Review: This the first in a series of limited Private Society vinyl releases, with special and exclusive songs by American artist Fred Peterkin. The spiritual life music of 'Journey On' is in the vein of his other known Black Jazz Consortium alias, followed by the deep and soulful broken beat of 'More To Be Done'. On the flip, it's all about the 12 minute long, glassy-eyed and bittersweet epic 'Looking At The Sky', awash in syncopated tribal rhythms, gorgeous female vocals and a rich tapestry of ethereal pads. On Private Society Vol 1, the New York turned Berlin resident continues to push further into his own sound, craft and mind.
Mystical Sunshine (Fred P Tribal dub version) (5:32)
Review: Private Society is the new, limited run, vinyl only, hand stamped white label series from the one and only master of the deep, Fred P. The American has been operating in this mode for many years but always finds great new territory, as he does again here. 'On The Beach' is a downbeat cut with jazzy cymbals and the sort of lush pads and heavenly vibes the artist is best known for. A short reprise is provided for jobbing DJs while the flip features two versions of 'Mystical Sunshine.' One is a colourful and synth laced jam and the other is heavier and more dubbed out.
Review: Diogo Strausz has previously released on Razor-N-Tape as part of the duo Balako but now steps up as a solo artist to kick off the label's 2021. A Sao Paulista now living in Paris, he brings plenty of musicality to the slick 7", firstly with 'Emancipacao,' which is awash with melancholic keys and rich bass but also plenty of fantastic leads from both synths and sax. It's splashy and splashy and colourful disco. '50 Anos Em 5' then gets playful and funky with a Latin twist as the salsa beats an squelchy bass all make you want to spin on your heels.
Review: Diego Strausz's first outing on Razor N Tape, a seven-inch single released in January 2021, was a thrillingly vibrant and hard-to-pigeonhole affair, with the Brazilian joining the dots between Batacuda, Brazilian disco, boogie and deep jazz-funk. This belated follow-up features superb, never-before-heard extended versions of those two tracks: the Azymuth-esque drums-synths-and-percussion explosion that is 'Emancipacao' and '50 Anos Em 5', a TB-303 acid-sporting slab of Latin jazz-fusion with bonus spacey synths. Perhaps the package's most notable moment though is Ron Trent's inspired remix of the title track, which in typical fashion sees the legendary deep house producer add extra layers of musicality, sun-kissed positivity and plenty of killer house-not-house beats.
Review: Nicola Conte and Gianluca Petrella follow up last year's beautiful "African Spirits / New World Shuffle" with two more lavish instrumentals. "Sun Song" lives up to its name with wave after wave of heated musicianship from the belting harmonies to the light-touch keys. "Nigeria" taps deep into the source too as it drives us through the heart of Lagos with full horns and sweeping keys. Spiritual, sun-splashed and vital.
Review: Roberta is a producer inspired by the late great Motor City don that is Mike Huckaby. That is clear to hear in this new EP for the small but well-formed Sole Aspect label across a quartet of sublime deep house gems. Opener 'Excursions' is as smoky as they come with gorgeous but muted chords that bring warmth and diffuse light to the cuddly-deep drums and delicate percussive sprinkles. 'Forever Love' has a jazzy flute bursting out the mix next to more prominent drums while 'Love Mosaic' is a delightfully smooth and sultry late-night charmer with gorgeous soulful vocals and steamy sax lines. A classy EP all round.
Review: Those who've followed Alex Attias' career over the last two decades will tell you that he's always been capable of crafting the kind of jazzy, soulful, life-affirming fare more readily associated with UK broken beat producers. He's at it again on "I Wanna Know", a deliciously warm and sultry slab of dancefloor soul rich in samba-fired house beats, fluid piano lines (provided, we think, by Kid K), drowsy chords and a killer lead vocal from Georgia Anne Muldrow. Over on side B, Attias strips out most of Muldrow's vocal on a Dub Mix that rightly layers up the beats, emphasizes the track's jazzy horns and virtually bathes in the liquidity of its jazz-funk synths.
