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2hp Pmkn Mult Signal Splitter Module (limited edition module)
2hp
Cat: 797074 Rel: 26 Oct 20
 
2-input/6-output signal splitter module
Notes: The Limited Edition Pumpkin Mult is here! Craft sonic concoctions with this pulp-free multiplier, exclusive for a limited time.

Mult is a 2 input, 6 output signal splitter. Channel 1 is normalled to channel 2 when no cable is present, allowing the user to split an input signal six ways, or two input signals with three outputs each.

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 2 in stock $37.70
2hp VCO Voltage Controlled Oscillator Module (silver faceplate) (B-STOCK)
2hp
Cat: 718582 Rel: 12 Mar 18
 
B-STOCK: Box damaged, but product unopened & in perfect working order
Notes: ***B-STOCK: Box damaged, but product unopened & in perfect working order***


VCO is an analog voltage controlled oscillator based on the reissue of the legendary Curtis CEM3340 IC.

Many believe this chip to be the greatest sounding analog oscillator of all time. VCO features simultaneous triangle, sawtooth, and square wave outputs with linear FM, hard sync, and PWM capabilities. Accurate 1V/Oct tracking across 10+ octaves provides a huge frequency range for melodies or dramatic sweeps.

Add some analog warmth to your patches with VCO.
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 1 in stock $111.22
Access Virus TI Replacement External Power Supply
Cat: 527767 Rel: 14 Apr 14
 
UK mains 240V - 12V current converter for Access Virus TI models
Notes: New replacement power adapter for Access Virus Models that use 12vdc power supplies.

Converter block has figure-of-8 connector and converts a 240V UK mains current to 12V for compatible Access Virus TI models.
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 3 in stock $37.70
AION Modular 904A Voltage Controlled Low Pass Filter Module
Cat: 780153 Rel: 08 Jul 20
 
Voltage controlled low pass filter module
Notes: The AION Modular 904A Low Pass filter is an Eurorack clone of the classic Moog Modular Low Pass filter (should not be confused with the Mini Moog Low Pass filter).

The 904A Low Pass filter attenuates frequencies above the Fixed Control Voltage (cutoff frequency) point at a rate of 24dB per octave. The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Regeneration knob (resonance) varies the amount of internal feedback, creating a resonant peak at the cutoff frequency.
The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
(sets the frequency band in two-octave steps)
1- 1Hz to 5kHz
2- 4Hz to 20kHz
3- 16Hz to 80kHz

Specifications:
Power: +12 40mA, -12 25mA
Depth: 40mm
Doepfer compatible

40 mA +12V
25 mA -12V
0 mA 5V
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MRP:$336.67 SAVE 20%
 1 in stock $270.57
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AION Modular 904C Filter Coupler Module
Cat: 780136 Rel: 07 Jul 20
 
Filter coupler module
Notes: The AION Modular 904C Filter Coupler is an Eurorack clone of the classic Moog Modular 904C.

The 904C Filter Coupler connects the 904A Lowpass and the 904B Highpass together to produce a Bandpass or a Band Reject filter response.

Bandwidth can be extended to three octaves and Center Frequency ranges from 5Hz to 20KHz. Both can be controlled manually or via control voltage.

The 904C provides a wide variety of signal processing and we strongly encourage experimentation but we advise to start with the following settings:

904A Fixed Control Voltage +6
904A Frequency Range 2
904B Fixed Control Voltage -1
904B Frequency Range LOW

The 904A and the 904B are required to use the 904C.
In the "OFF" position, the 904A and 904B are disconnected from the 904C an can be used independently.

The connection cables are provided with the module.

30 mA +12V
15 mA -12V
0 mA 5V


Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible.
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MRP:$335.34 SAVE 19%
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AION Modular 911 Envelope Generator Module
Cat: 780140 Rel: 07 Jul 20
 
Envelope generator module
Notes: The AION MODULAR 911 Envelope Generator is an Eurorack clone of the classic Moog™ Modular 911.

The 911 Envelope Generator (ADSR) generates the Control Voltage contours required for producing envelopes in conjunction with a voltage-controlled amplifier or a voltage-controlled Filter.

Attack time (T1), Decay time (T2), and Release time (T3) are all independently variable over a 2 millisecond - 10 second range, making the module suitable for very fast percussive sounds or long and evolving sounds.

The 911 Envelope Generator can be triggered by an external gate signal via the Trigger Input or manually by a push button.

Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible
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MRP:$251.50 SAVE 19%
 1 in stock $202.92
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AION Modular 912 Envelope Follower Module
Cat: 780115 Rel: 08 Jul 20
 
Envelope follower module
Notes: The Envelope Follower produces two functions which can be used separately or in conjunction. The follower circuit Signal Input presents a control voltage output (DC) proportional to the average amplitude of the AC input signal. The second function, a Schmitt trigger, generates a V-trigger above a threshold voltage (comparator), when a slowly varying or DC voltage is introduced at the control input jack. The normalling of the control input of the follower circuit to the control input of the Schmitt trigger circuit allows both control voltage and trigger to be generated from a single variable source.

Specifications:
Power: +12 (40mA), -12 (8mA)
Depth: 40mm
Doepfer compatible
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MRP:$272.79 SAVE 20%
 1 in stock $219.55
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AION Modular 923 Noise & Filters Module
Cat: 780146 Rel: 07 Jul 20
 
Noise & filters module
Notes: The AION MODULAR 923 Noise/Filters is an Eurorack clone of the classic Moog Modular 923.

The 923 Noise/Filters module provides a white noise and a pink noise source along with a manual Lowpass and a 6dB Highpass filter.

The two manual sweep filters, are single pole circuits with a frequency cutoff slope of 6dB per octave and a frequency range of 10Hz to 10KHz.

Any kind of noise color can be achieved using the white noise and filters together.

