New releases last eight weeks: Studio Equipment

Notes: The AudioFuse X8 IN is an essential tool for recording producers and sound engineers who are looking for additional high-quality analogue inputs. By extending digital connectivity, AudioFuse X8 IN provides more channels for instruments and outboard gear. It enhances studio flexibility and scalability while preserving audio quality, accommodating the demands of modern music production and sound design. More specifically, an 8 Analog-to-ADAT input expander enables you to extend your synth and instrument array and have all your gear connected at once and ready to record in your DAW.

Efficient expansion

AudioFuse X8 IN provides 8 additional analogue line inputs, enhancing the connectivity of your existing audio setup without the unnecessary cost and clutter of a fully-featured audio interface.

Professional audio quality

AudioFuse X8 IN supports 8 channels of premium analogue-to-ADAT conversion up to 96 kHz and utilizes the best components available, ensuring your recordings maintain the highest fidelity.

Versatile installation

Designed as half-sized rack units, X8 IN comes with removable rack ears for flexible installation. This allows them to be used as desktop units or mounted in a standard rack setup, accommodating up to two units side by side for expanded setups.

Ease of use

Front-panel controls offer direct access to channel management, making setup and adjustments straightforward. Colourful VU meters provide clear visual feedback for monitoring levels.

Notes: The AudioFuse X8 OUT is an essential tool for recording producers and sound engineers who are looking for additional high-quality analogue outputs. By improving integration with external gear and supporting complex signal routing for live setups, AudioFuse X8 OUT ensures studios can manage intricate audio workflows without the added complexity or cost.

More specifically, an 8 ADAT-to-Analogue output expander enables you to send audio to outboard gear (hardware FX, mixing console...), add additional speakers and control an array of synths via DC-coupled output.

Efficient expansion

AudioFuse X8 OUT provides 8 outputs via ADAT, enhancing the connectivity of your existing audio setup without the unnecessary cost and clutter of a fully-featured audio interface.

Professional audio quality

AudioFuse X8 OUT supports 8 channels of premium ADAT-to-analogue conversion up to 96 kHz and utilizes the best components available, ensuring your recordings and outputs maintain the highest fidelity.

Versatile installation

Designed as half-sized rack units, X8 OUT comes with removable rack ears for flexible installation. This allows them to be used as desktop units or mounted in a standard rack setup, accommodating up to two units side by side for expanded setups.

Ease of use

Front-panel controls offer direct access to channel management, making setup and adjustments straightforward. Colourful VU meters provide clear visual feedback for monitoring levels.

Notes: KeyLab mk3 is a fully-featured MIDI controller that offers unparalleled control of software and hardware instruments.

Engineered for intermediate and advanced producers and experienced music makers alike, it fits perfectly into any setup with comprehensive DAW integration, advanced performance features and an enhanced keybed and interface; all integrated seamlessly within a robust wood and aluminum casing.

Whether sculpting a studio masterpiece or channeling the raw energy of a live performance, KeyLab mk3 removes every creative obstacle and offers intuitive, comprehensive controls that ensure musicians can find their expression.

Deep integration

The most advanced DAW integration of any controller. KeyLab mk3 can use MCU and HUI protocols as well as smart mapping technology. This, coupled with the seamless integration with Arturia software, and advanced user programs, makes KeyLab mk3 a must have tool for demanding musicians and producers.

Superior playability and finish

KeyLab mk3 combines excellent design with high-quality wood and aluminium components. The enhanced keyboard and robust construction ensures reliability and durability - meeting the demands of professional use.

Full creative control

Alongside its high quality, touch-sensitive controls, KeyLab mk3 is also fully customizable and easy to navigate with its full colour display. Adjust settings directly on the unit, or via the included software, for a personalized experience that adapts to all creative processes and performance styles.

Advanced creative features

KeyLab mk3 includes innovative tools like Scale, Arpeggiator, and Chord modes, enhancing your creative capabilities. These features allow musicians to explore new musical ideas and create advanced compositions effortlessly, making it a powerful ally in both the studio and live performances.

NEW enhanced keybed - Have greater control of synth and piano sounds with a full rework of keyboard balance, weighting and spring tension.

NEW visual interface - Have full control of settings, parameters and custom mappings with a 480x320px screen controllable with 8 contextual buttons.

NEW touch-sensitive potentiometers and faders - Have a greater degree of control with nine 360- rotary potentiometers and nine faders.

NEW creative features - Take your expression further with inspiring creative tools including a new Scale, Arpeggiator and Chord mode.

NEW pad capabilities - You can now harness a total of 4 Pad Banks of 12 pads for finger drumming, clip launching and endless mapping possibilities.

NEW software bundle - Kick-start your creative journey with pro software included: Analog Lab Pro, Mini V, Piano V, Augmented Strings, Rev PLATE-140, Ableton Live Lite, NI The Gentleman, Loopcloud & Melodics.

Included Software

Analog Lab Pro (2000+ sounds)
Mini V
Piano V
Augmented Strings
Rev PLATE-140
Ableton Live Lite
NI The Gentleman
2-month Loopcloud subscription
Melodics subscription with dozens of lessons

Box content

Quick Start
Registration card
USB Cable (C/A)

KeyLab 61 mk3

Dimensions

Weight/Size

Gift Box: 8.5 kg / 17.41lb
968 x 369 x 148 mm / 38.11x14.52x5.8 in

Product: 6.8 kg / 14.99 lb

873x278x74 mm
34.37x10.94x2.91 in

Notes: Unleashing the full power of PolyBrute

Continuing the legacy of its predecessor as one of the most powerful and expressive analogue synths ever made, PolyBrute 12 goes a step further.

A multi-faceted tool for musical expression, PolyBrute 12 lets you seamlessly evolve and control any parameters while playing. The input-perfect sensitivity of the keyboard, the bi-timbral morphing presets, the multi-axis Morphee controller, the Ribbon controller - all work in perfect harmony so you can breathe vitality and intricate dynamics into your sound.

PolyBrute's in-the-moment sonic display would not be possible without the raw energy of its Brute oscillators and dual enhanced classic filters. This, combined with its intuitive interface, elegant modulation Matrix and advanced software companion make PolyBrute 12 a synth for the ages - a matrimony of Brute force and human touch.

Full touch, full control

Discover a next-generation keybed and new aftertouch modes that bring you into a direct and tactile connection with your sound.

PolyBrute's patented FullTouch keyboard provides the exact position of every key across the entire range of movement. This not only allows for precise and dynamic aftertouch expression but it also puts versatility at PolyBrute's core - allowing you to go from regular playing modes to exceptional aftertouch and envelope control at the touch of a button.

You can also use PolyBrute 12 to control any MPE-compatible VST. If you don't have a MPE compatible DAW, you can still record expressively using MIDI 1.0, although at a lower resolution.

Mono Aftertouch

In this mode, the note is triggered by regular keyboard velocity and the classic aftertouch area corresponds to an assignable aftertouch signal, where all the voices receive the same level and amount of expression. Great for applying a unified modulation effect to a chord or phrase.

Morph between sonic worlds

Seamlessly blend from one patch to another and find that perfect middle ground

Each preset is made up of two sonic states, A & B. A dedicated Morph knob lets you seamlessly explore a continuum of sound between them. This, combined with the Morphee controller and PolyBrute's keyboard, paves the way for endless patch evolution and expressivity.

Analogue heart, seismic sound

PolyBrute's sound begins with two analogue VCOs sharing much of the same sonic architecture that has made the Brute family renowned.

Each oscillator generates sawtooth, triangle and square waves simultaneously, and you can mix between them to shape just the right signal source and timbre.

Dial in VCO 1's Metalizer wavefolding to escalate from pure to punchy. Bring in VCO 2's sub-oscillator to add an extra lower octave and some added rumble.

Dial in edgy FM effects by modulating VCO 1's frequency with VCO 2, or subtly alter a continuous range of harmonics with soft or hard sync.

1 VCF 1 Steiner

A 2-pole 12db/octave Steiner filter design with continuous sweepable slope types, as seen across the Brute range. The addition of the proprietary Brute Factor feedback control lets you add anything from subtle warmth to a electrified growl.

2 VCF 1 Ladder

Inspired by Dr. Bob Moog's legendary 4-pole 24db/octave ladder design. A low-pass classic, with added gain compensation and asymmetrical distortion to add upfront grit to your polyphonic patches.

Modern modulation sources

Modulation has always been essential in animating synth sounds.

PolyBrute weaves a web of envelopes and LFOs that's intricate and unpredictable in equal measure - a dynamic display of sonic motion.

Three Envelope Generators

PolyBrute's VCF and VCA have velocity-sensitive ADSR envelopes hardwired outside the Matrix for instant gratification. The third Envelope Generator features a delay stage (DADSR) and can be assigned to sculpt any Matrix modulation targets. Use the various repeat and loop modes to add complex movement to your patches.

Three Envelope Generators

PolyBrute's VCF and VCA have velocity-sensitive ADSR envelopes hardwired outside the Matrix for instant gratification. The third Envelope Generator features a delay stage (DADSR) and can be assigned to sculpt any Matrix modulation targets. Use the various repeat and loop modes to add complex movement to your patches.

Three LFOs

PolyBrute's three syncable LFOs span an extremely wide range - facilitating anything from beautiful evolving soundscapes to clangorous audio-range modulation. Options for waveshaping, polarity and retriggering let you take your sound way outside the box. Experiment with Matrix routing and tempo/MIDI sync for hyper-rhythmic effects.

Enter the matrix

The flexibility of modular patching combined with digital precision and analogue richness makes for a transcendent polysynth experience.

32 target parameters, 64 connections in total. Rearrange PolyBrute's signal chain with the touch of a single button. Dial in positive or negative amounts, intuitively assign one or more destinations via any relevant controls, instantly route PolyBrute's array of performance controllers and advanced modulation sources to influence just about anything in the instrument's chain - all without a convoluted array of wires.

But the Matrix doesn't just take care of PolyBrute's all-encompassing modulation routing - it's the centrepiece of every aspect of its architecture. In Presets mode, use the Matrix to select any of the 768 patch memory locations. Morph mode accesses advanced morph state editing. Sequencer mode transforms the Matrix into an intuitive visual pattern editor.

Main Features

61-keys with FullTouchr MPE Technology keyboard
Pitch Bend, Mod Wheel, Ribbon controllers
Morphee touch and pressure sensitive 3D controller
Osc and Noise Mixer with Filter routing
12dB/Oct Steiner Parker Filter

Continuous LP>Notch>HP>BP morphing
Cutoff, Resonance, Brute Factor

24dB/Oct Ladder Filter with Distortion
Three Envelopes
Looping capability
Two ADSR
One DADSR
Three stereo digital effects
Modulation FX : Chorus, Phaser, Flanger, Ring Modulation
Delay : 9 algorithms including BBD, Digital delay
Reverb : 9 algorithms including Hall, Plate, Spring, Shimmer
Distortions : Subtle Tape, Classic Distortion, Soft Clip, Worn Out Tape, Germanium, BitCrusher, DownSampler
Arpeggiator, Matrix Arpeggiator, Sequencer
Stereo audio output
2 expression and 1 sustain pedal inputs
Two Analogue VCO's
Saw
Triangle + Metalizer
Square + Pulse Width
Sub
Linear FM
Hard Sync
Noise Generator
Continuous tone from rumble noise to white noise
Three LFOs
LFO1 and LFO2 with waveform selection
LFO3 with waveform shaping using Shape and Symmetry
Rate control & Tempo Sync
Various retrig options
480 presets and 768 preset slots
12x32 Modulation Matrix
Notes, Accent, Slide per step
3 tracks of automation
MIDI and USB I/O + analogue clock I/O

Platform specifications

Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple
Mac OS 11+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration
Works in Standalone, VST, AAX, Audio Unit.

Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box

Box content

PolyBrute 12 Unit
Power Cord
User Manual
Registration Card

Instrument dimensions
Size : 38.3 x 17.1 x 6.1 inches (972 x 435 x 156mm)
Weight : 50.7lbs (23kg)

Notes: The top dog of the Hydrasynth range, presented here in anniversary silver edition, featuring a dual synth engine offering 16 voices (double the standard model) and a larger six-octave keyboard. Serious synth power with great wavetable sound.