Review: It's (almost) summertime which means all bets are off, sets get more playful, DJs slacken their own usual rules and reach into a wider world of vocal, uplifting sounds to please sun burnt dancers. Enter this reissue of Michel Cleis's stone-cold Ibiza classic 'La Mezcla.' It's got a chunky groove, fluttering flutes that bring Latin flair and carnival vibes aplenty. This 12" also comes with two remixes - Paul Kalkbrenner flips it into a deeper, more loose and languid groove with tribal funk and the Charles Webster club mix is pure warm and soulful goodness.
Review: After a break of almost two years, Trindadian Deep has decided to re-activate the Native Rebel Music label he founded in 2018. Like its predecessor, "Soca Electric" boasts three tracks of intricately detailed, emotion-rich deep house full of nods towards Caribbean and African musical culture. We highly recommend the luscious and beach-warm title track, where steel pan melodies, fluid synthesizer solos and life-affirming chords stretch out above a percussion-laden, Ron Trent style deep house groove. That said, we've also got a lot of love for the similarly sun-kissed, synth bass-sporting "The Edge" and the more heavily electronic deep house lusciousness of "Future Travels". In fact, all three tracks are glorious.
Life Forces (feat Zara McFarlane - Joaquin's Sacred Rhythm version) (6:18)
Life Forces (feat Zara McFarlane - Joaquin's Sacred Rhythm dub) (6:25)
Umoja (Joaquin's Sacred Rhythm version) (7:32)
Umoja (Joaquin's Sacred Rhythm dub) (8:02)
Soul Of The People (feat Bridgette Amofah - Joaquin's Sacred dance version) (8:23)
Soul Of The People (feat Bridgette Amofah - Joaquin's Cosmic Arts dub) (10:04)
Into The Light Of Love (feat Myles Sanko - Joaquin's Spirit Of The dance version) (9:37)
Into The Light Of Love (Joaquin's Spirit Of The dance instrumental version) (9:38)
Review: It's not often that jazz guitarists and bandleaders double up as DJs and producers, but neither is Nicola Conte the kind of person one often encounters. Here the Italian multi-talent proffers a new version of his latest spiritual jazz-house opus, Umoja. This record first came to be as a full-length 4x4 dance LP of serene, danceable tropicalias and sports-whistly whorls. They now come reincarnated, karmically re-endowed with the thermal force of an eagle, by way of an album's worth of reworks by the veteran producer's vim of fellow spiritual house height-scaler and abseiler, Joaquin Claussell. Whether invoking the exquisite voices of Stefania Dipierro or channelling the patent inspirations of Lonnie Liston Smith of Gary Bartz, Conte Conte-nues to propose endless Conte-nuations of his sound; all it takes is a little help from one's friends to evoke a sacred dance, a sonic world-spirit.
Review: The Master at Work that is Louie Vega has been a music-making machine all his life but in recent years has continued to reach new heights with various different projects. Here he is back on regular label Nervous with various different versions of his tunes 'Joy Universal' and 'Igobolo.' 'Joy Universal' (feat Two Soul Fusion) is classic Vega - soulful house music awash with Latin influences, loose-limbed percussion and funky basslines. And that template is tweaked over the ensuing tunes, with glorious pianos, jazzy grooves and tropical rhythms all making for a fine EP.
Review: London label Mysticisms knows how to dig out some truly lush house grooves whether that's in the form of unreleased house meets IDM, classic reissues or debuts from new school artists. N-GYNN falls into that latter camp having started to make waves on the likes of Hamam House Pleasure Club and his Superlux Records label. He explores a dreamy and cuddly house world here with rolling analogue drums, wispy new-age percussion and whimsical cosmic melodies that all make for otherworldly grooves. 'Journeys' has the feeling of an ancient ritual in the sky, 'Alistera' is a kaleidoscope of colour and 'Kebaya' has a more earthy Afro feel. 'Funk Break Beat' closes with a jumbled groove peppered with dial tones, string loops and bulbous acid.
