Review: Rush Hour have released some killer reissues in their time, and this mini-album from Ben Cenac of Newcleus fame, released under the Dream 2 Science moniker in 1990 is no exception, sounding like a conscious response to the warm, soul-flecked offerings of contemporaries Bobby Konders, the Burrell Brothers and Lamont Booker. Amazingly, Dream 2 Science still sounds remarkably fresh, 22 years on. The production, in particular, is terrific. While many house records of the period sound clumsy and dated, there's a timeless quality to the intricately programmed drum machine rhythms, the drifting chords, warm analogue basslines and cute vibraphone melodies.
Review: Alison Limerick's 'Where Love Lives' is the sound of a generation, a reminder of one of the most vital cultural movements of the last 100 years. It is a perma-hit that unites all ages, colours and creeds, even now, 30 years after it first got hands in the air and tears in the eyes on dance floors of cult clubs around the world. To mark the occasion it gets a special remaster treatment and 12" release for Record Store Day. The Classic Mix - which is still the best - kicks off, followed by a big piano version from Mo Knuckles and a darker, more stripped back Cut To The Bone mix.
Review: Given that copies of the original 7" release flew off the shelves in record time, it's heartening to see that Classic has decided to give Sophie Lloyd's brilliant "Calling Out" a proper 12" release. Her fantastic original version - a jaunty, floor-friendly gospel treat that sits somewhere between house and disco - is this time accompanied by two fresh rubs from Robert and Lyric Hood's Floorplan project. Naturally, both mixes move further towards sing-along gospel house territory with the fantastic Revival Mix - all crunchy Chicago drums, wild organs, jaunty pianos and relentless chorus - hitting home particularly hard. It's very rare that we describe an EP as being "flawless", but this is as close to perfection as you'll find.
You Got Me Dancing (feat Audrey Wheeler & Cindy Mizelle) (6:00)
Come Away (feat Kerri Chandler) (6:06)
Seven Mile (feat Moodymann) (5:56)
The Star Of A Story (feat Lisa Fischer) (5:58)
Change Your Mind (feat Bernard Fowler) (4:59)
All My Love (feat Robyn) (6:01)
Free To Love (feat Karen Harding) (6:06)
Feel So Right (feat Honey Dijon) (6:15)
How He Works (feat Nico Vega) (5:17)
Joy Universal (feat Two Soul Fusion) (6:04)
Igobolo (feat Joaquin "Joe" Clausell) (6:03)
Bebe Winans - "It's All Good" (feat Debbie Winans Lowe & Korean Soul) (5:59)
Touch The Sky (feat Tony Momrelle) (6:04)
Louie Vega & Elements Of Life - "Love Has No Time Or Place" (6:32)
Dreamin (feat Cindy Mizelle) (6:31)
Review: Some of Masters at Work man Louie Vega's greatest full-length projects have paid tribute to New York's 50-year dance music story, as well as his personal musical inspirations (most notably the Nuyorican Soul album he penned with long-time production partner Kenny 'Dope' Gonzalez in the 1990s). Expansions in the NYC, his latest epic excursion, treads a similar path, offering a large number vocal-heavy numbers that not only blend elements of disco, boogie, proto-house and house, but also feature some genuinely high-profile vocalists from that era (think Peech Boys' Bernard Fowler, Unlimited Touch). Vega also joins forces with 21st century house star Honey Dijon on the superb 'Feels So Right', while the hook-ups with Moodymann, Kerri Chandler and Joe Clausell are as inspired as you'd expect.
Turn Me On (Tony Humphries Got U Turned On dub) (7:50)
Save Me (Coldcut remix) (6:38)
Review: South Street's latest missive gathers together a trio of club-friendly remixes of Nina Simone classics that first appeared on the 2006 compilation "Remixed & Reimagined". Francois K impresses with an A-side revision of Simone's celebrated cover of Beatles classic "Here Comes The Sun" that sounds like a long lost Larry Heard record from his classic Fingers Inc. period. Those after something a little more rolling and funk-fuelled should wrap their ears around Tony Humphries' Dub of "Turn Me On", which boasts a seductive mixture of Romanthony style hard loops and rumbling, UK garage influenced bass. Completing the package is Coldcut's fine re-imagining of "Save Me", which places Simone's heart-arching vocal atop skittish, club-ready drums and looped guitars.
