Skee Mask

Review: Following a fine solo EP from Jonas Friedlich, the Molten Moods label returns to type with another compilation style EP featuring a quartet of cuts from their growing roster of artists. Kessel Vale kicks off proceedings with the lightly melodic, becalmed electronic experimentalism of "Voguing Geisha", before Skee Mask unfurls the Autechre-does-deep-dubstep flex of "Fanta Ocean" with a little assistance from label co-founder Jonas Yamer. On the flipside, Konrad Wehrmeister layers drifting, melancholic melodies over heavy sub-bass and skittish electro beats, while Jonas Yehmer joins the dots between spaced-out dub techno and out-of-this-world ambient on "Insgeheim". Impressive stuff, all told.

Review: Having established their Ilian Tape label over a wealth of 12" releases these past few years, the brothers Zenker have expanded its remit to include artist albums in the most thrilling of fashions. Their own Immersion LP set the tone early last year, and now it's the turn of fellow Munich-based DJ and producer Skee Mask with the superb Shred. This 12-track set follows a couple of Ilian Tape singles from Skee Mask which marked him out as a producer of real potential but he's really outdone himself on Shred. There is a faint concept for those that want one, an expansion on his interest in snow and glacier caps, but it's easy enough to plunge headfirst and enjoy this LP on the merits of the music alone. Ambient pieces slide into thunderous techno productions and thrilling sideways turns into broken junglist cuts and vintage IDM sounding diversions.

Review: A lot more eyes are on the brothers Zenker and their Ilian Tape label in the aftermath of Immersion that fine exercise in the art of the techno album but it doesn't seem to be fazing Dario and Marko. If anything they are remaining resolute to the approach, and the artists, that have served them so well as the label as risen these past few years. Junt sees the welcome return of Skee Mask, who delivered a real highlight of Ilian Tape's 2014 schedule in Serum, and the four tracks suggest the unheralded producer is quite the talent. The mood veers from tense dystopian electro on the title track to rolling abstract soundscapes ("Hover") to deft wall shakers ("Larus Canus"). Final track "Start Up Trak (edit)" is quite beautiful!

Review: Skee Mask, who only recently was found out to be called Bryan Muller, comes through with his second LP to date, making a wonderful follow-up to 2016's Shred. Compro is, ironically, comprised of a much more explorative palette of sounds, with many corners of the album veering off into otherworldly ambient, often through a striking new-age sensibility. The most impressive element of this album is its flow and evolution across its 12 tracks, sounding a lot more like one single-minded thought rather than a collection of disparate dance-not-dance tunes. The quality of the recording is noticeable, too, with tracks like "Rev8617" or "Via Sub Mids" sounding professional, both in vision and style. Through an intricate collage of breaks, samples, polyphonies, and subtle electronic manipulations, Skee Mask has truly mastered his own art, and is giving a new direction to the wider 'UK rave' sound. BIG.