Tell Me That I'm Dreaming (Louie Vega mix main) (5:45)
Tell Me That I'm Dreaming (Louie Vega mix instrumental) (5:44)
Tell Me That I'm Dreaming (Dave Lee Disco Not Disco club No Drop) (8:13)
Review: The Cape Verdean model, singer, DJ, artist and philanthropist Anane is up next on esteemed New York City label Nervous with 'Tell Me That I'm Dreaming' which is remixed by her husband (and partner in Elements Of Life) Lil Louie Vega. He injects the track with some late night boogie-down action which accompanies her fabulous vocals just perfectly. The same quality you've come to expect from one half of Masters At Work. Over on the flip, veteran British producer Dave Lee's Disco Not Disco club No Drop is ultra smooth and as low-slung as you like it. The man has the midas touch, what more can we say.
Let Me Be Your Fantasy (Dimitri From Paris club mix) (6:14)
Let Me Be Your Fantasy (Dimitri From Paris dub) (7:16)
Let Me Be Your Fantasy (Masters At Work Clap Yo Hands dub) (7:25)
Let Me Be Your Fantasy (Moplen remix) (5:03)
Let Me Be Your Fantasy (Mousse T Fantastic Shizzle mix) (6:00)
Let Me Be Your Fantasy (Blackchild remix) (6:00)
Let Me Be Your Fantasy (Two Soul Fusion remix) (12:05)
Review: Anane's soulful vocal delivery takes centre stage on her reimagining of this evergreen disco cut - originally crafted by Love Symphony Orchestra in 1978 - rebooted here through a series of new mixes from some massive house names. Dimitri From Paris delivers two irresistible cuts, his club mix a vibrant and energetic journey through classic house sounds, while his dub strips things back to a hypnotic groove. Masters At Work's 'Clap Yo Hands Dub' injects a dose of infectious energy, while Moplen's remix takes a more atmospheric approach, its swirling synths and hypnotic rhythms creating a mesmerising soundscape. Mousse T's 'Fantastic Shizzle Mix' adds a touch of soulful bounce, while Blackchild's remix delves into deeper, more tribal-infused territories. Two Soul Fusion's remix closes out the collection with a smooth and uplifting vibe, its soulful melodies and infectious groove leaving a lasting impression. A true classic reimagined through the lens of a host of diverse, talented producers.
Review: Nervous will forever be etched in the heart of house music lovers. And even after all these years the legendary New York labels continues to serve up the gems. This time out they call upon the one and only Kenny Dope, one half of Masters At Work and a legendary DJ and producer. He adds his famously characteristic warmth and soul to Kenny Bobien and Wheeler Del Torro's 'The Sun Will Shine Again.' It is a gloriously sunny tune with lively, skipping and South Hemisphere tinged beats, a great vocal and plenty of percussive action. The instrumental strips it back to more direct beat work. Both sides bang.
Everybody Wants To Be Somebody (instrumental) (6:00)
Review: US label Nervous played a key part in shaping emerging hue sounds of the 90s and beyond. It is as active now as ever, working with new artists but also reissuing the classics. One of those classics is 'Everybody Wants To Be Somebody' which here gets offered up as a new version by Classmatic vs Ruffneck feat Yavahn. The original hooky vocals feature with some piano stabs and turbocharged tech beats. It's likely to do damage this summer and comes as an instrumental for those who like it more paired back.
Teddy Douglas & Ultra Nate - "Searching (For Your Love)" (5:41)
Tonight (feat Richard Farrell) (6:12)
House Music (feat fast Eddie) (5:17)
Star In The Ghetto (feat BDI Thug & "B Mo" Moultrie) (6:40)
Don't Turn Your Back On Me (feat Pauline Taylor) (6:35)
Make It On My Own (feat Richard Farrell & Jasper St Co) (6:33)
Gimme A Call Sometime (feat Richard Farrell) (4:25)
Second Hand Smoke (feat Richard Farrell) (3:43)
I'm Here (5:17)
Review: US house music legend Teddy Douglas is welcomed back onto Nervous Records for a rare full-length album on the label. I'm Here is Douglas' first full-length solo album following his esteemed stints with Basemen Boys and Jasper St. Co., and it's so far been hailed as one of his all-time career-defining greats, bursting will both originality and intertextuality, yet not straying too far from his characteristic Baltimore house sound either. Across the album he's pulled together an array of heavyweight international vocal talent, including UK vocal diva Pauline Taylor; Danish award winning folk and blues artist Richard Farrell; Chi Town hip house legend, Fast Eddie; dance music vocal queen Ultra Nate; up-and-coming Brit soul talent Sipho; and Buckshot from Blackmoon appearing under the name BDI Thug; and through this expansive penchant for teamwork he's conjured up a whimsical record, yet one still respectful of East Coast dance musical tradition, as ever riffing on the afterglows of a golden era yet still finding incredibly compelling fusions between the kicks.
