphone
2 x 1/4-inch TRS stereo headphones
Output impedance: <1O
Max output: 14.4 dBu

Phantom power: 2 x individual +48V

Foot Switch
1 x 1/4-inch foot switch input
Mapping: pedal up/down to any host keystrokes

Sync I/O
1 x BNC Word Clock In
1 x BNC Word Clock Out/Thru
Sample rates: all (from 44.1 to 192 kHz)

Front panel
2 x XLR/TRS combo inputs
2 x 1/4" TRS headphone outputs
2 x potentiometer - headphone volume
2 x potentiometer - mic/instr input gain
1 x potentiometer - menu navigation
1 x large potentiometer - main volume
12 x switches - (2) 48V, (2) pad, (6) control room, (2) nav
1 x 3.9-inch 480 x 128 pixel 24-bit RGB TFT display
1 x latching power button

Power
Internal 100-240V autoswitching supply
50-60 Hz - 0.5A max

Dimensions and weight
(width x depth x height, enclosure only)
19 x 12.25 x 1.75 inches / 48.26 x 31.1 x 4.44 cm
11 lbs / 5 kgs

Notes: The AI-1 is a professional-grade single-channel audio interface that delivers exceptional audio quality for everything from bedroom music recording to livestreaming and podcasting. Featuring a studio-grade preamp, a high-quality Neutrik™ combo jack for connecting microphones or instruments, and a high-power headphone amplifier for crystal-clear audio monitoring and playback, it's the perfect interface for recording studio-quality audio at home.

Key Features:

Professional-grade single-channel audio interface
Neutrik combo jack for connecting microphones, guitars, synthesisers and other instruments
Studio-grade preamp with level indicator
High-power headphone amplifier

Studio-quality Sound With Ease

With a single input and streamlined controls, the AI-1 is incredibly simple to use - just connect it to your computer, plug in your microphone or instrument, and hit record. Under the hood, the AI-1 packs plenty of punch, including an ultra-low-noise, high-gain studio-grade preamp for recording pristine audio, balanced 14-inch outputs for connecting your favourite speakers, and a high-power headphone amplifier capable of driving professional high-impedance models for flawless monitoring.

Get Connected and Create

The AI-1 features a high-quality Neutrik combo jack for connecting both XLR and 14-inch cables, so you can plug in your microphone, guitar, bass, or synthesiser with ease. Switchable phantom power ensures any microphone is accommodated, while the simple indicator LED allows you to monitor your input level for crystal-clear audio every time. Every AI-1 also comes with a free version of Ableton Lite, so you can get recording right away. Whether you're livestreaming or making multi-layered music, the AI-1 will capture your sonic vision in every detail.

RODE Central

RODE Central is an easy-to-use companion app for the AI-1 (and other RODE devices) that allows you to access device information and update to the latest firmware. The latest firmware version adds an extended gain range for enhanced performance with low-output dynamic microphones. To update, download RODE Central below and follow the prompts.

Note: OS Requirements - MacOS 10.13 or later; Windows 10 Version 1803 or later; iOS 14 or later; Android 9.0 or later.

Specifications

Acoustic & Electrical Specifications
Gain Range: 60dB (with firmware version 1.3.1)
Bit Depth: 24-Bit
Sample Rates: 44.1kHz 48kHz 88.2kHz 96kHz
48V Phantom Power: Yes
Simultaneous I/O: 1 x 2
Number of Preamps: 1
Direct Monitor: Yes
Bus Powered: Yes
OS Requirements: Mac OS10.10 or later Windows 7 or later
Power: USB bus-powered

Mechanical Specifications
Form Factor: Desktop
Analogue Inputs: 1 x Neutrik XLR-1/4" combo
Analogue Outputs
2 x 1/4" speaker outputs (impedance balanced) 1 x 1/4" headphone output
USB Connectors: 1 x USB-C
Depth: 100mm total (with knobs), Chassis: 88mm
Width: 124mm
Height: 38mm
Weight: 1lb/3.7oz/560g
Warranty: 1 year (extending to 2 years after product registration)

Box Contains:

1 x AI-1
1 x USB-C to USB-A Cable

Notes: PlayAUDIO1U allows every working musician access to an easy, seamless, simple & straightforward failover solution.

PlayAUDIO1U fuses iConnectivity's vast engineering knowledge of the live arena, passion for performance, and decades of experience into one product. PlayAUDIO1U ensures working musicians never suffer the embarrassment of a silent show, ever again.

PlayAUDIO1U's secret in part is integrating two computers connected directly to the interface, forming an incredible redundancy / failover protection system. Should your main computer fail, PlayAUDIO1U switches to the backup computer in a heartbeat; so fast that you and your audience won't even notice. Backing tracks keep playing in time and your MIDI gear stays connected. It does this all in a package that is completely designed from the ground up made-to-tour.

PlayAUDIO1U also ships with iConnectivity's new and improved Auracle 2.0. Auracle 2.0 is fast, flexible and intelligent, allowing performers to create a sophisticated live integration of all audio and MIDI connections, inputs and outputs; Auracle lets you do it in minutes, not hours.
"PlayAUDIO1U builds on everything we learned in creating and then supporting users of our PlayAUDIO12, an interface that quickly became the industry standard," says Al Joelson, VP of Sales and Marketing. "This interface is designed to be an even more ready-to-gig, comprehensive solution. It's a crazy powerhouse of audio and MIDI capability for live performance. "

Notes: Arturia's flagship audio interface is designed for maximum versatility as well as top quality sound. With 16 analogue inputs, 12 analogue outputs and an array of digital I/O including ADAT, MIDI and clock, your creative process won't be interrupted by reconfiguring your hardware.

Supplier's Notes:
AudioFuse 16Rig

Studio mastermind interface

AudioFuse 16Rig is a high-density audio interface that combines an unmatched array of connections with a creativity-first workflow, built to handle a hardware-focused setup and keep your devices always in sync, always sounding pristine, and always ready to go.

Make your sound count

Introducing an interface that lets you leave everything connected, route anything to anything, and be more creative with your projects.

A workhorse hub of connections and smart features designed to get the job done, no matter the complexity. A powerful, reliable production tool that can be moulded to suit your audio setup, your workflow, and your sound.

A standalone mixer

For DAWless recording, live mixing, and outside-the-box audio configuration, AudioFuse 16Rig just works. Fire up its two low-latency internal mixers for sessions away from the studio, process audio & MIDI without a computer connection, and save your configurations for instant recall and quick setup switching.

Intricate audio routing

Get hands-on with an interface that lets you configure its connections to suit any need, including multiple sends/returns for effects, quick A/B speaker monitoring, and more. The included AudioFuse Control Center even features a matrix for quick 'connect anything and everything' configuration.

Quantity, meet quality

Give every recording the shine, clarity, and projection it deserves with two high-quality digitally-controlled preamps and 24-bit AD/DA converters from ESS and Cirrus Logic. Whether it's red-hot synths, dynamic guitars, delicate vocals, or any combination of inputs, expect top-notch sound across the board.

Choose your workflow

Your interface should adjust to suit your setup, not the other way around. Control AudioFuse 16Rig's settings via the display or the included software, configure it for desktop or 1U rackmount operation, use the DC-coupled outputs to send signals to synth modules, and connect your high-impedance headphones.

It's time your music had an upgrade

x16 ADAT I/O
x8 Analog Line DC coupled Outputs
x16 Analog Line Inputs
x1 MIDI In & 2x MIDI Out/Thru
Wordclock I/O
24-bit AD/DA 192kHz
Creative FX Bundle Included

Smart design

Sometimes it's the little things that matter most. You need your gear to complement and enhance the way you work, and that's the driving force behind AudioFuse 16Rig.

See how every piece of the AudioFuse 16Rig puzzle fits together to deliver a dream interface for audio & music hardware lovers.

Premium FX included

Every AudioFuse interface comes with an ever-evolving suite of creative plugins curated from Arturia's award-winning FX Collection. Refine any incoming audio with vintage studio tools, get experimental with contemporary effects, and embark on a journey through classic & modern sounds with Analog Lab.

AudioFuse Range

The new studio reference

The AudioFuse interface range connects your computer to the world of music. Record with the highest quality, monitor with absolute precision, and bring all of your gear together to create the music you always wanted to.

Analogue signal path

The highest quality components are used in the input and output signal paths of the AudioFuse series, giving you an audiophile-quality experience with no compromise.

Powerful monitoring

Multiple outputs, integrated A/B switching, monitor mix options, and even headphone outputs with both 3.5mm and 6.35mm connectors. The AudioFuse makes monitoring a joy.

Huge versatility

Each AudioFuse interface has its own unique set of features designed to make recording as fun and easy as possible.

Main Features

16 x TRS analogue inputs
Includes 2 x high-quality digitally-controlled preamps
Inputs 3 & 4 also available as 3.5mm stereo input

12 x analogue outputs
Includes 8 x DC-coupled TRS line outputs
Stereo monitor outputs
6.35mm front-panel outputs for reamping, dual-headphones

2 x ADAT in, 2 x ADAT out

Up to 16 channels of I/O at 48kHz, 8 channels at 88.2/96kHz

Wordclock in & out

1 x MIDI in, 2 x MIDI out/thru
5-pin DIN connectors
Route MIDI standalone

Low-latency USB-C connection

Class-compliant MIDI
3 x USB hub connections

Two internal standalone mixers

No computer connection needed
Cue mixer for sub-mixing and added flexibility
Main mixer controllable by MIDI

Color display with rotary control & menu buttons
Desktop or 1U rackmount configuration
Includes AudioFuse Control Center
Includes AudioFuse Creative Suite

Analog Lab Intro
Comp DIODE-609* NEW
Pre 1973
Pre V76
Pre TridA
Filter MINI
Chorus JUN-6
Comp FET-76
Delay TAPE-201
Rev PLATE-140
Phaser BI-TRON

What's in the box

Box content
AudioFuse 16Rig unit
Power supply
2x USB cable

Instrument dimensions
size : 17.3 x 11.6 x 1.7 inches (493 x 294 x 43mm)

Platform requirements

Windows
Win 10+ PC: 4 GB RAM; Intel i5 CPU or faster
1GB free hard disk space
OpenGL 2.0 compatible GPU

Apple
10.13+: 4 GB RAM; Intel i5 CPU or Apple Silicon CPU
1GB free hard disk space
OpenGL 2.0 compatible GPU

Notes: Updated version of the hugely popular mobile audio interface. Just about as compact as it gets but with all the functionality you'd expect for getting quality sound in and out of mobile devices.

