Review: Of all DJ duos currently operating in British dance music, Belfast boys Bicep might be the hardest to pin down (Optimo aside, of course). Certainly, this debut album is not easy to pigeonhole, though it is an enjoyably cohesive listen. This is largely down to two factors; the frequent use of deliciously colorful and loved-up synthesizer parts, and the duo's innate ability to utilize beats tailor-made for dancefloor devastation. So while keen dancefloor historians may notice sly (and not so subtle) nods to '89 rave, U.S house and garage, Italo-disco, late '90s progressive house, jungle and early British hardcore, the album never sounds anything less than a fine set of Bicep tracks. Expect it to be one of the biggest albums of the year.
Review: ** Camera's ready. Prepare for the Repress ** Curtis Jones is never one to rest on his laurels, as his staggering back catalogues as Green Velvet and Cajmere can attest but such is the force of his personality that a new release still feels like an event. "Bigger Than Prince" capitalises on Jones' knack for a vocal that lambasts the less earnest quirks of the dance music industry, while creating the hook to make the track a bomb in the same instance. Production-wise, there's a measured strut to the track with some choice growling bass synths and an underlying disco flavour that suits Jones just fine. On the remix front, Circus turn to The Martinez Brothers to hammer out a rolling, percussion focused version perfect for big room mixing, while Hot Since 82 turn out a similar line in boompty peak time damage.
Review: Four Tet is back with a new album of shimmering wonderment on his own Text label. As ever, it's the way that Kieran Hebden tugs at the heart strings so artfully that makes him so well-loved, and he's not holding back one iota as "Sixteen Oceans" opens up with the ineffably pretty "School". There's some advanced garage ruminations on "Baby", classic ambience on "Harpsichord", and so the eclectic and extremely soul-cleansing vibes continue across three sides of wax. In addition to this wonderful new album, Hebden has also held back the fourth side for a bunch of locked grooves so satisfying you could get lost in them all day.
Review: It may have taken a while - his massive debut single 'Hyph Mngo' was released 12 years ago - but Joy Orbison has finally got round to recording his debut album. It's a highly personal affair, peppered with speech snippets from various family members (including his mum, dad, sister, cousins and famous uncle, Ray Keith). It's a narrative device that works well, providing a unifying thread throughout a woozy, musically eclectic concoction that sees the now veteran UK producer give his distinct spin on ambient, slow house, two-step garage, deep house, post-dubstep beats, dubbed-out soundscapes, British bass music, experimental electronica, cutting-edge deep D&B and much more besides. It's perhaps not the all-out assault on the dancefloor some may have expected, but it is a genuinely brilliant and entertaining album.
Review: Some 25 years after delivering his debut 12", Richard D James hasn't lost the ability to thrill or inspire. By his obtuse standards, the material that makes up the surprise Cheetah EP is actually rather laidback and melodious. "Cheetah2 (LD Spectrum)", for example, sounds like a slow house jam written by robots, while the even deeper "Cheetah7B" shuffles along in a metronomic fashion, seemingly oblivious to the increasingly aggressive World at large. Of course, those trademark skittish IDM rhythms are present - see the B-side's lead cut - and the Cornishman has thrown in a couple of hazy ambient cuts for good measure.
Review: With his release schedule operating at a gentle pace to allow for each of his twelves to sit and be considered on their own merit, Daniel 'Red Rack'Em' Berman makes just his second outing of 2013 with this pair of cuts for the ever strengthening Wolf Music. It's a record that shows off Berman's idiosyncratic approach to deep house on two very different levels. The first track, "In Love Again", is as blissed-out and heartfelt a take as you could wish for, from the sumptuous pad lines to the plastic strings that positively ooze contentment and passion. "Latin Techno" meanwhile is perhaps less predictable based on its title, opting for a jagged cut up of drum machine patterns and contorted brass sounds but rubbing them up in a non-direct way that makes for a delirious and utterly singular end result.
