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Studio Equipment preorders
Welcome to our preorders page, where you can preorder vinyl & CDs due for release in the coming weeks and months.
All preorders are despatched as soon as they released, and you don't pay until they ship!
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Dnipro & Sinevibes Radiant Stereo Multi-Effect Processor Module (dual/stereo/effect/delay/filter/pitch shifter/reverb module)
Cat: 1000152 Rel: 31 Dec 24
Stereo multi-effect processor module - 14HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Dec 24 $383.00
(No payment required now - pay when released)
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Koma Elektronik Chromaplane Analogue & Polyphonic Electromagnetic Synthesiser (analogue electromagnetic synthesiser)
Cat: 1050564 Rel: 31 Jan 25
Analogue & polyphonic electromagnetic synthesiser
Notes: The Chromaplane is an instrument created in collaboration between KOMA Elektronik & Passepartout Duo.
The Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.
The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.
The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.
The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.
The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual
… Read moreThe Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.
The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.
The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.
The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.
The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $356.42
(No payment required now - pay when released)
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Dreadbox Artemis 6-Voice Polyphonic Analogue Synthesiser (analogue desktop synthesiser)
Cat: 1054559 Rel: 31 Jan 25
6-Voice Polyphonic Analogue Synthesiser
Notes: Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!
From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.
At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.
These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.
Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.
This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.
… Read moreFrom classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.
At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.
These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.
Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.
This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $1,175.62
(No payment required now - pay when released)
FORTHCOMING
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Cat: 1055355
4-voice organismic analogue synthesiser
Notes: Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.
LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.
The voices are divided into two pairs (12, 34), creating tree-like structure.
The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.
LYRA-4 also has the next blocks:
The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.
The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.
The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.
For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Specifications
Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply: stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg
What's included:
LYRA-4 - 1 pc
Power supply - 1 pc
… Read moreLYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.
The voices are divided into two pairs (12, 34), creating tree-like structure.
The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.
LYRA-4 also has the next blocks:
The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.
The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.
The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.
For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Specifications
Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply: stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg
What's included:
LYRA-4 - 1 pc
Power supply - 1 pc
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $381.95
(No payment required now - pay when released)
FORTHCOMING
Related products...
Intech Studio Grid PO16 16-Potentiometer Modular MIDI Controller (modular MIDI controller)
Cat: 1032095
Modular MIDI controller consisting of 16x potmeters
Notes: The PO16 is a sleek, compact, single-turn rotary potentiometer module for controlling quick motion changes like EQ, filters, or synth parameters.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm Eurorack-sized modules (4.19 x 4.19 inches)
16 linear 300- single-turn conductive plastic potentiometers
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Ergonomic potentiometers in black with plastic knobs
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
… Read moreEquipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm Eurorack-sized modules (4.19 x 4.19 inches)
16 linear 300- single-turn conductive plastic potentiometers
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Ergonomic potentiometers in black with plastic knobs
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $132.99
(No payment required now - pay when released)
FORTHCOMING
Related products...
Notes: The ultimate way to experience audio
Full bass immersion
SUBPAC is revolutionizing the way audio is created and experienced. Building off our success in the studio and on stage, the SUBPAC X1 represents the next step on our journey to deliver the highest-fidelity immersive audio solutions ever made. Trusted by top artists, producers and DJ's, including Timbaland, Finneas (Billie Eilish), Richie Hawtin, Fat Boy Slim, and Dub Fire, and used in thousands of studios worldwide. The SUBPAC X1 is the next frontier in audio that fully engages you in the physical dimension of sound, quietly and accurately transferring deep immersive bass frequencies directly to the body.
The SUBPAC X1 is simple to use, just connect with your Music, Video Games, VR Experiences, and Movies, and feel things like you've never experienced before - SUBPAC IS THE FUTURE OF AUDIO.
One Subpac. One system.
SUBPAC X1 is Designed for Dual Use
For your chair
Anywhere you sit and engage with audio
For you to wear
Big Bass, Anywhere
Connect to the deepest feeling
Unparalleled Bass Response.
Customise & control
Mobile and PC app control over filters, EQs, time alignment, tactile and headphone levels, and other advanced settings.
Power & precision
Redesigned audio path and software optimizations for improved fidelity, increased power and more headroom.
Comfort & flexibility
Interchangeable strapping solutions for both seated & wearable uses, providing a more comfortable and ergonomic fit.
Modular
Removable wired analogue I/O and remote for the X1, and the optional C1 for professional-grade interface options.
Bluetooth wireless freedom
Connect wirelessly via Bluetooth Bluetooth 5.0 AD2P, aptX HD & LE Audio.
Pro grade
Highest quality component selection to meet the most rigorous demands in the studio, on stage, and everywhere you connect to audio.
A unified experience
The SUBPAC X1 System Combines Hardware & Software
Inputs:
3.5mm Stereo TRS Analog Line Input
USB Audio Class 2.0 over USB Type-C
SUBPAC Ultra Wideband Wireless Audio
Bluetooth A2DP
Outputs:
3.5mm Stereo TRS Headphone Output
+130dB SNR, +122dBA DNR
-112dB THD+N, 2.0Vrms into *100kO
-110dB THD+N, 1.0Vrms into 32O
*100kO = 100,000O
Power:
Integrated rechargeable Li-Ion battery
Up to 8hrs battery life
USB Type C Power Delivery
Included USB Type C 45W charger
Tactile Frequency Range:
Adjustable between 1-250hz
Mobile Control App:
iOS and Android compatible
… Read moreFull bass immersion
SUBPAC is revolutionizing the way audio is created and experienced. Building off our success in the studio and on stage, the SUBPAC X1 represents the next step on our journey to deliver the highest-fidelity immersive audio solutions ever made. Trusted by top artists, producers and DJ's, including Timbaland, Finneas (Billie Eilish), Richie Hawtin, Fat Boy Slim, and Dub Fire, and used in thousands of studios worldwide. The SUBPAC X1 is the next frontier in audio that fully engages you in the physical dimension of sound, quietly and accurately transferring deep immersive bass frequencies directly to the body.
The SUBPAC X1 is simple to use, just connect with your Music, Video Games, VR Experiences, and Movies, and feel things like you've never experienced before - SUBPAC IS THE FUTURE OF AUDIO.
One Subpac. One system.
SUBPAC X1 is Designed for Dual Use
For your chair
Anywhere you sit and engage with audio
For you to wear
Big Bass, Anywhere
Connect to the deepest feeling
Unparalleled Bass Response.
Customise & control
Mobile and PC app control over filters, EQs, time alignment, tactile and headphone levels, and other advanced settings.
Power & precision
Redesigned audio path and software optimizations for improved fidelity, increased power and more headroom.
Comfort & flexibility
Interchangeable strapping solutions for both seated & wearable uses, providing a more comfortable and ergonomic fit.
Modular
Removable wired analogue I/O and remote for the X1, and the optional C1 for professional-grade interface options.
Bluetooth wireless freedom
Connect wirelessly via Bluetooth Bluetooth 5.0 AD2P, aptX HD & LE Audio.
Pro grade
Highest quality component selection to meet the most rigorous demands in the studio, on stage, and everywhere you connect to audio.
A unified experience
The SUBPAC X1 System Combines Hardware & Software
Inputs:
3.5mm Stereo TRS Analog Line Input
USB Audio Class 2.0 over USB Type-C
SUBPAC Ultra Wideband Wireless Audio
Bluetooth A2DP
Outputs:
3.5mm Stereo TRS Headphone Output
+130dB SNR, +122dBA DNR
-112dB THD+N, 2.0Vrms into *100kO
-110dB THD+N, 1.0Vrms into 32O
*100kO = 100,000O
Power:
Integrated rechargeable Li-Ion battery
Up to 8hrs battery life
USB Type C Power Delivery
Included USB Type C 45W charger
Tactile Frequency Range:
Adjustable between 1-250hz
Mobile Control App:
iOS and Android compatible
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Mar 25 $637.29
(No payment required now - pay when released)
FORTHCOMING
Related products...
Intech Studio Grid EF44 4-Encoder & 4-Fader Modular MIDI Controller (modular MIDI controller)
Cat: 1032106
Modular MIDI controller consisting of 4x encoders & 4x faders
Notes: Shape your sound with the EF44 Grid through fine-grained control over performance effects, modulation, panning and much more.
Geared with metal-shaft audio-grade linear faders and detent push-encoders. Seamless use for MIDI CC mapping for your DAW.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations. All configurable in the Grid Editor. Each module is flexibly extendable with other Grid controllers enabled by the golden pins and magnets on all sides.
Thanks to its compact and lightweight structure, the EF44 is a fully ergonomic parameter controller. The encoders have a clicky, detent tactile feedback on turning, while the faders have a smooth travel and can be upgraded with old-school mixer style caps.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
4 velocity sensitive incremental encoders with 360- rotation and mappable push functionality
4 audio-grade linear metal shaft faders with 60 mm travel
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Metal shaft faders equipped with dust cover
Ergonomic plastic encoders in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
… Read moreGeared with metal-shaft audio-grade linear faders and detent push-encoders. Seamless use for MIDI CC mapping for your DAW.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations. All configurable in the Grid Editor. Each module is flexibly extendable with other Grid controllers enabled by the golden pins and magnets on all sides.
Thanks to its compact and lightweight structure, the EF44 is a fully ergonomic parameter controller. The encoders have a clicky, detent tactile feedback on turning, while the faders have a smooth travel and can be upgraded with old-school mixer style caps.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
4 velocity sensitive incremental encoders with 360- rotation and mappable push functionality
4 audio-grade linear metal shaft faders with 60 mm travel
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Metal shaft faders equipped with dust cover
Ergonomic plastic encoders in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $158.53
(No payment required now - pay when released)
FORTHCOMING
Related products...
Zoom MS-70CDR+ Multi-Effects Pedal (modulation/time/dynamics/filter effects pedal)
Cat: 1010032
Chorus, delay, reverb, dyanmics & filter effects pedal
Notes: One Small Stomp For Man - One Giant Leap For Chorus, Delays & Reverbs
The Zoom MS-70CDR+: Your New Modulation Station
The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.
A Deep Dive into Chorus, Delays, Reverbs & More
Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.
Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.
Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.
Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.
Expanded Controls
The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.
Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.
Next Generation Circuitry
Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.
Everything's Better in Stereo.
The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.
Soundscapes Are Key
For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.
Change Patches With MIDI
With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.
Enhanced Navigation
Cross Key Switches
The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.
Control Knobs
Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.
Colour Coded LCD Screen
The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.
Sturdy Build
The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.
Power Options
The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.
Tune-Up
The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.
Handy Guitar Lab
With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.
Technical Specifications
Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD
Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB
Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu
Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)
USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.
Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V
… Read moreThe Zoom MS-70CDR+: Your New Modulation Station
The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.
A Deep Dive into Chorus, Delays, Reverbs & More
Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.
Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.
Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.
Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.
Expanded Controls
The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.
Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.
Next Generation Circuitry
Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.
Everything's Better in Stereo.
The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.
Soundscapes Are Key
For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.
Change Patches With MIDI
With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.
Enhanced Navigation
Cross Key Switches
The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.
Control Knobs
Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.
Colour Coded LCD Screen
The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.
Sturdy Build
The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.
Power Options
The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.
Tune-Up
The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.
Handy Guitar Lab
With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.
Technical Specifications
Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD
Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB
Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu
Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)
USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.
Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $186.18
(No payment required now - pay when released)
FORTHCOMING
Related products...
Old Blood Noise Endeavors Dark Star Stereo Soundscape Reverb Effects Pedal (black limited edition) (time effects pedal)
Cat: 1059451 Rel: 31 Dec 24
Stereo soundscape reverb effects pedal
Notes: Dark Star Stereo Flagship Reverb Pedal
The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.
Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.
… Read moreThe continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.
Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Dec 24 $318.12
(No payment required now - pay when released)
FORTHCOMING
Related products...
Cat: 1055354
4-voice organismic analogue synthesiser
Notes: Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.
LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.
The voices are divided into two pairs (12, 34), creating tree-like structure.
The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.
LYRA-4 also has the next blocks:
The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.
The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.
The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.
For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Specifications
Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg
What's included:
LYRA-4 - 1 pc
Power supply - 1 pc
… Read moreLYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.
The voices are divided into two pairs (12, 34), creating tree-like structure.
The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.
LYRA-4 also has the next blocks:
The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.
The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.
The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.
For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Specifications
Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg
What's included:
LYRA-4 - 1 pc
Power supply - 1 pc
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $381.95
(No payment required now - pay when released)
FORTHCOMING
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Intech Studio Grid EN16 16-Encoder Modular MIDI Controller (modular MIDI controller)
Cat: 1032101
Modular MIDI controller consisting of 16x encoders
Notes: EN16 is made for fine-tuning enthusiasts: this Grid module offers 16 velocity sensitive incremental encoders with infinite rotation and mappable push functionality.
Create separate actions by left and right rotation or add distinguished commands with push rotation. Map banks to the same control or switch immediately from one command to another in just a second using only one module. Unlock potential through the Grid Editor with coarse or fine settings.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
16 velocity sensitive incremental encoders with 360- rotation and mappable push functionality
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Ergonomic plastic encoders in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
… Read moreCreate separate actions by left and right rotation or add distinguished commands with push rotation. Map banks to the same control or switch immediately from one command to another in just a second using only one module. Unlock potential through the Grid Editor with coarse or fine settings.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
16 velocity sensitive incremental encoders with 360- rotation and mappable push functionality
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Ergonomic plastic encoders in black
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $169.16
(No payment required now - pay when released)
FORTHCOMING
Related products...
Nystrom Crum Hum 3 Voice Experimental & Expressive Soundscaping Synthesiser (soundscaping synthesiser)
Cat: 1058814
A 3-voice experimental and expressive soundscaping instrument with generative, ever evolving melodic and harmonic creation
Notes: Crum Hum is a 3-voice experimental and expressive soundscaping instrument with generative, ever evolving melodic and harmonic creation.
3 melodic voices with expressive touch control
12 different Sound engines
Generative & randomized melodic and chord generation
12 different Scales
Delay, Reverb, Overdrive, LFO
3.5mm CV output
3.5mm Clock input
Send and receive Midi sequencing and Midi CC.
… Read more3 melodic voices with expressive touch control
12 different Sound engines
Generative & randomized melodic and chord generation
12 different Scales
Delay, Reverb, Overdrive, LFO
3.5mm CV output
3.5mm Clock input
Send and receive Midi sequencing and Midi CC.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $328.75
(No payment required now - pay when released)
FORTHCOMING
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Aodyo Loom 3 Octaves Multi-Dimensional MPE MIDI Controller (MIDI controller)
Cat: 1017191
Multi-dimensional MPE MIDI controller
Notes: Loom is a multidimensional MPE MIDI Controller designed for immediate playability and expressiveness.
MPE synthesizers and virtual instruments offer you rich sounds that respond to the slightest variation, but there are few controllers fit to the task.
Aodyo Instruments have drawn on previous experience with the Sylphyo and the Anyma synthesizers to offer musicians a versatile and powerful device.
Whether you play live, record in the studio or compose music in your bedroom, Loom will become a flexible and original addition to your setup.
Features
Don't be fooled by its simple appearance: Loom's magic lies in the synergy between its surfaces and sensors, offering you different playing modes that will allow you to play almost any kind of virtual instrument or synthesizer.
Playing modes
Unravel evolving chords, weave intricate melodies, craft expressive rhythms. Any way you choose to approach it, Loom is designed as an extension of your hands.
Loom can function as a MIDI Keyboard, offering access to a two or three-octave range. You can play notes, bend them, nuance your attack, and add expression by sliding along the keys.
But if you want to break free from the keys, Loom can also work as a MIDI Ribbon, allowing for smooth sliding across its surface. Optionally, it can make sure you land on the right note, making it easier to play with others without losing the free-form nature of the ribbon.
If you want to play chords like a guitar, Loom offers a MIDI Strum mode, where you can choose a chord with one hand and strum virtual strings with the other. Or you can play it like a harp, directly sliding your fingers across the chord.
For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.
The keyboard, ribbon, strum, and drumkit modes were only the first four, and Aodyo have recently added four more in the collection.
Fader mode is perfect for graphical EQs, organ drawbars, resonator filter banks, vocoders or mixers. After selecting your layout and mappings, you can move faders with several fingers at a time, and even draw a shape by dragging a finger horizontally if your thumb touches the front bar.
Some people prefer guitars to keyboards, and the keygrid mode is made for them. It provides a configurable 2D grid of notes, and otherwise works like the keyboard mode, allowing glissandi, timbre and dynamics variations in the same way.