Supplier's Notes:
Make your go-to mic go farther

Like many of today's musicians, YouTubers, and broadcasters you probably rely on the professional sound quality you get from using an XLR microphone. But for mobile, on-the-go audio and video creation, XLR mics present some challenges. Many require phantom power, and at best, using them also means dragging along a laptop and boxy audio interface to get the mic preamps along with the phantom power you need.

iRig Pre 2 is a pocket-sized mic preamp that lets you easily use your XLR mics to record, perform and stream with your iPhone*, iPad, Android device or DSLR camera. The sequel to the best-selling mobile mic pre of all time, iRig Pre 2 delivers the same professional sound you're accustomed to, while adding direct monitoring, auto-switching wiring for use with digital cameras, and so much more.

All powered up

Need phantom power for your condenser mic? iRig Pre 2's 2 AA batteries provide true +48V phantom power (many other mobile mic preamps only offer 32V, degrading your mic's performance) for around 7 hours of continuous use.
To use your favorite dynamic or ribbon mic, simply turn off the phantom power and you're good to go for even longer, up to 20 hours!

Don't waste a take

A time-saving 3.5mm (1/8") headphone output now offers direct monitoring, so you can listen back to ensure the signal is perfect before you start recording or streaming!
It's perfect for all today's popular live-streaming and video recording apps, so you can hop from app to app with confidence you'll always sound your best.
And for DSLRs and digital cameras, it makes set up a snap without needing to dive into menus or set up alternate workarounds to monitor the sound.

Works in more situations

You can easily access your favorite apps while recording or performing by mounting the iRig Pre 2 to your mic stand or other convenient stage locations using the included Velcro strip slot. For secure mic stand mounting for your connected smartphone, tablet or digital camera, be sure to check out our iKlip series, which offers a choice of flexible-mounting options for a variety of scenarios.

Ready to rock, right out of the box

Even if you're new to mobile audio and video creation, you can get started right away by simply downloading two free IK Multimedia apps from the App store or Google Play: iRig Recorder FREE (our easy-to-use audio and video recording/editing app) and VocaLive FREE (our premium vocal processor for live performance and multi-track recording).
So get ready to break out of the box and start exploring the creative possibilities all around you, with the freedom of iRig Pre 2.

The Creator series from IK Multimedia puts you in the spotlight with fast and easy tools to help you create professional content. Its budget-friendly solutions are ideal for YouTubers, podcasters, live streamers and other social media platforms, and include a variety of mobile and studio-friendly microphones, interfaces and smartphone stands. With convenient features and flexible options, you'll be covered wherever and whenever inspiration strikes.

Technical Specifications:

Frequency response: from 20 Hz to 20 KHz +/- 1.5dB
EIN (@gain min): -113.5 dBA
EIN (@ gain max): -92.4dBA
THD+N: -90 dBA / 0,003%
Gain range: 48dB
Phantom max current: 6mA
Battery duration (Alkaline 2xAA): approx 20 hours when phantom is off, approx 7 hours when phantom is on

Includes:

iRig Pre 2
2xAA batteries
Velcro strip
Free apps for iOS and Android

Dimensions:

Size: 40mm/1.57" x 110mm/4.33" x 34mm/1.34"
Weight: 75g/2.65oz (batteries excluded)
Cables length: 40cm/15.75"

Compatibility:

iOS and Android Devices

Compatible with iPhone, iPad, iPod touch and Android devices with 1/8" / 3.5mm jack standard headset input (onboard or via adaptor) compliant with the CTIA/AHJ wiring standard.

DSLR Cameras

Compatible with most DSLR cameras equipped with 1/8" / 3.5mm jack microphone input.

Notes: The AudioFuse X8 IN is an essential tool for recording producers and sound engineers who are looking for additional high-quality analogue inputs. By extending digital connectivity, AudioFuse X8 IN provides more channels for instruments and outboard gear. It enhances studio flexibility and scalability while preserving audio quality, accommodating the demands of modern music production and sound design. More specifically, an 8 Analog-to-ADAT input expander enables you to extend your synth and instrument array and have all your gear connected at once and ready to record in your DAW.

Efficient expansion

AudioFuse X8 IN provides 8 additional analogue line inputs, enhancing the connectivity of your existing audio setup without the unnecessary cost and clutter of a fully-featured audio interface.

Professional audio quality

AudioFuse X8 IN supports 8 channels of premium analogue-to-ADAT conversion up to 96 kHz and utilizes the best components available, ensuring your recordings maintain the highest fidelity.

Versatile installation

Designed as half-sized rack units, X8 IN comes with removable rack ears for flexible installation. This allows them to be used as desktop units or mounted in a standard rack setup, accommodating up to two units side by side for expanded setups.

Ease of use

Front-panel controls offer direct access to channel management, making setup and adjustments straightforward. Colourful VU meters provide clear visual feedback for monitoring levels.

Notes: MAYA22 USB is not simply another USB audio interface - it's a very stylish portable device that can go with you anywhere. It offers total flexibility as an external and fully bus-powered USB device with excellent professional 24-bit audio quality.

It features 2 analog input and 2 analog output channels with RCA connection, a microphone preamplifier with XLR input and support for +48V phantom power, a Hi-Z instrument input for guitars, a high quality headphone output and TRS line outputs. This can make MAYA22 USB easily one of the most useful devices in your studio, wherever that may be.

Use it to record microphone and guitar signals simultaneously and then process the incoming signals with your PC or Mac notebook or desktop in realtime and listen to the mix directly via headphones or studio monitoring speakers. All these features are provided with a professional low latency drivers with support for WDM, ASIO 2.0 and CoreAudio.

If you're looking for a really powerful USB audio device that is small and that gives you maximum performance under any current Windows system as well as under Mac OS X, then MAYA22 USB is for you. It's incredible how many functions are provided by this small device!

Features
2 input / 2 output 24-bit / 96kHz USB 2.0 Full Speed 24-bit Audio Interface
line, guitar and microphone inputs
simultaneous recording of microphone and guitar signals
microphone preamp with XLR input and +48V phantom power support
Hi-Z instrument input with 1/4" connector
line input with RCA connectors
line output with balanced 1/4" TRS connectors
headphone output with 1/4" connector
ADC with 102dB(a) dynamic range
DAC with 108dB(a) dynamic range
USB bus powered
supports Windows XP, Windows Vista, Windows 7, Windows 8.1, Windows 10 and Windows 11 with ASIO 2.0, MME, WDM and DirectSound incl. DirectWIRE support
realtime level meters in MAYA22 USB for Windows control panel software
supports Mac OS X (10.4 and above) via the native CoreAudio USB audio driver from Apple (no driver install required)
dimensions roughly 10.0cm x 10.5cm x 3.7cm

Notes: USB Audio-Interface for all cases: With two build-in Microphone-Preamps with Phantom Power and a complete 16 Bit/48 kHz Stereo Instrument/Line Interface this class compliant USB Audio Interface is very easy to use. Fully USB powered, with fast Windows ASIO drivers and adjustable headphone output the Audiolink III gives you all the recording possibilities you will ever need. New: The two XLR/TRS combo inputs on the front side.

Works driverless with Mac OS/X, Windows XP SP2, Windows Vista, Windows 7, 8 and Windows 10

ASIO driver for Windows XP/Vista/Win7/Win8 and Windows 10 for download available

Inclusive: free Miditech software bundle (download versions): Toontrack EZ Mix 2 lite, Magix Samplitude Pro X2 Silver, Makemusic Finale Notepad, Ik Multimedias Amplitube CS, Magix Independence free, Waldorf Edition LE and Imagelines Poizone Synthesizer

Notes: Desktop USB soundcard for a computer-based recording studio. Featuring 2 independent microphone inputs on XLR/jack sockets and a separate 6.3mm instrument input. Each input has a gain control and there is an optional echo effect with separate control. Monitoring is via a stereo 6.3mm headphone jack or L+R RCA line output on the rear of the unit for connecting monitor speakers. Power to the interface and two-way digital audio is connected via a USB type-C socket at the rear. Simple yet versatile operation for project studios and DAW recording setups.

Power supply: 5Vdc (from USB)
Connection: USB type-C
Controls: Mic1, Mic2, Inst3, Effect, Monitor
Input connections: 2 x mic XLR/Jack, 1 x 6.3mm instrument jack
Phantom power: +48V switchable to XLR inputs
Frequency response: 10Hz - 30kHz (-0.5dB)
Input impedance: instrument1M Ohm
Input impedance: mic3k Ohm
Max. input sound level: Mic or Instrument +2dBu, Line +22dBu
Dynamic range: 100dB (A-weighted)
Sampling format: 48kHz, 16-bit
Monitor outputs: Headphones (stereo 6.3mm jack), Line out (L+R RCA)
Dimensions: 160 x 110 x 57mm
Weight: 529g

In the box

The box for this item contains:

USB2+1 Audio Interface
1.5m USB C to A lead

Notes: AXE I/O ONE is the ultimate compact and affordable 1-in/3-out audio interface designed for guitarists, musicians and engineers who want the best sound possible for recording guitar or bass. It combines IK's patent-pending Z-Tone impedance control, an Amp Out for Tone Modeling, multiple circuit topologies, and award-winning AmpliTube and TONEX software for a complete digital studio rig.

