Review: Artificial Owl Recordings welcomes aboard New Yorkers Satoshi Tomiie and Naotake Gunji for the label's fifth release; a recording of their collaborative A_A project and live show, which first came to light at the Fridman Gallery in Manhattan. A_A, an ongoing audio project, explores the visceral tension between floor-centric ambient electronica and improvised sound/audio performance. Here, found and object-activated sounds fire a collective dub trigger, producing a distinctly somatic regrounding across five original works.
Review: Shlomi Aber & Kashpitzky join forces once again to make their Blueprint Records debut with four formidable techno tracks on the 'Sonic Underworld' EP. Sharing production duties on each side, Aber and Kashpitzky bring experience gleaned from prior releases on the likes of CLR, Drumcode, and BPitch Control - dropping clout like bombs - to this ultimate moment, on whose A-side we now hear 'Immersive' fusions of broken beat and far-flung techno atmospheres amount to a tittilating 'Saga'. The B-side's 'Rust' and 'Bazement' are equally as synthetic yet also hear the EP grow increasingly crazed, with the former indulging an entrained trance despite an equally adamant kick-drive, and the latter moving pure tweezy and swirly.
The Truth (feat Bella Hardcover - acappella) (3:41)
Review: The Kwench label is back with more tasteful and timeless house and techno fusions here as Ad & The Persuader link up for The Truth EP. The title cut opens up with some lazy, wavy, dubby grooves with heady pads and then a dub version makes it even more fleshy and horizontal. 'Strolling' keeps things classy and deep cut with pillowy kicks toped with starry-eyed melodies and some glitchy perc. An cappella closes out the EP for DJ use. This is a quietly excellent 12" that oozes quality.
Review: Cabinet is a label that has already got a fine reputation and that has been well-deserved for its work over the years. Now it offers up a new EP from a new project by long-time friends and early Cabinet members Daniel Paul and DJ Trike. They are calling themselves Bass Cab and their vibe is, going off this first EP, classic early 90s analogue techno with live dub versions. 'G2' is a silky and frictionless dub that is as smooth as glass and perfect to get lost in. 'Lofi' has dusty deep house aesthetics with a lovely muted lead synth that voyages at its own pace through the cosmos. 'Dub Chords' brings a mix of twitchy synths, reverb, bouncing drums and rubbery bass.
Review: No Signal Records' tenth release features legendary producer Jamie Bissmire. A key figure in techno since the 90s, Bissmire's solo work and collaborations, like Bandulu and Space DJz, have very much helped to shape the techno sound of recent times. His new EP does so once more and opens with the ambient track 'Subteranium' setting a moody tone with subtle synths and basslines. 'In Temporal' then kicks things off properly with a distorted 4/4 beat, while 'Lore & Order' creates a darker and more hypnotic vibe. 'The Tapestry of Fate' is a signature Bissmire track for the way it blends dark energy with relentless pressure. The EP closes with 'Woven Whispers' an atmospheric ambient piece that sends you away on a high.
B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition
Trojan Horus (part 1) (5:03)
Trojan Horus (part 2) (2:30)
Lam Vril (4:27)
Truth Benders DIE (3:22)
Bolt 23 Blue Screen Ov Death (1:45)
Alt/Return/Dash/Kill (2:14)
Bolt 777 Ordinary Boy (4:04)
Drexian City RIDE (1:23)
Remote Viewing (feat Steven Severin) (3:12)
Gummi Void (2:31)
Machine Machina (2:15)
The Stele Of Revealing (1:27)
Songs For Other People (2:57)
Break Down On Lake Shore Drive (2:00)
Bolt 33 Glitch & Chin (2:20)
Sudden Intake (4:49)
4 3s 555 (part 1) (2:49)
4 3s 555 (part 2) (4:27)
Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***
Album number six from Sheffield's electronic heroes The Black Dog was closer to their debut, Bytes, than anything that came in between. "We never set out to make it like Bytes," group member Martin Dust has since explained. "My idea was to create something you could come home to after you'd just ben to a club or gig, that would start at the right pace and then just wind down into a great album and just chill out." Suffice to say, they achieved that and then some. Silenced is an example of downtempo that still feels like it has one foot in the rave, sounds informed by 4AM highs and 10AM quiet, here made precious through the use of blissful and complex tones that envelop and encase your mind. A record everyone should own.