Many backers mentioned the early electronic musical instrument Ondes Martenot, which had a pressure-sensitive touche d'expression to control volume, a keyboard to select notes that could be moved sideways for vibrato, and a ribbon to play continuous pitch. That's suspiciously close to the sensors Loom offers, a Martenot mode was added. The Loom version works mostly the same way as the original, but adds polyphony and MPE if you need it!
And finally, if you just need to get XYZ coordinates from the touch surface, you can use the controlpad mode. But you can also divide the surface in several pads, allowing you to explore a large number of dimensions at once, making this mode especially suited to sound design tasks.
These were the first eight playing modes Loom offers, but Aodyo are planning to develop and offer more later via free software updates.
Multidimensional and multitouch tactile surface
Loom features a multidimensional tactile surface, enabling each finger to control pitch (X axis), timbre (Y), and dynamics (Z) independently. In addition, a patent-pending dynamic sensing system analyses when your fingers land to determine impact force.
Sliders and bass (front/back)
Loom's uniqueness stems from its additional controls on the front and back sides, making your thumbs play a pivotal role. The slider on the left can be used as a modulation wheel, and the bar on the right can be your sustain pedal or a way to mute cymbals. You can make the back slider and bar do the same thing, or something entirely different. With these, thumb twiddling is not an option.
Action zone
To the left of the surface lies a pressure-sensitive squishy square area called the action zone. Press it to have nuanced control over dynamics or effects.
Editor
The companion editor allows you to customize every aspect of your Loom: change modes assign zones, map MIDI controls, set thresholds, and adjust response curves.
Built for MPE and legacy MIDI
MIDI MPE (MIDI Polyphonic Expression) is an extension of the MIDI (Musical Instrument Digital Interface) standard that enables more nuanced and expressive performance capabilities for electronic instruments.
Traditional MIDI communication allows for control changes to be applied globally across all notes of an instrument. In contrast, MPE assigns each note its own unique channel, allowing for individual control of pitch, volume, and timbre per note.
This innovation opens up a new realm of expressive possibilities, letting musicians bend, slide, and modulate notes independently, much like on acoustic instruments. By providing detailed control over each note's parameters, MPE enhances the expressiveness of electronic music performances.
Loom is designed from the ground up for MPE, but it also works very well with any non-MPE MIDI instruments, even monophonic ones!
Developer-friendly
You're not limited to the modes we've designed. If you know your way around code, you can also take over and create your own. You can send a specific MIDI message to enter developer mode, where every input will be sent as-is, and you'll be able to control the LEDs and display by sending MIDI SysEx messages to the Loom from your own program or script running on your computer. This way, you can entirely control what's happening on your Loom, design new playing modes that you can distribute to others, or use Loom as an experimentation platform.
Connectivity
Using a USB or MIDI cable, you can easily connect your Loom to all your hardware and software: VSTi, Audio Units, hardware, etc.
Specifications
3 octaves
USB-C MIDI device
TS mini-jack MIDI output
128x64 OLED display
40 RGB LEDs
615 x 80 x 15mm
888g
… Read moreMPE synthesizers and virtual instruments offer you rich sounds that respond to the slightest variation, but there are few controllers fit to the task.
Aodyo Instruments have drawn on previous experience with the Sylphyo and the Anyma synthesizers to offer musicians a versatile and powerful device.
Whether you play live, record in the studio or compose music in your bedroom, Loom will become a flexible and original addition to your setup.
Features
Don't be fooled by its simple appearance: Loom's magic lies in the synergy between its surfaces and sensors, offering you different playing modes that will allow you to play almost any kind of virtual instrument or synthesizer.
Playing modes
Unravel evolving chords, weave intricate melodies, craft expressive rhythms. Any way you choose to approach it, Loom is designed as an extension of your hands.
Loom can function as a MIDI Keyboard, offering access to a two or three-octave range. You can play notes, bend them, nuance your attack, and add expression by sliding along the keys.
But if you want to break free from the keys, Loom can also work as a MIDI Ribbon, allowing for smooth sliding across its surface. Optionally, it can make sure you land on the right note, making it easier to play with others without losing the free-form nature of the ribbon.
If you want to play chords like a guitar, Loom offers a MIDI Strum mode, where you can choose a chord with one hand and strum virtual strings with the other. Or you can play it like a harp, directly sliding your fingers across the chord.
For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.
The keyboard, ribbon, strum, and drumkit modes were only the first four, and Aodyo have recently added four more in the collection.
Fader mode is perfect for graphical EQs, organ drawbars, resonator filter banks, vocoders or mixers. After selecting your layout and mappings, you can move faders with several fingers at a time, and even draw a shape by dragging a finger horizontally if your thumb touches the front bar.
Some people prefer guitars to keyboards, and the keygrid mode is made for them. It provides a configurable 2D grid of notes, and otherwise works like the keyboard mode, allowing glissandi, timbre and dynamics variations in the same way.
Many backers mentioned the early electronic musical instrument Ondes Martenot, which had a pressure-sensitive touche d'expression to control volume, a keyboard to select notes that could be moved sideways for vibrato, and a ribbon to play continuous pitch. That's suspiciously close to the sensors Loom offers, a Martenot mode was added. The Loom version works mostly the same way as the original, but adds polyphony and MPE if you need it!
And finally, if you just need to get XYZ coordinates from the touch surface, you can use the controlpad mode. But you can also divide the surface in several pads, allowing you to explore a large number of dimensions at once, making this mode especially suited to sound design tasks.
These were the first eight playing modes Loom offers, but Aodyo are planning to develop and offer more later via free software updates.
Multidimensional and multitouch tactile surface
Loom features a multidimensional tactile surface, enabling each finger to control pitch (X axis), timbre (Y), and dynamics (Z) independently. In addition, a patent-pending dynamic sensing system analyses when your fingers land to determine impact force.
Sliders and bass (front/back)
Loom's uniqueness stems from its additional controls on the front and back sides, making your thumbs play a pivotal role. The slider on the left can be used as a modulation wheel, and the bar on the right can be your sustain pedal or a way to mute cymbals. You can make the back slider and bar do the same thing, or something entirely different. With these, thumb twiddling is not an option.
Action zone
To the left of the surface lies a pressure-sensitive squishy square area called the action zone. Press it to have nuanced control over dynamics or effects.
Editor
The companion editor allows you to customize every aspect of your Loom: change modes assign zones, map MIDI controls, set thresholds, and adjust response curves.
Built for MPE and legacy MIDI
MIDI MPE (MIDI Polyphonic Expression) is an extension of the MIDI (Musical Instrument Digital Interface) standard that enables more nuanced and expressive performance capabilities for electronic instruments.
Traditional MIDI communication allows for control changes to be applied globally across all notes of an instrument. In contrast, MPE assigns each note its own unique channel, allowing for individual control of pitch, volume, and timbre per note.
This innovation opens up a new realm of expressive possibilities, letting musicians bend, slide, and modulate notes independently, much like on acoustic instruments. By providing detailed control over each note's parameters, MPE enhances the expressiveness of electronic music performances.
Loom is designed from the ground up for MPE, but it also works very well with any non-MPE MIDI instruments, even monophonic ones!
Developer-friendly
You're not limited to the modes we've designed. If you know your way around code, you can also take over and create your own. You can send a specific MIDI message to enter developer mode, where every input will be sent as-is, and you'll be able to control the LEDs and display by sending MIDI SysEx messages to the Loom from your own program or script running on your computer. This way, you can entirely control what's happening on your Loom, design new playing modes that you can distribute to others, or use Loom as an experimentation platform.
Connectivity
Using a USB or MIDI cable, you can easily connect your Loom to all your hardware and software: VSTi, Audio Units, hardware, etc.
Specifications
3 octaves
USB-C MIDI device
TS mini-jack MIDI output
128x64 OLED display
40 RGB LEDs
615 x 80 x 15mm
888g
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $516.00
(No payment required now - pay when released)
FORTHCOMING
Related products...
Intech Studio Grid PBF4 4-Potentiometer/4-Button/4-Fader Modular MIDI Controller (modular MIDI controller)
Cat: 1032084
Modular MIDI controller consisting of 4x potentiometers, 4x buttons & 4x faders
Notes: From subtle adjustments to expressive performances, this versatile combination of control elements definitely won't disappoint you.
Includes metal shaft faders with medium resistance, smooth-turning knobs and sturdy buttons. Control your most used parameters, like expression, modulation and volume with the PBF4 Grid.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations. All configurable in the Grid Editor.
Thanks to its compact and lightweight structure, the PBF4 is a fully ergonomic parameter controller with classical control elements in a slim modular design. Four banks, 4x possible configuration mappings switchable on the fly.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Grid controllers are built with quality control elements. After numerous iterations the potentiometers have been carefully chosen to allow a firm grip and a stable control experience enabled by special shaft bushings.
The modules are made to withstand everyday studio use as well as the intense performances during tours. For connecting several Grids together, a flat surface or the use of our module stands is recommended.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
4 audio-grade linear metal shaft faders with 30mm travel
4 conductive, 300- single-turn plastic potentiometers with medium-hard resistance
4 tactile buttons with 1.27i0.49 N operating force
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Metal shaft faders equipped with dust cover
Plastic black potentiometers
White tactile plastic buttons
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
… Read moreIncludes metal shaft faders with medium resistance, smooth-turning knobs and sturdy buttons. Control your most used parameters, like expression, modulation and volume with the PBF4 Grid.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations. All configurable in the Grid Editor.
Thanks to its compact and lightweight structure, the PBF4 is a fully ergonomic parameter controller with classical control elements in a slim modular design. Four banks, 4x possible configuration mappings switchable on the fly.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Grid controllers are built with quality control elements. After numerous iterations the potentiometers have been carefully chosen to allow a firm grip and a stable control experience enabled by special shaft bushings.
The modules are made to withstand everyday studio use as well as the intense performances during tours. For connecting several Grids together, a flat surface or the use of our module stands is recommended.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
4 audio-grade linear metal shaft faders with 30mm travel
4 conductive, 300- single-turn plastic potentiometers with medium-hard resistance
4 tactile buttons with 1.27i0.49 N operating force
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Metal shaft faders equipped with dust cover
Plastic black potentiometers
White tactile plastic buttons
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $132.99
(No payment required now - pay when released)
FORTHCOMING
Related products...
Flame Black Filterbank Analogue Resonance Filterbank Sequencer Module (sequencer synth module)
Cat: 1050501 Rel: 31 Jan 25
Analogue resonance filterbank sequencer module - 22HP
Notes: Flame Black Filterbank is an analogue moving resonance filter bank.
The module is based on the Flame Curves and combines its most important functions in a more compact format. As a result, the individual outputs for the filter channels no longer found a place on the front panel.
The filterbank includes twelve-channel and a pattern player programmable via a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.
When the Black Filterbank is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.
In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smooths the sweep by activating a second band next to the selected filter band. Thus, the change from one band to another is not so abrupt.
It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.
There are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.
Power consumption: 250mA at +12V and 180mA at -12V
Depth: 42mm
22 HP
… Read moreThe module is based on the Flame Curves and combines its most important functions in a more compact format. As a result, the individual outputs for the filter channels no longer found a place on the front panel.
The filterbank includes twelve-channel and a pattern player programmable via a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.
When the Black Filterbank is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.
In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smooths the sweep by activating a second band next to the selected filter band. Thus, the change from one band to another is not so abrupt.
It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.
There are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.
Power consumption: 250mA at +12V and 180mA at -12V
Depth: 42mm
22 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $445.79
(No payment required now - pay when released)
FORTHCOMING
Related products...
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $35.65
(No payment required now - pay when released)
FORTHCOMING
Related products...
Intech Studio Grid BU16 16-Button Modular MIDI Controller (modular MIDI controller)
Cat: 1032097
Modular MIDI controller consisting of 16x buttons
Notes: A neat button module with long-lasting 4x4 tactile buttons that provide instant access to triggering samples, launching clips, controlling playback, or just simply drumming.
Set them to momentary, 2 or 3-step toggle action to enjoy playful experimentation. Can be used with other Grid controllers used as a HID macro controller or for MIDI programming in your creative environment.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
Thanks to its compact and lightweight structure, the BU16 is a fully ergonomic parameter controller with easily mappable push buttons.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
16 white tactile buttons with 1.27i0.49 N operating force
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Plastic push buttons in white
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
… Read moreSet them to momentary, 2 or 3-step toggle action to enjoy playful experimentation. Can be used with other Grid controllers used as a HID macro controller or for MIDI programming in your creative environment.
Equipped with customisable multi-coloured LED lights to enable labelling in dark environments. Facilitate differentiating each potmeter by changing the colour of each indicator LED, adjusting brightness levels individually or adding pulsing animations.
Thanks to its compact and lightweight structure, the BU16 is a fully ergonomic parameter controller with easily mappable push buttons.
It is recommended that, Grid is connected directly to the computer with the supplied Intech Studio USB-C cable. Some USB hubs may not work with Grid, due to issues with how the various class compliant communication methods establish connection through a hub with the host computer.
Most digital audio workstations can identify Grid as a MIDI controller and appear as a MIDI mappable device. When multiple modules are interconnected, Grid is identified as a single control surface. If the interconnected controllers are plugged in separately into the same Host, they appear as Grid #1, Grid #2 MIDI devices and so forth.
By default, through the Host's MIDI learn functionality, all of the control elements can be mapped. Grid's default firmware uses a unique dynamic assignment, so a 10 module Grid control surface will have unique Channel, Command and CC/Note assignments on each control element.
Grid controllers are shipped with firmware default configuration. To modify the configurations of the controllers, the Grid Editor cross-platform application can be used. Through the Grid Editor, suggested manufacturer profiles and community profiles are also available. Grid has an event driven architecture, where every interaction with the controller triggers an event. The triggered event runs the configured actions, like setting LED colours and intensity.
Events on Grid available for configuration:
Init - when a page is initialized
Potmeter - fader or potentiometer change event
Encoder - rotation of endless encoders
Button - switch button or encoder interaction
Utility - side button
Midi rx - MIDI processing incoming to Grid
Timer - delayed message triggers
Grids are created to suit distinguished workflows. Whether it comes to controlling outboard hardware gear like synthesizers, guitar pedals, and effect boxes, or inboard software such as DAWs, Lightning, and VSTs, a Grid controller is an ideal choice.
Get started with Grid in an instant: just plug in, snap together and play. There is no need for a brain module or any additional software components.
Tech specs
Weight: ~ 175 grams (~ 0,38 lb)
Size: 106 mm x 106 mm (4.19 x 4.19 inches) Eurorack-sized modules
16 white tactile buttons with 1.27i0.49 N operating force
Customizable multi-coloured LED lights for easy labelling in dark environments
Materials
Black aluminium front panel with a metallic, rugged finish
Plastic push buttons in white
Injection moulded plastic base
Golden spring-loaded connector pins
Strong N52 neodymium magnets
Silicone feet on the back for extra stability
Compatibility
Class compliant MIDI device with simple PnP (Plug and Play) experience
USB HID keyboard class
Compatible with Mac OS (intel & arm), Windows, Linux and mobile platforms with support provided
Powering options
Single USB cable to power up to 8 modules
High speed USB 2.0
Draws ~250mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $122.35
(No payment required now - pay when released)
FORTHCOMING
Related products...
Cat: 1025150 Rel: 28 Feb 25
Portable synthesiser & sequencer
Notes: Wee Noise Makers PGB-1 is an advanced yet portable synthesizer and sequencer that allows you to craft complex musical pieces anywhere. This all-in-one, open-source, customizable device is designed to empower aspiring musicians, seasoned creators, and makers. It isn't just an instrument-it's your gateway to the world of music production and audio synths.
PGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
… Read morePGB-1 has open-source stock firmware that makes it a playful and powerful groove box. It allows you to craft complex musical pieces with drums, bass, lead, samples, reverb, bitcrusher, overdrive, and others.
Orchestrated by an advanced sequencer with conditional steps, repeats/ratcheting, pattern chaining, chord sequencing, song mode, live sequencing effects, and more.
PGB-1 is Wee Noise Makers' response to the current landscape of entry-level hardware synthesizers and groove boxes. In recent years, we saw a plethora of new electronic instruments marketed as accessible, affordable, and designed for beginners. Yet, often these instruments can feel limited, tying users to a specific sound or ecosystem. These limits sometimes feel artificial, pushing you to combine multiple products of the same line to actually make meaningful music. At the same time leading to frustrating sequencing, connection, and mixing issues that defeat the portability and playfulness of the instruments.