AXE I/O ONE delivers professional audio with sample rates up to 192 kHz, 108 dB dynamic range, and 9 Hz-45 kHz frequency response.

AXE I/O ONE offers a simple, streamlined setup for Tone Modeling and re-amplification. Use the Amp Out to create a virtual Tone Model of your amp, cab or pedals including distortion, overdrive, EQ, Fuzz and boost. The Amp Out can also be used as a standard re-amping output for even more creative options.

AXE I/O ONE's main channel offers 3 different circuit topologies. This gives you three different options to dial in the perfect tone for any type of guitar pickup or style.

The PURE setting offers a completely transparent and ultra-accurate instrument preamp that won't colour your sound in any way.

Switching to the Class A JFET input buffer adds midrange focus, warmth and harmonic enhancement, giving you more tonal options from the same instrument.

ACTIVE pickups don't require a Hi-Z input, so this setting bypasses unnecessary gain stages to keep your signal path as direct, transparent and clean as possible.

AXE I/O ONE's patent-pending Z-Tone circuit lets you go from a tighter/sharper tone to a thicker bolder tone with a simple twist of a dial. Z-Tone changes the impedance from 1 MO ("sharp") down to 2.2 kO ("bold") giving you ultimate freedom to dial in the perfect feel and tone from electric guitar and bass pickups.

AXE I/O ONE offers a PURE mic preamp designed for transparent and clean recording. The mic preamp offers a wide, flat frequency response: 9 Hz to 45 kHz, +/- 0.5 dB (at 96 kHz) to avoid unwanted coloration and perfectly preserve the sonic character of your voice, acoustic guitar, piano or other instrument.

It's also ideal for capturing your rig with IK's groundbreaking TONEX AI-based Tone Modeling software. With both AmpliTube 5 SE and TONEX SE included, you'll have everything you need to record, model and play right out of the box, plus AXE I/O ONE works with all your favourite recording applications.

AXE I/O ONE offers a range of useful features including dedicated controller inputs that let you connect up to two expression pedals or two single/double switches to control AmpliTube, or any other software, in real-time without putting your hands down. You can also use AXE I/O ONE's MIDI input and output to connect floor controllers or iRig Stomp I/O to add even more real-time controls - or use it with regular keyboards and other standard MIDI gear.

Best-in-class guitar tone

Selectable Active/Passive/discrete JFET/PURE instrument preamp
Patent-pending Z-Tone input for a tonal palette never heard before
Amp Out for Tone Modeling or re-amplification
Connect up to 2 expression pedals, single and double-switches
Lightweight compact design for recording on the go
Includes AmpliTube SE, TONEX SE, and Ableton Live Lite

Premium studio sound

High-resolution, ultra-low-noise Class A microphone preamp
Best-in-class conversion and superior analog design
USB-C bus powered
108 dB dynamic range
Includes control software
High definition 24-bit/192kHz audio

Connections

1 in/3 out (one low-noise Amp Out)
1 ultra-low noise mic in/instrument in
2 balanced monitor outs
Reference headphones out
2 fully configurable external control inputs
MIDI input/output
USB 2.0 compatible with Mac/PC

Unit Width (mm): 160
Unit Height (mm): 52
Unit Depth (mm): 130
Unit Weight (kg): 0.37

Notes: Deluxe version of the impressive iRig Pro Quattro features the same high-quality portable interface with the added bonus of a full complement of accessories, including mics and travel case.

Supplier's Notes:
***Note: This version of the iRig Pro Quattro I/O comes with 2 x Mic XY stereo microphones, foam windscreen, and a carry case. ***

Go pro all the way

For a little more, you get a lot with the iRig Pro Quattro I/O Deluxe edition. The value of the iRig XY stereo mic capsules alone is worth the upgrade. In addition to the pair of mics you'll get the optional power supply, which you can also use to keep your iOS device charged during extended sessions. Plus you'll get a custom carrying case to protect and transport your Quattro I/O and XY mics wherever your field work takes you.

Pro recording and performing, in the palm of your hand

iRig Pro Quattro I/O is a professional-quality 4 in / 2 out portable audio and MIDI interface packed with everything needed for field recording and content creation, for serious sound and flexibility - anywhere.

Small enough to fit in the palm of your hand, the iRig Pro Quattro I/O still packs in four high-quality, low-noise mic preamps; instrument, RCA and TRS inputs; plus XLR balanced, 3.5mm stereo and headphone outputs - and full MIDI I/O!

iRig Pro Quattro I/O works right out of the box with iPhone, iPad, Android, Mac and PC, but can also serve as a stand-alone mic preamp or line mixer, with a built-in limiter and direct monitoring so you're always guaranteed the perfect take.

Packed with a swiss-army-knife's worth of tools, iRig Pro Quattro I/O ensures you're ready for anything, anywhere.

As a mobile interface

Connected to a computer or mobile device, the iRig Pro Quattro I/O will work as a high-quality, multi-channel audio and MIDI interface with a full array of inputs and outputs so you'll always be prepared for any recording or need. Fully MFi-certified, no adaptors are required for iPhone or iPad for reliable field performance on any device.

As a broadcast / podcast interface

Enable STEREO mode and iRig Pro Quattro I/O mixes all sources down to stereo for streaming or recording. Monitoring is easy thanks to a dedicated headphone output with independent volume control and direct monitoring. Or use MONO mode for streaming to social media; Loopback lets you duet your favourite videos easily.

As a field recording interface

With an onboard microphone and optional stereo mic capsules, iRig Pro Quattro I/O turns your iPhone, iPad, Android device into a full-featured, professional field recorder.

As a stand-alone mixer

iRig Pro Quattro I/O also works as a preamp and mixer: just power it via battery, USB or DC IN and use the full set of inputs/outputs to capture and mix multiple sources to your DSLR camera with professional quality.

Always perfect recordings with the safety backup channels

In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2 but reduced by 12dB as a backup in case the sound source unexpectedly overloads the main channels.

Audio quality without compromise... wherever you are

Up to 24-bit, 96 kHz sample rate Ultra-low-noise mic preamps with full +48v phantom power Professional-quality, transparent A/D and D/A conversion Built-in limiter, for input 1-2, to protect against clipping Multitrack, stereo or mono internal mixdown.

Dimensions

Size: 160mm/6.29" x 90mm/3.54" x 40mm/1.57"
Weight: 340g/11.99oz (without batteries)
Cable length: 60cm/23.62"

Box contents

iRig Pro Quattro I/O
1/4" thread adapter
4x AA Batteries (alkaline)
iOS Lightning to mini-DIN cable
USB-A to mini-DIN cable
2.5mm jack to MIDI female adapter
2 iRig MIC XY stereo microphones
Windscreen
9V PSU
Travel case

Notes: High-speed for guitarists! This small, black Aluminium USB audio-interface is a really cool tool for guitar and microphone recordings! In any case, with it's fast ASIO driver the GUITARFACE II USB is fast enough for speed-metal!

Works driverless with Mac OS/X, Apple iOS 4.2, Windows XP SP2, Windows Vista, Windows 7, 8 and 10

ASIO driver for Windows XP 32/64 Bit, Windows Vista 32/64 Bit and Windows 7/8/10 32/64 Bit available!

Inclusive: free Miditech software bundle (download versions): Toontrack EZ Mix 2 lite, Magix Samplitude Pro X2 Silver, Makemusic Finale Notepad, Ik Multimedias Amplitube CS, Magix Independence free, Waldorf Edition LE and Imagelines Poizone Synthesizer

Notes: MCV4 is a budget-priced MIDI-to-CV-Interface to control vintage monophonic synthesizers via MIDI. MCV4 is provided with 4 analogue control voltage outputs (CV1...4) and one Gate/Trigger output.

These are the most important MCV4 features:
4 analogue control voltages CV1...CV4
Voltage range for CV1...4: 0...+5V, 8 Bit resolution (equivalent to 1/4 semitone resolution)
CV1 for pitch control (normally VCO CV)
CV2...4 for voltage control of other functions (e.g. VCF frequency, loudness, modulation)

MIDI control of CV1..4:
CV1: note on/off with pitch-bend, 1V/octave characteristic
CV2 monophic after-touch
CV3 velocity and/or volumen (controller #7)
CV4 velocity and/or any controller (setting of the controller number via learn button)

Pitch-bend is used for CV1 generation with 1/4 semitone resolution
Gate output type can be selected via jumper inside the device between voltage trigger (+5V or power supply voltage) and S-trigger (switched trigger)
MIDI channel and reference note for CV1=0V adjustable via learn button
Different assign modes for CV1 (highest note, last note, reference note)
Retrigger on/off while playing legato
Gate/trigger polarity normal/inverted
Two 1/4" stereo jack sockets for CV1/2 and CV3/4
1/4" mono jack socket for gate/trigger
Learn button with LED for adjusting MIDI channel, reference note for CV1, controller for CV4
Optical display of gate/trigger via LED
MIDI-In, MIDI-Thru
Non-volatile memory for parameter settings
Stable metal case (about 95x75x35 mm, 1mm sheet steel)

External AC adapter for power supply
AC adapter for 230V AC and European type of mains connector is included within Europe
7...12V/100mA DC required, DC connector with 5.5 mm outer diameter and 2.1 or 2.5 mm inner diameter, polarity: plus = center, minus = ring

*** Adapters for other parts of the world have to be purchased separately. ***

Suitable accessories:

MCV4 special cable (1/4" stereo jack plug -> 2 x 1/4" mono jack plug, length about 90cm, also called "insert cable")

MIDI channel, reference note for CV1 (this is the MIDI note corresponding to 0V of CV1 and thus the lowest possible note of the analogue synthesizer connected to MCV4) and the controller no. for CV4 are adjusted via learn function. For this, the learn button must be pressed and the required MIDI messages sent from the MIDI controlling device (MIDI synthesizer, keyboard, sequencer ...). The other parameters (retrigger, trigger polarity, assign mode ...) are adjusted in learn mode via program-change messages.
The Hz/V mode available in the predecessor model MCV1 is not available with the MCV4 because of the many problems occurring with the non-linear Hz/V characteristic. But some synthesizers normally using Hz/V can be controlled with V/Oct (e.g. Korg MS10/MS20, details you may find in the MCV4 user's guide).