Review: It's a case of old school meets new school on this fresh new slice of house from Defected. Representing the vets is the one and only Louie Vega, while in the contemporary corner are New York's finest, the Martinez Brothers. Marc E Bassy also pops up on vocals for this feel good deep house gem. His part sung, part rapped delivery comes over soul drenched beats and nice singing leads, which have long been a hallmark of the great Masters at Work man, Vega. A TMBLV mix is more pumping, Honey Dijon cuts loose on elastic bass and rugged rhythms and Dom Dolla offers a more energetic and main room version.
Review: REPRESS ALERT: What hasn't been said about this timeless classic that hasn't been already? We'd be preaching to the choir but for what it's worth: Pal Joey's 1990 released, Chic sampling classic "Dance" is one of those tracks that never gets old and always sets the dancefloor alight. In all these years it has been thrown down by NYC house legends and Detroit techno's finest alike. Likewise, your record collection isn't complete without it! Features the energetic original version on the A side, as well as the dub with that nice bass solo section that comes in. Finally, on the flip is the wicked bonus beats version that was favoured by techno DJs and sampled by everyone from Jeff Mills to Jerome Sydenham. Reissued on Joey's own Cabaret Records.
Review: Last time out Andreya Triana and The Vision (AKA KON and Ben Westbeech) took us to "Heaven" and back. For their latest single they've asked us to gape in wonder at some suitably sizeable "Mountains". In its original "Extended Mix" form (side A) the track is soulful, slick and seductive, with Triana's superb vocals rising, mountain-like, above a musical panorama rich in dreamy chords, jazz-funk bass, gospel pianos and club-ready beats that sit somewhere between deep house and disco. Danny Krivit is the man at the controls for the flipside remix. He stretches out the track impressively, making a bit more of the spacey synths, guitars and bass while re-framing the track as a soaring slab of piano house brilliance.
Review: Though 420 was originally recorded and released in April of 2020, Galcher Lustwerk's pandemic project is an exercise in counting and patience. Originally from a 16 track, 69 minute release only available for Bandcamp for $69 (or $4.20 per track), the 420 project brings us practically brand spanking new Galcher EP, just under a different name. Finally at an accessible price (and including signature Galcher vocals in a majority of the tracks to boot) this vinyl release hopes to bring more fans who missed the original release to the 420 club.
Natural Blues (Reinier Zonneveld Homage remix) (7:22)
Review: Spanish imprint Suara are a force to reckoned with at the moment and continue to bring the heat with his fine collection of remixes by US electronica icon Moby. Brazilian Victor Ruiz kicks off proceedings with his rendition of "Go" and he sure had his work cut our for him, trying his deft hand at such a defining rave classic: it's pretty good and gives a fresh perspective while staying true to the original. Also on the A side we've got French hero Oxia who stays on the same vibe as the original with his deep and emotive rendition of "Why Does My Heart Feel So Bad". On the flip, the m_nus affiliated Julian Juweil delivers an absolutely stomping peak time weapon with his version of "Porcelain" which blows the bloody doors off as always. Reinier Zonneveld's homage to "Natural Blues" goes for some sunny uplifting deep house: Kater Blau style.
Barely Breaking Even (Louie Vega Boogie mix) (7:59)
Barely Breaking Even (Louie Vega NYC House remix - instrumental) (9:08)
Barely Breaking Even (Louie Vega NYC House remix) (9:07)
Barely Breaking Even (Louie Vega Boogie mix - instrumental) (7:55)
Review: We're prepared to argue with anyone on this, but Universal Robot Band's "Barely Breaking Even" is one of the best boogie-era disco records ever made. Its title was also the inspiration for the name of BBE Records, so it seems fitting that the label's 500th release is an all-star re-recording that brings together NYC house hero Louie Vega and original creators Leroy Burgess and Patrick Adams. Vega delivers vocal and instrumental versions of two distinctive passes: a slick, smooth, soulful and string-laden "Boogie Mix" rich in warm electronics and subtle nods towards the early '80s original, and a rolling "NYC House Remix" full of twinkling Fender Rhodes solos and atmospheric chords. As you'd expect, Burgess' re-recorded vocal is superb.