Specifications:
Power: +12 (35mA), -12 (35mA)
Depth: 40mm
Doepfer compatible
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MRP:$266.14 SAVE 25%
 1 in stock $198.50
AION Modular 991 Filter & Attenuator Module
Cat: 780121 Rel: 07 Jul 20
 
Filter & attentuator module
Notes: The 991 contains 2 passive filters, one 6dB High Pass Filter and one 6dB Low Pass Fillter switchable in 6 positions. On the lower part of the module one finds an Attenuator. No power is required.

Specifications:
Depth: 30 mm
Doepfer compatible
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MRP:$202.27 SAVE 24%
 1 in stock $154.14
AION Modular 995 Attenuators Module
Cat: 780130 Rel: 07 Jul 20
 
Attenuator module
Notes: The 995 Attenuator panel consists of three "passive circuits", each made of a 25k potentiometer between input and output. The signal input to the top attenuator is chained to the bottom two in series. Introduction of a plug into middle or bottom input breaks the normalling system: 1 to 1-2-3, 1-2 to 2-3, 1-2-3 to 1-2-3.
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ALM Custom 3.5mm Male Mono Eurorack Patch Cables (120cm, red, pack of 2)
Cat: 758070 Rel: 09 Dec 19
 
3.5mm patch cables for Eurorack modular synths
Notes: Custom ALM patch cables. Small but strong, they are designed for maximum ergonomic post modern wiggling.

- 120cm (Pack of 2 + ALM branded tie)
- Colour: Red
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 5 in stock $6.93
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (30cm, white, pack of 5)
Cat: 758066 Rel: 09 Dec 19
 
3.5mm patch cables for Eurorack modular synths
Notes: Custom ALM patch cables. Small but strong, they are designed for maximum ergonomic post modern wiggling.

- 30cm (Pack of 5)
- Colour: White
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 5 in stock $8.60
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (60cm, purple, pack of 5)
Cat: 758067 Rel: 09 Dec 19
 
3.5mm patch cables for Eurorack modular synths
Notes: Custom ALM patch cables. Small but strong, they are designed for maximum ergonomic post modern wiggling.

- 60cm (Pack of 5 + ALM branded tie)
- Colour: Purple
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 2 in stock $9.16
ALM Custom 3.5mm Male Mono Eurorack Patch Cables (90cm, white, pack of 3)
Cat: 758069 Rel: 09 Dec 19
 
3.5mm patch cables for Eurorack modular synths
Notes: Custom ALM patch cables. Small but strong, they are designed for maximum ergonomic post modern wiggling.

- 90cm (Pack of 3 + ALM branded tie)
- Colour: White
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 4 in stock $7.49
ALM MIDI DIN To TRS Adapter Cable
Cat: 757951 Rel: 09 Dec 19
 
MIDI-TRS adapter
Notes: Break out MIDI signals into a 3.5mm stereo jack.

- Tip = Pin 4 (Source)
- Ring = Pin 5 (Sink)
- Sleeve = Pin 2 (Shield)
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 More than 10 in stock $4.43
ALM SID Guts Deluxe Voice Module
Cat: 607837 Rel: 18 May 16
 
Eurorack SID voice synth module - 19HP wide
Notes: The original SID GUTS took the legendary SID chip and tailored it into the eurorack modular environment. By use of a real SID chip the classic sound was taken in a new direction with the levels of direct and voltage control only a modular system can offer.

The 'SID GUTS DELUXE' improves upon the original SID GUTS 'Eurorack SID Voice' by adding both new features and further control.

The module now includes improved frequency control, a chord mode using all available oscillators and numerous other tweaks.

*SWIN SID chip included (please note - ALM & Juno do not offer any support for this product)*

Technical Specifications:
Supply: +/-12V
Current Draw: ~50-200ma (with vintage SID chip)
Size: 19 HP
Depth: 32mm (including power header)
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 5 in stock $319.37
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ART DTI Dual Transformer & Ground Loop Isolator
Cat: 450022 Rel: 12 Mar 12
 
Passive audio interface
Notes: The DTI (Dual Transformer/Isolater) is a high quality totally passive audio interface that uses a pair of high performance transformers to totally separate input and output signal grounds, thereby isolating two systems and reducing hum and ground-loop noise. The DTI's audio transformers have an extremely flat and wide frequency response and can handle high signal levels while maintaining an isolated balanced output. This gives the DTI a very clean and neutral sound with a wide variety of signal sources. The transformers are wound for 1:1 unity gain and are designed to be used with impedances from 600 Ohms to 100k Ohms.

What further sets the DTI apart from other lesser isolation boxes is its connection versatility, with XLR, 1/4" phone, and RCA type phono connections on all inputs and outputs. This allows it to easily fit into virtually any audio system and be the clean patch point between all types of systems.

Whether you need an interface between a computer based audio workstation and your monitor system, isolation on long cable runs in a fixed installation, isolation of a signal source from your recording equipment, or in many cases, just a safer connection between two audio systems, the DTI can accommodate.

The compact black anodized all aluminum case and it's passive design allow the DTI to provide years of trouble free service in Live Sound, Permanent/Fixed Install, DJ, and virtually any PA application. Its full feature set, rugged construction, and high-end specifications make the DTI the obvious choice.
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 3 in stock $54.25
ART Pro VLA II Valve Compressor & Amplifier
Cat: 455712 Rel: 11 May 12
 
2 x channel Vactrol-based compressor/leveling amplifier
Notes: The Pro VLA II is a tube driven Vactrol-based compressor/leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the Pro VLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.

Capable of delivering a far more musical natural sounding and sonically transparent compression than competitive units in its class, the Pro VLA II uses an Opto-electronic circuit rather than the more typical design VCA driven level detection circuit. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical audio applications.

Exceptional signal integrity with extremely low noise and low distortion is achieved in the Pro VLA II by utilizing a transformerless design throughout.

Unlike typical compression units that use Voltage Controlled Amplifiers (VCA's) to handle level detection, the Pro VLA II's Opto-electronic design allows a far more transparent and musical sounding compression without sounding aggressive or un-natural. This Vactrol based optical electronic circuitry is the basic component of the classic highly sought after compressors of past.

