Review: Given that Todd Terje's first original material in some five years resulted in one of last year's highlights with the Running Back released Ragysh, it's natural he would want to leave some space before following up. The first of a series of EPs crafted from using one bit of vintage gear in particular, It's The Arps sees Terje dabble with the intricacies of the Arp 2600 analogue synthesizer as well as pay homage to his favourite Monty Python sketch. This is just as nerdy as you'd expect from a man who recently launched a website with the specific intention of exploring the obsessive studio nature of his contemporaries. The aforementioned "Inspector Norse" is an obvious highlight here, slowly unfurling gorgeous layers of playful synthesis that grapple the simplistic drums with flirtatious delight. Naturally for someone who spends most weekends of the year in a nightclub, Terje demonstrates a real prowess for building up the track, teasing your senses once before unleashing the mid point monstrous moment. It makes for another signature track from Terje which is likely to engender a rapturous reception for many years to come. Alongside it, "Myggsommer" provides a brief, twee interlude into oddball sci fi soundscapes which again prove to highlight the Arp 2600's capacity for inventive and idiosyncratic sounds. From here Terje unveils a two part skywards saunter through "Swing Star" showcasing a more dextrous manipulation of the Arp 2600's melodies across the markedly more rhythmic upbeat first part and expansive luxurious cosmic subsequent endeavour. Whilst "Inspector Norse" is guaranteed to be the one track from this release you will hear in the international discotheques, the remainder of It's The Arps serves as a excellent reminder of Terje's ever growing talent as a producer.
Review: ** Running Back Repress for the Terje Fans **Terje Olsen doesn't release many records, but when he does they tend to be pretty special. This surprise EP for Running Back is his only his fifth original single in seven years, but it's arguably his best yet. "Ragysh" is devilishly simple, a naggingly hypnotic house/ electronic disco head-nodder that builds to a gasping climax of chic, intergalactic melodies. It's partnered by "Bonysh", a dubwise beats track that ekes maximum thrills from little more than ever-changing percussion. B-side "Snooze For Love" - available in dancefloor and downtempo versions - continues the stargazing theme, offering up an uber-Balearic mix of bleep melodies, dozy chords and sleepwalking percussion.
Want You In My Soul (Summer In London edit) (4:51)
Review: Stee Downes is one of contemporary house music's most prominent vocalists and here he lends his silky tones to Freerange, Defected and OM Records associate, Lovebirds for this new one on South Street. "Want You In My Soul" is a mix of old and new, where disco percussion and cosmic synths nestle alongside a mid tempo house groove with plenty of warmth. Downes' vocals are the loved up icing on the romantic groove cake. Flip over for the "Summer In London Edit" - a more stripped back and direct version, perfect for outdoor stages as the sun beats down.
Review: Italian duo Nu Guinea has previously proved adept at creating humid, sultry deep house and tropical-infused electronics. Here, they focus a little more on the latter with a concept album based around the distinctive Afrobeat rhythms of legendary drummer Tony Allen. With his blessing, and that of the Comet label on which he's been releasing since the 1980s, the Early Sounds Recordings pair has cut-up and re-constructed Allen's drums, combining them with their own steamy electronics, vintage synthesizer lines and classic drum machines. It's an intoxicating and hugely entertaining blend that sits somewhere between their previous outings, Danny Wolfers' material under the Nacho Patrol guise, and the dreamy late '80s/early '90s work of forgotten Italian producer Mr Marvin.
Review: After his debut release with remixes from Arpanet and Mr Oizo, Kavinsky is back! Killed in a car crash back in 1986, Kavinsky is now a zombie in need of revenge. This record, released on Record Makers, is the story of his first steps in the world of the living dead. Three powerful and original tracks and a Sebastian remix. A bloody good one too.
Review: Global dance music superstar Peggy Gou comes back with a second super summer single that is widely infused with her own distinctive influences. Chiefly, that is a love of 90's dance anthems, which was rekindled in her during downtime during the pandemic. Released via her own Gudu Records, 'I Go' is a catchy, singable bit of throwback dance-pop with her own vocals front and centre. The old school beats and bass will get any party pumped, with the synth work looks to the cosmos and explores a very different vibe to her previous single. An instrumental and acappella are also included on this lovely 12".