Review: Cologne native Blauert steps out here with his debut EP and in doing so offers up a sound that feels remarkably seasoned. His music blends influences from dub and Detroit techno but also has something more, something extra, which lends it a distinct quality often missing in many contemporary releases. These are silky and serene soundscapes for late-night heads who love it deep and with only the most deft of pads to hook onto as the beats roll to infinity and beyond. These are high-class and timeless tracks that make a lasting impression.
Review: Body Mechanic has been turning out definitive Motor City techno on solid labels like Cryovac, and GASS for several years. This time out he lands-on Detroit Techno and serves up, well, some electro. It's classic 313 tackle though - heavy on the kicks, snappy snares and filthy dirty basslines that make you want to move. Ghoulish vocals add extra grit to the opener and from there 'Dance' gets more playful with jittery drum funk and scratching, 'Beautiful Bum' has a gorgeously tender and reflective vibe thanks to the minor chords and smooth electro rhythms, 'Magic (feat Tay) ' slips into a deep and soulful house groove and 'Househead' is jacked up, loopy and well swung amongst several more timeless cuts. All in all, a killer double 12".
Review: Techno sorcerer Stephan Bodzin returns with his latest LP. In the last year, he glanced over unfinished material in his musical archive, and while spending time in Brazil, he selected 17 favourites and completed them to present on this album titled Boavista. With the aim of painting 'musical pictures that conjure up very real emotions in the listener', it features the typical style of dancefloor drama you have come to expect from the German producer such as the saucer-eyed epic 'Lil', or the strobe-lit rush of 'Astronautin' to the oncoming sunset euphoria of 'Nothing Like You' (feat Luna Semara) and the bittersweet affair River' towards the end.
Review: Swiss artist Chlar's last EP Optimized Grooves was a standout success across the techno world and it marked a significant step for the fast-rising producer after fine outings on labels like Iceland's NIX and Stranger's Self Reflektion imprint. His full-throttle style is continually evolving as his latest offering, the Intrinsic Drive EP shows. 'Dopamine Rush' kicks off with fast techno beats and hypnotic synths, 'Intrinsic Drive' weaves tightly packed drums, bass, and alien sound designs, 'For Marco' intensifies with darker kicks and eerie synths, while 'Steady Pace' adds swing with crisp hits and vocal fragments. 'Greedy Man' offers industrial undertones with skewed synths to end on yet another stylish banger.
Review: When the original version of this two-tracker originally appeared in early 1993, CJ Bolland was at the peak of his powers, spearheading a new wave of Belgian techno producers associated with Ghent's soon-to-be-legendary R&S Records offshoot. His stock, and that of his contemporaries, has risen again in recent times - hence this useful reissue. 'Camargue' was, like the second track on this 12", co-produced by British producer (and Advent member) Cisco Ferreira. Rich in jumpy organ riffs, saucer-eyed motifs, sweeping synth-strings and bounding beats, it's tech-trance from a point when trance was not the commercial beast it would later become. Flip-side 'Tokyo' adds Japanese-influenced melodies and sparkling electronic motifs to a typically Belgian 'Hoover' bassline and storming techno beats. Like 'Camargue', it's breathlessly brilliant.
Review: Bill Converse and Patricia land on Acid Test with more of their dynamic beat machine workouts in the form of this '380/750' EP which merges their distinct styles into an introspective, dancefloor-driven four-track workout. Recorded live at Ravitz's Brooklyn studio in just two days, the EP features raw, unedited performances that show off the duo's intuitive rhythm-making skills while drawing on Converse's 90s Michigan rave roots and Ravitz's Chicago upbringing. The immersive, bubbly, rubbery sounds are perfect blends of body music and heady synth work and cannot fail to take you deep.