Review: Bay Area native Cody Ferreira has made some terrific music as CoFlo over the past few years, in the process developing a trademark sound that draws much influence from Latin music, tropical rhythms, humid instrumentation and the sonically detailed deep house productions of Ron Trent. 'A Warriors Dance' continues this trend, with jaunty pianos, warm electronics and woozy synth sounds riding above a Latin-tinged deep house groove laden with organic-sounding percussion. He provides a wonderful, jazz-funk influenced, Kaidi Tatham style 'Backside Remix' of his own, while Ron Trent delivers an ultra-percussive revision built around a raw analogue bassline and heady ambient chords. More heavily electronic, sun-kissed bonus cut 'Minha Mae Lemanja' completes a fine EP.
Review: Foliage has some respectable heritage in the realm of upfront house music for deep-digging heads, having released work from the likes of Mood II Swing, Mark de Clive Lowe, Jimpster and Jesus Gonsev. This new sampler brings together four immaculate joints which reach from a recent Atjazz reworking of Halo's 'Glory' to Moon Rocket's powerful Afro house throw down 'Reciprocity', Jimpster's immersive remix of Funkky to the Fka Mash 'Re-glitch' of N'Dinga Gaba's 'Summer Breeze'. It's all bursting with soul and perfectly tooled for the floor, so slip one in your bag and you'll have four gems just waiting to give your party a proper lift.
Two Soul Fusion - "Lovin'" (Two Soul Fusion dub) (14:17)
Louie Vega & Johnny Dangerous - "You Are A Star" (7:22)
Bebe Winans - "Let's Go Champ" (Two Soul Fusion Piano dub) (8:17)
Elements Of Life - "Let Us Shine" (feat Josh Milan - Louie Vega mix) (5:09)
Louie Vega - "Where I Wanna Be" (demo) (7:19)
Louie Vega - "Swayin'" (feat Axel Tosca - demo) (9:44)
Two Soul Fusion - "Brazillian Soul Fusion" (8:29)
Professor - "Unobenga Vs Sermon Of The Drums" (feat Ndu Shezi & Thebe vs Luis radio, Pietro Nicosia - Ken Terry rework) (7:48)
Elements Of Life - "Dusk On The Beach" (demo) (7:08)
Review: Louie Vega remains a towering presence in house music 30+ years after making his early mark. As a solo artist, he deals in soulful, Latin-tinged and musical house sounds that are lavish in arrangement and often made with real instrumentals. The Vega boss now serves up a bumper collection of previously unreleased tunes across no fewer than ten sides of vinyl. There are collaborations, remixes, demos, dubs and reworks along the way and the range in impressive - from deep and triable joints to shuffling samba sounds and back again, this is a vital collection from a real house master.
Review: Vick Lavander is on fire right now having recently minted Brett Dancer's new label Ethnic Blend Music and now comes back with more of his humid and authentic deep house. This one is also to start a new label - Sophisticado, his own new imprint - and first up is 'Deep Root,' a cosmically included deep house cut with gospel-style organ chords and chunky drums that work you into a lather. 'Hustle' then picks up the pace with more superbly warm chords and this time some Balearic acoustic guitar riffs and impossibly sunny grooves. Life-affirming tackle for joyous dancefloors.
Review: Discotecas keep it catchy with another firey missive that delves deep into disco, funk and Afro. 'Heavy Dub' opens up with loose-limbed grooves that come with horn stabs and plenty of percussion, then 'LFA' gets a little deeper. Here the drums stay low and the mood is more menacing. The groove is detailed with just as many hots and toms, with diffuse chord stabs adding some warming soul and hints of Moodymann cool. As the grover unfolds it gets ever more funky and party starting with some great spoken words finishing it in style.
Review: Chad Pulley makes his first solo appearance on John Beltran's All Good Music label, although keener eyed spotters will know that Pulley and Beltran previously collaborated on a track under the Bel-Pull Productions moniker. He steps up to the task ably, slipping into All Good style comfortably with the calm and melodic, gracefully coasting techno of 'Through My Eyes', before the flip side reveals the wistful 'Mesmerizing Blue', where pianos and synths call and respond over exotic rhythms. 'Sticks' completes the set, slightly harder and funkier than its two predecessors but again with an emphasis on musicality, off kilter danceability and originality. On this showing, a name to watch.