If you want to use all 4 analogue control voltages, you need 2 special cables with a stereo 1/4" jack plug on one end (MCV4 side) and two mono 1/4" jack plugs on the other (synthesizer side). Cables like this can be purchase elsewhere. If you need it, it is recommended to order it together with the MCV4.

Notes: The entry into the Amber series

Upgrading ESI's legendary U22 XT, this audio interface offers maximum flexibility and excellent audio quality.

Amber i1 features a new modern eye catching design with an amber coloured volume knob that stands out from the green sand main body colour. Hardware loopback, USB-C, a completely newly designed LED display area, separate line inputs, advanced signal source selection and an exceptional audio quality in this class are just a few of the special features by Amber i1.

XLR INPUT to connect a microphone via XLR cable.
INPUT GAIN CONTROL to change the input gain / input level for Microphone and Hi-Z signals.
PEAK / INPUT LEVEL METER to check the input level.
INPUT INDICATOR to show the selected input (Line/Mic/Hi-Z/Mic+Hi-Z).
INPUT SELECTOR to change the input between Line/Mic/Hi-Z/Mic+Hi-Z.
HEADPHONE VOLUME CONTROL to change the output volume for connected headphones.
+48V PHANTOM POWER SWITCH to provide phantom power for condenser microphones.
HI-Z INPUT to connect an electric guitar with 1/4" TRS cable.
+48V INDICATOR indicates +48V phantom power.
DIRECT MONITORING CONTROL to control the monitoring mix.
MASTER VOLUME CONTROL to control the master output volume.
HEADPHONE OUTPUT to connect a headphone.
USB-C SOCKET to to connect the audio interface to a PC, Mac, or tablet.
LINE OUTPUT 1/2 to connect the audio interface to speakers or an amplifier.
LINE INPUT 1/2 to provide a line input for keyboards, synthesizers, CD-Players, etc.

Everything you need to record

Amber i1 provides everything you need to record vocals and instruments in professional studio quality. The bus powered USB-C audio interface provides superb 24-bit / 192 kHz converters and works with ultra-low latency. It features a high quality microphone preamp with 48V phantom power, a Hi-Z guitar input with gain control and dedicated line level inputs for synthesizers or sound modules.

Realtime processing and best performance

Comfortable real-time input monitoring and master volume controls are directly accessible on the front, also there is a powerful headphone output with independent volume control. Studio monitors can be connected to the balanced outputs. Amber i1 is class compliant and works with any modern Mac (Intel or M1 CPU or better), PC (Windows 10 and higher) and with many portable devices (iPhone, iPad, etc. - an optional Apple Lightning to USB adapter is required for devices with Lightning port). It is compatible with virtually all common audio software thanks to the professional low latency ASIO 2.0 driver for Windows and CoreAudio compatibility on the Mac. A powerful software package incl. the Bitwig Studio 8-Track DAW, Steinberg WaveLab LE for stereo audio editing and Steinberg Cubasis LE for iPad/iPhone is included. The package also includes 3 months of 3000 minutes for JackTrip Virtual Studio.

Perfect driver support

Amber i1 is class compliant and works with Windows 10 / 11 with a high performance EWDM driver supporting ASIO 2.0 and DirectWIRE Routing and with macOS / OS X supporting the Apple CoreAudio driver. You can also use it with iPhone or iPad. Via DirectWIRE Loopback, internal signals can be recorded and processed.

Notes: You push the button and the audiowerkstatt din-restarter starts or stops the following sequencer at the beginning of the next bar (4/4-stroke only) in perfect timing.

If the sequencer is running, it will be stopped at the next bar and if the sequencer is standing, it is started at the next bar.

The device operates as a standard in "Sync24"-mode (24 clock pulses per quarter note). By holding the button when switching on, the device is started in "Sync48"-mode (48 clock pulses per quarter note).

Notes: Based on the Digiface Dante but with the added benefit of low-latency Ravenna audio-over-IP, the Digiface Ravenna offers 128 Ravenna channels and 64 MADI channels.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's Notes:
The Digiface Ravenna is a lightweight, portable audio interface, based on the proven Digiface Dante equipped with a RAVENNA module developed by DirectOut and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation.

Mobile RAVENNA Solution via USB

The combination of RME's renowned drivers (Mac/Windows) and DirectOut's RAVENNA implementation offer a reliable and flexible networked computer audio interface. Equipped with the latest TotalMix FX it can not only route, but also mix as many independent submixes as outputs are available. The included high quality phones output offers a quick listen to any audio channel, but can also be used as line output to provide an additional analog stereo mixdown.

RAVENNA & MADI

RME made the two BNC sockets for word clock I/O switchable to MADI I/O, with up to 64 channels. The total sum of Ravenna and MADI, 128 channels, are transferred via USB 3.0 and handled via the included RAVENNA web server or RME's TotalMix FX, for full and struggle-free control of all audio.

On the network side, the interface features a full-fledged RAVENNA stack with AES67 and ST2110-30/31 support and redundant audio-over-IP streaming as per ST2022-7. In addition, the interface can also be used as a mobile 64-channel RAVENNA/MADI converter without a USB connection to a computer. The coaxial MADI I/O connectors may also be configured to work as word clock sync I/O.

TotalMix FX and TotalMix Remote

Like all the latest RME interfaces, the Digiface Series also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs.

The Digiface Series includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more. The Digiface Series does not support DSP based effects (FX) like EQ or reverb.

Additionally RME's latest software, TotalMix Remote, enhances the power of RME interfaces by enabling remote control via iOS, PC or Mac. With a straightforward set up process - simply enter the IP address of the computer you would like to control with TotalMix Remote and get going - users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.

TotalMix FX - Mixing/Routing with superior features for Studio and Live Work

Since 2001 TotalMix added unlimited routing and mixing to RME's audio interfaces. Its unique capability to create as many independent submixes as output channels available turned it into the most flexible and powerful mixer of its kind.

RME USB - Transport audio with lowest latency and industry leading stability

Use your RME audio interface on Mac and PC with reliable, stable, and regularly updated drivers for RME products. RME Audio develops its own interface core, it's not dependent on 3rd parties for upgrades, modifications or bug fixes, so customers can use latest operating systems without interruption or delay."

DigiCheck - The Secret Weapon of High Resolution Audio Measurements

RME Audio interfaces not only provide you with a professional digital audio interface, but also with a free available software tool: DigiCheck, for metering, testing, measuring and analyzing digital audio streams.

Specs

Digiface Ravenna
Gigabit Ethernet Port

RJ45

100 Mbit/s, 1 Gbit/s
Standard port LEDs: yellow connected, green data transmission
Supports straight and crossover cables (Auto MDI-X)
Network-based remote control of the unit (TotalMix Remote)

RAVENNA Modul

Supports RAVENNA, AES67, ST 2110-30 / -31, ST 2022-7
Network Layer 3
Modes: Switched and Redundancy according to ST 2022-7
32 streams
128 channels Single Speed, 64 channels Double Speed, 32 channels Quad Speed
Clock sources: PTP, Internal
Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, +/-12.5 %
Routing: Channel-based routing matrix
Configuration: Browser GUI, globcon control, NMOS IS-04 / IS-05

MADI Input

Coaxial via BNC, 75 Ohm, according to AES10-1991
High-sensitivity input stage (< 0.2 Vpp)
Accepts 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz
Lock range: 25 kHz - 54 kHz

MADI Output

Coaxial via BNC, 75 Ohm, according to AES10-1991
Output voltage 400 mVpp
Cable length: up to 50 m
Generates 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX / 96k Frame: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz

Output Analog Phones 129/130

Dynamic range (DR): 110 dB RMS unweighted, 113 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
THD @ -1 dBFS: - 96 dB, 0.0016 %
THD+N @ -1 dBFS: -95 dB, 0.0017 %
Channel separation: > 100 dB
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 2 Ohm
Output level at 0 dBFS, 1 kOhm load: +9.5 dBu
Max power @ 0.1% THD: 50 mW

Word Clock In

BNC, not terminated (10 kOhm)
Switchable internal termination 75 Ohm
Automatic Double/Quad Speed detection and conversion to Single Speed

Word Clock Out

BNC
Max level: 5 Vss
Level with termination 75 Ohm: 4.0 Vss
Internal impedance: 10 Ohm
Output Analog Phones 129/130
Dynamic range (DR): 110 dB RMS unweighted, 113 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
THD@-1dBFS:-96dB,0.0016%
THD+N @ -1 dBFS: -95 dB, 0.0017 %
Channel separation: > 100 dB
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 2 Ohm
Output level at 0 dBFS, 1 kOhm load: +9.5 dBu
Max power @ 0.1% THD: 50 mW

Digital

Clocks: Internal, RAVENNA (PTP), word, MADI
Supported sample rates: 44.1 kHz up to 192 kHz

Notes: Lovely high-end interface from PreSonus, featuring the next-generation MAX-HD pre-amps, 32-bit/192 kHz converters and versatile software control. Great value with eight analogue inputs and 12 outputs, including two dedicated re-amping channels.