Colors Of Autumn (feat Speech Of The Group Arrested Development) (4:10)
This Is My Rock (feat Sophia Kennedy) (5:19)
Illumination (feat Roisin Murphy) (4:40)
Planet Hase (feat Mano Le Tough) (4:18)
Pick Up (6:37)
Scratch That (feat Roisin Murphy) (5:02)
Muddy Funster (feat Kurt Wagner) (5:23)
Baby (How Much I LFO You) (4:31)
Jesus (5:13)
Lord Knows (4:04)
Seeing Aliens (4:53)
Drone Me Up, Flashy (feat Sophia Kennedy) (6:26)
Take A Run (feat Ada) (4:51)
Review: DJ Koze's music is very much suited to the album format. Although his last effort through this medium was back in 2013, his explorative nature and wide-eyed, improvisational style are simply made to branch out into areas outside of the more predictable house and techno formats. Knock Knock comes through on his own Pampa label, with its seventeen tracks all providing us with something different and wonderful, from slo-mo r&b sounds to funky, wayward house music that is most certainly at the 'outside' of the house spectrum. There are plenty of special guests, too, including Mano Le Tough, Sophia Kennedy, and many other relevant talents. A Koze speciality.
Review: Earlier this year Minimal Wave offshoot provided one of this year's most visceral dancefloor weapons in Kino-I, the debut from Doug Lee's new An-I project. Taking inspiration from techno, jack, industrial and punk, An-I successfully drew a line under some of the Berlin-based artist's previous disco-flavoured endeavours. And then some! If you like the Kino-I 12" you will love the new triplet of An-I productions housed on this appropriately titled Gutz 12". The title track alone should come with a health warning; such is the furious onslaught of machine funk it contains, whilst the unnerving "Rut" is the most schizophrenic production you will hear this year. Best of all id closing track "Save Us" sounds like a cross between in Aeternam Vale and Silent Servant. Pressed on a rather thick and dashing slab of magenta orange vinyl!
Review: Having built up his self titled label alongside his sterling work as part of Oscillat, Lazare Hoche and Will & Ink, the one and only Malin Genie delivers his debut solo album. Moving beyond the pure club focus of his singles and EPs, the Genie has seized this opportunity to present a widescreen panorama of his sound, leading in with the subliminal ambience of "You" as a springboard to explore breaks, electro, techno, and especially IDM. There are so many ideas swirling round Anthropomorphic Sympathy, it's hard to know where to begin describing it. A true headphone commute for the deep listener to burrow into.
Review: Originally released digitally in 2013, Pink collated a series of 12" releases from Kieran Hebden issued over an 18 month period on his Text label. Hebden and record club and subscription service Vinyl Me, Please have teamed up to give Pink a double vinyl release for any Four Tet fans that weren't quick enough to nab those 12"s at the time. There is plenty of classic Four Tet to be had here too. "Jupiters" experiments with swung garage beats in an unmistakably UK Bass style, while "128 Harps" is a whipcrack MPC workout given his light melodic touch and "Peace On Earth" is a beatless 11 minutes of analogue kosmische. But it's the centrepiece of Hebden's Fabriclive mix, the brilliantly moody "Pyramid", and the loose limbed jazz-house of "Pinnacles" that really set this album apart from his other long-playing efforts, two examples of timeless dance music which demonstrate why after nearly 15 years in the game Hebden is only improving with age.
Review: Bicep's second album is shaped by the experience of touring their debut long player for something like three years, a period during which they honed and perfected their instinct for tracks that would stand the test of time and repeated listening. What develops is a distinctive style typified by a combination of ethereal sonics and cheeky, memorable instrumental hooks, only set to a variety of beats that reference and indeed fuse the plethora of different dance genres that have sprung up since the acid house revolution if the mid-80s. So we get everything from the electro-tainted 'X' to 'Rever', where an African choir floats over a subtle deep house shuffle and 'Saku', where UKG bass pressure and skippy beats provide a hypnotic background for Clara La San's sweet but ghostly voice.
Programming/Unauthorized Procedure/Criminal Drug Evasion
Soul Control/Quarter Run (feat Alena Waters)
Synthetic Flemm
Galactic Ancestors
Flotation Device/Fear Or Laziness?
Laziness (feat Amp Fiddler)
Fear
Usually Suspected/The Quest (feat Amp Fiddler)
Second Chances (feat Monica Blaire)
Space Cowboys & The Interplanetary Gangster Edit
Review: Theo Parrish's masterful Sound Sculptures Vol 1 on triple LP format gets a timely repressing!! In total here there are 9 of the 27 tracks from the full double CD version but these still run the gamut of Theo's inimitable talents, from rough and tumble disco edits to saccharine soul, raw beatdown and leftfield esoterica. Be sure to check the Omar S- featuring "Synthetic Flemm" and long time Juno favourite "Flotation Device". If ever there was a selection of tracks that fully showcased the incredible breadth of production talent this man has, this is it. Not to be missed!
