Review: Enduring prog rock favourites Pink Floyd played this typically mesmeric live performance at the Rainbow Theatre in London on February 20, 1972. It showcases a significant portion of the material that would later appear on their iconic album The Dark Side of the Moon, released a year later and still all these decades the high water mark for certain prog fans. The concert is a superb glimpse into the band's evolving sound, with intense, atmospheric performances and raw energy all present and correct as they work through classics like 'Money', with its snaking bassline, and 'US & Them', in their early versions. A historical snapshot of one of rock's most influential bands in their prime.
Review: Serving as follow up to 2023's acclaimed breakout third full-length Take Me Back To Eden, London's elusive, masked progressive metal mystics Sleep Token return with Even In Arcadia. Renowned for their genre-fluid melding of djent, metalcore, post-rock with further leftfield elements of post-classical, hip-hop, trap and indie-pop, the project led by the enigmatic Vessel has seen a massive expansion in popularity since the release of their last album. Set to headline Download 2025 before embarking on their first US Arena Tour, their newest endeavour promises to maximise all of their sonic abandon and outdo their own blueprint in the process, with lead single 'Emergence' starting life as a piano ballad before morphing into an ambi-trap groove metal anthem until fading with a lush, jazzy saxophone and piano finish. No doubt, this will be one of the highest selling/streaming/controversial/debated/talked about metal-centric titles to be released this year.
Review: By the time they reached 1973, Genesis knew exactly the kind of band they wanted to be, and Selling England By The Pound saw them going further into the pastoral folk sound which would inform the evolution of prog into a more specific style rather than an attitude. This was the penultimate album from the original, classic Genesis line-up of Peter Gabriel, Phil Collins and Steve Hackett, and you can still sense a band exploring possibilities to match their considerable musical chops. Just take in the monumental 'Dancing With The Moonlight Knight' and you can hear the mould being cast for the waves of prog that were to come.
Review: A 1996 classic brought back to life with a new, enhanced vinyl experience. Opening with the title track, the album presents a blend of prog-rock with more streamlined, radio-friendly elements, which defines much of the era. 'Driven' stands out as a high-energy, guitar-heavy track, while 'Virtuality' brings an electronic edge to their sound, embracing the technology of the time. This 2XLP release allows fans to revisit the album in rich analogue quality, offering a fresh perspective on Rush's evolution during the 90s, with the complex musicianship and dynamic range that made the band iconic.
Review: Back in 2008, Jethro Tull performed a now legendary set at the Basel Festival in Switzerland. Their "powerful and passionate" performance - as the accompanying press release puts it - was previously available on DVD, but this double-CD marks the first time the soundtrack has been made available as an audio release. It naturally stands up to scrutiny, with the effervescent Ian Anderson (switching as ever between vocals and flute) leading the way on a memorable trawl through their epic back catalogue and its notable blends of folk, progressive rock, jazz, hard rock and neo-classical movements. Expect to hear fine versions of 'Aqualung', 'Living In The Past', 'A New Day Yesterday', 'Locomotive Breath' and much more besides.
Review: In the pantheon of prog rock landmarks, none come bigger than The Dark Side Of The Moon. Pink Floyd's magnum opus struck the perfect balance between grandiose vision and universal appeal, carrying relatable themes alongside innovative production and providing the fuel for any psychedelically-minded listener to trip out on a precision crafted trip. As the album celebrates its 50th birthday, this stellar recording of a full live performance of Dark Side... from Wembley in 1974 is seeing its first pressing on vinyl. It's faithful to the album in Floyd's exacting way, but it's also a revelation to hear such a wide scope of sound recreated on stage, not least the likes of 'On The Run'. A fascinating insight into the legacy of a towering, seminal work in the history of modern music.
Review: For this outing, the mighty Dusty Donuts crew return to Queensbridge where they cross paths with a 'Lost Girl' which featured on a legendary mixtape by one of QB's finest. The bouncy, choppy Marc Hype & Jim Dunloop Late Night Remix is guaranteed to energise any crowd with its well-programmed beats. On the flipside, the vibe shifts from Queensbridge to Staten Island and brings a unique sound that woos in a different fashion. This heavy soul classic arrives in true Shaolin style with dark, choppy soul chords and classic hip-hop beats. Both of these tracks command attention with powerful drums while the synths connect with both mind and soul.