The Vactrol design allows the Pro VLA II to react to audio signal in much the same way the eye naturally adjusts to fluctuations in light levels, smoothly, quietly and almost imperceptibly.

The Pro VLA II is a soft knee leveling amplifier by design. Although capable of providing dramatic compression effects, the Pro VLA II was designed to excel in any application where transparent, expressively musical dynamics control is desired.

Large highly visible backlit analog VU meters accurately display input and output levels while extremely fast 10-segment LED's display gain reduction. For added functionality, the LED's display either average level for mastering & mixing applications or peak hold for monitoring individual sources when tracking audio.

XLR and 1/4" TRS balanced inputs and outputs are provided to ensure the Pro VLA II can connect with any audio source or hardware. A +4 dBu/-10 dBu mode switch optimizes the Pro VLA II I/O for either consumer or professional equipment.
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 2 in stock $387.01
Auralex Sub Dude II Subwoofer Isolation Platform (single)
Cat: 507573 Rel: 08 Oct 13
 
Foam/MDF isolation pad for subwoofer
Notes: The Auralex SubDude II is a lower profile version of our classic SubDude and is perfect for small subwoofers in home theaters and hi-fi systems. This patented isolation platform features a stylish velour covering over an inert structural layer that floats on a cushion of acclaimed Auralex Platfoam. This carefully engineered solution allows the true sound of your sub to come through by negating resonance artifacts.

Based on the same Auralex technology that famous recording artists use on-stage and in the studio, this carefully chosen combination of specialized materials instantly diminishes structural vibrations, resulting in cleaner and tighter bass, reduced coloration and a more accurate low-frequency response.

The SubDude-II is an incredibly effective isolation platform that instantly improves your subwoofer's performance.
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 7 in stock $66.52
Befaco Chopping Kinky Voltage Controllable Dual Channel Wavefolder Module
Cat: 668632 Rel: 09 Nov 17
 
Two-channel wavefolder - 8HP
Notes: Chopping kinky is a voltage controllable, dual channel Wavefolder.

A wavefolder converts simple signals into richer and more dynamically changing ones. In contrast to a filter, wavefolding adds harmonic content to the waveform. It works by amplifying the waveform until it begins to saturate, then rather than clipping, the waveform gets folded back in on itself.

Each of the module's two channels has a unique wavefolding profile. At each input there are two CV inputs for controlling the level of waveshaping including one that passes through an attenuverter.

The CHOPPING KINKY is DC coupled allowing it to be used for both CV and audio duties; to generate harmonics on an audio signal or kinking LFOs and envelopes.

- Current needs: +12V: 65mA, -12V: 55mA
- Width: 8 HP
- Depth:30mm (inc power connector)
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MRP:$266.14 SAVE 20%
 1 in stock $211.81
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Benidub DS71 Dub Siren Analogue Synthesiser (requires a 12VDC 1A power supply)
Cat: 791746 Rel: 12 Oct 20
 
Dub siren analogue synthesiser
Notes: Somewhere between an analogue drum synth and a dub siren, the DS71 is a uniquely creative little box. Properly versatile, experimental stuff.

Supplier's Notes:
The DS71 is a synthesizer designed to easily create many different dub siren tones at your fingertips. It combines analog synth voicing circuitry with a powerful digital LFO that allows for quick access to different sounds at the press of a button. Inspired by the classic analog drum-synth modules and re-interpreted as dub siren.

Audio output: impedance balanced 1/4" TRS Jack

Trigger input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm x 5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.
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MRP:$405.86
 2 in stock $374.82
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Blue Lantern Modules Accented Percussion Envelope Generator Module
Cat: 774006 Rel: 13 May 20
 
envelope generator module
Notes: Module: Accented Percussion Envelope Module (APE)

envelope generator, percussion, vca

Width: 6hp

Depth: 32mm , 1.26 inches clearance

Current: +19mA, -32mA

Circuits: Attack Decay Envelope Generator, and VCA's.

What does this module do?

This module allows you to add that dynamic 'accented' sound found in vintage gear like the Pearl SY-1 without having to build one of those kits, or hunt down the original. This module was influenced by such gear, but with modern parts. The goal was not to clone, but to get you really close results.

-There is a vca on the envelope output (DEPTH) with it's own CV Level input. This Dynamic Envelope has it's own output to give external vco's a 'pitch' ability. To do Disco 'POW' for example.



-There is another vca set up with CV Accent control just for the audio input.


If you patch up a sequencer, you can get very close results to the DFAM envelope portion.

*Gate or trigger input mode.

*3 modes for envelope time: Long, Perc (middle), and Short.
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 1 in stock $98.70
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FORTHCOMING
Decksaver Akai Pro MPC Live II Standalone Music Production Centre Cover (B-STOCK)
Cat: 801684
 
B-STOCK: Product opened, unused & in perfect condition
Notes: ***B-STOCK: Product opened, unused & in perfect condition***


Custom engineered in the UK for the Akai MPC Live Controllers, Decksaver's super durable polycarbonate shell protects against dust, liquid and accidental impact. Precision trimmed for an exact fit whilst accommodating cables, your MPC can sit ready for operation. Slides straight into a flight case or bag ready for transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.
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Decksaver Ashun Sound Machines Hydrasynth Desktop Synthesiser Cover
Cat: 791920 Rel: 03 Nov 20
 
Polycarbonate shell cover for Ashun Sound Machines Hydrasynth Desktop Synthesiser
Notes: The Decksaver Ashun Sound Machines Hydrasynth Desktop Cover is constructed from a polycarbonate shell for optimal protection. The cover is custom moulded to fit the shape of the Hydrasynth, and comes complete with a high-quality smoke/clear sheen. This is the ultimate choice for anyone wishing to protect their synthesizer from dirt, dust, and superficial damage. It also provides easy access to inputs and outputs at all times.

Please note: The Ashun Sound Machines Hydrasynth Desktop Synthesiser is not included in the purchase. It is shown for demonstration purposes only.

