(The Circle) Of Compassion (feat MidnightRoba) (8:10)
Our Cottage To Across The Stream (3:44)
Your Soul Is Perfect (Supreme Uniter) (feat Radha Botofasina) (7:49)
Review: Surya Botofasina's new album, Ashram Sun, follows his acclaimed debut Everyone's Children and marks his first major release since touring with Andre 3000 and contributing to New Blue Sun. This album is a tribute to Surya's spiritual and musical upbringing under Swamini Turiyasangitananda, also known as Alice Coltrane, at California's Sai Anantam Ashram. Ashram Sun is a profound work of spiritual jazz and it features close collaborators Carlos NiNo and Nate Mercereau with production by the prolific NiNo, whose vision is central to today's progressive jazz scene. This album is an immersive world of classy, spiritual and meditative jazz sound.
Review: Alta Ripa signifies a seismic shift in Ben Lukas Boysen's artistic journey. It revisits the foundational impulses of his youth, shaped amidst the serene beauty of rural Germany: a bucolic backdrop where his creative palette flourished. However, it was his move to Berlin in the early 2000s that electrified his sound, infusing it with the city's pulsating energy and diverse cultural influences. Playing on themes of transience and movement - of both of the locality of the individual and of history on a macroscopic level - this is Boysen's fourth album under the name, bringing magnanimous Latin to the continual plods and progressions of high-spec cinematic techno. Boysen specifically aims for controlled chaos: keeping to the progressive tech backbone whilst providing bays and nooks in which both harmonic and discordant blurts might nest themselves.
Review: Oliver Coates' Throb, Shiver, Arrow of Time is an exploration of memory and emotion, blending the tactile with the ephemeral. This third album from the British cellist, producer, and composer, released through RVNG Intl., encapsulates six years of introspection and creative evolution. Following the atmospheric textures of his previous work, skins n slime, Coates delves deeper into the interplay of digital and analogue sound. The album's centerpiece, 'Shopping centre curfew,' reflects a surreal fusion of events from South London during the pandemic, manifesting a unique blend of temporal dissonance and vivid soundscapes. Tracks like 'Please be normal' and '90' showcase Coates' ability to weave misty tones and shifting frequencies into a cohesive auditory experience. Collaborations with Malibu and chrysanthemum bear, along with Faten Kanaan's synth textures, enhance the album's depth. Inspired by artist Sarah Sze's installations, Coates applies a sculptural approach to sound, creating a dynamic interplay between digital manipulation and live performance. The result is a rich experience that resists closure, with the final track 'Make it happen' embodying a defiant push against silence.
A Winged Victory For The Sullen - "Beethoven 250" (4:06)
Laraaji - "Illusion Of Time" (6:52)
Kaitlyn Aurelia Smith - "Mt Baker" (5:05)
Ryuichi Sakamoto - "Aqua" (From Playing Piano For The Isolated) (4:26)
James Heather - "And She Came Home" (Strings version) (3:58)
Suzanne Ciani - "Morning Spring" (4:52)
Nailah Hunter - "Sadko" (3:19)
Helena Hauff - "Thalassa" (5:24)
Mira Calix - "Danaides" (4:39)
Daniel Pemberton & FSOL - "Behind The Eyes" (6:11)
Skee Mask - "CG Drip" (4:45)
Coldcut - "The Fire Burns Out" (4:58)
Obay Alsharani - "Dream Within A Dream" (4:38)
David Wenngren - "Pianoise" (3:48)
Steve Roach - "The Drift Home" (8:13)
Review: Ahead of Our Time, the other label Coldcut run alongside the ever-fantastic (in fact, never been better than it is right now) Ninja Tune, takes a dash of its sister imprint's artist roster, drafts a fine selection of external talent from the drone and ambient world, and unleashes an epic 29 track journey into the spiritual end of electronic music. Then caps it all off by hiring none other than chill legend Mixmaster Morris to put the lot together into one seamless set (available on the DL you get for nothing with the physical compilation).
A project of huge proportions, there are some very familiar names here to anyone with a penchant for contemplative ambience-creating tunes - Julianna Barwick, Sigur Los, Ryuichi Sakamoto, Suzanne Ciani, to list but a few. Perhaps the most exciting part of this delightful aural sedative, though, is the inclusion of heads more associated with pounding club adventures, for example Helena Hauff. Oh, and did we mention every tune has been made for this collection?
