Review: Three standout tracks from Dave Lee's 2023 album Metamorphosis - which he dropped under his AC Soul Symphony alias - now get pulled apart and reworked by the one and only Dub-disco king Ray Mang. First comes 'It's Got To Be Love' with its super funky and bubbly bass and lush string elegance, then he flips 'Tradewinds' into a deeper, still lush and lavish instrumental disco gem that is seductive and warm for the winter months. Last but not least, 'K-Jee' brings an infectious groove to the dance floor with a little more percussive energy and upbeat bounce - but again swooning strings are the icing on the cake. All three of these are classy and sophisticated reworks from the one and only Mang.
Review: Alkalino's follow up to the 2021 release of the second installment of the Make Up series comes with all original production from the man himself. The first comes as the thumping tribal vibe sounds of "get ready' with the second on the A-side is a banger with 'Heavy as stone' with it's lush vocals that would work in any set. On the flip, 'Jack area' is classic sounding body jacking music that'll make you do just that. jack your body. and rounding out the ep is the gritty bass of 'reproduction'. This latest installment from Alkalino is a true testiment that he is a true master of making you dance.
Review: Whether or not Almacks is named after the word that was given to several social clubs in London between the 18th and 20th centuries or not we do not know, but people in those clubs might well have enjoyed getting down to the artist's beats. These new five cuts are all unnamed but all perfect blends of funk, soul, deep house and great samples. Those vocal chops lend lots of r&b loveliness and romance to the dusty, low-slung beats, hip-hop-inspired beats and middle grooves. There is also a bit of broken beat and Afro influencer later on. A heartwarming EP.
Review: The Stamp label is up to its 18th outing here and once again it is an irresistible coming together of club-ready grooves with well-chosen and well-worked samples. First up the essence of one of George Benson's most iconic cuts gets reworked into a smooth house beat with the guitar kicks, vocal inflections, claps and melodies all getting you up on your toes on 'Night' (dub). 'New York To Rio' then brings some dusty deep house grooves and impassioned vocals for a more upbeat kinda party. Hand-stamped white label business this, so do not hang about.
Review: Sundries' Disco Goodies series, which rounds up the best of the label's digital releases and presents them on multi-artist EPs, reaches its fourth instalment. It hits home hard from the start, where Berobreo's 'Soul Driven Dynamics' provides an attractive mix of 1970s orchestral soul samples and rubbery deep house beats. Experienced re-editor Oldchap brings the goods with a lightly tooled-up and beefed-up rework of an orchestra-sporting disco gem ('Coloridos'), before X Gets The Crest delivers a percussive, hot-stepping and filter-smothered re-wire of a much-loved Cymande classic ('Still Come Home'). Over on side B, Alexny's heavy disco-funk re-edit ('People Says') is joined by a hazy and horn-heavy revision courtesy of Sould Out ('City Gal') and the pitched-up disco loop-funk of 'Since You Came' by Workerz.
Review: Regular collaborators Biesmans and Johannes Albert tend to release at least one record a year together. 2024's 'Give Me Luv', is one of their most accessible and entertaining to date. It has already become a feature of club sets thanks to a digital release earlier in the year and has finally landed on wax. In its original form (side A), the track offers a delicious blend of snappy Chicago house percussion, undulating analogue bass, glassy-eyed chords and colourful nu-disco synths - all topped off with a superb part spoken, part sung vocal from the undisputed "voice of house" Robert Owens. Over on the flip they charge headlong into techno territory on the harder, darker, faster and undeniably bigger 'Detroit Mix'.
Dancing & Grooving (feat Alfreda Gerald - Dave Lee edit) (7:35)
Ain't Nothing Going On (feat Anduze - Micky More & Andy Tee remix) (6:09)
Friday Night (feat MO - Micky More & Andy Tee remix) (7:48)
Lately (feat Karmina Dai - Emmaculate remix) (5:46)
Review: Legendary Italian producer Gianni Bini makes his debut on Groove Culture with 'The House Of Glass' LP, a vibrant disco-house record that takes listeners back to the genre's roots. With over a thousand production credits under various aliases like Bini & Martini and Fathers Of Sound, Gianni has long been a defining force in disco-house. Now, he delivers a fresh project packed with live instrumentationidrums, bass, guitars, stringsiand infectious vocals that evoke the energy of classic discotheques. Side-1 opens with 'Dancing & Grooving' featuring Alfreda Gerald in a high-energy disco anthem. The Dave Lee edit shines with vibrant horns and an unstoppable groove. 'Ain't Nothing Going On', featuring Anduze and remixed by Micky More & Andy Tee, brings lush strings and an irresistible guitar riff, perfect for an all-night dance session. On Side-2, 'Friday Night', with MO's epic vocals and smooth delivery, is another Micky More & Andy Tee remix that exudes timeless disco elegance. 'Lately', featuring Karmina Dai and remixed by Emmaculate, wraps up the album with a soulful disco blend that feels tailor-made for late-night revelry. With The House Of Glass, Gianni Bini proves once again why he's a master of the genre, blending timeless grooves with modern flair.