Supplier's Notes:
The Culmination Of 30 Years Of Innovation

The HD 8 features eight newly redesigned high-definition MAX-HD mic preamps with +75 dB of gain - making it ideally suited for today's most popular microphones. Guitarists and bassists will love the instrument inputs, which were co-developed with Fender engineers. An Auto Gain button sets the perfect gain level for your microphones and instruments. You also get two re-amp outputs so you can send audio from your DAW to your guitar or bass amp and re-record it to experiment with different amps, pedals, and mic placements. An illuminated push encoder provides flexible control over gain level and output volume, and bright and responsive LED metering provides easy visual feedback for your outputs - making it great for self-produced recording.

High Performance Signal Flow

Our custom low-latency driver provides exceptionally low audio latencies when recording, and high-performance converters with 124 dB dynamic range let you hear and capture audio with stunning clarity and fidelity.

All-New MAX-HD Mic Preamps

The Quantum HD 8 features eight newly designed mic preamps with +75 dB of gain. Our high-definition MAX-HD preamps are transparent, low-noise, and digitally-controlled analog, making them ideally suited to today's most popular microphones.

Co-Developed With Fenderr

Built by the best ears in the business, guitarists and bassists will love the instrument inputs, co-developed with Fender engineers - industry experts who designed them specifically for guitar and bass.

Professional Recording Software Included

Leap into 12 months of Studio One+ add-ons, exclusive content, and tools, plus a perpetual license to Studio One Professional Edition.

Auto Gain

An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.

Re-Amp Outputs

Re-amp audio directly from your DAW and use amps and effects to sculpt your sounds. Send audio from your DAW to your guitar or bass amp and re-record it to experiment with different amps, pedals, and mic placements.

Universal Control App

Quantum works on any mobile or desktop device, so you're ready to record whenever inspiration strikes - whether on your phone, tablet, or in your home studio. Critical preamp functions like preamp gain, phantom power, and more can be controlled with the Quantum HD 8's flexible front panel, or right from Studio One and the Universal Control app, so you can dial in the perfect gain staging without looking away from your recording session.

Technical Specifications

Inputs and Outputs

Microphone Inputs: 8
Guitar Inputs: 2
Line Inputs: 8
S/PDIF Input: 1
Optical Input: 2
MIDI Input: 1
Monitor Outputs (DC coupled): 2
Line Outputs (DC coupled): 8
Re-Amp Outputs: 2
S/PDIF Output: 1
Optical Output: 2
MIDI Output: 1
Headphone Outputs: 2
USB-C ports: 1

AD / DA Conversion

Supported Sample Rates 44.1, 48, 88.2, 96, 176.4, 192
Bit Depth: 32

Analog I/O

Inputs

Microphone (CH 1 - 8)
Connector Type: 8x Combo-style, XLR / TRS
Max Input: +18 dBu (balanced, minimum gain)
Gain Range: 0 dB to +75 dB
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 116 dB (A-weighted, minimum gain)
THD + N: 0.002% (1 kHz, minimum gain)
EIN: -130 dBu (max gain, 150 Ohms, 20 kHz BW, A-weighted)
Input Impedance: 1600 Ohms

Line In (CH 1 - 8)
Connector Type: 8x Combo-style, XLR / TRS
Max input level: +18 dBu (balanced, minimum gain)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 118 dB (A-weighted, minimum gain)
THD + N: 0.001% (1 kHz, minimum gain)
Input Impedance: 10K Ohms
Digital Trim: -10 to +10 dB

Instrument In (Ch 1 - 2)

Connector Type: 2 x 1/4-inch Female
Gain Range: -7 dB to +68 dB
Max input level +21 dBu (unbalanced, minimum gain)
Frequency Response 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range 111 dB (A-weighted, minimum gain)
THD + N 0.003% (1 kHz, minimum gain)
Input Impedance 1M Ohms

Outputs

Main Out (CH 1 - 2)
Connector Type: 2x 1/4-inch Female, TRS
Max Output Level: +18 dBu (Balanced)
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
Dynamic Range: 123 dB (A-weighted)
THD + N 0.001%: (1 kHz, +4 dBu)
Output Impedance: 51 Ohms
Trim Range: -inf dB to 0 dB

Line Out (Ch 3 - 10)

Connector Type: 8x 1/4-inch Female, TRS
Max Output Level: +18 dBu (Balanced)
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
Dynamic Range: 123 dB (A-weighted)
THD + N: 0.001% (1 kHz, +4 dBu)
Output Impedance: 51 Ohms
Trim Range: -inf dB to 0 dB

Re-Amp Out (Ch 11 - 12)
Connector Type: 2x 1/4-inch Female, TRS
Max Output Level: +4 dBu (Balanced)
Frequency Response: 20 Hz to 20 kHz, +/- 0.3 dB (unity gain, reference 1 kHz)
Dynamic Range: 117 dB (A-weighted)
THD + N: 0.001% (1 kHz, +4 dBu)
Output Impedance: 100 Ohms
Trim Range: -inf dB to 0 dB

Headphone Out (1 - 2)
Connector Type: 2x 1/4-inch Female, TRS Stereo
Max Output Level: 11 dBu (50 Ohms)
Frequency Response: 20 Hz to 20 kHz, +/- 0.3 dB (unity gain, reference 1 kHz)
Dynamic Range: 118 dB (A-weighted)
THD + N: 0.001% (1 kHz)
Output Impedance: 33 Ohms
Trim Range: -inf dB to 0 dB

Digital I/O

S/PDIF I/O
Connector Type: 2x Phono RCA (1 in , 1 out)
Supported Sample Rates (kHz): 44.1, 48, 88.2, 96

ADAT I/O
Connector Type: Optical TOSLINK (2 in, 2 out)

Format
ADAT Digital Lightpipe with S/MUX II
16 channels at 44.1/48 kHz
8 channels at 88.2/96 kHz

Word Clock I/O
Specification: AES-11 2009 Annex B
Connector Type: BNC
Jitter Complies with AES 3-4- 2009 (<0.025UI)

MIDI I/O
Connector Type: 2x 5-pin DIN (off DB-9)
Synchronization Sources
Sources Internal, Word Clock, ADAT, S/PDIF

Electrical

Connector type: IEC 3-conductor receptacle
Configuration: Internal, Universal
Power Input: 100 to 240V, 50 or 60 Hz

Mechanical

Product Dimensions

Length: 19" (483mm)
Width: 8.6'' (219mm)
Height: 1.7'' (44mm
Weight: 6.3lb (2.86 kg)

Notes: Capture your creativity with the Quantum ES 4 - the recording interface for self-made musicians and audio creators.

The Culmination Of 30 Years Of Innovation

The ES 4 features four newly redesigned high-definition MAXHD mic preamps with +75 dB of gain - making it ideally suited for today's most popular microphones. Guitarists and bassists will love the instrument inputs, which were co-developed with Fender engineers.

An Auto Gain button sets the perfect gain level for your microphones and instruments, while an illuminated push encoder provides flexible control over gain level and output volume. And bright and responsive LED metering provides easy visual feedback for your inputs and outputs, making it great for self-produced recording.

High Performance Signal Flow

This custom low-latency driver provides exceptionally low audio latencies when recording, and high-performance converters complete the front end to ensure that you sound your best throughout the entire signal chain.

All-New MAX-HD Mic Preamps

The Quantum ES 4 features four newly designed mic preamps with +75 dB of gain. The high-definition MAX-HD preamps are transparent, low-noise, and digitally controlled analogue, making them ideally suited to today's most popular microphones.

Co-Developed With Fender

Built by the best ears in the business, guitarists and bassists will love the instrument input co-developed with Fender engineers - industry experts who designed them specifically for guitar and bass.

Professional Recording Software Included

Leap into 6 months of Studio One+ with access to Studio One Professional Edition, add-ons, and more.

Auto Gain

An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.

Universal Control App

Quantum works on any mobile or desktop device, so you're ready to record whenever inspiration strikes - whether on your phone, tablet, or in your home studio. Critical preamp functions like preamp gain, phantom power, and more can be controlled with the Quantum ES 4's top panel, or right from Studio One and the Universal Control app, so you can dial in the perfect gain staging without looking away from your recording session.

Key Features

4 x 4, 24-bit / 192 kHz USB-C Audio Interface
High-performance converters let you hear and capture audio with stunning clarity and fidelity.
Custom low-latency driver provides exceptionally low audio latencies when recording.
All-new, next-generation PreSonus MAX-HD preamp design provides transparency and accuracy across the frequency range with +75 dB of gain to maximize the performance for a wide range of today's most popular microphones for modern recording and broadcast.
Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.
Control your Quantum ES right from Studio One and the Universal Control app, in addition to hardware, so you can adjust preamp gain, toggle phantom power, adjust channel settings, and more without looking away from your recording session.
Perfect for dialling in optimal gain staging.
Bright and responsive LED metering lets you keep an eye on your input and output meters, perfect when recording alone.
2 balanced 1/4-inch TRS main outputs plus 2 balanced 1/4-inch TRS line outputs and 2 high-power headphone outputs for flexible monitoring. And built-in speaker switching lets you check your mix on multiple sets of studio monitors.
Loopback audio makes creating monitor and streaming mixes quick and easy.