Supplier's Notes:
The HYDRASYNTH DELUXE is ASM's flagship Hydrasynth, offering a dual sound engine setup and the largest ASM Polytouchr polyphonic aftertouch keybed to date. The user interface is designed with the utmost attention to detail and offers a rapid workflow.

The Hydrasynth Deluxe can operate as a single 16-voice Hydrasynth or it can be split or layered, with a dedicated 8-voice Hydrasynth engine for each part. Each engine also has its own set of balanced analog audio outputs.

The sound engines feature advanced wavetable synthesis with 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel. The tone generating capabilities are simply unmatched.

As for performance capabilities, the Hydrasynth Deluxe has a proprietary 73-note Polytouch keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.

Add to this a 4-octave ribbon controller and ergonomically-designed pitch and mod wheels, and you have expression and control that are unequalled by any other hardware synthesizer on the market.

Dual Sound Engines

The Hydrasynth Deluxe contains an impressive dual sound engine architecture, and as a result it provides a massive 16 voices of polyphony. You can play one 16-voice patch in Single mode, or use two simultaneous patches in Multi mode.

In Multi mode the Deluxe unleashes two completely independent, full-fledged 8-voice Hydrasynth sound engines. The keyboard can either be split, with one engine for the Lower part and another for the Upper part, or it can layer the two parts across the entire keyboard.


The top panel has a dedicated balance knob for adjusting the relative levels of the Lower and Upper parts. The Hydrasynth Deluxe also has separate stereo audio outputs for each part and independent MIDI channel assignments for true bi-timbral operation.

Polytouch Keybed

The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; we've had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time.

Not any more!

Enter ASM, with patented Polytouch technology. The 73-note semi-weighted keybed on the Hydrasynth Deluxe provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually.

It feels great, too: the 73-note Polytouch keybed features high quality, standard sized keys, so you will feel right at home, right away. It's like putting your hands in a glove that fits perfectly.

The revolutionary Hydrasynth Deluxe Polytouch keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.

Ribbon Controller

Add powerful expression to any patch using the 4-octave Ribbon Controller, which is perfectly situated above the keyboard for easy access by either hand. It can be used as a freely assignable modulation source, a pitch bend control, or even as a monophonic instrument!

This is possible thanks to the Theremin mode, which uses the ribbon to trigger a note. You can choose continuous pitch operation or quantize the ribbon to one of 60 scales, including microtonal scales. And if that's not enough, the ribbon can also be used as a CV source to control a Eurorack system!

Laptop shelf

The included, detachable laptop shelf can be home to a lot of different types of instruments or processors. It helps take even greater advantage of the generous space above the upper two octaves of the 73-note Polytouch keyboard.

Oscillators

The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential.

Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities.

Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have an easy-to-use WAVELIST mode.

This mode lets you select any 8 waves from a diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro.

And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.

Mutants

Oscillators 1 & 2 are routed into MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.

Notes: Extremely high-quality wavetable synth engine with great expressive features like a CS80-style ribbon controller and polyphonic aftertouch. Here in its limited edition 5th anniversary silver colourway.

Supplier's Notes:
The HYDRASYNTH Keyboard is both a sound designer's dream synth and a performing musician's ideal. The sound engine is designed for maximum flexibility and power, while the user interface was crafted for simplicity and instant access. Its many workflow shortcuts let you edit a patch quickly with a minimal amount of paging.

With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for performance capabilities, the Hydrasynth Keyboard has the proprietary Polytouch keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.

Add to this a 4-octave ribbon controller and ergonomically-designed pitch and mod wheels, and you have expression and control that are unequalled by any other hardware synthesizer on the market.

Polytouch Keybed

The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; we've had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time.

Not any more!

Enter ASM, with the patented Polytouch technology. This semi-weighted keybed provides fully polyphonic aftertouch, in addition to the standard velocity and aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually.

It feels great, too: the Polytouch keybed features high quality, standard sized keys, so you will feel right at home, right away. It's like putting your hands in a glove that fits perfectly.
The revolutionary Hydrasynth Polytouch keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.

Ribbon Controller

Add powerful expression to any patch using the 4-octave Ribbon Controller, which is perfectly situated above the keyboard. It can be used as a freely assignable modulation source, a pitch bend control, or even as a monophonic instrument!

This is possible thanks to Theremin mode, which uses the ribbon to trigger a note. You can choose continuous pitch operation or quantize the ribbon to one of 60 scales, including microtonal scales. And if that's not enough, the ribbon can also be used as a CV source to control a Eurorack system!

Oscillators

The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential.

Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities.

Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, oscillators 1 & 2 have the easy-to-use WAVELIST mode.

This mode lets you select any 8 waves from ASM's diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro.

And now in version 2.0 you can choose the bit depth of each oscillator, which puts th ose sought-after vintage or grungy sounds at your fingertips.

Mutants

Oscillators 1 & 2 are routed into ASM's MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.
Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the center section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.

The Mutants can also generate their own waveforms in both FM and Sync modes so you don't have use another oscillator. Of course the routing is flexible so you can choose the other oscillators as mod sources if you like.

Mixer / Filter Routing

The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator.

The mixer gives you independent control over the levels and stereo positions of those 5 sources.

Notes: Limited Edition ATH-M50x

The LAB M50x Has Landed!

In January 2024, Audio Technica launched the LAB M50x website, inviting fans to participate in the creation of the latest limited edition M50x models.

From thousands of submissions, Sergio Gamarra Melgar, a DJ from Bolivia was selected by the fans from 3 finalists as creating the winning design.

The ATH-M50xBT2 is the second generation of the critically acclaimed M-Series wireless over-ear headphones. These headphones feature 45 mm large aperture drivers in a wireless design, so listeners will enjoy the same sonic signature of the legendary ATH-M50x studio headphones. With this update, Audio Technica have also introduced several noticeable enhancements, such as an updated USB-C connection, and multipoint pairing mode.

So, whether you're looking for high-fidelity audio for your commute to work or just relaxing and enjoying the music, the ATH-M50xBT2 lets you go wireless whenever you need it.

The ATH-M50xBT2 headphones deliver the legendary M50x studio sound - with exceptional clarity and deep, accurate bass response - for an exhilarating wireless listening experience.

With the ATH-M50xBT2 there's nothing to hold you back. You get up to 50 hours of continuous use on a full charge.

Download the A-T Connect app to gain greater control of your headphones. Easily activate low latency mode, adjust EQ, change L/R volume balance, select desired voice assistant, locate misplaced headphones, change codecs, and more.

Specifications

Headphones

Type: Closed-back dynamic
Driver Diameter: 45 mm
Frequency Response: 15 - 28,000 Hz
Sensitivity: 99 dB/mW
Impedance: 38 ohms
Battery: DC 3.7V lithium polymer battery
Battery Life: Approx. 50 hours continuous use
Weight: Approx. 307g
Charging Time: Approx. 3.5 hours
Microphone Type: MEMS type
Microphone Sensitivity: -38 dB (1V/Pa at 1 kHz)
Microphone Frequency Response: 85 -15,000 Hz
Microphone Polar Pattern: Omnidirectional
Accessories Included: USB charging cable(30cm?USB Type-A / USB Type-C), Audio cable (1.2m/ f3.5mm stereo mini-plug), Pouch

Bluetooth

Bluetoothr Version: Bluetooth Ver.5.0
Operating Range: Line of sight - approx. 10 m (33')
Compatible Bluetooth Profiles: A2DP, AVRCP, HFP, HSP
Support Codec: LDAC / AAC, SBC

Notes: Limited Edition ATH-M50x

The LAB M50x Has Landed!

In January 2024, Audio Technica launched the LAB M50x website, inviting fans to participate in the creation of the latest limited edition M50x models.

From thousands of submissions, Sergio Gamarra Melgar, a DJ from Bolivia was selected by the fans from 3 finalists as creating the winning design.

ATH-M50x: Most Popular Studio & Everyday Headphones

The M50x are one of Audio Technica's most acclaimed audio solutions and their best-selling headphones. Based on the ATH-M50, the M50x include an upgraded detachable cable for convenience and versatility, perfect for the studio or when you're out on the move.

Enjoy passive noise isolation through the comfortable ear cups designed to keep you in the zone, while their large aperture drivers deliver the industry-loved sound signature.

Engineered to deliver a superior sound experience at an affordable price, the M50x have been widely acclaimed online by professionals and casual listeners. From everyday listening and commuting to studio recording, you're in great hands with the M50x, with build quality and coveted sound engineering that's praised by audio experts and professionals year after year.

With 60 years of Japanese audio design, Audio-Technica is loved by many of the world's biggest artists, vocalists and musicians and the M50x headphones remain one of Audio Technica's most popular innovations to date. Whether you're a music industry veteran or you're looking to start recording at home, the ATH-M50x are an excellent choice of headphones for listening back to or monitoring your audio performance. Either from your computer/audio receiver or plugged directly into your microphone for monitoring (as with the AT2020 or AT2020USB+ microphones), the ATH-M50x headphones deliver stunning sound design.

Rated highly for their professional-grade comfort, foldable versatility, strong construction and excellent sound design, the ATH-M50x are an exquisite choice as your audio daily drivers. Whether it's travel, your daily commute or working and studying at home, you'll love their all-day comfort and immersive sound design. Offering passive noise isolation through circumaural design contours, these M50x headphones provide a high-quality audio experience, helping you to boost your concentration and productivity at work and allowing you to meditatively switch off on your commute.

Specifications

Headphones

Type: Closed-back dynamic
Driver Diameter: 45mm
Frequency Response: 15 - 28,000 Hz
Maximum Input Power: 1,600 mW @ 1KHz
Sensitivity: 99 dB
Impedance: 38 ohms
Weight : 285g without cable/connector
Cable: 1.2m-3m coiled, 3m straight, 1.2m straight cables
Cable - Detachable: Yes
Connector: Gold-plated stereo 1/8" (3.5 mm) connector with strain relief
Magnet: Neodymium
Voice Coil: CCAW (Copper-clad aluminium wire)
Folding/collapsible: Yes

Accessories Included:

Screw-on 1/4" adapter, pouch

Notes: Compact format audio mixer with 2, 4 or 6 mono input channels, a stereo line input and a further minijack stereo input. Each mono mic/line channel has a combo XLR/jack input with +48V phantom power switchable in pairs for the XLR inputs. Each mic/line channel has a Gain control for matching the input source and a low-cut switch to filter out rumble or handling noise from microphones. Each mono channel also has High/Low EQ controls and an FX level control. Pairs of mono channels can be linked to act as a stereo left + right pair as required. The onboard foot-switchable DSP effects engine has 99 presets for delay, reverb and modulation effects, each of which can be adjusted using two parameter controls. An onboard Bluetooth receiver has an illuminated pairing button and independent volume control. The USB type-A port on the top panel is for playback of audio files or can be used to record the main outputs to a USB storage device or as an external audio device when connected to a laptop. Output is delivered to a pair of balanced XLR connectors to provide low noise operation for high quality studio or live performances.

