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Drumcode Sweden Vinyl & CDs
Browse the latest Vinyl & CD releases on Drumcode SwedenSimilar labels:
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Review: Gargantuan-room techno trailblazers Drumcode return with 'The A Sides Vol 11 - Pt. 7'. If the title is any indicator enough - and no, it's not irony - this is a stonking closer to a mammoth seven-12" compilation series. The love-em-or-hate-em label always deliver a rave romp for titans, barging past polite types with frick-off bits from A.D.H.S., Julian Jewell, Marco Faraone and Gary Beck. Topping off a project originally conceived in 2012, this is a pulsing sensation suitable for both budding techno enthusiasts and chinstokers willing to let their hair loose for once.
… Read morePlayed by: Juno Recommends Techno
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Review: For his first outing of 2019, Adam Beyer has turned over the parts to his 2014 single "Teach Me" to Belgium's first lady of banging, acid-fuelled techno, Amelie Lens. She subsequently serves up two throbbing, peak-time ready revisions, with the A-side "Main Mix" offering a near perfect blend of booming, kick-drum driven beats, military snare fills, cut-up late night vocal samples and distorted, mind-altering riffs. As the title suggests, the flipside "Acid Remix" sees Lens indulge her love of mind-altering TB-303 acid lines, brilliantly wrapping them around a springier drum track, EBM-influenced melodic motifs and more pulsating, manipulated vocal loops.
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Review: Adam Beyer seems to be in a superb run of late and this is his second vinyl outing in as many months. Desert Queen is pure Beyer, and pure Drumocde - drum-led techno for the main room with sweeping synths and grand vocals that are designed to impact crowds of thousands. The A-side actually brings a touch of trance energy and hard techno funk with its slamming, flat-footed drums, coarse synths and brightly lit arrangements. 'Soulful' then flips the script with a more funky groove that rocks back and forth and has funky basslines and a pitched up r&b vocal that works strangely well in the unusual context.
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Review: Adam Beyer continues to refine his vision of techno with a release that melds intricate sound design with driving rhythms. The lead track layers ethereal synths and hypnotic vocal refrains, morphing into a pulsing, primal groove anchored by precise percussion. It's a masterclass in atmospheric tension, balancing futuristic elements with raw energy. The second track delves deeper, driven by metallic basslines and siren-like hoover tones, creating a dystopian soundscape that's both immersive and ominous. Beyer's ability to seamlessly fuse cutting-edge sound design with dancefloor functionality reaffirms his status as a cornerstone of modern techno.
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Review: Drumcode supremo Adam Beyer has become increasingly more prolific in recent years, signalling a creative renaissance that recalls the undoubted quality of his work in the late 1990s and early 2000s. His first outing of 2024, which follows a quartet of EPs last year, is predictably strong and packed to the rafters with future Drumcode anthems. Fittingly, he starts with 'Let's Begin', where mutilated vocal loops, mind-mangling rave noises and unsettling melodic motifs dance atop a typically thunderous and breathless big room techno groove, before opting for a dirtier, acid-flecked groove, metallic noises and sped-up hip-hop vocal samples on 'Computerized' (hip-techno anyone?). To round things off, he goes darker and denser still on the loopy techno power of 'Red Room', which pleasingly also boasts the same Aisha vocal sample as the Orb's 'Blue Room'.
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Review: Drumcode label head and the so-called CEO of Business Techno steps up to his own mighty Drumcode with an outing which keeps him at the forefront of big room sounds, which is just where he has been for more than a quarter of a century. 'Ghost Kiss' hammers out edgy drums and ghoulish vocals bring character to the musical rhythms. On the flip is 'Pilot' with its flashy, trance-tinged synth energy and menacing basslines. 'Jack' is a hard and dark cut with motoring drums and sawtooth synths that bring plenty of on-point maximalism.
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Review: Two right legends of techno unite here for the latest release on Drumcode. Label chief Adam Beyer presents 'Restore My Soul' featuring Chicago hard techno veteran DJ Rush, their relationship stretching back nearly three decades from when they both started out in the' 90s. The title track is aimed squarely at the main room dancefloor; a seething, mental groove featuring Rush's stern vocal delivery atop, before taking the energy levels into the peak time on the adrenalised thrasher 'Control'. Over on the flip, you are treated to a rework of the title track by DJ Rush himself in his typically stomping and orotund style.