Review: Former Moloko singer Roisin Murphy proves with this new album she is still a force to be reckoned with. It bristles with dance floor kinetics and fizzing electronic synths that come laden with her outsider pop vocals. Roisin Machine is a collaboration with Sheffield producer Richard Barratt and the results include tracks that touch on feelings of frustration and romance, modern Britain and plenty more besides, all with plenty of his rugged production, bit also plenty of super sweet rolling grooves and funky bass riffs. The hip-swinging 'Murphy's Law' is a particular highlight from, this perennially underrated artist.
Review: This week's lesson in simple musical mathematics is demonstrated by Tensnake and Aloe Blacc. The former's inexorable rise in 2010 has perhaps been matched by the worldwide popularity of the latter's "I Need A Dollar", so getting Mr Niemerski on board to remix the track was a smart move. The end results are typically appealing, with Blacc's vocals looped brilliantly around a burning deep house arrangement that peaks in all the right places. The central energetic pulse of cavernous bass stabs and slick hi-hats are inundated by massive swathes of soaring chords as the track progresses, with the requisite breakdowns augmented by choral vocal refrains. Totally euphoric in its intentions and execution, this is bound to have devastating effects when implemented at the right time.
Review: German nu-disco don Purple Disco Machine has been phenomenally successful in recent years, and there's every chance that this single - a collaboration with little-known British indie band Sophie & The Giants - will raise his profile even more. "Hypnotized" certainly sounds like it has serious crossover potential. In its original "Extended Mix Form", the track is an attractive chunk of radio-friendly mid-tempo nu-disco/80s AM radio synth-pop fusion that comes complete with a catchy, sing-along chorus. Roosevelt smartly gives the track a little more organic disco warmth whilst retaining the prettiness of Purple Disco Machine's original synths, while Loods aims for hands-in-the-air peak-time bliss on a cheery retro-futurist big room house take.
Review: The second installment of Multi-Culti's Moon Faze Sun Gaze series is a typically psychedelic affair, with an impressive cast of producers delivering a quintet of trippy workouts. Von Party & Dreems join forces to present "Wet Raga", a spaced-out combination of delay-laden drums, space disco electronics, and Eastern mysticism. The ever-reliable Red Axes fuses heavy post-punk bass, with punchy percussion and minimal wave melodies on the excellent "Boosha Gdola", while Dreems go solo on the weirdo acid-electro bubbler "Sine O'The Tymes". Nick Murray and Kris Baha underpin psychedelic disco electronics with the heavyweight throb of house on "Say Something", before Cocolo draws proceedings to a close with the pitched-down shuffle of analogue wobbler "F33lings".
Beam Me Up (Kim Ann Foxman Beam Me To The Basement mix) (5:56)
Beam Me Up (Each Other remix) (9:03)
Review: A decade ago, New York band Midnight Magic delivered arguably THE greatest disco anthem of the 21st century, the sing-along classic that is 'Beam Me Up'. Fittingly, Razor 'N' Tape has decided to mark the record's anniversary by delivering a trio of fresh remixes. Prins Thomas' A-side remix is the most faithful to the original, though it also boasts his usual dubbed-out effects, loose and heavy disco percussion and some wriggly acid lines amongst the disco bass, melancholic horn blasts and now-familiar vocals. Over on side B, Kim-Ann Foxman re-imagines the cut as a sleazy, mid-tempo acid disco chugger and Each Other re-frames it as a surging, arpeggio-driven dance through Italo-disco pastures. Ace!
Review: The latest one on Faze Action's label comes from Robin Lee in his Rudy's Midnight Machine guise. This is where Lee's disco funk fantasies run amok, with 'Dyane' in particular coming on strong with the sound of the early 80s. This is blissfully melodic, good time stuff throughout, steeped in classic motifs but delivered with a fresh, modern panache. There are downtempo Balearic moments like 'Crystal Dragonfly' to get lost it as much as there are plenty of invigorated calls to the dancefloor, making this a five track EP to really get your teeth into.