DSP effect section with 99 adjustable presets
USB mp3 audio player/recorder
Bluetooth receiver with independent volume control
PC/Mac audio device and aux power via USB A connection
Switchable +48V phantom power
Mono mic line inputs can be paired to stereo
Balanced XLR/Jack mono inputs
Stereo line input jacks and stereo minijack input
Supplied in a padded transit bag
USB type-C power supply

Weight: 1.395kg
Dimensions: 282 x 183 x 60mm
Inputs: 6 x combo XLR/jack + stereo L+R 6.3mm + stereo 3.5mm
Power supply: 5Vdc 1A min. (USB-C adaptor included)
Power consumption max.: 5W
Effects: 99 program DSP (2 parameter controls)
DSP sample rate: 48khz (24-bit)
Audio source: Bluetooth receiver, USB mp3 player/recorder
Bluetooth version: v5.1 (+BR+EDR+BLE)
USB version: v1.1 audio (mp3/wav/ape/flac)
EQ: low: +/-15dB @ 80Hz
EQ: high: +/-15dB @ 12kHz
Phantom power: +48V switchable in pairs (XLR inputs only)
Frequency response: 20Hz - 22kHz (i1dB)
Input level: Mic +10dBu max. / Line +22dBu max.
Input impedance: Balanced XLR 2k Ohm, Balanced TRS jack 10k Ohm
THD +N: <0.05% @ 1kHz
Noise: EIN -122dBu (22Hz - 22kHz)
CMRR: >75dB (Mic 1kHz)
Sensitivity: XLR -60 to +10dBu, TRS jack -20 to +20dBu, Stereo -20 to +14dBu
Crosstalk : stereo: >80dB (1kHz fader shutoff)
Outputs: Left + Right balanced XLR, Headphones 6.3mm jack
Max. output level: XLR +22dBu, TRS +20dBu

In the Box

CMA-series compact mixer
In-line UK mains to USB type-C power supply
Padded transit bag

Notes: Compact format audio mixer with 2, 4 or 6 mono input channels, a stereo line input and a further minijack stereo input. Each mono mic/line channel has a combo XLR/jack input with +48V phantom power switchable in pairs for the XLR inputs. Each mic/line channel has a Gain control for matching the input source and a low-cut switch to filter out rumble or handling noise from microphones. Each mono channel also has High/Low EQ controls and an FX level control. Pairs of mono channels can be linked to act as a stereo left + right pair as required. The onboard foot-switchable DSP effects engine has 99 presets for delay, reverb and modulation effects, each of which can be adjusted using two parameter controls. An onboard Bluetooth receiver has an illuminated pairing button and independent volume control. The USB type-A port on the top panel is for playback of audio files or can be used to record the main outputs to a USB storage deviceor as an external audio device when connected to a laptop. Output is delivered to a pair of balanced XLR connectors to provide low noise operation for high quality studio or live performances.

DSP effect section with 99 adjustable presets
USB mp3 audio player/recorder
Bluetooth receiver with independent volume control
PC/Mac audio device and aux power via USB A connection
Switchable +48V phantom power
Mono mic line inputs can be paired to stereo
Balanced XLR/Jack mono inputs
Stereo line input jacks and stereo minijack input
Supplied in a padded transit bag
USB type-C power supply

Weight: 0.875kg
Dimensions: 183 x 182 x 60mm
Inputs: 2 x combo XLR/jack + stereo L+R 6.3mm + stereo 3.5mm
Power supply: 5Vdc 1A min. (USB-C adaptor included)
Power consumption max.: 5W
Effects: 99 program DSP (2 parameter controls)
DSP sample rate: 48khz (24-bit)
Audio source
Bluetooth receiver, USB mp3 player/recorder
Bluetooth version: v5.1 (+BR+EDR+BLE)
USB version: v1.1 audio (mp3/wav/ape/flac)
EQ: low: +/-15dB @ 80Hz
EQ: high: +/-15dB @ 12kHz
Phantom power: +48V switchable in pairs (XLR inputs only)
Frequency response: 20Hz - 22kHz (+/-1dB)
Input level: Mic +10dBu max. / Line +22dBu max.
Input impedance: Balanced XLR 2k Ohm, Balanced TRS jack 10k Ohm
THD +N: <0.05% @ 1kHz
Noise: EIN -122dBu (22Hz - 22kHz)
CMRR: >75dB (Mic 1kHz)
Sensitivity: XLR -60 to +10dBu, TRS jack -20 to +20dBu, Stereo -20 to +14dBu
Crosstalk: stereo; >80dB (1kHz fader shutoff)
Outputs: Left + Right balanced XLR, Headphones 6.3mm jack
Max. output level: XLR +22dBu, TRS +20dBu

In the Box

CMA-series compact mixer
In-line UK mains to USB type-C power supply
Padded transit bag

Notes: Compact format audio mixer with 2, 4 or 6 mono input channels, a stereo line input and a further minijack stereo input. Each mono mic/line channel has a combo XLR/jack input with +48V phantom power switchable in pairs for the XLR inputs. Each mic/line channel has a Gain control for matching the input source and a low-cut switch to filter out rumble or handling noise from microphones. Each mono channel also has High/Low EQ controls and an FX level control. Pairs of mono channels can be linked to act as a stereo left + right pair as required. The onboard foot-switchable DSP effects engine has 99 presets for delay, reverb and modulation effects, each of which can be adjusted using two parameter controls. An onboard Bluetooth receiver has an illuminated pairing button and independent volume control. The USB type-A port on the top panel is for playback of audio files or can be used to record the main outputs to a USB storage device or as an external audio device when connected to a laptop. Output is delivered to a pair of balanced XLR connectors to provide low noise operation for high quality studio or live performances.

DSP effect section with 99 adjustable presets
USB mp3 audio player/recorder
Bluetooth receiver with independent volume control
PC/Mac audio device and aux power via USB A connection
Switchable +48V phantom power
Mono mic line inputs can be paired to stereo
Balanced XLR/Jack mono inputs
Stereo line input jacks and stereo minijack input
Supplied in a padded transit bag
USB type-C power supply

Weight: 1.125kg
Dimensions: 232 x 183 x 60mm
Inputs: 4 x combo XLR/jack + stereo L+R 6.3mm + stereo 3.5mm
Power supply: 5Vdc 1A min. (USB-C adaptor included)
Power consumption max.: 5W
Effects: 99 program DSP (2 parameter controls)
DSP sample rate: 48khz (24-bit)
Audio source: Bluetooth receiver, USB mp3 player/recorder
Bluetooth version: v5.1 (+BR+EDR+BLE)
USB version: v1.1 audio (mp3/wav/ape/flac)
EQ: low: +/-15dB @ 80Hz
EQ: high: +/-15dB @ 12kHz
Phantom power: +48V switchable in pairs (XLR inputs only)
Frequency response: 20Hz - 22kHz (+/-1dB)
Input level: Mic +10dBu max. / Line +22dBu max.
Input impedance: Balanced XLR 2k Ohm, Balanced TRS jack 10k Ohm
THD +N: <0.05% @ 1kHz
Noise: EIN -122dBu (22Hz - 22kHz)
CMRR: >75dB (Mic 1kHz)
Sensitivity: XLR -60 to +10dBu, TRS jack -20 to +20dBu, Stereo -20 to +14dBu
Crosstalk: stereo: >80dB (1kHz fader shutoff)
Outputs: Left + Right balanced XLR, Headphones 6.3mm jack
Max. output level: XLR +22dBu, TRS +20dBu

In the Box

CMA-series compact mixer
In-line UK mains to USB type-C power supply
Padded transit bag

Notes: A creative approach to video synthesis courtesy of Critter & Guitari, the Eyesy generates real-time visuals to accompany a musical sound source. Deeper programming options allow you to control the graphics, trigger changes via MIDI or even code your own patterns.

Supplier's Notes:
Welcome to the world of the EYESY - Critter & Guitari's video synthesizer! The EYESY reacts to your music to create endlessly mesmerizing visuals. Simply plug it in and start creating. But don't be fooled by the simplicity of the EYESY, there are many features and goodies hidden inside. Whether you are creating live visuals, working on a music video, or want to program your own graphics, the EYESY will become an indispensable tool.

Modes

The EYESY comes with numerous pattern generators called modes.

Navigate the modes using buttons, and then tweak their visual appearance using five knobs. The modes respond to audio input in various ways; from smooth undulating patterns to rapid fire animations. The controls allow you to effect various elements of the patterns and colours. There is also a setting that allows the graphics to pile up in vibrant collages.

Save and Load

Store your current settings and screen grabs.

When you happen upon a setting that you like, press the scene save button to save it. This scene can now be recalled at a future time.

You can press the screen grab button to take a picture of the current frame, providing a quick way to generate interesting still images from your moving videos. Access all of your screen grabs from the browser-based interface.

MIDI Input

The EYESY's USB-MIDI & TRS-MIDI inputs offer a wide range of controllability.

Incoming MIDI Notes and Clock can change a mode's behaviour. The knobs can automated by sending MIDI controller messages from a sequencer or your favourite performance software. Program Change messages may also be sent to select your saved scenes.

Customise

Curate your EYESY for you.

You can add and remove the pattern generating modes to make the device as simple or complex as you like. The saved scenes are stored in a single file that can be saved and edited. All of the resources are managed through a simple-to-use web browser-based interface.

Coding

If you really want to go deep, you can also program your own modes for the EYESY.

Edit and create your own modes! The modes are all open source and based on an open platform. You can make changes to the modes and create new modes using the browser-based editor. Modes are written in the Python programming language.

Included items:

Power Supply:
Input: 100-240VAC @ 50/60Hz. Output: 9VDC, 1.3A, Center-positive polarity.
USB-WiFi Adapter (Ralink 5370 Chipset, 2.4GHz)

Included storage:
A microSD card holds the operating system and modes. There is ~4GB for available for mode storage.

Notes: Unparalleled sound quality wherever you want

The original iLoud Micro Monitor revolutionized the way professionals and audio enthusiasts experience sound in an ultra-portable and compact form factor. It became renowned for its exceptional sound quality and portability, making it a popular choice as an audio reference monitor for both pro-studios, home-recording artists, and mobile setups. Now the iLoud Micro Monitor PRO takes the incredible qualities of the classic Micro Monitor to a new level blending together studio-quality reference audio and a compact form factor, along with a new built-in state-of-the-art speaker correction technology, to deliver unparalleled sound quality wherever you want.

Precise and balanced audio reproduction across the whole frequency spectrum

The Micro Monitor PRO features a bi-amped design with a 3" paper woofer and a 0.75" textile dome tweeter, delivering precise and balanced audio reproduction across the frequency spectrum. This enables you to experience crystal-clear highs, rich midrange, and tight, defined bass that rival larger studio monitors.

Thanks to the new built-in state-of-the-art speaker correction technology, the Micro Monitor PRO provides accurate audio reproduction and a balanced and precise soundstage, regardless of the ambience, ensuring high-quality sound wherever you are.
With XLR and RCA line inputs, the Micro Monitor PRO seamlessly integrates into professional audio environments and consumer systems alike, making it suitable for on-the-go setups as well.

Quick and easy setup and room correction

The flip foot design allows for quick and easy setup of the speaker position to achieve the perfect sweet spot, whether you're in a studio, home office, or on the go. It provides optimal positioning and angling for your listening experience.

The internal power supply eliminates the need for external adapters, streamlining your setup.

With its compact size and lightweight design, the iLoud Micro Monitor Pro is the perfect companion for any environment, delivering unparalleled sound quality wherever you want it.

A full-blown studio at home or on-the-go

The iLoud Micro Monitor PRO comes with various free bonus contents.

Registering your iLoud Micro Monitor PRO unlocks powerful software tools, as well as exclusive discounts on other IK products.

Type: 2-Way bi-amped, digitally controlled compact studio monitor
LF driver: 3" composite cellulose fiber, custom-made mid-woofer
HF driver: 1" low-distortion silk-dome tweeter
Acoustic design: DSP-tuned bass reflex
Number of amps per speaker: 2
Amplifier type: High-efficiency Class-D
Total power: 50 W RMS
LF power: 30 W RMS
HF power: 20 W RMS
Crossover type: Digital, Linear Phase
Crossover frequency: 2.5 kHz
Frequency response: 50 Hz to 20 kHz i 2dB, 42 Hz to 22 kHz @ -10dB
Phase response: System remains coherent within +/- 30- from 500 Hz to 20 kHz
Sensitivity: -10 dBu signal generates 90 dB SPL @ 1 m
Continuous max SPL: 94 dB
Peak SPL: 107.3 dB
Peak SPL: 109.3 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position

Fully automatic built-in digital calibration, and compatible with X-Monitor control software

LF extension switch: Sets -3 dB point of the frequency response at 50 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -3 dB at 250 Hz and +4 dB at 1.2 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Compatible with X-MONITOR macOS and Windows control software
Total Latency (TOF): 3.00 ms
Totally DSP controlled
1 x XLR balanced input, 1 x RCA unbalanced input, 1 x USB type-C, C8 power socket
Flip foot for quick and comfortable desktop setup
Internal PSU - 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 1 A max
MIC input for ARC from XLR connector

Dimensions

Size: 208 mm/8.18" x 105 mm/4.13" x 153 mm/6.02"
Weight: 1.37 kg/3.02 lb (each

Notes: EtherCON connectors that you can use to make your own etherCON CAT5 cables. There are two variants - one for pre-assembled CAT5 cables (with the RJ45 already on), and another to use when making your own ethernet cables.