Dimensions:
Length: 44.3 cm
Width: 23.8 cm
Height: 6.5 cm
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MRP:$55.89 SAVE 11%
 3 in stock $49.89
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Decksaver Behringer K-2, Neutron & Pro-1 Synthesiser Cover
Cat: 791938 Rel: 04 Nov 20
 
Polycarbonate shell cover for Behringer K-2, Neutron & Pro-1 Synthesiser
Notes: Soft fit protection for your gear. The Decksaver Behringer Neutron, K-2 & Pro-1 Cover, Soft Fit is ideal for protecting your precious synthesizer from the rigours of the tour. This unique version of the Decksaver utilises "Soft-Fit" technology for maximum protection for the wooden panels on the side of the synth.

Decksaver covers provide great protection from dust, liquid, and accidental impact - using them means you get ample security from the dangers of the road. Don't settle for less.

Please note: The Behringer K-2, Neutron & Pro-1 Synthesiser Cover is not included in this purchase. It is shown for demonstration purposes only.

Weight: 0.35 kg
Dimensions (LxWxH): 42.6 x 14.8 x 6.6 cm
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 More than 10 in stock $49.89
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Doepfer A-103 18dB Low Pass Filter Module
Cat: 692504 Rel: 18 Jun 18
 
18dB low pass filter based on a modified Moog cascade - 8HP
Notes: Module A-103 is a voltage controlled low pass filter with 18dB/octave slope. The circuit is based on a modified transistor ladder (Moog ladder) and is a reproduction of the legendary TB303 filter.

As for the rest the A-103 is identical to the A-120 Moog low pass filter (same controls, inputs/outputs) only the filter sound is different.
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MRP:$103.79 SAVE 17%
 5 in stock $86.48
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Electro Harmonix Silencer Noise Gate Effects Loop Pedal
Cat: 581756 Rel: 14 Sep 15
 
Noise gate/effects loop pedal with 3 controls for precise fine-tuning & buffered bypass
Notes: A sophisticated noise gate that can tame a single pedal or an entire effects loop! The Silencer's three-control layout provides precise fine-tuning to fit your system, axe and playing style. Threshold adjusts how much level is required to open the noise gate and allow a signal to pass thru. Reduction regulated the degree to which the gated signal is reduced and is variable between -70dB and +4dB. Release controls how long the gate remains open after the signal drops below the Threshold. Release time is variable between 8ms and 4 seconds.

I/O includes 1/4" Input, Output, Send and Return jacks. The footswitch selects whether The Silencer is engaged or in bypass mode; buffered bypass allows the effects loop to remain in your signal path when the gate is bypassed. A built-in AC jack accepts a standard power supply like the EHX 9.6DC unit (optional) and the pedal comes with a 9V battery.

Conquer noise with The Silencer!
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MRP:$86.50 SAVE 29%
 2 in stock $60.99
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Endorphin.es Queen Of Pentacles 7 Voice Analogue Drum & Percussive Syntheiser Module
Cat: 791289 Rel: 23 Sep 20
 
7-voice analogue drum & percussive synthesiser module
Notes: Queen of Pentacles is a complex 7 voice analog drum/percussive synthesizer module based around:

3 analog discrete TR-909 circuits with advanced noise spectrum animation

4 zero latency microSD card sample players - including a set of freshly recorded samples for modern electronic music using handcrafted Paiste 602 15" and 18" cymbals

Effect processor as found in famous Grand Terminal/Milky Way/Blck_Noir

The new Queen of Pentacles covers the range of Dance/EDM/Techno music styles and is inspired by the famous TR-909.

The module offers seven drum sounds. Three drums are analog - bass drum, snare drum and clap. The other four drums are sample-based. Just .wav files playback directly from a microSD card with additional volume envelope, decay and pitch control. Those are simple modifiers but help you to shape the sounds played as one-shots.

There are 7 sounds in the drum kit. 3 drums are analogue - bass drum, snare drum and clap. These 3 are generated analogue for the following reason: each sound has its own binary noise generator and really - each time they are triggered the flavor is unique - they simply never repeat. At the same time they don't phase out each other as in the original 909, which is great - for example in the situation when reinforcing the clap on 2nd and 4th with an additional beat of the snare.

The other 4 drums are sample-based. Just .wav files playback directly from a microSD card with additional volume envelope, decay and pitch control. Those are simple modifiers but help you to shape the sounds played as one-shots.

Back then when Endorphin.es launched BLCK_NOIR, they introduced the next product line with black panels, as people liked the new styling. Now, along with continuation of the black panels comes another leap forward: New aluminum knobs suit the design perfectly.
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MRP:$664.02 SAVE 19%
 6 in stock $536.71
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ERM Multiclock Desktop Sync Clock Device With USB
Cat: 600727 Rel: 12 Feb 16
 
Professional conversion box for syncing multiple hardware devices
Notes: Professional Sync:
The multiclock solves your sync issues in the studio and on stage once and for all.
Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter.
Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks.

Shift & Shuffle:
To compensate for any time lag of connected gear, you can shift each output channel individually and in realtime back and forth relative to the master clock.
The shift range is completely configurable and has a maximum of i400ms, the resolution is 20us.
If you have set your machines up to be on the spot, start playing with shuffle. Again, individually for each channel and in realtime.

Midi, Din, Modular & LFO:
Each channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock.
Analog clock signals are configurable in polarity, start/reset behaviour and feature a flexible clock divider. An analog LFO is available with various waveforms and a range of 0-5V.
If you got them configured, channel settings can always be named and saved as a preset for later recall. Just in case you have a lot of gear.

