Review: Thankfully, Richard D. James has decided to finally release at least some of the output that he's been banging on about since mid-2000s. In a number of interviews, the might Aphex Twin hinted that he has vast artilleries of tracks stacked up and unreleased, probably more on purpose than out of laziness...or maybe not. What we do know is that AFX is reborn after the string of acid 12"s released about 10 years ago on Rephlex, that saw the alias become one of the most popular of James' alter egos. Orphaned Deejay Selek is a collection of tunes that contain all of the Twin's magic and unpredictably, but that also cut straight to the point and head to the middle of the dance floor. This is banging brain dynamite coated in the man's iconic style and flair. Welcome back AFX, and many hats off to Warp for making it happen.
Review: Religion, and specifically gospel music, always played a key part in shaping the sounds and emotions of easy house music. It is clearly going to have just as much impact on this new label God Iz Enough which debuts with an EP of the same name from Tomi Ahmedeus. His style on the opener is to lay down raw and dusty beats with an early Windy City feel and infuse them with evocative, guttural gospel vocals that really bring them to life and make them inescapably emotive. 'The Rise Of The Guttersnipe' strips things back a little and brings a shuffling tech vibe with some glistening melodies while 'Ms Ludus' is a gorgeous ambient closer.
Review: BOOM! Our favourites, Cititrax, roll the third editions of Tracks out onto our shelves, and the results are unsurprisingly strong on this excellent various artists comp. It's a mixed bag of skills, as per usual, and the sounds are those of a new NYC, fuelled by a new sort of post-industrial sensibility. Amato Y Mariana open with the tight beats and groove of "Queires Bailar", followed closely by the ominous compositions of the EBM-flavoured "Montgat" from The Sixteen Steps. On the flip, His Dirty Secrets bleeps out some morphed acid on "Structures", and "Another Stranger" from Further Reductions churns out a slow, mild-mannered house experiment with its roots clearly planted in the coldest of waves. Sick.
Review: Earlier this year Minimal Wave offshoot provided one of this year's most visceral dancefloor weapons in Kino-I, the debut from Doug Lee's new An-I project. Taking inspiration from techno, jack, industrial and punk, An-I successfully drew a line under some of the Berlin-based artist's previous disco-flavoured endeavours. And then some! If you like the Kino-I 12" you will love the new triplet of An-I productions housed on this appropriately titled Gutz 12". The title track alone should come with a health warning; such is the furious onslaught of machine funk it contains, whilst the unnerving "Rut" is the most schizophrenic production you will hear this year. Best of all id closing track "Save Us" sounds like a cross between in Aeternam Vale and Silent Servant. Pressed on a rather thick and dashing slab of magenta orange vinyl!
Review: Formerly run by both Michael Wollenhaupt and Conrad Protzmann, the Ancient Methods project is now run solo by the former producer, an artist who is clearly intending to keep the sound of the project going strong. This EP, however, launches the new Parsephonic Sirens label, and the sounds are very much grounded in something altogether more surreal. The opening "Remember Me" is a chilly, frost-bitten ambient affair, whereas "Born Of Ashes launches with a mean, fiery techno blow that sounds like the inside of a jet engine. On the flip, "I Am Blazing Sound" rolls out its deafening techno punch with melodies reminiscent of something Middle-Eastern, leaving "Now Come Closer" to offer a more traditional 4/4 stance in the most poignant of German fashions.
Review: There is no messing when it comes to the techno served up by Umwelt's essential Rave Or Die. Over the course of 14 previous EPs the label has dropped rib-rattling, brain boggling bangers aimed squarely at the floor. This time out the boss himself steps up with Ancient Methods with each providing one solo track. This one comes on limited 10" picture disc so is an extra special one to add to the collection Ancient Methods's 'Accept Light' is a harshly textured industrial banger and Umwelt's 'Shades of Security' is just as caustic and hard edged.
Review: Fresh vintage Aphex meat in the shape of this expanded reissue of the classic rave era anthem 'Digeridoo' from 1992. Treated to a modern remastering job by Beau Thomas at Ten Eight Seven Mastering, this double pack features the four tunes on the original 12" - 'Digeridoo', 'Flaphead', 'Phloam' and 'Isoprophlex', as well as bonus versions by Richard D James himself said to be encoded through his Nakamichi CR7e cassette deck, utilising vari-speed to create versions at different speeds which "felt right at the time". The legend is that he wrote the tune to annoy hippies who liked to attend raves and jam with their digeridoos - or digeri-dont's as they quickly became known - but it's being delighting fans of that golden era between hardcore rave and jungle ever since.