Review: Italian musician, producer, composer, and instrument builder Alessandro Cortini unveils his latest release, NATI INFINITI, via Mute. Following up on 2021's Scuro Chiaro, NATI INFINITI is a forty-minute piece split into five movements, based on an immersive audio installation that Cortini originally created for the Sonar Lisboa festival in 2022, where it was presented across four floors of the Museu de Lisboa's Moagem. Marked by intense bouts of airy, tubular ambiences; and yet more sawwing tones counterposed with stark, angelic highs, giving rise to intensely beautiful arp sequenes, Cortini's latest is a real distillation of the sublime.
Review: Craven Faults' 'Bounds' is the latest EP-length project to be outputted by the otherwise elusive Northern English artist. Once again building on his admirable, psycho-terrestrial approach - in which the artist embarks on long, restless trans-Anglican journeys as creative fuel for the alluvial fire - 'Bounds' hears the otherwise anonymous Faults trace the fault lines of the Black Country's pastoral-industrial contradiction, beginning said journey "less than 20 miles North-West of the city", and with no further elaboration than that. Side A traipses through three heat-hazed, ground-dwelling, humid humuses - the vague scrapes of heavy metallic industry looming over each mix, straddling both back and foreground - and only 'Lampses Mosse' permits much respite from the trek, via a tremblingly, relievingly spread synth bell. 'Waste & Demesne' is the B-side's epitaph for England's feudal legacy, its drawn-out basses and quavering pedal notes congregating to mourn the natural losses resulting from centuries' worth of exploitation.
Review: Barry DeVorzon's haunting score for THE EXORCIST III is a fantastic sonic world of supernatural horror. Directed by William Peter Blatty, the 1990 film is a sequel to The Exorcist, following Lieutenant William F. Kinderman as he investigates demonic murders in Georgetown. Waxwork Records now presents DeVorzon's Original Motion Picture Score for the first time, sourced from original masters and crafted into a compelling double LP. The release features 150-gram purple smoke vinyl, exclusive liner notes by DeVorzon, deluxe gatefold packaging with matte satin coating, a 12"x12" four-page booklet, and new artwork by Suspiria Vilchez, so offers a definitive collectible of chilling atmosphere and musical mastery.
Review: Never heard of Zoroastrianism? Nothing to do with Zorro, this ancient religion is still practiced by a comparatively small number of people today, and has its roots on the Iranian plateau. Hugely overlooked in the modern world, not least given its incredible influence over may of the tropes we associate with recognisable creeds - heaven, hell, good, evil - here M Geddes Gengras and Psychic Reality pay homage to the history of what might be Western Asia's most mythologised and yet misunderstood nation, while also introducing modern sonic elements and effects.
The result is something that's unarguably original. Ambient work that is vivid and transportive, it's highly rhythmic stuff from start to finish, with tracks like 'The Incremental Spirit' taking that format to the nth degree, while the likes of 'Wilde Pastures' break with a more abstract idea of what these sounds can be.
Review: Pivotal electronic musician Jean Michel Jarre is venerated for his massive live shows, which incorporate projections onto the sides of big buildings, fireworks, and the like. According to Sony, Jarre was also the first 'western' musician to perform in post-Mao China, which led to a longstandingly solid relationship between him, his management team, and the tourism and events industries of Beijing and Shanghai, which led to him continually performing in those cities over many years. 'The Concerts In China', originally released in 2014, collects the live audio of all of these performances, and is once again set for a re-release.
Review: This is what happens when acclaimed Los Angeline harpist Mary Lattimore enlists Slowdive's Neil Halstead fo production duties. A lush, and liquid listening experience that is as graceful as it is confident, blurring the lines between classical and ambient in a way that seems to echo centuries of traditional, almost Medieval tones and contemporary electronic adventures alike.
Lattimore's work has previously been described in terms of 'dreamscapes', and few have been painted more vividly than Silver Ladders. These are deep dive arrangements that expand and contract like breathing, allowing the artist's signature instrument to shine while submerging it in swells of refrain. Movement is constant, and yet the record feels mill pond still. Hardly par for the course, even in the fertile sonic ground she works in. Step inside and prepare to be captivated.