USB Add-On
If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On.
This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock.
There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock.
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 More than 10 in stock $496.79
Hosa MID303 MIDI Cable (3 ft, black)
Cat: 663417 Rel: 14 Sep 17
 
5-pin DIN to 5-pin DIN MIDI cable - 3 ft
Notes: This cable is designed to interconnect MIDI devices. It is wired 5-pin discrete and compatible with all MIDI standards, including SysEx. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shield for effective EMI and RFI rejection and flexibility

Connectors: 5-pin DIN to Same
Colour: Black
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 2 in stock $4.88
Hungry Robot Mixer Desktop Module
Cat: 780992 Rel: 03 Sep 20
 
Mixer module
Notes: The 4 Channel Mixer is a basic DC coupled mixer with 4 inputs and 4 attenuators. DC coupled means that it will accept both DC and AC (Audio) signals. As with all Hungry Robot "Modular Boxes" the 4 Channel Mixer can be powered with a simple 9V DC, Negative Center power supply.

PATCH POINTS
-IN (x4): Patch in any audio or CV signal to any of the 4 inputs. (NOTE: Avoid mixing CV and Audio)
-OUT: This output is the sum of the four channels

KNOBS
-LEVEL (x4): Each input has its own attenuator that allow you to bring down the level of the inputs

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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MRP:$94.48 SAVE 17%
 1 in stock $78.72
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Hungry Robot Multiples Desktop Module
Cat: 780995 Rel: 03 Sep 20
 
Multiples module
Notes: The Buffered Multiples is a simple utility that allows you to patch in a cable and split it to three locations without any signal loss. A common problem with stackable cables or passive multiples is signal attenuation. The Buffered Multiples uses 4 high quality buffers to provide 4 banks of lossless splitting. There is nothing groundbreaking or sexy about the module, but it is an extremely useful utility for any modular rig. As with all Hungry Robot "Modular Boxes" the Buffered Multiples can be powered with a simple 9V DC, Negative Center power supply.

PATCH POINTS
-IN: Patch in what you want to split (can accept any voltage or audio source)
-OUTPUTS: Patch out with zero signal loss

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot Sample & Hold Desktop Module
Cat: 780982 Rel: 03 Sep 20
 
Sample & hold module
Notes: The Hungry Robot Sample & Hold provides basic S&H functionality with some added bells and whistles. It uses an internal clock dialed into a very useful range. If the internal clock rate is not to your liking, you can bypass the Rate knob by patching a clock signal into Clk In. The Sample & Hold has a built in attenuverter giving a bit of added control over the random voltages that are outputted. White noise out for uses elsewhere. Traditionally a S&H samples voltages from chaotic white noise, but E.In allows you to bypass the white noise and patch in your own sample source (i.e. patching an LFO in for a bit crushed LFO). As with all Hungry Robot "Modular Boxes" the Sample & Hold can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-MINUS/PLUS: Attenuverter for output. Allows you to sweep between positive and negative voltage outputs.
-RATE: On board clock source ranging from approximately 25ms to 1000ms.

PATCH POINTS
-E.IN: Bypasses internal white noise as a sample source. Patch in any CV source that you want to sample from
-STATIC: Taps into white noise output (0-5V range)
-CLK IN: Bypasses internal clock with your provided external clock
-S&H OUT: Two buffered outputs of S&H voltage

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel
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Hungry Robot The Borderland (Tap) Tap Tempo Modulating Digital Reverb Pedal
Cat: 780923 Rel: 03 Sep 20
 
Digital reverb pedal
Notes: The Borderland is an advanced digital reverb with a versatile tap tempo LFO/modulation section. At its core, is a reverb algorithm designed specifically with an ambient player in mind. It has an adjustable low-pass filter to alter the character of the reverb, ranging from small room reverb to a cavernous, dark hall reverb.

There are 8 LFO waveforms to choose from and 4 unique modulation modes (tremolo, chorus, triple octave tremolo, and octave slide). Set the LFO rate manually by using the "Velocity" knob or using the tap tempo option (right footswitch).

The left footswitch sends the pedal into near infinite sustain with the trails teetering on the edge of self-oscillation. The "Effect" and "Clean" knobs allow you to independently dial in the perfect ratio of wet and dry signals. Adjusting the "Ambiance" and "Brilliance" knobs sets the length of decay and the cutoff frequency of the onboard low pass filter.

The Borderland is the perfect pedal for creating lush, modulating, ambient textures.

Modulation Modes

The four modulation modes can be accessed through different toggle switch combinations.

Tremolo
Left Toggle - dB / Right Toggle - OFF

LFO affects the volume of the reverb signal, creating a tremolo effect

Chorus

Left Toggle - HZ / Right Toggle - OFF

LFO affects the pitch of the reverb signal, creating a chorus effect

Triple Octave Tremolo

Left Toggle - dB / Right Toggle ON

Three Octaves of Reverb, LFO affects volume of reverb, creating a vintage organ effect

Octave Slide

Left Toggle - HZ / Right Toggle ON

LFO crossfades between original pitch and octave up, creating an octave slide effect

Knobs

"Clean" - Sets the volume of the original dry signal
"Ambiance"-Sets the overall decay of the reverb trails

"Brilliance" - Sets the cutoff frequency of the low pass filter

"Effect" - Sets the volume of the wet reverb signal

"Velocity" - Manually sets the LFO rate

"Modulation" - Sets the depth of the modulation

"Waveform" - Sets the waveform type. The 8 waveforms are listed on the back of the pedal.

Footswitches

Left - Sends the pedal into near infinite sustain

Middle - Master On/Off

Right - Tap Tempo


Other
"Secret Mode" - There is a secret mode that can be selected internally by way of a dipswitch. This mode replaces the reverb code with delay code. The LFO section applies the same 4 modulation types to the delay section. The "Ambiance" knob is now delay feedback and the "Brilliance" knob is now delay time.

"Clock Input" - The clock input can received traditional tap tempo or 5V modular clock signals (gates/triggers).

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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iCon Qcon Pro G2 USB MIDI Controller
Cat: 708181 Rel: 16 Nov 18
 
Eight channel universal control surface
Notes: The Icon Pro Audio QCon Pro G2 is an eight channel universal control surface with Mackie Control and HUI emulation to support most major DAWs. Whether you are tracking or mixing, the QCon Pro G2 provides intuitive tactile control over your session. Set your levels, fine tune your EQs and effects, record automation, punch in and punch out of recordings, all at the tip of your fingers. The QCon Pro G2 sports nine motorized faders, eight multi-purpose push encoders, 78 buttons, jog shuttle wheel, and 2 foot pedal connectors. 12-segment LED level meters are provided for each channel, and a large backlit LCD screen displays channel names and parameter values. A 12-segment LED display is also provided for SMPTE or MIDI beat clock.