… Read morePlayed by: Juno Recommends Techno
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Review: The latest from Swedish techno legend is a full-throttle techno assault, pushing Drumcode's legacy forward with relentless energy. The title track is a peak-time juggernaut, built on heavy chords, pounding kicks and a futuristic intensity that commands the dancefloor. With its driving momentum and anthemic hooks, it's a high-octane statement from two producers at the top of their game. On Side-2, 'Living In The Moment' ventures into atmospheric territory, teetering on the edge of trance with sci-fi textures and sweeping builds. Its long, tension-heavy progression culminates in devastating drops, overloading the senses with a euphoric yet punishing crescendo. With Drumcode nearing its 30th year, this release proves there's no slowing downithe label continues to deliver high-impact techno designed for maximum effect. Beyer and Brown's collaboration is a successful dose of tension, release and unrelenting intensity.
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Review: Some serious peak time weapons for the main room on offer here, from the ever reliable Swedish label Drumcode. Usual heroes of the label such as Luigi Madonna, Sam Paganini and Joseph Capriati step aside for some other equally reliable staples. On the A, side label boss Adam Beyer teams up with Enrico Sangiuliano on the evocative and life affirming "Preset Heaven" which takes its cues from early trance with its amazing chord progression. It is something more typical of the label next, on the pummelling warehouse stomp of "Muzik" by Bulgaria's Timmo. On the flip, there's more trance nostalgia on offer again - this time from legends Pig & Dan on the hypnotic/melodic bliss of "La Bruja" which we could imagine melting the minds of festival crowds well into the new year. Finally they save the best for last with French peak time specialist Julian Jeweil, serving up the furious, tunneling and strobe-lit ultraviolence of "Nasa" which will have your adrenaline going from the first beat. It has been a stellar year for the powerhouse label, with great releases by Moby, Dubfire and newcomer Layton Giordani.
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Review: Adam Beyer and Green Velvet are legendary names in techno music for over 30 years now. Their powerhouse track 'Simulator' receives a set of fresh remixes, extending to some producers to show off their version of this lofty new classic. First up, Mha Iri, a pivotal figure for Drumcode, delivers a scorching remix. She retains the original's fierce bass stabs, using them as formidable motifs, while injecting an abundance of intensity through electrifying builds and drops. Next, Odd Mobb, an emerging talent from Australia recognized by Fred Everything and Skrillex, infuses his four-minute rework with high energy. His remix emphasises the low-end elements and introduces vibrant new bursts of color, creating a dynamic rendition that keeps listeners engaged. Finally, Chris Avantgarde, known for his inventive productions, crafts a remix that defies genre boundaries. Combining elements of breaks, bass, electronica and techno, his interpretation spreads across all of his personal influences. Pressed on neon green 'rippled' vinyl, this record looks as dangerous as it sounds.
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Review: Adam Beyer shares his first collaboration with Vintage Culture, 'Lift Me Up' featuring Kyozo. A suspenseful covenant formed between three huge-room techno striators, 'Lift Me Up' was born from a fruitful back-and-forth shared on the road to Sonus Festival in Croatia. Packing a clenched sawtooth lead - one that hardly requires the development that the track nonetheless indulges by way of tuned impacts and chord transitions - this one ends up a dramatic build, as a vaunted vocal lines abjures us to "lift me up", as we listeners end up, paradoxically, the ones uplifted.
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Review: 'Don't Stop' is not only the title of this new EP from Charles D, but so too something of a mantra Drumcode label head Adam Beyer seems to live by. Its output has never really slowed despite 20 odd years of business and still it is up there with the best of the best when it comes to potent main room techno. This latest trio of tricks kick off with 'Don't Stop' which is a hard edged banger with buzzing and serrated synths. 'No Escape' is another raw cacophony of sound with dark vocals lost in the synth storms and 'Choir's Palace' sets down with some slightly trance-like energy that will get hands in the air.