Review: Austria band Lehnen embarks on something of a new beginning here as they unveil a new four-track work, Negative Space: Gradients, which comes on cassette via Past Inside The Present. This project was initially thought of as a four-song experiment and one that continues where the last album left off. That is to say with lots of lush synth layers and ambient textures of its parent album but all turned up a notch. It will still be familiar to fans but while the last album Negative Space funnelled post hardcore and post rock energy, this one joins things together and the result is a work full of healing compositions full of hope.
B-STOCK: Slight pen marks on sleeve but otherwise in excellent condition
Poeme Symphonique 1 (8:59)
Poeme Symphonique 2 (8:46)
Poeme Symphonique 3 (20:59)
Poeme Symphonique 4 (1:09)
Review: ***B-STOCK: Slight pen marks on sleeve but otherwise in excellent condition***
Obliques unveils Poeme symphonique here on limited clear vinyl. Composer Jonathan Fitoussi reimagines Gustav Mahler's Symphony No. 1 "Titan" in a groundbreaking creation commissioned by Radio France. Recorded live at La Maison de la Radio's grand auditorium on November 18, 2023, in Paris, this concert epitomizes a fusion of classical and electronic music. Fitoussi's interpretation breathes new life into Mahler's masterpiece, enriching it with contemporary sensibilities while preserving its timeless essence. With this release, Obliques invites listeners on a transcendent journey through sound, celebrating the convergence of past and present in the realm of symphonic expression.
Review: A titanic one-off clash LP between Japan's head brain David Sylvian and electroacoustic extraordinaire Stephan Mathieu, Wandermude is a slow and sublime classic for real ambient heads. Reissued for the first time since its release in 2012, the album charts a wealth of mutual interest between both artists; the pair both collaborated first as part of a dual live performance at Noway's Punkt festival, during which Mathieu performed a live remix of Sylvian's song 'Plight And Premonition'. This LP is the result of the same creative thread - whooshing, mysterious and full of raw instrumental material translated into audacious oddities.
When The Bakery Has What You Want & It's Cheap (3:37)
Too Much Syrup (0:37)
Trees Bullied By The Wind (2:03)
Fever Of The World (4:34)
Review: Debuting on Soda Gong, Memotone aka. Will Yates brings new album Fever Of The World to our ears. Sporting a high temperature and a brain foggy pall, the world today is indeed insalubriously feverish, and Memotone crafts an arresting record in tribute to the Earth, serving as both an elegy and an elixir for it depending on how you hear it. Built on and around a set of compositional and live techniques fashioned over years, Yates' newest output is amorphous and palliative, putting our symptomatic souls at rest, with softly truck caresses by gong and pan; twinkles on the piano; real, boughed, and fed back mic-ups. The whole thing plays out like a half-hypnoic reverie, in which dream-images coalesce with engrams of the past and made manifest in the auditory field; be these the deja entendus of the abstracted children's laughter on 'Fever Of The World' or the sense of mobile, civic, automatic movement, via a continual textural wash, on 'The Bus'.
Review: Ilian Tape kicks on with another entry into its ITX Series, this time with a lovely hand-stamped long player from MPU101. It is a deep dive into escapist ambient worlds with plenty of grainy tape hiss and cosmic static, celestial melodies and provocative moments of introspection. Analogue machinery is really brought to the fore on fuzzy sounds like 'CreamyPORTAL-Xa' with patient and pastoral synth smears, while 'APEX CA 91352' has brighter and more mellifluous melodies rising up through the mix. There is plenty of pensive beauty in these cuts, not least the gorgeous 'Junelake Smokes'. Another gem from Ilian Tape.
Review: The Necks return with their latest album Bleed, a single, expansive 42-minute composition that delves into the delicate beauty of decay and space. As one of Australia's most daring and long-standing minimalist-jazz groups, the trioiChris Abrahams on piano, Tony Buck on drums, and Lloyd Swanton on bassicrafts yet another unique piece in their vast body of work. Formed in 1987, The Necks have become known for their extended, improvisational compositions that patiently unravel, building subtle intensity through repeated musical motifs. Bleed is no exception, but the atmosphere they create here feels both familiar and fresh. The album masterfully balances stillness and tension, exploring themes of desolation and transformation with understated elegance. Released to mark the group's 35th anniversary in 2022, Bleed showcases their remarkable ability to evolve while staying true to their distinctive sound. The slow, meditative pace allows each note and texture to breathe, inviting listeners to get lost in its spacious, evolving soundscape. With this release, The Necks continue to push the boundaries of minimalist jazz.