The Icon Pro Audio QCon Pro G2 utilizes Mackie Control and HUI emulation to control your favorite digital audio workstation and includes overlays for most popular DAWs including Cubase/Nuendo, Logic Pro, Ableton Live, ProTools, Studio One, Digital Performer, FL Studio, Samplitude, Reaper, Bitwig, Reason, Sonar, and Audition. A User Defined mode is also included to create custom presets and midi mapping.

The QCon Pro G2 is class-compliant with Windows XP, Vista, Windows 7/8/10, and Mac OS X and features a high speed USB 2.0 connection. The QCon Pro G2 is expandable to up to 32 channels using three Qcon EX G2 extenders.
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 2 in stock $513.42
Intellijel 7U Audio Jacks v2 Board For 7U Cases With Additional I/O Connectors
Cat: 739052 Rel: 19 Jul 19
 
Bi-directional audio board with four TRS jacks for 7U cases
Notes: The new, 2nd generation Audio Jacks Board comes pre-installed in every Intellijel 7U case manufactured since early 2019. Because this board is more fully featured than the previous generation, it's available as a stand-alone component for anyone who wishes to update an older 7U case.

You can tell which board you have by looking at the connectors. The new Audio Jacks Board has a large shrouded header flanked by two smaller shrouded headers, flanked by two link connectors at either end. Older boards have only one connector along the bottom edge.

The board holds four Neutrik TRS jacks, each of which can be configured as either an input or an output depending on the modules you connect. This allows you maximum flexibility when configuring your case - whether you wish to use the audio jacks as outputs, inputs, sends & returns; or some combination of these.

The jacks carry different audio signals depending on what you connect to the Audio Jacks Board. Please refer to the manual for more details on the many options available.
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 1 in stock $30.22
Intellijel Buff Mult Eurorack Module
Cat: 563563 Rel: 10 Mar 15
 
Buffered multiple synth module, 2HP wide
Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult
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Intellijel Stereo Out 1U Balanced Stereo Line Output Module
Cat: 739057 Rel: 19 Jul 19
 
Two channel, +4dBu balanced line level outputs
Notes: This module has 1/8" jacks to accept either mono or stereo audio signals from your modular gear.

It features input level indicator LEDs, and contains all the gain control circuitry necessary to drive external audio gear at the proper levels.

A ribbon cable is included for connecting it to either the Stereo Out Jacks 1U module, or a compatible Intellijel case with 1/4" jacks (e.g. 7U x 104HP, 7U x 84HP, or Palette 62).
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Joranalogue Generate 3 Through Zero Multiphonic Signal Generator Module
Cat: 757120 Rel: 07 Jan 20
 
High-stability precision analogue triangle-core VC(LF)O with fine and coarse tuning
Notes: Any signal can be expressed in terms of a few parameters: frequency, phase, amplitude and timbre. It is through modulation of these aspects that synthesists create electronic sound. With Generate 3, it is now possible to create a signal and control all its parameters by through-zero modulation within a single 12 HP wide module.

Everything starts with the exceptionally precise triangle-core voltage controlled oscillator (VCO) at the module’s heart. Through-zero linear frequency modulation (FM) enables rich yet pitch-stable FM sounds, by allowing the oscillator to run backwards into ‘negative frequencies’.

The resultant triangle wave is then processed by the through-zero phase modulator, providing a total phase shift range of 900°. Phase modulation offers an interesting alternative for FM, as it enables deep FM-type tones without actually changing the oscillation frequency.

The timbre of a signal is determined by its harmonic content. This full set of harmonics can be grouped into three main parts: the fundamental, even and odd harmonics. Generate 3’s harmonics generator separates out these three timbral ‘channels’. By adjusting their relative amplitudes, a vast array of different waveforms can be created, including but not limited to the classic sine, saw and square waves.

While the amplitudes can be adjusted manually, each timbral channel supports through-zero amplitude modulation, also known as balanced or ring modulation. When audio-frequency modulation signals are applied, the harmonics become ‘split’, enriching the spectrum.

In addition to all the usual analogue synthesis techniques, the extensive set of modulation options makes Generate 3 especially suited for exploring multiphonic synthesis: a monophonic source creating a complex timbre, much like throat singing, yet by electronic means.
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Joranalogue Link 2 Precision Buffered Multiples Module
Cat: 757113 Rel: 07 Jan 20
 
Precision buffered multiples in an ultra-narrow 2 HP
Notes: 'Multiples' are the classic solution to a common problem in modular synthesisers: how to distribute one output signal to multiple inputs. Simple passive multiples consist of several sockets, wired together.

Link 2 is a buffered multiples module. Each output is independently buffered using active electronics. This avoids many of the problems with passive multiples: signal cuts when patching cables, loading effects when driving many inputs etc. The high-end components provide exceptionally low noise and distortion, making Link 2 suitable for audio, CVs and gates/triggers. And unlike most buffered multiples modules currently available, it retains the accuracy of pitch control voltages to the last cent.

With only the top input socket in use, the signal is sent to all 6 outputs. Plugging a cable into the bottom input socket separates Link 2 into dual 3-way multiples, adding flexibility to your patching.
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Koma Elektronik Attenuator Cable
Koma Elektronik Attenuator Cable (audio attenuator cable)
Cat: 608838 Rel: 02 Dec 16
 
Attenuator cable with 3.5mm jack socket to 3.5mm jack plug
Notes: The Attenuator Cable is a cable with one jack input socket on one side, an output socket on the other side and a slider in the middle that gives the user the opportunity to attenuate both CV and audio signals traveling between modules. You simply connect a 3,5mm patch cable to the input socket of the Attenuator Cable and connect the output jack plug to any input of your liking. You can use the slider in the middle of the cable to attenuate and adjust the signal, easy peasy! The cable design has been optimized to function with any CV or audio signal and with all known and widely available 3,5mm jack cables.
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 7 in stock $8.60
Koma Elektronik Field Kit Expansion Pack
Koma Elektronik Field Kit Expansion Pack (expansion/accessory pack)
Cat: 663392 Rel: 26 Oct 17
 
Expansion pack for the Koma Elektronik Electro Acoustic Workstation
Notes: It's all about the things you connect to the The Field Kit! To get you started, Koma Elektronik have decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.