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Review: Adam Beyer's notable techno label Drumcode seems to be as busy as ever of late. The label here rolls out a fourth part of its ongoing A Sides series, which is now up to volume 12. Though the Swede himself doesn't feature, some of his trusty sidemen do starting with Chris Avantgarde who brings big room, hard techno energy to 'The Last Time'. Bry Ortega keeps it just as intense with the machine-gun like synth fire of 'Discover 9', Massano brings some brighter synth loops to the stomping 'Betraya' and Spektre shut down with a mix of hardcore, trance and techno potency on 'Too Far Gone.' Some great DJ weaponry here, for sure.
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Review: Befitting of the label's name, Drumsauw aka. Joseph Sutherland keeps to the Code with a fresh three-tracker of megatechno heaters. Starting things off with the entraining but no less driving dreamer 'Focus', we're met with riveting sixteenthy knocks and dour breakdowns, a formula devoutly followed throughout; the B offers up two further alarmist pummellings of the third kind, with 'Set Back' repeatedly jabbing the podiatric floor with pressurised weight-kicks and offhand "push it" voxxes, and 'Escape' continuing to sound said alarm while insisting that we "escape" the laboratory, now quarantined to sift out those hesitant to dance.
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Review: Drumcode is heralded around the world as one of the leading techno labels for big room sounds. It has been that way since the 90s, but this new one from Drumsauw chimes with the current climate in that it brings some trance influences to its synths. 'Empire' has Goa vocals laced into the driving beats and strong-lit pads, then 'Cycles' has flashy melodies over rugged beats and 'Collision' pairs things back to a deeper but just as physical world of drum funk. 'Comet' shuts down with the most raved-up and peak-time sound - it is intense and inescapably big.
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Review: Drumcode presents the second iteration of their soon-to-be-long-running 'Elevate' series, which in their usual audacious fashion features no less than eight label debutantes take the reigns on huge room techno production duties. The compilation's manifesto is simple: platform a broader range of emerging artists on Drumcode and help elevate the next generation to make strides in their careers. With that, we have the delight of selecting our picks of the bunch (all personal preference, of course, though you can trust our picks are educated guesses): in this case, it's got to be the slightly wonky and out-of-the-ordinary ones, those being Simina Grigoriu's 'Global Soldier' and Marie Vaunt's 'ADSR'.
… Read morePlayed by: Juno Recommends Techno
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Review: Alan Fitzpatrick returns to Drumcode, marking his first appearance since late 2016 when he remixed Moby's hit "Porcelain".The release opens with "Brian's Proper Dun One", a track which caused a storm on his Twitter profile when he first started playing it last year. Loaded with sharp and pounding drums, this is a no holds barred, certified main room anthem! "Wait A Second" has been getting a lot of play on Drumcode Radio of late. This rave inspired track takes a raw, stripped back approach and delivers a killer blow. Alan sampled the vocals of MC r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with "Trance, Init?" a homage to Fitzpatrick's days as a raver before he became a DJ. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.
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Review: Drumcode's Elevate series hits a third instalment here and this time it is a three tracker with solo cuts from three big names. Tini Gessler kicks off with 'Nothing Expected' which is a teeth-gritting and white knuckle techno roller. Marie Vaunt serves up monstrously large and slamming kicks on 'Technology' and then runs them through with brutal synth lines that spray about with their own dark energy. It's a truly edgy cut before BEC's 'Humanoid' layers up hard tech drums that slam down firmly with a warped lead which leads you late into the night. A trio of high impact weapons, for sure.
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Review: Layton Giordani's latest release Freaks At Night on Drumcode Sweden delivers two heavyweight tracks that are sure to ignite any mainfloor. On Side-1, 'Freaks At Night' pulses with high energy, seamlessly blending sci-fi elements with big room techno. The track's standout feature is its clever use of the classic house sample, 'the way we used to do it,' adding a nostalgic twist to its futuristic vibe. Side-2 introduces the 'New Generation' (Space 92 Remix), a dynamic track that feels like a journey through deep space. The menacing bassline and powerful rhythm create a sense of unstoppable momentum, making it a go-to choice for peak-time sets. Both tracks are built to command attention, offering DJs a tough decision on which side to unleash. Whether you lean towards the energetic nostalgia of 'Freaks At Night' or the dark, driving force of 'New Generation,' this release is a strong addition to any techno collection.