Review: Omar S adopts a new style for his new Side Trakx project. Detroit house meets sample based hip hop... and it really works. Possibly inspired by the passing of the late Jay Dilla, this music is perfect for relaxing and kicking back, or even warming up the early hours of the club. While Detroit hip-hop producers already proved that there's a mutual creative interaction between the cities house, techno and hip-hop scenes, it's now one of the cities hottest house producers laying down some smoked out, next level instrumentals in the vein of the late genius Jay Dilla, Madlib or Underground Resistance's Hipnotech sublabel.
Review: REPRESS ALERT!: Margaret Dygas may be based in Berlin but her unique sound can't be tied down to any one city or scene, as she proves on her latest 12" across three tracks for the consistently exciting Half Baked label. Not that there's anything half done here, of course, with A-side tune 'Butterfly Effect' a prime slice of groovy. resonant techno that's understated and restrained enough to gain comparisons to Jaydee's 'Plastic Dreams' classic. 'CC Is 33' is warmer, with nicely slidy, jazzy organ chords and itchy technofunk rhythms, with the most minimal of the three tracks, the static-infused, atmospheric 'Subliminal 20A7', coming last but by no means least. A great showcase for a great, original talent.
Review: Floating Points, also known as Sam Shepherd, returns with a new album that pushes his sound even further into exciting new territories. This album, consisting of eight tracks, offers expansive explorations of sounds and grooves, with each piece allowed to develop and evolve over up to eight minutes. Nearly a decade after his acclaimed debut Elaenia, Shepherd continues to blend his experimental inclinations with dancefloor appeal, a fusion that has become a hallmark of his style. Cascade is conceived as a follow-up to Shepherd's rave-reviewed second studio album, Crush from 2019. While Crush introduced listeners to Shepherd's more introspective side, Cascade aims to bring the traditional Floating Points experience back to the dancefloor. Bursting with Buchla rhythms and glitching melodies, it should be more in line with his dance singles. Shepherd describes the album as a continuation, which is reflected in the vibrant artwork by Akiko Nakayamaia colourful sleeve with fluid imagery that mirrors the album's dynamic soundscapes. The album's evocative title, Cascade, suggests movement, beauty and pressure, themes that resonate throughout its paces.
Review: Peter Kersten, better known as Lawrence, is the veteran deep house producer and gallerist who many of you may know as chief of Hamburg's Dial Records and who made external outings previously on Japan's Mule Musiq where he released several lauded long-players. His latest one comes courtesy of Berlin's Sushitech entitled Earthshine, a 3XLP featuring 12 tracks written and produced by Kersten over the last five years. All in all it's a diverse selection put together by one of the scene's most highly regarded artists.
Review: Marking over 16 years as an artist, Robert James unveils his debut album Battle of The Planets. A milestone in any musician's career, the LP illustrates the breadth of Rob's tastes and influences, exploring the rugged terrain of planet electronica. Ranging from breaks and electro to house and techno, Battle of The Planets was made during lockdown, a period of creativity and isolation for many artists around the world. Across 10 skillfully produced cuts Rob takes us on an intrepid adventure into the cosmos, where mysterious atmospheres and uplifting melodies sit side by side with captivating dance floor rhythms. Many shades of his personality come through on this album, all tied together by his unique sonic identity; informed by his years spent on the dance floor, behind the decks and in the studio. On Battle of The Planets Robert James presents a distillation of his extensive knowledge and experience into one succinct, highly engaging body of work.
Review: 3 track EP by Overlords of the UFO, including 2 previously unreleased tracks and one track released on an earlier EP named Transcendental Overdrive.
All tracks were produced in the late 90's.
This EP continues the trademark retro sci-fi analogue synth vibe of Overlords of the UFO and is the 2nd release by Enlightenment Records.