Review: Three years after it first dropped digitally, J T Donaldson's Classic Music label debut finally makes it onto wax. The EP naturally opens with the long-serving deep house producer's original mix, a wonderfully sun-splashed and warming slab of electric-piano-heavy deep house goodness marked out by a superbly soulful - but also pleasingly laidback - lead vocal from guest singer Liv E. Donaldson's own bumpin', club-heavy remix - think vintage Masters at Work and you're close - follows, before we're treated to two fresh revisions from other producers. Fellow house veteran Sandy Rivera delivers a typically drowsy, soulful and tasteful rework, before Girls of The Internet re-invent the track as a bustling slab or elastic jazz-house complete with layered analogue synth sounds and heady double bass.
Mystical Sunshine (Fred P Tribal dub version) (5:32)
Review: Private Society is the new, limited run, vinyl only, hand stamped white label series from the one and only master of the deep, Fred P. The American has been operating in this mode for many years but always finds great new territory, as he does again here. 'On The Beach' is a downbeat cut with jazzy cymbals and the sort of lush pads and heavenly vibes the artist is best known for. A short reprise is provided for jobbing DJs while the flip features two versions of 'Mystical Sunshine.' One is a colourful and synth laced jam and the other is heavier and more dubbed out.
Home Sweet Home (The Journey) (feat Aaron Gray) (6:43)
Review: REPRESS ALERT!: Six years after delivering his debut album - a digital-only affair called TruSkool - Demuir has finally got round to recording a follow-up. The Toronto native's brand of house is chunky, groovy, deep and funky, taking cues not only from previous collaborators such as DJ Sneak, but also those of his contemporaries that make great use of dusty samples and killer drum programming. As a result, Visions manages to work both as a collection of club-focused cuts and an album you can listen to repeatedly from start to finish. Our picks of a pleasingly strong bunch include the fluid, disco-tinged, Hipnotic-sampling brilliance of 'Mind, Body & Soul Call Me', TUSH hook-up 'Skylar' (a superb slab of gospel-tinged soulful house) and the delicious Fred P collaboration 'Dream (Part II)'.
Review: Classic Music Company welcomes a real legend to their ranks in the form of Detroit innovator Robert Hood under his Floorplan guise, which has more recently also included his daughter Lyric. The line-up may have expanded, but the sound remains the same - uplifting gospel house with a very real sense of spirit. 'Right There' has dusty hi hat ringlets and warm organ stabs over an endlessly shuffling beat that will get clubs in raptures. 'Holy Ghost' then gets a little more bouncy with lively chords and clipped vocal yelps bringing the energy.
When You Love Someone (Groove instrumental) (7:55)
When You Love Someone (The Reconstruction mix) (8:18)
Review: The latest on-point reissue from Italy's Groovin' label takes us back to 1993, and the Peter Daou/Danny Tenaglia-produced debut single from vocalist Daphne Rubin-Vega. It's a far breezier, groovier and sweeter record than many of Tenaglia's later productions (which tended towards the muscular), with Rubin-Vega's quietly soulful vocal seemingly drifting across a backing track rich in warm chords and baggy, breakbeat-driven house grooves. All of the various mixes hit the spot, with the trippy, dub-style Reconstruction Mix, vibraphone-laden Groove Instrumental and low-slung Never Do Dub standing out. The Acapella Reprise, which features rich chords and vocal snippets, is also rather good.
Review: It is undeniably one of the most iconic house tracks of all time: 'The Nervous Track' by Masters At Work Present Nu Yorican Soul is an exquisite coming together of MAW's deep musical heritage, Latin roots and majestic studio skills. It first landed in 1993 and its deep bass, rich bass and expressive percussion all made an immediate impact. Here presented on limited edition yellow vinyl, it comes with various mixes that highlight different aspects of the arrangement. The Horny Mix is fun, the Yellow Mix is more dreamy, but the Ballsy Mix remains a firm favourite.