Review: "The Journey Collection" is an amazing double pack from Scott Grooves that includes "The Journey". This is Detroit House music at its best. This is a very limited repress (after the obscure first pressing which was sold out on the day it was released and never re-pressed). For the fans of Omar S, Theo Parrish, Moodymann, Glenn Underground, Ron Trent etc.
Gaoulé Mizik - "A Ka Titine" (Dam Swindle remix) (6:52)
High Life (Ash Lauryn remix) (4:59)
Yes, No, Maybe (feat Tom Misch - Arp Frique remix) (4:09)
Call Of The Wild (feat Jungle By Night) (8:53)
Review: Dam Swindle are now back with part two of their 10-year anniversary series. 'Keep on Swindling Part 2' is an ironic name, as we feel the furthest thing from 'swindled' on hearing these five joyous new house cuts. A jumble sale of originals and remixes, 'Good Woman' is pure jubilant electro backed by Hammond organ and offbeat leg-slaps, while a remix of Guadaloupean troupe Gaoule Muzik's 'A Ka Titine' backs up the A. Three more snappy remixes by other artists of Dam Swindle's work adorn the B-side, including additions by Tom Misch, Arp Frique and Lorenz Rhode Ash Lauryn.
Time To Let Go (Two Soul Fusion Afro House instrumental mix) (8:35)
Time To Let Go (beats) (8:34)
Time To Let Go (Two Soul Fusion Afro House mix) (8:11)
Time To Let Go (Expansions NYC remix instrumental) (4:05)
Review: Last summer, veteran singer/songwriter Mike Lindup dropped 'Time To Let Go', a delicious fusion of synth-pop, Afro-pop and dreamy soul that was set to feature on his long-promised follow-up to 1990 album Changes. Now Masters at Work man Louie Vega has got his hands on it and delivered a suite of fresh, club-ready reworks. Vega's EP-opening 'Expressions NYC Mix' does a great job in wrapping Lindup's original vocals, fluid pianos, chords and squelchy synth-bass around a snappy house groove, subtly re-framing it for peak-time floors. The 'Two Soul Afro House Fusion' mix is arguably even better, with Vega adding layers of delicious instrumentation to a Tony Allen-inspired Afro-house beat. Throw in a couple of instrumentals and a handy 'Beats' version and you have an excellent package.
Glass Slipper - "Unification Vibration" (Atjazz main mix) (6:32)
Diephuis - "Listen To This Drum" (feat Ursula Rucker - Turbojazz & Sean McCabe remix) (7:03)
Review: Reel People Music's latest Foliage Records sampler, the second so far, is another magnificent celebration of the deeper and more spiritual end of the house music spectrum. Freerange label boss and deep house don Jimpster opens up with a shimming and warm remix of Thakzin & Ray T's 'Don't Let Me See.' Atjazz also shows off his signature sound and deftness of design with his remix of Glass Slipper's 'Unification Vibration' and Turbojazz & Sean McCabe remix Diephuis's' 'Listen To This Drum' (feat Ursula Rucker) into a steamy house jam for cosy back room sessions. A rich EP for those who like their disco house musical.
Review: Sometime Wisdom Teeth and Idle Hands contributor K-Lone has been digging drums of late, so he's decided to gather a load of percussionists, record some rhythms and serve up a six-track selection of 'Drum Tools' for discerning DJs. The key cut is lead track 'Drumz', a fine combination of drum circle style rhythms, trippy effects and dreamy synth washes. Fittingly, this is given an even heavier, pitched-up edit courtesy of Leod to round off the EP. In between these two sweat-soaked peaks, K-Lone cycles through sub-bass-enhanced Latin drums ('Cinco', the infectious 'Timbales'), weighty and tribalistic rhythms ('Bombo'), and handclap-propelled percussive deepness (the deliciously dreamy 'Clapper').