With the PGB-1, Wee Noise Makers wanted to address all these shortcomings, bringing you an instrument that is:
All-in-one: you only need one device to craft complete music pieces
Powerful: Drums, bass, lead, samples, etc. with advanced sequencing features
Truly pocket-size: 10 x 6.6 x 1.5 cm, smaller footprint than a smartphone
Hackable: Designed for customization, open-source firmware, and compatible with several programming languages (including Python)
Creativity should not be limited by the tools you have, but empowered by them. With the PGB-1, Wee Noise Makers are dedicated to creating a platform that encourages innovation and experimentation. Whether you are a musician looking to explore new sounds, a developer eager to create unique software, or a hobbyist who enjoys tweaking and building.
PGB-1 is designed to be customized and modified to your taste. The front panel is a bare PCB, designed with the open-source software Kicad. The production file will be available so that anyone can make its own version with custom graphics and get it manufactured for a few bucks.
PGB-1 is also hackable with CircuitPython, C\C++, and Ada support for programming your own synthesizers, video games, or any audio-based projects.
By making the PGB-1 open source, a sandbox is provided for the audio community. Users can delve into the code, modify existing features, or add entirely new functionalities. This flexibility not only enhances the capabilities of the PGB-1 but also fosters a collaborative environment where users can share their creations and learn from each other.
Additionally, Wee Noise Makers have set up a dedicated Discord server for all PGB-1 users and enthusiasts to discuss, share, and contribute to the growing ecosystem.
Open-source software is not as common in the audio industry, but with this project, the aim is to follow the path of great manufacturers such as Mutable Instruments or Winterbloom.
Features & Specifications
Processor: Raspberry Pi RP2040
16 MB Flash
Audio IC: Cirrus Logic WM8960 (or equivalent)
Up to 32-bit at 48 kHz digital audio link
On-chip Headphone Driver, 1 W Stereo Class D Speaker Driver
Up to 3 stereo Line-in/Microphone interfaces
User Interface
128 x 64 monochrome OLED screen
24 addressable RGB LEDs
30 tactile switches
1 capacitive touch strip
Input & Outputs
1x USB Type-C (Power & Data)
1x 3.5 mm Headphone/Headset
1x 3.5 mm Audio Line-in
1x 3.5 mm MIDI Input (TRS type-A)
1x 3.5 mm MIDI Output (TRS type-A)
Internal microphone
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 28 Feb 25 $303.22
(No payment required now - pay when released)
FORTHCOMING
Related products...
Black Corporation Kijimi MK2 8-Voice Analogue Synthesiser (analogue desktop synthesiser)
Cat: 1029533
8-voice analogue synthesiser with polyphonic aftertouch, MPE & microtuning
Notes: KIJIMI MK2 is crafted to be one of the most powerful polysynths ever built, all behind intuitive front-panel controls, from its continuous timbral variation to its exhaustive modulation matrix. The Black Corporation original features planetary-sized analog sound, inspired by the best of rare and classic synths, but unique to our own parallel galaxy.
Continuous analogue timbral control
Instead of fixed waveforms, KIJIMI's voltage-controlled oscillators can morph continuously through waveform types. Sine, triangle, sawtooth, and variable pulse waves are smoothly variable, with pulse width as you turn to the far right. It's a scheme that provides unique, independent timbral over each of the eight voices.
Deep 8-voice architecture
Each of KIJIMI 's 8 voices features 2 analogue oscillators each with a square sub-bass oscillator, for buttery timbres with extensive sound design options. The sub-oscillator produces an octave lower than the combined VCO1 and VCO2 outputs, meaning you can tune two sub-pitches. Hard sync is available in VCO sync and VCO1->2 and 2->1 configurations for maximum flexibility. There's also a noise source for adding bite and percussion components. A rich lowpass filter is built around the legendary 2140 chip and the ability to frequency-modulate it via VCO2, creates a full range of sounds from metallic and aggressive to subtle. Both filter cutoff and resonance are available as modulation destinations.
Unique envelope functionality with dedicated controls
Two ADSR envelopes come with independent rate multipliers, keyboard control of attack rate, and versatile routing. Engage the CYCLE button for a cycling trapezoidal mode, similar to that on vintage instruments like the EMS Synthi. Few polysynths offer this level of detailed control, let alone with front-panel controlsino menu diving needed.
Endless modulation programmability
Modulation possibilities set the KIJIMI apart from other polysynths. Two LFOs can be routed independently to up to eight destinations, directly on front-panel buttons, controlling frequency and waveform modulation, sub-oscillator amount, filter cutoff and frequency, and amplitude modulation. Each LFO includes multiple waveform options (sine, triangle, saw, ramp, square, random) and separate attack and decay knobs in addition to rate. ADSR2 sports four independent destinations, also via front-panel push buttons and knobs. Even velocity and aftertouch get their own dedicated control section for applying velocity or aftertouch to each parameter (LFO rate, waveform morph, sub, pitch bend, and VCA). Dedicated knobs let you apply your aftertouch and poly-aftertouch, to taste, right where you want it. You'll rarely use the menus, and when you do, it'll only be to unlock even more advanced functionality (like multiple LFO features!). KIJIMI is a rare case of fusing straightforward one-control-per-feature design with unrestricted possibilities.
Full MIDI and expressive control, tuning support
Combine all the elements, and KIJIMI is an instrument that's playable like no other. Each note you play separately triggers modulation, independently on each voice, with full control via aftertouch. Add in full MIDI control, complete MIDI polyphonic expression (MPE) support, advanced tuning capabilities (including microtuning via SCALA and 128 memory locations for tuning settings), and velocity polyphonic aftertouch, each with up to six more destinations with its own bipolar settings. KIJIMI finally brings a synthesizer architecture that can unlock the possibilities of your expressive controller of choice.
Updated package
The MK2 version of KIJIMI includes all the acclaimed sonic power and character of its predecessor, in an improved package. Updated firmware now includes the ability to assign different LFO settings (rate, waveform, envelope, and depth) to each individual destination. In addition to 128 factory and 1152 user presets, we've included user banks by Mathew Jonson, Richard Devine, and Paul Schilling. All this comes in a compact, 2.71kg/5.97 lb device with wood panels attached (or the option of metal rack ears instead). DIN MIDI and isolated USB are onboard.
… Read moreContinuous analogue timbral control
Instead of fixed waveforms, KIJIMI's voltage-controlled oscillators can morph continuously through waveform types. Sine, triangle, sawtooth, and variable pulse waves are smoothly variable, with pulse width as you turn to the far right. It's a scheme that provides unique, independent timbral over each of the eight voices.
Deep 8-voice architecture
Each of KIJIMI 's 8 voices features 2 analogue oscillators each with a square sub-bass oscillator, for buttery timbres with extensive sound design options. The sub-oscillator produces an octave lower than the combined VCO1 and VCO2 outputs, meaning you can tune two sub-pitches. Hard sync is available in VCO sync and VCO1->2 and 2->1 configurations for maximum flexibility. There's also a noise source for adding bite and percussion components. A rich lowpass filter is built around the legendary 2140 chip and the ability to frequency-modulate it via VCO2, creates a full range of sounds from metallic and aggressive to subtle. Both filter cutoff and resonance are available as modulation destinations.
Unique envelope functionality with dedicated controls
Two ADSR envelopes come with independent rate multipliers, keyboard control of attack rate, and versatile routing. Engage the CYCLE button for a cycling trapezoidal mode, similar to that on vintage instruments like the EMS Synthi. Few polysynths offer this level of detailed control, let alone with front-panel controlsino menu diving needed.
Endless modulation programmability
Modulation possibilities set the KIJIMI apart from other polysynths. Two LFOs can be routed independently to up to eight destinations, directly on front-panel buttons, controlling frequency and waveform modulation, sub-oscillator amount, filter cutoff and frequency, and amplitude modulation. Each LFO includes multiple waveform options (sine, triangle, saw, ramp, square, random) and separate attack and decay knobs in addition to rate. ADSR2 sports four independent destinations, also via front-panel push buttons and knobs. Even velocity and aftertouch get their own dedicated control section for applying velocity or aftertouch to each parameter (LFO rate, waveform morph, sub, pitch bend, and VCA). Dedicated knobs let you apply your aftertouch and poly-aftertouch, to taste, right where you want it. You'll rarely use the menus, and when you do, it'll only be to unlock even more advanced functionality (like multiple LFO features!). KIJIMI is a rare case of fusing straightforward one-control-per-feature design with unrestricted possibilities.
Full MIDI and expressive control, tuning support
Combine all the elements, and KIJIMI is an instrument that's playable like no other. Each note you play separately triggers modulation, independently on each voice, with full control via aftertouch. Add in full MIDI control, complete MIDI polyphonic expression (MPE) support, advanced tuning capabilities (including microtuning via SCALA and 128 memory locations for tuning settings), and velocity polyphonic aftertouch, each with up to six more destinations with its own bipolar settings. KIJIMI finally brings a synthesizer architecture that can unlock the possibilities of your expressive controller of choice.
Updated package
The MK2 version of KIJIMI includes all the acclaimed sonic power and character of its predecessor, in an improved package. Updated firmware now includes the ability to assign different LFO settings (rate, waveform, envelope, and depth) to each individual destination. In addition to 128 factory and 1152 user presets, we've included user banks by Mathew Jonson, Richard Devine, and Paul Schilling. All this comes in a compact, 2.71kg/5.97 lb device with wood panels attached (or the option of metal rack ears instead). DIN MIDI and isolated USB are onboard.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $4,680.17
(No payment required now - pay when released)
FORTHCOMING
Related products...
ASM Hydrasynth Explorer 888 Polyphonic Wave Morphing Synthesiser (orange limited edition) (digital keyboard synthesiser)
Cat: 1052523 Rel: 31 Jan 25
8-voice 37-key polyphonic digital wave morphing synthesiser
Notes: The HYDRASYNTH EXPLORER is the ultimate in power and portability, combining the powerful Hydrasynth sound engine with battery-powered operation and our new, mid-sized Polytouchr polyphonic aftertouch keybed. The user interface is designed with the utmost attention to detail, making sound creation a breeze. This is the ultimate, portable companion for any setup, and anywhere else a smaller footprint is needed.
With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.
As for the performance capabilities, the Hydrasynth Explorer has our proprietary 37-note mid-sized Polytouchr keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.
Polytouchr Keybed
The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; we've had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!
Enter ASM, with our patented Polytouchr technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouchr keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouchr keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.
Battery-powered operation
The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.
Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, our oscillators 1 & 2 have our easy-to-use WAVELIST mode. This mode lets you select any 8 waves from our diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.
Mutants
Oscillators 1 & 2 are routed into our MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.
Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.
The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.
Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful? Well, in all humility, we did.
Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.
LFO's
5 Low-Frequency Oscillators
Much like our sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? We're glad you asked...
Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. Our 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!
Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. We should mention that there are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.
It's rare that someone actually uses all 32 mod routes in a patch anyway, but hey, we're feeling generous.
Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.
CV / Gate - MIDI - USB
Industry-standard MIDI and USB/MIDI interfaces are available on the Hydrasynth, but we go deeper and allow the use of CV / Gate interfaces for connecting to the modular world. This opens a door to the unlimited expansion of your musical horizons.
Our CV / Gate / Mod connectors support the standard voltages for Eurorack modulars, the 1.2V per octave Buchla standard, as well as some of the Japanese Volts > HZ products. The CV Mod Out jacks allow for modulation that reaches into the audio range, which multiplies your modulation capabilities.
Main Controls
The Main System controls are where you navigate the patch banks, configure system settings, and can view parameters like the envelopes, waveforms, and filters in the OLED screen.
The INIT and RANDOM buttons make it possible to initialize or randomize a complete patch, a specific module, or an individual parameter with a simple press & hold button combination. There's even an option that randomly selects features from other patches to make a new patch. The results are surprisingl
… Read moreWith an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.
As for the performance capabilities, the Hydrasynth Explorer has our proprietary 37-note mid-sized Polytouchr keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.
Polytouchr Keybed
The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; we've had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!
Enter ASM, with our patented Polytouchr technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouchr keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouchr keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.
Battery-powered operation
The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.
Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, our oscillators 1 & 2 have our easy-to-use WAVELIST mode. This mode lets you select any 8 waves from our diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.
Mutants
Oscillators 1 & 2 are routed into our MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.
Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.
The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.
Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful? Well, in all humility, we did.
Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.
LFO's
5 Low-Frequency Oscillators
Much like our sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? We're glad you asked...
Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. Our 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!
Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. We should mention that there are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.
It's rare that someone actually uses all 32 mod routes in a patch anyway, but hey, we're feeling generous.
Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.
CV / Gate - MIDI - USB
Industry-standard MIDI and USB/MIDI interfaces are available on the Hydrasynth, but we go deeper and allow the use of CV / Gate interfaces for connecting to the modular world. This opens a door to the unlimited expansion of your musical horizons.
Our CV / Gate / Mod connectors support the standard voltages for Eurorack modulars, the 1.2V per octave Buchla standard, as well as some of the Japanese Volts > HZ products. The CV Mod Out jacks allow for modulation that reaches into the audio range, which multiplies your modulation capabilities.
Main Controls
The Main System controls are where you navigate the patch banks, configure system settings, and can view parameters like the envelopes, waveforms, and filters in the OLED screen.
The INIT and RANDOM buttons make it possible to initialize or randomize a complete patch, a specific module, or an individual parameter with a simple press & hold button combination. There's even an option that randomly selects features from other patches to make a new patch. The results are surprisingl
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $758.56
(No payment required now - pay when released)
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ADDAC System ADDAC814 6x6 Stereo Matrix Mixer Module (modular synthesiser)
Cat: 1054403 Rel: 31 Jan 25
6x6 stereo matrix mixer module - 25HP + 8HP (33HP total)
Notes: We're pleased to announce our take on matrix mixers, a 6x6 stereo matrix easily expandable to larger configurations.
Matrix mixers may need some time to get used to, but they are very much self-explanatory, each knob controls the volume of a matrix point routing the respective input to the desired output. The flexibility of a matrix mixer is far superior to a standard mixer, the possibility to route any input to any single or multiple outputs allow for very complex chains, combining parallel and series processing while easily reconfigurable without any extra patching.
All Inputs Left channels are normalled to the Right Inputs.
Blank areas on the left and bottom edges of the panel allow for the user to write all the inputs and outputs sources that each channel is connected to.
Different coloured knobs for faster visual recalling: Black for A,C,E Outputs Dark Red for B,D,F Outputs Cream knobs for potential feedback diagonal: 1A, 2B, 3C, 4D, 5E, 6F.
DC coupled circuitry, can be used to mix both audio or cv signals.
Jumpers on the back of both modules allow the user to set each channel independently to Line or Synth Level, making it easier to integrate with external sources, sound processors or guitar pedals.
INTERNAL CONNECTIONS
The control and input modules are connected via a large 34 wire ribbon cable, only the control module needs to be connected to the Busboard.
Extra IDC sockets are used for connecting larger configurations like 12x12 or 18x18.
Other configurations are also possible: 6x12, 12x6, 12x12, etc...
Up to 12x12 all ribbon cables are provided, for larger matrixes custom ones will be necessary, contact us directly if planning to go BIG.
POTENTIOMETERS
Although we're using Thonk's Tall Trimmer Topper for Knobs all potentiometers used have metal shaft and are not plastic trimmer potentiometers.
Tech Specs: 25HP + 8HP (33HP total, 4.5cm deep, 140mA +12V, 140mA -12V
… Read moreMatrix mixers may need some time to get used to, but they are very much self-explanatory, each knob controls the volume of a matrix point routing the respective input to the desired output. The flexibility of a matrix mixer is far superior to a standard mixer, the possibility to route any input to any single or multiple outputs allow for very complex chains, combining parallel and series processing while easily reconfigurable without any extra patching.
All Inputs Left channels are normalled to the Right Inputs.
Blank areas on the left and bottom edges of the panel allow for the user to write all the inputs and outputs sources that each channel is connected to.
Different coloured knobs for faster visual recalling: Black for A,C,E Outputs Dark Red for B,D,F Outputs Cream knobs for potential feedback diagonal: 1A, 2B, 3C, 4D, 5E, 6F.
DC coupled circuitry, can be used to mix both audio or cv signals.
Jumpers on the back of both modules allow the user to set each channel independently to Line or Synth Level, making it easier to integrate with external sources, sound processors or guitar pedals.
