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Latest reviews

Mukatsuku / Eko / Georges Ouedraogo - Afro Funk & Disco Gems Volume Nine
7"
$6.48
Mukatsuku's ongoing "Afro Series" continues with a fine limited edition 45 containing two funk-fuelled floor-fillers. In fact, you'll struggle to find a more celebratory and life-affirming workout than Eko's "M'Ongele M'Am" licensed from Nubiphone & Africa Seven, a Makossa-fired Afro-disco gem rich in punchy horns, driving Afro-boogie bass, lilting synthesizer lines, Mariachi style trumpet solos and the kind of chant-along vocals that should put a smile on the face of even the most miserable of dancers. Over on side B, Georges Ouedraogo's "Deni" is an essential Clavinet-happy killer chunk of Afro-funk/Afro-Disco fusion from Burkina Faso. As played by Floating Points,The Allergies,Faze Action,Antal ,Lego Edits & Red Greg so far...
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Chez Richard / The Rasundas - Sensi Smile
12"
$10.01
After almost 5 years Lonesome Hero is back and delivers two bassheavy club jams with Acid Barney getting spins from Offen's Vladimir Ivkovic at the Strange Sounds from Beyond Festival 2018 in Amsterdam.
Given the amount of jobs he has (Elevator Sound shop owner, modular synth show promoter and superclub manager, for starters) we often wonder how Marco Bernardi finds time to sleep, let alone conjure up new EPs of high quality machine music. This outing on Brokntoys is another fine collection from the Bristol-based Glaswegian. Highlights are plentiful throughout, from the acid-flecked deep electro melodiousness of "Super Deep Voices" and glacial, off-kilter IDM warmth of "Plat+Form", to the deep space modular funk of "Miscopol" and the foreboding throb of the EP's acid-laden closing cut, "Soijien". Smart work from Bernadi... as usual.
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Alessandro Adriani / Beau Wanzer - Embryo
12"
$9.47
Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with 'Embryo' - an immersive four-track micro-odyssey spanning across jagged ambient scopes,unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, 'Morphic Dreams'.
What more can be said about the output of Alex 'Omar' Smith? The Detroiter's releases have perhaps been a little more varied of late than we've come to expect, but the quality nevertheless remains dizzyingly high. This white label excursion is full of floor-friendly gems, with Smith's use of classic house samples and familiar vocal samples also making it one of his most party-hearted releases for a while. Check, for example, "Catch Ya", where a much-loved turn-of-the-'90s acapella rises above bouncy New Jersey organs and snappy machine drums. "Better Believe It Baby" brilliantly wraps a chiming synth loop and R&B style vocal snippets around a chunky, disco-fired deep house beat, while "Cheat" and "Pull Ovaa" are deliciously dusty, bass-heavy deep house workouts with just the right amount of hypnotic late night charm.
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On their third album, Tiger & Woods have decided to flip the script a little, paying tribute to Italy's remote, rural clubs of the early 1980s. To do this, they've sampled up a wealth of material from Rome's boogie-inspired, Italo-disco era Full Time and Goodymusic labels and turned it into slow motion and mid-tempo gold. As a result, the album's eight tracks are altogether more sun-kissed and Balearic in feel than their electrofunk-inspired club jams of old, though this is no bad thing. In fact, there's an argument to suggest that "AOD" (it stands for Adult Oriented Dance apparently) is their most enjoyable and listenable album to date, with less reliance on heavyweight loop jams and more intricate musical touches. However you spin it, "AOD" is a glassy-eyed, loved up triumph.
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