Don't You Want My Love (vocal extended mix) (7:39)
Don't You Want My Love (dub mix) (7:31)
Don't You Want My Love (The Coney Island Rhythm Band remix) (6:45)
Don't You Want My Love (Jerk Boy remix) (7:18)
Review: Tinted Records offer up the latest new single by LA-based funky pop house producer Birdee. A resident of the likes of Groove Culture and Body Heat among many other hot label names, Birdee delivers big newness on this stratospheric uplifter, replete with surrounded fingerclick claps and a serious vocal line. Three new mixes also feature, with a new dub mix on the A2, as well as a nighttime caban-bound flip by The Coney Island Rhythm Band on the B-side, as well as a closing piano weapon version by Jerk Boy.
Mood II Swing - "Closer" (feat Carole Sylvan - King Street Moody club mix) (6:17)
Ananda Project - "Cascades Of Colour" (feat Gaelle - Wamdue Black extended mix) (6:46)
Review: Earlier this year, legendary NY house label King Street Sounds was acquired by Armada Music. The Dutch imprint plans to reissue many of the well-known - and lesser-celebrated - gems from the King Street vaults in the months and years ahead. To kick things off, they've delivered this vinyl sampler featuring some of the stable's most admired cuts of all time. So, we get Dennis Ferrer's iconic remix of Blaze and Barbara Tucker's gospel-powered soulful house anthem, 'Most Precious Love', the 'King Street Mix' of Jovonn's legendary deep, bumpin' tribute to New Jersey's Club Zanzibar, 'Back To Zanzibar', Mood II Swing's hot and heavy 'moody club mix' of their own Carole Sylvan collaboration 'Closer' and the all-time deep house classic that is the Wamdue Black extended rework of 'Cascades of Colour' by Ananda Project. Simply essential!
Review: Don Carlos should by now be known to most house music crate-ologists as Carlo Troja from Verase, Italy -not Euvin Spencer from Kingston town. Alas, confusion still runs rampant over the ambiguity surrounding the Don Carlos name; if only they'd heard just how great this new EP from the former North Italian nuff-sayer truly was, they'd never forget the difference, of course! 'Italian Paradise' is a fresh, still dripping-wet house EP out via Groove Culture; its lightweight organ triplets, electric piano smears, and lens-fogged sunglass strings are what makes it *it*: a more than suitable release for hammock skygazing and/or wooly garment shedding.
Review: Kendrick Lamar's 'King Kunta' and Kelis' 'Milkshake' hear an unlikely pairing on the perfunctorily named Edits series. The former track - some might agree its dust is still settling, as it was released in 2015 - sounds almost twice as lively here, its "oh, yes, you can, oh, yes you can!" ad-lib sounding about as squeezed as a hand-wrung lime steeped in its own juices and then dried out in Saharan heat. There's a diatonic, electric piano hook added on top too; Kelis' flip has a similar feel, mashing up the noughts teaser hit with a dash of easily identified r&b goodness - we're 99% sure you'll recognise the instrumental, its having also originated somewhere in the familiar fires of pop musical preeminence.
Review: Cinthie Christl continues her successful partnership with Aus Music, this time giving birth to 'Rave Baby' - a bouncing and gurning (but not bawling) tribute to the skittish, breakbeat-powered hedonism of turn-of-the-90s UK house packed to the rafters with crunchy breaks, stabbing bass, fizzing electronics, gargantuan riffs and all manner of familiar rave-era samples. She reverts to her more familiar garage-house-inspired deep house sound on 'I Warned You Baby', where skippy beats and gorgeous piano riffs dominate the mix, before rounding off the EP with the slightly heavier, fuzzier and more percussive 'What's Poppin', which sounds like a tribute to the rave-era production work of Roger Sanchez and the big-room friendly madness of mid 1990s Junior Vasquez cuts.
