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Coming Soon: Studio Equipment

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FORTHCOMING
4ms Listen Four 4 Channel Stereo Mixer Module
Cat: 717580 Rel: 11 Feb 19
coming soon $191.33
FORTHCOMING
4ms Listen Four Quarters 4 Channel Stereo Mixer Module
coming soon $211.87
FORTHCOMING
4ms Listen IO In & Out Module
Cat: 717585 Rel: 11 Feb 19
coming soon $126.47
FORTHCOMING
AJH Synth Fixed Filter Bank 914 Inductor Based Bandpass Filter Array Module (black)
Cat: 708095
 
14 band inductor based fixed filter bank - black, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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coming soon $TBA
FORTHCOMING
AJH Synth Fixed Filter Bank 914 Inductor Based Bandpass Filter Array Module (silver)
Cat: 708102
 
14 band inductor based fixed filter bank - silver, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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coming soon $TBA
FORTHCOMING
AJH Synth Mini Mod Sample Hold & Slew Module (silver)
Cat: 708090
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - silver, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
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coming soon $TBA
FORTHCOMING
AJH Synth Next Phase Analogue Multi Tap Phaser Module (silver)
Cat: 708085
 
12 stage multi tap stereo phaser - silver, 18HP
Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.
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coming soon $TBA
FORTHCOMING
Akai Force Standalone Music Production & DJ Performance System
coming soon $TBA
FORTHCOMING
Alesis Strike Multipad Percussion Pad With Sampler & Looper
Cat: 713133
 
9-pad drum controller with 32GB internal memory & onboard stereo sampler
Notes: Introducing the Strike MultiPad from Alesis - the first percussion pad incredible enough to earn the Strike name. The Strike MultiPad is an incredibly capable and versatile device that far surpasses the performance and creative potential of any previous electronic drum pad. Never before has such sheer percussive power been built into a single unit or been so easy to play. SAMPLE anything you want - any sound, any effect, from anywhere. EDIT your samples and loops with the five built-in effects processors. LOOP-based recording of your performance is a snap, either from the samples you created or the live audio looper. PERFORM better, faster, with more creativity, versatility and capability than any other drum pad, anywhere.

The Alesis Strike MultiPad has over 7000 built-in sounds, 32GB of storage, and the ability to record samples from any source (smartphone, mic, USB, and virtually any audio device). To control this huge library of factory and user-created sounds are 9 velocity-sensitive pads, each with customisable RGB lights. These easily-configurable pads ensure you'll never miss a beat, even on dark and foggy stages.

Five built-in effects processors (3 kit FX, 1 master FX, 1 comp/EQ) and a Custom Effect Control give the MultiStrike even more sonic potential, letting you personalise your sounds and loops to your exact requirements. The built-in Loop Recorder means users can create custom loops in real-time, bringing the potential for complex, layered performances, or providing the inspiration for new creative sessions.

The MultiPad's stunning 4.3" colour screen makes editing samples a breeze, and lets you work with audio files away from the tether of your computer. The standalone nature of the MultiPad makes it ideal for performers who need to make quick adjustments. With its clear user-interface, you'll always be ready to react to whatever the session demands.

The Strike MultiPad is built for the studio and the stage with its wide range of connectivity options. Three outputs can send independent audio to Main, Aux, and Headphone, letting users achieve the perfect main/monitor mix setup. An additional 2-channel USB audio interface provides a quick and easy way of getting connected to a computer. Copies of Ableton Live Lite and Pro Tools | First are bundled with the MultiPad, so you'll be able to make music, straight out the box.

The Strike MultiPad can also be expanded with its three trigger inputs and dual foot-switch inputs; ideal for acoustic players creating a hybrid setup, or for those who wish to create a full electronic kit setup using hi-hat and kick pedals, or additional pad triggers.
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coming soon $TBA
FORTHCOMING
Animal Factory Coma Reactor Delay Module
Cat: 714519
 
Gritty sounding delay effect with open feedback path - 10HP
Notes: The Coma Reactor module from Animal Factory Amplification is an innovative delay with a variety of sonic possibilities.