Note: RJ45 not included.

Notes: A user-friendly, straightforward drum machine designed for finger drumming or to accompany guitarists and other musicians. Dial in a preset pattern or create your own beats from scratch.

Supplier's Notes:
The perfect practice partner

The Korg KR-11 offers a comprehensive rhythm experience, perfect for musicians refining their skills. It boasts a wide range of patterns, 14 user programs, and 16 velocity-sensitive pads for custom beats and finger drumming. Its optional pedal switch allows hands-free control, essential for guitarists and ukulele players.

Compact and battery-powered, the KR-11 is ideal for both indoor and outdoor practice. Equipped with a built-in speaker system, it ensures quality sound in any setting, making it a valuable tool for musicians of all levels.

Rhythms at your fingertips

Immerse yourself in a diverse range of rhythm patterns, suitable for various musical styles from Blues/R&B to Country and Island tunes. The KR-11 also includes 3-, 5-, and 7-beat patterns, ensuring the right rhythm for any piece. With 14 user programs and 16 velocity-sensitive pads, the KR-11 invites you to customize and save your own rhythms, adding a personal touch to your practice sessions.

Finger drumming fun

Elevate your rhythm practice and performance with the KR-11's finger drumming feature. The 16 pads, assigned with a variety of drum sounds, respond to your touch, allowing you to create dynamic and authentic drum patterns. This feature is perfect for developing your rhythm skills and adding a hands-on, interactive element to your practice.

Portable simplicity

The KR-11, designed for the mobile musician, offers unparalleled ease of use and portability. Its lightweight, battery-powered design allows you to easily transport it to various practice locations, whether indoors or outdoors. The built-in speaker system ensures your rhythms are heard loud and clear in any setting. Enhanced with Korg's innovative Acoustage Bass technology, the KR-11 delivers depth and richness in bass tones that are impressive for its size. This works by virtually expanding the sound field, creating a fuller, more resonant bass experience. The headphone/line-out jack is a practical addition, offering connectivity for private practice or linking to external amplification systems during group sessions or performances.

Hands-free control
With the optional pedal switch, the KR-11 becomes even more versatile, especially for stringed instrument players. This feature allows for hands-free control over rhythm changes, perfect for integrating the KR-11 seamlessly into your practice routine.

Specifications

Jacks: Headphones/line out jack, FOOT SW 1 jack, FOOT SW 2 jack, DC 9V jack
Power supply: Four AA-size alkaline batteries (sold separately) or AC adapter (DC 9 V, sold separately)
Battery life: Approx. 18 hours (varies depending on the batteries used and on the conditions of use)
Consumption: 1300 mA (peak value)
Dimensions (W × D × H): 160 × 115 × 44 mm
Weight: 279 g (not including batteries)

Included items
Quick Start Guide
Accessories (sold separately)
AC adapter (DC 9V, Centre Plus), pedal switch (PS-1, PS-3)

Notes: Colours flipped in classic Korg style for this limited-edition take on the excellent Minilogue XD. Unique looks, and the perfect combination of analogue and digital synth circuits adding up to a versatile instrument.

Supplier's Notes:
Flip your sound with the new Minilogue XD Inverted

The minilogue xd analog synthesizer, with its true analogue circuitry, digital multi-engine and effects combine to help create an extraordinary range of sound, and is now available in a new, limited-edition model with inverted keyboard colours.

Get inspired by its unique colouring, and create your own new soundscapes. The Minilogue XD inverted is a stylish and unique addition to any live or studio setup and the limited edition colors will be yours to be proud of for years to come!

*All other specifications are the same as the minilogue xd regular model except for the keyboard colour.

Korg Minilogue XD 4-Voice Polyphonic Analogue Keyboard Synthesiser

One of our favourite synths of 2019 and still amazing value. Analogue meets digital, offering hugely versatile sound in the same compact, user-friendly format as the original Minilogue.

Supplier's notes:
An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.

In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync / ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Specifications

Keyboard: 37-keys (Slim-key, velocity sensitive)
Sound Generation: Analogue sound generator + Multi digital sound generator (Noise, VPM, User)
Maximum Polyphony: 4 voices

Programs: 500 voices (more than 200 preload, 300 user programs).
Each program provides a program sort function that includes voice mode settings.
Favourite function built in.

Voice Mode: 4 (POLY, UNISON, CHORD, ARP / LATCH).
The VOICE MODE DEPTH setting allows different parameters to be varied for each mode.

Sequencer: 16-step polyphonic sequencer, motion sequence can be used on up to four parameters

Main Synthesis Parameters:

VCO1: WAVE (SAW, TRIANGLE, SQUARE), OCTAVE, PITCH, SHAPE
VCO2: WAVE (SAW, TRIANGLE, SQUARE), OCTAVE, PITCH, SHAPE
MODULATION: SYNC, RING, CROSS MOD DEPTH
MULTI ENGINE: NOISE/VPM/USER, TYPE?SHAPE
MIXER: VCO1, VCO2, MULTI
VCF: CUTOFF, RESONANCE, DRIVE, KEYTRACK
AMP EG: ATTACK, DECAY, SUSTAIN, RELEASE
EG: ATTACK, DECAY, EG INT, TARGET (PITCH, PITCH2, CUTOFF)
LFO: WAVE (SAW, TRIANGLE, SQUARE), MODE(BPM, NORMAL, 1-SHOT), RATE, INT, TARGET (PITCH, SHAPE, CUTOFF)

Main effect Parameters
EFFECT: TYPE (MODULATION, REVERB, DELAY), ON/OFF (SELECT, ON, OFF), TIME, DEPTH

MULTI ENGINE

Noise Generator: 4 types
VPM oscillator: 16 types
User oscillator: 16 slots

MOD EFFECTS
CHORUS: 8 types
ENSEMBLE: 3 types
PHASER: 8 types
FLANGER: 8 types
USER: 8 types

DELAY
DELAY: 12 types
USER: 8 slots

REVERB
REVERB: 10 types
USER: 8 slots

Controls: Joy stick that can modify different parameters for each program, PORTAMENTO knob

Display
Main: Real-time OLED oscilloscope provides visual feedback of parameter changes
MULTI ENGINE: section7 segments x 6 digit LED display

Input/Output connectors
Headphone jack (Stereo phone jack)
OUTPUT L/MONO, R jacks (monaural phone jack unbalanced)
CV IN 1, CV IN 2 jacks (3.5 mm [1/8"] monoural mini jack, Input voltage: -5 V - +5 V (Modulation mode), -3V - +5 V (CV/Gate mode)
SYNC IN jack (3.5 mm [1/8"] mini jack, maximum input level 20 V)
SYNC OUT jack (3.5 mm [1/8"] mini jack, output level 5 V)
MIDI IN jack
MIDI OUT jack
USB B jack
DAMPER jack (half damper is not supported)

Power Supply: AC adapter (DC9 V)Power Consumption8 W
Dimensions: (W x D x H)500 mm x 300 mm x 85 mm / 19.69" x 11.81" x 3.35"
Weight: 2.8 kg / 6.17 lbs.
Included Items: AC adapter
Accessories (sold separetely): SC-MINILOGUE Soft shall case, SEQUENZ MP-TB1 MULTI-PURPOSE TALL BACKPACK, SQ-CABLE-6 Sync cable, DS-1H Damper pedal, PS-1 Pedal switch, PS-3 Pedal switch

Notes: Presenting the new CTRL CASE EP-133 K.O. II - the ideal safeguard for beat makers and producers on the move. Specifically crafted to hold the new Teenage Engineering EP-1330 K.O. II, this compact and lightweight case ensures your sampler is transported safely to your upcoming studio sessions. With a durable Durashock moulded EVA shell and high-density foam interior, it also boasts a mesh pocket for tidy storage of audio cables, spare batteries and more.

Crafted from 6 mm thick and rigid Durashock molded EVA foam and water rejecting polyester exterior shell
Sturdy zipper
Including mesh pocket for cable storage
Incl. removable egg-foam padding to protect knobs, faders and pads
Compatible with Decksaver cover

Fits:

Teenage Engineering EP-133 K.O. II

Specs

Outer measures: 29 x 23 x 6 cm
Inner measures: 25 x 18,5 x 3,5 cm
Weight: 0,3 kg

Colour: black

*** Please note: the Teenage Engineering EP-1330 K.O. II & accessories are not included, they are shown for demonstration purposes only. ***

Notes: Reinventing the virtual analogue synth for the 21st century, the Vibes is a digital demon. True stereo signal path, resonant oscillators, Serum-compatible wavetables and heaps of creative potential.

Supplier's Notes:
Small form, big heart

True Stereophonic Digital Synthesiser with 24 Stereo Voices

With its 24 stereo voices, powerful XVA Engine, full Audio Mixer, improved Clip Launcher, comprehensive Drum Engine and the new Resonator Oscillator, Vibes becomes a new class of synthesizer, that helps you to reach your full creative potential.

True stereo

The true stereo signal path allows for sounds, that have never been possible before.

Oscillators that resonate

The new Resonator Oscillator together with the existing Wavetable Oscillator open up a new world of sonic potential.

Sketching, writing performing

The only synthesiser you need for writing and performing your compositions.

Mix it all together!

Mix internal sounds and stereo input with the Digital Audio Mixer integrated into the Vibes!

One preset, eight different flavours

Store your ideas and recall them in an instant with Variants

Engine specs

Based on Mayer EMI's powerful XVA Audio Engine the Vibes is preset compatible with the MD900 and comes with the following feature set:

24 shared Stereo Voices
4 Synth-Parts + 14 Drum Instruments

Stereo structure per voice

2x Oscillator with 3 different models

Algorithm Oscillator

8 different Waveforms (PD_SIN, VA_SWEEP, and more)
Morphing and Modulation capabilities

Wavetable Oscillator

More than 50 preset wavetables
Wavetables consisting of up to 256 single-cycle waveforms with 2048 samples per cycle (Serum format compatible)
Spectral effects (spectral morph, harmonic shift, ... and more)
Up to 4x stereo unison

Resonator (physical modelling)

64 bands
Attack/Decay based exciter
Different Algorithms to define Band Profile

1x Sample / Noise Oscillator
Configurable loop modes and loop points
Single- or Multi-Samples

2x Stereo Multimode Filter with more than 10 different Models
4x ADSR Envelopes
3x LFOs (MIDI synchronized, standard & user defined shapes)
1x Waveform Shaper with different Algorithms
Modulation Matrix with 24 slots (25 source and 40 destination options)
Oscillator Mix and Filter Routing

ARPEGGIATOR and STEP SEQUENCER per Synth Part

Clip launcher

7 tracks (4 Synth-Parts, Drum Track, 2 Midi Tracks for external Instruments) with up to 8 clips per track
Polyphonic MIDI Sequencer with recording and quantization capabilities
Drum Pattern and Sequence Editor
Support of external Performance Controllers (e.g. Launchpad, APKmini) via USB

Synth and live effect stacks

4x Stereo Multi Effect Stack (1x for each Synth Part)
2x Stereo Live Multi Effect Stack in the Audio Mixer
Reverb, Stereo Delay (midi synchronized), Compressor, JChorus6, ... and more)

Digital audio mixer

19 Stereo Input Channels, 2 Stereo Output Channels
Bus, Headphone and Effect Send
Balance, Pan, Limiter functionality

MIDI connectivity

MIDI Control, Note On-Off, Pitchwheel, Polyphonic Aftertouch
Transport Send/Receive
Clock Send/Receive

Webinterface

Up-/ Download of user defined Presets, Performances, Wavetables, Samples, Sequences
Accessible via Wi-Fi or Ethernet

Others

14 GB internal Memory available for Presets, Wavetables, Samples, Performances and MIDI Sequences

Hardware specs

Control elements

5" Colour capacitive Touch-Screen (Resolution 800×480 pixel)
4 display related and 1 Main Encoder
20 Navigation and Menu Buttons
One Knob Section (morphing of multiple parameters together)
3 Synth-Part related Macro Encoder (Multicolour LED Rings)
3 Filter related Encoder (Multicolour LED Rings for Filter CutOff, Resonance and Amount)

Housing

Size (W x D x H): 322mm x 174mm x 76mm
Weight: 2kg
Metal Housing with walnut wood front and back
75mm x 75mm VESA Mount

Inputs/outputs

Power Switch
Power In 12VDC, 2.5A
3x USB-A Port (max. 500mA)
Ethernet (100Mbit)
Sustain Pedal-In: 6,3 mm TR Jack
Expression Pedal In: 6,3 mm TR Jack
DIN MIDI In / Through / Out
Stereo Line-In: 6,3 mm TRS Jack (24bit, 48Khz)
Stereo Line-Out: 6,3mm TRS Jack (24bit, 48Khz)
Stereo Headphone Out: 6,3 mm TRS Jack (16bit, 48Khz)
2,4/5GHz Wifi

Package contents

Vibes MD850
Power Supply 12VDC (including Plugs for EU, UK, US, AUS)
Quick Start Manual

Notes: A daisy-chain cable with a DC5521 jack socket to 4 DC5521 jack plugs, allowing a single power adapter to drive up to 4 effect pedals.