Review: Marc Cotterell's 'Feel The Groove' EP is a vibrant, disco-infused collection that merges classic grooves with modern production. The title track, 'Feel The Groove', is a light, fun disco gem, capturing a funky 70s mood with a fresh UK garage twist and that xylophone magic touch. 'Get It Right' takes the funk further, building up to a filtered disco crescendo that's perfect for late-night floors, oozing with energy and sleek edits. On the flip side, 'My Groove' offers a deeper vibe, giving the EP a well-rounded feel with its rich bassline and smooth production. Finally, 'Work Me' is catchy and playful, bringing a polished sound that keeps the rhythm flowing. Altogether, 'Feel The Groove' is a solid pick for those craving both nostalgic and modern dancefloor moments.
Review: REPRESS ALERT!: Cruise Music marks its tenth EP by serving up what it says are "secret funky house weapons" and there isn't much wrong with their description. Danny Cruz kicks off with 'Shoulda Been You' which rides on smooth grooves and has gentle synth waves breaking over the beats as heartfelt vocal sounds rise out of the mix. Mark Funk's 'True Lies' brings a classic 90s vocal sample to a non-stop soul beat and the B-side has got Dirty Disco Stars going big and funky and glorious on 'Look Up' then Mirko & Meex Re-touch 'Young Hearts' .
Review: Grammy award winners and production duo Deep Dish throw another contemporary update of their classic track 'Flashdance' into the mix. Compared to the original 2004 track - which saw to a curious but effectively fiery blues-rock come electro-dance delight - this new version elides some of the early rock rawness for a more muted yet mutable 'Guitar Redux' version, which adds a subtle tribal trance direction. There's also two new versions of 'Say Hello', one prog trance and the other full-on trance, and whose original version followed 'Flashdance' as their second collaboration with singer Anousheh Khalili in 2005.
Review: Inhale Exhale bring six full new circular round-trip breaths to the fold, focusing on heartwarming and soulful summer deep house tunes. Intended mostly for outdoor disco BBQs, 'INEX 017' packs a fruitful punch. Opening proceedings on the A come 'Make It Right', 'Understand U' and 'Tears Of The M1', a power-of-three intro tracking a vibeful descension from crystalline waters, synth organs and high string samples down to the chillest of vinyl-crackly, primal mini tech moods. Then there's the unmissable mirror image on the B, podding 'Everytime', 'Clyde' and 'Keep The Stabs', the last of which is an especially delicious, refractive groove.
Role Model (feat Dan Diamond & Luca Guerrieri) (5:31)
Role Model (Chloe Caillet remix) (5:25)
Role Model (dub) (5:26)
Review: Southern Fried Records celebrates its 500th single with the massive release of 'Role Model', marking the return of label head Fatboy Slim, causing fans worldwide to rejoice as Norman Cook steps back into the spotlight. After bonding on a South American tour, Cook invited Parisian DJ, producer, and multi-instrumentalist Chloe Caillet to remix the track. The result? A powerhouse remix that's already making waves, showcasing Caillet's flair and giving 'Role Model' a fresh, electrifying twist that's sure to ignite dancefloors.
Review: Swirl People revisit their roots with a nostalgic four track EP from their early days as Fortune Cookie. This collection - which is their third release on L.I.T.S. - features carefully selected tracks from their original 1996 releases on Marguerite, a small label run by a friend. Nearly three decades later, these still much sought-after tracks are finally being reissued. The EP opens with 'Glitter Girls,' which is characterised by a catchy bassline, followed by the deep groove of 'Um Bongo.' On the B-side, 'Galactic Snackbar' offers a retro-futuristic feel, while 'Frisko Heaven' wraps up the EP with classic disco-filtered house energy. Timeless tackle, for sure.
Review: Soul Service is a new label from the Atlanta-based party crew of the same name. For their first trick, they enlist the fine sounds of Italian Afro house and disco man Gledd, who shows his skills across blends of Latin, jazz, house, and world music influences. 'Jazz Con Sabor' opens with lots of frosty cymbals and big horn stabs over shuffling drums, then 'Dile' has a more playful and funky skip to it that soon infects your soul. 'No Lo Quiero Saber' (Latin mix) is deeper, more percussive and packed with sunshine from the expressive vocals.