Review: New Digital Fidelity has been making sweet moves recently with a debut on the lauded Moods & Grovers label out of Detroit followed up by a single on his own Scopic Records. Now he brings his class to Crush On The Beachside and again shows off his love of Detroit house vibes. Opener 'Crush On The Beachside' is raw and intense with humid chords and jacked-up drums, then 'Shattered' brings more loose and jumbled beatdown grooves and 'Crush On The Beachside' (K15 remix) is then bubbly, jazzy and cuddly. 'Cracking' rounds out with more rich chord work and bristling drum funk.
Solu Music - "Fade" (feat Kimblee - Eric Kupper remix) (9:19)
Eric Kupper Presents K-Scope - "Electrikiss" (8:50)
Review: While not as celebrated as many of those he has worked with over the years (most notably his late friend Frankie Knuckles), Eric Kupper has built up a mighty discography, with untold production, remix and engineering credits to his name. A Lifetime in Dance Music celebrates this, picking out eight highlights (with more to come on subsequent volumes) from the New York house great's long and successful career. There's plenty to set the pulse racing throughout, from a fine revision of Depeche Mode's 'Wrong' and the classics organ-and-piano-heavy US garage flex of Degrees of Motion's 'Shine On', to a soaring house makeover of Diana Ross disco classic 'The Boss', a delicious tribal house take on Fuminori Kagajo's 'The Blue', and the immersive, loved-up deep house lusciousness of 'Electrikiss', a cut originally released under his occasional K-Scope alias.
Review: Belgian DJ and producer Gratts have joined forces with London-based vocalist Mr. Beale to follow up on to success of their well-received 'Sun Circles' release last year. Here, on the sublime 'Submerge Me', they are in fine form once more with a brooding sound that features the uniquely mesmerising mantras of Beale and plenty of raw, compelling and percussive grooves that full lock you in and get you going. Versatile Records' own Gilb'r then steps up on the flip and manages to take things even deeper with some fine liquid dub excursions to complete a top 7"
Sound's Good Inc - "Masen'hamba" (David Morales Red Zone mix) (6:07)
FNX Omar - "Ghomari" (feat Said Rifai) (6:36)
Re You & Soheil - "Mapawani" (main version) (7:33)
Review: After kicking off the year with the stellar MoBlack Gold Vol. 2 VA, Mimmo Falcone's label does it again with a crucial cluster of spiritually charged, Afro-rooted house jams from on-point producers. This 12" kicks off with Manoo's remix of KingSfiso, creating a delicate, melancholic trip out of 'Ilanga' with Mbuso Khoza's vocals front and centre. David Moralez gets seriously deep into the groove with his Red Zone mix of Sound's Good Inc's 'Masen'hamba'. FNX Omar offer up a brooding cut driven by organic tones on 'Ghomari', and Re You & Soheil bring a more electronic palette to bear on their own Afro-house throwdown, 'Mapawani'.
Review: Keinemusik co-founder Gregor Suetterlin aka Rampa returns this week with his latest effort titled 'Les Gout'. The Berliner collaborates with Choula for a sun-kissed and life affirming Afro house indebted cut that reaches near spiritual moments. The DBN Gogo & Felo Le Tee remix on the flip is a more downbeat affair with more space in the mix, altogether making for a truly meditative experience.
Review: Edinburgh-based Peacey had a little help from label boss Martin 'Atjazz' Iveson and the latter's old pal Clyde on debut single 'Hold Me Back'. He's gone solo on 'Culture Bandit', which like its predecessor is a taster for Peacey's forthcoming debut album. In its original form (side A), the track blurs the boundaries between 21st century Afro-house, the liquid, melody-driven fluidity of Atjazz's early works, the spoken word-sporting mid-2000s nu-jazz of Ursula Rucker (an effect heightened by Vanessa Hidary's brilliant beat poetry) and the dancefloor spirituality of Osunlade. It's fitting, then, that the latter delivers a typically percussive, musically rich and tech-tinged Yoruba Soul remix, with Martin Iveson delivering a typically fluid, deep and tactile Atjazz revision.
