Review: Dubbed by Billboard as the most sampled reggae song of all time, the legendary 1982 recording 'Bam Bam' by Sister Nancy has been used by some of the most influential musicians of the modern period: Lauryn Hill, Beyonce, Ye West and Rihanna to name a few. The dancehall classic has made multiple appearances in TV shows and Movies, standing the test of time as a quintessential anthem. Pressed on gold vinyl in an illustrated jacket, this reissue comes paired with the original Stalag riddim from Ansell Collins that Nancy samples on the B side. 'Bam Bam' remains an undisputed piece of history, the crowning jewel for the first-ever female Jamaican DJ to tour internationally.
Review: Home Hitters churn out edition 15 of their eponymous series, recollecting two noughties mainstays to a fresh white label A-and-B-sider. On the A we've 'Temperature', an experimental Sean Paul dancehall cut from the 2005 album The Trinity, although this is a faster take on dancehall than most would've heard it; the song's melody is infectious enough too, being one of those songs everyone knows as having wafted from car stereos or down-the-block house parties, and on which Paul waxes poetic about keeping the object of his affections warm. Enur's 'Calabria 2007' offered similar vibes, with its whimsical horn lead and carefree lyrical invitations.
Review: An eagerly awaited repress of DJ Shepdog's 2006 mashup of Damian Marley's 'Welcome To Jamrock' with Dead Prez's 'It's Bigger Than Hip Hop', effortlessly juxtaposing one of contemporary dancehall's most iconic vocals with undeniably one of the fattest basslines ever laid. This iconic pairing is flanked by ultra fun cut 'Sleng Hop' uniting the original Dead Prez acapella with another of the world's most famous basslines- Prince Jammy's Casiotone MT-40 'rock & roll' rhythm... You do the math!
Review: Irie Ites is a French label that is back with two more reggae heavyweights and frequent musical sparring partners in the form of Eek-A-Mouse and King Kong. They tackle a relic of the 'Murderer/Hot Milk' rhythm, a production that will take you back to the 80s reggae sound in an instant. 'Musical Ambassador' comes first and is a happy-go-lucky sound with some slow, dubby drums and lazy hits as well as stylised vocals, while the flip from King Kong, 'Money Could A Buy' fleshes it out with more reverb and natty guitar riffs that hang in the air above the cavernous low end.
Review: Wayne Smith's 'Under Mi Sleng Teng', released in 1985, is a milestone in Jamaican music history and one that helped launch a new genre and transform island culture overnight. Its innovative digital bass line not only impacted Jamaica but also bridged reggae with US hip-hop production values, which went on to influence global music. Over 200 versions of the riddim have been released, and artists like 50 Cent and The Prodigy have incorporated it into their work. Originally issued as a seven-inch single on the Jamaican Jammys label, Smith, who passed away in over a decade ago at age just 48, left behind a legacy rooted in Waterhouse, a troubled Kingston neighbourhood.
Review: Ja-Ge George is a rather little-known dancehall artist who has turned out only a few releases over the last 20 years. He hails from Japan and is part of the Rub-A-Dub Market crew and now he is back with a new single that comes on Far Eastern label Lawson Entertainment. 'Down Beat Rule' blends new school and contemporary raga and dancehall into a classic-sounding cut with some rhythmic vocal stabs, natty, polished chords and broken tumbling beats to amp up any crowd. On the flip, it becomes a high-energy jungle workout powered by blistering breakbeats.
Review: Given the weight of these cuts, Dubquake is the perfect label for them. They find OBF and Junior Roy link up for some hefty and dancehall inspired dub sounds. The drums are steel plated and marching, the melodic leads are florid and the vocals from Roy are uplifting. The whole of 'Dub Club' has a raw, textural feel then 'Club Dub' gets a little more smoothed out into a traditional warm and pillowy dub sound. Together they make for a high impact 7" designed for loud deployment on big systems.
Review: Sister Nancy is one of few trailblazers who helped pioneer the the female facet of reggae. 'Bam Bam' is a reissue of her seminal debut single, which features her signature sound of roots reggae and dancehall, raileing against the male-dominated 80s scene with its ribbing hook and slapping instrumental. The B-side 'Stalag Version' dubs out the A, versioning it into a gloomy, bass-heavy hypnosis.
Review: Jamaican reggae and dancehall artist Kabaka Pyramid combines conscious lyrics with a versatility that has more than justified his de facto membership of the nascent reggae revival movement, also including artists like Protoje, Chronixx and Jesse Royal. Here comes The Kalling, his second album, charting collabs with some of the best names in his chosen field - such as Damian Marley, Stephen Marley, Buju Banton, Protoje and Jesse Royal. The album is a mixture of inspirational and hard-hitting experiences, and equally socially conscious tracks, namely the title track and 'The Kalling' and 'Kontraband Pt. 2'.
Review: Emotional Rescue continues its love affair with Glen Ricks here by reissuing his solo debut release. 'Keep On Dancing' is a cult and hugely coveted cut that fuses disco and reggae in some style. Ricks had a first successful musical career in The Fabulous Flames then moved between Canada and Jamaica and eventually got stuck into music in earnest again in the Caribbean. He wrote this one with writer and producer Chris Stanley and it came out first on 7" in 1981, then on 12" a year later. It has a superbly soulful vocal and a groove full of subtle bump that is sure to bring joy to any dancefloor. Idjut Boys' Dan Tyler also adds his own spin under his NAD alias for a more heavy and dub-laden take.
Review: Norwegian instrumentalist D. Apal who might well also be a part of the Flammer Dance Band steps out with a colourful and vivacious debut album that is likely to become a favourite summer soundtrack this season. It is a playful rhythmic exploration with elements of dub, Balearic, disco, Afro, soul and funk. The loose-limbed grooves are brought to life with a mix of organic percussion and smart synth sounds that make it sound modern yet not too polished. If you like the sounds of William Oneyeabor but always wanted him to cut more loose, then this is for you.