Review: 'Departures' is one of the most renowned singles by the Japanese band Globe, originally released in 1996. The track achieved significant success and became the group's second number-one hit on Oricon's weekly chart and went on to sell a total of a rather astonishing, especially in comparison to these digital times, 2.2 million copies, making it one of Japan's best-selling singles. Now the tune gets reissued on 7" and is a raw, dense pop-rock tune that comes with a bonus cut on the flip.
Summon (feat Hayden Thorpe - East Coast Love Affair mix) (6:35)
New World (Flow) (feat Fiorious - Ray Mang remix) (8:54)
Review: Harmonics, the latest album from Hot Chip's Joe Goddard, is a celebration of warmth, instinct, and collaboration. Spanning 14 tracks, this record weaves through UK garage, house, hip-hop, pop and disco, bringing together a diverse array of voices. Eno Williams of Ibibio Sound Machine energises the afro-house groove of 'Progress,' while UK rapper Oranje adds flair to the starry-eyed 'When Love's Out of Fashion.' Hayden Thorpe's expressive vocals elevate the low-slung house track 'Summon,' and Hot Chip bandmates Alexis Taylor and Al Doyle lend their talents to the shimmering 'Heal Your Mind.' Goddard, known for his 2012 hit 'Gabriel,' revisits that focused energy here while capturing the carefree spirit of his earlier solo work. Tracks like 'Mountains' and 'Follow You' echo the Hot Chip sound, while collaborations with artists like Falle Nioke and Alabaster DePlume bring in elements of Afrobeat and jazz house. 'Destiny' and 'New World' showcase Goddard's mastery of house music, making Harmonics his most fun and genre-spanning solo album yet, proving his versatility in crafting compelling dance music.
Review: Belgian-born producer Gratts and pioneering Chicago vocalist Robert Owens first collaborated on 'Brighter Future' back in 2021 after meeting in the streets of Kreuzberg years before. The pair now join forces again for follow up 'Today', a powerful and emotive, 90s inspired deep house cut with layered backings and Owens' lilting affirmations soaring above. The extended club version takes you straight to house music's ecstatic heydays, while the twelve also includes an acapella tool for those singalong moments. On the flip, Mark Hand's slower, soulful rendition takes things into sideroom territory. Finally, 'Mount Olympus', home to the Greek deities, fuses a rattling drum machine, arpeggiated synth lines and a potent analogue bassline - with added bonus beats to bang the box and get weird!
Review: The iconic soul anthem receives a fresh spin in the Lockdown remix, offering a vibrant, dancefloor-ready twist on the beloved classic. The remix maintains the smooth, emotive essence of Al Green's original while injecting a pulsating, upbeat rhythm that elevates the track to modern club standards. The seamless blend of lush instrumentation and contemporary beats enhances the groove, making it irresistible for both longtime fans and new listeners. This 12" version brings a fresh energy, keeping the soulful heart intact while adding a dynamic, infectious edge that's perfect for today's dancefloors.
Review: For the first time ever, the early 2000s house anthem 'Lola's Theme' by The Shapeshifters gets a 7" release, paired with the soulful disco classic that inspired it - Johnnie Taylor's 'What About My Love'. A timeless blend of modern house energy and classic soul, this release is a must-have for fans of both eras, capturing the essence of dance floors across decades in one essential package.
Fighting For Your Life (Blood On The dance Floor remix) (5:58)
Fighting For Your Life (After Dark mix) (5:36)
Review: Lockdown Records has put together this useful new 12" which offers up the notorious duo of Matt Early & Lee Jeffries. 'Fighting for Your Life' is a classic pop single that comes with the electrifying Blood on the Dancefloor Mix and the sultry After Dark Mix, both of which are inspired by the iconic sounds of Michael Jackson. They make for effective dancefloor weapons that come with a hint of nostalgia and plenty of weighty grooves.