Review: It's easy to forget that Justice were once one of dance music's most hyped acts, gracing magazine covers and gate-crashing the pop charts with a succession of crunchy, electro-house bombs. Times may have moved on, but the Parisian duo remain big news. Woman is their first studio album for five long years, and smartly moves between quirky, radio-friendly pop and thrusting club workouts. In the latter category you'll find the spiraling, low-slung, Italo-disco-with-balls of "Alakazam", the classic Ed Banger growl of "Chorus", and the vintage Daft Punk madness of "Heavy Metal". While these are impressive, it's actually the more downtempo songs - "Love S.O.S" and the dreamy "Close Call" included - that arguably stand out.
Review: Last year's 'Will We Ever Dance Again' 12" was a big one for Coyote who now follow it up and impress once more. First up they do so on 'Baka Re-Rub' by paying their respects to the iconic Jon da Silva remix of The FADS track. It's steamy, tropical, full of loose drum energy and jangling synths that lightened up any club. On the flip you find 'No Entry' which is a big house anthem plenty of classic tops, uplifting arpeggios and pianos, and dramatic strings next to big acid lines. It's an all out, hands in the air gem that brings the good times.
Camelphat vs Artbat - "For A Feeling" (feat Rhodes) (5:30)
Inbetween The Lines (3:20)
Camelphat vs Yannis Foals - "Hypercolour" (3:29)
Spektrum (feat Ali Love) (5:19)
Dance With My Ghost (feat Elderbrook) (4:06)
Easier (feat Lowes) (5:10)
Camelphat vs Au/Ra - "Panic Room" (3:34)
Camelphat vs Skream - "Keep Movin" (feat Max Milner) (4:01)
Wildfire (feat Lowes) (3:20)
Camelphat vs Elderbrook - "Cola" (4:04)
Camelphat vs Cristoph - "Phantoms" (4:54)
Camelphat vs Jem Cooke - "Rabbit Hole" (3:10)
Not Over Yet (feat Noel Gallagher) (3:32)
Camelphat vs Eli & Fur - "Waiting" (5:30)
Carry Me Away (feat Jem Cooke) (5:06)
Camelphat vs DEL30 - "Reaction" (feat Maverick Sabre) (4:46)
Camelphat vs Will Easton - "Witching Hour" (4:14)
Expect Nothing (3:11)
Camelphat vs Cristoph - "Breathe" (feat Jem Cooke) (6:15)
Review: Given that they started their ascent to EDM superstardom over a decade ago and have already released a string of genuine crossover anthems, this debut album from Camelphat is undeniably overdue. So, was it worth waiting for? If you like their brand of festival-friendly dance music hedonism, then you will genuinely love it. The assembled 21 tracks scattered across three action-packed slabs of wax draw influence from many interconnected styles - mostly electro-house, tech-house and techno, but also indie-dance, synth-pop, nu-disco and more bass-heavy flavours - and repackage them as distinctively Camelphat style productions, complete with contributions from numerous collaborators and guest vocalists (Noel Gallagher, Skream, Jake Bugg, Yannis Foals, Jem Cooke and Christoph all feature).
Review: Back in 2020, Roisin Murphy restated her claim as one of the best vocalists in electronic music with her hugely successful and critically acclaimed LP Roisin Machine. A year on, after it sold out everywhere, it gets a special reissue treatment by Skint Records for National Album Day 2021 on limited, gold-splattered vinyl. The album was praised far and wide with multiple album of the year nominations, a ton of five star reviews and standout performances of the lead single on Graham Norton. Do not sleep on your chance to catch this limited edition reissue before it's gone again.
Review: Tom Noble is renowned for his vinyl digging prowess as well as being the head of the Superior Elevation Records. Now he unveils his House Of Spirits alias with the debut single from an upcoming album on Razor-N-Tape. 'Times Are Changing' previews an album spanning nearly 15 years of work and one that blends modern-retro soul with nods to the Mizell Brothers and Patrick Adams. Recorded with live instrumentation and tailored for the dance floor, the limited 12" features an extended original and instrumental on side A, and a dynamic remix by Australian synth maestro Harvey Sutherland on side B. Infectious vocals and rich instrumentation, what's not to love?