Technical Specifications

Inputs and Outputs

Microphone Inputs: 4
Guitar Inputs: 2
Line Inputs: 4
Line Outputs (DC coupled): 4
Headphone Outputs: 2
USB-C ports: 1
Aux power ports: 1

AD / DA Conversion
Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192
Bit Depth: 24

Analogue I/O

Inputs

Microphone (CH 1 - 4)
Connector Type: 4x Combo-style, XLR / TRS
Max Input: +14 dBu (balanced, minimum gain)
Gain Range: 0 dB to +75 dB
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB, (unity gain, reference 1 kHz)
Dynamic Range: 113 dB (A-weighted, minimum gain)
THD+ N: 0.001% (1 kHz, minimum gain)
EIN: -129 dBu (max gain, 150 Ohms, 22 kHz BW, A-weighted)
Input Impedance: 1600 Ohms

Line In (CH 1 - 4)
Connector Type: 4x Combo-style, XLR / TRS
Max input level: +15 dBu (balanced, minimum gain)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 114 dB (A-weighted, minimum gain)
THD + N: 0.001% (1 kHz, minimum gain)
Input Impedance: 10K Ohms
Digital Trim: -10 to +10 dB

Instrument In (Ch 1-2)
Connector: Type 2 x 1/4-inch Female
Gain Range: -7 dB to +68 dB
Max input level: +15 dBu (unbalanced, minimum gain)
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
Dynamic Range: 111 dB (A-weighted, minimum gain)
THD + N: 0.002% (1 kHz, minimum gain)
Input Impedance: 1M Ohms

Outputs

Main Out (Ch 1 - 2)
Connector Type: 2x 1/4-inch Female, TRS
Max Output Level: +15 dBu (Balanced)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 117 dB (A-weighted)
THD + N: 0.001% (1 kHz, +4 dBu)
Output Impedance: 51 Ohms
Trim Range: -inf dB to 0 dB

Line Out (Ch 3-4)
Connector Type: 2x 1/4-inch Female, TRS
Max Output Level: +15 dBu (Balanced)
Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB (unity gain, reference 1 kHz)
Dynamic Range: 117 dB (A-weighted)
THD + N: 0.001% (1 kHz, +4 dBu)
Output Impedance: 51 Ohms
Trim Range: -inf dB to 0 dB

Headphone Out (1-2)
Connector Type: 2x 1/4-inch Female, TRS Stereo
Max Output Level: 7.5 dBu (50 Ohms)
Frequency Response: 20 Hz to 20 kHz, +/- 0.2 dB (unity gain, reference 1 kHz)
Dynamic Range: 111 dB (A-weighted) THD + N 0.02% (1 kHz)
Output Impedance: 22 Ohms Trim Range -inf dB to 0 dB

Electrical

Aux Power DC Connector USB-C (USB-C to USB-C cable required, not included)
Aux Power DC Requirements 5VDC, 2.6A

Mechanical

Product Dimensions

Length: 8.4'' (213 mm)
Width: 6.2'' (157 mm)
Height: 1.9'' (48 mm)
Weight: 1.8 lb (0.81 kg)

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Field recorder meets interface in this clever offering from IK's iRig range. Essentially a 4-in/2-out audio and MIDI interface with built-in mics, the Quattro is portable, versatile and high quality.

Supplier's Notes:
Pro recording and performing, in the palm of your hand

iRig Pro Quattro I/O is a professional-quality 4 in / 2 out portable audio and MIDI interface packed with everything needed for field recording and content creation, for serious sound and flexibility - anywhere.

Small enough to fit in the palm of your hand, the iRig Pro Quattro I/O still packs in four high-quality, low-noise mic preamps; instrument, RCA and TRS inputs; plus XLR balanced, 3.5mm stereo and headphone outputs - and full MIDI I/O!

iRig Pro Quattro I/O works right out of the box with iPhone, iPad, Android, Mac and PC, but can also serve as a stand-alone mic preamp or line mixer, with a built-in limiter and direct monitoring so you're always guaranteed the perfect take.

Packed with a swiss-army-knife's worth of tools, iRig Pro Quattro I/O ensures you're ready for anything, anywhere.

As a mobile interface

Connected to a computer or mobile device, the iRig Pro Quattro I/O will work as a high-quality, multi-channel audio and MIDI interface with a full array of inputs and outputs so you'll always be prepared for any recording or need. Fully MFi-certified, no adaptors are required for iPhone or iPad for reliable field performance on any device.

As a broadcast / podcast interface

Enable STEREO mode and iRig Pro Quattro I/O mixes all sources down to stereo for streaming or recording. Monitoring is easy thanks to a dedicated headphone output with independent volume control and direct monitoring. Or use MONO mode for streaming to social media; Loopback lets you duet your favourite videos easily.

As a field recording interface

With an onboard microphone and optional stereo mic capsules, iRig Pro Quattro I/O turns your iPhone, iPad, Android device into a full-featured, professional field recorder.

As a stand-alone mixer

iRig Pro Quattro I/O also works as a preamp and mixer: just power it via battery, USB or DC IN and use the full set of inputs/outputs to capture and mix multiple sources to your DSLR camera with professional quality.

Always perfect recordings with the safety backup channels

In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2 but reduced by 12dB as a backup in case the sound source unexpectedly overloads the main channels.

Audio quality without compromise... wherever you are

Up to 24-bit, 96 kHz sample rate Ultra-low-noise mic preamps with full +48v phantom power Professional-quality, transparent A/D and D/A conversion Built-in limiter, for input 1-2, to protect against clipping Multitrack, stereo or mono internal mixdown.

Specifications

Microphone Input
Microphone Input: balanced female 3-pin, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
Microphone Input Level: from 6 mVpp to 1.4 Vpp
Microphone Input Impedance: 3.2 kOhms
Gain Range: 40 dB
Phantom Power: +48V i 4V
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS

Instrument Input
Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
Instrument Input Level: from 30 mVpp to 6.9 Vpp
Instrument Input Impedance: 1 MOhms
Gain Range: 27 dB
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS
Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Control numbered thumbwheel
Headphone Level Power 100mW into 50 Ohms

Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Power 100mW into 50 Ohms

MIDI Input/Output
Connector: 2x2.5mm TS Jack
Other Input/Output
DC barrel: 1x DC barrel. For power and device charging.
Device Connector: mini-DIN

Common
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz

Power:
- USB bus powered when used with a computer
- Battery powered (2xAA included) when used with an iOS device
- DC power supply (not included, iRig PSU 3A sold separately)*

Package includes
iRig Pro I/O universal Audio-MIDI interface
Lightning to Mini-DIN connection cable with charging features (60cm/23.62")
USB-A to Mini-DIN connection cable (60cm/23.62")
USB-C to Mini-DIN connection cable (60cm/23.62")
2.5mm TRS male to MIDI female adapter (10cm / 3.9")
2 x 1.5V AA Battery
Velcro strip

Dimensions
Size: 43mm/1.69" x 127mm/5" x 37mm/1.46"
Weight: 120g/4.23oz (batteries excluded)

Notes: Whether you're about to become a content streamer or beat maker or anything beyond - with Neva Uno you're ready to go instantly.

Coming at a super affordable price, Neva Uno offers superior audio quality, elegant design and an extensive software package while retaining a compact form. Equipped with professional pre-amplified microphone and guitar inputs as well as two line inputs, it offers everything you need to get started right away. The USB-C port makes it easy to connect to your computer or mobile device. Neva Uno comes with professional ASIO drivers including DirectWIRE loopback function and more, so you can focus on your creativity.

Features

2 input / 2 output 24-bit / 192kHz USB 3.1 audio interface with USB-C connector
XLR combo microphone preamp with +48V phantom power support
Hi-Z instrument input with 1/4" connector
USB bus powered (no additional power adapter needed)
line output with unbalanced RCA connectors
headphone output with 1/4" connector
ADC with 97dB(a) dynamic range
DAC with 107dB(a) dynamic range
Zero latency hardware direct input monitoring activated by switch
Master output volume control
Supports Windows 10, Windows 11 with ASIO 2.0, MME, WDM and DirectSound
Supports macOS via the native CoreAudio USB audio driver from Apple
Stereo hardware loopback channel for internal recording
Includes Bitwig Studio 8-Track DAW
Includes Steinberg WaveLab LE audio editor license
Works with Cubasis LE from Steinberg for iPhone / iPad
Includes 3 month (up to 9000 minute) subscription to JackTrip Virtual Studio
Dimensions: 10.5cm x 9cm x 4cm


Connectors & Functions

+48V PHANTOM POWER SWITCH to provide power for a condenser microphone.

LINE HI-Z SWITCH for input 2 to switch between Line level and Hi-Z guitar signals.

DIRECT MONITORING SWITCH to enable or disable input monitoring to listen to the input signals.

GAIN KNOB 1 to change the input gain / input level for input 1. The LED ring indicates the signal level.

GAIN KNOB 2 to change the gain / input level for input 2. The LED ring indicates the signal level.

VOLUME KNOB to change the main output volume for connected headphones and speakers.

XLR / TRS COMBO INPUT 1 to connect a microphone via XLR cable or a line signal via 1/4" TRS connector.

TRS INPUT 2 to connect a line via 1/4" TS connector.

HEADPHONE OUTPUT to connect headphones.

LINE OUTPUT 1/2 to connect the stereo master line level output signal via RCA cables for left and right channels.

USB-C CONNECTOR to connect the audio interface to a PC, Mac, tablet or mobile phone.