Review: Philpot's Traxworx series got off to a blinding start earlier this year with the dust down from Roman Rauch and label regular Ike and it looks to be quite the promising endeavour if the line-ups remain as strong as this second duel featuring Arttu and Hakim Murphy. Neither artist really needs a formal introduction here and both are well suited for the floor focused nature of this series. Arttu is first up with "Can't Get Down" a collaboration with Kaye that bounces along with loose and deadly intent - if you liked the Geeeman stuff on Clone you will love this pappy, especially when that sax comes in! On the flip Innerspace Halflifer Hakim Murphy goes for the abstract approach on "ES1" which features some superb drum edits.
Pulse 02(coloured vinyl 12"+ MP3 download code limited to 200 copies (comes in different coloured vinyl, we cannot guarantee which one you will receive))
Joachim Spieth - "Subtle" (Nitechord remix) (4:45)
Review: Past Inside the Present's 'Pulse' series is an investigation into ambient tech and beat-driven ambient sounds. Who better for the job on this second edition than master craftsmen ASC and Joachim Spieth? ASC opens up with 'Tidal Disruption Event', an understated, underwater rhythm with jittery percussive patterns and bright shards of melodic light piercing through the mix as more coarse soundwaves break over the top. Spieth's 'Subtle' is just as artful and delicate a mix of persuasive rhythm and melodic beauty. A classy Nitechord remix closes out this fascinating EP.
Review: When Cabaret Voltaire returned to the release schedule in 2020 as the one-man Richard H Kirk show, fans were relieved to find that mind-bending meld of 1970s Kosmische, techno, dub, house and space-age experimental electro was as pure as it ever has been - the results being a typically fresh and forward-thinking record the man in question summed up as "no nostalgia... normal rules do not apply. Something for the 21st Century. No old material."
Less than six months later and the big CV has more next level business to offer us, coming in the form of Shadow of Funk, a new EP that offers something of a counterpoint or extension to last year's full-length, Shadow of Fear. Based on 'Billion Dollar' alone - an acid-driven big, dark room banger that closes this EP -this release looks set to make an equally heavy impact, but as with anything this man touches, the joy is in discovery. So, let's leave it at that.
Review: French label Cairo Xpress debuts with a first-ever vinyl outing and a fine one it is too, with six stylish house outings from an array of fresh talents. Wilt's 'Beoyon' has lovely gloppy drums and bass looping under harmonic chords - it's simple but effective. Hermit gets more full-bodied with his textured 'Who Dunnit' and DOTT strips it back to bumping drum track workouts on 'Twitching Softly.' There is more irresistible bounce to Lucho's 'Mesh', Artphorm layers in some old school pianos to 'Daown' and HATT D shuts down with maybe the best of the lot, 'Contrasts In Life,' which is a broken beat, analogue sound with celestial energy.
Review: Data Sync is a sub-label of Non Stop Rhythm and now label head Tom Carruthers is back on it with more of his fierce techno explorations. 'Intel' opens proceedings with some taught synth twangs and stomping drum work that will bring physicality to the floor. 'Force Field' is a similarly stomping sound with bright bells looping up top and 'Syntax' is a raw percussive frother with acid run right through it. 'GS5' (re-edit) is another one with some fresh synth sounds bringing light to the physical low ends and 'Metropolis' gets snappy and jacked up while 'Recon' closes down with some tribal energy and bleeping 90s references.
Review: This new collection offers up a quartet of tracks that are all tailored for slightly different moments on the dance floor. On side A, Dani Casarano kicks off with deep, hypnotic grooves that make for an immersive atmosphere before transitioning to punchy, bass-driven energy with other cuts. Side B introduces a new alter ego from Felian and Bruno Schmidt and the pair explore a robotic, looping groove with incidental breaks and nostalgic synths in the euphoric third track. Closing the release in style, Omar Akrhif & Lucretio present a minimalist masterpiece that is aimed at heady after-hours sessions.
