FLOORPLAN Vinyl & CDs

Review: On their fourth studio album, The Masters Plan, Robert and Lyric Hood - the father-daughter duo behind Floorplan - deliver a masterclass in house and techno that's as diverse as it is cohesive. Released on Luke Solomon's Classic Music Company, this 18-track odyssey showcases the Hoods' uncanny ability to blend the sacred and profane, the light and dark, into a sonic tapestry that's uniquely their own. From the opening chords, it's clear that Floorplan's Detroit roots run deep. The gospel-infused 'We Give Thee Honour' sets the tone, its uplifting vocals and rolling rhythms invoking the spiritual ecstasy of a Sunday morning service reimagined for the dancefloor. This spiritual thread weaves throughout the album, most notably on tracks featuring local Detroit vocalists like the soulful trio Dames Brown, Earthtone, and Lowell Pye. But make no mistake - The Masters Plan isn't all celestial bliss. The Hoods aren't afraid to get grimy, as evidenced by the pummelling beats of 'What A Friend'. Here, they demonstrate their mastery of techno's harder edge, crafting a track that wouldn't sound out of place in the sweatiest basement clubs of Berlin or London. It's this deft navigation between styles that makes 'The Masters Plan' so compelling. The dreamy house soundscapes of 'Feel It' provide moments of blissful respite, while collaborations like 'Fake & Unholy' with label-mate Honey Dijon inject a shot of pure dancefloor adrenaline. What's most striking about 'The Masters Plan' is how seamlessly Robert and Lyric blend their generational perspectives. Rather than a handicap, their age gap becomes a strength, allowing them to draw inspiration from decades of electronic music history while still pushing the sound forward. Ultimately,
The Masters Plan feels like both a celebration and an invitation.

Review: Detroit don Floorplan aka Robert Hood has mastered the art of the loop. He knows how to distill voices, drums and synths to their core components and then let them roll endlessly. The results are magnificently captivating and the case of this last, gospel-tinged and potent enough to get even the most ardent atheists believing. Look no further than the turbocharged gospel-tech and impassioned choral cries of 'We Give Thee Honor' for evidence. Less grinding ad a little more silky is the uplifting house sound of 'Makes Me Wanna' on the flip. Two magnificent cuts courtesy of Classic here.

Review: This new joint EP from Robert Hood and his Floorplan project with daughter Lyric showcases two distinct yet complementary visions of techno. Side-A is all about Floorplan's vibrant, gospel-infused house style. 'Eternal Life' bursts out of the gate with a joyful piano-led groove and an infectious energy that commands the dancefloor. The second mix strips things down into a dub-style version, dialing back the melody to let the rhythm section breathe. The track is groovier, more restrained, but still driving. Flip to Side-B and you're in classic Robert Hood territory. 'God Flow' is a streamlined, melodic burner that is direct and tightly wound. It builds with precision, its crisp rhythm and subtle synth work echoing Detroit's minimal legacy. 'The Throne' follows with a nod to Hood's Underground Resistance roots. It's raw and punishing in the best way: stripped-down techno that relies on timing and repetition. Together, the EP is a great look into both projects and their direction.