Notes: Weight matters! Improve the stability of the vinyl records. 45 rpm adapter is made of high-quality stainless steel with precision milled on a CNC machine. Feature rubber O-ring around the adapter and it sits above the vinyl to clamp the vinyl down in place.
This adapter center is much heavier than the standard aluminum or plastic equivalent. Weighing 147g. These 45s adapters are among the heaviest available in the market.
The shape was designed and inspired by a spray can. Dual usage: works as an adapter and vinyl weight/clamp. O-ring can be remove to slide vinyl records easily and quickly during an audition or DJ set.
Precise hand-painted, nonfunctional nozzle top cap is made out of resin.
Specifications:
Weight: 147g
Height: 32.5mm
Diameter: 38mm with O-ring: 40.6mm
Material: Stainless steel
Packaging bag: Velour with logo print
The price stated is for one adapter
Designed and dreamed in Singapore, for your listening pleasure.
Notes: Weight matters! Improve the stability of the vinyl records. 45 rpm adapter is made of high-quality stainless steel with precision milled on a CNC machine. Feature rubber O-ring around the adapter and it sits above the vinyl to clamp the vinyl down in place.
This adapter center is much heavier than the standard aluminum or plastic equivalent. Weighing 147g. These 45s adapters are among the heaviest available in the market.
The shape was designed and inspired by a spray can. Dual usage: works as an adapter and vinyl weight/clamp. O-ring can be remove to slide vinyl records easily and quickly during an audition or DJ set.
Precise hand-painted, nonfunctional nozzle top cap is made out of resin.
Specifications:
Weight: 147g
Height: 32.5mm
Diameter: 38mm with O-ring: 40.6mm
Material: Stainless steel
Packaging bag: Velour with logo print
The price stated is for one adapter
Designed and dreamed in Singapore, for your listening pleasure.
Notes: Weight matters! Improve the stability of the vinyl records. 45 rpm adapter is made of high-quality stainless steel with precision milled on a CNC machine. Feature rubber O-ring around the adapter and it sits above the vinyl to clamp the vinyl down in place.
This adapter center is much heavier than the standard aluminum or plastic equivalent. Weighing 147g. These 45s adapters are among the heaviest available in the market.
The shape was designed and inspired by a spray can. Dual usage: works as an adapter and vinyl weight/clamp. O-ring can be remove to slide vinyl records easily and quickly during an audition or DJ set.
Precise hand-painted, nonfunctional nozzle top cap is made out of resin.
Specifications:
Weight: 147g
Height: 32.5mm
Diameter: 38mm with O-ring: 40.6mm
Material: Stainless steel
Packaging bag: Velour with logo print
The price stated is for one adapter
Designed and dreamed in Singapore, for your listening pleasure.
Notes: Weight matters! Improve the stability of the vinyl records. 45 rpm adapter is made of high-quality stainless steel with precision milled on a CNC machine. Feature rubber O-ring around the adapter and it sits above the vinyl to clamp the vinyl down in place.
This adapter center is much heavier than the standard aluminum or plastic equivalent. Weighing 147g. These 45s adapters are among the heaviest available in the market.
The shape was designed and inspired by a spray can. Dual usage: works as an adapter and vinyl weight/clamp. O-ring can be remove to slide vinyl records easily and quickly during an audition or DJ set.
Precise hand-painted, nonfunctional nozzle top cap is made out of resin.
Specifications:
Weight: 147g
Height: 32.5mm
Diameter: 38mm with O-ring: 40.6mm
Material: Stainless steel
Packaging bag: Velour with logo print
The price stated is for one adapter
Designed and dreamed in Singapore, for your listening pleasure.
Notes: Weight matters! Improve the stability of the vinyl records. 45 rpm adapter is made of high-quality stainless steel with precision milled on a CNC machine. Feature rubber O-ring around the adapter and it sits above the vinyl to clamp the vinyl down in place.
This adapter center is much heavier than the standard aluminum or plastic equivalent.
Dual usage: works as an adapter and vinyl weight/clamp.
O-ring can be remove, the shape was designed to slide vinyl records easily and quickly during an audition or DJ set.