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Review: Drumcode's limited series is back with a bang here as Simina Grigriu steps up with four thrilling and rolling cuts that will destroy any main room. The drums are front and centre on 'Declare Me' as they power on beneath twanging synths and pulsing beeps. 'Astral Waters' has a more funky techno style with glitchy claps and rolling bass, then 'Technology Of Prayer' brings trance-tinged synths to the party. It's one to get hands in the air before the closer 'The Right Calibre' sinks back into a deeper techno sound with rubbery kicks and hypnotic synth loops.
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Review: HI-LO, the darker techno alias of Oliver Heldens, is no stranger to the techno world, having already established himself on Adam Beyer's Drumcode label. His latest collaboration with LUSU on the track 'DIZZY' is an electrifying take on hyperactive techno, blending frenetic percussion with driving synths. The track's use of a pitch-shifted vocal sample from Game's 'U Turn Me On' adds an extra layer of playfulness, yet the bassline ensures it stays grounded. The EP's second track, 'Mesmerize', offers a more emotional depth, with its Moroder-inspired bass and jazzy melodies carrying the track forward while keeping it high-energy.
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Review: This EP marks a rather monumental milestone for Swedish label Drumcode: it is the 300th release but out by Adam Beyer's agenda setting big room stable and it still bares all the hallmarks of the label that first emerged decades ago. Namely that is big drums with a weighty dose of concrete funk, earth-shattering hits and flashy strobe-like snares. A female vocal is also daubed throughout this one to add a little extra spice. On the flip side of Mha Iri's Bombay EP is 'Existence' which is another one that will rattle walls of any club and blow away the dance floor with its sheer techno power.
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Review: Hamburg techno heroes Kaiserdisco are back with another one on Adam Beyer's always reliable Drumcode. First track "Black Light" pummels away, cavernous and furious in peak time, main hall, festival fashion. This is the kind of track you could imagine someone like Len Faki smashing out at Tomorrowland. On the flip there's a couple more which aren't as pulverising, such as "SQ 80"; this one is more restrained and funky with its massive synth stabs, wonky bassline and dub delays lurking in the background. Finally we have "Manley" which is another slab of funky tech house with sweet hypnotic synth stabs and a smooth rolling groove.
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Review: Kaiserdisco bring some big room techno energy to the one label in the world that is most synonymous with that sound - Adam Beyer's Drumcode. Opener 'In The Music' is a dark and driving cut with an acid tinged bassline over hard, hammering, flat footed drums. Add in a dark vocal hook and you have a real monster. 'Error In The System' on the flip is another moody techno pumper for the main room with hefty drums, eerie siren sounds and of plenty squelchy designs. It's a real headwrecker to close out a big 12".
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Review: Adam Beyer's all conquering Drumcode label has kept big rooms banging for decades now. The latest artists to step up to tweak the hugely successful formula are Alex Lentini and Stomp Boxx. hey pair up on four fresh cuts that right from the off show some nice invention, with fizzing textures and wooden, block beats defining 'Solstice.' 'Split The Noise' is all about those big, panel beaten techno drum loops and 'Azimuth' surges forwards on waves of static electricity with some neat synth bubbles hidden within. 'Equimulate' closes out one of the better Drumcode EPs for some time.
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Review: Adam Beyer's esteemed Drumcode resurfaces this week with the next installment in the A Sides series. We're already up to Vol 11's sixth part, and this one seriously means business. Take for instance Hungarian techno hero Jay Lumen's 'Astronaut' featuring the pummelling cyclicality of its muscular bassline that's reinforced by truly visceral kicks. Elsewhere, Dutchman LAAT (Elevate/Tronic) is sure to have you reaching for the lasers on the steely and acid-inflected power on 'Call Of The Tribes' while the enigmatic Zimmz will properly elevate you to maximum euphoria on the trance-influenced energy of 'Qualia'.
