Ahead of their upcoming LP release on the Otis label later in 2024, the Barcelona/Brighton duo Phil Passera and Jimmy Day deliver a stunning addition to their already impressive discography with The Wild Butterfly EP. This release features three fresh tracks alongside a highly anticipated tenth-anniversary rework of their much-loved Golf Channel label classic, 'Paradise'. The EP showcases the duo's ability to craft elegant mid-tempo grooves, perfect for both dancefloors and laid-back listening. The tracks are rich with immersive harmonies, pulsating synth basslines, and dreamy jazz guitar melodies provided by guests J Felix and Royce Wood Jr. Add in some smoky saxophone layers, and you have a selection that oozes tactile and evocative vibes. Tailor-made for intimate, love-filled moments and reflective sessions alike, The Wild Butterfly EP is a beautifully layered, emotionally resonant journey that further cements Passera and Day's status as excellent purveyors of mood-driven music.

Renowned for his extensive record collection and deep knowledge of house and garage, Jeremy Underground brings his passion to Vol. 3 of Z Records's 90's House & Garage compilation series. It features tracks that are either unreleased or newly digitised from original DAT tapes and vinyl. This edition comes on double vinyl with four sides of glorious grooves, each one of them carefully selected and professionally treated to reflect the golden era of house, taking in rare gems and remixes from Kerri Chandler, Murk, 95 North, and more. Vital stuff.

Colin Curtis Presents 'The Head Hunter' EP by GeeW, aka. Glenn Worthington, a relative new kid on the block, yet whose releases since 2021 have dealt in expert specialist wares of danceable acid jazz and nu-jazz. Such factors continue on this latest output, with the cloud nines and fluting solos of 'Head Hunter' and 'Speedball' whisking the listener away unto a quick flight, with spirited zoomings-past of electric bass and French horn, which dance astride the craft's flanks, as we shoot ever further into the abyss of jazzspace. Then B-siders 'Brazsecco Interlude' and 'How Long Has This Been Going On?' mark a migration from the cockpit through to the onboard lounge, in which Prosecco is poured and mounted speakers vibrate, curtailing anxieties with sweetly arranged vocals and carefully stacked percussion.

'Luck and Strange' was recorded over five months in Brighton and London and is Gilmour's first album of new material in nine years. The record was produced by David and Charlie Andrew, best known for his work with alt-J and Marika Hackman, with lyrics mostly written by Polly Samson, Gilmour's co-writer for the past thirty years. The album features eight new tracks along with a beautiful reworking of The Montgolfier Brothers' 'Between Two Points', which sees Romany Gilmour, who performs backing vocals across the album, on vocals and harp. Musicians contributing to the record include Guy Pratt & Tom Herbert on bass, Adam Betts, Steve Gadd and Steve DiStanislao on drums, Rob Gentry & Roger Eno on keyboards and the string and choral arrangements are by Will Gardner. The title track also features the late Pink Floyd keyboard player Richard Wright, recorded in 2007 during a 'Barn Jam' at David's house. The album's cover image, photographed and designed by renowned artist Anton Corbijn, is inspired by lyrics written by Charlie Gilmour for the album's final song 'Scattered'.

BPlan & Fab_o's sixth release on their label delivers serious flavor with a four-track EP also featuring Raregems. On the A-side there are two dancefloor killers from BPlan & Fab_o, showing off a strong African rhythm and a groovy number with disco horns - all the elements to light a dancefloor on fire. On the flip side, Raregems contribute two slow and sexy tracks from their archive, offering rare gems indeed. With each track bringing its own unique flavour, this EP is a fantastic addition to the series.

The Rangi Club EP by Chasse offers four genuine house tracks that showcase the essence side of deeper dance music. Side-1 opens with 'It's Alright,' a track that lays down a solid house groove. With its deeper vibe and strong vocal delivery, it sets the perfect mood for a night on the dancefloor. 'Purple Street' follows, bringing smooth deep house sounds and a rhythm that's instantly catchy, making it hard not to move along. On Side-2, the title track 'Rangi Club' takes inspiration from Chicago house with its distinctive drum grooves. It's a workout for the dancefloor, designed to keep the energy high. The EP closes with 'Welcome,' a piano-led builder that gradually intensifies, offering a satisfying conclusion to this well-rounded collection. The Rangi Club EP provides four strong examples of tracks that will elevate any set.

Rupert Hartick made quite an impression with his debut release on Pleasure Zone in 2022, and the eagle-eared out there might have copped his drop on Konfus last year. Now he's graduated to the unstoppable Rawax with a four-tracker of sophisticated tech house for the discerning dancer. 'Sweet Dreams' has a meandering, hallucinatory quality helped no end by the amorphous synth tones shimmering over the top of the slinky, shuffling beat. 'Wiggle System' is an entirely different proposition marked out by snaking electro with a mellow demeanour. 'Smokin Kims' is also electro in its construction, but there's a very different flavour to the synths, which warp and writhe through some exquisite sound design. 'Leftback' maintains the thoughtful, original approach Hartick takes across the release, all while offering a different slant to his productions focused more on brittle percussion and FX tweaking.

Man of many aliases MS (real name Matthias Schildger) has released on many labels since making his vinyl debut in 2011, with Rawax and its Housewax offshoot being his most regular outlets. Here he returns to the latter following last year's digital-only Slow Housing EP with another rock-solid four-tracker. The German producer begins with the hybrid deep house/tech-house crunch of 'Dancing By The River' - all Korg-M1 organ stabs, swinging beats and glitchy electronics - before opting for a deeper, dreamier and rhythmically off-kilter vibe on 'Let's Float'. Over on side two, 'Mainrecorder' sounds like a tribute to interlaactic-sounding late 90s tech-house, while 'OF Blues' is ultra-deep, warm, bass-heavy and undeniably attractive.