You Got Me Dancing (feat Audrey Wheeler & Cindy Mizelle) (4:04)
Chimi (feat Elements Of Life) (4:15)
Love Has No Time Or Place (feat Elements Of Life - previously unreleased instrumental dub) (4:40)
Atmosphere Strut (feat DJ Spinna) (3:57)
Cosmic Witch (feat Anane) (3:55)
How He Works (feat Nico Vega) (3:54)
A Place Where We Can All Be Free (feat Janine Lyons) (3:53)
Touch The Sky (feat Tony Momrelle) (4:01)
Dreaming (feat Cindy Mizelle) (4:02)
All My Love (feat Robyn) (4:07)
Feel So Right (feat Honey Dijon) (3:56)
Louie Vega & Karen Harding - "Free To Love" (4:03)
Bebe Winans - "It's All Good" (feat Debbie Winans Lowe & Korean Soul - Louie Vega remix) (4:02)
Review: It may come with an eyebrow-raising price tag, but what's on offer here is undeniably alluring: a box set of 10 seven-inch singles containing all of the songs from Louie Vega's brilliant Expansions In The NYC album - an all-star affair in which the Masters at Work man celebrated his love of New York disco, boogie and house. The album itself is incredible, with fantastic musicianship, arrangements and vocals, while the cast list - which includes original electrofunk outfit Unlimited Touch, Peech Boys main man Bernard Fowler, Honey Dijon, Cindy Mazelle, Moodymann, Kerri Chandler and his son Nico - is similarly impressive. It's a great product, packed with brilliant music: a fitting finale to this portion of the ongping 'Expansions NYC' project.
Review: Metro Area pretty much set a gold standard for modern disco with their eponymous debut album. Now, two decades on, they remain untouchable when it comes to this sort of sound. To mark their 20th-anniversary Environ has lined with the renowned mastering engineer Matt Colton to have the duo's first four 12"s recut. Each one features the original, extended 12" versions of all songs, some of which have never been re-released. Metro Area 3 features the elastic bass and suspensory grooves of 'Caught Up', pumping arps and cosmic pads of 'Tonky Pumpz' and the shimmering jazz-funk-disco dazzle of 'Evidence'.
Review: For the latest volume in their Foundations series on BBE, Kai Alce and DJ Spinna have decided to reissue one of the finest records from the earliest days of Chicago house, Chip-E's spellbinding 1985 anthem "Like This". This seven-inch edition features a fresh edit of Chip-E's original cub mix on the A-side. This version is essential largely because of the quality of K-Joy's impeccable vocal, though the re-mastered sound also makes Chip-E's crunchy Roland drum machine hits, bold synth-bass and spacey lead lines sound better than ever. Turn to the flip for the heavy and stripped-back "DDD Dub" version, which makes more use of the short "Like This" vocal, which was originally provided by the Godfather of House himself, Frankie Knuckles.
Review: Kai Alce's faultless NDATL label brings us more goodies direct from his base in Atlanta, which might be best known for its rap but also packs a punch when it comes to house music. This one is from Rasheeda Ali, a new name that might be familiar to anyone who heard Kai's 'Sheed's Move' tune from a previous EP. She has also been on stage with none other than Jeff Mills and here her flute skills come to the fore with production from Kai. 'Libra Ascending' has a snappy bounce, then 'Sheed's Rising' showcases Rasheeda's gymnastic flautist abilities. A fine debut.
Review: Has there ever been a more significant nu-disco release than Metro Area's 1999 debut? It was certainly an outlier on its original release in 1999 and inspired countless others to attempt (and usually fail) to follow in their footsteps. All these years on, it still sounds fantastic - as this remastered reissue proves. Opener 'Atmospherique' effectively defined their timeless, NYC-inspired sound - think the warmth of deep house mixed with spacey synths, disco percussion and squelchy bass - while the subtly Latin-tinged 'Pina' sounds every bit as incredible in 2023 as it did at the turn of the Millennium. 'Rainy Street Feeling', which didn't make the cut on their celebrated debut album, is a real treat, too - a classy hybrid of loose-limbed deep house, sultry strings and nu-disco electronics that's worth the admission fee on its own.
Review: It might be 23 years old, but Metro Area's second eponymous EP still sounds as fresh, timeless and immaculately produced as it did at the turn of the Millennium. Here the three-tracker returns in freshly remastered form. The real standout is arguably near nine-minute A-side 'The Art Of Hot', a deliciously deep, sparse and glassy-eyed affair in which echoing strings (courtesy of Kelley Polar and chums), sustained chords and electronic pots-and-pans percussion rise above an undulating synth bassline and crispy disco drums. Elsewhere, 'Machine Vibes' is a more warming and melody-rich skip through deep nu-disco pastures featuring a rather lovely flute solo, and 'Wafer' is a bass guitar-propelled skip through spacey, house-not-house awesomeness.