Vente Pa Ca (feat Jimena Angel, Jah Sazzah & Poirier) (4:34)
Vente Pa Ca (feat Jimena Angel, Jah Sazzah & Poirier - Poirier remix) (3:47)
Review: This is a global single with a great story that starts with an afro-funk groove made by Italian Jah Sazzah. He wanted a vocal for it so turned to Nickodemus who handed his own touches and then sent it Grammy-nominated Colombian vocalist Jimena Angel. The result is a vibrant Afro tune with vivid melodies. Remixer Poirier is a legend in Latin music circles. The Montreal man has formerly been associated with Ninja Tune and is synonymous with lots of classy remixes and fresh takes on a modern Afro-Caribbean sound. This is another one that reworks the ring into a more bouncy and infectious sound with gorgeous vocals and a clean arrangement that allows the drums and perc to shine.
Review: Italian Danilo Braca offers up a superbly summery deep hose single here that is alive with bird calls and beautiful ambiance. There are hooky Balearic guitar riffs stitched into the smooth, shuffling, dusty groove. Breaking waves and seductive sax motifs add further color to the most serene and seductive sounds. After that 12-minute-plus epic on the A-side comes the flip side DJ Spinna Journey mix. It has fleshier drums, and muted acid lines but just as much of an escapist beauty feel. Two classics here that will fit into any open-air set with style.
Review: Ruvenzori makes the move to vinyl with four artists breaking new ground in the field of organic, spiritual house music. There's a Balearic tint to these harmonious jams, which melt into each other like one extended blend for the terraza of your dreams. 'Uluwatu' features Stan Tone and Izhevski collaborating on a swirling masterpiece with the steady tick of minimal tech house as an undercurrent for ascendant chimes, fluttering guitar licks and vocal murmurations. On 'Ayomi' Talemates joins the pair as they match emotive piano chords with sampled vocal loops, capturing an endearing, eyes-closed vibe in the process.
Review: Antonio Ocasio is a spiritual house veteran truly embedded in the story of NYC house music since he minted the Tribal Winds label in 1998. There were a few years where things went quiet, but Ocasio has been back in action in 2023 and swiftly following up the Soulciety Music Series release with this stunning 12". On the A-side we get Sugah Lyrics offering her hushed, poetic vocal tones amidst the rolling percussion and dreamlike synth work of 'Sacred Tones'. The flip takes a different path as a mellow, soulful composition lays the groundwork for Nina Hadz Antich's sweet singing on 'That Something', once again affirming Ocasio's gifts as a songwriter and producer as well as an NYC deep house staple.
Review: The French feel-good maestros over at Treasure dig up another pair of gems from the vaults. This time F.R delivers two more killer reworks of certified classic cuts, each of which will hear you requisition the dancefloor, be that the opening cinematic trip-hop-jazz-house smoothings of 'Pearls' or the ensuing tribal spaces and wobbly washes of 'Makes Me Wonder'.
Review: Frederick Jorio is a mainstay of tribal house's long and winding legacy, with classics as Lectroluv reaching back to the early 90s. 'Dream Drums' was originally tucked away as a B2 on an Eightball 12" in 1993, and went on to become something of an underground hit for those in the know. Now Afternoon Delight are revisiting the track with some high grade remixes which stay true to the heads-down club heat of the original. Joeski leans in on a moody, percussive rhythm section version while Eric Kupper and LRX slip in some on-point DX7 bass and seductive arps. Roberto Rodriguez whips up a gleaming Detroit-styled version, and then Marc Cotterell fires off a typically sprightly garage house anthem to get the crowd out of their heads and back into the room.
Review: Sophisticado play host to a tropical deep house collab for the ages. Here Vick Lavender teams up with fellow stalwart Elbert Phillips for a deep, girthy pair lf under-the-palm drenchers. 'Brotherhood' privileges neither artist's preferred style, instead offering two versions of the track - one for Vick and the other for Elbert - while also rounding things off on a 'Drums Mix', closing up shop on a nonetheless still-driven percussive note. Handle this one with care, and you'll be rewarded with flair.