It is based on a PT2399 delay chip and offers amazing routing and sound design options.

The Coma knob is an attenuator for the input signal. Low levels can generate funny noises. The input signal is mirrored at the Thru output, for further processing with another module.

There are separate dry and wet potentiometers to adjust the desired effect amount.

The delay time ranges from 30 to 2000 ms. It can be controlled manually via the Time knob or with control voltage thanks to the MOD input, which is equipped with an attenuverter and a switch for setting the amount of modulation. Furthermore there is a LED which indicates the CV polarity.

The delay features a feedback knob for controlling the repeats. Turned fully clockwise it will bring up self-oscillation.

Thanks to an integrated send/return path it is possible to use the module with external effects. The volume of the external effect is controlled by the Return potentiometer. If nothing is connected to send/return, the delay signal is routed internally through a crude twin-T Bandpass Filter. The effected signal can be fed back into the delay circuit thanks to a dedicated Return Feedback knob.
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coming soon $189.16
FORTHCOMING
Arturia Pigments Polychrome Software Synthesiser (boxed version)
Cat: 714487
 
Powerful wavetable & virtual analogue software synthesiser
Notes: An immensely powerful wavetable and virtual analogue software synthesiser, 20 years in the making. This is Pigments, and it's going to change the way you make music.

Taking that spark of imagination and transforming it into sound is the most fundamental, exhilarating part of creating music. Pigments makes that process natural, intuitive, and colourful.

Pigments gives you the finest elements ever found in a software instrument, letting you create pioneering, exciting, and deeply personal sounds. Laying everything out before you, Pigments lets you fully express your creativity in a way that's never been seen before in a software instrument.

Pigments features a twin audio engine, letting you mix virtual analogue and wavetable oscillators to create the perfect starting point for your patch. You can even morph wavetables, or import your own.

What you do next is up to you. Experiment with 3 envelopes, 3 LFOs, and 3 function generators. Assign modulators to animate your sound, and breathe life into it. Add controlled, or totally wild random changes to any parameter with a Turing probability generator. Run it through 2 filters, with any combination of iconic analogue filters or modern formant and surgeon filters you want. Process your patch with exciting contemporary effects like wavefolder and multifilter, or vintage studio reverbs, delays, and EQs.

For 20 years, we have been analysing, emulating, and refining the most iconic synthesisers ever made.

Working with Dr Robert Moog, Cameron Jones, and many other industry legends, we have built our reputation on creating world-class instruments. We turned the music industry on its head with the release of our trailblazing, affordable analogue hardware synthesiser, the MiniBrute.

With multiple awards under our belt, you could say that we've done our homework. Pigments combines our passion for vintage FM and analogue sound with modern wavetable synthesis to create what is, to us, the ultimate software synth.
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coming soon $139.45
FORTHCOMING
Audient Sono Guitar Recording Audio Interface
Cat: 718366 Rel: 01 Mar 19
coming soon $452.94
FORTHCOMING
Befaco Excalibus Eurorack Module Power Supply & Bus (assembled)
coming soon $138.36
FORTHCOMING
Befaco Stmix 4 Channel Stereo Mixer Module (assembled)
Cat: 716763 Rel: 01 Feb 19
coming soon $201.06
FORTHCOMING
Bizmuth Modular Gesture Based Signal Router & Gate Generator Module
coming soon $102.68
FORTHCOMING
Bubblesound Instruments 141 EG, VCA & LFO Module
coming soon $234.57
FORTHCOMING
Bubblesound Instruments Diod Steiner Parker Diode Filter Module
coming soon $152.41
FORTHCOMING
Bubblesound Instruments Dual SeM20 2 Pole State Variable Filter Module
coming soon $324.29
FORTHCOMING
Bubblesound Instruments Hex VCA Module
coming soon $254.02
FORTHCOMING
Bubblesound Instruments Hexar Module
coming soon $254.02
FORTHCOMING
Bubblesound Instruments Mix 6 Mixer Module
coming soon $101.60
FORTHCOMING
Bubblesound Instruments Pan Single Input Panning Module
coming soon $152.41
FORTHCOMING
Bubblesound Instruments uLFO Voltage Controlled Low Frequency Oscillator Module
coming soon $254.02
FORTHCOMING
Bubblesound Instruments VCA4p VCA Module
coming soon $234.57
FORTHCOMING
Bubblesound Instruments VCOb Voltage Controlled Oscillator Module
coming soon $234.57
FORTHCOMING
Bubblesound Instruments XFade Dual Input Crossfading Module
coming soon $152.41
FORTHCOMING
Doepfer A-134-1 Voltage Controlled Panner & Crossfader Module
Cat: 716920
 