Harry Romero - "Revolution" (House Masters edit) (5:13)
Prunk & Rona Ray - "Keep It Simple" (6:41)
Review: The mighty Defeated has got a fun package on its hands here with some fat disco and house anthems primed and ready for big room summer fun. A'Studio's 'SOS' (feat Polina - Skylark remix - Nic Fanciulli edit) is chunky house with a hooky vocal and rolling groove designed to sweep you up and away. Chloe Caillet then remixes Tensnake's classic 'Coma Cat' into a hands-in-the-air house stomper with epic strings. Harry Romero's sweaty 'Revolution' gets its drums buffed up and well swung by a House Master's Edit and Prunk & Rona Ray steal the EP at the last with their lush vocal house cut 'Keep It Simple.'
Music Is My Life (Masters At Work remix dub) (4:44)
Review: Louie Vega continues to offer up fresh remixes of tracks from his epic 2023 album Expansions In The NYC. The latest cut to get the rework treatment is Unlimited Touch hook-up 'Music Is My Life', a joyous and gently soulful fusion of disco instrumentation and house nous. There are two mixes from Vega and long-time studio partner Kenny 'Dope' Gonzalez as Masters at Work: an A-side full-vocal remix that gently beefs up the house elements and adds some tasty Rhodes licks, and an EP-closing dub in which the storied duo reach for spacey synth sounds, rolling grooves and selected vocal snippets. To complete a strong package, British veteran Dave Lee doffs a cap to his popular 'Remixed with Love' series and re-imagines the track as a punchy disco-funk workout.
The Star Of A Story (feat Lisa Fischer - long version) (10:09)
Love Has No Time Or Place (feat Elements Of Life - Patrick & Leroy Strings dub extended) (8:58)
The Star Of A Story (feat Lisa Fischer - Vamp Star dub) (4:06)
The Star Of A Story (feat Lisa Fischer - instrumental) (8:03)
A Place Where We Can All Be Free (feat Janine Sugah lyrics Lyons - Expansions NYC vocal) (9:08)
Review: This fine double-pack features more alternate takes of tracks from Louie Vega's vast Expansions in the NYC album. The headline attraction is the epic extended mix of the Rod Temperton penned jazz-funk/disco classic 'The Star of a Story', which not only boasts fine lead vocals from Lisa Fischer and shuffling samba-house beats, but also strings (arranged by Leroy Burgess) performed Kelley Polar and his colleagues in the Apple Hill quartet. The EP also includes instrumental and chunky 'Vamp Dub' passes of that track, plus alternative versions of two other tracks: the organic deep house roll of 'A Place Where We Can All Be Free' and a superb string-laden dub of 'Love Has No Time Or Place', featuring Vega's Elements of Life band, which showcases the orchestral arrangements of Leroy Burgess and the late Patrick Adams.
Movin' 2 The Sound (DJ Absolutely Shit remix) (5:40)
Review: From the artwork to the vocal stamps to the beats themselves, this is a brilliantly retro-tactic release that brings plenty of nostalgia to the dance floor. Ursula 100 serves up the goods with 'Movin' 2 The Sound' - a dense and intense cut with vocals musing on drum beats and rocking the house, electro-tinged bass and lashings of acid with plenty of analogue percussive sounds. The Acid Jerks Refix strips away some of the noise to focus on the 303 and loopy vocal fragments and Fort Knox 5 up the acid-electro vibes on their rework. Last of all, the DJ Absolutely Shit remix brings some big jungle breakbeats and lively sax. A fun and destructive EP for sure.
Review: Escort's 'Cocaine Blues' is undoubtedly a 21st century disco classic -a peak-time ready riff on Dillinger's 'Cocaine in the Brain' and People's Choice's 'Do It Anyway You Wanna' that has been a mainstay in DJ sets for the last 12 years. These fresh versions do a decent job breathing new life into a familiar favourite. John Morales does a good job of joining the dots between disco and house on his EP opening multi-track remix, while band-member JKriv adds a little more weight and spacey synth noises aplenty on his similarly fine rework. Sheffield's Crooked Man take over on side B, first delivering a pitched-down revision blessed with jangling piano stabs ('Crooked Line 1'), before reaching for the squelchy synths and trippy noises on a slightly wilder take ('Crooked Line 2').