Specifications:
Weight: 118g
Height: 22mm
Diameter: 38mm with O-ring: 40.6mm
Material: Stainless steel
Packaging bag: Velour with logo print
Designed and dreamed in Singapore, for your listening pleasure
Notes: Weight matters! Improve the stability of the vinyl records. 45 rpm adapter is made of high-quality stainless steel with precision milled on a CNC machine. Feature rubber O-ring around the adapter and it sits above the vinyl to clamp the vinyl down in place.
This adapter center is much heavier than the standard aluminum or plastic equivalent.
Dual usage: works as an adapter and vinyl weight/clamp.
O-ring can be remove, the shape was designed to slide vinyl records easily and quickly during an audition or DJ set.
Specifications:
Weight: 118g
Height: 22mm
Diameter: 38mm with O-ring: 40.6mm
Material: Stainless steel
Packaging bag: Velour with logo print
Designed and dreamed in Singapore, for your listening pleasure
Review: An electrifying journey through relentless acid and high-energy techno as Acid Asian goes in hard. The title track, 'Deep Soul', sets the pace with a fierce acid trance vibe, pulling listeners into its hypnotic rhythm. 'Space Colors' escalates the energy with epic, pounding euphoric trance, creating a sweeping sense of exhilaration. Side-2 kicks off with 'Ain't Nobody Like Us', a hardcore techno banger that's percussive, catchy and impossible to ignore. Closing with 'Humans', the EP dives into heavy, intense techno, wrapping up with a powerful and gritty finish. From start to finish, a high-octane, genre-blending ride that masterfully mixes acid, trance and techno, creating a standout release for those who like their beats pulsating and energetic.
Review: This release presents a dynamic exploration of electro and techno, blending fast-paced, acid-driven energy with atmospheric depth. Side-1 opens with 'Destruction Industries', a heavy, dramatic track that pulses with acid electro, creating an intense, alien vibe. 'My Vision Of Space' follows with a futuristic, Carl Finlow-esque feel, offering a sleek, forward-thinking electro sound. The Belaria Remix of the track slows things down, providing a lower BPM version that retains the original's spacey atmosphere but with a more subdued, deeper groove. Side-2 shifts gears with 'Ammoniax', diving into otherworldly techno with a hypnotic, immersive quality and 'We Come For Acid', a darker, trancey track that builds tension with heady, layered acid sounds, perfect for late-night listening. Overall, this release offers a varied, yet cohesive mix of high-energy electro and atmospheric techno.
Review: A reissue of 2022's covers single, Alvarius B's 'Karaoke' gets a second run via Unrock. A titan of the US underground singer-songwriter scene, Alan Bishop is best known as a co-founder of Sun City Girls and owner of the labels Abduction and Sublime Frequencies. His less-known alias Alvarius B has nonetheless seen an extended panhandle of releases at least since 1994, and plays host to a string of 'characters' and sub-pseudonyms. One such 'charakter', as he calls them, is Karaoke, whose forte is covers of noir cinematic rock classics. Here we've got two dark rundowns; on the A, a dark rundown of Ennie Morricone's 'Solo Nostalgia' from the film Comandamenti per un Gangster, and on the B, a version of Indonesia's finest Koes Plus' 'Tiba-Tiba Ku Menangis', whom Bishop had already interpreted as part of the band Koes Barat. Both detail Bishop's talent as a rarely-performed alter-ego, a cosmopolite solo-entertainer.
Let Me Be Your Fantasy (Dimitri From Paris club mix) (6:14)
Let Me Be Your Fantasy (Dimitri From Paris dub) (7:16)
Let Me Be Your Fantasy (Masters At Work Clap Yo Hands dub) (7:25)
Let Me Be Your Fantasy (Moplen remix) (5:03)
Let Me Be Your Fantasy (Mousse T Fantastic Shizzle mix) (6:00)
Let Me Be Your Fantasy (Blackchild remix) (6:00)
Let Me Be Your Fantasy (Two Soul Fusion remix) (12:05)
Review: This release sees Anane's soulful vocals take centre stage, reimagining the classic house anthem through a series of captivating remixes. Dimitri From Paris delivers two irresistible cuts, his club mix a vibrant and energetic journey through classic house sounds, while his dub strips things back to a hypnotic groove. Masters At Work's 'Clap Yo Hands Dub' injects a dose of infectious energy, while Moplen's remix takes a more atmospheric approach, its swirling synths and hypnotic rhythms creating a mesmerising soundscape. Mousse T's 'Fantastic Shizzle Mix' adds a touch of soulful bounce, while Blackchild's remix delves into deeper, more tribal-infused territories. Two Soul Fusion's remix closes out the collection with a smooth and uplifting vibe, its soulful melodies and infectious groove leaving a lasting impression. This release is a must-have for any house music enthusiast, showcasing the enduring power of a classic anthem reimagined through the lens of diverse and talented producers.