INTERNAL CONNECTIONS
The control and input modules are connected via a large 34 wire ribbon cable, only the control module needs to be connected to the Busboard.
Extra IDC sockets are used for connecting larger configurations like 12x12 or 18x18.
Other configurations are also possible: 6x12, 12x6, 12x12, etc...
Up to 12x12 all ribbon cables are provided, for larger matrixes custom ones will be necessary, contact us directly if planning to go BIG.
POTENTIOMETERS
Although we're using Thonk's Tall Trimmer Topper for Knobs all potentiometers used have metal shaft and are not plastic trimmer potentiometers.
Tech Specs: 25HP + 8HP (33HP total, 4.5cm deep, 140mA +12V, 140mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $360.65
(No payment required now - pay when released)
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Related products...
Focal Lensys Pro Closed-Back Studio Reference Headphones (studio headphones)
Cat: 1053239 Rel: 31 Jan 25
Closed-back studio reference headphones
Notes: Closed-Back Headphones of Excellence
Experience limitless possibilities with Lensys Professional. Whether you're in the studio or on the move, these headphones provide the comfort and durability you need. Their closed design, meticulous ergonomics, and robust materials make them the ideal choice for any environment. With Focal drivers delivering extremely accurate sound, you can trust these headphones for professional use. Plus, the included case and two cables add further convenience and flexibility to your experience.
Comfort & Insulation
Comfort is essential for headphones used during extended work sessions. The Lensys Professional headphones are designed to be lightweight and feature memory foam ear cushions for a comfortable fit and excellent sound insulation. Additionally, the aerated fabric headband provides a consistent curvature, making it perfect for extended wear.
Accuracy. Anywhere.
The Lensys Professional headphones are designed to offer a neutral tonal balance and high accuracy, making them an excellent choice for mixing. Their versatility and reliability make them a valuable tool in any setting, instilling confidence when working with audio. Additionally, they provide an immersive experience for binaural work.
Focal Expertise
The 40mm aluminium-magnesium 'M' dome drivers provide linear frequency response, low distortion, and improved sound dispersion, resulting in highly accurate sound. Their slightly angled position in the earcups enhances the stereo image, while their acoustic load has been optimized for operation similar to that of a bass-reflex loudspeaker.
… Read moreExperience limitless possibilities with Lensys Professional. Whether you're in the studio or on the move, these headphones provide the comfort and durability you need. Their closed design, meticulous ergonomics, and robust materials make them the ideal choice for any environment. With Focal drivers delivering extremely accurate sound, you can trust these headphones for professional use. Plus, the included case and two cables add further convenience and flexibility to your experience.
Comfort & Insulation
Comfort is essential for headphones used during extended work sessions. The Lensys Professional headphones are designed to be lightweight and feature memory foam ear cushions for a comfortable fit and excellent sound insulation. Additionally, the aerated fabric headband provides a consistent curvature, making it perfect for extended wear.
Accuracy. Anywhere.
The Lensys Professional headphones are designed to offer a neutral tonal balance and high accuracy, making them an excellent choice for mixing. Their versatility and reliability make them a valuable tool in any setting, instilling confidence when working with audio. Additionally, they provide an immersive experience for binaural work.
Focal Expertise
The 40mm aluminium-magnesium 'M' dome drivers provide linear frequency response, low distortion, and improved sound dispersion, resulting in highly accurate sound. Their slightly angled position in the earcups enhances the stereo image, while their acoustic load has been optimized for operation similar to that of a bass-reflex loudspeaker.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $614.94
(No payment required now - pay when released)
FORTHCOMING
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Aodyo Loom 2 Octaves Multi-Dimensional MPE MIDI Controller (MIDI controller)
Cat: 1017182
Multi-dimensional MPE MIDI controller
Notes: Loom is a multidimensional MPE MIDI Controller designed for immediate playability and expressiveness.
MPE synthesizers and virtual instruments offer you rich sounds that respond to the slightest variation, but there are few controllers fit to the task.
Aodyo Instruments have drawn on previous experience with the Sylphyo and the Anyma synthesizers to offer musicians a versatile and powerful device.
Whether you play live, record in the studio or compose music in your bedroom, Loom will become a flexible and original addition to your setup.
Features
Don't be fooled by its simple appearance: Loom's magic lies in the synergy between its surfaces and sensors, offering you different playing modes that will allow you to play almost any kind of virtual instrument or synthesizer.
Playing modes
Unravel evolving chords, weave intricate melodies, craft expressive rhythms. Any way you choose to approach it, Loom is designed as an extension of your hands.
Loom can function as a MIDI Keyboard, offering access to a two or three-octave range. You can play notes, bend them, nuance your attack, and add expression by sliding along the keys.
But if you want to break free from the keys, Loom can also work as a MIDI Ribbon, allowing for smooth sliding across its surface. Optionally, it can make sure you land on the right note, making it easier to play with others without losing the free-form nature of the ribbon.
If you want to play chords like a guitar, Loom offers a MIDI Strum mode, where you can choose a chord with one hand and strum virtual strings with the other. Or you can play it like a harp, directly sliding your fingers across the chord.
For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.
The keyboard, ribbon, strum, and drumkit modes were only the first four, and Aodyo have recently added four more in the collection.
Fader mode is perfect for graphical EQs, organ drawbars, resonator filter banks, vocoders or mixers. After selecting your layout and mappings, you can move faders with several fingers at a time, and even draw a shape by dragging a finger horizontally if your thumb touches the front bar.
Some people prefer guitars to keyboards, and the keygrid mode is made for them. It provides a configurable 2D grid of notes, and otherwise works like the keyboard mode, allowing glissandi, timbre and dynamics variations in the same way.
Many backers mentioned the early electronic musical instrument Ondes Martenot, which had a pressure-sensitive touche d'expression to control volume, a keyboard to select notes that could be moved sideways for vibrato, and a ribbon to play continuous pitch. That's suspiciously close to the sensors Loom offers, a Martenot mode was added. The Loom version works mostly the same way as the original, but adds polyphony and MPE if you need it!
And finally, if you just need to get XYZ coordinates from the touch surface, you can use the controlpad mode. But you can also divide the surface in several pads, allowing you to explore a large number of dimensions at once, making this mode especially suited to sound design tasks.
These were the first eight playing modes Loom offers, but Aodyo are planning to develop and offer more later via free software updates.
Multidimensional and multitouch tactile surface
Loom features a multidimensional tactile surface, enabling each finger to control pitch (X axis), timbre (Y), and dynamics (Z) independently. In addition, a patent-pending dynamic sensing system analyses when your fingers land to determine impact force.
Sliders and bass (front/back)
Loom's uniqueness stems from its additional controls on the front and back sides, making your thumbs play a pivotal role. The slider on the left can be used as a modulation wheel, and the bar on the right can be your sustain pedal or a way to mute cymbals. You can make the back slider and bar do the same thing, or something entirely different. With these, thumb twiddling is not an option.
Action zone
To the left of the surface lies a pressure-sensitive squishy square area called the action zone. Press it to have nuanced control over dynamics or effects.
Editor
The companion editor allows you to customize every aspect of your Loom: change modes assign zones, map MIDI controls, set thresholds, and adjust response curves.
Built for MPE and legacy MIDI
MIDI MPE (MIDI Polyphonic Expression) is an extension of the MIDI (Musical Instrument Digital Interface) standard that enables more nuanced and expressive performance capabilities for electronic instruments.
Traditional MIDI communication allows for control changes to be applied globally across all notes of an instrument. In contrast, MPE assigns each note its own unique channel, allowing for individual control of pitch, volume, and timbre per note.
This innovation opens up a new realm of expressive possibilities, letting musicians bend, slide, and modulate notes independently, much like on acoustic instruments. By providing detailed control over each note's parameters, MPE enhances the expressiveness of electronic music performances.
Loom is designed from the ground up for MPE, but it also works very well with any non-MPE MIDI instruments, even monophonic ones!
Developer-friendly
You're not limited to the modes we've designed. If you know your way around code, you can also take over and create your own. You can send a specific MIDI message to enter developer mode, where every input will be sent as-is, and you'll be able to control the LEDs and display by sending MIDI SysEx messages to the Loom from your own program or script running on your computer. This way, you can entirely control what's happening on your Loom, design new playing modes that you can distribute to others, or use Loom as an experimentation platform.
Connectivity
Using a USB or MIDI cable, you can easily connect your Loom to all your hardware and software: VSTi, Audio Units, hardware, etc.
Specifications
2 octaves
USB-C MIDI device
TS mini-jack MIDI output
128x64 OLED display
28 RGB LEDs
450 x 80 x 15mm
555g
… Read moreMPE synthesizers and virtual instruments offer you rich sounds that respond to the slightest variation, but there are few controllers fit to the task.
Aodyo Instruments have drawn on previous experience with the Sylphyo and the Anyma synthesizers to offer musicians a versatile and powerful device.
Whether you play live, record in the studio or compose music in your bedroom, Loom will become a flexible and original addition to your setup.
Features
Don't be fooled by its simple appearance: Loom's magic lies in the synergy between its surfaces and sensors, offering you different playing modes that will allow you to play almost any kind of virtual instrument or synthesizer.
Playing modes
Unravel evolving chords, weave intricate melodies, craft expressive rhythms. Any way you choose to approach it, Loom is designed as an extension of your hands.
Loom can function as a MIDI Keyboard, offering access to a two or three-octave range. You can play notes, bend them, nuance your attack, and add expression by sliding along the keys.
But if you want to break free from the keys, Loom can also work as a MIDI Ribbon, allowing for smooth sliding across its surface. Optionally, it can make sure you land on the right note, making it easier to play with others without losing the free-form nature of the ribbon.
If you want to play chords like a guitar, Loom offers a MIDI Strum mode, where you can choose a chord with one hand and strum virtual strings with the other. Or you can play it like a harp, directly sliding your fingers across the chord.
For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.
The keyboard, ribbon, strum, and drumkit modes were only the first four, and Aodyo have recently added four more in the collection.
Fader mode is perfect for graphical EQs, organ drawbars, resonator filter banks, vocoders or mixers. After selecting your layout and mappings, you can move faders with several fingers at a time, and even draw a shape by dragging a finger horizontally if your thumb touches the front bar.
Some people prefer guitars to keyboards, and the keygrid mode is made for them. It provides a configurable 2D grid of notes, and otherwise works like the keyboard mode, allowing glissandi, timbre and dynamics variations in the same way.
Many backers mentioned the early electronic musical instrument Ondes Martenot, which had a pressure-sensitive touche d'expression to control volume, a keyboard to select notes that could be moved sideways for vibrato, and a ribbon to play continuous pitch. That's suspiciously close to the sensors Loom offers, a Martenot mode was added. The Loom version works mostly the same way as the original, but adds polyphony and MPE if you need it!
And finally, if you just need to get XYZ coordinates from the touch surface, you can use the controlpad mode. But you can also divide the surface in several pads, allowing you to explore a large number of dimensions at once, making this mode especially suited to sound design tasks.
These were the first eight playing modes Loom offers, but Aodyo are planning to develop and offer more later via free software updates.
Multidimensional and multitouch tactile surface
Loom features a multidimensional tactile surface, enabling each finger to control pitch (X axis), timbre (Y), and dynamics (Z) independently. In addition, a patent-pending dynamic sensing system analyses when your fingers land to determine impact force.
Sliders and bass (front/back)
Loom's uniqueness stems from its additional controls on the front and back sides, making your thumbs play a pivotal role. The slider on the left can be used as a modulation wheel, and the bar on the right can be your sustain pedal or a way to mute cymbals. You can make the back slider and bar do the same thing, or something entirely different. With these, thumb twiddling is not an option.
Action zone
To the left of the surface lies a pressure-sensitive squishy square area called the action zone. Press it to have nuanced control over dynamics or effects.
Editor
The companion editor allows you to customize every aspect of your Loom: change modes assign zones, map MIDI controls, set thresholds, and adjust response curves.
Built for MPE and legacy MIDI
MIDI MPE (MIDI Polyphonic Expression) is an extension of the MIDI (Musical Instrument Digital Interface) standard that enables more nuanced and expressive performance capabilities for electronic instruments.
Traditional MIDI communication allows for control changes to be applied globally across all notes of an instrument. In contrast, MPE assigns each note its own unique channel, allowing for individual control of pitch, volume, and timbre per note.
This innovation opens up a new realm of expressive possibilities, letting musicians bend, slide, and modulate notes independently, much like on acoustic instruments. By providing detailed control over each note's parameters, MPE enhances the expressiveness of electronic music performances.
Loom is designed from the ground up for MPE, but it also works very well with any non-MPE MIDI instruments, even monophonic ones!
Developer-friendly
You're not limited to the modes we've designed. If you know your way around code, you can also take over and create your own. You can send a specific MIDI message to enter developer mode, where every input will be sent as-is, and you'll be able to control the LEDs and display by sending MIDI SysEx messages to the Loom from your own program or script running on your computer. This way, you can entirely control what's happening on your Loom, design new playing modes that you can distribute to others, or use Loom as an experimentation platform.
Connectivity
Using a USB or MIDI cable, you can easily connect your Loom to all your hardware and software: VSTi, Audio Units, hardware, etc.
Specifications
2 octaves
USB-C MIDI device
TS mini-jack MIDI output
128x64 OLED display
28 RGB LEDs
450 x 80 x 15mm
555g
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $360.67
(No payment required now - pay when released)
FORTHCOMING
Related products...
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $35.65
(No payment required now - pay when released)
FORTHCOMING
Related products...
NANO Modules ST FONT Stereo Liquid Filter Module (filter synth module)
Cat: 1055422
A stereo liquid filter that takes the beloved core of Nano Modules' FONT module and expands it into a powerful stereo filtering tool.
Notes: ST.FONT is a stereo liquid filter that takes the beloved core of our FONT module and expands it into a powerful stereo filtering tool.
With a dual filter core (one for each channel), it offers a massive liquid sound with smooth resonance, adding warmth and depth to any audio signal.
Independent filter cores for left and right channels with Low Pass, Band Pass, and High Pass modes, plus seamless crossfading between filter outputs.
Built-in VCA with soft clipping for rich sound shaping, plus CV control.
Switch between Mild for traditional resonance or Wild for extreme distortion and aggressive filtering.
Dedicated FREQ Span, RES Span, and MODE Span knobs allow you to create a wide, immersive stereo field by adjusting the spread of parameters across both channels.
… Read moreWith a dual filter core (one for each channel), it offers a massive liquid sound with smooth resonance, adding warmth and depth to any audio signal.
Independent filter cores for left and right channels with Low Pass, Band Pass, and High Pass modes, plus seamless crossfading between filter outputs.
Built-in VCA with soft clipping for rich sound shaping, plus CV control.
Switch between Mild for traditional resonance or Wild for extreme distortion and aggressive filtering.
Dedicated FREQ Span, RES Span, and MODE Span knobs allow you to create a wide, immersive stereo field by adjusting the spread of parameters across both channels.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $175.55
(No payment required now - pay when released)
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Cat: 1029009
Organismic drum machine with turrets
Notes: PULSAR-23 is an organismic drum machine designed by Vlad Kreimer. It has a semi-modular structure and consists of 23 independent modules. PULSAR can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage and powerful analog FX processor.
The PULSAR functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination.
Additionally, PULSAR offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations. PULSAR continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.
Please note that Pulsar is an experimental analog synth that means that it has some small noise and bleeds that can't affect your studio production or live performance but can be hearable in some modes. If you need a perfect silence and isolation of sound modules we recommend using 100% digital hardware.
What's in the kit:
PULSAR-23
PSU
22 multi-colour cables with alligator clips 65cm
8 multi-colour cables with alligator clips 30cm
High-quality handmade bag for transportation
… Read moreThe PULSAR functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination.
Additionally, PULSAR offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations. PULSAR continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.
Please note that Pulsar is an experimental analog synth that means that it has some small noise and bleeds that can't affect your studio production or live performance but can be hearable in some modes. If you need a perfect silence and isolation of sound modules we recommend using 100% digital hardware.
What's in the kit:
PULSAR-23
PSU
22 multi-colour cables with alligator clips 65cm
8 multi-colour cables with alligator clips 30cm
High-quality handmade bag for transportation
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,670.31
(No payment required now - pay when released)
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Recovery Seven Sisters 7-Voice Percussion Synthesiser (drum machine)
Cat: 1057839
7-voice percussion synthesiser
Notes: Seven Sisters is a percussion synthesizer with seven voices that aims to capture the essence of late '70s instruments like the Syncussion and Syndrum.