Review: Revelation - not the 70s soul and disco group but in this case, the short-lived house duo from New York City - dropped just three EPs and this was the second one from 1990. 'Synth It' is a mix of sounds with phenomenal synth work. The poised techno chords are balanced with electro roots and a squelchy acid line then you get a weird and wonderful bleepy dub trance sound on 'First Power (Domination Dub).' It is loved up and very special. Add in two other fine versions and you have a killer reissue here.
Life Forces (feat Zara McFarlane - Joaquin's Sacred Rhythm version) (6:18)
Life Forces (feat Zara McFarlane - Joaquin's Sacred Rhythm dub) (6:25)
Umoja (Joaquin's Sacred Rhythm version) (7:32)
Umoja (Joaquin's Sacred Rhythm dub) (8:02)
Soul Of The People (feat Bridgette Amofah - Joaquin's Sacred dance version) (8:23)
Soul Of The People (feat Bridgette Amofah - Joaquin's Cosmic Arts dub) (10:04)
Into The Light Of Love (feat Myles Sanko - Joaquin's Spirit Of The dance version) (9:37)
Into The Light Of Love (Joaquin's Spirit Of The dance instrumental version) (9:38)
Review: It's not often that jazz guitarists and bandleaders double up as DJs and producers, but neither is Nicola Conte the kind of person one often encounters. Here the Italian multi-talent proffers a new version of his latest spiritual jazz-house opus, Umoja. This record first came to be as a full-length 4x4 dance LP of serene, danceable tropicalias and sports-whistly whorls. They now come reincarnated, karmically re-endowed with the thermal force of an eagle, by way of an album's worth of reworks by the veteran producer's vim of fellow spiritual house height-scaler and abseiler, Joaquin Claussell. Whether invoking the exquisite voices of Stefania Dipierro or channelling the patent inspirations of Lonnie Liston Smith of Gary Bartz, Conte Conte-nues to propose endless Conte-nuations of his sound; all it takes is a little help from one's friends to evoke a sacred dance, a sonic world-spirit.
Review: A right classic for those that know. Originally released back in 1994 on King Street Sounds, ?"Closer" by pioneering production team Mood II Swing (feat. Carol Sylvan) receives a much deserved reissue here featuring all four tracks that appeared on the original release, remastered for your listening pleasure. The timeless and soulful bounce of the "King Street Moody club mix" is a true zeitgeist of early '90s garage, while it wouldn't be a proper Ciafone & Springsteen release without one of their legendary dubs, would it? You can bet there's typically moody one on the B-side, followed by the heady, swing-fuelled and stripped-back shuffle of the "Swing To Mood dub".
Review: New York champ Son Of Sound has been off the radar for a few years, but now he's back with a fresh drop that brings some of that upfront house bump that could only come from the Big Apple. Dusty samples, insistent jack and bags of attitude abound on "Don't Count On Me For Love", while "Deep Tri-State (That Love)" takes things far out into trippy broken beat territory that wouldn't sound out of place chilling next to a Hanna production. "Truth Be Told" ups the ante with some gorgeous cascading keys and an irresistibly funky rhythm section, while "Say More" has some fun with spaced out samples and a lazy loop that make up a sweet vibe to chill on.