Review: Originally released in 1990 and celebrating its 35th anniversary this year, Frizzle Fry was the debut full-length from avantgarde funk metal absurdist trio Primus. Known to normies as the band who penned and performed the South Park theme song, those more in the know should be aware of the bold staying power and creative fearlessness this album exuded, whilst signifying that the heavier realms of alternative rock and metal didn't need to be all leather clad angst. Arriving at a similar time to the self-titled debut from Mr. Bungle, the early 90s began with earnest outsider attempts to push the envelope before grunge would come along and be completely devoured by the mainstream machine. Funded with money from the sales of their initial 1989 live album Suck On This, by the time of recording, original guitarist Todd Huth had departed the group, being replaced by mainstay Larry LaLonde playing many parts written by his predecessor. Boasting the band's breakout single, minor radio hit and longtime fan favourite 'John The Fisherman', this reissue duplicates the 2002 remaster and includes the addition of their double whammy cover of The Residents' 'Hello Skinny/Constantinople'.
Review: Turn It on Again: The Hits serves as a concise yet comprehensive overview of Genesis's illustrious career as hit-makers. While it may not include every fan favourite track from their extensive catalogue, it effectively captures the essence of the band's evolution from the Peter Gabriel era to their chart-topping success under Phil Collins's leadership. The compilation - being made available on vinyl for the first time - features all the major hits that have defined Genesis's legacy, from the anthemic 'Turn It on Again' to the infectious 'Invisible Touch' and soulful 'Follow You, Follow Me.' The album offers a satisfying journey through the band's musical journey. Standouts include the inclusion of classics like 'I Know What I Like (In Your Wardrobe)' and the reworked version of 'The Carpet Crawlers 1999,' showcasing the band's versatility and enduring appeal. Overall, Turn It on Again is a must-have for both casual listeners and die-hard fans alike, reaffirming Genesis's status as one of rock's most iconic acts.
Careful With That Axe, Eugene (alternate take) (5:50)
A Saucerful Of Secrets (Unedited) (12:44)
Review: The newly re-mastered release of Pink Floyd's legendary Pompeii performance from 1972 - released as a film initially and recorded without an audience - immerses the listener in the eerie grandeur of the ancient Roman amphitheatre. Steven Wilson, in charge of reworking the audio, breathes fresh life into the familiar, giving tracks like 'Echoes Part 1' and 'Careful With That Axe, Eugene' a heightened sense of space and detail. The alternate take of 'Careful With That Axe, Eugene' and the unedited 'A Saucerful of Secrets' show the band's ever-evolving approach at this most productive stage in their career. A raw, expansive reflection of Pink Floyd's creative journey as they morphed from psychedelic garage stars to prog rock giants.
Review: The title is lifted from a line in the song from their 1969 studio album, More, which is an acoustic folk ballad titled 'Green Is The Colour': "Heavy is the bond between the hopeful and the damned." Live they slap on a more electric feel with Gilmour's inimitable soloing a strong part of it. The overarching loose, exploratory feel to this collection is a result of Pink Floyd's tendency to improvise and see where the music takes them. Clearly playing for themselves here but nevertheless compelling and awe-inspiring in what they do.
Review: Steven Wilson's remix job injects new clarity into this iconic 1971 album, enhancing its already intricate compositions. The dynamic interplay of soaring vocals, textured guitar and Chris Squire's unmistakable bass lines feels revitalised, while Bill Bruford's drumming gains a sharp, articulate edge. The production balances the band's sprawling progressive rock vision with a modern, polished presentation, amplifying the complexity of the arrangements without losing their original charm. It's an experience that allows listeners to rediscover familiar layers while uncovering details previously buried in the mix.
Review: Images & Words remains one of Dream Theater's most defining moments, blending the technical precision of progressive metal with rich, lyrical depth. 'Pull Me Under' is, of course, the standout, its intricate guitar work matched by an anthemic energy that never loses its grip. But it's tracks like 'Another Day' and 'MetropolisiPart 1' that reveal the band's ability to juggle complex arrangements with emotional resonance. The remastered vinyl brings a fresh clarity to these multifaceted compositions, allowing each layer of sound to breathe without losing the album's raw intensity. For anyone looking to delve deeper into Dream Theater's world, this reissue offers a chance to experience it in all its dynamic glory.
All The Time In The World (alternative mix) (3:47)
First Sign Of Madness (4:27)
Uncommon Man (instrumental version) (6:57)
Above And Beyond (instrumental version) (5:26)
Apres Vous (instrumental version) (5:22)
Hell To Pay (instrumental version) (5:10)
Review: Previously only available across scattered formats, this compilation pulls together B-sides and bonus material from Deep Purple's 2013 sessions, pressed to vinyl for the first time. 'Hell to Pay (Radio Edit)' kicks things off with a focused jolt of energy, trimmed but still packing that familiar weight. 'It'll Be Me' dives into straight-ahead rock'n'roll, while the alternative mix of 'All the Time in the World' leans more wistful, swapping polish for immediacy. Instrumental takes of 'Uncommon Man' and 'Apres Vous' highlight the band's musicianship with renewed clarityiespecially Don Airey's organ flourishes and Steve Morse's precise guitar work. The live 'Green Onions / Hush' medley, recorded in Gavle, rounds things off with a punchy, well-oiled performance. Maybe not quite as legendary as their highest peaks, tt's nevertheless a window into the band's creative overflow: muscular, melodic and still sounding sharp.