Review: The unstoppable and irrepressible Louie Vega has commissioned a bunch of remixes of Tony Touch's 'Sacude' for his own Vega label. The man himself opens things up with a Brooklyn mix that is heavy on raw beats, percussion and Latin rhythm. Manoos goes for something a little more smooth and shuffling, while Oscar G's 305 remix is a deep, elastic groove with eerie synth work. He also serves up a dub, Tony Touch reworks his own original into something full of fire and a dark Louie Vega Bronx mix closes out the package.
Review: It is with immense joy that we present for the first time on Musique Risquée the Montreal/Argentinean duo Chic Miniature, composed of Ernesto Ferreyra and Gabriel Coutu-Dumont. They bring their EP, "Poco-A-Gogo". As their alias so aptly reveals, Chic Miniature fabricates intricately sculpted little gems, finely crafted works that unravel like finely woven lace. Their delicate structures and warm spellbinding melodies trigger rich imagery while fervently rousing the desire to groove. "Chanchita" plunges us directly into an electropical jungle where fractured voice and percussion bustle around an elegant succession of elements woven into a slow progression both organic and sexy. An aural oasis. The warm and sensuous piece, "Kimono", will leave no trace of indifference. The magnificent and obscure quasi-mystical Latin melodies, the unmistakable signature of Chic Miniature, reveal an immense sensitivity and sensuality. All is strung together by a solid rhythmic structure that will surely move your feet before the information even reaches your brain. "Kimono" invites us on an expedition through the furrows of certain unknown sombre terrains, such as an unmarked seductive mirage at the heart of a dessert where anything can transpire. A classic.
Progressive Roots (Ahmee’s club Culture Foundation remix) (10:42)
Progressive Roots (Deep mix) (14:48)
Progressive Roots Congo (3:45)
Review: The deep house magician that is Joaquin Joe Claussell is back on his own majestic Sacred Rhythm with a bunch of, well, sacred rhythms. As always they are addend with his usual sophisticated mix of jazzy melodies, steamy drums and deep basslines. This time he offers up the single 'Progressive Roots' which is prime Afro-futurism with Balearic guitar lines ringing out next to the nimble keys and shimmering pads. Ahmee's Club Culture Foundation remix goes more deep and cavernous with a subtler sound, and the Deep mix then gets tribal. 'Progressive Roots Congo' closes out with shuffling broken beats and layers of rich percussion.
Review: There are plenty of rich influences in this EP from Coflo - from the Latin percussion to the jazzy melodies, the tribal drums sounds to the lush depths of the drums. That makes it the sort of EP that that is perfectly suited to the warmer months, to bar parties, sundown sessions and dancing outdoors under the hot sun. 'Transition Deep' (Coflo remix) kicks off with the gentle patter of percussion and flute melodies that life your soul. 'Menina' (Coflo's mix) has more of an Afro feel to it and 'Feels Like' (club Fusion mix) is a lively one with big chords plenty of cosmic guitar lines.
Review: Cult Edits are specialists in pushing a certain kind of heater, working in a mode landing something between edit and original. Six producers - Mario Bianco, Tomoo Hata, Roe Deers, Radial Gaze, A Tweed and Oltrefuturo - lay down a blend of sampledelic, ecstatic, multi-tempo'd tribal moods. Channelling everything from chic Tulum rituals to the brutalism of Eastern-European underground clubs, and rounded off by doses of Italian rasta and Japanese re-imagining of Hungarian folk song, all come to the label's exquisite brand of mandala-esque vinyl.
Mowgan - "O Pa Mi Titi Deabe" (feat Jah Baba - Armonica remix) (7:08)
Yass & FNX Omar - "Fema" (6:15)
Review: Four cruel and bewitching dances are conjured on this split EP from MoBlack Records, the chart-topping Afro house label whose music has found itself on the well-used USBs of the likes of Dixon, Black Coffee and Ame. Immediately, one can hear the incipient threads of kwaito and amapiano on this shared vinyl slab, as traditional verbed-out Afro-style vocals hear neat processing along modern EDM production. Expository dreamers like 'Rahamah' segue calmly into headier and doomier cuts like 'Amanga' and 'O Pa Mi Titi Deabe'. All are replete with rare African call-and-response vocal samples lifted from evidently obscure sources.
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