Review: Coral City return early in 2022 with an excellent release. N&W are on duty again here with three stand-out tracks. 'Rave' the A-Side is exactly what it says on the tin. It's 808 State meets Larry Heard with a touch of Inner City. Stripped down and four to floor. Classic Roland 909 drums are met with aAhook that shakesAany dancefloor, expect early support with this. 'Speed' is a killer Nu-Disco / Boogie affair with a nod to the seedy underworld of the '80s, Picture Michelle Pfeiffer throwing shapes on the dancefloor in Scarface, and you are right on the nose. Finally, 'Cherry' is an all-out Italo / Hi-NRG workout, the linndrums, the driving arpeggio bassline and overall melancholy feel, is reminiscent of Bobby Orlando.
Review: For his latest outing on the Good Timin' imprint he set up some years back, Jex Opolis is joined by Ian D Knight. The St Louis-based performance artist notably makes his presence felt on "Look At My Car", delivering a vocal inspired by "consumerism and rampant motorism" over the NYC producer's superb, Padlock-inspired, boogie-dub groove. The Compass Point influence also comes to the fore on closer "Guitar Sands", where intertwining guitar and synthesizer motifs stretch out across a Larry Levan-friendly backing track. The EP's other cut, "Rimini Nite", successfully pays tribute to the halcyon days of Italo-disco. It's every bit as thrilling as the rest of this superb 12".
Review: Los Angeleno disco/funk extraordinaire LUXXURY "sings as if he were peering into the future from the world we've all just - and so, very recently - left behind" on his latest EP Set Me Free on his very own Nolita imprint. Features the sexy late night mood music of 'What Are We Gonna Do?', the low slung and emotive soul of 'Make It Right' on the A side, while on the flip is the addictive Italo influenced anthem 'At Any Moment' which will be familiar to his fans after repeated airplay on LA tastemaker station KCRW.
Review: London's Rose Robinson aka Tigerbalm delivers a stunning debut EP on New York's Razor-N-Tape, showcasing her versatile and soulful sound. 'Nina' arrives in three different mixes, all infused with her smooth vocals and lush keys.The original is a low slung affair (feat Farafi) that provides ample mood music, while the thumping Elado mix sets its eyes on the main room, and finally the Voilaaa remix is definitely our favourite - which infuses Afro boogie elements for one seriously infectious version.
Piano For The People (Calm Mellow Acid dub remix) (6:05)
Piano For The People (Double Geography remix) (5:21)
Review: Always fun house craftsman Ali Renault secured another big tune with his 'Piano For The People' which is a chuggy groover that locks you in with its rich atmospheres. Now it gets offered up with remixes from, firstly, Aikhi, who flip it with laidback downtempo drums and some classic and well known chords. Calm then brings his Mellow Acid Dub to sink you in even further and last of all Double Geography bring some more crunchy drum textures and psyched-out synth sounds with echoing vocals and dark, late night sense of mischief.
Review: Proper party music from two of the most trusted names in the game. Paradise Row is a brand new label and production outlet for both long-standing pillars of the modern disco community, and each of these three launch tracks tip nods right back to the roots. From the brazen piano slapping of "Hanging Out" via the shiny guitar, chugging synth bass and dubbed out vocal tactics of "Machine 16" via the early Chicagoisms-meet-Balearic -guitar-twangs of "Aperol Sunset", there's no fronting or pretention here; just lush floor-focused music that is designed to make you smile.
Review: Frankfurt producer Shan has enjoyed a long and productive friendship with Running Back Gerd Janson. To date, it has included a swathe of collaborative tracks and remixes, as well as regular solo releases on the label. Shan's latest EP for the imprint is naturally packed with playable material. Saucer-eyed, retro-futurist opener "Who Run Tings", for example, underpins jaunty, Inner City style stabs and piano riffs with corking, hip-house style breakbeats, while "Awakenings" offers a slightly more muscular, big room-friendly take on the turn-of-the-'90s piano house blueprint. Shan deviates further from the script on the Nu Groove style vintage deep house musicality of "English Summer" and deep '80s synth-pop-meets-deep house flex of closer "Take Me To The Top".
Review: You best get the sunnies on for this one because it is a sweltering bit of funk fuelled disco with lashing of cosmic energy, boogie baselines and irresistible grooves. First up is the epic ten minute plus 'Solar Flair' with its slapping bass and withering sci-fi chords, long legged drums and prog leads. After that sensuous slow burner things pick up with 'Heatwave', a more direct and textured cut but one still dripping with Rhodes magic and plenty of celestial charm. Two red hot tunes on a vital 12" from Hi Quality Inc.