Review: Portuguese artist Cruz, a pivotal figure in Lisbon's music scene, finally makes his vinyl debut with BLOOP027. Leading the charge on A1 is 'Interstellar Odyssey,' a track that showcases Cruz's talent with a driving bassline and dark, atmospheric tones, delivering a polished, space-bound journey. The B-side opens with 'Milky Way Melodies,' featuring acid-dipped synths and a deep, impactful groove that takes the listener even further into the cosmos. Closing the EP is 'Porto Supernova,' where snappy snares and haunting vocals round off this stellar release. It's a debut that feels overdue, leaving us eager for more from Cruz.
Review: Spanish tastemakers Microm Records celebrates a decade of innovation in electro sound by bringing unreleased tracks from the past to vinyl alongside a selection of fresh current works. This project aims to honour the label's achievements while bridging the gap between its past and present and does so in style while also resurrecting hidden gems and encapsulating the evolution of its sound. From the dark, corrugated funk of Dark Vektor's 'Des Control' via MEKA's enthralling, vocal-laced workout 'If Electro' via Negocius Man's 'The Launcher', this is a superb electro collection.
Golden Years (previously unreleased instrumental) (4:04)
Fame (previously unreleased instrumental) (4:01)
Review: Newfangled popstar back-cat diggers label Bowie kick off their 7"s arm with an intention to "dig deep into the unreleased sides of pop superstars material from the past", focusing initially on two formerly unreleased funk instrumental tracks recorded by the label's namesake. Who knew an anisocoric kid from Bromley could end up playing funk? So he did, having, at an unnamed point in time, laid down funk versions of 'Fame' and 'Golden Years', two already towering moments in the discography. His trademark jerkiness shines as ever here, but it's the 'Fame' instrumental that really flexes his twanging side, flaunting long releases and dramatic two-tone movements.
Review: Canadian DJ and producer Marie Davidson returns with her latest single 'Contrarian', a collaboration with Pierre Guerineau and Soulwax, released via the DEEWEE label. Featuring a fierce blend of raw electronics, 'Contrarian' stands out as one of Davidson's strongest club tracks to date. Earlier this year, Davidson made her debut on the iconic DEEWEE imprint with her track 'Y.A.A.M. (Your Asses Are Mine)', reuniting with Soulwax, who had previously remixed her acclaimed anthem 'Work It'. This release continues to showcase her forward-thinking approach to electronic music production.
Review: Italian house artist Flashmob's debut album Sundown is introduced with this fine four-track sampler which offers a glimpse into the diverse sounds of the full release. The opening track, 'Right Now,' features South African wordsmith Lazarusman on vocals and delivers a soulful, groove-filled house anthem with a positive message. The title track is a deep, melodic masterpiece that blends electronic music's darker and more emotive elements. Then 'Time Chance' takes a tech-house approach that showcases Flashmob's more intricate, driving beats. The sampler closes with 'Hands All Over Me' a dark, late-night roller with haunting, ethereal vocals that are perfect for the after-hours.
Review: This release offers a stellar exploration of minimal techno, packed with intricate grooves and precise production. Side-1 kicks off with 'Bunker Mode', a jackin', spacey groove that sets a compelling tone. 'Lost at the Lake' follows with its mechanical, minimal tech-house vibe, blending micro-grooves with snappy, melodic elements for a hypnotic experience. Side-2 opens with 'Correspondances', a standout track featuring a deep bassline, crisp production and a disorienting, druggy vibe that feels like being caught in a spaceship's cargo bay. Its minimal funk and wobble make it a dance floor favorite. The release closes with 'Obsession', a groovy, minimalist piece driven by solid micro-basslines and spacey details, offering a wobble-filled journey that rewards attentive listening.