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Conjure Infinity (B-STOCK) (limited 12")
Cat: DC 136 (B-STOCK). Rel: 01 Jan 90
Techno
B-STOCK: Record slightly warped, slight surface marks
Review: ***B-STOCK: Record slightly warped, slight surface marks***
Ever the champion of brains and brawn in equal measure, Maceo Plex makes his debut appearance on Drumcode with this punchy beast of a single. "Conjure Dreams" features plenty of Plex signifiers, from the rounded and rowdy bassline pump to the haunting tone of the synth lines, neatly packaged in a chunky framework of big room drums. "Conjure Floyd" meanwhile burrows into more minimal territory where the tones are amelodic and the percussion takes the lead, calling to mind the restraint and tension of classic M_nus productions where so much could be said with so little.
… Read moreEver the champion of brains and brawn in equal measure, Maceo Plex makes his debut appearance on Drumcode with this punchy beast of a single. "Conjure Dreams" features plenty of Plex signifiers, from the rounded and rowdy bassline pump to the haunting tone of the synth lines, neatly packaged in a chunky framework of big room drums. "Conjure Floyd" meanwhile burrows into more minimal territory where the tones are amelodic and the percussion takes the lead, calling to mind the restraint and tension of classic M_nus productions where so much could be said with so little.
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Review: Ever the champion of brains and brawn in equal measure, Maceo Plex makes his debut appearance on Drumcode with this punchy beast of a single. "Conjure Dreams" features plenty of Plex signifiers, from the rounded and rowdy bassline pump to the haunting tone of the synth lines, neatly packaged in a chunky framework of big room drums. "Conjure Floyd" meanwhile burrows into more minimal territory where the tones are amelodic and the percussion takes the lead, calling to mind the restraint and tension of classic M_nus productions where so much could be said with so little.
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Review: Now well over 300 rises deep, Swedish staple Drumcode is one of main room techno's mightiest ever imprints. Adam Beyer has stepped in though several sonic evolutions all while staying true to its original signature sound - namely drum heavy techno. Massano shows he has mastered that style with this new Telepathic EP. The title cut is lit up with video-style game synths that flash abut over acid touches and rolling kicks. 'Destructure' pairs whitings back and allows some freaky synths to entangle themselves around the drums and 'The Method' veers towards harder techno worlds with hints of trance.
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Review: Phat bottomed Drumcode techno of grander proportions by way of festival favourite Massano. Following his stellar three-track EP 'Telepathic', the Simulate label head and future-thinker now offers us a stark mix of choppy leads and spitting, pressure-release snares here, in the form of 'The Lights'. His signature use of momentary 32nd notes, and a lasery lead line, functions as a nod to adjacent "big room" techno styles, while a modal swirling about a suspensory tonal centre offers much towards the way of a faintly Middle Eastern melody. As its many multilayered lead lines grow increasingly twinging and chaotic, so too does an atmoss of shocking tension grow in the rave-hangar.
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Review: Following a standout contribution to the 'Elevate' compilation, Mha Iri steps up for her Drumcode EP debut. Continuing Scotland's grand techno tradition, the Edinburgh-based DJ/producer is one of 2023 breakout artists; her debut EP on the label is a tantalising prospect, with 'The Unexpected' playing with trademark light-and-dark motifs, mixing up sharp percussive elements with ethereal melodies, before a ripping bass drop takes the energy up a notch. 'Let The Good Times Roll', meanwhile, is a slick accompaniment, as atmospheric techno gets supercharged via a punchy rap vocal and laser-kissed chords.
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Review: Big room techno duo Pig & Dan bring their monstrous sounds to suitable supersized techno label Drumcode here. The ever-present pair open with 'I Need You', which pairs have marching drums with a raw, frazzled lead synth that brings texture and unsettling energy to some atmospheric pads. It all leads to a breakdown which in turn builds towards a heavy, raw as you like drop. 'Activate' is much more on its toes and keen to push on with hooky end synth motifs, chunky drums and a sense of unstoppable motion that washes over you time and time again.
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Review: Having previously operated on labels renowned for pushing a more underground or left-of-centre take on techno (think Kompakt Extra and Ellum Audio, for starters), Raxon has finally been given a chance to shine on techno's most commercially successful imprint, Drumcode. As you'd expect given the label's trademark big room sound, opener "Connection" is a little bolder than some of the Ehyptian's previous work, with foreboding, undulating bass, robotic bleeps and raw, rushing, intergalactic stabs helping to create a genuine sense of rapid forward movement. Flipside "Orbit" is equally as twisted in its own way, with wonky noises and thumping beats being contrasted by a fluttering, tech-house style lead line.