Five Nights At Freddy's (Soundtrack)(transluscent "pizza party" red vinyl LP with obi-strip (comes in 4 different sleeve versions, we cannot guarantee which one you will receive))
Review: OKRAA's La Gran Corriente represents a significant creative turning point for Colombian-born Juan Carlos Torres Alonso. Released via A Strangely Isolated Place, the album follows a transformative experience Juan had in Bogota in May 2023. It was there that he encountered what he describes as "an infinite current behind or inside of everything," a revelation that completely changed his approach to music. Scrapping earlier demos, Juan embraced a more fluid and organic style, abandoning fixed grids and BPMs, and tapping into the spontaneous energy that characterised his other production alias, Laudrup. The result is a hypnotic journey through time and space, as the album's non-linear structures give way to unexpected yet cohesive sonic moments. 'La Gran Corriente' features "happy accidents" throughout, subtle production quirks that contribute to its distinct sound. Central to the project is a poem written by Juan, weaving reflections on time and reality into the fabric of the music. Lines like "the land of oblivion is not real" and "time is an illusion" form the backbone of the album's philosophical undercurrent. The album's release is paired with artwork by Peter Skwiot Smith, with the 2xLP available on limited edition coloured vinyl, fully mastered by Taylor Deupree.
Review: Marysia Osu's debut album, harp, beats & dreams, is a stunning example of her musical evolution and innovative spirit. Known for her role in Levitation Orchestra and as a Brownswood 'Bubblers' graduate, Marysia blends her classical roots with contemporary exploration in this enchanting release. Originating from Poland and enriched by her musical education in London, she has embraced the harp with profound artistry, now intertwining it with electronic elements and personal introspection. The album opens with the hypnotic 'seatime,' a journey through coastal reverie that celebrates self-acceptance and inner harmony. It continues with 'care to care,' where Levitation Orchestra's Plumm adds ethereal vocals, advocating for self-care and personal space. The track 'memento mori' features YUIS's illuminating flute, echoing stoic reflections on life's impermanence. Marysia's return to the piano and spontaneous clarinet experiments, inspired by a vivid dream, add depth to her soundscape. The clarinet's breath symbolises life's essence, bridging body and mind, enhancing the album's introspective quality. Marysia Osu's debut is a an exciting debut, offering a serene escape thanks to her talent and unique vision.
L'ange-feu Danse En Six Parties (Chiffre 6) (4:58)
Epreuve Des Flammes (Chiffre 7) (7:16)
Paradis Terrestre - Beatrice (Chiffre 8) (2:07)
Transparence (Chiffre 9) (9:38)
Figure Superieure (Chiffre 10) (0:51)
Paradis (21:13)
Review: Divine Comedie stands as a remarkable collaboration between Bernard Parmegiani and Francois Bayle, released by Recollection GRM as a comprehensive four-LP set, complete with a poster. This ambitious work draws inspiration from Dante's epic, offering a sonic journey through hell, purgatory, and paradise. Parmegiani's segment, representing Inferno, is an intense exploration of anguish and contradiction. Composed between 1971 and 1972, it features piercing synth whirs, haunting vocal chants and insect-like sounds that evoke a sense of despair. His careful manipulation of Michel Hermon's voice serves to anchor the chaotic soundscape while simultaneously distorting the narrative. This approach results in a chilling audio experience that combines surreal sound design with an almost theatrical presentation. In contrast, Bayle's Purgatory embraces a minimalist aesthetic, employing Hermon's voice with a sense of clarity amidst an intricate layering of abstract sounds. His composition reveals a bleak serenity, punctuated by flickers of hope that emerge from a rich mixture of drones and organic instrumentation. The final album, Paradis, is a collaborative effort that gradually leads listeners toward illumination. Stripped of narration, this 22-minute piece unfolds slowly, interweaving delicate electronics with celestial vibes and vibrant accordion melodies, culminating in an ethereal crescendo. Together, Parmegiani and Bayle create an audio experience that challenges conventional boundaries, transforming Dante's vision into a wonderful exploration of sound and emotion, making Divine Comedie a significant addition to the genre of musique concrete.