Review: Samory I, one of Jamaica's most promising reggae artists to watch, releases his eagerly-awaited solo debut album Strength. The LP follows Black Gold, his 2017 collaborative album with the iconic producer Rory 'Stonelove' Gilligan. Named after Samory I's affectionate moniker for his son, Strength is an 11-track storied opus produced by esteemed Jamaican producer Winta James, whose credits include hits with Protoje, Chronixx and Damian Marley. Samory I said the LP represents "the struggles I've overcome, both mentally and physically." Growing up in Kencot, a rougher neighborhood in Kingston, Jamaica, he faced many adversities and found reggae music as a form of salvation. He used his voice as both an instrument and vehicle for social change in his community. The album is a true reflection of its title, proving that courage and love prevails above all.
Review: 'You've Changed' was a transcontinental creation that was first released in 1986 on the Sally B label. It melds Jamaican roots with Canadian electronic enhancements at the legendary Channel One Recording Studio. Jamaican reggae don Horace Martin drew inspiration from greats like Dennis Brown, and Horace Andy, and comedy legends like Richard Pryor and Charlie Chaplin and has an eclectic career spans albums like Watermelon Man from 1985 and this one, the avant-garde gem that arrives now on Arabusta. It's a busy and digitally infused reggae sound with elements of dance hall and plenty of catchy rhythms which all lead to international success, performances across 24 countries and having more than 400 songs aired on 9000 radio stations around the world.
Illegal Minds (feat Mark Stewart - bonus track) (5:15)
Fortress Europe (Adrian Sherwood dub - bonus track) (4:09)
La Haine (The Bug remix - bonus track) (3:50)
Review: Asian Dub Foundation's Enemy of the Enemy is one of the many classics in their arsenal. This is a first ever reissue of it on X-Ray Production. It as always develops their mix of traditional Indian music with electro, ragga and hip hop. This record brought with it a new sense of energy and forward momentum and has plenty of over-egged rhythms and debauched sounds that express revolt at the "liberal drifts of the Labour party under Tony Blair." The restless Londoners therefore made a social and political impact as well as physical dance floor one with this classic.
Review: On the latest volume in the Late Night Tales series, Don Letts has dug deep into his crates to present a selection of some of his favourite dubbed-out reggae cover versions, alongside dub style remixes of more contemporary covers. It's a simple concept, brilliantly executed, with Letts offering up some exclusive, dubplate style remixes amongst the classic cuts and recent gems. Highlights include, but are in no way limited to, the full vocal dub of Capitol 1212's take on Joy Dvision's 'Love Will Tear Us Apart', Mad Professor's insanely weighty 2021 dub of John Holt classic 'You'll Never Find Another Love Like Mine', Blackbox Recorder's oddball reggae-soul version of 'Uptown Top Rankin' and Easy Stars All Stars' deliciously mystical interpretation of The Beatles' 'Within You Without You'.
Review: The iconic Late Night Tales series scored a real doozy when they managed to lock in Don Letts for for his instalment. The British film director, DJ and musician is a vital part of the UK's musical fabric from his days making videos for The Clash and Elvis Costello to his work with the Big Audio Dynamite band he co-founded. All that history is distilled into this sublime selection of sounds across four vital sounds fo wax. There's reggae, dub, ska, a cover of Joy Division, head twisting goodness from Gentleman's Dub Club and plenty of exclusives. It's an essential listen, basically.
La Marimba Del Monte (feat Absalon & Afropacifico) (3:21)
Piel De Piedra (3:44)
Pedacito De Coco (feat La Perla) (3:28)
Negra Soy (feat Monica Castillo & Mary Grueso) (3:20)
Guajiralta (2:59)
Recogela (feat La Perla & Troy Berkley) (3:59)
Viche, Tumbacatre Y Arrechon (feat Absalon Y Afropacifico - version) (4:01)
La Gaita De Las Aves (3:31)
El Mexicano (3:09)
Mariposafro (4:19)
Review: Jungle master Krak In Dub pays homage to Colombia and the rich array of music in the country with his new album, Catleya, which was recorded fully in Bogota. It features a red hot list of all the best current musical talents to be playing in the city and is a wild fusion of beats and Latin-American traditional rhythms and instruments, with elements of reggae, hip-hop, breaks and house sitting pretty next to cumbia and afrobeat, ska and bullerengue. It's a funky, playful and upbeat ride through the world's rhythms and is soaked with plenty of soul and sun.
Review: Before Zero serve up a proudly UK slanted package here where UK grime meets UK dub. It finds two top talents in wordsmith and beat maker Majical and Kibir La Amlak link up to great effect. 'Do You Know' is a lesson about the King of all Kings, Emperor Haile Selassie delivered with lyrical dexterity. The tune started out as a dub plate but has proven so popular it now gets its own proper reals, with beats that fuse grime, garage, hip hop and reggae into a sound being called 'roots hop culture.' Flip it over for a dub that takes out the vocal and allows the ricocheting hits and bottomless bass to hit different.
Review: They might be juvenile but you can't beat a nice loud ganja anthem on a hefty system in the sun. Which makes this new collection of such things from Greensleeves - on nice translucent green wax, no less - utterly unmissable. It features plenty of rootsy tooting-anthems and stoner classics from the dub swagger of 'Pass The Kutchie' to Wayne Smith's darker and more paranoid 'Under The Sleng Teng.' John Holt's 'Police In Helicopter' will always be well received by any crowd and Billy Boyo's 'One Spliff A Day' is a great tune a well as being advice to live by.
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