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Latest reviews

Victrola is the duo of Antonio "Eze" Cuscina and Carlo Smeriglio from Messina, Italy. The band formed in 1979 but shortly thereafter relocated to Florence take part in a rich musical scene alongside Neon, Pankow, Alexander Robotnick, and Diaframma. Beginning as a 4-piece (two guitarists, bassist, drummer) they slimmed down to a synthesizer and guitar-based duo by 1982. Their sole release was the now classic "Maritime Tatami"/"A Game Of Despair" EP from 1983, which we reissued in 2012. 'Born From The Water' is a 12 song collection of unreleased demos recorded between 1983 and 1985. The band sent us over 100 cassettes, through which we dug to compile the first volume of their archival darkwave ballads. They used an array of Roland synthesizers (TR-606, TB-303, TR-909, Juno 6) plus a Korg Polysix, Yamaha DX7, Casio VL-Tone VL-1, DR-55 Dr. Rhythm, and Fender Stratocaster and Jazz Bass. Some of the songs would later appear on various compilations, but the versions presented here are unique. Victrola engulfs the listener with trance-inducing synth lines, oblique minor-key bass lines, angular guitar riffs, and melancholic vocals. The songs tell tales of youth, love, karma, and the decline of civilization in modern times. Each song has been carefully remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The records come housed in a jacket designed by Eloise Leigh, which uses motifs from the band's sole release and includes an insert with liner notes and photos.
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Noah Skelton - AMOUR 001
12"
$10.73
For the label's first release, German imprint Amour has recruited rising star Noah Skelton, a producer who has previously served up tech-house treats on Silencio, Mayak and Cabinet Records, amongst others. Skelton starts in fine style with "Trailblazer", a wonderfully dreamy, funk-fuelled affair that joins the dots between the spacey, futurist sound of 1990s tech-house and the rolling chunkiness of more contemporary tech-tinged fare. He reaches for deep space chords once more on similarly inclined flipside cut "Altitude" - all two-step-influenced house beats, ultra-deep electronics and fireside-warm bass - while closing track "Nightfall" is a swirling, early morning roller of the type that Parisian crew Yoyaku has been serving up all year.
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Famed Bologna selector Luca Trevisi digs deep into his crates for another edit session. Four jazz funk obscurities each one primed with the spirit the Irma affiliate has pushed since his residency at the famous Kinky Club in the 80s; vibes range from the belting Al Green style falsettos of "Trying My Best Love" to the dual guitar peaks and crazed bluesy frenzy of "Run Mona" and the Booker T style organ blasts of "Lick The Lollipop". Hot and indeed groovy.
Fresh from serving up some savage "Rave Reworks" on an ultra-limited 12" single, techno's leading number crunchers return with an EP of fresh studio jams. As usual, what's on offer is intense, full-throttle and mind-altering in the extreme. Check, for example, opener (and title track) "000000005", where increasingly ragged, wayward and psychedelic acid lines surge forwards over a stomping, kick-drum dominated beat, or"000000006", an acid techno onslaught that waves a glow-stick towards the Halcyon days of German techno-trance. The acid-fired '90s techno revivalism continues on the flip with two more chunks of sweaty, mind-altering peak-time insanity. Not one for the faint hearted.
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Over the past few years, Be Svendsen's releases have showcased his growing maturity as a producer, with the straight-up club fare of old replaced by a range of far more intriguing and musically complex cuts. There are further signs of maturation on this long awaited debut album, which cheerfully shuffles between melodious, mid-tempo Balearic deep house ("Falling"), jazzy and folksy soundscapes (the brilliant title track), dub disco-influenced wonky synth-pop ("Drop The Gun"), Italo-disco revivalism ("Andromeda"), blissful ambient business (the delightful "Moments"), cosmic rock ("Hazy Eyes") and dewy-eyed vocal numbers ("October Letters"). In other words, he's finally delivered the album he's been capable of for some time.
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Ricardo Villalobos - Silent EP
12"
$10.20
Three-quarters of the way through 2018, Ricardo Villalobos finally serves up his first solo release of the year. The Chilean has said very little about the two-tracker, merely serving up sound clips with no fanfare or fuss. Fans will enjoy "Wispa", with the producer's signature buried spoken word samples and intoxicating audio textures playing second fiddle to a driving kick-drum pattern and druggy, TB-303 style acid line. "909 Track" is, if anything, even bolder. While it's as hypnotic and trippy, the beats bounce, the acid lines pop and the main riff - a relentless, warehouse-friendly affair - drives the cut forward with restless energy. An impressive departure from his tried-and-tested blueprint.
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