Kim English - "Treat Me Right" (David Morales club mix) (6:49)
Sandy B - "Feel Like Singing" (Adelphi music Factory remix) (5:46)
Byron Stingily - "Get Up (Everybody)" (Darius Syrossian remix) (6:37)
Byron Stingily - "Get Up (Everybody)" (Parade mix) (7:18)
PJ - "Can Ya Tell Me" (Gerd Janson Piano Megamix) (6:29)
PJ - "Can Ya Tell Me" (Gerd Janson bonus Beat) (3:49)
PJ - "Can Ya Tell Me" (Pierre Phat dub) (5:01)
Wonderboy - "Jerk It" (Sorley Street mix) (5:09)
Wonderboy - "Jerk It" (Felix Da Housecat original Nooworld Underground mix) (6:26)
Innervision - "Don't You Ever Give Up" (feat Melonie Daniels - Ian Friday Libation Vox) (8:10)
Innervision - "Don't You Ever Give Up" (feat Melonie Daniels - Ricanstruction vocal) (6:14)
Kim English - "Learn 2 Luv" (Ralf GUM remix) (5:58)
Kim English - "Learn 2 Luv" (Mood II Swing club mix) (8:19)
Deep Creed - "The Anthem" (Monki remix) (6:34)
Deep Creed - "The Anthem" (Armand Van Helden original Circle mix) (6:37)
Kim English - "It Makes A Difference" (Danny Howard remix) (7:04)
Danny Krivit & Kyle Smith present Kim English - "It Makes A Difference" (dub) (7:44)
Review: Is there a label as iconic Nervous in all of house music? Probably not. The New York staple is responsible for shaping and reshaping the genre many times over the years and in 2021 turns an impressive 30. Of course, there are plenty of celebrations going on to mark the occasion, including a bumper multi-part compilation feature all the label's many golden grooves and classic tunes from over the years. Next to enduring label associates like David Morales and Mood II Swing, Armand Van Helden and Kim English, plenty of new school names get in on the act such as Danny Howard, Darius Syrossian and Gerd Janson. Superb.
Review: The Master at Work that is Louie Vega has been a music-making machine all his life but in recent years has continued to reach new heights with various different projects. Here he is back on regular label Nervous with various different versions of his tunes 'Joy Universal' and 'Igobolo.' 'Joy Universal' (feat Two Soul Fusion) is classic Vega - soulful house music awash with Latin influences, loose-limbed percussion and funky basslines. And that template is tweaked over the ensuing tunes, with glorious pianos, jazzy grooves and tropical rhythms all making for a fine EP.
Beltram presents Phuture Trax - "Future Groove" (Maxed Out original mix) (5:17)
Kim English - "Unspeakable Joy" (Dr Packer remix) (8:39)
Kim English - "Unspeakable Joy" (Maurice Joshua original mix) (5:39)
Byron Stingily - "You Make Me Feel Mighty Real" (Kevin McKay remix) (6:11)
Look Out - "Let Your Body Go" (Franky Rizardo remix) (5:35)
Review: To mark 30 years in the game, legendary NYC house label Nervous Records has decided to release a series of compilations that pair classic cuts with new remixes. Louie Vega kicks off the first volume by remixing one of his own productions, Willie Ninja's 'I'm Hot', reinventing the analogue-rich deep house bumper as a disco-centric, while Radio Slave turns Ralph Falcon's sleazy 'Break You' into a stomping techno anthem. Tensnake adds warmth and wooziness to The Messenger's 'End This Hate' (a classic Todd Edwards production), Agent Orange delivers a warehouse-ready techno version of Phuture Trax's 'Future Groove' and Dr Packer emphasizes the gospel influences in Kim English's 'Unspeakable Joy'. Arguably best of all though is Kevin McKay's muscular electro-disco mix of Byron Stingly's superb Sylvester cover, 'Yu Make Me Feel Mighty Real'.
Review: NYC legend Pal Joey originally released the evocative deep house gem "Harmony" back in 2004 on his Cabaret imprint. With its skittery, swing fuelled rhythms, lush keys and bumpy bassline: this is classic Joseph Longo at his finest. On the flip "I Got The Rhythm" is equally as emotive and channels the heyday of The Big Apple's underground club scene circa 1991 where clubs like the infamous Red Zone reigned supreme. More famed works up for grabs once again by an influential hero in house music.
Mark Knight, Todd Terry, James Hurr - "Make You Happy" (feat Darryl James, David Anthony) (4:59)
Eddie Thoneick - "Take It Back" (4:26)
Pete Griffiths - "Get Together" (feat Ebony Soul, Ann Nesby) (5:44)
Muzzaik, Stadiumx - "Echoes" (4:59)
Review: Toolroom is one of the biggest house labels in the age these days. Mark Knight's outlet is a go-to for the big room lovers and pool party crews of the world and it's easy to see why when you tune into his latest label sampler. It brings together the old and the new school with the piano laced, steely house pumper 'Make You Happy' from Mark Knight, Todd Terry and James Hurr kicking off. Eddie Thoneick's 'Take It Back' gets more down and dirty with a sleazy bassline, Pete Griffiths brings belting vocal house energy to 'Get Together' and Muzzaik and Stadiumx combine for the flashy and raved-up 'Echoes.'