Sly & Lovechild - "The World According To Sly & Lovechild" (Andrew Weatherall Soul Of Europe mix) (8:25)
Deniro - "Epirus" (6:34)
Psyche - "Crackdown" (5:59)
Hiver - "Paert" (7:04)
Aphex Twin - "Vordhosbn" (4:46)
Review: South Korean star Peggy Gou continues her seemingly unstoppable rise by serving up her first ever DJ mix CD. It's a contribution to one of the longest running series in the business, DJ Kicks, and she's used the opportunity to showcase the depth and variety of the music in her crates. Beginning with the classic early '90s ambient of Spacetime Continuum, Gou flits between humid, mid-tempo Balearic house (her own "Hungboo"), acid-fired downtempo electronica, throbbing 1990 peak-time anthems (Weatherall's ace but largely forgotten remix of Sly & Lovechild), hypnotic techno minimalism, main room throb-jobs (Hiver), pulsating electro, classic breakbeat hardcore, post-dubstep, dark tribal drum jams and sunrise ready Motor City brilliance (Deniro).
Review: Impressive reissue of sound designers and masters of field recordings Ultra-Red. These unique sounding tracks were first released on the legendary Fatcat label some 20 years ago and kept as secret weapons of DJs like Ricardo Villalobos, Craig Richards and Miss Kittin over the years. Here we have the two long, uncut versions that were never released before. Limited copies!!
Review: Overmono have become real techno darlings in the last two years. And rightly so - they have served up a fine run of EPs in that time which now brings us to their debut album Good Lies. They are also an award-winning live act who have brought new energy and invention to techno as well as a next level grasp of sound design. As such the pair are two of the most revered artists in the UK with a hardcore fan base who pack out their every gig. They will find plenty to love here on an adventurous record that features all the hallmarks you would expect of this duo as well as plenty of freshness.
Review: An integral figure on the Motor City scene for the best part of two decades, Specter has always been a particularly prolific producer. Built To Last - appearing on Theo Parrish's significant Sound Signature label - is his first album-length excursion. It offers an expansive summary of his inspirations and influences - many will notice subtle nods towards local deep house, techno and electro heroes, as well as more experimental synthesizer music, off-kilter electronic jazz-funk, deep space dub and eyeliner-clad early '80s synth-wave - while also showcasing a trademark sound that's every bit as dusty, warm, loose and lo-fi as his lauded Detroit peers.
General Electrik meets Andy Rantzen - "Leather Lover" (5:50)
Jandy Rainbow & Adrenalentil - "I Will Go" (7:19)
Sobriquet - "Is This Your First Time?" (Artificial remix) (4:03)
Blimp - "Yellowgold" (4:33)
Inner Harmony - "Da Lub Club" (3:03)
Maroochy Barambah - "Mongungi" (dance mix) (6:39)
Third Eye - "Behold The Angel Of Frequency" (5:08)
Tetrphnm - "Track 11" (3:59)
Screensaver - "Eliminated" (3:55)
Review: Efficient Space's latest essential release sees Andras and Instant Peterson take a trawl through the darker, lesser-visited corners of Australian electronic music. According to the label, the pair lifted material from "local 12" singles, CD-Rs and the archives of community radio station 3RRR FM". Highlights come thick and fast throughout, from the acid-flecked, "Nude Photo" style Detroit fun of FSOM's "Resist The Beat" and chiming, trumpet-laden bliss of Ian Eccles-Smith's "The Slaughtering Eye", to the jaunty, mid-90s New York style bounce of Blimp's "Yellowgold" and the ultra-deep ambient techno pulse of Tetrphnm's "Track 11". Check, too, the enveloping dreaminess of Screensaver's drifting ambient closer, and the jazzy dancefloor depth of Inner Harmomy's "Da Lub Club".
Review: Tom Middleton and Mark Pritchard created a landmark of ambient music when they released 76:14 back in the 90s. Their Global Communication project was never just about ambient though, and it also coursed through deep house and more besides. In the spirit of progress, Middleton has returned to thinking about the project from a contemporary perspective, stepping forth as GCOM with the epic scope of E2 XO. From stirring orchestral suites to high octane DSP, it's an expansive listening experience that shows Middleton pushing himself into new terrain in the studio. Whether you tie it back to the prior material or not, it's a towering piece of work from an elder statesman of UK electronica.
Review: Bristol's cultured Innate label is back with a first outing of the year and it returns to their various artists format with a mix of talents all making their mark. UK veteran Tom Churchill opens up with 'Unknown Unknowns (Edit)', which brings plenty of fuzzy and lo-fi aesthetic to jacked up drums and spaced-out pads. Rai Scott then shows her class with 'Suasion' that sinks down deep into immersive drums and is subtly lit up with simmering strings. Innate co-founders Owain K and Gilbert then hook-up under their brand new alias Curved Space and showcase their love of electro with 'Reverie,' a dreamy cut that glows with nice celestial melodies and will have dance floors in a zoned-out state. Last of all it's Lisbon mainstay Jorge Caiado who debuts with the chord-laced 'Floating Without Lifting,' a sophisticated and serene jazz-techno cut that takes you to the stars.