Review: James Burnham aka Burnski aka Instinct aka a UK production powerhouse is back with another sure-to-sell-out release, this time on his new label Gravitate. It comes under a new alias of the same name and is pure dance floor heat with the opener layering up silky tech beats with some nice playful synth lines and chords adding the fun. The second cut is a disco-tinged and low-slung sound and then some garage vibes influence the drums of the B1 next to freaky vocals. Things close down with deeper sounds for late night and cosy back rooms.
Sharam Jey presents Stressman - "House The Party" (5:27)
Cle Acklin - "No Need To See" (main mix) (8:02)
Review: The ninth addition to Mineral Cuts' two-sider 12"s series comes courtesy of producers Cle Acklin, Sharam Jey and Stressman, offering a tritonic trance tranche of geologic audio wonders. Jey's 'House To The Party' moves glassy and vocal, its central vocal sample resounding again and again to the point of semantic satiation, as refractively syncopated synth sevenths burst atop the mix. The crystalline moods continue, with FX resembling dial-up tones trilling away on Acklin's 'No Need To See'. Both tracks proffer a polished torso-tucking sound, perfect for the lightfooted dancefloor.
Review: Local Sugar Diggers is a series from label head Scruscru that draws together a fine selection of re-edits and reworks of a mix of hard-to-find old records, all done by his mates. This time out it is LTF who steps up his 'At The Pier' is an effortlessly funky jam with some laid-back horn work adding extra spice next to the jumbled percussion. Flip it over and you find 'Con Ritmo Y Melodia' which is a slower, steamier, more Latin-flavoured sound with shuffling percussive grooves and big old breaks to get the floor going.
Review: GLBDOM Classic drops a second vinyl release here in the form of a various artists' selection of vintage house sounds. Manuold's 'Hey Sunshine' gets things underway with some back-to-the-90s kick drums and playful horns with uplifting vocal samples making for a sweet vibe. Evenn's 'Inner Dance' is a nice raw house bumper with vamping chords and some soulful Detroit chords in the background. Scart Lead then keeps things silky with the smooth pads and muted melodies of 'Everglades' and Esspee and Kid Only close out with two more ageless house gems that pair dance for clout with heartfelt soul.
Review: Lisbon veteran Nebulaee makes his debut on Carpet & Snares, delivering four tracks that blend organic arrangements with quirky vocal samples. With a distinctive style that recalls the likes of Spencer Kincy, Nebulaee crafts tracks that balance minimal house vibes with a slightly eerie twist. Walking basslines ground the groove, while nimble percussion adds movement and energy. The harmonies shift from cheerful to creepy, drawing listeners into a playful yet slightly unsettling atmosphere. Every track here feels like a journey, with carefully layered sounds and a mischievous, ever-evolving tone.
Review: This release delivers an electrifying journey into acid and electro techno. 'The Program' opens with an uptempo, busy rhythm that pulses with excitement. Its sci-fi influences are clear, with acid-driven melodies and a compelling sense of urgency that keeps the energy high throughout. On Side-2, 'Test' takes a darker, more subterranean turn. The pounding beat anchors the track, while spacey, atmospheric elements create an immersive environment. The production is tight, with deep, resonant layers that pull the listener further into the track's world. Both tracks showcase a mastery of tension and release.
Review: Rahaan, one of Chicago's finest exports, delivers another stellar collection of dancefloor-focused edits. This four track EP traverses a spectrum of sounds, from disco to house, showcasing Rahaan's signature blend of infectious grooves and soulful energy. 'Project Funk' sets the tone with its undeniable funk flavour, its driving bassline and infectious horns guaranteed to get bodies moving. 'Shangri La' takes a more ethereal approach, its dreamy melodies and hypnotic rhythms transporting listeners to a blissful paradise. On the flip, 'Tribe Dance' injects a tribal-infused energy, its pulsating rhythms and percussive elements creating a primal atmosphere. 'Deeper' closes out the EP with a deep house excursion, its hypnotic groove and soulful chords inviting listeners to lose themselves in the music. With its impeccable selection and expertly crafted edits, this release is a must-have for any discerning DJ or lover of quality dance music.