Review: Darwin Chamber and DJ Spun unite for a bold four-tracker here that draws on all their decades of experience to push the boundaries of trance and techno. This self-titled release is nostalgic without sacrificing innovation and opens with 'Find The Missing Letter,' a dub-tinged techno builder with hypnotic synths. 'Digits' follows with relentless beats and dark, robotic energy. The sultry 'Do It All Night' anchors the EP with a seductive groove, while 'Ants' closes with mid-tempo warmth and acidic undertones. Combining Darwin Chamber's engineering expertise and DJ Spun's club culture mastery, this one is perfectly pitched for dancefloor mayhem.
My Favourite Stranger (Boris Brejcha remix) (7:10)
My Favourite Stranger (Ela Minus remix) (3:46)
My Favourite Stranger (Lond Island Sound remix) (4:48)
Review: Much loved doom monger emo kids Depeche Mode have always been ripe for remixing by new generations of electronic music artists and so it is that there 'My Favourite Stranger' gets a series of re-rubs here on Columbia. Tech house mainstay Boris Brejcha remixes first and elongates the grooves with mournful pads up top. The Ela Minus remix of the same tune brings some extra textured and darker moods and the best is saved till the last if you ask us. The Lond Island Sound remix is high speed and tinged with electro synth work as the moody vocals echo about the mix to trippy effect.
Ready When You Are (feat Hugh Newman - previously unreleased) (6:55)
Osho Drums (5:24)
Figments Of Reality (Trance mix) (5:29)
Review: Seb Taylor is a veteran of the UK's coastal psychedelic and goa trance circuit, operating under many a name but none doing so much justice to the sound as that which came out as Digitalis. Madrid's Organic Signs know this, and have set about paying tribute to Taylor's influence with a sequel release to 1998's The Third State LP. Its psycho-spiritual successor, The Fourth State now makes up a pair, both of which are ascendant trance trouncers, aural aids for the psychonaut music fan's life's work of escaping systems of global social control.
Review: More funk for your trunk! Brussels most provocative player DJ Elephant Power stampedes back into the mix with more subversive, fully uncategorisable gold. Pick a genre, any genre and we guarantee you won't be thinking of what's here as we gently melt from the nifty ravey breaks the opening title track to the sleepy, woozy tension of the finale cut 'Infinity'. In between we have bumping bewitching house ('I Got You') and strange slow-mo electro ('Shades'). Thinking of sleeping on this? Tusk tusk tusk on you.
Review: After over 20 years of collaboration, Reggie Dokes and Red D continue their musical journey with a new release on Reggie's renowned Psychostasia label. Their first joint EP was released on Red D's We Play House Recordings and launched the label's celebrated U.S. Series. On this latest offering, Reggie showcases his signature deep house style with melancholic tones and solid beats adding up to a timeless deep house vibe. Meanwhile, Red D channels his Detroit roots into a swinging techno track reminiscent of Scan 7 and featuring a vocal homage to an Underground Resistance classic. It don't get much more authentic than this.
Review: Mutual Rytm deals in proper techno that does the basics well and doesn't worry about modern fads. 'Surface' is the standout here - it has brilliantly bubbly synths rippling in sync with the hunched drums and bold bass notes. It works perfectly on both head and body and so does 'Blush' though with a more sleek, straight-ahead groove and minimal percussion over the echoing claps. 'Grainy' shuts down with another stylish techno bent and confirms Dold to be a vital voice in the current underground.
Review: The House Of Web is a new project that brings together music with a range of international origins across two EPs. They feature material originally by Takuya Sogimoto on this label in 2020 and 2022 as well as some unreleased cuts from 1994 and 1995. Dynamo Dreesen & Robotron go first as Dynatron ahead of a debut solo EP on SUED that is due soon. Then comes Dresvn aka Dynamo Dreesen & SVN, YPY aka Koshiro Hino from Osaka and a member of the Japanese band Goat, plus the next level beat maker A Made Up Sound. All four of these cuts offer superbly fresh takes on techno.
Review: Blackinstock Records is a new branch of Mixcult Records and it debuts with the Reel Phase EP which is a showcase of the purest essence of dub techno. This most timeless release features the legendary Federsen alongside the innovative talents of Yagya and Ohm who are in remix mode. Each track on this 12" delves into minimalism and sonic depth to make for rather profound grooves that sweep you up and never let you go. The spacious, intricate soundscapes crafted by these artists explore every facet if dub techno with a slightly different personality which makes it a must-have for those who like their sounds deep, cuddly, and propulsive.