Review: The sublime music of Kaoro Inoue is the subject of this essential new compilation on Mysticisms. Inoue describes himself as an "extreme music lover" and has been for more than 30 years. His Chari Chari alias is all about self-expression and the music here has previously only been available digitally. It fuses ambient, house and techno soundscapes across four sides of vinyl with a deeply spiritual outlook and soul-soothing sound. Organic percussion, traditional instruments and new age moods all colour the deeply enticing grooves.
Review: It's been a long time since we heard from Pangaea, one of the three famous faces who made up the original Leeds label come ubiquitous DJ's DJ's DJ imprint - Hessle Audio. Though perhaps less appreciated than his contemporaries Ben UFO and Pearson Sound, now's his time to shine again: Changing Channels is his second ever album, following up 2016's In Drum Play (which for all its quality, rough, juddering techno experiments, will always line the shelves of many a budding selector). Like its predecessor, oddball bassy techno is here Pangaea's preferred mode, whether reflected in the sassy femme vocal cutups of 'Installation' or the spitting basses of 'Squid'. This is one of two vinyl 12"s over which the album is spread; an effort to enhance its playability for DJs.
Pretentious Friends (feat Busdriver - Call by Pillowtalk)
Shipwreck (with Thom Yorke)
Evil Twin (vocals by Otto Von Schirach)
German Clap
Berlin (feat Miss Platnum)
Grillwalker
Green Light Go (with PVT - additional synth by Siriusmo)
Humanized (feat Anti Pop Consortium)
This (with Thom Yorke)
War Cry (guitar by Sascha Ring of Apparat)
Review: Over the years, Modeselektor have forged a reputation as fearless innovators, neatly sidestepping genres and frequently confounding critics. Given their tireless touring schedule and the fact they run two prolific labels it's perhaps no surprise that it's been some four years since the last full-length Modeselektor album. Monkeytown flits effortlessly between skittish 140 BPM bass music, clandestine electronica, sludgy hip-hop and even warehouse-flavoured tropical rhythms (see "German Clap"). There are some real standouts, including a dreamy, slo-mo pop outing with PVT, two collaborations with Thom Yorke and a droning Anti-Pop Consortium hook-up. Must-check.
Review: During the early-to-mid 1990s, Nurmad Jusat released a string of now sought-after singles on Likemind that showcased an emotive, far-sighted take on techno that still sounds timeless all these years on. This fine collection features various recordings he made - but never released - as Nuron and Fuge back in 1993 and '94. As inspired by the techno sounds of his native UK as the far-sighted brilliance of purist Detroit techno and the dreamy soundscapes of Larry Heard, it's a genuinely brilliant collection of long-lost gems. Our picks include the subtly clonk-influenced opener 'The Coded Message', the skewed deep electro shuffle of 'Another Way', the sci-fi techno brilliance of 'Contrapoin (First Version)' and the out-there ambient soundscape that is 'Dialectic Confusion'.
Hieroglyphic Being - "An Astronomical Object" (6:29)
Review: Mother Tongue's 'Yellow Jackets' series is wilfully eclectic, meaning second-guessing what will be on the next release is nigh-on impossible, but undeniably essential. Put simply, each EP in the series so far has been nigh on essential. Happily, volume five is superb too. On side A, Detroit scene stalwart Marcellus Pittman does a superb job of reworking a cult classic - Belgian outfit Arbeit Adelt's 1983 post-punk masterpiece 'Death Disco'. His resultant re-edit emphasises the track's weighty, low-slung groove, mind-mangling electronics and weirdo noises, extending the intro and outro to allow DJs to ride the mix. Over on side B, Chicagoan genius Jamal Moss dons the Hieroglyphic Being guise and offers up a sublime slab of intergalactic excellence, peppering a deep, shuffling, distorted rhythm track with spacey electronics and shimmering, star-gazing melodies.