Review: Some artists are always going to be a rich vein to mine for DJs looking to get instant results with the tunes they play. This 80s soul legend is one of those whose buttery smooth vocals only ever need a little extra weight adding to the drums to make them perfect for club deployment. Here we get a version of 'Nothing Can Come Between Us' with soulful drums that have a nice dusty, lo-fi edge and some smart melodies. On the flip is the more intimate 'King Of Sorrow' which becomes a melancholic groove for cosy back rooms.
Pete Moss & Colette - "Higher" (Saison remix) (5:32)
DirtyTwo - "Rymden" (5:12)
Review: There is a wealth of No Fuss releases all dropping this year and number 12 is a tasteful house four-tracker from various quality artists. Saison's 'Suffer' is up first as a remix from Fouk, and it is a lovely, jazzy, laidback and heartfelt sound with an infectious skip in the drums. The original is just as infused with dusty soul and warming chords and on the flip Saison remixes Pete Moss & Colette's 'Higher' 'into carefree grooves with more noodling melodies and DirtyTwo then keeps the grooves flowing with 'Rymden,' which exudes summery excellence.
Review: Sindh kicks on with a third release here, a second in the Komudo Series. It features four original tracks "focusing on mind and body movement." 'Senses' opens up with a trippy blend of sleek minimal rhythms and paranoid vocal loops and 'Gataka' then layers up curling synths and jacked drums with some eerie late-night menace. 'Vulcan' then picks up the pace with another lithe and classy techno pumper then gets you into a hypnotic state and 'Sky Fusion' brings things to a close with some silky loops and funky rhythms.
Review: Ricardo Villalobos wasn't always the cult figure he is today. At the start of his career he was an underground producer still finding his feet and fomenting his own sound. It was in the first decade of his career that he cooked up this tune and had what is about as close as he will ever get to a techno anthem. 'Heike' rides on big drums with detuned synth lines layered up next to female vocal coos, pixelated synth modulations and prying bass. Its a mental workout as much as a physical one and still bags today, which his why it gets this reissue on Rawax alongside the Mood Mix on the flip which is more dubby and dialled back into to deeper beats.
Review: Windy City - which is of course the colloquial name for Chicago, the US house hotbed - serves up a pair of dazzling electro bombs here for NYC. This mad-limited 7" packs a mighty punch from the off. 'Acid Wash' is laced with 303 lines and has jacked-up broken beats, silvery percussion and plenty of cosmic charm to get floors rocking. On the flip, 'Acid Dry' then strips things back to some loopy snares and roaming pads, all with another crisp electro rhythm down low. These two ageless jams are sure to be hugely effective.
Review: Wonder by name, wonderful by nature. Man like Stevie has cooked up countless irresistible jams and so many of them are perfect for club-ready edits. That's what we have here as one of his most upbeat and feel-good jams, 'If You Really Loved Me,' gets a tweak with some modern flair. The drums are flipped into rolling and soulful house beats while the joyous vocals and horn stabs remain in place. 'I Wish' then has a more peak time feel with a blend of disco synths and lively vocal ad-libs, while 'In My Mind' is a nice laid-back and blissed-out number for cosy sessions.
Review: There seems to be a richness of cultured new edits dripping at the start of this New Year. This 12" is proof of that and it finds the great Motown legend Stevie Wonder have his impeccable sounds just subtly tweaked to give them a little extra heft on modern sound systems. 'Do I Do' (House remix) kicks off here with nice disco loops and funky drum patterns that come alive with some steamy sax energies. The timeless 'Superstitious' then gets beefed up with some echo on the majestic synths and more weight in the drums. It's fun and funky perfection.
Review: Asake's latest release showcases his signature blend of Afrobeat and contemporary global sounds, delivering a richly layered collection that reflects his artistic growth. Tracks like 'Wave (feat Central Cee)' seamlessly merge Afrobeats with trap influences, while 'Active (feat Travis Scott)' introduces amapiano textures into Asake's distinct soundscape. These collaborations amplify the album's dynamic energy, while Asake's lyrics delve into themes of resilience and ambition. It's a confident step forward, cementing his position as a global force in music.
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