Each voice is equipped with multiple oscillators, noise generators, and filters, providing rich, complex tones beyond the capabilities of the original devices. This allows you to recreate classic sounds or craft more realistic snare, hi-hat, and cymbal effects. The result is a powerful percussion synthesizer that blends the essence of early drum synthesis with modern flexibility.
You can trigger Seven Sisters using the buttons at the bottom of the unit or trigger inputs at the top. It's the perfect companion for your Beatstep Pro, Korg SQ-64, Eurorack, or other trigger sequencers, whether in the studio or on stage.
… Read moreEach voice is equipped with multiple oscillators, noise generators, and filters, providing rich, complex tones beyond the capabilities of the original devices. This allows you to recreate classic sounds or craft more realistic snare, hi-hat, and cymbal effects. The result is a powerful percussion synthesizer that blends the essence of early drum synthesis with modern flexibility.
You can trigger Seven Sisters using the buttons at the bottom of the unit or trigger inputs at the top. It's the perfect companion for your Beatstep Pro, Korg SQ-64, Eurorack, or other trigger sequencers, whether in the studio or on stage.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $298.95
(No payment required now - pay when released)
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Genelec 8010A Raw Biamplified Active Studio Monitor (single, raw) (studio monitor)
Cat: 1055791
Biamplified active studio monitor with 3" woofer and 3/4" tweeter
Notes: The Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.
The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.
The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.
The new RAW (unfinished) option is an eco-friendly alternative available across many of Genelec's popular studio monitors. Instead of the traditional painted or lacquered exterior, the RAW models feature an unpainted, natural aluminium casing, giving the monitors a distinct industrial look that highlights the raw material's natural texture and colour. The aluminium casing on RAW models is highly durable and corrosion-resistant, ensuring these monitors maintain their quality over time.
… Read moreThe Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.
The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.
The new RAW (unfinished) option is an eco-friendly alternative available across many of Genelec's popular studio monitors. Instead of the traditional painted or lacquered exterior, the RAW models feature an unpainted, natural aluminium casing, giving the monitors a distinct industrial look that highlights the raw material's natural texture and colour. The aluminium casing on RAW models is highly durable and corrosion-resistant, ensuring these monitors maintain their quality over time.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $294.70
(No payment required now - pay when released)
FORTHCOMING
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Beyerdynamic DT240 Pro Closed-Back Studio Headphones (34 Ohm) (studio headphones)
Cat: 977772
Mobile closed-back studio headphones for monitoring & recording purposes
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $61.70
(No payment required now - pay when released)
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Notes: Industry-leading tone with breakthrough Boss technology
Delivering unmatched sound quality and musical expression, the GT-1000 ushers in a new era of performance in amp/effects processors for guitar and bass. This premium tone machine debuts our groundbreaking AIRD (Augmented Impulse Response Dynamics) technology, realized with decades of BOSS research and class-leading 32-bit/96 kHz processing. There's also a huge range of BOSS effects, complete with ultra-flexible routing options and deep real-time control. And with built-in Bluetooth, you can tweak settings wirelessly from your mobile device via a dedicated app. Packing immense power in a streamlined pro design, the GT-1000 is a game changer that brings new levels of creative expression to players everywhere.
For optimal performance, stay up to date with the current GT-1000 system software and BOSS Tone Studio
Designed for Unparalleled Sound Quality
The GT-1000 brings you no-compromise audio performance backed by the latest BOSS technologies. It's the first-ever guitar multi-effects unit with 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate throughout, while the custom DSP engine packs over three times the power of previous generations. This immense processing muscle unlocks far greater sonic detail than ever before possible, making it easy to get the sounds you're after without endless parameter tweaks and microscopic EQ adjustments.
AIRD: A Revolution in Digital Amp Processing
At its core, the GT-1000 harnesses BOSS's breakthrough AIRD technology for previously unattained musical power. Based on the comprehensive Tube Logic concept behind the renowned Katana, Waza, Nextone, and Blues Cube amplifiers, AIRD takes the amp processor to a new level of performance, flexibility, and practical usability.
Highly Musical Guitar Amplifiers, Crafted with AIRD
The GT-1000 features a wide range of BOSS original amplifiers suitable for all guitar styles, from super-clean to ultra-heavy. Several amp types employ MDP (Multi-Dimensional Processing) technology for dynamic, nuanced tone that reaches beyond the capabilities of analogue designs. Classic tube amps throughout history are also included, from coveted vintage combos to modern high-gain heads. Two amps can be used at once in a single patch, allowing you to switch between two sounds, blend amps for complex tones, or achieve big, expansive sound in stereo setups.
Extraordinary Effects
The GT-1000 comes loaded with all types of effects, from BOSS classics and retro stompboxes to modern effects driven by MDP and other advanced technologies. Multiple series and parallel routings are easy to set up via the intuitive interface. And with the clever Stompbox feature, you can adjust commonly used amp and effects settings across multiple patches at once. There are also two effects loops for patching in your favourite external effects and preamps.
Bass Multi-Effects Flagship
The GT-1000 takes bass processing to new heights with next-generation sound quality and ultra-flexible performance features. A variety of AIRD bass preamps are on hand for shaping your core tone, while eight different overdrive/distortion effects are available for additional colour and gain. There's an MDP bass compressor as well, plus chorus, flanger, touch wah, and many other effect types specially tuned for bass.
Intensive Performance Control
With its ten footswitches and expression pedal with toe switch, the GT-1000 provides comprehensive creative control wherever you play. And you can go even deeper with external switches, pedals, MIDI, and USB. The onboard controls come with default assignments for preset selection and per-patch control targets, but you can easily reassign them to operate nearly any function. Manual and Pedalboard modes are also available to instantly reconfigure the footswitches for additional control in the heat of the moment.
Powerful Recording and Editing Tools
The GT-1000 features a multi-channel USB audio/MIDI interface for flexible computer recording and efficient re-amping. Edit sounds remotely with the BOSS Tone Studio app, either via USB on a computer or wirelessly from your mobile device. And use the dedicated IR loader software to expand your tone options with 16 of your favourite speaker cab IRs.
GT-1000 Version 4.0: New X Amps and More
The Version 4.0 update brings even more creative features to the GT-1000 platform, including three newly developed high-gain guitar amp types that spotlight the continuing evolution of our advanced AIRD and MDP technologies:
X-Ultra-Inspired by a classic British stack amp modified with a modern multi-stage gain circuit. MDP provides intelligent control of the clipping in each gain stage, realizing extended dynamic response that's not possible with traditional analogue designs.
X-Optima-With many high-gain tube amplifiers, it can be difficult to strike the ideal tonal balance between chords and single notes. X-Optima features an innovative new gain algorithm that takes full advantage of MDP's adaptive frequency shaping, providing well-defined rhythm sounds and rich lead tones that sit perfectly in every mix.
X-Titan-This articulate amp type is perfect for aggressive metal styles driven by heavy riffs. MDP delivers sharp, tight sounds on the low strings while retaining fatness and body in the high ranges, making it well-suited for down tunings and extended-range guitars with seven or eight strings.
The update also includes six new bass preamps, two new drive effects, and more.
Specifications
Sampling Frequency: 96 kHz
AD Conversion: 32 bits + AF method
* AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 32 bits
Effects: 185 types
Patches: 250 (User) + 250 (Preset)
Phrase Loop: 38 sec. (MONO), 19 sec. (STEREO)
Tuner Internal Detection: +/-0.1 cent
Nominal Input Level: INPUT: -10 dBu, RETURN1: -10 dBu, RETURN2: -10 dBu
Maximum Input Level: INPUT: +18 dBu, RETURN1: +8 dBu, RETURN2: +8 dBu
Input Impedance: INPUT: 1 M ohm, RETURN1: 1 M ohm, RETURN2: 1 M ohm
Nominal Output Level: MAIN OUTPUT (L/MONO, R): -10 dBu, SUB OUTPUT (L, R): +4 dBu, PHONES: -10 dBu, SEND1: -10 dBu, SEND2: -10 dBu
Output Impedance: MAIN OUTPUT (L/MONO, R): 1 k ohm, SUB OUTPUT (L, R): 600 ohms, PHONES: 20 ohms, SEND1: 1 k ohm, SEND2: 1 k ohm
Recommended Load Impedance: MAIN OUTPUT (L/MONO, R): 10 k ohms or greater, SUB OUTPUT (L, R): 600 ohms or greater, PHONES: 44 ohms or greater, SEND1: 10 k ohms or greater, SEND2: 10 k ohms or greater
Controls: DOWN switch, UP switch CTL1--3 switches, 1--5 switches, POWER switch, EFFECT button, MENU button, EXIT button, WRITE button, PAGE button, 1--6 knobs, OUTPUT LEVEL knob, Expression pedal
Display: Graphic LCD (512 x 160 dots, backlit LCD)
Connectors: INPUT jack, MAIN OUTPUT (L/MONO, R) jacks, SEND1 jack, RETURN1 jack,, SEND2 jack, RETURN2 jack: 1/4-inch phone type, SUB OUTPUT (L, R) connectors: XLR type, PHONES jack: Stereo 1/4-inch phone type, CTL4, 5/EXP2 jack, CTL6, 7/EXP3 jack, AMP CTL1, 2 jack: 1/4-inch TRS phone type, USB COMPUTER port: USB B type, DC IN jack, MIDI (IN, OUT) connectors
Power Supply: AC adapter
Current Draw: 1.2 A
Power consumption when in OFF mode0.0 W
* When the power automatically turns off
Accessories: AC adaptor (PSB-1U + AC Cord Set), Owner's manual, Leaflet "USING THE UNIT SAFELY"
Options (sold separately): Footswitch: FS-5U, FS-5L, FS-6, FS-7, Expression Pedal: EV-30, FV-500L, FV-500H, Roland EV-5, AC adapter (PSB-1U)
* When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there.
(PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A)
Size & weight
Width: 462 mm / 18-3/16 inches
Depth: 248 mm / 9-13/16 inches
Height: 70 mm / 2-13/16 inches
Maximum height: 95 mm / 3-3/4 inches
Weight: 3.6 kg / 7 lbs 15 oz
… Read moreDelivering unmatched sound quality and musical expression, the GT-1000 ushers in a new era of performance in amp/effects processors for guitar and bass. This premium tone machine debuts our groundbreaking AIRD (Augmented Impulse Response Dynamics) technology, realized with decades of BOSS research and class-leading 32-bit/96 kHz processing. There's also a huge range of BOSS effects, complete with ultra-flexible routing options and deep real-time control. And with built-in Bluetooth, you can tweak settings wirelessly from your mobile device via a dedicated app. Packing immense power in a streamlined pro design, the GT-1000 is a game changer that brings new levels of creative expression to players everywhere.
For optimal performance, stay up to date with the current GT-1000 system software and BOSS Tone Studio
Designed for Unparalleled Sound Quality
The GT-1000 brings you no-compromise audio performance backed by the latest BOSS technologies. It's the first-ever guitar multi-effects unit with 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate throughout, while the custom DSP engine packs over three times the power of previous generations. This immense processing muscle unlocks far greater sonic detail than ever before possible, making it easy to get the sounds you're after without endless parameter tweaks and microscopic EQ adjustments.
AIRD: A Revolution in Digital Amp Processing
At its core, the GT-1000 harnesses BOSS's breakthrough AIRD technology for previously unattained musical power. Based on the comprehensive Tube Logic concept behind the renowned Katana, Waza, Nextone, and Blues Cube amplifiers, AIRD takes the amp processor to a new level of performance, flexibility, and practical usability.
Highly Musical Guitar Amplifiers, Crafted with AIRD
The GT-1000 features a wide range of BOSS original amplifiers suitable for all guitar styles, from super-clean to ultra-heavy. Several amp types employ MDP (Multi-Dimensional Processing) technology for dynamic, nuanced tone that reaches beyond the capabilities of analogue designs. Classic tube amps throughout history are also included, from coveted vintage combos to modern high-gain heads. Two amps can be used at once in a single patch, allowing you to switch between two sounds, blend amps for complex tones, or achieve big, expansive sound in stereo setups.
Extraordinary Effects
The GT-1000 comes loaded with all types of effects, from BOSS classics and retro stompboxes to modern effects driven by MDP and other advanced technologies. Multiple series and parallel routings are easy to set up via the intuitive interface. And with the clever Stompbox feature, you can adjust commonly used amp and effects settings across multiple patches at once. There are also two effects loops for patching in your favourite external effects and preamps.
Bass Multi-Effects Flagship
The GT-1000 takes bass processing to new heights with next-generation sound quality and ultra-flexible performance features. A variety of AIRD bass preamps are on hand for shaping your core tone, while eight different overdrive/distortion effects are available for additional colour and gain. There's an MDP bass compressor as well, plus chorus, flanger, touch wah, and many other effect types specially tuned for bass.
Intensive Performance Control
With its ten footswitches and expression pedal with toe switch, the GT-1000 provides comprehensive creative control wherever you play. And you can go even deeper with external switches, pedals, MIDI, and USB. The onboard controls come with default assignments for preset selection and per-patch control targets, but you can easily reassign them to operate nearly any function. Manual and Pedalboard modes are also available to instantly reconfigure the footswitches for additional control in the heat of the moment.
Powerful Recording and Editing Tools
The GT-1000 features a multi-channel USB audio/MIDI interface for flexible computer recording and efficient re-amping. Edit sounds remotely with the BOSS Tone Studio app, either via USB on a computer or wirelessly from your mobile device. And use the dedicated IR loader software to expand your tone options with 16 of your favourite speaker cab IRs.
GT-1000 Version 4.0: New X Amps and More
The Version 4.0 update brings even more creative features to the GT-1000 platform, including three newly developed high-gain guitar amp types that spotlight the continuing evolution of our advanced AIRD and MDP technologies:
X-Ultra-Inspired by a classic British stack amp modified with a modern multi-stage gain circuit. MDP provides intelligent control of the clipping in each gain stage, realizing extended dynamic response that's not possible with traditional analogue designs.
X-Optima-With many high-gain tube amplifiers, it can be difficult to strike the ideal tonal balance between chords and single notes. X-Optima features an innovative new gain algorithm that takes full advantage of MDP's adaptive frequency shaping, providing well-defined rhythm sounds and rich lead tones that sit perfectly in every mix.
X-Titan-This articulate amp type is perfect for aggressive metal styles driven by heavy riffs. MDP delivers sharp, tight sounds on the low strings while retaining fatness and body in the high ranges, making it well-suited for down tunings and extended-range guitars with seven or eight strings.
The update also includes six new bass preamps, two new drive effects, and more.
Specifications
Sampling Frequency: 96 kHz
AD Conversion: 32 bits + AF method
* AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 32 bits
Effects: 185 types
Patches: 250 (User) + 250 (Preset)
Phrase Loop: 38 sec. (MONO), 19 sec. (STEREO)
Tuner Internal Detection: +/-0.1 cent
Nominal Input Level: INPUT: -10 dBu, RETURN1: -10 dBu, RETURN2: -10 dBu
Maximum Input Level: INPUT: +18 dBu, RETURN1: +8 dBu, RETURN2: +8 dBu
Input Impedance: INPUT: 1 M ohm, RETURN1: 1 M ohm, RETURN2: 1 M ohm
Nominal Output Level: MAIN OUTPUT (L/MONO, R): -10 dBu, SUB OUTPUT (L, R): +4 dBu, PHONES: -10 dBu, SEND1: -10 dBu, SEND2: -10 dBu
Output Impedance: MAIN OUTPUT (L/MONO, R): 1 k ohm, SUB OUTPUT (L, R): 600 ohms, PHONES: 20 ohms, SEND1: 1 k ohm, SEND2: 1 k ohm
Recommended Load Impedance: MAIN OUTPUT (L/MONO, R): 10 k ohms or greater, SUB OUTPUT (L, R): 600 ohms or greater, PHONES: 44 ohms or greater, SEND1: 10 k ohms or greater, SEND2: 10 k ohms or greater
Controls: DOWN switch, UP switch CTL1--3 switches, 1--5 switches, POWER switch, EFFECT button, MENU button, EXIT button, WRITE button, PAGE button, 1--6 knobs, OUTPUT LEVEL knob, Expression pedal
Display: Graphic LCD (512 x 160 dots, backlit LCD)
Connectors: INPUT jack, MAIN OUTPUT (L/MONO, R) jacks, SEND1 jack, RETURN1 jack,, SEND2 jack, RETURN2 jack: 1/4-inch phone type, SUB OUTPUT (L, R) connectors: XLR type, PHONES jack: Stereo 1/4-inch phone type, CTL4, 5/EXP2 jack, CTL6, 7/EXP3 jack, AMP CTL1, 2 jack: 1/4-inch TRS phone type, USB COMPUTER port: USB B type, DC IN jack, MIDI (IN, OUT) connectors
Power Supply: AC adapter
Current Draw: 1.2 A
Power consumption when in OFF mode0.0 W
* When the power automatically turns off
Accessories: AC adaptor (PSB-1U + AC Cord Set), Owner's manual, Leaflet "USING THE UNIT SAFELY"
Options (sold separately): Footswitch: FS-5U, FS-5L, FS-6, FS-7, Expression Pedal: EV-30, FV-500L, FV-500H, Roland EV-5, AC adapter (PSB-1U)
* When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there.
(PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A)
Size & weight
Width: 462 mm / 18-3/16 inches
Depth: 248 mm / 9-13/16 inches
Height: 70 mm / 2-13/16 inches
Maximum height: 95 mm / 3-3/4 inches
Weight: 3.6 kg / 7 lbs 15 oz
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $853.59
(No payment required now - pay when released)
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Notes: The new SOLID BLAZE TOTEPACK 85 is built for traveling DJs and music producers who need a functional, durable, and compact solution to carry their gear.
Made from recycled PET bottles, this sustainably crafted backpack combines a bold style and practicality for life on the move.
Its wide, easy-access opening allows you to quickly grab your laptop, drum machine, DAW controller, or vinyl records, making setup and breakdown effortless.
With adjustable carrying handles that can transform the backpack into a tote, this versatile bag adapts to any situation, giving you maximum comfort and flexibility wherever your journey takes you. Stay organized and prepared on the road with the SOLID BLAZE TOTEPACK 85 - your go-to bag for creative professionals.
… Read moreMade from recycled PET bottles, this sustainably crafted backpack combines a bold style and practicality for life on the move.
Its wide, easy-access opening allows you to quickly grab your laptop, drum machine, DAW controller, or vinyl records, making setup and breakdown effortless.
With adjustable carrying handles that can transform the backpack into a tote, this versatile bag adapts to any situation, giving you maximum comfort and flexibility wherever your journey takes you. Stay organized and prepared on the road with the SOLID BLAZE TOTEPACK 85 - your go-to bag for creative professionals.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $170.22
(No payment required now - pay when released)
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dsp.coffee 22 Deaf Chinchillas Analogue Synth Voice Module (modular synthesiser)
Cat: 1035224
Analogue synth voice module - 12HP
Notes: 22 Deaf Chinchillas is the first product from dsp.coffee, an all-analogue eurorack voice module based around Electro Smith's analogue submodules. Produced in a very limited hand-numbered edition of 10.
AS3340 VCO (CEM3340):
Sine, Tri, Saw, and Pulse outputs
Saw and Pulse normalled to VCA
Linear FM
Exponential FM
Hard Sync
Soft Sync
PWM
AS2164 VCA:
Dual VCA patched to inputs of the filter, but can also be used by external sources
SSI2144 VCF (SSM2044):
Dual VCF, fed by the output of the VCA
Self-oscillates a pure sine wave
DC coupled outputs. Can be used as a quad LFO (negative 1v/oct input will yield very slow speeds)
Gnarly self-patching possibilities
Ominous bipolar chinchilla eyeball LEDs for feedback
High-quality Rogan Knobs (like ones used on Make Noise and Mutable Instruments modules)
Dimensions:
12 HP, 30 mm deep
Current Draw:
90 mA +12V
73 mA -12V
0 mA 5V
… Read moreAS3340 VCO (CEM3340):
Sine, Tri, Saw, and Pulse outputs
Saw and Pulse normalled to VCA
Linear FM
Exponential FM
Hard Sync
Soft Sync
PWM
AS2164 VCA:
Dual VCA patched to inputs of the filter, but can also be used by external sources
SSI2144 VCF (SSM2044):
Dual VCF, fed by the output of the VCA
Self-oscillates a pure sine wave
DC coupled outputs. Can be used as a quad LFO (negative 1v/oct input will yield very slow speeds)
Gnarly self-patching possibilities
Ominous bipolar chinchilla eyeball LEDs for feedback
High-quality Rogan Knobs (like ones used on Make Noise and Mutable Instruments modules)
Dimensions:
12 HP, 30 mm deep
Current Draw:
90 mA +12V
73 mA -12V
0 mA 5V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $281.93
(No payment required now - pay when released)
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Der Mann Mit Der Maschine P8S8 Slider & Switch Controller Module (slider & switch control module)
Cat: 1056311
8 HP slider & switch controller module for those who love those little sliders
Notes: The P8S8 controller is for those who love those little sliders. The sliders behave like regular pots, so we named the module P8S8 (the "S" stands for the switches).
The P8S8 has eight Alpha sliders with a range of 20 mm. As a speciality the sliders contain LEDs. Their brightness can be controlled and used for any purpose. As long as you don't use the LED registers, the brightness of the LEDs reflect the current slider positions.
At the bottom the P8S8 has eight 3-way toggle switches.
As always in the DROID universe, it can be patched as whatever comes to mind, but looking at this module, it's almost imposing to be used as modulation sequencer or ADSR controller.
Shipping includes a short ribbon cable for connecting the controller to the master or to the previous controller. If you want to place the controller further away from the master, you can purchaser longer ribbon cables here in the shop.
Current Draw: 20 mA +12V, 0 mA -12V, 0 mA 5V
Width: 8 HP
Depth: 25 mm
… Read moreThe P8S8 has eight Alpha sliders with a range of 20 mm. As a speciality the sliders contain LEDs. Their brightness can be controlled and used for any purpose. As long as you don't use the LED registers, the brightness of the LEDs reflect the current slider positions.
At the bottom the P8S8 has eight 3-way toggle switches.
As always in the DROID universe, it can be patched as whatever comes to mind, but looking at this module, it's almost imposing to be used as modulation sequencer or ADSR controller.
Shipping includes a short ribbon cable for connecting the controller to the master or to the previous controller. If you want to place the controller further away from the master, you can purchaser longer ribbon cables here in the shop.
Current Draw: 20 mA +12V, 0 mA -12V, 0 mA 5V
Width: 8 HP
Depth: 25 mm
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $132.99
(No payment required now - pay when released)
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Mooer Audio Ocean Machine II Delay/Reverb/Looper Effects Pedal (time effects pedal)
Cat: 1045995
Dual delay, reverb and looper effects pedal
Notes: Similarly to the original, the Ocean Machine II offers two independent delay modules, each with nine different delay types of up to two seconds, including household names such as digital, tape, and echo delays, as well as more abstract options, such as galaxy, crystal, and rainbow. A high-fidelity reverb module complements these delays with nine reverb types, as well as a shimmer effect. Each delay and reverb effect can also be 'frozen,' creating static ambient drones, an effect that sounds particularly impressive considering the pedal's DSP upgrades.
While the original Ocean Machine's looping capabilities provided just 44 seconds of loop storage, the new addition features an impressive 120 seconds. To experiment with this feature, along with Ocean Machine II's other sonic capabilities, users can use an intuitive LCD screen along with 12 knobs (four for each delay and reverb module) to easily adjust parameters within the device's 'Play Mode.' Three footswitches are also provided to facilitate independent effect toggling, tap tempo control, looper interfacing, and a preset selector.
Once the guitarist has crafted an interesting effect chain, they can save their work as a preset and enter 'Patch Mode,' in which they can toggle between saved settings with each of the three footswitches. In total, the Ocean Machine II provides eight preset storage banks, each of which supports up to three presets, resulting in a total of 24 save slots.
The pedal's versatility is further enhanced by its programmable parallel and serial effect chain hybrid, a signature element of Devin Townsend's tone creation. This feature allows users to customize the order of effects, providing endless creative possibilities. Further programming options can be accessed through the LED screen, which impressively includes synchronizable MIDI connectivity, a feature that was absent in the original Ocean Machine.
In addition to MIDI, the pedal supports various external control systems, including expression pedal input through a TRS cable. Furthermore, the pedal is compatible with MOOER's F4 wireless footswitch, allowing for extended capabilities for mapping presets and other features. A USB-C port is also available for firmware updates, ensuring that the pedal remains up-to-date with the latest features and improvements.
Considering the experimental nature of Devin Townsend's performances, MOOER has also gone above and beyond to facilitate the seamless integration of Ocean Machine II into any audio setup. The device features full stereo inputs and outputs, as well as adjustable global EQ settings, letting users tailor their sound to suit different environments. Guitarists can also customize their effect chains to be used with true bypass or DSP (buffered) bypass, depending on their preferences and specific use cases.
Overall, Ocean Machine II brings higher quality delay and reverb algorithms, augmented looping support, and various updated connections to Devin Townsend's original device. As per MOOER's typical standard, the pedal is engineered to withstand the rigors of touring and frequent use, allowing guitars to bring their special creations and atmospheric drones to the stage.
… Read moreWhile the original Ocean Machine's looping capabilities provided just 44 seconds of loop storage, the new addition features an impressive 120 seconds. To experiment with this feature, along with Ocean Machine II's other sonic capabilities, users can use an intuitive LCD screen along with 12 knobs (four for each delay and reverb module) to easily adjust parameters within the device's 'Play Mode.' Three footswitches are also provided to facilitate independent effect toggling, tap tempo control, looper interfacing, and a preset selector.
Once the guitarist has crafted an interesting effect chain, they can save their work as a preset and enter 'Patch Mode,' in which they can toggle between saved settings with each of the three footswitches. In total, the Ocean Machine II provides eight preset storage banks, each of which supports up to three presets, resulting in a total of 24 save slots.
The pedal's versatility is further enhanced by its programmable parallel and serial effect chain hybrid, a signature element of Devin Townsend's tone creation. This feature allows users to customize the order of effects, providing endless creative possibilities. Further programming options can be accessed through the LED screen, which impressively includes synchronizable MIDI connectivity, a feature that was absent in the original Ocean Machine.
In addition to MIDI, the pedal supports various external control systems, including expression pedal input through a TRS cable. Furthermore, the pedal is compatible with MOOER's F4 wireless footswitch, allowing for extended capabilities for mapping presets and other features. A USB-C port is also available for firmware updates, ensuring that the pedal remains up-to-date with the latest features and improvements.
Considering the experimental nature of Devin Townsend's performances, MOOER has also gone above and beyond to facilitate the seamless integration of Ocean Machine II into any audio setup. The device features full stereo inputs and outputs, as well as adjustable global EQ settings, letting users tailor their sound to suit different environments. Guitarists can also customize their effect chains to be used with true bypass or DSP (buffered) bypass, depending on their preferences and specific use cases.
Overall, Ocean Machine II brings higher quality delay and reverb algorithms, augmented looping support, and various updated connections to Devin Townsend's original device. As per MOOER's typical standard, the pedal is engineered to withstand the rigors of touring and frequent use, allowing guitars to bring their special creations and atmospheric drones to the stage.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $261.71
(No payment required now - pay when released)
FORTHCOMING
Related products...
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $35.65
(No payment required now - pay when released)
FORTHCOMING
Related products...
LEP ArpoLoop Analogue Rhythm & Melody Composer Synthesiser (analogue desktop synthesiser)
Cat: 1050365
Analogue rhythm & melody composer synthesiser
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,134.13
(No payment required now - pay when released)
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Notes: Meet the RC-600, the most advanced looper on the planet. Loaded with evolved features and customizable functions, this next-generation Loop Station ushers in a new era of creative power for guitarists, singer/songwriters, multi-instrumentalists, and other looping musicians. Capture multiple mics and instruments with six stereo tracks and premium 32-bit sound, and take full command with nine freely assignable footswitches and deep external control support. And that's just the start-you can also colour loops with a massive FX selection, groove with onboard rhythms, route audio as you like to the three stereo outputs, integrate with computer software via USB, and much more.
The Next Frontier in Floor-Based Looping
With the immense capabilities of the RC-600 at your feet, you can realize complex and sophisticated loop performances like never before. Use the six tracks in series or parallel for different musical structures, and build crystal-clear layers with the next-generation audio engine. Process sounds before and after capture with a huge range of FX, including time-based FX that automatically sync with loops and the built-in rhythms. Tap into unprecedented control with nine footswitches and the ability to instantly recall different assignments with three pedal modes. And if that's not enough, you can go even further with the RC-600's rich external control options.
Personalized Control
The RC-600 is highly customizable, allowing you to configure the looper to perfectly suit your personal workflow. The footswitches and pedal modes feature a multitude of assignable CTL parameters that include track operations, FX and rhythm functions, tap tempo, and more. In some cases, you can use a single footswitch to trigger different functions with a press, hold, or double-click. Two control jacks are available for external footswitches or expression pedals, and each has its own dedicated set of parameters. There's also an Assign function to set up 16 different controls for hardware and MIDI operation. And with seven top-level screen variations, you can get real-time feedback on a variety of current operations.
Powerful FX for Inspired Performances
With 49 Input FX and 53 Track FX to choose from, your RC-600 performances will always be evocative and exciting. There's a world of sonic colours on tap, including versatile effects from the vast BOSS library, a guitar-to-bass simulator, and a wide range of powerful vocal FX. The Track FX also include cool DJ-style effects like Beat Scatter, Vinyl Flick, and others. Up to four Input FX and Track FX can be used at once, and you can store banks of four in each section for quick recall, along with toggle or momentary button settings for each type.
Connect and Mix
Packed with versatile connectivity, the RC-600 is ready for any loop performance style. You have two XLR mic inputs plus two mono/stereo input pairs for guitars, keyboards, drum machines, and various audio devices, along with an input mixer with two mic compressors and dedicated channel EQs. Three stereo output pairs, a headphones output, and an output mixer are also available, complete with assignable routing options and master reverb and compressor effects. It's even possible to use the audio I/O to patch in external effects to process one or more loops. And via USB, you can integrate with computer DAWs and use BOSS Tone Studio to import and export WAV loops.
Move and Groove
The RC-600 features a wide selection of organic rhythms with dynamic real-time functionality. There are over 200 patterns in styles ranging from rock, pop, and acoustic to Latin, jazz, and electronica, and each includes four variations to keeps things interesting.
… Read moreThe Next Frontier in Floor-Based Looping
With the immense capabilities of the RC-600 at your feet, you can realize complex and sophisticated loop performances like never before. Use the six tracks in series or parallel for different musical structures, and build crystal-clear layers with the next-generation audio engine. Process sounds before and after capture with a huge range of FX, including time-based FX that automatically sync with loops and the built-in rhythms. Tap into unprecedented control with nine footswitches and the ability to instantly recall different assignments with three pedal modes. And if that's not enough, you can go even further with the RC-600's rich external control options.
Personalized Control
The RC-600 is highly customizable, allowing you to configure the looper to perfectly suit your personal workflow. The footswitches and pedal modes feature a multitude of assignable CTL parameters that include track operations, FX and rhythm functions, tap tempo, and more. In some cases, you can use a single footswitch to trigger different functions with a press, hold, or double-click. Two control jacks are available for external footswitches or expression pedals, and each has its own dedicated set of parameters. There's also an Assign function to set up 16 different controls for hardware and MIDI operation. And with seven top-level screen variations, you can get real-time feedback on a variety of current operations.
Powerful FX for Inspired Performances
With 49 Input FX and 53 Track FX to choose from, your RC-600 performances will always be evocative and exciting. There's a world of sonic colours on tap, including versatile effects from the vast BOSS library, a guitar-to-bass simulator, and a wide range of powerful vocal FX. The Track FX also include cool DJ-style effects like Beat Scatter, Vinyl Flick, and others. Up to four Input FX and Track FX can be used at once, and you can store banks of four in each section for quick recall, along with toggle or momentary button settings for each type.
Connect and Mix
Packed with versatile connectivity, the RC-600 is ready for any loop performance style. You have two XLR mic inputs plus two mono/stereo input pairs for guitars, keyboards, drum machines, and various audio devices, along with an input mixer with two mic compressors and dedicated channel EQs. Three stereo output pairs, a headphones output, and an output mixer are also available, complete with assignable routing options and master reverb and compressor effects. It's even possible to use the audio I/O to patch in external effects to process one or more loops. And via USB, you can integrate with computer DAWs and use BOSS Tone Studio to import and export WAV loops.