Review: Doug Gomez brings all new level of artistry to this new album on Nervous. It's a collection of tracks that not only move the dance floor, but also work in a wider context thanks to their carefully infusion of Latin flair, rich percussive patterns and innovative Afro-tinged rhythms. Right from the off you will have your behind wiggling with the excellent 'New York State Of Mind' full of sunshine and salsa. Elsewhere there's the steamy and percussive Latin-house and gorgeous vocals of 'A Vida E' Boa, A Vida E' Sol'. 'Que O Amanha Vai Trazer' brings all new Accordion melodies and busy arrangements that enrich the soul. A timeless album from New York innovator Gomez.
Review: Prolific producer Felipe Gordon rounds off another tremendous 12 months of releases with a first appearance on Nervous Records' 'Nervous Chill' offshoot, a sub-label dedicated to the deeper and jazzier end of the house spectrum. Saxophonist Paul Shapiro guests on both tracks, adding a touch of emotive, eyes-closed expression to the Colombian's typically tasteful, musically rich house tracks. A-side 'Elisa' is beautiful and attractive, with Shapiro jazzin' away above a tasty mix of squelchy acid bass, twinkling pianos, spacey chords and rolling deep house drums. 'Resonant Memories' is a slightly bolder and denser affair, with lower register sax lines wrapping around more heavily layered beats, glassy-eyed synth stabs and immersive chords.
Review: The Master at Work that is Louie Vega has been a music-making machine all his life but in recent years has continued to reach new heights with various different projects. Here he is back on regular label Nervous with various different versions of his tunes 'Joy Universal' and 'Igobolo.' 'Joy Universal' (feat Two Soul Fusion) is classic Vega - soulful house music awash with Latin influences, loose-limbed percussion and funky basslines. And that template is tweaked over the ensuing tunes, with glorious pianos, jazzy grooves and tropical rhythms all making for a fine EP.
You Got Me Dancing (feat Audrey Wheeler & Cindy Mizelle) (4:04)
Chimi (feat Elements Of Life) (4:15)
Love Has No Time Or Place (feat Elements Of Life - previously unreleased instrumental dub) (4:40)
Atmosphere Strut (feat DJ Spinna) (3:57)
Cosmic Witch (feat Anane) (3:55)
How He Works (feat Nico Vega) (3:54)
A Place Where We Can All Be Free (feat Janine Lyons) (3:53)
Touch The Sky (feat Tony Momrelle) (4:01)
Dreaming (feat Cindy Mizelle) (4:02)
All My Love (feat Robyn) (4:07)
Feel So Right (feat Honey Dijon) (3:56)
Louie Vega & Karen Harding - "Free To Love" (4:03)
Bebe Winans - "It's All Good" (feat Debbie Winans Lowe & Korean Soul - Louie Vega remix) (4:02)
Review: It may come with an eyebrow-raising price tag, but what's on offer here is undeniably alluring: a box set of 10 seven-inch singles containing all of the songs from Louie Vega's brilliant Expansions In The NYC album - an all-star affair in which the Masters at Work man celebrated his love of New York disco, boogie and house. The album itself is incredible, with fantastic musicianship, arrangements and vocals, while the cast list - which includes original electrofunk outfit Unlimited Touch, Peech Boys main man Bernard Fowler, Honey Dijon, Cindy Mazelle, Moodymann, Kerri Chandler and his son Nico - is similarly impressive. It's a great product, packed with brilliant music: a fitting finale to this portion of the ongping 'Expansions NYC' project.