I'm Caught Up (In A One Night Love Affair) (John Morales M+M main mix) (8:06)
I'm Caught Up (In A One Night Love Affair) (John Morales M+M mix edit) (4:16)
I'm Caught Up (In A One Night Love Affair) (John Morales M+M Classic club) (7:59)
I'm Caught Up (In A One Night Love Affair) (John Morales M+M instrumental mix) (7:50)
Review: Inner Life's 'I'm Caught Up (In A One Night Love Affair)' released in 1979 is a quintessential disco anthem that captures the exuberance and allure of the era. Jocelyn Brown's powerful vocals deliver a story of fleeting romance, seamlessly intertwining with lush orchestrations and a driving rhythm section that still get people up and dancing all these decades on. The track's infectious groove, memorable hooks, and lavish production epitomise the magic of late-70s dancefloors which is it why it is such a staple in both nostalgic disco sets and modern dance compilations. This reissue offers up four different versions by the great remix king John Morales.
Review: In the late 1980s and early '90s, twins Rheji and Ronald Burrell did more to define the sound of deep house than almost any other producer bar Larry Heard. It's for this reason that this new EP from Rheji under the Utopia Project alias - one of many monikers he and his brother adopted back in the day - is such big news. The five tracks are totally fresh, rather than archival cuts, but are every bit as magic as the music Burrell released all those years ago. Expect tactile basslines, classic deep house rhythms, huggable melodies, chiming motifs, sun-bright piano riffs and immersive chords, all created using the same combination of synthesizers and drum machines that he and his brother once used to craft pioneering NYC house jams. Essential!
The Mind Travel (Saturday Night Sunday Morning mix) (16:18)
Lost Horizons (6:50)
Lost Horizons (Percussion bonus) (4:57)
Review: The ever reliable Isle of Jura label gives a reissue to two tracks from Instant House, the outfit consisting of Joe Claussell, Stan Hatzakis and Tony Confusione, with a 'Percussion Bonus' of 'Lost Horizons' to boot. The word epic naturally springs to mind when we come across the 16 minute Saturday Night Sunday Morning mix of 'The Mind Travel', and with its exotic keyboard solos and bongo freakouts it certainly elevates the psyche to new heights. 'Lost Horizons' has a nice line in Weatherall-style skittering echoes, held in place by a hypnotic key riff, while the Latin-laced Percussion Bonus mix of 'Lost Horizons' is the most mesmerising and direct of all three cuts here. Lost - and now found.
DJ Jazzy Jeff & Kaidi Tatham - "Doin' The Most" (7:32)
Matthew Law - "Dilla's Disco" (4:10)
Review: The Private Stock label is back with more of their irresistible house magic with a limited translucent red splattered 12" featuring some pretty big names. Terry Hunter kicks off with the sort of guitar-laced roller that you imagine would have been massive at Paradise Garage with 'Go Back Jack' then Ian Wallace brings big and sunny house stomps with his 'From Beginning To End.' DJ Jazzy Jeff & Kaidi Tatham then team up for the irresistibly feel-good disco, soul and house fusion that is 'Doin' The Most' and Matthew Law lays down dusty MPC drums with grinning bass and lo-fi atmospheres on the perfectly entitled 'Dilla's Disco.'
Days Like This (DJ Spinna & Ticklah club mix) (5:27)
Days Like This (K-klass club mix) (7:07)
Space Rider (MJ Cole vocal mix) (5:09)
Days Like This (Spen & Karizma main mix) (9:26)
Review: It is fair to say that Demon Singles Club has another top nugget on vinyl here. 'Days Like This' by Shaun Escoffrey is a proper good slice of modern house music and it gets remixed here by top dogs Spen & Karizma, MJ Cole and DJ Spinna. This reissue of the 2002 original has been remastered by Phil Kinrade at Alchemy Mastering with the new remixes including the first-ever vinyl appearance of the MJ Cole contribution. There is lots to love in each of these with all of them being standouts and perfect for playing as the days warm up.
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