I'm Caught Up (In A One Night Love Affair) (John Morales M+M main mix) (8:06)
I'm Caught Up (In A One Night Love Affair) (John Morales M+M mix edit) (4:16)
I'm Caught Up (In A One Night Love Affair) (John Morales M+M Classic club) (7:59)
I'm Caught Up (In A One Night Love Affair) (John Morales M+M instrumental mix) (7:50)
Review: Inner Life's 'I'm Caught Up (In A One Night Love Affair)' released in 1979 is a quintessential disco anthem that captures the exuberance and allure of the era. Jocelyn Brown's powerful vocals deliver a story of fleeting romance, seamlessly intertwining with lush orchestrations and a driving rhythm section that still get people up and dancing all these decades on. The track's infectious groove, memorable hooks, and lavish production epitomise the magic of late-70s dancefloors which is it why it is such a staple in both nostalgic disco sets and modern dance compilations. This reissue offers up four different versions by the great remix king John Morales.
I'm Somebody Else's Guy (MC Count aka Frederick Linton Rap version - bonus track) (5:46)
Review: Canada's Unidisc has got a bunch of classic disco reissues arriving this summer and they don't get much more classic than Jocelyn Brown's Somebody Else's Guy. Not only is this the name of one of her biggest ever smash hit singles but also of her debut album from 1990. The lead single climbed high in US and UK charts and still soundtracks drunken wedding parties and parochial club nights up and down the land every single weekend. The rest of the tracks on the album are no slouch either, with Jocelyn's belting soul vocals front and centre over plenty of catchy grooves.
Review: Toolroom's Fool's Paradise offshoot has done a good job in offering up fresh, disco-inspired material, but it also acts as an outlet for key crew member Michael Gray's 21st century reworks of classic disco cuts. On this 12", the long-serving Essex producer puts his slant on Inner Life's boogie-era gem 'I Like It Like That', a 1982 Salsoul single fronted by a then young Jocelyn Brown and produced by Leroy Burgess and Patrick Adams associate Stan Lucas. Gray begins with a lightly housed-up - but suitably reverential - full vocal remix, ensuring plenty of space for the studio band's squiggly synths, bold pianos and dextrous bass guitar. Arguably even better is the B-side 'Dub', which alternates between heavy groove sections, extended breakdowns and effects-laden showcases of Inner Life's piano, bass and synths.
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