Plug: 5.5 x 2.1mm DC jack + 4 plugs
Distance between plugs: 270mm
Overall length: 1100mm
Weight: 45g

In the Box

1 to 4 DC daisy chain cable

Notes: Following on from the success of the Zeus pedal power supply, NU-X have developed the Zeus Jr. for multi-pedal users with more compact effect setups. Zeus Jr. retains the same double isolated power circuit to help eliminate noise and keep the power chain clean. 3 outputs deliver 9Vdc up to 500mA each and a fourth can provide 9Vdc at 300mA. 2 additional outputs have selectable 9/12/18V outputs for pedals that require or can handle different voltages. Supplied with 6 x DC5521 angle power leads and a further reverse polarity and DC minijack lead. Powered from the mains via its in-line DC switching power supply, this is the ideal solution for players that use multi-pedal rigs where noise issues could otherwise be problematic.

Power supply: 100-240Vac, 50/60Hz (IEC with 15Vdc in-line adaptor)
Outputs: 4 x 9Vdc, 2 x 9/12/18Vdc (DC5521 jack)
Power output: 21.6W max
Dimensions: 90 x 88 x 24mm
Weight: 184g

In the Box

Zeus Jr. guitar pedal power supply
In-line 24V power adaptor & IEC lead
3 x 50cm DC5521 link leads
3 x 30cm DC5521 link leads
1 x 50cm reverse polarity DC5521 link lead
1 x 50cm DC5521 to minijack link lead

Notes: Typically creative stuff from Pittsburgh Modular, the updated Voltage Lab is the pinnacle of the brand's synth output. Dual oscillator design with a 16-note touch controller, built-in sequencer and MIDI control.

Supplier's Notes:
The Pittsburgh Modular Voltage Lab 2 is a cutting edge synthesis laboratory that offers a new palette of analogue textures and waveforms to sonic researchers. Newly developed wave shaping capabilities paired with powerful synthesis tools, and a deep, performance oriented controller join together to create a complete sound design laboratory. This instrument has a very physical sound. The tones it creates feel natural and alive, with traditional waveforms becoming the seeds of unique new shapes and sounds that shift between analogue physical modeling and more unfamiliar, abstract timbres.

Laboratory Oscillator 1

Voltage Lab 2 includes a pair of Laboratory Oscillators. Each with a unique set of newly invented waveshaping tools designed to expand the sonic potential of analogue synthesis. Laboratory Oscillator 1 introduces Center Clipping to analogue synthesis. Center clipping unlocks independent control over the top and bottom of the waveform, allowing for detailed manipulation of harmonics and timbre without affecting pitch. It does this by processing waveforms from the center out as opposed to traditional methods which work from the peaks inwards.

Laboratory Oscillator 2

Laboratory Oscillator 2 introduces a host of new sonic possibilities with two new waveshapers. Pulse Symmetry and Reflection. Pulse Symmetry creates a new species of pulse wave that adds a step between the top and bottom of the waveform. The resulting wave looks like a set of stairs where the depth of the center step can be adjusted in addition to the pulse width. Wave Reflection takes the bottom half of the waveform and reflects it onto the top half. Each waveshape responds to this differently. For example, a saw wave morphs into a triangle while triangle and sine waves lose their fundamental harmonic and jump up an octave.

Pittsburgh Dynamics Controllers

The new Dynamics technology imparts Voltage Lab 2 with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voices of the Voltage Lab 2.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Voltage Lab 2 sounds more natural or complex compared to other instruments.

Touch Controller 2

The Touch Controller 2 enables artists to blend traditional pitched performances with the freedom to openly experiment, creating a flexible playground for music creation. Two independent channels offer a combination of real time, expressive playing and in-depth sequencing. Assignable scales, step conditions, jumps, chance effects, generative sequencing, and a host of other tools, come together allowing musicians to both create and interact with complex systems.

A Florist and Echos

The Voltage Lab 2 includes a set of analogue time based effects, Florist and Echos. The Florist is a flanger/chorus hybrid that focuses on brighter, short time shifts with highly controlled feedback allowing for maximum ringing before self oscillation. Echos is a more traditional, darker analogue BBD delay that also utilizes highly controlled feedback to provide a larger number of repeats before falling into self oscillation. Both effects are perfect for traditional workflows and unconventional experimentation.

Complete Set of Modular Tools

The Voltage Lab 2 includes a host of fully modular, analogue and digital synthesis tools to support and enhance it's core functionality. Analog tools include flexible mixers, a pair of complex function generators, noise, sample and hold, and an LFO. Digital tools cover external MIDI, arpeggiator, and a robust chance sequencer. The Voltage Lab 2 toolset is deep enough for all types of sonic experiments.

Notes: The RODE NTH-100 professional over-ear headphones offer exceptional sonic performance and superior comfort that inspires creativity. Featuring custom-matched drivers that deliver an incredibly accurate frequency response and ultra-low distortion, and a precision-engineered acoustic design optimised for exceptional detail and clarity, they are ideal for all forms of content creation, including music production, mixing and audio editing, podcasting, streaming and location recording. Luxurious Alcantarar cushions with revolutionary CoolTech gel ensure maximum comfort, particularly for long-format content creation, and the fully adjustable headband with the innovative FitLok locking system provides the perfect fit every time. Your search for the perfect headphones is over.

Audio as it's Meant to Be Heard

The NTH-100s are meticulously crafted to deliver exceptional sonic performance for critical listening, from monitoring to mixing to mastering. Featuring custom-matched dynamic drivers that have been painstakingly tuned for an incredibly accurate frequency response and extremely low distortion, they are remarkably natural-sounding headphones. These qualities are further enhanced by the unique contoured earcup construction, which is optimised to ensure exceptional detail and clarity, and memory foam cushions for excellent passive noise isolation. They are precision-crafted to retain every detail and every nuance of sound they produce. In other words, audio as it's meant to be heard.

Incredible Accuracy, Exceptional Clarity

The NTH-100 drivers feature a custom voice coil with a four-layer ultra-high-tension aluminium alloy at its core, which is coupled to an ultra-stiff triple-layer Mylar diaphragm. Combined with a rare-earth neodymium magnet and innovative phase plug inspired by the award-winning NTG5 microphone, these high-grade components ensure an accurate frequency and phase response across the whole audible spectrum for an incredibly articulate listening experience.

The Most Comfortable Headphones Ever. Period.

When it comes to creating, comfort is everything, and the NTH-100s promise comfort like nothing else. The luxurious Alcantarar earcup and headband cushions offer a premium feel that enhances the sensory experience from the moment they are put on - supremely soft and highly breathable. Underneath the Alcantara is a layer of revolutionary CoolTech gel, which absorbs and dissipates heat, actively cooling your head and ears to significantly reduce wearing fatigue. The unique ergonomic design of the earcups is also extremely comfortable, with bi-directional movement and memory foam providing a custom-fit feel for any head size or shape (even if you wear glasses), and the fully adjustable headband with the innovative FitLok locking system ensures they feel exactly the same every time you put them on.

Style in a Class of its Own

The perfect marriage of classic aesthetics and cutting-edge industrial design, the NTH-100s are instantly iconic. With clean lines and sleek, high-grade finishes, including the unique ergonomic earcup design and premium Alcantarar cushions, they look as good as they feel. Customise your NTH-100s with the high-quality NTH-CABLE, available in four vibrant colours - pink, green, blue and orange - and in 1.2m and 2.4m lengths.

Built For Creative Endurance

The NTH-100s are built to withstand the rigours of creating day in, day out. Every component is designed to endure, from the high-strength spring steel headband with its scratch-resistant coating to the highly durable Alcantarar cushions to the locking cable connectors. The cushions and cable are also user replaceable. This modular design ensures maximum longevity, even with vigorous daily use. Every pair is designed and made in RODE's precision facilities in Sydney, Australia using high-grade materials, so you can take on any creative endeavour knowing they'll be with you for the long-haul.

What's in the Box:

1 x NTH-100 - White
1 x NTH-100 Bag
1 x NTH-CABLE
1 x NTH-100 ID Set
1 x 3.5mm to 1/4" Adapter

Acoustic & electrical specifications

Transducer Size (millimetres): 40mm
Operating Principle: Dynamic
Frequency Response: 5Hz - 35Khz
Impedance: 32O
Sensitivity: 110dB/V
Maximum Input Power: 1700mW, 1% THD @ 1kHz
Ear Coupling: Circumaural
Ambient Noise Attenuation: 20dBA
Connection Type: Dual TRRS Cable Attachment

Mechanical specifications

Weight (grams): 350g
Dimensions (millimetres):
Length: 80mm
Width: 190mm
Height: 188mm
Cable Length (millimetres): 2400mm

Notes: The PodMic is a broadcast-quality dynamic microphone optimised for incredible performance in podcasting, livestreaming, and other speech or vocal applications. Offering a rich, full-bodied sound, with an internal pop filter for minimising plosives, internal shockmount for reducing vibrations, and a swing mount for easy positioning, the PodMic will take your content to the next level.

Find Your Voice and Own It

The PodMic is a broadcast-grade end-address microphone optimised for streaming, podcasting and other speech applications, such as voice-over recording and gaming. It features an in-built pop filter, making it easy to achieve that classic 'radio' sound heard on the world's best podcasts, and an integrated swing mount, allowing you to position your microphone exactly where you need it to be. Find your voice with the PodMic.

Broadcast Sound, Broadcast Ready

The PodMic is a broadcast-grade end-address microphone that delivers exceptional sound quality for any speech application, from livestreaming on Twitch to recording a professional podcast. Featuring a high-quality dynamic capsule, the PodMic captures every detail of your voice with richness and depth, with a tight cardioid polar pattern offering superior room noise rejection. This ensures excellent performance in less-than-ideal recording environments, keeping you in the spotlight.

Sleek Looks. Built to Last

The PodMic offers sleek looks with a compact form factor that makes it the perfect addition to any podcasting and streaming setup. And its hard-wearing stainless steel mesh grille and robust all-metal body ensure it can take on the rigours of recording for the long-haul. Built like a tank is an understatement.

What's in the Box:

1 x PodMic - White

Specifications

Acoustic Principle: Dynamic
Polar Pattern: Cardioid
Frequency Range: 50Hz ~13 kHz
Output Impedance: 320O
Sensitivity: -57.0dB re 1 Volt/Pascal
(1.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Output Connection: XLR
Phantom Power: Not required
Material: Metal (material TBD)

Colour:
Black
White

Weight (grams): 937
Dimensions (millimetres): 172 (length) x 109 (width) x 62 (height)
Compatible RODE Accessories: PSA1
Features list: Integrated swing arm

Notes: The RODECaster Pro II is the ultimate audio production solution for content creators, including streamers, podcasters and musicians. Combining revolutionary features with superior sound quality, endless customisability and unmatched ease of use, the RODECaster Pro II is all you will ever need to record incredible audio for your content.