Friendly Pressure (Into The Sunshine 2024 extended) (3:50)
Friendly Pressure (Into The Sunshine Sped Up version) (5:17)
Review: Way back in 1998, Sunship revisited Jhelisa's 1994 single 'Friendly Pressure', turning in versions that made a massive impression on the then still young UK garage scene. This reissue presents the outfit's two original mixes alongside some tweaked new versions of the pioneering 'Into The Sunshine' mix, a rework that combined a swinging garage beat and MK style organ motifs with Jhelisa's sweet, soulful versions and the musical bounce of reggae. At the time, speed garage DJs tended to play the remix sped up, so Sunship have done that (B2), while also delivering a new 2024 extension of their pioneering revision. To complete the package, we also get the second Sunship rework from 1998, the 2-step style 'From Midnight Mix'. If you're a fan of UKG history, you need this in your life.
Neverender (feat Tame Impala - extended remix) (6:42)
Neverender (feat Tame Impala - Rampa remix) (6:27)
Neverender (feat Tame Impala - Kaytranada remix) (4:41)
Review: A momentous move from neon-soaked electro outfit Justice hears them team up with the like-minded thrower-backers Tame Impala for a "why didn't anyone think of this before?" EP, 'Neverender'. Released hot off the plate of a recent Alexandra Palace show, the just duo are heard to tip the lady's scales towards miscarriage, following their last LP Hyperdrama with a single tort of regret. Kevin Parker's unmistakable countertenor floats above the track's nightridden house mix like a beamer trailing its driver's emotions in its exhaust fumes: "Because I remember / The hardest of times I / don't forget / Neverender." An ode to "can't unsee", it also comes backed by remixes by Kaytranada and Rampa.
Review: Judging by the climactic and ultimate trance feel of their music, we could quite gullibly believe the legend that Italian "production team" Last Rhythm did indeed laid down the last rhythm in history. At their peak, Last Rhythm boasted members Giulio Benedetti, Leandro Papa, and Luca Belladonna, and were responsible for some of the best, most enduring tranceifications of the Italo house sound. The turn of the 90s was the moment that this trio first splashed onto the scene; 'Open Your Mind' was the second of what would become a fondly dug discography by the crate sifters of now; it sports four breezily produced, authentic rave numbers, whose raw, uncomplicated immaculacy few producers active today could match. Now reissued by Groovin Italy, all four original mixes on this consciousness-expanding haul are heard in the fullest detail ever.
Review: LUXXURY's 'Reworks Volume 7' serves up irresistible disco edits, transforming classics into fresh, dancefloor-ready versions with a signature flair. Opening with 'Is It Real, Now?', LUXXURY reimagines Empire of the Sun's 'Walking on a Dream' into a more melodic and expansive experience, adding layers that amplify its epic feel. On 'Rap Chore', Blondie's 'Rapture' is slowed down to a funky, slick groove, highlighted by a smooth guitar riff that enhances its iconic cool factor. Side-2 kicks off with 'Groove Prove', a classy, disco-infused take on Madonna's 'Get Into The Groove', capturing the catchy energy of the 80s with a fresh twist. Finally, 'Disco 82' brings a late-night Latin-inspired vibe that's perfect for setting the mood as the night unfolds. Each track offers LUXXURY's unique touch, making this collection of edits a must for fans of inventive and stylish disco reworks.
Review: The already well-cultured Selections label keeps it classy with this 13th outing. Manooz is at the buttons and taps into a timeless deep house sound from the off. 'Welcome Haruka' pairs widescreen chords with warming, glowing bell harmonies and dreamy vocals. 'JV2080 Infinity' (My Pitch mix) brings more swift tempos and smeared synth work that channels early Detroit. There is a playful skip and some sultry sax lines to 'Essential Sax' which recalls great artists like Jovonn and 'Take One (JX08)' rounds out this most effective and emotive house EP with some soulful Glenn Underground style grooves.
Review: Michael Jackson's music will always remain a great source of inspiration for sample hunters and so it continues to prove many years after his death. This new 12" comes on an unknown label and features two House remixes. The first tackles 'Billie Jean' and does little to it but to lay out the drums for more useful club play. The vocal keeps it hook and then on the flip is 'Baby Be Mine' which also comes as a nice house version, this time with some lush disco stings and plenty of warm and soulful vibes.
Review: He may be long gone but the music of Michael Jackson will forever live on. Not least as a great source of samples and originals to remix for the modern dance floor. And that's what we have here with a trio of new remixes from an artist by the name of MJ. First to get beefed up with some club ready drums is 'Can't Help It', then 'Remember The Time' (House remix) has a more balmy feel with the swirling pads above crisp drum funk. Last but not least, 'Butterflies' (House remix) has filtered vocals with a sunny feel and some nice smooth house drums.