Review: DJ Plead & rRoxymore make for a fascinating duo and take aim squarely at the floor on this new outing, Read Round City, for Smalltown Supersound. Opener 'Celestial' is a loose-limbed rhythmic jumble with hand claps, trippy xylophone patterns and deep bass that lulls you into a trance while 'Read Wrong' is a more reggaeton-inspired sound with snappy snares and warped synth sounds. It's gluey and gloopy and subtly colourful. 'Round Echoes' is a third and final cross blend of techno, dub and house that picks up the pace and heads off into the cosmos but retains an organic feel thanks to the marvellous wet hand claps.
Review: Nation of Jak offshoot Dirty Blends was established by label chief Melvin Oliphant as a vehicle for "interpretations" and "homages" - in plain-speak hush-hush reworks, tribute tracks and those that sample liberally. The label's latest release is a compilation of sorts, featuring as it does cuts from a trio of artists. The Falcon steps up first with title track 'Sound The Alarm', a raw, jacking, bouncy and positive mind-melding blend of lo-fi synth stabs, sweat-soaked beats, fire alarm noises and restless drum machine fills. Over on side B, Grizzly Knuckles' 'Mad Bell' - a breathless, house tempo techno workout built around a nagging synth-bell loop - is followed by label regular The Jak's 'Aftermath', which sits somewhere between jacking lo-fi techno, UK funky and stab-happy Soca-house.
Review: Sex Tapes From Mars come back a year after their last EP with a third one on the small but well-formed label and this one is handed over to Jata. Opener Stutter '(I)' is pure funky techno and mind altering cosmic synth work for the peak time. It's a bright and vivid sound world that's as good for the head as the heel. 'Midstate' then gets more dirty with warp synth riffs and smeared chords over industrial tech beats. It's restless and kinetic and another dancefloor bomb. Last of all comes the wonky closer Stutter '(I)' which is full of trippy effects and freaky little synth motifs over squelching basslines.
Review: Speciale 02 on Orion Italy is a collaboration between Ben Kaczor and Orion that brings together a remarkable mix of spacey, otherworldly techno sounds. Side-1 opens with Ben Kaczor's 'Gambler,' a lower BPM track that offers a refreshing change of pace for techno enthusiasts. The chill sounds and beautiful melodies woven into the composition create a soothing yet engaging atmosphere, making it a standout for those who appreciate a more relaxed vibe within the genre. Orion's 'Technocut009' follows, merging melodic techno with elements of IDM and a house-inspired bassline. This unique combination results in a track that feels both experimental and accessible, pushing the boundaries of traditional techno while maintaining a good groove. Flipping to Side-2, Orion continues to impress with 'NR2X,' an uptempo track that blends an analog groove with moody, trance-like elements. Its driving rhythm and atmospheric layers are great for deeper listening. Ben Kaczor closes the EP with 'Murano,' a track that leans into the more classic techno sound while still offering his signature touch. Overall, Speciale 02 delivers a diverse and intriguing journey through modern techno.
Review: Six releases in and Michigander label head Brian Kage teams up with the legendary French Techno producer, Taho, aka David Jacopin. The electronic music world knows to put respect on the Motor City, but the "Detroit EP" represents a fusion, emphasizing l'accent aigu - not a typo or spec on your screen that needs cleaning. Between Kage and Taho, their production pedigree includes releases for labels like FXHE, Planet-E, Delsin, F.Comm, and more, so it's no surprise the pairing makes for a masterfully produced EP covering the spectrum of Detroit house and techno sounds, with an added deft touch from its French connection.
Review: Following two tidy outings on Delsin in 2022 and a sole EP on BItta last year, Konduku (real name Ruben Uvez) returns to Nous Kla'er Audio, the label on which he made his name. In keeping with much of his output, the four tracks on offer present a richly percussive, dark room ready take on techno that draws inspiration from a multitude of contemporary and classic styles. Opener 'Kilm' is dark, thickset and clandestine, joining the dots between the polyrhythmic workouts of Livity Sound and Timedance and the pitch-black intensity of Rotterdam techno. On 'Meskendir', Uvez wraps gorgeous melodic loops and mind-mangling aural textures around a deep but bass-heavy groove, before opting for a more hypnotic and intergalactic sound on 'Ebedi'. Closing cut 'Hafif', meanwhile, hides its skittish tempo in a cascade of sparkling melodic motifs and warm sub-bass.