Review: Aniruddha Das (DSPSSSSD) and Gary 'Roy' Stewart (Dubmorphology) have been collaborating since the mid '80s as Dubnoiz Coalition. While Das went on to acclaim as part of Asian Dub Foundation, Stewart is an experimental artist producing sound design and immersive works for the likes of Tate Museum. Back in 1990, they created some of their first tracks as Ani-Roy, mixing the early influences of acid house with their interest in drone and sound effects, the results being the improvised jams 'Tilt' and 'Fari 116'. They were pressed as very limited white labels, remastered and reissued some 30 years later here on Platform 23.
Review: Underworld's latest album, Strawberry Hotel maps a distinct sonic landscape where minimalistic techno pulses meet textured and scratchy guitar tones, creating an uncanny blend of precision and spontaneity. Each track occupies its own atmosphere-from tracks built around tight, rhythmic kicks and monotone voices, to others steeped in lush melodic swells. Highlight tracks 'and the colour red' and 'denver luna' showcase their talent for boundary-pushing compositions, while 'black poppies' stands as a tribute to dancefloor euphoria and pure vitality, all without a single beat.
Review: The fifth Flaoting Points album Cascade is a culmination of creative evolution. In late 2022, Shepherd found himself in the California desert, crafting a new sonic journey via his acclaimed Promises, where he ventured into airy dreamscapes with saxophonist Pharoah Sanders and the London Symphony Orchestra, earning a Mercury Prize nomination and a sold-out Hollywood Bowl show in 2023. With Cascade, Shepherd returns to his electronic roots, craving the pulse-racing communion of the dancefloor. This album serves as a sequel to Crush, diving deeper into ravey, experimental realms, unexplored due to lockdown cancellations. Tracks draw inspiration from Manchester's record shops and California's desert landscapes, blending Buchla rhythms and glitching melodies. Shepherd's journey, from orchestral collaborations to laptop productions, underscores his relentless pursuit of innovation.
Review: The Groove Access label kicks on to a third release here and it comes in the form of a split EP between Rob Threezy and Maddjazz. Threezy kicsk off on the a-side with 'Threezy', a panel beating techno workout with leggy drums and elastic bass that will spangled any crowd. His second cut, 'Liquid Metal' is another masterclass in bendy bass and chunky drum funk, this time with vocal stabs layered in for extra spice. Maddjazz then steps up to kick off the flipside in frantic acid laced fashion with all sorts of OG Chicago house ranges over booming techno grooves. 'TR DrumTool' is a final weapon for dance floor destruction.
Review: Novel Sound main man Levon Vincent returns to follow up a slew of releases this year, namely the terrific Enchanted Cosmos EP from a few months ago. On the A side of this one, you have the emotive and contemplative deepness of 'Julius Cease ' and its utterly hypnotic melody playing centre stage. Turn over to hear the dense bass and stirring drums on the sweaty basement jam 'Years Of Your Life' that's definitely on a vibe not too dissimilar from his 2009 classic 'Double Jointed Sex Freak'.
Review: Berlin's Cocktail d'Amore and Tokyo's Ene Records have come together once again to present the music of Solidair. The duo of Cocktail alumni Luigi Di Venere and Jules Etienne present three tracks aimed to induce a dance floor hypnosis. Orgonite (Riding the Waves) does just that, a slow build awash in the ebb and flow of acid tinges, just enough to wet your whistle on a Saturday night. The original mix keeps the skeletal support but throws in a life preserver of 8 bit gaming synthesis. Frisky arps call and respond to each other before making way for sinewy pads to lift off. Tiger's Eye sets itself onto cruising speed incorporating elements of late 90's acid techno with the sleek and smooth clubbing aesthetics of modern day Berlin.
Review: Weirdo minimal tech soul, anyone? Any takers should be directed towards this oddball release from Melchior Productions and Paul Walter. Two tracks of serious strangeness: timestretched vocals and repetitious yeahs blossom between the beat-thickets of Melchior's 'Yeah X 3', while many more percussive hits and cuts and clicks and pops and booms come courtesy of Walter's B-side, 'Xvive'. It's an impressive first foray for Maria Newyen's new imprint Scious; let's hope future 12"s stay just as weird.
Your Ghost In Me (feat Hard Ton, Noteless & Ruf Dug - Lipelis remix) (8:20)
A King Of Comets (feat New Composers - Samo DJ remix) (5:35)
Time Traveller (feat Cefric Gasaida, Lipelis & Mujuice - Cable Toy remix) (8:04)
Untitled Ritual (feat Noteless - Linja remix) (7:48)
Review: With such a collaboration heavy project in the "Yet Another Kito Jempere Album" announced it is no surprise that this following remixes pack comes laden with familiar friends'n'family, plus additional support.