A Completely New Beast

The RODECaster Pro II is the world's most powerful all-in-one audio production solution. Loaded with cutting-edge next-gen features and supercharged by a high-performance quad-core audio engine, it delivers next-level audio for any content creation application, including podcasting, streaming and gaming, and music production.

Revolutionary Sound

Featuring four balanced analogue inputs with high-quality Neutrik combo jacks for connecting microphones, instruments and line-level devices, the RODECaster Pro II is ideal for everything from recording a single microphone for a livestream or podcast to capturing complete multitracked music recordings.

World-class Revolution Preamps deliver pristine audio quality with any microphone or instrument. Designed from the ground up specifically for the RODECaster Pro II, these ultra-low-noise, high-gain preamps will give you plenty of output while remaining incredibly quiet, eliminating the need for microphone boosters, lifters or external processing. Sonic purity has never been more accessible.

Powered by APHEX

Craft your sound with studio-quality audio processing powered by one of the most revered names in pro audio: APHEX. On-board is a suite of authentic emulations of legendary hardware audio processors, including the Aural Exciter, Big Bottom and Compellor master compressor/leveller. There is also a studio-quality compressor, noise gate, high-pass filter, de-esser and three-band equaliser for each channel, all powered by APHEX. Sound exceptional every time you hit record.

Incredible Audio, Incredibly Easy

The RODECaster Pro II is incredibly simple to navigate using the large high-definition touchscreen and tactile rotary encoder, giving you hands-on control over every aspect of your sound. Getting set up takes seconds, and with professionally tailored presets and the intuitive VoxLab processing editor allowing you to dial your perfect sound with the tap of button or twist of a knob, taking your audio to new heights has never been easier.

Not Just Sound Pads. SMART Pads

Other consoles have sound pads. The RODECaster Pro II has SMART pads. Trigger on-the-fly voice effects like reverb, echo, pitch and robot FX, send MIDI commands to external software, activate automated mixer actions like fade ins and fade outs. And yes, fire off sound effects, music beds, samples or jingles. Unlimited creativity and control at your fingertips.

Endless Customisation. Endless Creative Freedom.

No matter what kind of content you're creating, the RODECaster Pro II can be customised to suit your recording setup, your ideal workflow, and your unique sound. The nine channels are individually assignable, allowing you to create personalised mixer configurations. Every processor and effect can be tweaked to taste on-board using the advanced editor, each SMART pad is fully programmable (with eight banks of eight pads for a total of 64 unique actions available), and the bright RGB LEDs can be customised to suit your setup and aesthetic. The possibilities are endless.

What's in the Box

1 x RODECaster Pro II - White
1 x Power Adapter
1 x USB-C to USB-C Cable

Acoustic & electrical specifications

Frequency Range: Mic Inputs: 20Hz - 20kHz
Monitor Outputs: 20Hz - 20kHz
Microphone Input Impedance: 4KO
Instrument Input Impedance: 1MO
Input Dynamic Range: 113dB
Preamplifier Gain Range: 0 - 76dB
Equivalent Noise: -131.5dBV (A-weighted)
Line Output Maximum Level: 4dBu
Headphone Output Power: 250mW
Power Requirements: 30W USB-C PD (15V, 2A)

Analogue Audio Input
Connectivity: 4 x combo jack inputs
(microphone, line, instrument)

Analogue Audio Output
Connectivity: 2 x balanced line output, 4 x headphone output
Bluetooth Connectivity: Bluetooth audio with Music and
Headset profile (wide band speech)
USB Interface 1: 1 x 2-in/16-out multichannel device,
1 x 2-in/2-out with mix-minus
USB Interface 2: Via USB: 5V

Acoustic & electrical specifications

Bit Depth: USB-C
Sample Rate: 24-bit / 32-bit floating point
Recording Storage: 48 / 96 / 192
Data transfer: APHEXr digital signal processing (only available at 48kHz sample rate)
Network connectivity: Windows 10
Mac OS 10.15
OS Requirements: Mac OS 10.15 or later, Windows 10 Version
1803 or later, Windows 11
Internal Storage: 4GB (SMART Pads)

Mechanical specifications

Weight (grams): 1960g

Dimensions (millimetres):
Length: 305mm
Width: 270mm
Height: 60mm

Notes: Carrying case for HD 490 PRO

Notes: Producing ear pad set for HD 490 PRO

Notes: 1.8m cable for HD 490 PRO.

Notes: 3m cable for HD 490 PRO.

Notes: Seamlessly integrate your N32B MIDI controller with standard MIDI devices using our MIDI TRS-DIN5 Adapter. This compact adapter bridges the 3.5mm TRS and 5 pin DIN connections, conforming to the Type A MIDI 2.0 standard for universal compatibility.

This MIDI adapter features a male 3.5mm TRS mini-jack at one end and a female 5 pin DIN MIDI connector on the other. Designed to bridge the gap between conventional MIDI devices and those utilizing the Type A standard - synonymous with MIDI 2.0 - this adapter is an essential tool for modern music production.

It's specifically compatible with the N32B MIDI controller, facilitating seamless connections between standard MIDI cables and any 3.5mm TRS MIDI device adhering to the Type A standard. Notably, Type A is the preferred choice for leading manufacturers such as Korg, Make Noise, Akai, and IK Multimedia, making this adapter a versatile accessory in your MIDI toolkit.

Notes: Ultra-flexible, programmable MIDI control here, with the ability to assign macro functions to each knob, controlling multiple parameters with the twist of a single control. Versatile.

Supplier's Notes:
Programmable Macro MIDI Controller

Simplify Your Workflow, Manage Multiple Parameters with a Single Knob.

Get more from your studio with the N32B V3. This game-changer allows you to control multiple settings with just one knob, making music creation smoother and quicker. It simplifies complex tasks, letting you focus more on your music.

32-Knob Controller with Macro Customisation

Every knob on this controller is all about flexibility. It lets you manage multiple sound settings with a single twist, simplifying detailed adjustments. For each knob, or macro, you can:

Set minimum and maximum values.
Invert the value direction.
Choose a specific MIDI channel.
Enjoy unmatched customization for your sound.

MIDI Thru & Flexible Outputs

This controller now includes MIDI Thru functionality and options for MIDI-USB, TRS, or both outputs simultaneously, enabling seamless integration and connectivity in any setup.

High-Resolution Mode

With 1023 steps available, our controller goes beyond the standard 127 steps offered by other controllers, providing enhanced precision for detailed sound adjustments.

Versatile MIDI Message Support

Designed for diverse musical expressions and functionalities, the N32B v3 supports an extensive array of MIDI messages for enhanced precision and control:

Control Change
Program Change
RPN
NRPN
Aftertouch
High-Resolution MIDI

Web Editor for Preset Management

Easily switch among 3 customizable presets and manage them with Shik's web editor, enabling export and import of presets to your computer for enhanced control and setup flexibility.

Compact and Portable

The N32B v3, at just 20.9 cm x 13.5 cm (8.2" x 5.3"), offers a sleek design ideal for mobile musicians. Easily fitting into bags, it ensures your production setup travels with you.

Stylish and Strong

Upgraded with a sturdy metal frame, it combines elegance with resilience, ensuring it looks good and withstands the test of time.

Specs
MIDI I/O: IN/OUT/THRU/USB
MIDI Messages: Control Change, RPN, NRPN, Program Change, Aftertouch
Resolution: High resolution - up to 1023 steps
Channels: 16 Global channels. Supports custom channel assignment for each knob/macro
Presets: 3 quick presets, easily managed via Shik' web editor with the ability to import/export unlimited settings.
IN/OUT/THRU: TRS 3.5mm (1/8")
USB: 1 x USB Type C
Compatibility: Mac, Windows

Inside the box

Device: 1 x N32B pre-assembled with black aluminium case
Power: 1 x USB C to USB A cable
Connectors: 1 x TRS to MIDI DIN5 Adapter

Notes: Bassy microphone to be used with The Pipe - heavy bass frequencies.

Notes: Flat Microphone designed to be used with The Pipe - neutral balanced sound.

Notes: The adapter attaches to LYRA’s surface using magnets which make installation easy and safe. ORNAMENT, as an organismic sequencer, complements LYRA’s organismic synthesis nature, making them a perfect pair.

Notes: Standard microphone for The Pipe - warm sound with emphasised mids.

Notes: The 1-row QUICKSWAP CASE for AE Modular is the high-end case for AE Modular. It is based on a sturdy metal chassis with a beautiful matte black powder coating and - allows to plug in AE modules without any screws, which is a key feature of this case! The design makes sure that the modules sit firmly inside the case and the bus connection is established automatically by the integrated bus board, so need for the separate bus cable known from the standard AE cases. Rearranging your modular system can't be easier!

This case is developed by Kyaa, a 3rd party AE module developer; Tangible Waves is producing the case.

With a connector kit, another QUICKSWAP CASE of same width can be attached at certain angles, depending on the connector - and the power supply is linked between the cases, also via the connector.

Other utilities, like a handle for carrying a folded case, are coming soon.

Please note: This rack does not include the Master or Power module.

To connect the case to power you have the following options:

Install the Master Module
Install the Power Module
Connect to another, already powered QUICKSWAP CASE
Connect to another AE case via the RACKLINK module kit

*** Please note: the modules are not included, they are shown for demonstration purposes only. ***

Notes: Cutting-edge tech meets ancient sounds in this truly original 'instrumentalis electronicum'. Create beats using genuinely old-school drum sounds, lutes, lyres and more, then load or record your own samples to expand your sonic options.

Supplier's Notes:
EP-1320 Medieval

The world's first medieval electronic instrument

Hurdy gurdys, lutes, Gregorian chants, thundering drums and punishing percussive foley FX. The EP-1320 is the first of its kind: featuring a large library of phrases, play ready instruments and one-shot samples from an age where darkness reigned supreme, the instrumentali electronicum is the ultimate, and only, medieval beat machine.

Unlock the magic of medieval sounds

The EP-1320 comes with hundreds of medieval sounds and samples, a redesigned set of send effects and punch-in FX, a brand new arpeggiator and a collection of craftily captured multi-sampled instruments. The line input and the internal microphone allow you to sample your own sounds in just seconds. Whether you're into making sultry serenades or bubonic beats, the EP-1320 has you covered.

Become your own bard

Alongside a bucketful of one-shot samples the instrumentalis electronicum features a number of readily playable medieval instruments - play them on the pads or on an external MIDI keyboard.

Summon your inner troubadour

In Demus mode, choose any of the 9 medieval songs and jam along using the sounds and instruments on the four banks. Add some punch-in FX and you're ready to send any tavern floor into a frenzy! (Also perfect for banquets and fetes).

An unrivalled medieval experience; EP-1320 features a hundreds of built-in medieval sounds for your nostalgic pleasure. Go back in time and play along with the built-in magical melodies, sultry serenades and bubonic beats. Included in the box are 4 knobs, a sticker pack and a quick start guide for you to hit the ground running.