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Review: Up next for Adam Beyer's esteemed Drumcode imprint is Enrico Sangiuliano, a Milan based DJ/producer originally from Reggio Emilia who has been been active on the Italian scene since the early noughties, playing everywhere from clubs to illegal raves. His work of late has been released on sister label Truesoul, Alleanza, Gem Records, Octopus Recordings and Rhythm Converted. On "Moon Rocks", Sangiuliano provides a euphoric, hands in the air anthem with soaring synth leads and seriously humming Reese bassline over a high octane beat. Also on the A side is the mad diva vocal breakdown on "Ghettoblaster" which soon gives way to a dark and tunnelling epic. Finally on the flip, we have two versions of "Dutch Kiss" but for our money it's all about the sombre and emotive IDM vibe of the Inner remix.
… Read morePlayed by: Resident Advisor
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Review: Led by a title track that proves to be a powerful, futuristic romp, a peak-time anthem, designed to electrify crowds, Konstantin Sibold's 'Lost In Space' EP is energetic techno carefully crafted for festival main stages and late-night club settings. 'The Arrival' follows with a shift in mood, more atmospheric and trance-tinged techno, evolving through sweeping pads and layered percussion, pushing forward a sense of anticipation and energy that will deliver a proper, soaring build in a DJ set. Rounding off the EP, 'Dark Matter' takes a more melodic approach, weaving intricate synth lines and evolving textures. A well-rounded exploration of powerful, yet nuanced techno, perfect Drumcode gear.
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Review: Up-and-comer techno stalwart Bart Skils drops two new rather exciting menace-mongerers for Drumcode, 'Nexus' and 'Set It Right', both of which make up the brilliantly Japanese music-infused 'Sakura' EP. Bringing pentatonic scales and synth koto emulations to an impressively towering pair of propulsions, the selection is fittingly frenetic and yet remains sure to be a unique standout in the Drumcode catalogue; listen out for some prime vocal work on the B-side too, giving rise to a supreme pluck-led drop.
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Review: Alex Stein's latest release, The Chant, on the veteran techno label Drumcode, delivers three powerful tracks that masterfully blend futuristic techno with 90s vibes. Each track stands out, making this EP a mainfloor essential. 'The Chant' is a techno powerhouse, featuring a unique vocal element and a massive acid sound. It's a robust workout with a big, expansive sound that commands attention. 'Rush' continues the intensity with its heavy beats and masterful builds. The track's melodic additions enhance the overall experience, making it a standout piece that will drive any crowd wild. 'Tantra' closes the EP with an epic vocal chorus and wobbling main chords. Its percussive elements and resonant energy create a dynamic rush of energy. Overall, The Chant features Alex Stein's ability to craft huge-sounding techno tracks perfect for main floors, maintaining a balance between nostalgic influences and forward-thinking production. Those who know Drumcode know what to expect.
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Review: First cropping up in 2012, the mammoth A-Sides series from the titanic Swedish techno label Drumcode charges ahead into its 11th installment (can you believe it?) while also managing to split said installment alone across seven slices of vinyl. This is the fourth record of seven in part eleven. Only gigantic-room techno could justify this waxen audacity; the music is braggadocious to boot, with contributions from Nicolas Taboada, BEC, Avision and Cosmic Boys. The tracks here are as dreamy as they are goosebump-inducing, easily seguing between massive transitions and drops to cathartic reesebound trances.
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Review: Adam Beyer's Drumcode remains out in front of the pack when it comes to big room techno. Whether going to new school artists or old school legends the results are always the same - epic and explosive. This time out we get both on one EP with Teenage Mutants going first with 'Dark Clouds (feat Heerhorst & Peter Pahn). It has synths fired from a hadron collider as they shoot over the face of the acid and bass-laced drums. On the flip side is the mighty Slovakian Umek with 'Footmachine,' a dark and heavy banger with flat-footed drums and all sorts of cosmic synth turbulence. Potent stuff for sure.
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