Review: Mousse T. returns with All I Want Is The Bass, bringing serious heat to the dancefloor. The A1 Extended Mix delivers relentless energy, driven by a gritty, dutty bassline and featuring a standout drop that leaves a lasting impression. On the flip, the B1 DJ Tool strips things back, offering an essential cut for creative mixing. The track includes a killer vocal sample from Raze's Bass Power, originally crafted by the legendary Vaughan Mason. Pep Jam is back in full force, with this release set to light up clubs everywhere.
Review: Three groove maestros in Jamie 3:26, Young Pulse, and Danou P all join forces on Frappe's 30th release, the 'Mystic Freaks EP'. This cosmic disco house journey delivers three irresistible tracks perfect for the dancefloor - they are sexy, raw and packed with funk and disco energy while embodying authentic house music values. Expect disco drums layered with house rhythms, ethereal sound effects, groovy keyboards and seductive vocals whispering to dancers all served up with the label's signature artwork. Three real gems.
Review: First released in 1999 through the titanic Swing City Records, 'Cada Vez' was a fond and well-played cut on the label, one which showed off and continues to flaunt the pan-Latin supergroup's talents. Though they (Adres Lafone, Liliana Chacion, Davide Giovaninni) were at their zenith a four-or-five piece band, most of Negrocan's releases were primed for the club. This release via Groovin Italy hears two fresh remixes from Grant Nelson and Avant Garde, and brings contemporary weight to their original deep-south Latin house forte.
Review: While largely forgotten save for a few veteran DJs and dancers, Nicole's 'Rock The House' was a genuine underground club hit on its initial release in 1989 - a second wave New York freestyle treat informed by both house (Steve 'Silk' Hurley and Cliviles and Cole both provided remixes) and early 80s electrofunk. It's one that Dutch label High Fashion licensed and released in Europe back in the day, so they've decided to get Michael Gray - one of their go-to mixers alongside Ben Liebrand - to give it a 2024 makeover. A master at this kind of thing, Gray has done a good job in re-imagining the song as a funk-fuelled, synth-splashed disco-house monster. His A-side full vocal mix is the pick of the pair, though some DJs will naturally gravitate towards the more French Touch-flavoured, filter-heavy flipside rework.
Review: P3RF3CT STRANG3RS is a dynamic collaboration between Mexican artist Paurro and New York City vocalist Steven Klavier. Their new track for the red-hot Toucan Sounds is 'Run Away!' and it mixes up slamming drums with chopped-up vocals and high-energy grooves that draw inspiration from iconic club divas. The original comes with a Midland Flow State remix that is bass-heavy and lively, and then comes the second original 'Against' which is slower and more percussive with a tribal twist. This one comes with a remix from Tata Sumo & Lakuti who layer in more colourful synths, swirling dub undercurrents and a sense of soul while paying homage to the golden era of house music.
Review: Radio Cargo's Like You Move EP pulses with energy, fusing groovy breaks and deep, warming basslines. Each track effortlessly merges rhythmic complexity with atmospheric synths, drawing listeners into a sound that's as nostalgic as it is innovative. There's a playful balance between old-school dance vibes and fresh, forward-thinking production, capturing the essence of French house while pushing the genre's boundaries. It's a release that will resonate with fans of classic dancefloor sounds, while still feeling entirely contemporary in its execution.
Review: UK artist Risk Assessment is back once again with some potent sonic weaponry that is designed to make a big impact in the club. All four of the disco cuts are peak time sounds starting with 'Something New' which is awash with some crystalline synths and gloriously lush pads. 'Party People' is nice raw and live-sounding disco with lo-fi drums, slapping hits and a James Brown-style funk vocal. 'Like This Like That!' brings some funky little guitar motifs and a jumble of percussion while last of all, 'Girl At The Disco' shuts down with a more sensuous sound and slinky grooves that worm their way into your affections.
Review: The small but already well-formed Stereo:type label has got a trip of new EPs all dropping this summer. UK producer Risk Assessment is behind them all and each one explores a classic disco sound with some modern dance floor weight. 'She's On The Floor' is a celebrity and feel-good jam with heart-swelling strings. 'Rhyme' cuts up a classic vocal sample and layers it over some house-leaning beats while 'Delicious' is a wig-out lead by its shimmering synth stabs. Last but not least is the breezy and sunny 'Let's Do It'.
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