Voltage-controlled panning module consisting of 2 linear VCA's - 8HP
Notes: A-134-1 is a voltage controlled universal panning and/or crossfader module. If the module is used a voltage controlled Panning device one audio signal is panned to two different outputs. If the module is used a voltage controlled Crossfader two audio signals are mixed to one common output. The module enables even compositions of both functions.

The module contains two linear high quality VCAs (made with CEM3381/PA381 until April 2013, SSM2164 from May 2013). VCA2 works in the opposite direction of VCA1 i.e. the more VCA1's loudness increases the more VCA2's loudness decreases. The panning or crossfading is adjusted with a control knob (manual control) and by two external control voltages, one equipped with an attenuator. Suitable control voltage sources are e.g. LFOs (A-145, A-146, A-147), envelope signals (A-140, A-141, A-142, A-119), random (A-118), Theremin (A-178) or a voltage coming from a MIDI-to-CV-Interface (A-190, A-191). The panning/crossfading is displayed with 2 LEDs.

A-134-1 has an audio input with attenuator for each VCA. If the audio input of VCA2 is not used the audio input of VCA1 is connected with audio in of VCA 2, i.e. the sockets are "normalled". The module has three audio outputs: Left Output (VCA1), Right Output (VCA2) and Mix. For Panning applications the outputs Left Out and Right Out are used. If the module is used as a Crossfader the Mix Output functions as output.

Module A-134-1 enables voltage controlled stereophonic panning effects (one audio signal distributed to two outputs), crossfading effects (two audio inputs mixed to one audio output with voltage controlled loudness proportion) and combinations of both effects.
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coming soon $85.39
FORTHCOMING
Doepfer A-134-2 Dual Voltage Controlled Crossfader Module
Cat: 716922
 
Dual crossfader module for voltage controlled morphing between two audio or CV signals
Notes: Module A-134-2 contains two identical voltage controlled crossfader units.

Each unit has two voltage controlled amplifiers (VCAs) with opposite control behaviour available. The outputs of the two VCAs are mixed together to obtain a common output. The behaviour of the control voltage inputs can be chosen with an internal jumper:

Symmetrical mode: If the corresponding jumper is not set both VCAs of the crossfader have the same 50% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. A negative CV has the opposite result. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about -2.5....+2.5V. This mode is useful for bidirectional (i.e. positive and negative) control voltages, for example LFO or joy stick (adjusted to 0V CV in centre position).

Asymmetrical mode: If the corresponding jumper is set VCA2 is fully closed and VCA1 has full 100% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about 0...+5V. A negative CV has no function in this mode. This mode is useful for unidirectional (i.e. only positive) control voltages, for example ADSR, ribbon controller or Theremin control voltage.

The CV input of the upper unit (CV1) is normalled to the CV input of the lower unit (CV2). I.e. if no plug is inserted to CV2 the CV input of the upper unit (CV1) also controls the lower unit.

The second signal input of the upper unit (In1B) is normalled to the first signal input of the lower unit (In2A). I.e. if no plug is inserted into In2A the signal In1B is used as the first signal input of the second unit.