Review: Yse Saint Laur'ant makes wonky, left-of-centre sounds for proper underground parties. He's done so for years, and now returns with more of his raw and inventive disco on the sought-after Vinyl Only label. Opener 'Bad Company' pairs visceral arps with glossy pads and soulful vocal, which is stripped away from the 'Better Company' version. On the flipside, 'Don't Look Back' is a more freewheeling and funky feel, with silky basslines and hip swing claps under buttery vocals. Last of all is a classic chug-disco gem. 'Foreign Love' goes slow, with crashing hits and languid bass all topped off by a yearning female vocal that slowly but surely rises into euphoria.
Sonic Soul Orchestra - "Good Inside" (feat Kathy Brown) (6:17)
Da Lukas - "Drop The Funk" (7:05)
Yam Who? & Rikky Disco - "Set Me Free" (6:49)
Guy Preston - "Purple Heart" (feat Adrian Crutchfield) (4:49)
Review: Disco Juice kicks off with some irresistibly sweet disco jams on this first volume on 12". Sonic Soul Orchestra get things underway with 'Good Inside' featuring the one and only Kathy Brown belting out some big hooks over strident drums. There are more rickety drums and loose-limbed funk workouts on Da Lukas's 'Drop The Funk' then Yam Who? & Rikky Disco's 'Set Me Free' brings big trumpet energy and withering pads next to lush strings. Last but not least, Guy Preston's 'Purple Heart' (feat Adrian Crutchfield) rounds out with a hip-swinging groove and call and response vocal to get hands in the air.
Review: Masterminded by Jeff Dynamite Silverman, 10th Street is an all-star studio band comprised of some of NYC's best disco, funk and soul musicians of the last two decades (including members of Antibalas, the Dap-Kings, The Expressions and El Michels Affair). The collective's self-titled debut album, which dropped earlier this year, is a genuine must-listen and offers a near perfect distillation of disco, soul and funk flavours of the 1970s. This 7" single sports two of that set's standout cuts: hazy, mid-tempo, laidback disco-funk number 'Livin' In New York City', where Blaxploitation guitar licks, spacey synths, sustained organ chords and eyes-closed female vocals catch the ear, and the weightier, more percussive and undeniably dancefloor-friendly instrumental 'Moodie's Basement'. In a word: essential!
Review: Comes courtesy of producer and edit maestro Alkalino. The Germany based selector dug deep into his vaults of hard and electro to deliver some of the best sleeper and classic gems.The highlight of side one is easily Breakin' Wind, with other notable bangers such as Bang on it, Stardance and Fly with the wind. One thing about Adeen Records and the Make-Up series is they deliver every time.
Review: Amy Douglas is the latest addition to the Razor-N-Tape talent ranks and serves up a mighty fine rough 'n' tumble New York disco double A-side 7" to open her account. The opener is 'Freak At Night' with stiff synth stabs and strident drums that get the party pumping while the belting vocal brings the soulful hook. Absolute dynamite. Things are a little more loose on the flip with 'Bit-O-Honey' having more jangling drums and guitar riffs underpinned by a funky bass riff. The vocal is more florid and expressive making this a different but equally impactful sound.
Elia Y Elizabeth - "Fue Una Lagrima" (Phenomenal Handclap Band 7" edit remix) (4:54)
Elia Y Elizabeth - "Descripcion" (Buscabulla Beatless remix) (3:23)
Review: The Phenomenal Handclap Band combine forces with Buscabulla on this new split 7" for the new Relatin project, a New York-based initiative to reimagine Latin music for a new generation of music listeners. Touted as "sweet sixties soft pop meets funk and club culture", this three tracker comes to us with all the style of a low key Americana acetate found in a thrift store, but surreptitiously works modern sonics into the mix; 'Descripcion' is a beatless meander through mellow Latin vocals and whistles, while more energetic cuts adorn the A.
Review: There is unbridled joy and musical richness in this spirit-raising new EP from Sound Support. As we've just learnt that summer 2021 is on, we're all imagining ourselves on outside dance floors, moving and grooving under a hot sun and through a balmy might, and these are the tracks we we want hear. 'Clavi on the Rocks' is all squelchy bass and cosmic keys over mid tempo beats, 'Thesaurus Rex' is grown up Balearic for those cocktail moments and 'Super Elevation' then heads into more nocturnal territory with its stiffer basslines and more acidic synths. 'Enduro' close sin playful and care free fashion.
