Review: It's been a while since Freerange boss Jamie Odell (better known, of course, as Jimpster) delivered an album; in fact, his last full-length dropped way back in 2006. Seven years is a long time between drinks, but the rest seems to have done Odell good; Porchlight & Rocking Chairs is arguably his strongest album to date. While deep house remains his focus (see the intricate "Glowing Embers", Detroit influenced "Cracks In The Pavement" and Moodymann-ish "High Wire"), there's a soulful bagginess and barely concealed jazziness throughout. More impressively, many tracks hark back to his pre-house days as a producer of lovingly crafted downtempo gems (see "Jasmine Dragon", "Wanting You" and previous single "These Times".
Review: New Zealander via Berlin Philippa's passion for house music, tireless commitment to her craft and ear for what makes a dancefloor tick is slowly but surely starting to pay off. With her recent release, 'Rainy Nights', on Slothboogie and 'Things I'd Like To Be' for Razor n Tape getting a lot of love, Philippa continues to deliver the goods, further lending remixes for Fat Freddy's Drop (The Drop) and Roach Motel (Faith). Here on the 'Latent Magic' EP we're treated to three new tracks highlighting Philippa's deft touch and musical approach to making interesting and leftfield house. Opener 'Hold' sets the tone with lush orchestral strings, crunchy drums and a bouncing analog synth bassline, while 'There It Is' umums hints of Mr Scruff with looping horn stabs, live drum grooves and rolling basslines. All in all, another mighty fine Philippa release recalling the early days of Freerange when artists such as Square One, Shur-i-kan and Jimpster were melding live musicians with electronics, for a refreshing, UK-centric take on house music.
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