Review: There is a very grand back story to this EP that is worth finding but is too lengthy and conceptual to go into here. Assessing the release on its musical merits alone still results in high praise: this is no-frills techno with great style at its heart. 'Vincitori' is a menacing, ritualistic dance through minimal drums and moody pads. 'Vinti' has a more driving rhythm and molten synth lines while 'Alba Longa' gets abstract with slithering synths and surging, swamp sounds all making it a brilliantly unusual track. 'Trigemini' shuts down with spacious, eerie, dubby atmospheres that are hugely evocative.
Review: Greek label Ethos is all new and says that it aims to "present music from carefully curated artists that are consistent and true to their sound regardless of the current trends or hype." For their all-important inaugural release, they serve up a limited edition, hand-numbered hand-stamped 12" from Leonid who brings plenty of deep Detroit stylings. 'Diurnal Drift' opens with mid-tempo drums and loose analogue percussion in a dusty and dubby cavern, then 'Elliptical Orbit' is a serene and late-night horizontal groove. There is real musical craft in the lush chords and jazzy leads of 'Parallel Paths' while 'Eastern Horizon' sets down with a more raw and driving sound but still has a warm lo-fi glow.
Review: Maceo Plex has managed to pivot this alias from accessible house cuts with creamy basslines into a far more interesting project that explores astral techno with a range of different influences from sci-fi to wave to the sounds of the 80s. That has never been better exemplified than on '93, his expansive album on his Lone Romantic label. It features emo-anthems like 'Revision', disco-techno stompers like 'Go Back' and chunky robot-tech like 'All Night'. Plenty of guests from Mystic Bill to label mate AVNU Jane's Addiction frontman and alternative music legend Perry Farrell all help add a wide world of sound to the electronic core.
Review: Jeff Mills has always used the Millsart alias as vehicle for his more eclectic, out there, experimental and hard-to-pigeonhole productions. He's clearly proud of them, as he should be, as he recently inaugurated the 'Axis Expressionist Series' of EPs to showcase a blend of classic Millsart cuts and previously unreleased reworks. This 12" marks the third in the ongoing series, and sees 'the Wizard' bounce between creepy, mid-tempo techno psychedelia ('The Deuce Theory', with its addictive bassline, ghostly pads and off-key electronics), spaced-out tech-jazz headiness (the brilliant, impossible to describe 'Kundalini Energy (Morning Glory Mix)') and lightly jazz-tinged downtempo exotica (the organ-heavy shuffle and sun-bright melodies of 'Are You Experienced (Guilty Pleasure Mix)').
Review: Releases on the Ilian Tape label are nearly always two things - a) shrouded in mystery, and b) a little unconventional. Given that the painter who created the artwork gets a credit on the 12"s label but the musician or musicians themselves get no mention, it's fair to assume a) has been fulfilled. The music itself fulfils b) too, as hard edged rhythms clocking in closer to electro than techno provide a vehicle much softer, more sensitive musical flourishes. 'WantU' is probably the overall highlight, with its crystal clear arp riffing and Kraftwerk-esque bumping, but 'Chiemgau606', the rawer 'OSC' and 'Sinister808' should all appeal to those who like their grooves esoteric and full of personality - but ultimately still dancefloor slaying.
Review: FLASHX 26 delivers a potent collection of techno tracks, featuring five different artists on Flash records, out of Germany. Side-1 opens with Mython's 'The First Of The Old,' a track that combines airy, expansive techno with heavy, dominating dub chords, creating a sound that feels both vast and powerful. Jonas Xenon's '2019' follows, unleashing a punishing, sci-fi inspired piece of machine music that hits hard with its relentless energy. On Side-2, Karenz's 'Ground,' is a strong, energetic builder that drives forward with unwavering intensity. Morgenstern's 'Orinoco Opiate' adds a deeper, tribal groove, pulling listeners into its rhythmic embrace. Closing the record is Idu Berg's 'Spool B,' a track that ventures into alien territory, adding an intriguing and otherworldly edge to the compilation. Pressed on a striking limited splattered vinyl 12", FLASHX 26 is a showcase of diverse, high-quality techno, each track bringing its own unique flavor to this compelling release.
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