As the inputs and outputs are DC coupled the module can be used for both audio and control voltage signal processing.
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coming soon $68.09
FORTHCOMING
Doepfer A-136 Distortion & Waveshaper Module
Cat: 716925
 
Distortion/wavehaping module with extensive adjustment parameters - 8HP
Notes: Distortion/Waveshaper module for dynamic distortion of audio signals with extended settings. The applications of this module are waveform modifications and distortion like clipping and waveshaping of audio signals and control voltages (e.g. LFO).

The input is split by the module into three parts, processed by them and then mixed together:

- The original signal which can be amplified or attenuated with the "A" control
- Negative signal component with adjustable and voltage controllable clipping level "-L" and amplitude "-A"
- Positive signal component with adjustable and voltage controllable clipping level "+L" and amplitude "+A"

The amplitude parameters of both the positive and negative components can amplify in a positive or inverted fashion i.e. it can fold the signal. This creates additional harmonics and enriches the sound, creating very living sounds, especially when modulated by dynamic CVs.
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coming soon $63.77
FORTHCOMING
Doepfer A-137-1 Voltage Controlled Wave Multiplier I Module
Cat: 716930
 
Voltage-controlled wave form multiplier - 14HP
Notes: A-137 is a voltage controlled Wave Multiplier. The basic idea of a wave multiplier is to multiply the waveform of an incoming signal (e.g. triangle/saw/sine from a VCO) within one period of the waveform. This leads to additional harmonics of the incoming signal. The period and consequently the pitch of the signals remains unchanged (in contrast to frequency multiplication e.g. with the PLL module A-196).

The A-137 works as a kind of "inverse low pass filter", i.e. it adds a lot of harmonics to a signal that contains none or only a few harmonics (e.g. sine or triangle waveform). In contrast to that a low pass filter (e.g. A-120) removes harmonics from a signal that contains a lot of harmonics (e.g. saw or rectangle waveform). Consequently the best results are obtained in combination with input signals poor in harmonics (e.g. sine or triangle). The A-137 can be used with signals rich in harmonics too (e.g. saw) but the effect is not as remarkable as for triangle or sine waves. For rectangle signals none or only little effects are obtained.

The A-137 is a very sophisticated wave multiplier that offers much more features, more controls and more waveform manipulations than other wave multipliers available so far. In addition all parameters are both manually adjusted and controlled by external voltages. These are the features of the module:

Controls:

- Input Level (to adjust the input level for best effect of the succeeding controls)
- Multiples (number of waveform multiplications, manual control)
- Harmonics (additional effect that adds more harmonics similar to the resonance/emphasis control of filters, manual control)
- Folding Level (controls upper and lower folding level, manual control)
- Symmetry (controls symmetry between upper and lower folding level, manual control)

Inputs/Outputs:

- Audio In (also suitable for control signals)
- Multiples CV In (with attenuator)
- Harmonics CV In (with attenuator)
- Folding Level CV In (with attenuator)
- Symmetry CV In (with attenuator)
- Audio Out (resp. processed control signal output)

The Multiples parameter (manual and ext. CV) defines the number of basic wave multiplications within one period. With the Folding Level and Symmetry parameter (both manual and ext. CV) the upper and lower clipping levels of the wave folder units are controlled. The Harmonics parameter (manual and ext. CV) adds some harmonic content by sharpening the waveform edges and adding overshoot peaks. It works a little bit like the resonance control of a VCF. The module is fully DC coupled, i.e. even control signal can be processed with the modules.
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coming soon $111.33
FORTHCOMING
Doepfer A-137-2 Voltage Controlled Wave Multiplier II Module
Cat: 716933
 
Generates four phase shifted copies of a VCO signal applied to the audio input
Notes: Module A-137-2 is another version of a wave multiplier. In contrast to the A-137-1 Wave Multiplier I, the A-137-2 generates four phase-shifted copies of a VCO signal applied to the audio input. The four shifted signals are added to the original signal to obtain a fat sound similar to five independent VCOs. The phase shifting is made by a simple circuit that works only for sloped signals like sawtooth, triangle or sine, but not for rectangles or pulses.