The Expansion Pack contains:

- 2 x Contact Microphones: Use these contact microphones to pick up vibration or sound, they are an amazing versatile input source
- 1 x Electro-Magnetic Pickup: This guy is good at picking up changes in magnetic fields, you can use it to amplify a string like a guitar pickup or amplify a spinning motor
- 1 x Solenoid push-pull motor: Use the solenoid to hit things, together with the DC Interface the solenoid can make anything rhythmical and percussive
- 1 x DC motor: The Motor can be used to rotate things or as a noisy oscillator together with the Electro-Magnetic Pickup
- 1 x small speaker: Use the speaker to listen to the main mix or as a sound source and to feedback sounds
- 3 x patch cables Always handy to have around to patch up different parts of your Field Kit... and a bunch of little objects to play with (little springs, marbles)

The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!
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Koma Elektronik Field Kit FX Expansion Pack
Cat: 689034 Rel: 19 Jun 18
 
Expansion pack for the Koma Elektronik Field Kit FX
Notes: Its all about the things you connect to the Field Kit FX! To get you started, Koma Elektronik decided to offer an FX Expansion Pack with a bunch of handy cables, contact mic's and spring tank that you can use and connect to create your own signature sounds.

The Field Kit FX Pack contains:

1 x Spring Reverb Tank
1 x Delay Feedback Path Cable
1 x Big Contact Microphone
1 x Small Contact Microphone
1 x KOMA Elektronik Attenuator Cable
3 x 3.5mm Patch Cables
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 3 in stock $62.10
Koma Elektronik Field Kit Sensor Pack A (set of 5 sensors)
Cat: 725945 Rel: 25 Mar 19
 
Sensor Pack A - features five useful components for owners of the Field Kit
Notes: The Field Kit Sensor Pack A consists of 5 sensors:

- Button/Jack
- Electret Microphone
- Light Sensor
- Temperature Sensor
- Ball Switch
- 2 x Dupont 3 contact cable to connect the Sensors to the Field Kit

Button/Jack:

This is rather a utility tool than an actual sensor. It allows you to either use a pushbutton or any CV-Signal (0- 5V) as a signal source. You can select to either use the button or any signal connected to the jack input with the jumper located right next to pin-header. The voltage present at the output upon a button press can be selected with the two jumpers next to the button. The button and jack can be used with both the ANALOG IN and the DIGITAL IN of the Field Kit's Sensor Interface.

Electret Microphone:

The electret microphone provides a simple solution to use your surroundings as a sample source. The board features a little trimmer to adjust the gain of the microphone pre-amplifier. Use a little screwdriver to adjust the gain according to the printing on the sensor board. It's preferable to adjust the signal level with the trimmer first and only use the level pot of the analog signal interface as a second adjustment stage. The electret microphone has an omnidirectional directivity and is capable of capturing the whole frequency spectrum from 20 to 20000 Hz. The electret microphone is best be used with the ANALOG IN of the Field Kit's Sensor Interface.

Light Sensor:

The light sensor will change the output voltage depending on the light intensity. The spectral sensitivity is similar to the human eye, covering the full spectra of visible light, with a peak at 570nm (green/yellow). The change of the voltage according to the light intensity can be set with the three jumpers on the board. Set those jumpers according to printing on the board. The light sensor can be used with the ANALOG IN and the DIGITAL IN of the Field Kit's Sensor Interface.

Temperature Sensor:

The temperature board features two output modes: a continuous CV or a trigger.

CV Mode: The board will output a continuous voltage in range 0 - 5 V depending on the measured temperature and scaled to the set lower and upper temperature limit.

Trigger Mode: The board will generate a trigger whenever the measured temperature rises above the set upper limit temperature. LED 1 will blink whenever a trigger is generated. The sensor covers a temperature range from -55-C to +125-C.

Ball Switch:

The ball switch consists of a little bouncy ball jumping around in a container connecting two contacts and thus acts like a switch. In contrary to a normal push button, which has very well defined states, the switching of a ball switch is more similar to a percussion shaker. There are two resting-positions which define a certain state of the switch: the board is lying flat on the table with its bottom facing the table: the switch is open the board is lying flat on the table with its top facing the table: the switch is closed. The voltage assigned to those states can be set with the two jumpers on the board. Refer to the printing on the board to identify the position that suits your needs. The ball switch can be used with the ANALOG IN and the DIGITAL IN of the Field Kit's Sensor Interface.
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Koma Elektronik Field Kit Sensor Pack B (set of 3 sensors)
Cat: 725946 Rel: 25 Mar 19
 
Sensor Pack B - features three useful components for owners of the Field Kit
Notes: The Field Kit Sensor Pack B consists of 3 sensors:

- Accelerometer
- Capacitive Touch
- Sequential Voltage Source
- 2 x Dupont 3 contact cable to connect the Sensors to the Field Kit

Accelerometer:

This board measures acceleration along three axis. Those measurements are used to generate CV signals or triggers. The accelerometer board features three modes:

- Tap Detector with continuous CV output
- Tap Detector with trigger output
- The 'motorcycle mode'

Capacitive Touch:

Connect the Capacitive Touch to organic items and use them as a controller, the Field Kit Sensor Interface will send out signals once you touch the matter. Banana rock, Cucumber Swing, Avocado Samba!

