Review: Fierce electronic mavericks LNS & DJ Sotofett deliver a thrilling two-tracker that's built for serious warehouse action. The A-side is a teeth-clenching, bassline-driven beast that is raw, gritty and euphoric with static rhythms, stabbing synths and a halftime arpeggio breakdown that erupts into dreamy pads. On the flip, DJ Sotofett's 'Buzzy Breaker' starts minimal with just kicks, stabs and dubs, then morphs into a breakbeat monster with polyrhythmic tension and soaring pads underpinned with jungle-inflected drops. Both tracks harness deep, hypnotic repetition while sounding bold and system-ready so make for techno with real weight but also edge and purpose that results in high class DJ and dancer tackle.
Review: Italian-born but longtime Brooklyn-based Madteo stands at the crossroads of gritty, industrial grooves and experimental sound exploration, continuously challenging the boundaries of electronic music with his genre-defying work. Known for his love of cheap vinyl and uniquely odd records, Madteo's production style mirrors this raw, unfiltered approach i like sketching sound on a dirty napkin. Just as he seeks out imperfect, worn-out records, his music embraces the rough edges and unpredictable textures, creating a sound that's as spontaneous and unrefined as a hurried, chaotic doodle.Tracks like 'Cans People' tap into an archaic rave energy, while 'To Know Those Who' delves deep into fragmented dub techno, its non-linear structure a testament to his ability to twist familiar forms into something completely new. As the album progresses, 'Nocturnal Palates' expands the filter house universe with deep, evolving textures, and 'Rave Nite Itz Alright' surprises with its subtle yet intense chaos. The closing tracks, including 'Luglio Ottantotto' and the 15-minute odyssey 'Emo G (Sticky Wicket)', showcase Madteo's knack for manipulating time, space, and sound, offering a disorienting yet mesmerising journey into the unknown. As an artist and conversationalist, Madteo's work remains bold, unpredictable, and captivating, further cementing his place as one of the most inventive voices in modern electronic music.
Review: Serenity is a mental health charity label that is now back with more sonic gold, this time in the form of a reissue of Marco Bernardi aka Octogen's 'The Journeyman' from 2008 on Soma Recordings. It is an immersive, emotive sound with lush and ethereal pads and a moody bassline that keeps you locked. The B-side offers two original tracks from Bernardi 'Travelling to the Sun' is one to hypnotise floors with its hypnotic chimes and raw drums, while 'Little Tiny Crickets' delivers a fast-paced IDM twist with some killer synth work. As always, proceeds go to charity this time Papyrus UK who support youth suicide prevention and MusicSpace.
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