Review: After six years away, Rebelski returns to All Day I Dream with 'The Sirens', an EP that marks a compelling re-entry into the ambient fold. This collection of six tracks showcases the producer's ability to craft expansive soundscapes, each layered with intricate melodies, lush instrumentals, and hauntingly soft vocals. From the opener 'Cascading Waves' to the titular 'The Sirens', each track conjures an immersive atmosphere that feels simultaneously vast and intimate. 'Memory Loss' and 'Jupiter' continue this journey, pushing the listener into deeper introspection with their hypnotic rhythms and subtle shifts in tone. Side two offers even more to explore. 'Under Your Spell (feat Caroline Sheehan)' brings a delicate yet powerful vocal performance into the mix, perfectly complementing Rebelski's ethereal production. 'Polarity' follows, balancing soft textures with darker undercurrents. The EP closes with a Tim Green remix of 'The Sirens', which adds a touch of dancefloor energy while retaining the meditative quality of the original. Much like the otherworldly vibe that Rebelski has become known for, 'The Sirens' EP transports the listener to a realm where time and space blur, offering a serene yet complex auditory experience.
Review: Claire Rousay's The Bloody Lady is a reimagined score for Viktor Kubal's 1980 Slovak animated film, based on the story of Elisabeth Bathory, a noblewoman accused of heinous murders. Known for pushing boundaries in experimental and ambient music, Rousay crafted the album after moving to LA, blending granular synths, piano, and field recordings into 11 evocative tracks. This new composition, commissioned after a coincidental visit to Bathory's castle, was first performed live at Videodroom/Film Fest Gent 2023. The score mirrors the film's darkly whimsical tone, shifting between delicate melodies and menacing undercurrents. Inspired by the heart's rhythmic pulse, central to the plot, Rousay's use of subtle, everyday sounds complements the film's folk tale narrative. The multilayered nature of Kubal's animation, with its mix of fairytale simplicity and deeper moral ambiguity, resonated with Rousay, who explored these themes through her sonic landscapes. This album stands as both a tribute to Kubal's legacy and a distinctive artistic statement. By leaving space in the soundtrack, Rousay invites deeper engagement with the story, reinforcing its timeless themes of love, destruction and humanity.
Review: Space Drum Meditation is back with a reissue of Four Tusks, a 12-track odyssey of dreaded sonics and trepidatious treks through augmented wildernesses. Their debut album and seventh reissue on the eponymous label, the duo of Eddie Ness and Liem were once fixtures of the house musical landscape at large, yet only with SDM did they turn their hands to demurer experimental soundscapes, informed by the "tribal" gloom and etherics of an electro-auxed rainforest. Throughout Four Tusks, we hear the sleeker, pantherine side of their catalogue, with ritualistic drumming heard well-melded into many a grim, cowled and rattling texture, all glued by the faint but here still oppressive sound of rain, not to mention vapour steaming off the megaphylls.
Brad Oberhofer - "I Hugged A Clown In My Dream" (3:20)
Alan Wyffels - "Intermezzo" (3:25)
Laraaji - "Waltz Life" (4:14)
Alice Boman - "17" (2:49)
ML Buch - "Getting To Know Each Other" (3:21)
The Kimba Unit - "Three Sundays" (2:42)
Mark William Lewis - "Josh, This Is Lin, I Accidentally Left My Documents In Your Car Yesterday" (2:02)
Matthew Tavares - "Cool Piano Vibe" (2:17)
Hand Habits - "Not Worth The Lie" (4:58)
Youth Lagoon - "The Harvest" (2:18)
Ichiko Aoba - "2024-06-13" (5:51)
Review: The first in a series of solo piano compilations curated by section1 designed to celebrate the beauty and versatility of piano music. Blending contemporary classical, experimental and ambient styles, these pieces highlight raw emotions like joy, sadness, doubt and certainty. Artists were guided by two rules throughout the process: the piano was the primary instrument and no vocals. All 12 tracks are immersive and showcases the unique creative relationship each artist has with the piano while demonstrating how 88 keys can evoke drastically different moods. It works equally well for active or passive listening with calm and introspective results.