Review: Robin Stewart and Harry Wright are Giant Swan and they are at the very center of some of the most exciting techno sounds we've heard for a while. They drop five club ready tunes here with mangled vocals and hefty kicks full of reverb and plenty of dark synths that drag you into an intriguing underworld. This one comes a couple of years after their self-titled debut and the fine Do Not Be Afraid Of Tenderness EP, all of which are as appealing to fans of noise-rock as they are techno. That the pair have played both Berghain and supported bands like IDLES tells you a lot about the style of their sound.
Review: Shout out to Greek powerhouse Kinesthetik Recordings for making it all the way to a half a century of releases there. They celebrate in the best way they know - with more tranced-out sounds from artists in their orbit. Giorgio & Andreas open things up with 'Nice One' and its thudding tech drums and cosmic synth lines. Diskinesia gets much more raw and moody with the edgy drums of 'Back & Forth' and Interphase then drops a pair of industrial tech thumpers. Giorgio & Andreas reappear with a raw, roughshod and deep groove and Marcelino Sanchez's 'Motive One' offers dub techno to close.
Review: Founding member of Depeche Mode and celebrated singer songwriter in his own right, Martin Gore's The Third Chimpanzee EP is up there with some of the best solo work he has ever put out, with a particularly unique type of dance-synth vibe that you can't escape from no matter how hard you try. Now we have the remixes, which have a lot to live up to but come with plenty of promise.
After all, the chosen producers involved are all heavyweights in their own right, and were certainly ready to step up to the mantle here. Opening with a pair of tracks made different by two of Brazil's most revered techno heads - ANNA and Wehbba - from there we get Berghain bass experimentalist Barker, the fury of Rrose, and percussive wonder of JLin, and that's before we come to the likes of Chris Liebing and Kangding Ray.
Review: Despite being born and raised in Detroit, Luke Hess is rarely mentioned in the same breath as his Motor City peers. Then again, his brand and dub-infused techno doesn't fit neatly into the futurist narrative. This latest full-length flips the script slightly. While it has plenty of dub-flecked moments (see "Overcome" and "Humility"), there's a greater reliance on melody over mood. While this could be a reflection of the involvement of collaborator Omar-S, it's more likely an indication of Hess's development as a producer. Moving from hypnotic deep house to robust techno via beatless interludes, Keep On is Hess's most accessible set to date.
Review: Detroit-born but now based in Thailand, Scott Hess returns to show his enduring Motor City class with Redlight Bangkok Vol. 3, a third instalment of his vinyl-only series on Adeen. This one opens up with 'En Bloom' which is a Miami bass-inspired jam with crisp kicks and icy cold 808s. Rocco Universal's remix is more deep and house-leaning with some magnificent melodies then on the B-side, 'Whitelight' gets more twisted with elastic bass and snappy percussion. 'Untitles' is a cosmic journey with a funky guitar and dreamy chorus and last of all comes the smooth and serene, chord-laced soundscapes and fathom deep grooves of ''Untitles' which is a classy late-night sound.
Review: EC Underground is back with more inquisitors of low-end heavy sounds on Bass Scene Investigation vol 1 and again digs deep into the worlds of electro, techno, breakbeat and IDM. The compilation kicks off with the skittish percussive patterns of Illektrolab's 'Making Heads Dip', then heads into moody ground with ADJ, Pablo Funk brings some menacing synth work and Errorbeauty gets all weird and trippy with some mad electronics. Francois Dillinger offers a dystopian electro sound full of irresistibly jacked-up drums. A fine investigation indeed.
Indo Tribe - "Bring In The Pulse" (MFK mix) (5:10)
Indo Tribe - "In The Mind Of A Child" (First Born mix) (5:04)
The Future Sound Of London - "Hardhead" (Frothin' At The Mouth mix) (6:06)
The Future Sound Of London - "Pulse State" (831 AM mix) (7:20)
Review: Jumpin' & Pumpin' looks back into the seminal archives of The Future Sound of London here to reissue their fantastic The Pulse EP from 2008 which also featured tunes from Manchester pair Indo Tribe. It is they who start with 'Bring In The Pulse' which features some Happy Mondays hallelujahs, mad rave whistles and bristling electronic breaks. 'In The Mind Of A Child' (First Born mix) is then a bouncy techno cut with more visceral synth and acid lines and The Future Sound Of London kick off the flipside with 'Hardhead' (Frothin' At The Mouth mix) which is an assault of breaks, congas, whistles and rave signifiers. 'Pulse State' (831 AM mix) is that perfect tune to zone out to on a late night drive on the motorway.