The audio input signal (typically a sawtooth, triangle or sine wave from a VCO) is compared with a slowly varying control voltage (CV Shift In). The output of the comparator is a rectangle wave with variable pulse width. When the output of the comparatur is added to the input signal (a sawtooth in the example) with the correct level relation between both signals one obtains a phase shifted sawtooth. The left picture shows the incoming sawtooth wave on top. The two horizontal dashed lines (blue and orange) indicate two different comparison levels. Below the incoming sawtooth the two resulting comparator outputs (rectangle waves) and the two resulting shifted sawtooth waves are shown. It is not a "real" phase shift but an algebraic function. But the result is virtually the same. One could obtain the same function even with several comparator modules A-167 and mixers A-138a/b or polarizing mixers A-138c. But this would require a lot of modules.

The module has available four manual shift controls and four control voltage inputs with attenuators for the four internal shifting circuits. Typical sources for these inputs are LFOs, VCLFOs, random voltages, envelope generators, sequencers or other control voltage sources. Internally eight single outputs are available at single pins: the four shifted signals and in addition four rectangle outputs. A corresponding breakout module with eight sockets is in the planning stage and will be released provided that there are sufficient inquiries. The original signal and the four shifted signals are equipped with internal jumpers. If external toggle switches are used instead of the jumpers each of the 5 signals can be turned on/off individually.

The audio input is equipped with an attenuator to adjust the level for the right summation of the original and the comparator signals (as described above).
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coming soon $79.45
FORTHCOMING
Doepfer A-138c Polarizing Mixer Module
Cat: 716943
 
Four channel mixer for mixing control signals - 8HP
Notes: Module A-138c is a four channel mixer, that allows to add or to subtract four incoming voltages to the output signal. In the middle position of the corresponding control the amplification is zero. Turning the knob counter-clockwise the signal is subtracted from the output sum with increasing amount. Turning the knob clockwise the signal is added to the output sum with increasing amount. The output control works in the same way, i.e. the resulting output signal can be additionally attenuated and/or inverted.

The module is used in the first place to mix control voltages (e.g. ADSR, LFO). It can be used to mix audio signals too but there is no difference between adding and subtracting audio signals unless they have a fixed phase relationship (e.g. the outputs of a VCO, or the input and output signal of a VCF). For audio signals without phase correlation there is no difference between addition and subtraction.
Control In1 works as a DC offset generator (about -5V...+5V) provided that no patch cord is plugged into socket In1. If this feature is not required it can be deactivated by removing a jumper on the pc board.

The voltage controlled version of a polarizer is the module A-133.
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coming soon $67.01
FORTHCOMING
Doepfer A-138d Crossfader & FX Insert Module
Cat: 716947
 
Crossfader for two different A-100 signals, plus insert for external effects
Notes: The A-138d primarily is used for crossfading between two modular signals. On the other hand you can used it for inserting stompboxes or other effects into your modular system. Both the inputs and the mix output are available twice, like a mini-multiples e.g. for using the input signal also for other applications, kind of like a Thru.

Crossfader: With the crossfading control CF you blend manually between the inputs In 1 and In 2. The Mute switch allows for muting one of the two signals, independent on the crossfader position.

Effect insert: The signal at input In1 is emitted at the FX Send output and can be attenuated with the Atten. control because the modular system works with much higher levels.

The effect unit's output is inserted to the FX Return input socket and its level can be boosted with the Amp. control. The processed signal is available at the bottom in 2 socket.

Use the CF control to blend between the original signal and the effect signal and to mute switch for quick muting e.g. of the effect return signal.
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coming soon $69.72
FORTHCOMING
Doepfer A-138e Quad Three Way Crossfader, Mixer & Polarizer Module
Cat: 716951
 
19HP Eurorack module for attenuating, polarizing & crossfading audio or control signals
Notes: Module A-138e contains four identical units that can be used for different crossfading, mixing and polarizing applications:

Polarizer: only input A is used, inputs B and C are unconnected. In this case the sub-unit works as a polarizer. In the CCW position of the control the signal connected to input A appears at the output, in the CW position the inverted signal, in the centre position no signal appears at the output

Two-way Crossfader type 1: Two different signals are connected to the inputs A and C, switch is in the left position (switching contact of input B is open). In this case the sub-unit works as two-way crossfader between the two signals connected to the inputs A and C. In the centre position both signals appear with the same level.