Small, portable and perfect for your podcasting or live streaming applications

This stylish 24-bit / 192 kHz USB-C audio interface is so small, it will instantly become your new companion on the go and in your studio. Neva Uno is USB bus powered and Plug & Play, just plug it in and start working! It works with any modern Mac (Intel or M1 CPU or better), PC (Windows 10 and higher) and with many portable devices (iPhone, iPad, etc.). One XLR/jack combo input will take either your microphone or line signal, while the second 1/4" jack input accepts line or Hi-Z guitar signals. The inputs feature a mic preamp with up to 50dB gain and 48V phantom power support and the analog-to-digital converter provides 97db(a) dynamic range. On the output side, there is an integrated headphone amplifier and stereo line RCA outputs with a digital-to-analog converter with 107dB(a) dynamic range, allowing you to connect a mixer, amplifier or active speakers. You can monitor incoming audio signals with zero latency, just push the direct monitor button.

Neva Uno is compatible with virtually all common audio software thanks to the professional low latency ASIO 2.0 driver for Windows and CoreAudio compatibility on the Mac. There is even a DirectWIRE hardware loopback function that allows you to route and mix different sound sources internally: perfect for podcasting or live streaming applications.

All this turns Neva Uno into an ideal device to get started in the world of digital audio recording, no matter if you create your own music, if you want to mix and edit audio, if you work on your podcast or even for live streaming. And yet there is more: Bitwig Studio 8-Track and Steinberg WaveLab LE are included. On the iPhone and iPad, you can use Cubasis LE from Steinberg.

An alternative to Neva Uno is ESI's larger model Neva Duo with two microphone preamps.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Next-gen version of the popular iRig Pro Duo offers versatile recording options in a compact, portable package. Two mic/line inputs with phantom power, stereo line outputs, headphone out and MIDI in/out.

Supplier's notes:
IK Multimedia introduces the iRigr Pro Duo I/O, an enhanced, ultra-compact 2-channel audio/MIDI interface that enables high-quality recording on the go with iPhone, iPad, Android devices and Mac/PC. Designed for musicians, podcasters and other content creators, it can accommodate a variety of input sources including microphones, MIDI controllers, line-level and high-impedance instruments such as guitars, basses and keyboards, and more. It can also be used as a MIDI interface.

A sequel to IK's acclaimed iRig Pro Duo, the new iRig Pro Duo I/O features updated mic preamps with increased gain, as well as the addition of a USB-C cable to work with all of today's latest devices and new, dedicated PC drivers to ensure optimal performance on laptops and Surface tablets. In addition, refined volume controls with level indicators for more convenient workflow and a new rubberised finish to better stand up to the road, offer the same standard of quality customers have enjoyed from IK's award-winning iRig Pro I/O single-channel interface.

Recording capabilities
Two analogue combo inputs (1/4" / XLR) are provided for connecting and simultaneously recording any combination of dynamic and condenser microphones and instruments (line level or Hi-Z). They are complemented by Class-A preamps, adjustable gain and 48V phantom power. Each channel has its own input gain control for dialling in the perfect amount of input signal for a particular recording.

iRig Pro Duo I/O can also be used as a MIDI interface via MIDI input and output connectors and included breakout cables. Additional connections include two balanced 14" outputs and headphone output.

A direct monitor switch provides latency-free monitoring of direct incoming signal for use with video or streaming apps, or lets users monitor the processed signal returning from their device when recording music or using audio processing apps.

Out-of-the-box performance
iRig Pro Duo I/O runs on USB bus power or 2 AA batteries (or an optional PSU), and includes Lightning, USB-A and USB-C cables to work with any device right out of the box.

Although compatible with any app designed for high-quality digital audio input for recording or creation, iRig Pro Duo I/O comes with free access to over $/€500 of IK software, apps, and in-app material, making it an all-in-one package with everything needed to record, edit, and share great music, podcasts, interviews and more.

About the iRig series
Celebrating its 10th anniversary in 2020, IK's iRig series of interfaces helped define the mobile music-making category. With products designed for guitarists, vocalists, broadcasters and social media journalists, the series makes high quality audio recording accessible to everyone at an affordable price.

Notes: Everything you need, nothing you don't.

The PreSonus AudioBox GO Creator Bundle is your ultra-affordable one stop shop for creating studio-quality recordings. Featuring the ultra-compact and surprisingly powerful 2x2/24 bit / 96 kHz AudioBox GO USB Audio interface, pro recording software access with 6 months of Studio One+, a pair of ergonomic high-definition HD7 headphones, and a versatile M7 cardioid condenser microphone with mic stand adapter and windscreen, the PreSonus AudioBox GO Creator Bundle gives you everything you need to create like a pro, so you can get started recording right away.

PreSonus AudioBox GO USB Audio Interface

2x2, 24-bit / 96 kHz USB-C Audio Interface

Ultra-affordable, ultra-compact and versatile audio interface for home and mobile recording.

One TS instrument input to record guitar or bass and one mic/line combo input to record vocals or a keyboard, drum machine or other line-level

One 1/4-inch stereo headphone output

Two balanced TRS 1/4-inch main outputs for studio monitors or other

Studio-grade converters allow for up to 24-bit/96 kHz recording and playback assuring the highest quality possible.

Custom low-noise, high-headroom design with 50 dB of adjustable gain and switchable +48V phantom power for professional XLR condenser

PreSonus M7 Microphone

Versatile cardioid condenser microphone with mic stand adapter and windscreen.
Warm frequency response
134 dB of SPL handling
Mic stand adapter
Mic pouch
10-foot XLR cable

PreSonus HD7 Professional Monitoring Headphones
Ergonomic high-definition headphones.
High resolution drivers
Precision-tuned acoustic chamber
Extended bass response
Comfortable and long-lasting ear pads
Lightweight

Pro DAW Recording Software Access Included

6 months of Studio One+ with access to Studio One Pro DAW recording software, add-ons, and more.

Notes: For the 20th anniversary of the legendary Fireface 800, RME introduces an exclusive special edition ARC USB in a sleek all-black design to complement the limited edition Fireface 802 FS AE.

Overview

This wired remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real-world situations.

The ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system TotaIMix FX will detect it and communicate with it, without disturbing other remote controls. Therefore, it is also not necessary to switch the ARC USB on or off within TotalMix FX - it will just work. And because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001!

As soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX - and therefore also by the RME audio interface.

With the UFX III and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. This way of connecting is handy in stand-alone mode, where the ARC USB is also supported by the UFX III and UFX II.

The ARC USB is bus powered, but draws only little current. Also, it uses USB 1.1 as bus standard, which these days is uncritical due to its lower frequency and speed demands. USB 2 cables with 5 metre to 10-metre length, and cheap USB 2 cable extensions that usually make a bus-powered interface fail will work perfectly for the ARC USB. Still at higher lengths RME recommends using active USB 2 cables (also called extension or repeater cables), which are not expensive and work over lengths of more than 20 meters.

The ARC USB can control several interfaces simultaneously, which happens automatically as the Key Commands dialog in TotalMix FX is specific to the currently selected audio interface. Just assign only the functions that are desired for each respective interface. After that the ARC USB keys and the encoder wheel remote the respective interface where they have been assigned to, without the need to further switch or select anything in normal operation.

The lower three keys have a useful diagnostic functionality
Talkback: is lit dim as soon as the ARC USB is running on 5 V USB bus power.
Speaker B: is lit dim as soon as a USB communication is possible.
DIM: is lit dim as soon as a communication with TotalMix FX is established.
Therefore, in normal operation all three lower keys are lit dim constantly.

The ARC USB comes with a standard set of Key Commands that already cover most usage scenarios, printed directly beneath the keys:
Row 1 and 2: activating Snapshots 1 to 8.
Row 3: Mono, Volume Phones 1, Volume Phones 2, External Input
Lower keys: Talkback, Speaker B, Dim.

A set of stickers with all currently available TotalMix FX commands is included. These can be used to label all keys reflecting the current user configuration.

The rotary encoder wheel is used to change various parameters, like gain and volume. It is programmable in TotalMix FX as well.

Configuration of the ARC USB

The Advanced Remote Control is configured in the Options menu via the Key Commands dialog of TotalMix FX, tab ARC USB Settings. As the ARC does not have any memory, all configuration and storage is done via TotalMix FX. All settings of the ARC USB are stored within a Workspace, and are therefore identical in all Snapshots of that current Workspace.

More than 36 different commands can be assigned to the 15 keys. The behaviour of each individual button can be changed between push, toggle, enable and disable, depending on the base function.

Current list of available functions:

Global Mute
Global Solo
Mute Group 1 to 4
Solo Group 1 to 4
Fader Group 1 to 4
Link Main AB
Speaker B Select
DIM (Main Out)
Mute (Main Out)
Mute FX (Main Out)
Mono (Main Out)
Talkback
External Input
Reverb

Echo
Cue Phones 1 to 4
Snapshot 1 to 8
Layout Preset 1 to 8
Volume Main
Volume Phones 1 to 4
Mic Gain 1, Mic Gain 2, Mic Gain 1+2
Inst. Gain 3, Inst. Gain 4, Inst. Gain 3+4
Mic/Inst. Gain 9, Mic/Inst. Gain 10, Mic/Inst. Gain 9+10
Mic/Inst. Gain 11, Mic/Inst. Gain 12, Mic/Inst. Gain 11+12

Some commands are not available at certain interfaces, or slightly changed due to different functionality. Fireface UFX, UFX II and UFX III have additional commands for DURec: Record, Play and Stop.

Several functions can be activated at the same time. Example: Button 1 is set to Cue Phones 1. That means the phones submix is heard via the Main output (the studio monitors). To be able to also change the volume of the phones submix itself, set button 2 to Volume Phones 1. Activating both will allow you to listen to the phones submix via the main output, and also to change its volume (the fader in the third row) by turning the encoder knob.

A standard footswitch (with switch, sustain pedals with pot are not supported) can be connected to the 1/4" TS jack on the left side. In Key Commands Settings the same options are available for the footswitch as for the 15 keys.