You Got Me Dancing (feat Audrey Wheeler & Cindy Mizelle) (6:00)
Come Away (feat Kerri Chandler) (6:06)
Seven Mile (feat Moodymann) (5:56)
The Star Of A Story (feat Lisa Fischer) (5:58)
Change Your Mind (feat Bernard Fowler) (4:59)
All My Love (feat Robyn) (6:01)
Free To Love (feat Karen Harding) (6:06)
Feel So Right (feat Honey Dijon) (6:15)
How He Works (feat Nico Vega) (5:17)
Joy Universal (feat Two Soul Fusion) (6:04)
Igobolo (feat Joaquin "Joe" Clausell) (6:03)
Bebe Winans - "It's All Good" (feat Debbie Winans Lowe & Korean Soul) (5:59)
Touch The Sky (feat Tony Momrelle) (6:04)
Louie Vega & Elements Of Life - "Love Has No Time Or Place" (6:32)
Dreamin (feat Cindy Mizelle) (6:31)
Review: Some of Masters at Work man Louie Vega's greatest full-length projects have paid tribute to New York's 50-year dance music story, as well as his personal musical inspirations (most notably the Nuyorican Soul album he penned with long-time production partner Kenny 'Dope' Gonzalez in the 1990s). Expansions in the NYC, his latest epic excursion, treads a similar path, offering a large number vocal-heavy numbers that not only blend elements of disco, boogie, proto-house and house, but also feature some genuinely high-profile vocalists from that era (think Peech Boys' Bernard Fowler, Unlimited Touch). Vega also joins forces with 21st century house star Honey Dijon on the superb 'Feels So Right', while the hook-ups with Moodymann, Kerri Chandler and Joe Clausell are as inspired as you'd expect.
I Hear Music In The Streets (Expansions NYC dub) (4:51)
I Hear Music In The Streets (LV Classic Boogie mix) (6:33)
Review: It would be fair to say that post-disco outfit Unlimited Touch's 1980 single "I Hear Music In the Streets" is one of the greatest boogie/electrofunk records of all time. Louie Vega clearly agrees, because late last year he decided to gather together the remaining members of Unlimited Touch and record a fresh 2020 version. The A-side "Touch Mix" is the bomb. It features a more organic-sounding disco-boogie groove than the 1980 original, with delicious guitars, bass and electric piano/organ underpinning seriously good group vocals from the sometime Prelude-signed outfit. Over on the flip, Vega serves up an electric piano solo-laden dub mix, as well as a "Classic Boogie" take that naturally sounds very similar to the band's much-loved original version.
Review: Considering this track originally surfaced back in 1993, it's staggering how up to the minute it still sounds, not to mention setting the tone for the swathes of downtempo and broken beat that would flood out from the 90s and beyond into the 21st century. You simply can't measure the influence of "The Nervous Track" with its horn blasts and limber drum roll, and it proves that MAW were never just about tough New York house bump. Take your pick from any of the mixes, they're all classics in their own individual ways, and they'll set any listener adrift on a summery haze of soulful tones and magical drum patterns.
Review: It's hard to over emphasise the role Timmy Regisford has played in the evolution of the New York house sound. The records he made with the late Boyd Jarvis in the mid 1980s paved the way for what became known as 'garage-house', and in the decades since he's released countless classic cuts and full-length excursions. On Source of House, he offers his take on Afro-house, combining authentic vocals, percussion and instrumentation with electronic rhythms, sun-splashed synth sounds, immersive chords and tech-tinged basslines. It's a brilliantly produced collection all told, with the multiple highlights including the summery deep house bounce of 'Good Morning', the auto-tune-sporting Afro-house-futurism of 'Angeke', the string-laden, Afro-disco-tinged 'Blalmam', and the warm, emotion-rich 'Track 38'.
Review: Some For This And That is the new album from house royalty Timmy Regisford on the legendary Nervous Records. It finds him mixing up his signature house sound with Afro, r&b and more to make for a widescreen and timeless record packed with big vocal moments, deeper beats and plenty of soulful sounds. 'Heaven 10 Zillion' is one of those with its warming chords and rolling drums, while 'Stay With Me Tonight' cuts a little more loose with some skyward synths bringing more edgy club-ready energy. 'Khannyisa' is another standout with its Afro drums and organic percussion.
Review: Todd 'the God' Edwards might now be a household name, who in particular is revered for his contributions to the early sounds of UKG, but he first rose to fame in the early 90s amid New York's bustling underground where hundreds of producers competed for recognition weekly. His innovative sound with its rhythmic cut-and-paste vocal samples, rubbery basslines and slapping percussion set him apart and in 1994, as The Sample Choir, he released this fine EP on Nervous Records. It was huge over here in the UK and played a pivotal role in transforming Britain's Sunday club scene into the cultural phenomenon of speed garage.