Review: In 1994, Vienna-based project iO, which was composed of Patrick Pulsinger, Erdem Tunakan, Umberto Gollini and Gerhard Potuznik, released a series of 12"s titled 'Attack', 'Decay', 'Sustain,' 'Release' on their iconic label Cheap Records. Known for their minimalist, Detroit-inspired techno, one standout track, 'Claire', broke the mould with its mid-tempo beat at around 110 bpm, jazzy chords, sample-based groove and sharp 909 drum sounds. It bridged techno, trip-hop and house and caught the attention of Mo'Wax Records in London, who re-released it to great acclaim. Embraced across genres, it quickly became a DJ favourite and remains a beloved classic to this day which is why it reappears here.
Review: Stimulator Jones, you might know, is a Stones Throw artist, but here he lands on the house-leaning Star Creature with a new and exquisite outing that finds him tapping into a different side of his skills. He has dropped several fantastic albums before now that go from hip-hop to jazz-funk but here he taps into the magic of Chicago house greats like Fingers Inc and Larry Heard. 'Night Walk' is pure mid-tempo deep house perfection, 'Precious' layers in some tender vocals and a melodic bassline and 'Strive To Survive' brings more manic acid lines. 'Moon' shuts down with some irresistible swing and cosmic synth work.
Review: Wiesbaden, Germany-born Florian Kupfer has spent the last decade exploring around the edges of the dancefloor with hugely evocative sounds that are always much more than mere tools. This latest mad-limited 12" is another doozy that opens with the menacing and mechanical rhythms of 'Sidelined' topped with eerie spoken word loops. 'Integrating The Shadow' is a more rugged electro rhythm with hissing hi-hats sweeping through the mix and downbeat chords adding a touch of melancholy. 'Unmasked' gets dark, dirty and messed up for those 5am wig-outs and 'Severed Lines Of Communication' is a hypnotic roller alive with static electricity.
I'll Be Back I Promise (Yossi Amoyal extended Remaster) (7:01)
All Night Long Girl (5:59)
Be Your Own Girl (5:08)
In Rythem (5:31)
In Rythem (House mix) (5:57)
Manhattan (5:11)
Aurora Aura (6:14)
Review: For a long time Gary Martin was referred to as an "unsung hero" of Detroit techno, but with the DET 313 label, run with Yossi Amoyal, he's finally cemented a fearsome reputation as one of the Motor City's finest. With such reputations come the exchange of the proverbial "silly money" for the more hard to find recordings, thus the existence of this double 12" which collects eight of Martin's efforts from the mid to late 90s into one package available for a slightly more sensible exchange of currency. Among the highlights are the Latin-enhanced beats of 'Manhattan', two mixes of the sublime 'In Rythem' complete with a gospel preacher in full flow and a seven minute extended remaster of 'I'll Be Back I Promise' from Yossi Amoyal. It's no surprise to see Martin's work picked up and played by the likes of Ben Klock, given his unique take on rhythm, but there's plenty of soulfulness going on here as well.
Review: Queensland's DJ Whipr Snipr joins forces with Brazilian artist Norus for this superb new EP, Gravitational Attraction, on the also brilliant Nerang Recordings. Since 2016, Whipr Snipr has helmed the label and steered it through plenty of innovative sounds as he does again here, this time with Norus who brings his expertise from Gestalt Records. This collaboration marks their second EP and it is a clean and crisp blend of emotive breaks, electro, techno, and serene synth sounds. 'If I Could Fake One Emotion' is our favourite for its thrilling mix of deft jungle breakbeats and sombre piano chords.
Review: UK rave pioneers Orbital are revisiting their early 'Brown Album' EPs with the launch of a new and ongoing Orbital LEDs ('Limited Edition Drops') series. These 12"s are being re-issued with newly commissioned artwork by Intro. This one was originally released in September 1992 and is one of the group's most famous because it contains their most iconic track 'Halcyon' which blurs ethereal vocals with hypnotic breaks that define 90s dance music and still get huge reactions to this day. The EP also includes 'The Naked and the Dead' which is a darker techno track, plus 'Sunday' and the previously unreleased dub version of 'The Naked and The Dub.' Essential.