Taking the ambient meets acappella paene Your Ghost In Me and creating one of his on-point dance floor dramas, Lipelis (Animals Dancing / LIES), utilising Hard Ton's classic 'US House' vocal delivery to create a perfect "big room" anthem.
Next up Born Free boss, Samo DJ (Public Possession / Trilogy Tapes) pumps A King Of Comets with Mood II Swing punch meets Ballistic Brothers riddim'n'culture for some hip-breaks-dancehall swing.
Cable Toy (Low Budget Family) presents the label favourite with his bouncing, yearning remix of album stand out, Time Traveller. Countered with a perfect touch of summer vibrations and melancholia this up and coming St Petersburg resident has to be watched.
Finally, Linja (Avidiya / Malka Tuti) offers a deep, shuffling version of Untitled Ritual. Arpeggios throb, percussion snaps, tempos shift, planets realign, vocals by Noteless call...wait believing, just we have seen it, God is waiting, nothing can bleeding.
Only friends. Only family. This is Kito's emotional response.
Review: Bicep's second album is shaped by the experience of touring their debut long player for something like three years, a period during which they honed and perfected their instinct for tracks that would stand the test of time and repeated listening. What develops is a distinctive style typified by a combination of ethereal sonics and cheeky, memorable instrumental hooks, only set to a variety of beats that reference and indeed fuse the plethora of different dance genres that have sprung up since the acid house revolution if the mid-80s. So we get everything from the electro-tainted 'X' to 'Rever', where an African choir floats over a subtle deep house shuffle and 'Saku', where UKG bass pressure and skippy beats provide a hypnotic background for Clara La San's sweet but ghostly voice.
Review: This is the thirrd release by the amazing Italian producer Ivan Iacobucci for the Perlon label. The previous two were so well received, this next one was destined to come out sooner than later. Perlon fans know what to expect from their label of choice and Ivan delivers the goods. Those addictively quirky and fonky jackin' minimal techno jams. The title track is that and then some! We especially like the sexy jam 'Waiting For My Love'. Expect the unexpected when you flip over the record as 'Close the Door' is a full-on acid banger that combines high energy techno into what sounds like a video game soundtrack theme song! Closing things out is the wild sounding 'Fear & Madness in the Desert'. We are smiling at the thought of someone playing out these corkers to audience. Expect to see WTF typefaces everywhere!
Review: Make Your Own Meaning continues to convey its unique techno message with a new statement of intent from label head Lurka. The artist has been busy of late and continues to be on a roll with another fascinating four tracker that genuinely serves up some original sounds and rhythms. 'Trip' gets things underway with organic percussive patterns stacked up over drilling bass to make for a prickly groove. 'Airlock' is similar but darker and heavier and 'Sick Flips' keeps the nimble feel going with dancing perc, rigid synths and scratchy sound effects all coalescing over broken drum patterns. Last of all is another dense, busy and multi-layered melange of tiny percussive sounds, synths and clipped rhythms that will make any floor move.
Review: It's 10 up for Semi Delicious, a leading tech house outlet that calls together a selection of various artists for this cool new EP. Manami's 'Lizard Den' opens up with a high speed mix of funky bass and squelchy synths that ride on chunky drums. Demi Riquisimo's 'Tutukaka' is defined by a nice Balearic guitar line and sunset chords to melt the heart and Inner Zone's 'Lunar Trick' bangs the box a bit more with a turbocharged space-house sound. Manuel Darquart closes down with 'Track A' which is a more stripped back and cool viber.
Review: Ben Bohmer's upcoming album Bloom marks a significant milestone in his musical journey, offering a reset from the pressures of his previous successes. The album, shows his growth as an artist, emphasising spontaneity and a return to his improvisational roots. The lead single, 'Best Life,' featuring Jonah, explores themes of life's fleeting nature and the importance of cherishing each moment. 'Best Life also represents a sonic departure for Bohmer, signaling his intention to break free from predefined musical boundaries. The album promises a diverse range of styles and tempos, featuring collaborations with artists like Lykke Li, Oh Wonder and Enfant Sauvage. Overall, Bloom appears to be a deeply personal and musically adventurous project that reflects Bohmer's evolution as a musician.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.