Review: LUXXURY (born Blake Robin) is the LA Beatmaker who really comes correct on this new EP on Nolita Records. It features four of his freshest tunes to date and if the title is anything to go by it could be the start of a fine new series. Things start all sensuous on 'Let's Stay Together' before the stylish cosmic disco Rhdoes and smooth grooves of 'Don't Give Up (I Believe In You)' and breezy, hip swing charms of 'Pleasure' make a great impression. 'Two Hearts' rides on nice languid bass riffs and last of all comes the upbeat, piano laced and hands in the air jam, 'Hold On (Crackazat remix).'
Review: Franc Moody's debut album Dream in Colour is a superb take on funk and soul from the Tottenham, London collective. They met on the warehouse scene and have blossomed ever since with all six members of the band bringing their own influent to make for a truly eclectic and widely informed sound. This album has both eyes on the dancefloor as it dazzles with fresh tunes and colourful melodies. The band takes inspiration from the likes of George Clinton, Khruangbin and Jimmy McGriff along the way and it all comes on lush orange vinyl.
Review: Andy Meecham's forthcoming ninth album as the Emperor Machine, Island Boogie, is a genuine treat - a wonderfully colourful and effects-laden trip into what the former Bizarre Inc and Chicken Lips man calls 'electronic cosmic disco-boogie'. To get us all in the Mood, Leng have served up this EP of dubs and remixes. In the latter category you'll find a superb, piano solo-laden proto-house rework of 'Devoilez-Vous' by fellow Stafford act T Kutt, and a typically warm, languid Balearic disco interpretation of 'Island Boogie' by Leng co-founder Mudd. Meecham delivers two wonderfully skeletal, wayward and trippy instrumental dubs, lightly transforming 'Devoilez-Vous' and 'La Cassette' in turn. In a word: essential.
Review: It may have taken longer than some anticipated, but Roisin Murphy is finally getting the plaudits she serves as one of the UK's finest vocalists and most inventive artists. It's taken time but finally the accolades are coming along with the of packed-out venues, dynamic live shows, and superb new albums. Hit Parade is a brand-new record made not with regular producer Crooked Man, but the leftfield Pampa Records boss DJ Koze. Musically, it's a genre-straddling, style-bending affair whose strong songs - rich in sing-along choruses, thoughtful lyrics and musical hooks aplenty - are presented in vivid colour (with plenty of sparkling organic instrumentation). This is the deluxe version of a truly deluxe album.
Something On My Mind (extended instrumental) (6:54)
Something On My Mind (Solomun remix) (7:36)
Something On My Mind (Solomun remix instrumental) (4:50)
Review: Purple Disco Machine makes the sort of warm, colourful and feel-good sounds that have united festival crowds all over the world since he first broke through. For his latest tune he has worked with UK chart-topper Duke Dumont on a single, 'Something On My Mind' which melts nostalgic disco goodness with fresh and contemporary production. It is jin indie-tinged cut with vintage synths and groove-driven basslines with vocals from rising band Nothing But Thieves, whom Purple Disco Machine remixed not so long ago. This is another crossover hit in the making for disco-revivalists Purple Disco Machine and it comes on a 12" that is limited to 300 copies.
Review: Greek DJ/producer Lex has been part of the scene in his home city of Athens since the dawn of the millennium, though it's only in the last few years that he's focused more on making music. The results of his efforts, which were previously showcased on 12" singles for Leng and Samosa Records, amongst others, have been quietly impressive. His debut album, Waving, continues in the same vein, utilising a pool of musician friends to craft cuts that blur the boundaries between sun-kissed, sofa-friendly Balearic warmth and subtly funk-fuelled, dub disco-framed dancefloor shufflers. The plentiful highlights include the stunning, tropical-tinged opener, 'Punta Allen', the organ-sporting vocal squelch-along 'Window Spells', acid-flecked nu-disco-meets-cosmic disco workout 'Silver Peace' and high-octane number 'Down My Soul'.