Review: UK electronic innovators Orbital have been revisiting their early roots with Orbital LEDs, a limited-edition series remastering their old greats. Now fully remastered and paired with striking new artwork by Julian House, the latest drop highlights the duo's groundbreaking early sound when tracks like 'Midnight' innovated with a blend of hypnotic house rhythms and minimalist influences from Philip Glass and Wim Mertens. Also included here is 'Choice' which stands out for its anarcho-punk edge and bold vocal sampling. Paul Hartnoll has often said he aimed to inject house music with a sense of rebellion and social commentary and these reissues reaffirm Orbital's ability to do that while pushing boundaries from the start.
Review: Los Angeles-based The Black Lodge began as an intimate gathering place and ritual organised around exploring, sharing and experimenting with diverse forms of electronic music. This is the fourth collection of cuts from various artists of The Black Lodge multiverse. The Poetic Painter M, an alias of Nation chief Traxx, opens up the A-side with the dark late night acid of 'Elusive Clarity Of 1 Mind', followed by Pablo R Ruiz from Detroit providing the spooky lo-fi/sci-fi groove 'El Rey De Amor'. Over on the flip, Michigan's Fashion Flesh serves up a harsh experimental soundscape on 'Kisses' and closes with the tunnelling industrial funk of Fauna53's 'Jam1' (Asymmetrical weirdo orchestra edit).
Review: Scott Grooves is one of the quietly brilliant home artists. The US talent has done it all in his time and brings plenty of musicality to his work, which is mostly couched in-house but for this one-sided and limited edition 7" heads off into techno territory. 'Track 1' is a blistering cut with coarse hits and smeared pads all turbo-powered by some driving drums that are deep but direct. There is a great sense of machine soul to the synths that helps take it even further into the next dimension. Another vital release from this mainstay.
Review: Polish beatmaker Shed has long been a darling of the European underground. His ability to craft textural loops and work them into potent, catchy, emotive but stripped back bangers is second to none. He has done so under various guises including WAX, but adopts his most famous moniker for this new double 12" on The Final Experiment. 'The 030 Files' offers eight brutalist breakbeat beauties that jerk your body into action, hook in your brain with their neat little motifs and make your hairs stand on end with the fizzing nature of the synths. Pure dancefloor dynamite as ever.
Review: Structure has named his new EP after a network of fungal threads that often grow underground and it is fair to say his music joins the dots between different sound worlds with a distinctively subterranean edge. 'Mycelium I' is part broken beat, part magnificent ambient synth work and part techno kicker. It's deft and artful and so is 'Mycelium II' but in different ways - this one is a tightly interwoven and psychedelic mix of underlapping drums and pulsing synths. 'Mycelium III' is similar with a distinctly Millsian vibe and the hyper real, mega futuristic sound design continues on deep space soundtrack 'Mycelium IV.'
Review: New York City's underground stalwart Sweater On Polo returns with the debut release on Signal Route. His Mechanical Confusion EP draws inspiration from early 90s Chicago techno and basement house so it echoes the gritty, raw style of labels that dealt in that sort of stuff, like Dance Mania and Relief Records. Across the six cuts there is an intergenerational dialogue between past and present with acid house, techno and synth punk all capturing a familiar old-school angst and texture but with a fresh twist. 'Land of Code' is one of our favourites with its rising percussive tension, deeply buried bass pulse and dusty analogue drums.
Review: Talk about keeping things on a knife edge. The first, and title track on this powerhouse EP is pretty much destined to whip any venue into a storm of expectation, not-so-much building but rather opening with this full-sounding, heavily atmospheric, space-y, proggy, could be techno, could be electro, could be trance arrangement. The kind of thing where there might as well be flairs firing into the sky warning you how much stomping a floor can take.
Similar vibes on 'Medusa', only on a deeper, darker, more menacing tip, a tune that sucks ears into another world entirely, one that's a little unsettling, and certainly difficult to find your way back out of. Elsewhere, things embrace a high-NRG ethic, with both 'Plasma' and 'Onda Sotto' taking things up to almost-gabber tempos, but without actually committing to the pounding fours.