Move and Groove
The RC-600 features a wide selection of organic rhythms with dynamic real-time functionality. There are over 200 patterns in styles ranging from rock, pop, and acoustic to Latin, jazz, and electronica, and each includes four variations to keeps things interesting.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $441.52
(No payment required now - pay when released)
FORTHCOMING
Related products...
Notes: The RC-500 is an essential partner for guitarists, singer/songwriters, multi-instrumentalists, and anyone who wants to take their looping to the next level. Craft real-time compositions with two loop tracks, mic and stereo instrument inputs, rhythms, and inspiring Loop FX, all backed by premium 32-bit audio quality. Store loops in onboard memories, and explore expanded operation with external controls and MIDI. Filled with next-generation Loop Station features, the RC-500 gives serious creators the tools they need to develop new ideas and deliver impactful performances that will leave audiences wanting more.
Super Sound Quality
Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-500 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there's plenty of space for extended creative journeys.
Connect, Loop, and Mix
With its versatile I/O and free-flowing interface, the RC-500 is ready to support all your musical visions. Connect mono/stereo instruments and pedal effects, plus a mic to the dedicated XLR input-complete with phantom power if needed. Use the two tracks independently for song-style composition, or together for rich multi-track textures. The LCD backlight changes colour to clearly show the current operation mode, while hands-on track faders and a mic level knob provide direct access to volume control as you loop.
Flexible Creative Control
Three onboard footswitches make it simple to control recording and playback, track switching, and more. For expanded operation, you can connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. And for advanced rigs, the space-saving TRS MIDI I/O enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs.
Personalize Your Setup
The RC-500's I/O and footswitches are configured for basic operations by default, but they can be reassigned in a variety of ways to meet your custom needs. Route left/right input sources to separate tracks, or send guitar and vocals to independent outputs. Use the footswitches to turn effects on/off, start/stop rhythms, and more. Custom assignments are saved along with phrase memories, letting you instantly reconfigure the RC-500 for any application.
Energise Performances with Rhythms and Loop FX
Loaded with inspiring rhythms and evocative loop processing, the RC-500 is primed to bring groove and colour to all your looping adventures. Each of the 57 preset rhythms include A/B variations, while 16 different drum kits provide sounds to match any style. Designed for live performance, Loop FX like repeat, scatter, and more infuse your loops with instant sonic energy. There's a cool reverse function too, perfect for creating unique sonic flavours on demand.
Capture, Practice, and Perform
The RC-500's 99 phrase memories let you store loops as fast as you create them, complete with rhythm and kit selections, audio settings, and control assignments. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-500 becomes a central playback hub for lesson material, jam tracks, or backing music for your next gig.
Specifications
Sampling Frequency: 44.1 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Recording/Playback: Number of Track: 2, Data Format: WAV (44.1 kHz, 32-bit float, stereo), Maximum Recording Time: Approx. 1.5 hours (1 track), Approx.13 hours (total of All memories)
Rhythm Type: 57 Patterns x 2 Variations
Rhythm Kit: 16 types
Effect: LOOP FX (only for loop tracks)
Type: BEAT REPEAT, BEAT SHIFT, BEAT SCATTER, VINYL FLICK, Reverb (only for rhythm part)
Memory: 99
Nominal Input Level: MIC IN:-40 dBu (variable), INST IN A/MONO B: -10 dBu
Maximum Input Level: MIC IN:+8 dBu, INST IN A/MONO, B: +8 dBu
Input Impedance: MIC IN: 4 k ohms, INST IN A/MONO, B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +8 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: REC/PLAY switch, STOP switch, TRACK SELECT switch, MEMORY/VALUE knob, MIC LEVEL knob, TRACK 1 slider, TRACK 2 slider, TRACK 1 EDIT button, TRACK 2 EDIT button, RHYTHM TEMPO button, RHYTHM ON/OFF button, MEMORY button, MENU button, EXIT button, ENTER button, INPUT button
Display: Graphic LCD (96 x 32 dots, RGB backlit LCD)
Connectors: INST IN A/MONO, B jacks: 1/4-inch phone type, MIC IN jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max, OUTPUT A/MONO, B jacks: 1/4-inch phone type, CTL 1,2/EXP jack: 1/4-inch TRS phone type, USB port: USB micro B type, MIDI (IN, OUT) jacks: stereo miniature type, DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 4, AC adapter (PSA-S series: sold separately)
Current Draw: 330 mA (with phantom power), 240 mA (without phantom power)
Expected battery life under continuous use: Alkaline: Approx. 3.5 hours (without phantom power), Approx. 2 hours (with phantom power)
*These figures will vary depending on the actual conditions of use.
Accessories: Owner's manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (AA, LR6) x 4, Rubber foot x 4
Options (sold separately) AC adaptor: PSA-S series
Footswitch: FS-5U
Dual Footswitch: FS-6, FS-7
Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535
Size & weight
Width: 170 mm / 6-3/4 inches
Depth: 138 mm / 5-7/16 inches
Height (including rubber foot): 62 mm / 2-1/2 inches
Weight (including battery): 950 g / 2.1 lb
… Read moreSuper Sound Quality
Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-500 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there's plenty of space for extended creative journeys.
Connect, Loop, and Mix
With its versatile I/O and free-flowing interface, the RC-500 is ready to support all your musical visions. Connect mono/stereo instruments and pedal effects, plus a mic to the dedicated XLR input-complete with phantom power if needed. Use the two tracks independently for song-style composition, or together for rich multi-track textures. The LCD backlight changes colour to clearly show the current operation mode, while hands-on track faders and a mic level knob provide direct access to volume control as you loop.
Flexible Creative Control
Three onboard footswitches make it simple to control recording and playback, track switching, and more. For expanded operation, you can connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. And for advanced rigs, the space-saving TRS MIDI I/O enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs.
Personalize Your Setup
The RC-500's I/O and footswitches are configured for basic operations by default, but they can be reassigned in a variety of ways to meet your custom needs. Route left/right input sources to separate tracks, or send guitar and vocals to independent outputs. Use the footswitches to turn effects on/off, start/stop rhythms, and more. Custom assignments are saved along with phrase memories, letting you instantly reconfigure the RC-500 for any application.
Energise Performances with Rhythms and Loop FX
Loaded with inspiring rhythms and evocative loop processing, the RC-500 is primed to bring groove and colour to all your looping adventures. Each of the 57 preset rhythms include A/B variations, while 16 different drum kits provide sounds to match any style. Designed for live performance, Loop FX like repeat, scatter, and more infuse your loops with instant sonic energy. There's a cool reverse function too, perfect for creating unique sonic flavours on demand.
Capture, Practice, and Perform
The RC-500's 99 phrase memories let you store loops as fast as you create them, complete with rhythm and kit selections, audio settings, and control assignments. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-500 becomes a central playback hub for lesson material, jam tracks, or backing music for your next gig.
Specifications
Sampling Frequency: 44.1 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Recording/Playback: Number of Track: 2, Data Format: WAV (44.1 kHz, 32-bit float, stereo), Maximum Recording Time: Approx. 1.5 hours (1 track), Approx.13 hours (total of All memories)
Rhythm Type: 57 Patterns x 2 Variations
Rhythm Kit: 16 types
Effect: LOOP FX (only for loop tracks)
Type: BEAT REPEAT, BEAT SHIFT, BEAT SCATTER, VINYL FLICK, Reverb (only for rhythm part)
Memory: 99
Nominal Input Level: MIC IN:-40 dBu (variable), INST IN A/MONO B: -10 dBu
Maximum Input Level: MIC IN:+8 dBu, INST IN A/MONO, B: +8 dBu
Input Impedance: MIC IN: 4 k ohms, INST IN A/MONO, B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +8 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: REC/PLAY switch, STOP switch, TRACK SELECT switch, MEMORY/VALUE knob, MIC LEVEL knob, TRACK 1 slider, TRACK 2 slider, TRACK 1 EDIT button, TRACK 2 EDIT button, RHYTHM TEMPO button, RHYTHM ON/OFF button, MEMORY button, MENU button, EXIT button, ENTER button, INPUT button
Display: Graphic LCD (96 x 32 dots, RGB backlit LCD)
Connectors: INST IN A/MONO, B jacks: 1/4-inch phone type, MIC IN jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max, OUTPUT A/MONO, B jacks: 1/4-inch phone type, CTL 1,2/EXP jack: 1/4-inch TRS phone type, USB port: USB micro B type, MIDI (IN, OUT) jacks: stereo miniature type, DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 4, AC adapter (PSA-S series: sold separately)
Current Draw: 330 mA (with phantom power), 240 mA (without phantom power)
Expected battery life under continuous use: Alkaline: Approx. 3.5 hours (without phantom power), Approx. 2 hours (with phantom power)
*These figures will vary depending on the actual conditions of use.
Accessories: Owner's manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (AA, LR6) x 4, Rubber foot x 4
Options (sold separately) AC adaptor: PSA-S series
Footswitch: FS-5U
Dual Footswitch: FS-6, FS-7
Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535
Size & weight
Width: 170 mm / 6-3/4 inches
Depth: 138 mm / 5-7/16 inches
Height (including rubber foot): 62 mm / 2-1/2 inches
Weight (including battery): 950 g / 2.1 lb
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $261.72
(No payment required now - pay when released)
FORTHCOMING
Related products...
dsp.coffee Drip Stereo Multimode Filter Module (modular synthesiser)
Cat: 1035226
Stereo multimode filter module - 8HP
Notes: DRIP is an 8hp multimode stereo filter based on the Mutable Instruments Ripples V1 filter section.
Mutable Instruments' Ripples filter sounds lovely, and then After Later Audio combined two of them in their Popple module. DSP Coffee have released a limited run with their own panels, and called it DRIP.
Dimensions: 8 HP
Current Draw:
35 mA +12V
35 mA -12V
… Read moreMutable Instruments' Ripples filter sounds lovely, and then After Later Audio combined two of them in their Popple module. DSP Coffee have released a limited run with their own panels, and called it DRIP.
Dimensions: 8 HP
Current Draw:
35 mA +12V
35 mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $212.25
(No payment required now - pay when released)
FORTHCOMING
Related products...
ADDAC System ADDAC219IN Stereo To Dual Mono In Module (modular synthesiser)
Cat: 1052227 Rel: 31 Jan 25
Analogue CV utilities module - 3hp
Notes: ADDAC219IN was designed to replace bulky 1/4 inch jacks when plugging external stereo gear into the modular realm.
Using a 3.5mm TRS stereo jack input, the module splits the TRS stereo signal into 2 mono outputs (Left + Right) while also converting the line input to synth level.
There are 2 independent sections allowing for two stereo sources to be connected.
Tech Specs: 3HP, 4 cm deep, 20mA +12V, 20mA -12V
… Read moreUsing a 3.5mm TRS stereo jack input, the module splits the TRS stereo signal into 2 mono outputs (Left + Right) while also converting the line input to synth level.
There are 2 independent sections allowing for two stereo sources to be connected.
Tech Specs: 3HP, 4 cm deep, 20mA +12V, 20mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $62.78
(No payment required now - pay when released)
FORTHCOMING
Related products...
ADDAC System ADDAC219OUT Dual Mono To Stereo Out Module (modular synthesiser)
Cat: 1052230 Rel: 31 Jan 25
Analogue CV utilities module - 3hp
Notes: ADDAC219OUT was designed to replace bulky 1/4-inch cables when plugging external stereo gear to the modular realm.
It merges 2 TS mono signals (Left + Right) into a TRS stereo output while also converts the synth inputs to line level.
There are 3 independent sections allowing for three stereo sources to be connected.
Tech Specs: 3HP, 1.5 cm deep, Passive module
… Read moreIt merges 2 TS mono signals (Left + Right) into a TRS stereo output while also converts the synth inputs to line level.
There are 3 independent sections allowing for three stereo sources to be connected.
Tech Specs: 3HP, 1.5 cm deep, Passive module
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $73.41
(No payment required now - pay when released)
FORTHCOMING
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Tascam Studio Bridge 24-Track Audio Recorder With USB & MIDI Audio Interface (multitrack recorder/USB audio interface)
Cat: 1052459 Rel: 31 Jan 25
24-track audio recorder & USB audio interface with MIDI for vintage mixing consoles
Notes: Classic Multitrack Recording
Digital Recording and Mixing with Analogue Gear Made Easy
The Studio Bridge multitrack recorder is quite literally the bridge between analogue mixing and digital recording - regardless of whether you use a DAW or not. Preserve the lush analogue tone from your mixing console while recording tracks with the DAW of your choice or with Studio Bridge itself. Either way, tracks can be returned to your analogue console for mix summing, turning digital recordings into warm analogue productions.
Whether you're recording in a personal studio or in a live environment, the Tascam Studio Bridge serves as a link between your existing equipment, complementing it with the latest recording technology and ease of use in a rack-mountable format.
24-Track Recording Without a Computer:
Connect your analogue mixer to the modular Studio Bridge recorder and easily record up to 24 audio tracks - no computer required. You can even record your stereo mix to the recorder and export stereo WAV files for release-ready productions.
24-In/24-Out Audio/MIDI Interface for DAWs:
Tascam knows you want true analogue flavour on your DAW recordings, and we're here to help. Your analogue mixer can easily connect to your DAW using the Studio Bridge as an audio interface with 24 inputs and outputs. You can record directly to any DAW and even create a summed mix using your console and outboard gear with audio returns.
DAW Transport Controller and Dedicated Meter Bridge Software:
Studio Bridge also works as a DAW transport controller. Rec/Play/Stop and Rec Ready buttons link directly to your DAW for ease of use.
The settings panel, available for Windows and macOS, includes a digital meter bridge so you can keep an eye on the audio levels of each track and the stereo master.
MIDI Synchronisation for Your Sequencers:
With MIDI in/out ports, your favourite drum machines, sequencers, synths and controllers can easily be integrated into any production. Unlock your creativity with your go-to analogue hardware and the Studio Bridge.
Live Recording Applications:
In live environments the Studio Bridge becomes your mobile recording studio when connected to your mixing console.
Just one piece of gear - no complex system, no computer required.
… Read moreDigital Recording and Mixing with Analogue Gear Made Easy
The Studio Bridge multitrack recorder is quite literally the bridge between analogue mixing and digital recording - regardless of whether you use a DAW or not. Preserve the lush analogue tone from your mixing console while recording tracks with the DAW of your choice or with Studio Bridge itself. Either way, tracks can be returned to your analogue console for mix summing, turning digital recordings into warm analogue productions.
Whether you're recording in a personal studio or in a live environment, the Tascam Studio Bridge serves as a link between your existing equipment, complementing it with the latest recording technology and ease of use in a rack-mountable format.
24-Track Recording Without a Computer:
Connect your analogue mixer to the modular Studio Bridge recorder and easily record up to 24 audio tracks - no computer required. You can even record your stereo mix to the recorder and export stereo WAV files for release-ready productions.
24-In/24-Out Audio/MIDI Interface for DAWs:
Tascam knows you want true analogue flavour on your DAW recordings, and we're here to help. Your analogue mixer can easily connect to your DAW using the Studio Bridge as an audio interface with 24 inputs and outputs. You can record directly to any DAW and even create a summed mix using your console and outboard gear with audio returns.
DAW Transport Controller and Dedicated Meter Bridge Software:
Studio Bridge also works as a DAW transport controller. Rec/Play/Stop and Rec Ready buttons link directly to your DAW for ease of use.
The settings panel, available for Windows and macOS, includes a digital meter bridge so you can keep an eye on the audio levels of each track and the stereo master.
MIDI Synchronisation for Your Sequencers:
With MIDI in/out ports, your favourite drum machines, sequencers, synths and controllers can easily be integrated into any production. Unlock your creativity with your go-to analogue hardware and the Studio Bridge.
Live Recording Applications:
In live environments the Studio Bridge becomes your mobile recording studio when connected to your mixing console.
Just one piece of gear - no complex system, no computer required.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jan 25 $978.79
(No payment required now - pay when released)
FORTHCOMING
Related products...
Expressive-E Osmose Softcase (synthesiser softcase)
Cat: 1040830
Softcase designed to protect the Expressive-E Osmose
Notes: Premium 49-key gig bag. Protect your Osmose and 3rd-party synths with style in all situations
The perfect companion for Osmose
Designed in France to blend with Osmose's unique aesthetical language, the EE49 Gig Bag will shelter your keyboard from all natural elements (custom rain cover included). It is built out of comfortable materials with multiple storage solutions, and is optimized to make rehearsing and touring with your Osmose synth enjoyable.