Sono Kollektiv - "Periadriatische Naht" (feat Nathalie Brum)
Thore Pfeiffer - "Phase Locked Loop 1"
Andrew Thomas - "Sunshine Night" (feat Julia Parr)
Segensklang - "Artifacts Of Synthese"
Umit Han - "Im Delirium"
Wurden & Schafer - "Analysis Of Variance II"
Max Wurden - "Circles"
Blank Gloss - "Jennifer's Convertible"
Hendrik Meyer - "Grun War Die Klamm"
Triola - "Zum Renngraben"
Jens Uwe Beyer - "In Defense Of Symbolic Value 1"
Review: The Pop Ambient 2025 compilation from Kompakt marks an incredible 25-year journey for the ambient series, blending long-standing contributors with new talent. This year's edition upholds Kompakt's tradition of meditative atmospheres and subtle textures, opening with Leandro Fresco and Thore Pfeiffer's 'Goldwasserfluss'ia fragile, shimmering collaboration that sets the tone for an album both familiar and exploratory. Highlights include Pass Into Silence's 'Mirage', a delicate track that brings back Tetsuo Sakae's stoic precision, and 'Follow Me', a collaboration by Sebastian Mullaert and Tamara Davitashvili, adding a unique, intimate resonance. Max Wurden's 'Circles' captures the series' ethos, with a moving chord progression around the 2:55 markia reminder of why this series remains timeless. Other standout moments come from Sono Kollektiv with Nathalie Brum's 'Periadriatische Naht', where Luis Reich's flugelhorn enriches the ambient soundscape with jazz nuances and Andrew Thomas's 'Sunshine Night'. combining piano with Julia Parr's ethereal vocals. Jorg Burger's meticulous mastering polishes each track, while Veronika Unland's floral artwork provides a fitting visual. The series continues to transcend time, offering moments of reflection that feel unburdened by the rapid pace of modern life. Pop Ambient 2025 is a statement on the power of musical atmosphere, filled with serene landscapes and intricate soundscapes that linger well beyond the final note.
Review: Marking its first decade of activity, Blume returns with the first ever vinyl reissue of the seminal New Music for Electronic and Recorded Media, from 1977, the third and final instalment in a suite of releases that includes James Tenney's Postal Pieces and Ben Vida's Vocal Trio. Distinctly a standout compilation in the feminist avant-garde hall of fame, New Music For Electronic & Recorded Media compiles individual pieces from the likes of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Roberts, Ruth Anderson, and Laurie Anderson. Centring on the Ptolemaic turn towards female inclusivity, amidst the Copernican metastases of aleatory and generative music in the 1970s, the various sonic effluvia here range from buzzing pulse wave gallops through abstracted Northeastern American fields (Spiegel's 'Appalachian Grove I') through to primal minimalist abreactions (Megan Roberts' 'I Could Sit Here All Day') and pitch-whacked, satirical, musical-saw-backed anti-performances (Anderson's 'New York Social Life').
Metal Gear Solid Main Theme - The World Needs Only One Big Boss! (5:44)
Encounter (2:20)
The Best Is Yet To Come (5:40)
Yell "Dead Cell" (VR remix) (2:25)
Twilight Sniping (2:27)
Snake Eater (2:54)
Sidecar - Escape From The Fortress (2:02)
Metal Gear Solid: Peace Walker Medley (9:37)
Heavens Divide (5:12)
Overture - Metal Gear Saga (5:08)
Metal Gear Solid 4 Guns Of The Patriots Medley (10:18)
Calling To The Night (3:13)
Ground Zeroes (3:19)
Bloodstained Anthem (5:38)
Here's To You (3:12)
V Has Come To (2:48)
Quiet's Theme (2:38)
Sins Of The Father (2:07)
Review: Konami Digital Entertainment and Laced Records have teamed up to deliver a meticulously curated selection of music from the legendary Metal Gear Solid series, now available on deluxe double vinyl. This collection features 18 tracks, handpicked from original soundtracks and official arrangements, spanning from the original 1998 game to the 2015 release of Metal Gear Solid V: The Phantom Pain. Each track has been specially remastered and pressed onto heavyweight black vinyl, housed in a widespined outer sleeve that showcases archival artwork from the series' iconic illustrations. The printed inner sleeves add a touch of elegance to the presentation, making this a visually striking set for collectors. The tracklist includes beloved pieces such as 'Snake Eater', 'The Best Is Yet to Come', and 'Sins of the Father', alongside medleys and remixes that capture the essence of the franchise's epic soundscapes. With contributions from across the Metal Gear timeline, this vinyl set is a nostalgic journey through the series' musical legacy.
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