Remote control the RME Fireface UFX III, UFX II, UCX II and 802 FS in Stand-Alone Mode

As mentioned above, the RME Fireface 802 FX, UCX II, UFX II and UFX III interfaces all feature a dedicated connection for the ARC USB, with the remote offering an additional level of control when using either device in Stand-Alone Mode.

When used with any of these interfaces standalone, a fixed set of functions is activated on the keys:
Row 1: Setup 1-4
Row 2: Setup 5-6 x x
Row 3: Mono, Volume Phones 1, Volume Phones 2, DIM
Lower keys: DURec: Rec, Play/Pause, Stop
x = no function

The included stickers also offer the stand-alone layout.

In the 802 FS, UCX II, UFX II and UFX III display's menu the way of operating the ARC USB can be configured for standalone mode. Those options are found under SETUP/REV, Options, Hardware/Diagnosis:

Standalone ARC Volume

Deactivates all keys. Only the encoder wheel works, with a fixed assignment to Main Volume. This option is also a safety function in case the ARC USB is connected to the 802 FS / UCX II / UFX II / UFX III, but operated online (with a computer). When the system goes offline (computer removed, sleep state...) the functions on the keys change, because online mode changed to stand-alone mode. Operating the keys then could activate unintended functionality or changes.

Standalone ARC 1 second operation

Each key has to be pressed for one second to activate the programmed functionality. This safety function prevents unintentional changes. It can be stored within the Setups, activating this mode automatically when such a Setup is loaded. When loading a Setup where this function had not been active this mode is automatically deactivated at the interface.

Notes: Create a high-end recording studio anywhere with Revelator io44. Whether you want to connect a professional XLR microphone, a guitar, a DJ mixer, or your gaming headset, Revelator io44 has all the inputs and outputs you need to record... even a built-in mixer that lets you blend audio from multiple applications. Processing is available on every analog input, so you'll sound smooth and polished in your performances and recordings.

Guitarists, singers, DJs, and everyone else: you'll sound great, regardless of if you're tracking a record or performing live online.

25 years of studio-grade design experience is inside Revelator io44. Your XLR microphones will sound their best thanks to the PreSonus XMAX-L mic preamp with plenty of gain for your professional microphone to capture your voice smoothly, naturally, and distortion-free - and the onboard processing will make your voice stand out. Whether you're recording a vocal or chatting with your followers during a livestream, you'll be heard loud and clear.

Revelator io44 features an easy-to-use mixer that lets you blend audio from up to three different applications at once. Add backing tracks, Skype calls, and even gameplay quickly and easily without taxing your computer. An automatic output limiter prevents your stream from distorting. Whether you're on macOS or Windows, you can create custom mixes of your inputs and your applications and monitor it all at near-zero latency so you can stream and record simultaneously!

Features

Ultra-compact, mobile bus-powered USB-Cr compatible audio interface for recording, streaming, podcasting and more
96 kHz / 24-bit operation for pristine audio recording
1 digitally controlled, high-headroom, low noise XMAX-L mic preamp for professional results
1 Instrument input (via combo) for guitars and basses
1 TRS ?" Stereo Line input for DJ mixers and more
Stand-alone functionality lets you take your sound with you
?Balanced Main Left / Right with independent level control and mute
1 TRRS 1/4"""" stereo Headset connection (mic in, stereo out)
Integrated mixer lets you blend audio from up to three applications at once
Powerful onboard StudioLive processing lets you polish your sound (or completely transform it) with reverb, compression, EQ, and fantastic Voice FX - all without taxing your CPU
Professionally crafted Presets make you sound like a pro with a single click. You can also create your own custom presets to share, save, or produce on the go
Studio One Artist recording software and Studio Magic software bundle included

Notes: ***B-STOCK: Box opened, product in perfect working order***


Upgraded FS version of the Fireface 802 features improved digital connectivity and DC-coupled analogue outputs. Same TotalMix DSP, high-end pre-amps and low-latency conversion as the original version.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's Notes:
The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, designed for users who require stability and ultra-low latency operation, as well as an unrivalled professional feature set.

Alongside 60 channels (30 inputs / 30 outputs) of analogue and digital I/O, the Fireface 802 FS benefits from newly developed analogue and digital circuitry with improved performance, as well as a host of professional features.

Like all RME audio interfaces, the Fireface 802 FS benefits from TotalMix FX, RME's digital high-end mixer and signal router. Driven by powerful DSP with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller, TotalMix FX offers powerful, flexible control of all audio channels.

The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME's app to fully control the 802 FS from the iPad, without any computer. The easy-to-use app includes metering for all 60 channels plus effects bus, different setup screens, and complete control of all features.
A high-end recording, mixing and mastering solution, the RME Fireface 802 FS is packed with professional features including:

DC-Coupled Outputs
SteadyClock FS
Class Compliant Operation
Powerful integrated DSP
TotalMix FX
TotalMix Remote
Support for the Advanced Remote Control USB (sold separately)

Enhance Your Recording Setup - Discover Unmatched Flexibility

The Fireface 802 FS benefits from ultra-low latency operation thanks to RME's renowned USB driver technology and driver stability. SteadyClock FS jitter suppression, individually switchable reference levels for all inputs and outputs and identical operation on Windows PC and Mac completes the package.

The Fireface 802 FS is based on a newly developed analogue and digital board. While the analogue board offers DC-coupled analogue outputs as well as new AD and DA converters, the digital board also enables interesting new features thanks to updated high-tech components.

The front panel of the Fireface 802 FS provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals and two stereo headphone jacks with +17 dBu output level, to provide high volumes even with hi-impedance headphones.

The rear panel reveals the full connectivity of the Fireface 802 FS. As well as MIDI and Word Clock I/O, the Fireface 802 FS is equipped with two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analogue line-level inputs and outputs.

With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O. Users will also find a USB A port for connecting directly the optional ARC USB, offering tactile control of TotalMix FX.

Professional High-Transparency Preamps

The Fireface 802 FS features four crystal-clear preamps with ultra-low latency converters, using the classic technology of the OctaMic II, a high-end preamp providing supreme sonic quality.

All four preamps deliver extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response, providing a premium solution for transmitting and amplifying any audio input exactly as it is heard, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.

The four inputs on the front use balanced XLR/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required. Each channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.

The Fireface 802 FS continues RME's tradition of designing full-featured, flexible and expandable audio systems. Adding additional preamplifiers or more analogue inputs is easily done via the dual ADAT optical I/Os on the rear.

SteadyClock FS - FemtoSecond Clocking Technology

The RME Fireface 802 FS also features RME's latest digital clocking and jitter rejection technology, 'SteadyClock FS'.

Originally developed for RME's award-winning ADI-2 Pro FS range of high-end converters, SteadyClock FS reduces intrinsic jitter to a new all-time low, when converting to and from analogue over all digital formats.

All clock modes provide excellent performance and astonishingly high-quality analogue conversion, allowing you to hear your mix exactly as it is.

What's more, RME's digital format conversion occurs without any loss to the signal, and SteadyClock FS ensures your sonic image will never experience any kind of degradation, ensuring the soundstage is replicated to the fullest depth and clarity.

Powerful Applications for Mixing, Monitoring and Measurement included

The Fireface 802 FS comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DigiCheck Analyzer allowing to measure and analyse the digital data feed in both directions with maximum precision.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

The additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.

General Specifications

Power supply: Internal switching PSU, 100 - 240 V AC, 30 Watt
Idle power consumption: 15 Watts
Typical power consumption: 22 Watts
Dimensions including rack ears (WxHxD): 483 x 44 x 242 mm (19" x 1.73" x 9.5")
Dimensions without rack ears (WxHxD): 440 x 44 x 235 mm (17.3" x 1.73" x 9.3")
Weight: 2.8 kg ( 6.2 lbs)
Temperature range: +5- up to +50- Celsius (41- F up to 122-F)
Relative humidity: < 75%, non condensing

Notes: What is WIDI Jack?

WIDI Jack is your virtual MIDI interface

Now you can connect all your MIDI devices with standard MIDI I/O wirelessly via Bluetooth MIDI.

Enjoy ultra-low 3ms latency and secure connectivity via Adaptive Frequency Hopping.

Smart Connectivity Algorithms

Latency is not an issue with WIDI.

WIDI distinguishes itself from any other Bluetooth MIDI technology available through its unique SCA technology.

SCA is a collection of highly effective algorithms that optimize performance and minimize interference.

Latency is reduced to an inaudible 3ms as measured between 2 WIDI devices.

MIDI transmits data at a standard rate of 31.25 kbps via cable. WIDI products go up to 400 kbps.

Plug, pair & play- Transmit and receive Bluetooth MIDI via standard TRS/DIN MIDI I/O ports

Wide compatibility- Add the right TRS/DIN MIDI cable to connect all your MIDI devices. Plus TRS type A/B switch.

Bluetooth 5- High performance wireless MIDI with a working range of 20m/65ft without obstacles

Smart Power Solutions- Works fully standalone via powered MIDI OUT. USB power for unpowered MIDI ports.

Ultra low 3ms latency- Breakthrough latency reduction of just 3ms between two WIDI devices

Bluetooth MIDI groups- Connect up to 5 Bluetooth MIDI devices per group via WIDI App or Group Auto-learn mode

Automatic pairing- Setup instantly. Operate easily, with convenient auto-pairing between WIDI devices

Magnetic design- Clever design solution with magnetic sticker to stick on any surface

Transmit any MIDI message- Transmit any MIDI message over Bluetooth including notes, CC, MIDI clock, SysEx and MPE.

WIDI App for iOS/Android- Get lifetime updates and personalise settings with latency or jitter optimisation

What can you do with MIDI over Bluetooth?

Fully Standalone. Completely Wireless. 100% MIDI.