Packaging: 262x262x28mm
Product weight: 0.625 kg
Total weight: 0.750 kg
Power: USB-C (cable not included)
Battery: 4 x AAA (not included)
Start up guide included
Exclusive medieval sticker pack included
Knobs to be affixed by customer (supplied separately, in same box)

Specifications

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
128 MB total memory
96MB ROM SOUNDS
32MB user sample memory
9 built-in demo songs
High resolution sequencer
Built-in pocus
Fader
Pressure sensitive pads
Six stereo voices, or twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

inputs and outputs

Stereo output
SYNC IN/OUT
TRS-A MIDI IN/OUT
USB-C

Dimensions and weight
240 mm x 176 mm x 16 mm
9.45 in x 6.93 in x 0.63 in
620 g / 22 oz

Electronic specifications

3.5 mm TRRS jacks
Stereo input: 24 bit
SNR: 96 dBA
Impedance: 6.5 kOhm
Analogue gain: 0 - 12 dBmax level: 8 dBu, 2.0 Vrms
Stereo Headphone/Line Output: 24 bit
SNR: 98 dBA
Max level: 5 dBu, 1.4 Vrms

MIDI input
MMA compliant pinout (type A)
opto-coupled

MIDI output:
MMA compliant pinout (type A)
Voltage: 3.3 V

Sync output
TIP: Sync 8th, 16th, 24 PPQN
RING: Start/Stop
Voltage: 3.3 V

Sync input
TIP: Sync 8th, 16th, 24 PPQN
Ring: Start/Stop
Voltage: 3.3 V
Max level: 10 V

Notes: Medieval quilt bag

Hard case quilted bag to carry and protect your EP-1320 medieval. the quilted and padded cotton fabric covers a custom moulded hard casing to prevent any outside forces, magical or otherwise, from damaging the device. tie it around your waist or over the shoulder with the long detachable cotton strap. inside you'll also find a zip pocket for storing any accessories and cables.

Colour: olive green
Shell and lining: 100% organic cotton
Strap: 100% organic cotton
Dimensions: 26 cm x 21 cm x 5.5 cm | 10.2 in x 8.3 in x 2.2 in

Notes: A Digital DJ looking for a professional, durable case solution for your Akai APC 64 controllers? Then look no further, UDG have developed a super-light EVA hardcase designed for life on the road. Constructed from durable, lightweight compression moulded EVA material with a laminated durable fabric exterior, this case provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Akai APC 64 controllers, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications
Colour: Black
Weight: 0.95 kg / 2.09 lb
Outer Dimensions (W x H x D): 42.0 x 33.0 x 7.0 cm | 16.5 x 12.9 x 2.7 inch
Material: Durashock moulded EVA foam

Protection

Cover main material 600D polyester with 5 mm EVA durashock molded body
Water repellent durable fabric exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Extra space for cables
Convenient carry handles
Easy grip zipper pulls

Fits
Akai APC 64 Controller

*** Please note: the APC64 is not included, it is shown for demonstration purposes only. ***

Notes: A Digital Producer looking for a professional, durable case solution for your Focusrite Scarlett 2i2/4i4 4th Gen/ Clarett+ 4Pre/ 2Pre/ Motu Ultralite MK5? Then look no further, UDG have developed a super-light EVA Hardcase designed for life on the road. Constructed from durable, lightweight compression moulded EVA material with a laminated durable fabric exterior, this case provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Focusrite Scarlett 2i2/4i4 4th Gen/ Clarett+ 4Pre/ 2Pre/ Motu Ultralite MK5, these cases are perfect for the travelling Producer that needs to protect their equipment.

Colour: Black
Weight: 0.4 kg / 0.88 lb
Outer Dimensions (W x H x D): 24.9 x 21.3 x 7.6 cm | 9.8 x 8.4 x 3.0 inch
Material: Durashock molded EVA foam
Protection: Cover main material 600D polyester with 5 mm EVA durashock molded body

Water repellent durable fabric exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Removable divider for extra cables or power adapter
Heavy duty handle
Easy grip zipper puller

Fits

Focusrite Scarlett 2i2 4th Gen
Focusrite Scarlett 4i4 4th Gen
Focusrite Clarett+ 4Pre
Focusrite Clarett+ 2Pre
Motu Ultralite MK5
and power adapter, extra cables.

*** Please note: the Focusrite Scarlett is not included, it is shown for demonstration purposes only. ***

Notes: The hands-on control of hardware meets the versatility of software. Bridging the gap between Eurorack and VCV Rack, the MetaModule includes over 160 built-in modules plus access to over 200 third-party options.

Supplier's Notes:
The MetaModule puts real knobs and jacks on virtual software modules. Step back from the computer and make music with hardware, while keeping the flexibility and expandability of software.

The MetaModule comes with over 160 built-in modules from 4ms Company, Befaco, HetrickCV, NonlinearCircuits, and Scanner Darkly, plus clones of popular classics such as the Mutable Instruments eurorack modules, fun physical modeling algorithms, and lots of handy utilities.

All of the included modules are also available on the computer using the free program VCV Rack. Whether you make patches on VCV Rack and transfer them to the MetaModule, or if you just create patches directly on the MetaModule, there are plenty of creative modules to inspire new ways to make music.

MetaModule Plugins

If the 160+ built-in module aren't enough, you can load more modules as plugins. Already there are over 200 modules in third-party plugins from Bogaudio, Valley, ChowDSP, NANO Modular, and the list is growing. 4ms have an SDK available to make it easy for VCV Rack plugin developers to convert their plugin to a MetaModule plugin. 4ms' licensing terms are non-restrictive: developers are welcome to distribute their plugin in any way they wish, commercially or not.

Mapping Knobs and Jacks

The MetaModule has 12 knobs that can be mapped to virtual knobs. Each knob can be mapped to up eight virtual knobs, and each mapping can have a different range and offset. You also can save a group of mappings as a Knob Set and switch between Knob Sets with the encoder. You also can map the 8 inputs and 8 outputs to virtual module jacks. Also, the MetaModule is a USB MIDI host, so you also can map MIDI CC, note, gate, and other parameters to knobs and jacks.

Expanders

There are lots of ways to customize your MetaModule. A Wifi expander allows you to wirelessly transfer patches from your computer. Add eight more knobs with the Knob expander, or buttons with the Button expander. A CV/Audio expander adds more high-resolution inputs and outputs, and the Gate In/Out expander adds not only gate jacks but also TRS MIDI and I2C.

Under the Hood

There are six CV/Audio inputs, two gate inputs, and six CV/Audio outputs. The CV/Audio jacks are all 24-bit, 48kHz DC-coupled, -10V to +10V. A USB-C jack accepts MIDI devices and thumb drives. Patches and plugins can be loaded via a USB drive or microSD Card, and internal flash memory lets you save patches you always want to come back to.

The processor is more advanced than anything 4ms has used in the past, and is among the most powerful processors found in Eurorack. Startup time and latency are blazingly fast.

Modules

160 built-in modules
Over 200 3rd-party module plugins available so far, and the ecosystem is growing
Create patches using VCV Rack or directly on MetaModule

Patches

Patches are loaded from microSD Card, USB drive, or via the Wifi expander
Patches can be optionally saved onto internal flash memory
Create patches using VCV Rack or directly on MetaModule
Patches can be given a name and description

Mappings

Map each physical knob to up to 8 virtual knobs
Set range and offset for each mapping, including inverted control
Knob mappings are grouped into Knob Sets, and changing Knob Sets can be done quickly without menu-diving
Map physical jacks to virtual jacks, seamlessly making splits/mults
Add or edit modules, cables, and mappings in real-time while the patch is playing
Create alias names for mappings like "Kick Drum Level"

Interface

Simple, intuitive graphical interface lets you zoom in on details, or zoom out to get a big picture
Patch View displays the patch as faceplates and cables, with knobs, buttons, and lights animating in real-time
Knob Set View simplifies the display, showing only the mapped knobs for the current Knob Set
Module View shows just one module and lists the names of each jack, knob, and control legibly
Mapping View lets you adjust details of a knob mapping
Adjust styles and visual preferences to your liking
Save, rename, duplicate, and delete patches
Firmware updater and plugin loader read from microSD Card or USB drive

Hardware

12 Knobs
8 CV/Audio outputs, 24-bit 48kHz, -10V to +10V, DC-coupled
6 CV/Audio inputs, 24-bit 48kHz, -10V to +10V, DC-coupled
2 Gate inputs
USB-C jack: MIDI Host or MSC (External drive) Host
microSD Card slot
Internal Flash RAM for additional patch storage
Dual-core 800MHz Cortex-A7 plus Cortex-M4 co-processor
512MB DDR3 533MHz RAM
Bare-metal operation for fast startup and low latency

26hp

Notes: A passive module to allow easy connection from Modular to Eurorack, avoid flimsy hook probes or alligator wires with a robust connection that will keep your signal intact.

Features:

3.5mm jack to BNC including 50O male-male cables.
Ships calibrated set to 10x as default, user's can select 1x but soldering a smd jumper.

Specs:

4HP
15mm deep
Passive

Notes: ADDAC200RM allows a simple and straight forward way to monitor the voltage of your system. A 0.1% precision analogue voltage meter shows the status of both +12V and -12V rail.

Eurorack +/-12V power rails

Although we all refer to Eurorack PSU voltages as +12V and -12V this is hardly ever the case, although most systems operate at close proximity to this ideal reference, there are situations where the drop from the ideal voltage is large enough to influence the performance of your system.

PSU current ratings

Running a PSU too close to its limits will always cause more stress to the PSU, a good practice it to use only about 75% of your PSU maximum ratings, this will greatly extend the PSU life.

PSUs will show a small voltage drop as current increases which will drastically increase when pushed closed to it's limits. Heat will also influence this drop, heat is related to the current drawn, as more current is being drawn more heat will build up on the PSU, heat conditions will reduce the maxi- mum amount of current that can be delivered by the PSU. While the current consumption drop is somewhat stable and immediate (as you turn the frame on the current consumption will stabilize in a few seconds) the heat drop will take some time to occur, heat will build up over time until it stabilizes and only if it has "headroom" to stabilize. If heat dissipation is not effective than the drop will continue until it reaches a balance point which can be several volts below the 12V reference. At this point your PSU will be under great stress and the heat generated is prone to leave some permanent scars.

Heat will start to have an impact at about an ambient temperature of 50 degrees celsius, at 70 degrees the maxi- mum current rating will drop by 50%. If your PSU is rated at 2A maximum and it's running at 70 degrees then it will only be able to deliver 1A maximum.
For the PSU this is a complex balancing act as current influences heat and heat influences the maximum amount of current available which all together influences the voltage drop.

This is why it's so important to keep the PSU load at a sensible level.

PSU protections

Some PSUs feature over voltage, over current and overheating protection and will turn off when the operating conditions trigger any of the protection threshold levels.

At this point it's typical that the PSU will enter a Hiccup mode, where it turns on checks the current conditions and quickly turns off if they haven't changed, leaving it in an intermittent limbo where it powers on and off at some regular frequency.

If the conditions change enough to drop below the protection threshold levels then the PSU will automatically recover and stay on.

PSU stress

Different situations can be responsible for causing stress that can damage the PSU, it's possible to reverse a ribbon power cable enough times or leaving it connected long enough to partly damage the PSU.

Another situation is having a module that due to some partial previous damage may be drawing more current than specified which will not be accounted for when calculating your system current consumption.

Stress can cause permanent damage to the PSU, however some damages can be only partial leaving you with a PSU that no longer features the specs described by the manufacturer but with no apparent misbehaviour. The LED monitors on bus boards will be on, but in reality it will be underperforming at an unknown percentage of the original specs. These situations can be quite hard to debug without the proper tools to evaluate the cause of the problem.

PSU impact on modules

Some modules are more susceptible to PSU changes than others, modules that feature internal regulators will be less susceptible to PSU voltage, modules that use internal +5v, +/-9v, +/-10v regulators will have more tolerance than modules that use the PSU voltages directly like it is for most cases. Also modules that use voltage reverse protection will already have a 0.3v to 0.8v drop inherent to the protection circuit.

While many digital modules can withstand lower voltages some others will be more dependent on the reference voltage and may show strange behaviours.

This module can help preventing all these situations, it won't fix any problem but can help on the day-to-day monitoring of your system and in keeping your PSU in healthy conditions.

Tech Specs: 4HP/3,5 cm deep
60mA +12V
60mA -12V

Notes: This module expands ADDAC's line of expressive controls, it follows the heritage of wind/breath controllers with one major difference, the pipe has no air escape creating pressure inside the tube controlled by the user's mouth. For a seasoned woodwind or brass musicians this working principle may sound unorthodox, however this way pressure can be controlled for longer without the need to breath in or learning circular breathing techniques. It's relatively easy to control the pressure in your mouth while still breathing through the nose.

The module is provided with a standard melodica pipe which connects to an air filter (providing a receptacle for condensation to form and isolate the sensor) and lastly connects to the module frontpanel.