Two-way attenuator: Two different signals are connected to the inputs A and C, switch is in the right position (switching contact of input B is connected to GND). In this case control is used to attenuate signal A (between CCW and centre position) or signal C (between centre and CW position). In the centre position no signal appears at the output. Similar to the two-way crossfader but without signal in the centre position.

Three-way Crossfader: Three different signals are connected to the inputs A, B and C. In this case the sub-unit works as three-way crossfader. In the CCW position only signal A appears at the output. Between CCW and centre position a mix of the signals A and B appears at the output. In the centre position only signal B appears at the output. Between centre and CW position a mix of signals B and C appears at the output. In the CW position only signal C appears at the output.

Two-way Crossfader/Polarizer type 2: Two different signals are connected to the inputs A and B. In the CCW position only signal A appears at the output. Between CCW and centre position a mix of the signals A and B appears at the output. In the centre position only signal B appears at the output. Between centre and CW position a mix of signals B and inverted signal A appears at the output. In the CW position only the inverted signal A appears at the output. Useful for CV mixing: e.g. signal A = ADSR, signal B = LFO. In this case one can fade between ADSR ... LFO + ADSR ... LFO ... LFO - ADSR ... - ADSR.

In addition, the inverted signal of input A is available as a separate output. Potentiometers with centre detent and centre terminal are used as controls.
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coming soon $82.15
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Doepfer A-138m 4x4 Matrix Mixer Module
Cat: 716959
 
Matrix mixer with 4 rows & 4 columns - 20HP
Notes: Module A-138m is a 4 x 4 matrix mixer with switches for unipolar/bipolar mode for each column. Unipolar means that the controls work as attenuators. Bipolar means that the controls work as polarizers. In this mode the amplification is zero in the middle position of the corresponding control. Turning the knob counter-clockwise from the centre position the signal is subtracted from the output sum with increasing amount (i.e. negative). Turning the knob clockwise from the centre position the signal is added to the output sum with increasing amount. The module is DC-coupled and can be used for both audio and control voltage mixing.
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coming soon $126.47
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Doepfer A-138ov Performance Mixer Output Module (vintage edition)
coming soon $60.53
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Doepfer A-138u 2x3 Dual Micro Mixer Module
coming soon $51.88
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Doepfer A-197-3 RGB LED Stripe Controller Module
coming soon $TBA
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Doepfer A138av Linear Mixer Module (vintage edition)
coming soon $72.42
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Doepfer A138bv Exponential Mixer Module (vintage edition)
coming soon $69.72
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Doepfer A138pv 4 In 2 Performance Mixer Input Module (vintage edition)
coming soon $135.11
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Electro Harmonix Bass Mono Synth Pedal
Cat: 718362 Rel: 01 Feb 19
coming soon $124.32
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Elektron 2 x Male TRS 3,5mm To MIDI Adaptor
Cat: 718229 Rel: 01 Mar 19
coming soon $TBA
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Elektron Carry Bag Sleeve Padded Bag For Model:Samples
Cat: 718228 Rel: 01 Mar 19
coming soon $TBA
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Elektron Micro USB Cable
Cat: 718230 Rel: 01 Mar 19
coming soon $TBA
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Elektron Model:Samples Six Track Sample Based Groovebox & Sequencer
coming soon $443.21
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Elektron Power Supply PSU4 For Model:Samples
Cat: 718231 Rel: 01 Mar 19
coming soon $TBA
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Elektron Protective Lid 4 Protective Cover For Model:Samples
coming soon $TBA
FORTHCOMING
Erica Synths Black Output V2 Mixer & Stereo Panner Module
coming soon $311.32
FORTHCOMING
Erica Synths Black Stereo Mixer V3 Module
coming soon $315.64
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