The ideal ergonomic 49-key case
Intended to be Osmose's favourite companion, the Osmose Soft Case will however fit with most 49-key instruments. It comes with a reinforced strap, multiple carrying options, a laptop pocket, and multiple storage compartments.
A rugged & stylish case to confront all situations
Made of waterproof Cordura polyester and padded with thick Neoprene lining, the EE49 Gig Bag represents a superior choice to protect Osmose or any other 49-key instruments. With its stealth-black design, the EE49 Gig Bag is a low-key and elegant way to throw your instrument around.
Learn more about Osmose
Osmose is the new standard for musical expressivity. This standalone polyphonic synthesizer unlocks new ways to control sound with familiar gestures (press, bend, shake & more). It features a deep sound design engine and hundreds of ready-to-use, innovative presets. It also functions as a powerful controller for hard & software synthesizers.
Osmose softcase
Designed in France, the Osmose softcase will shelter your Osmose and most 49-key synthesizers or controllers from all natural elements (custom rain cover included). It is built out of comfortable materials with multiple storage solutions, and is optimized to make rehearsing and touring enjoyable.
Technical specs
Dimensions
Outer shell: 97.5cm x 36.1cm x 16.4cm / 38.3in x 14.2in x 6.4in
Inner compartment: 91cm x 30.5cm x 10cm / 35.8in x 11.81in x 3.93in
Materials: 1000D Cordura and Waterproof 210D PU Polyester
Colour: Black lining
Black and Dark Grey 210D Neoprene
front zipper pocket, 3 inner compartments
1. Laptop sleeves with locking straps (up to 16"; 22.5 x 39cm / 8.8 x 15.3 inches / L x W)
2. Paper tray (22.5 x 39cm / 12.6 x 15.3 inches / L x W)
3. Additional pocket for accessories (22.5 x 20.5 cm / 12.6 x 8 inches / L x W) large document pouch on the backside (50 x 39 cm / 19.7 x 15.3 inches / L x W) handles and straps
1. Top handle
2. one-piece shoulder strap (location)
3. two-piece shoulder strap on the back
Accessories
Rain cover
Logo
1. Print logo on the front panel and main zipper
2. Woven label on the shoulder strap and side pad
… Read moreThe perfect companion for Osmose
Designed in France to blend with Osmose's unique aesthetical language, the EE49 Gig Bag will shelter your keyboard from all natural elements (custom rain cover included). It is built out of comfortable materials with multiple storage solutions, and is optimized to make rehearsing and touring with your Osmose synth enjoyable.
The ideal ergonomic 49-key case
Intended to be Osmose's favourite companion, the Osmose Soft Case will however fit with most 49-key instruments. It comes with a reinforced strap, multiple carrying options, a laptop pocket, and multiple storage compartments.
A rugged & stylish case to confront all situations
Made of waterproof Cordura polyester and padded with thick Neoprene lining, the EE49 Gig Bag represents a superior choice to protect Osmose or any other 49-key instruments. With its stealth-black design, the EE49 Gig Bag is a low-key and elegant way to throw your instrument around.
Learn more about Osmose
Osmose is the new standard for musical expressivity. This standalone polyphonic synthesizer unlocks new ways to control sound with familiar gestures (press, bend, shake & more). It features a deep sound design engine and hundreds of ready-to-use, innovative presets. It also functions as a powerful controller for hard & software synthesizers.
Osmose softcase
Designed in France, the Osmose softcase will shelter your Osmose and most 49-key synthesizers or controllers from all natural elements (custom rain cover included). It is built out of comfortable materials with multiple storage solutions, and is optimized to make rehearsing and touring enjoyable.
Technical specs
Dimensions
Outer shell: 97.5cm x 36.1cm x 16.4cm / 38.3in x 14.2in x 6.4in
Inner compartment: 91cm x 30.5cm x 10cm / 35.8in x 11.81in x 3.93in
Materials: 1000D Cordura and Waterproof 210D PU Polyester
Colour: Black lining
Black and Dark Grey 210D Neoprene
front zipper pocket, 3 inner compartments
1. Laptop sleeves with locking straps (up to 16"; 22.5 x 39cm / 8.8 x 15.3 inches / L x W)
2. Paper tray (22.5 x 39cm / 12.6 x 15.3 inches / L x W)
3. Additional pocket for accessories (22.5 x 20.5 cm / 12.6 x 8 inches / L x W) large document pouch on the backside (50 x 39 cm / 19.7 x 15.3 inches / L x W) handles and straps
1. Top handle
2. one-piece shoulder strap (location)
3. two-piece shoulder strap on the back
Accessories
Rain cover
Logo
1. Print logo on the front panel and main zipper
2. Woven label on the shoulder strap and side pad
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $179.80
(No payment required now - pay when released)
FORTHCOMING
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Engineering Lab EL4P Rotary Potentiometer MIDI Controller (all black) (MIDI controller)
Cat: 1059348
A compact, precision-machined, four rotary potentiometer MIDI Controller
Notes: The EL4P is a compact, precision-machined MIDI controller featuring four high-quality Taiwan Alpha rotary potentiometers, designed for those who value intuition over complex menu diving. Housed in a recyclable, anodized aluminum case with matching custom knobs, this minimalist tool is compact and built to endure.
It connects via USB-C for power and data, and includes a TRS MIDI Out (Type A) for seamless integration with your MIDI-compatible devices. No external drivers are required, simply connect, set it as a MIDI input, and start creating.
Whether you're at home or on the road, our custom online configurator ensures it integrates perfectly with your setup: Adjust MIDI channel assignments, control change (CC) values, and note messages for each knob to suit your specific production needs.
The EL4P is hand-assembled in our lab in Amsterdam and crafted to stand the test of time, designed to be your favorite MIDI controller, possibly forever.
… Read moreIt connects via USB-C for power and data, and includes a TRS MIDI Out (Type A) for seamless integration with your MIDI-compatible devices. No external drivers are required, simply connect, set it as a MIDI input, and start creating.
Whether you're at home or on the road, our custom online configurator ensures it integrates perfectly with your setup: Adjust MIDI channel assignments, control change (CC) values, and note messages for each knob to suit your specific production needs.
The EL4P is hand-assembled in our lab in Amsterdam and crafted to stand the test of time, designed to be your favorite MIDI controller, possibly forever.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $132.99
(No payment required now - pay when released)
FORTHCOMING
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TipTop Audio HATS808 TR-808 Hi-Hats Drum Generator Module (black) (modular synthesiser)
Cat: 1046467
Hi-hats drum generator module - 4HP
Notes: Introducing the HATS808, a drum module that brings the classic TR-808 closed and open hi-hat sounds to the Eurorack modular synth format. This module includes features like independent accent levels, a high-powered gain stage, dual input pulse-shaper, and adjustable Filter Q and VC-Q knobs for additional tuning.
The HATS808 uses six analogue square wave oscillators to create its signature sizzling sound, maintaining the unique metallic character of the original. The original "choke" circuitry is fully implemented but can be disabled if needed. The high-powered gain stage allows for further sound harmonization through distortion and clipping. The dual pulse-shaper circuit ensures consistent sound quality from any pulse source, making the HATS808 an easy and powerful addition to any modular synth setup.
TR-808 is a Trademark of Roland Corp Japan
Size: 8HP
Depth: 14mm
Power: +12V 30ma / -12V 25ma
… Read moreThe HATS808 uses six analogue square wave oscillators to create its signature sizzling sound, maintaining the unique metallic character of the original. The original "choke" circuitry is fully implemented but can be disabled if needed. The high-powered gain stage allows for further sound harmonization through distortion and clipping. The dual pulse-shaper circuit ensures consistent sound quality from any pulse source, making the HATS808 an easy and powerful addition to any modular synth setup.
TR-808 is a Trademark of Roland Corp Japan
Size: 8HP
Depth: 14mm
Power: +12V 30ma / -12V 25ma
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $161.18
(No payment required now - pay when released)
FORTHCOMING
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Herzlich Labs First Aid Kit CV & Audio Manipulation Module (CV processor/utility synth module)
Cat: 1059884
Offering ten functions in just 8hp; costly and space ineffecient, you get all in one with the First Aid Kit
Notes: The First Aid Kit is here to be your first choice, regardless of whether you're picking out your first utility module, building a minimal system or expanding a large system, by offering a powerhouse toolbox built on the principle of "everything you need, nothing you don't."
Offering ten functions in just 8hp, you can feel assured that you are no longer likely to run into dead ends while patching, because you need just one more utility - no need to buy lots of specialized utility units either, which can be both costly and space ineffecient, as you get all in one with the First Aid Kit.
Functions include:
5v DC source
Buffered multiple
LED voltage indicator
Summing 3-to-1 mixer
Signal inverter
Half-wave rectifier
Full-wave rectifier
Gate-to-trigger generator
Attenuverter
Bipolar and unipolar 8v offset generator
Functions can be used independently of each other, and the unit can be patched with itself for even more functions. Enjoy a toolbox that will solve nearly any problem you're facing, all in a compact-yet-comfortable 8hp.
The First Aid Kit replaces lots of other individual modules, and gives both newcomers an excellent starting point for what can feel like boring but necessary purchases, while also offering excellent utility to both large and small systems.
The First Aid Kit: don't get caught without one when you need it most.
… Read moreOffering ten functions in just 8hp, you can feel assured that you are no longer likely to run into dead ends while patching, because you need just one more utility - no need to buy lots of specialized utility units either, which can be both costly and space ineffecient, as you get all in one with the First Aid Kit.
Functions include:
5v DC source
Buffered multiple
LED voltage indicator
Summing 3-to-1 mixer
Signal inverter
Half-wave rectifier
Full-wave rectifier
Gate-to-trigger generator
Attenuverter
Bipolar and unipolar 8v offset generator
Functions can be used independently of each other, and the unit can be patched with itself for even more functions. Enjoy a toolbox that will solve nearly any problem you're facing, all in a compact-yet-comfortable 8hp.
The First Aid Kit replaces lots of other individual modules, and gives both newcomers an excellent starting point for what can feel like boring but necessary purchases, while also offering excellent utility to both large and small systems.
The First Aid Kit: don't get caught without one when you need it most.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $201.08
(No payment required now - pay when released)
FORTHCOMING
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Herzlich Labs Solist Performance Mixer & Quad Optical Mute Module (mixer synth module)
Cat: 1059860
Performance mixer & quad optical mute module
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $250.02
(No payment required now - pay when released)
FORTHCOMING
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Herzlich Labs Cortisol Legend Germanium Saturation & Distortion Effect Module (effect synth module)
Cat: 1059888
A spiritual successor to Herzlich's Steroid Legend; 4hp of white hot saturation and hairy distortion
Notes: Introducing the Cortisol Legend: a spiritual successor to one of my early designs, the Steroid Legend, it presents as 4hp of white hot saturation and hairy distortion, and features manual control over two op-amp driven gain stages, with a diode saturation control in the middle, giving you precise control over distortion ranging from smoldering saturation all the way into utter rail-to-rail fuzzification.
As for the diodes, the Cortisol Legend has two flavors on tap: Steroid Legend-inspired diodes and genuine, Cold War-era USSR-made Germanium diodes from the far reaches of Europe. These diodes are getting increasingly hard to find, but have been known for their warm and fuzzy characteristics by guitar pedal enthusiasts for years. Here, you get the genuine article, for as long as they can be reliably sourced.
In addition to having control over the saturation depth, the Cortisol Legend offers an additional control parameter: Eustress and Distress. Roll off the edge and noise a bit with a Styroflex-capacitor filter which varies with saturation depth, or leave no edge unjagged with this setting.
Speaking of noise, this thing is LOUD, so you may want to have an attenuator such as the psATT on hand, unless of course the loudness is exactly what you want. Hand in hand with the overdrive and distortion comes, of course, beautiful new harmonics added to anything from single waveforms to samples, sounds and entire mixes.
Various diodes will be available at different times, but all variants are ultimately limited - all Germanium diodes used in these are new old stock from the Cold War, and one day they will run out.. Expect individual modules to have a bit of their own character.
… Read moreAs for the diodes, the Cortisol Legend has two flavors on tap: Steroid Legend-inspired diodes and genuine, Cold War-era USSR-made Germanium diodes from the far reaches of Europe. These diodes are getting increasingly hard to find, but have been known for their warm and fuzzy characteristics by guitar pedal enthusiasts for years. Here, you get the genuine article, for as long as they can be reliably sourced.
In addition to having control over the saturation depth, the Cortisol Legend offers an additional control parameter: Eustress and Distress. Roll off the edge and noise a bit with a Styroflex-capacitor filter which varies with saturation depth, or leave no edge unjagged with this setting.
Speaking of noise, this thing is LOUD, so you may want to have an attenuator such as the psATT on hand, unless of course the loudness is exactly what you want. Hand in hand with the overdrive and distortion comes, of course, beautiful new harmonics added to anything from single waveforms to samples, sounds and entire mixes.
Various diodes will be available at different times, but all variants are ultimately limited - all Germanium diodes used in these are new old stock from the Cold War, and one day they will run out.. Expect individual modules to have a bit of their own character.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $154.26
(No payment required now - pay when released)
FORTHCOMING
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Morphor Sequencer 1U Quad Gate/CV Module (sequencer synth module)
Cat: 1058811
A sequencer module that can be configured as a 2-, 3-, or 4-track sequencer; a versatile tool for both live Eurorack performances and songwriting
Notes: The Morphor Sequencer - Quad Gate/CV is a versatile tool for both live Eurorack performances and songwriting. This module can be configured as a 2-, 3-, or 4-track sequencer, depending on the selected output configuration. With flexible track configurations and intuitive real-time step editing, this sequencer offers a handy approach to sequencing in modular systems being only 4 HP wide.
Whether you're controlling gates, CVs, or a combination of both, this module adapts to your creative needs with ease. Key features include up to 4 independent tracks, each capable of holding up to 16 pages containing up to 16 steps. Users can configure tracks as gate, CV, or combined gate/CV tracks, and even set up triad chords. The module supports customizable step lengths, glide times, individual track playback orders and reset behaviors making it ideal for creative sequences.
This module can operate as a standalone unit using its internal clock or be easily synchronized with an external clock source for integrated use within a larger system. The clock and reset jacks can function as both inputs or outputs, allowing flexible configuration to match your setup.
For expanded setups, multiple Morphor Sequencer modules can be daisy-chained via the bus connection on the back, ensuring that clock and reset signals are shared seamlessly across all connected modules. This makes it easy to sync multiple sequencers for complex, multi-track performances or compositions.
Specifications
Panel width: 22 HP
Panel height: 1 U
Module depth: 33 mm
Dimensions: 39.65 x 111.4 x 33 mm
Mass: 56 g
Power Socket: 16-pin
Current draw:
12 V: 95 mA
-12 V: 11 mA
+5 V: 123 mA
… Read moreWhether you're controlling gates, CVs, or a combination of both, this module adapts to your creative needs with ease. Key features include up to 4 independent tracks, each capable of holding up to 16 pages containing up to 16 steps. Users can configure tracks as gate, CV, or combined gate/CV tracks, and even set up triad chords. The module supports customizable step lengths, glide times, individual track playback orders and reset behaviors making it ideal for creative sequences.
This module can operate as a standalone unit using its internal clock or be easily synchronized with an external clock source for integrated use within a larger system. The clock and reset jacks can function as both inputs or outputs, allowing flexible configuration to match your setup.
For expanded setups, multiple Morphor Sequencer modules can be daisy-chained via the bus connection on the back, ensuring that clock and reset signals are shared seamlessly across all connected modules. This makes it easy to sync multiple sequencers for complex, multi-track performances or compositions.
Specifications
Panel width: 22 HP
Panel height: 1 U
Module depth: 33 mm
Dimensions: 39.65 x 111.4 x 33 mm
Mass: 56 g
Power Socket: 16-pin
Current draw:
12 V: 95 mA
-12 V: 11 mA
+5 V: 123 mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $218.10
(No payment required now - pay when released)
FORTHCOMING
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Old Blood Noise Endeavors Dark Star Stereo Soundscape Reverb Effects Pedal (pink limited edition) (time effects pedal)
Cat: 1059452 Rel: 31 Dec 24
Stereo soundscape reverb effects pedal
Notes: Dark Star Stereo Flagship Reverb Pedal
The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.
Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.
… Read moreThe continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.
Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Dec 24 $318.12
(No payment required now - pay when released)