The signal captured by the sensor is then sent to two independent sections with exactly the same functions as seen in the signal flow diagram below.

As an example the two sections can be used with different settings to independently control the VCA and VCF of any standard analogue voice patch.

Pipe

ADDAC are using a standard Melodica pipe into an air filter that will keep condensation away from the sensor. The air filter is then connected to the frontpanel sensor input using a silicone tube.

Sensor calibration

[RESPONSE] is the main control to calibrate the pressure curve, the knob goes from exponential to logarithmic with linear at 12 o'clock. Exponential will be more reactive to high pressures, logarithmic to lower pressures.

Hold function

This feature allows to hold the current voltage value with the hold is engaged (button led on), the state can be changed either by the push button in a latching manner (push to change state) or via the gate input in a momentary manner (hold on while gate is on)

Extra Pipe

Extra Pipes are available separately.

Tech Specs:
10HP
4.5cm deep
70mA +12V
40mA -12V

Notes: Third-gen version of Benidub's 'plug and play' spring reverb is better than ever. Lush, vintage spring reverb now with adjustable filter routing and built-in soft clipping circuits to add saturation.

Supplier's Notes:
Spring reverb preamplifier combined with a LP-HP filter

SPRING AMP III marks the third iteration in the renowned "Spring Amp" series: desktop effects designed to bridge the gap between audio mixers and spring reverb tank, offering dynamic filtering options in an intuitive and ready-to-play package. A culmination of Benidub's expertise and your feedback, combined to create the ultimate Spring Amp.

This new all-in-one dub reverb and filter machine features a full suite of powerful and intuitive controls, making it easy to dial in your favourite spring reverb tones in the studio or on stage.

Everything you loved about its predecessor it's still there, enriched with new features and even more playability than before.

Benidub added a push-button switch for routing settings, allowing you to place the filter before or after the spring tank for more mellow or dramatic swings. SAIII now features an in-built soft clip circuit on both input and filter which lets you push your sound even further without damaging your performance and get that classic, warm, musically pleasing saturation which adds rich complexity to your swells. Every feature is clickless and the circuit has an in-built low noise filter alongside Class-A discrete components.

The Spring Amp III is designed to be a plug-and-play dub reverb effect, delivering the classic dub sound instantly upon connection.

Features

Extra low noise reverb pick up amplifier and innovative power amplifier

Discrete transistors front end amplifier for the best achievable noise figure, and a 7.5W constant current amplifier drives 8ohm input reverb tanks for maximum volume and best treble response.

Inbuilt 12db/oct resonant HP-LP VCF

The Spring Amp III has an inbuilt analogue filter with controls on its cutoff, resonance, and modulation. It features a crossfader between low-pass and high-pass filters outputs and a click-less switch to place the filter before or after the spring tank.

Independent volume controls

Filter and preamplifier have independent volume controls, enabling the unit to function as a standalone filter or directly after an instrument with a line output.

Specifications

1. Power input: 12VDC,1A, centre positive, 2.1mm x 5.5mm barrel connector.
2. Audio input/output: 1/4" bal. or unbal. mono jack. Balanced connection improves the signal-to-noise ratio
3. Gain: sets the input amplifier gain, from unity gain to overdrive.
4. Cutoff: sets the filter's cutoff frequency.
5. Resonance: sets the amount of filter's resonance.
6. LFO wave: switches between 6 different LFO waveforms.
7. Spring tank connections: 1/4" unbal. mono jack to RCA.
8. Reverb volume: sets the spring reverb volume.
9. Dry to filter: sets the amount of dry signal that, after being filtered, is added to the unit's output.
10. Pre/post springs: click-less switch to change the spring signal routing, allowing for the filter to be placed before or after the spring tank.
11. LPF/HPF: crossfade between HP and LP filter outputs.
12. LFO rate/depth: dedicated controls to set the filter's cutoff modulation speed and amount.

Compatible spring tanks:

The Spring Amp III needs to be connected to a compatible spring-tank in order to work correctly. Please never connect the Spring Amp III to a tank without making sure that it is a compatible one.

Notes: Module A-121d is a special dual multimode filter which can be used for parallel or serial organized dual mono filters. Even stereo applications are imaginable. The filters are based on two special circuits: one with highpass and bandpass outputs, the other with lowpass and bandpass outputs. It's a new filter design that is not used so far in any other A-100 filter module.

We attached great importance to the usability of the manual controls and CV inputs for dual filter applications: for the filter frequencies of both filters a common control (Frequ.) and a difference control (Delta, filter spread) are available. For both parameters even CV inputs are available (FCV, DCV). The resonance (Q1, Q2), the sensitivity of the individual frequency control input (FCV1, FCV2) and the level of the audio input (In1, In2) are adjusted by means of the individual controls for each filter.

The module has a simple audio mixing unit available with the inputs Mx1 and Mx2, and the output MxO. Provided that the mixer inputs are open bandpass 1 and bandpass 2 are normalised to the sockets Mx1 and Mx2. All other filter types are realized by connecting the other filter outputs (H1 = highpass 1, L2 = lowpass 2) to the mixer inputs.

Controls:
Frequ.: master frequency control for both filters
Delta: controls the difference between the frequencies of the two filters manually (frequency spread), at centre position the frequencies are about the same
Q1 / Q2: resonance controls for filter 1 and 2
FCV1 / FCV2: attenuators for the individual frequency control inputs FCV1 (filter 1) and FCV2 (filter 2)
In 1 / In 2: attenuators for the audio inputs of filter 1 and 2

Sockets:
Mx1 / Mx2: audio inputs of the mixer, Mx1 is normalised to bandpass 1 (B1), Mx2 is normalised to bandpass 2 (B2)
MxO: audio output of the mixer
In1 / In2: audio input of filter 1 and 2 (In2 is normalised to In1)
H1: highpass output filter 1
L2: lowpass output filter 2
B2: bandpass output filter 2
DCV: control voltage input for frequency spread (Delta)
FCV1 / FCV2: individual frequency control inputs, processed by the attenuators FCV1 and FCV2, socket FCV2 is normalised to socket FCV1
FCV: common frequency control input for both filters (~ 1V/oct)

Triangle symbols indicate the normalising of sockets (B1>Mx1, B2>Mx2, In1>In2, FCV>FCV2). The four outputs are inverse labelled.

Technical note:
Ex factory the module is adjusted so that the resonance of the two filters does not reach self-oscillation. If desired the filters can be modified by the user by means of two trimming potentiometers so that self-oscillation is possible.

Dimensions:
8 HP
41 mm deep

Notes: Module A-121d is a special dual multimode filter which can be used for parallel or serial organized dual mono filters. Even stereo applications are imaginable. The filters are based on two special circuits: one with highpass and bandpass outputs, the other with lowpass and bandpass outputs. It's a new filter design that is not used so far in any other A-100 filter module.

We attached great importance to the usability of the manual controls and CV inputs for dual filter applications: for the filter frequencies of both filters a common control (Frequ.) and a difference control (Delta, filter spread) are available. For both parameters even CV inputs are available (FCV, DCV). The resonance (Q1, Q2), the sensitivity of the individual frequency control input (FCV1, FCV2) and the level of the audio input (In1, In2) are adjusted by means of the individual controls for each filter.

The module has a simple audio mixing unit available with the inputs Mx1 and Mx2, and the output MxO. Provided that the mixer inputs are open bandpass 1 and bandpass 2 are normalised to the sockets Mx1 and Mx2. All other filter types are realized by connecting the other filter outputs (H1 = highpass 1, L2 = lowpass 2) to the mixer inputs.

Controls:
Frequ.: master frequency control for both filters
Delta: controls the difference between the frequencies of the two filters manually (frequency spread), at centre position the frequencies are about the same
Q1 / Q2: resonance controls for filter 1 and 2
FCV1 / FCV2: attenuators for the individual frequency control inputs FCV1 (filter 1) and FCV2 (filter 2)
In 1 / In 2: attenuators for the audio inputs of filter 1 and 2

Sockets:
Mx1 / Mx2: audio inputs of the mixer, Mx1 is normalised to bandpass 1 (B1), Mx2 is normalised to bandpass 2 (B2)
MxO: audio output of the mixer
In1 / In2: audio input of filter 1 and 2 (In2 is normalised to In1)
H1: highpass output filter 1
L2: lowpass output filter 2
B2: bandpass output filter 2
DCV: control voltage input for frequency spread (Delta)
FCV1 / FCV2: individual frequency control inputs, processed by the attenuators FCV1 and FCV2, socket FCV2 is normalised to socket FCV1
FCV: common frequency control input for both filters (~ 1V/oct)

Triangle symbols indicate the normalising of sockets (B1>Mx1, B2>Mx2, In1>In2, FCV>FCV2). The four outputs are inverse labelled.

Technical note:
Ex factory the module is adjusted so that the resonance of the two filters does not reach self-oscillation. If desired the filters can be modified by the user by means of two trimming potentiometers so that self-oscillation is possible.

Dimensions
8 HP
41 mm deep

Notes: Module A-124-2 is the slim version of the Wasp filter module A-124.

The main difference compared to the A-124 are the small controls for Mix and Input Level because for lack of space. And the lowpass or highpass signal is available at a separate socket. A jumper is used to determine if lowpass or highpass appears at the socket.

All other features are the same as the A-124.

Dimensions:
4 HP
20 mm deep

Notes: Module A-124-2 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant").

The A-124-2 is the Slim Line version, which is only 4hp wide.

This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self oscillation in contrast to most of the other filters of the A-100 system.

Dimensions:
4 HP
20 mm deep

Notes: Excellent modular take on 909 drum sounds here, featuring analogue kick, snare and clap combined with sample-based hi-hats and cymbals, plus the option to load your own custom samples. Super versatile.

Supplier's Notes:
909 inspired drum module with 3 analogue sound sources & 4 sample based sound sources - 30HP

3 Analogue-based discrete analogue TR-909 drums: bass drum, snare drum and hand clap circuits with advanced noise spectrum animation

4 sample-based drums (e.g. hi-hats, ride and crash cymbal - or simply use your own samples via SD card) - including a set of freshly recorded samples for modern electronic music using handcrafted Paiste 602 15" and 18" cymbals

Zero-latency sample playback directly from SD card

Hybrid analogue sound generation: 3x band-limited LSRF binary noise generators with spectrum animation, injected into discrete analogue circuits

On-board effect processor with 2 banks consisting of 16 effects in total, including additional auxiliary input and firmware update over audio

Master isolator-style LP/HP filter with VCA control and saturator booster

Drums that make you dance: Fit all music styles of music - specifically tuned for EDM and Techno

Factory sample banks by Nicolas Bougaieff (Mute, Novamute) including processed custom sampled Paiste 602 cymbals

wide-palette sample library available from Nero Bellum, Maman Kusters

Effect processor as found in famous Grand Terminal / Milky Way / Blck_Noir

Power consumption:
350 mA +12V
90 mA -12V
0 mA 5V

Dimensions:
30 HP
26 mm deep with inserted power cable

Notes: 2-track trigger sequencer/euclidean generator module - 6HP

Running Order is a two track trigger sequencer. It can be a precise master clock or manipulate incoming clock signal and works great in use as a sub-sequencer/divider in your Eurorack environment.

Zero-jitter clock generation: less than 50 microseconds internal clock jitter
101 style 1/16th note input mode (step/rest) with manual or CV controllable amount of triggers repeats when the active trigger step happens
Euclidean mode enabled for each track where we set Euclidean total steps amount in the circle and then amount of triggers happening in that circle.
Per step trigger probability in 101 mode and global probability in Euclidean mode.
Separate synchronization (reset) inputs, sync for track 1 is normalled to sync track 2
Clock divider for incoming external clock allows to quickly obtain various musical divisions on the fly incl. triplets of course, but more importantly tuplets mode allows you to stretch desired amount of triggers happening into a single bar
Separate mute buttons for each track
8 patterns of triggers sequences stored in the module and recalled on the next power up
also available in 1U / 22HP version

Power consumption:
30 mA +12V
10 mA -12V
0 mA 5V

Dimensions
6 HP
30 mm deep