Paradise (feat Louis Howard Jones & Dayna Talley) (7:53)
Confession Of A Queen (feat Barbara Alcindor) (6:37)
Wasted On You (feat Morly) (5:55)
Review: Ahead of their upcoming LP release on the Otis label later in 2024, the Barcelona/Brighton duo Phil Passera and Jimmy Day deliver a stunning addition to their already impressive discography with The Wild Butterfly EP. This release features three fresh tracks alongside a highly anticipated tenth-anniversary rework of their much-loved Golf Channel label classic, 'Paradise'. The EP showcases the duo's ability to craft elegant mid-tempo grooves, perfect for both dancefloors and laid-back listening. The tracks are rich with immersive harmonies, pulsating synth basslines, and dreamy jazz guitar melodies provided by guests J Felix and Royce Wood Jr. Add in some smoky saxophone layers, and you have a selection that oozes tactile and evocative vibes. Tailor-made for intimate, love-filled moments and reflective sessions alike, The Wild Butterfly EP is a beautifully layered, emotionally resonant journey that further cements Passera and Day's status as excellent purveyors of mood-driven music.
Review: Zapatilla, better known as Louis Hackett, is a founding member of Brownswood 's Owiny Sigoma Band and key collaborator on Eska's Mercury nominated debut album, but has a neat side hustle making house music with one foot in the gentle melodies of Balearic beat and another in the irresistible energy of Afrobeat. It's a recipe that he continues over onto this fine four tracker, which opens with the smoothly grooving but lively 'Like Dat' before 'Zimzimmer' builds up around a gently frenetic Afro guitar riff. On the flip, 'Disco Facial' is slower and more retro, with a synth line that could be from a lost John Carpenter soundtrack. 'Self Isolated' completes the package in its most esoteric fashion, another synth work rooted in the past, this time perhaps echoing the approachable experimentalism of Jean Jacques Perry.
Review: Say She She are emergent stars of the NYC scene, pooling considerable talents from various parts of the world into a brew which feels wholly appropriate for the Big Apple. Upholding the open-hearted values of the downtown scene, they turn their hand to dexterous disco-not-disco get-down on ‘Reeling’ without ever sounding referential. Meanwhile on the flip they sink down into a more sultry mood, riding dusty, delicate drums and radiant Rhodes as a vehicle for some unreal vocal harmonies and a sound so cosy you could wrap it around you to stave off the winter.
Review: Chicago's Star Creature Universal Vibrations prepare to land the spacecraft this week, bringing with them a new LP by Eli Hurwitz aka E Live aka The Prince of Star Creature. Cloud Vibes features sophisticated jazz/funk/boogie beats across 13 tracks by the Oakland-based producer and Elivity Records chief. Highlights include the late night sultriness of opening cut 'You Got Me', the low-slung affair that is 'City Girl'' as well as the slo-mo vocal-led heater 'Wise Up' (feat Devaun Bantu). Near the end, there's the perfect soundtrack to a drive down the west coast with your sunroof down on 'Cadillac Breeze'.
Review: Given their respective careers, you'd expect this surprise debut album from Balearic nu-disco specialist James Bright and Groove Armada member Tom Findlay to be rather good - or at least sonically attractive with good grooves and quality musicianship. It is, of course, with the pair opting for a glossy, 80s-influenced synth sound, bubbly electronic grooves, sun-splashed Balearic pop intent and authentically executed nods to West Coast electrofunk and nu-disco pioneers Metro Area. Our picks of a very strong bunch include the synth-fired blue-eyed soul of 'Slow Dance', the sunset-ready gorgeousness of 'Flowers', the low-slung, late-night AM radio vibes of 'It's Only Rain' and the Morgan Geist-esque 'NY Disco (Smile)'.
Review: For his next outing, Nebraska has curated a mini best-of EP that serves up a quartet of tunes that have been digital only until now. Side A opens with 'Senza Parole,' featuring a weird and wonderful vocal sound and some loose hand claps under Italo-infused disco-funk drums. 'Let Me Be The One' is a nice tripped out and slow motion 90s downtempo jam and 'Funkbraska' is an homage to French Touch with filtered synth loops fizzing with sugar goodness over a characterful bassline, and last of all is 'Love + Hate', another low slung hose groove that oozes cool and has a fantastic bassline propping it up.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.