ORBITAL Vinyl & CDs

Review: This new and career spanning album A Beginner's Guide is a 'best of' collection tailored for both new or curious Orbital fans. Whether you discovered the duo after their iconic Glastonbury 2024 performance, during their global tour celebrating the Green & Brown albums, or through a track featured in a film, this collection offers an ideal introduction and recap of what makes them one of the most enduring acts in all of electronic music. It compiles there Hartnoll brothers's biggest hits in their edited forms and album includes utter classics like 'Chime,' 'Belfast,' and 'Halcyon' all of which give a fine a taste of the duo's influential electronic sound, all in one package for the first time ever.

Review: Orbital remain titans of the global electronic scene which is no doubt why their self-titled album from 1991 now gets mastered and reissued for this year's Record Store Day. A pioneering work in electronic music, this landmark debut is a rich world of driving drums, hypnotic melodies, and intricate soundscapes. From the propulsive energy of the seminal 'Chime' to the dreamy ambience of 'Belfast,' each track showcases the duo's mastery of rhythm and texture. Orbital's use of innovative sampling techniques and atmospheric synths creates a distinct sonic universe that still stands them apart and helps make this a timeless classic that has influenced generations of electronic artists ever since.

Review: Originally released in 1991 when most music journalists believed it was impossible to release a good dance album, Orbital's eponymous debut album remains one of the most significant sets of its' time - proof that techno artists (as the Hartnoll brothers were referred to at the time) can make killer full-length excursions. Here the album returns in freshly remastered form, via a superb spruce-up job that makes it sound heavier and more sonically refined than ever before. The closing three-track suite of 'Chime (Live)', 'Midnight (Live)' and 'Belfast' remains unbeatable, but there's plenty of sonic brilliance elsewhere across the album - not least the epic (and constantly changing) 'Desert Storm', the saucer-eyed, piano-sporting bounce of 'Fahrenheit 303' and the bleep-influenced excellence of 'Steel Cube Idolatry'.

Review: Orbital's debut and self-titled album (also known as the green album) is a classic example of the UK rave sound in 1991. Featuring the hits 'Belfast' and 'Chime', this important piece of electronic music gets some loving attention in the form of being remastered for the first time since release. But that's not the only thing - this CD edition also comes with a bonus CD featuring rarities and remixes from the time. What better way to celebrate 25 years of this amazing band and its cherished history for their role in helping create the sound of techno.

Review: London Records has announced a deluxe reissue of Orbital's iconic debut album, affectionately known as the Green Album. Originally released in 1991, it straddled the line between rave and ambient techno, featuring timeless tracks like 'Chime', 'Belfast,' and the Butthole Surfers-sampling 'Satan.' Now, those tracks are considered cornerstones of the early UK techno movement. This 4 disc CD set offers the most comprehensive experience, with the original album on disc one and a treasure trove of Green Album-era B-sides, remixes, and alternative versions on discs two and three. Disc four treats fans to two live sets from 1991/92, sourced from the band's soundboard recordings. Wrapped in a 12" box, the deluxe edition includes reprinted flyers from the era and a lavish 60-page hardback book chronicling the Green Album's story, complete with new notes and a track-by-track analysis by Phil and Paul Hartnoll. This reissue is a must-have for Orbital fans and electronic music aficionados alike, offering a comprehensive exploration of a seminal album's legacy.

Review: You'd be hard-pushed to think of a band as synonymous with the evolution of electronic music over the last 30+ yeas as Orbital. The famous Hartnoll brothers are as iconic for their famous head torches, stage designs and live shows as they are their timeless music. Their new studio album Optical Delusion arrives in early 2023 and of course, comes with an extensive UK tour to back it up. This is the pair's 10th studio album overall and has already been teased by some useful singles. Rave, techno, trance and breaks all colour the grooves of this new long player.

Review: After the 30 Something retrospective that landed during 2022, comes a new Orbital album proper, Optical Delusion, set to be accompanied by a busy summer of gig and festival dates by the looks of it. The album's taster single 'Dirty Rat' was a corker, too, full of post-Brexit/Boris bile and a biting vocal from Sleaford Mods frontman Jason Williamson, not to mention some striking Orbital musical trademarks. It could well point the way forward for more interesting collaborations - perhaps taking a leaf out of Leftfield's book - on the album, though only time will tell. Either way, a serious portion of new material from one of the dance world's most enduring and best loved acts will be feverishly anticipated.

Review: A double CD celebrating the iconic award-winning UK electronic duo's 30th birthday, featuring reworks and remixes from the deep Orbital discography, as well as the well-known live improvisation tracks, featuring techno, acid house and electro contemporaries such as ANNA, Eli Brown and Shanti Celeste to name a few. With the actual 30th birthday delayed by the pandemic the duo concocted a physical compilation release with highlights all over the track list, especially Shanti Celeste's rendition of 'Are We Here?' and Eli Brown's update of the classic track 'Chime', lending the track more traditional house sensibilities. You can even find Professor Stephen Hawking lending vocals on CD1s hardcore techno banger 'Where is it Going?'. This compilation is a one stop shop for fans of Orbital's three-decade career, and the perfect starting point for those unfamiliar.

Review: Poet, librarian, Mancunian, father, husband, uncle, brother. Mike Garry is many things to many people, but tonight, Matthew, his voices guides our eyes upwards, inviting us to stargaze to one of Orbital's most emotionally resonant and timeless pieces of rave noise. Belfast Revisited would be one way to describe it, taking some of the classic and unmistakable elements of that anthem and turning it into something new. First and foremost freshness comes with the spoken word addition - a thoroughly positive, passionate and amorous declaration of unending love that could feel jarring depending on whether you always felt 'Belfast' was reflective and slightly melancholy, or not. Gone too are the breaks, replaced now by stadium-sized four-to-the-floor turning what was once the end of the night walking home at dawn into something that sounds way more 11PM at the concert.