Review: Spclnch kicks off a brand new sub-series here with Toki Fuko at the helm. It comes with a conceptual back story that says in 2045, MindTech researchers discovered a phenomenon in neural networks called "Phantom Scripts." These glitches occur when a person sleeps or closes their eyes, causing the brain to generate images and phrases in response to internal impulses from the neuro-interface. Musically this is full-fat ambient with cinematic and evocative sounds packed into the slowly snaking rhythms. It's creepy, unsettling, but deeply absorbing.
Review: Portuguese talent Vil has established himself at the forefront of the scene with music on Hayes, Klockworks, and Planet Rhythm. Now he unveils his first full-length album on Dolly's TS series with 'Birds Of Prey' which serves up raw, percussive grooves, distinctive house and techno elements and refined Detroit-inspired elegance. Across eight tracks, Vil proves himself to be quite versatile while serving up an immersive trip to the heart of the dancefloor while transitioning between deep, melodic, uplifting moments and darker, boundary-pushing beats. Vil's ability to balance energy, emotion and innovative soundscapes really shines through here.
Yonghegong Lama Temple Exit F (Priori remix) (5:45)
Review: Wherein Dutchman Vincent lays down a heartfelt study of the soul entitled 'Pre Melancholy'. His findings are as follows... Before the melancholy one can expect a wave of emotions and pressures, all of them ingredients for a tumultuous storm that flies in a whole flurry of directions. Technoid drum & bass causing anxiety with every rolling fill ('Mono No Aware'), timeless breaks triggering moments of unsolicited joy ('Agent Of Distraction') and spacious leftfield that's so disarming and abyssal that it comes in two forms ('Yonghegong Lama Temple Exit F'). Embrace the melancholy.
Review: A2L were active between 1988 and 1990 and released two albums and several EPs on labels like 1st Bass, Big One and Force Inc. Their sound blended British psychedelic house with elements of new beat, industrial, EBM and early acid house and in doing so captured the raw energy of the UK rave scene. Notably different from typical acid house acts of the time, A2L's music took in machine funk, samplers and turntable techniques to create trippy, infectious grooves. This collection compiles rare underground gems from them from 1989 and features standout tracks like 'Even Though It's Make Believe' and 'Come On.' It's a great look back to the experimental spirit of the late 80s.
Review: UK artist David Duncan recorded only one EP as Ability II and it recently got reissued and soon snapped up. Now, much to the delight of fans of the man behind the classic tune 'Pressure Dub' he is back. This album features an exclusive collection of tunes he made back in his heyday in the 90s, none of which were released at the time, and none of which you will have ever heard before anywhere. They feature his signature sound designs across seven cuts that sound as futuristic now as they ever could as they combine jacked-up house, techno and tech into scintillating and dub-weighted sounds for the club.
Review: The Abstract Eye often works live and crafts tunes in one take, and that MO is the idea behind this new collection. It features plenty of hard-to-define sounds from over the last ten years, many of them with a cosmic synth outlook and raw analogue drums. 'Skyfather' is a real eye opener with its sense of mystic cosmic wonder, 'Real Myths' fizzes bring as burning phosphorus and 'A Yearning Feeling' is more paired back and introspective with jittery drums and electro rhythms all soothed by the melancholic synth work.
Review: As the artist alias kind of suggests, Abyssy takes a deep dive into the unknown depths of the human spirit. It finds the artist returning to Simona Faraone's label after several years and finds him exploring electronic sounds of the 70s and 80s, blending Berlin school minimalism with Detroit techno's soul and funk. It is a record that ranges in mood and tempo as it heads into oceanic depths where wispy pads and chattery percussive patterns collide in unusual ways. It's a largely abstract album of unusual sound designs and genuine electronic discovery that often has you wondering just how certain abounds have been made.
Review: Electronic music is guilty of so many injustices it's hard to know where to begin. Among the least talked about historically is the lack of space made for South Asian and South Asian-heritage artists, who, despite the written pantheons doing their best not to emphasise it, have contributed an incredible amount to the canon's many genres. Things are improving in terms of representation and visibility, but there is still a very, very long way to go.
Even without the urgent need for more equal coverage, it was always going to be hugely exciting to get a copy of an Acid Arab album. And Trois does not disappoint. The Paris-based production duo invite us into ever-deeper corners of their sound, from the tense prog chug of 'Ya Mahla' and the stripped techno build of 'Rachid Trip', to the slick and sexy, writhing broken gem 'Gouloulou', it's as varied as the influences involved.
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