Breathe (In The Air) (live At Wembley 1974 2023 Master)
On The Run (live At Wembley 1974 2023 Master)
Time (live At Wembley 1974 2023 Master)
The Great Gig In The Sky (live At Wembley 1974 2023 Master)
Money (live At Wembley 1974 2023 Master)
Us & Them (live At Wembley 1974 2023 Master)
Any Colour You Like (live At Wembley 1974 2023 Master)
Brain Damage (live At Wembley 1974 2023 Master)
Eclipse (live At Wembley 1974 2023 Master)
Review: Oftentimes those albums that people say are the best ever are not even close but one we think actually deserves its place amongst such polls is this one. Pink Floyd's Dark Side of the Moon took prog rock to its logical conclusion and remains an epic listen decades later. Fans will always soak up a newly remastered or extra deluxe version and, of course, any live recordings of their favourite records. And that's what we have here from a legendary show at the building now known as Wembley Arena in 1974, on CD, and magnificent to get lost in.
Review: King Crimson of the 1970s sounded very different from the band that made this Discipline album with a newly formed line-up of Robert Fripp, Bill Bruford, Adrian Belew and Tony Levin seven years after the band first broke up. It is now 40 years young so gets the requisite reissue treatment and has also been remastered for the occasion. It comes on a mighty hefty 200g vinyl so can be played extra loud, just as it should. The record mixes up electronica, funk, pure pop, modern avant-garde and much more and was a chart success in many different countries around the world.
Review: Legendary prog rock icons Pink Floyd performed live at the KB Hallen, Copenhagen on November 10 ,1972 and this is a digitally remastered recording of that night. It's a great bit of musical history, capturing the band across two CDs that feature many highlights, not least the epic 24-minute rendition of 'Echoes' which is about as prog as prog can get. As well as that, the album takes in the entirety of The Dark Side Of The Moon plus extra tracks 'One Of These Days' and 'Careful With That Axe Eugene,' all of which make it a superb addition to the collection of any fan.
Review: In March 1972, Pink Floyd headed to Japan for a live tour debuting their then forthcoming album Dark Side of the Moon. The Travel Sequence presents one of those performances in full, with the legendary prog rock four-piece blending live versions of the as-yet-unreleased set with a smattering of fan favourites and elongated freak-outs. While the recording quality is undeniably fuzzy (the tapes the concert was recorded to had been in storage for over 50 years), the two-disc set captures the band at the peak of their powers. Highlights include still-in-development versions of 'On The Run' and 'The Great Gig in the Sky', a chaotic version of psychedelic fave 'Careful With That Axe Eugene' and a vast, 25-minute extension of 'Echoes' to close the concert.
Review: Calibro 35 recalibrate with Exploration, a fresh dive into cinematic jazz-funk marking their first full-length LP on the independent since 2023's Nouvelle Aventures, continuing the path set by last year's 'Jazzploitation' EP. Yarning vintage soundtrack stylings with contemporary groove, the Milan group balance reverent covers - like Roy Ayers' 'Coffy' and Bob James' 'Nautilus' with bold, golden originals. Lead tune 'Reptile Strut', not to mention 'The Twang' and 'Pied De Poule', twine round taut rhythms, lush horn lines, and evocative cinematic textures. The band tips its hat to touchstones like Herbie Hancock, Lalo Schifrin, and Italian great Piero Umiliani, whose 'Discomania' appears on the accompanying limited clear blue 7" single, backed with 'Jazz Carnival'.
Review: Los Jaivas' Alturas de Macchu Picchu arrives newly remastered and reissued by state51 on heavyweight wax, and it remains a landmark of South American music. Its blurring of psychedelic rock, Andean folk and Pablo Neruda's poetic power makes the album, which was recorded in exile during Chile's Pinochet era, an evocation of both the spirit and struggle of Latin America. Tracks like 'La Poderosa Muerte' and 'Sube a Nacer Conmigo Hermano' swirl with emotion and complexity to deliver a cinematic spiritual experience. Inspired by Incan ruins and resistance, Alturas is more than music-it's a cultural beacon that invites you into a timeless soundscape.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.