Review: True to the name, Nervous Records have always kept us on our toes, biting our fingernails, hind-waddling to the edges of our seats. That being said, they themselves have kept rather relaxed on the releasing front in recent times; any residual nervousness is mostly on our side. In a rare original EP move from the veteran garage house label comes Shaka with 'Hidden Lover'; this is the wisened work of a battle-torn Swiss producer, whose many previous outings on Yore, Mate, Selections and Vibes & Grooves has all paid off with this inclusion in said anxious pantheon. 'Sing With Me' brings nostalgic feet-sweeping recollections from singer Eva against modular rack rides and cowbells, while 'Sill Groovin'' sounds like the same location but revamped for the anniversary present: its grooving, cool, vitreous sound design recalls the clinking of martini glasses and the tinging of wine measures in a svelte art deco backroom.
Review: Nervous and its iconic logo is one of house music's most recognisable labels. It has been turning out a wide array of styles since the 90s and continues to have its own niche to this day. It is Super Flu who steps up here with a new single that combines two very unlikely worlds - house music and the vocals of Cher. They are either well treated or re-sung, we can't be sure, in a more vulnerable and delicate style over a minimal, tense beat and bold bass. An instrumental version is also included of this most alluring and sure to standout track.
Danny Tenaglia presents George Vidal - "Out From Obscurity" (6:11)
Danny Tenaglia & Cevin Fisher - "Move That Body" (Antranig remix) (6:32)
Review: The legend that is Danny Tenaglia seems to have been creatively re-energised in recent times, with last year's 'The Brooklyn Gypsy' delivering a gorgeous and celebratory blend of good-time house grooves, mazy solos and life-affirming dancefloor energy. 'Tonight', his latest missive, is another gem, presented in 'beats (intro)' and 'no beats (intro)' variations. Both takes feature many of his aural trademarks - think impeccably programmed beats, a mesmerising bassline and incredible sound design - alongside waves of awesome electric piano solos, dreamy pads and eyes-closed female vocal snippets. Over on side B, he doffs a cap to his days as Twilo resident with a deep, dark and deliciously percussive workout ('Out From Obscurity'), before ANTRANIG delivers a similarly heavy, druggy and mind-mangling take on Cevin Fisher collaboration 'Move Your Body'.
Move That Body (with Cevin Fisher - instrumental) (6:52)
Review: A year after it slipped out digitally, Danny Tenaglia's superb 'The Brooklyn Gypsy' finally lands on wax. It's perhaps deeper and groovier than some of his vintage productions, which tended towards the muscular, dark and percussive, but the bassline is fabulous, the Frankie Knuckles-esque chords and textures inspired, and the piano solo that stretches out across the track nothing short of superb. Over on the flip, Tenaglia joins forces with fellow house legend Cevin Fisher on vocal and instrumental takes of 'Move Your Body', a more energetic, thickset and piano-powered affair that sits somewhere between the sun-soaked A-side and the long, Twilo-inspired workouts that marked out Tenaglia's turn-of-the-millennium creative peak.
Steve Shelto - "Don't Give Your Love Away" (Patchouli Brothers edit) (6:01)
KID - "It's Hot (Take It To The Top)" (Mark Lower remix) (6:13)
John Davis & The Monster Orchestra - "Bourgie, Bourgie" (JKriv Errybody rework) (6:30)
Review: Ten years after volume one hit stores, legendary disco-boogie label SAM Records delivers a third collection of contemporary reworks of tracks from its enviable back catalogue. As you'd expect, most of the remixers strike a perfect balance between paying tribute to the original material and giving the '70s and '80s material 21st century dancefloor weight. Highlights come thick and fast throughout, from the energy-building loops and chops of the Dorothy's Fortress remix of Lucy Hawkins' 'Gotta Get Out Of Here' and the Saturday night-friendly boogie-house revision of Komiko's 'Feel Alright' by Dr Packer and Michael Gray, to the sensationally squelchy and soulful Pathcouli Brothers' rework of Steve Shelto's 'Don't You Give Your Love Away' and the filter-sporting disco-house hedonism of JKriv's take on disco classic 'Bourgie Bourgie'.
Music Is My Life (Masters At Work remix dub) (4:44)
Review: Louie Vega continues to offer up fresh remixes of tracks from his epic 2023 album Expansions In The NYC. The latest cut to get the rework treatment is Unlimited Touch hook-up 'Music Is My Life', a joyous and gently soulful fusion of disco instrumentation and house nous. There are two mixes from Vega and long-time studio partner Kenny 'Dope' Gonzalez as Masters at Work: an A-side full-vocal remix that gently beefs up the house elements and adds some tasty Rhodes licks, and an EP-closing dub in which the storied duo reach for spacey synth sounds, rolling grooves and selected vocal snippets. To complete a strong package, British veteran Dave Lee doffs a cap to his popular 'Remixed with Love' series and re-imagines the track as a punchy disco-funk workout.
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