Sequential Voltage Source:

The Sequential Voltage Source is a little magical module which you can use in your musical setup quite easily and allows your Field Kit to become a Sequencer too. This board has three different modes: Stepped Random Voltage, CV Sequencer and a Euclidean Trigger Sequencer.
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Korg Volca Mix Four Channel Analogue Performance Mixer
Cat: 675871 Rel: 26 Mar 18
 
Compact multi-function four-channel mixer
Notes: The Volca Mix is a four-channel analogue performance mixer that lets you construct a live setup combining multiple Volca units.

Volume faders are easy to control, plus crisp-sounding LO/HI CUT filters, and a master chain that radically transforms the sound. In addition to the sync function found on all Volcas, there are also DC output connectors that can supply power for up to three Volca units. Numerous functions to facilitate your on-stage Volca performances have been packed into a high-quality aluminium-panelled body, reminiscent of a high-end DJ mixer. The Volca Mix will unlock the maximum potential of the Volca series.

An analog mixer for performance:

The Volca Mix is a four-channel analog mixer with an intuitive interface and plenty of connectivity. It provides two mono inputs and one stereo input, perfect for connecting three Volca units. The jacks are mini-jacks, allowing you to make connections with just one stereo mini-cable from the headphone out of each Volca unit. The channel volumes use vertical faders that allow precise control. The gain can be boosted to adjust the mix balance, and mute buttons are also provided. Each channel is also equipped with a LO/HI CUT filter that lets you control the low and high frequency ranges with a single knob. The pristine, natural-sounding filters that you expect from analog gear give you complete control over the character of your sound.

Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability:

The output section provides RCA stereo line outputs to ensure stable connection. There's a master volume with LED VU meter for adjusting the output level, as well as a headphone output that can be used simultaneously with the line output, providing a reliable monitoring environment on stage. Speakers are also built-in for excellent portability. The stereo speakers are placed at both sides of the front, and while compact, deliver SPL levels that are even greater than the built-in speakers on previous Volca units.

Powerful master chain:

The Volca Mix is equipped with master effects powered by all-analog circuitry. In addition to an expander that broadens a mono source into a stereo sound image, there's a dynamic range compressor that compresses the high-frequency range according to level changes of the low-frequency region, as well as a side chain effect that's indispensable for dance music. Use these to dynamically vary the mix, adding a professional feel to live performances with the Volca.

Connect an external effect unit for further variety:

The Volca Mix provides a stereo mini-jack send out and AUX in jack, and send level knobs for each channel. This allows you to use it with an external effect unit in a send/return connection. When used in conjunction with a unit such as the mini Kaoss pad 2S, you can also enhance your live performances using standard effects such as reverb, delay, filter, and break. The AUX in jack can also be used as a stereo input channel for a fourth Volca unit, an iOS app, or any other gadget, instrument, or device.

As the master of your Volca live setup:

The Volca Mix features an analog sync out jack that can easily be connected to many pieces of KORG gear for tempo sync, and also a play button and tempo knob to control that sync signal. By using the Volca Mix as the sync master device of your live setup, you can easily enhance your live performance, such as simultaneously playing sequences from multiple synced units, and combining mute and volume control to create performances that use your Volca units in even more ingenious ways.
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Korg Volca Modular Micro Modular Synthesiser
Cat: 715950 Rel: 18 Feb 19
 
Compact patch-based synth, ideal for beginners
Notes: Buchla-inspired modular business in Korg's small and affordable Volca range. Amazingly creative and experimental synth power in a tiny little box. Highly recommended.

Supplier's notes:
A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.
Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.
The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:
The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:
Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:
volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:
While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:
The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:
Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:
Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

Connectors that allow synchronized performance and external control:
With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.
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LEP Arpopone Analogue Melody & Bass Line Generator Module
Cat: 707885 Rel: 02 Jan 19
 
Bass line generator with a rhythmic chord section
Notes: The Arpopone from LepLoop is a little synthesizer for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: The envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: The envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: The envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Two outputs jacks are available: the mono OUT jack on the back panel and the STEREO jack on the front panel, useful for listening with headphones and for separate channel output.
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LEP Multicassa Analogue Desktop Drum Machine With Clock Divider Sequencer (aluminium box version)
Cat: 730434 Rel: 11 Jun 19
 
Polyrhythmic drum module featuring raw analogue drum sound
Notes: - 3 x external audio out
- 1 x audio out
- 3 x cassation bass drum
- With clock
- Internal or external
- Trigger in
- Click out

The MULTI CASSA is an electronic Eurorack module for percussion sound and special FX. Created by LEP Laboratories, the MULTI CASSA module takes inspiration from the Leploop synth. MULTI CASSA is a combination of two modules with different pitch settings, the first maintains the original pitch, the second increases the pitch to recreate the sound off high tom or snare drum.

TRIG MIX: The rhythm played by the MULTI CASSA is the sum of the two trig IN1 and IN2. The trig mix pot adjusts the mix between the two trig input, which is great for creating polyrhythms.

FREQUENCY: Adjusts the pitch of the sound, also effects the resonance.

RESONANCE: Adjust the resonance, i.e. the damping time of the case. Beyond a certain level the MULTI CASSA can go into permanent oscillation. The level at which the oscillation begins varies with frequency.

DISTORTION: Adjusts the level of signal distortion.
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Mackie MR524 Powered Studio Monitor (single)
Cat: 657220 Rel: 18 Sep 17
 
5-inch 50W powered studio monitor equipped with Mackie's proven logarithmic waveguide design
Notes: The MR524 5" Powered Studio Monitors by Mackie offer professional performance, clarity and superior mix translation so you can listen with confidence knowing your mix will sound great anywhere. Drawing from Mackie's extensive studio monitor design experience, the MR524 monitors are precision tuned to stay true to your mix whether it's dialogue, hip hop, rock and beyond. Their proven logarithmic waveguide provides an ultra-wide listening sweet spot and enhanced stereo imaging while the Acoustic Space controls allow you to adjust the frequency response of the monitor to match your studio. The studio monitor inspired by you - MR524 Powered Studio Monitors.

***Now with Pro Tools First (including The Musician Collection) upon registration***
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