Review: Some five years after re-launching his Crayon label via a fine EP of vintage "Tracks From The Vault", original 1990s tech-house producer Mark Ambrose serves up more gems from his bulging archives. The quality threshold remains dizzyingly high throughout. Check first "Nightshift (Deeper Mix)", where gentle, alien synth lines and deep space chords tumble down over a heavy analogue bassline and locked-in beats, before turning your attention to the slamming techno beats, looped electronics and mind-mangling TB-303 motifs of "Dusty Acid". Also impressive is "Space Animals", a deliciously dubbed-out affair rich in sub bass and drifting, deep space chords.
Review: Rominimal veteran Barac Nicolae returns, and this time on Felipe Venegas' esteemed imprint Drumma with a pair of tight, infectious minimal tech house productions. The rolling and hypnotic main room grooves that he's built his reputation on can be heard loud and clear on the powerful "The Mirror Of Spirit", while the flipside houses a deeper, after-hours vibe via "909". Despite its name, the beats produced by the trusty Roland drum machine aren't the main attraction. We think "303" might be more well suited for this acid entrancer!
Review: In recent times, demand has soared for a trilogy of 12" singles that Matthew "Bushwacka!" Benjamin released on Sound As A Pound Recordings in 1996. This must-have 12" gathers together some of the series' most in-demand moments. Opener "8" is warm, positive and hypnotic, with marimba style memories and sun-kissed synth chords riding layered drums and a rich bassline, while "11" is a game-changing fusion of off-kilter breakbeats, heavy sub-bass and some seriously dreamy chords and lead lines. Flipside opener "5" adds sunrise-ready deep house chords and melodies to a funk-fuelled techno groove and is therefore the purest representation here of the early UK tech-house sound. As a bonus, Desert Sound Colony offers a tough and chunky peak-time revision of "8" that's altogether denser and heavier than Benjamin's original mix.
Review: Ever reliable Berlin duo Cab Drivers are back on Cabinet with more boompty minimal house business you've come to expect from the legendary duo. Powered by analogue soul throughout, Daniel Paul and ZKY go deep into the night with the emotive, bass-driven title track before getting freakier and darker on the flip with "Quotes". Well suited for the after-hours, this 12" is packed full of vintage drum machine flair and intoxicating electronics.
Review: Madonna, Depeche Mode and Kelis - what do East End Edits have in store for us next? This seventh instalment harks back to the charming deep jazzy house of their inaugural release - think of the legendary St. Germain and that should give you a fairly good idea. The track's smoky, late night jazz bar vibe is complemented by a rolling bass and swinging rhythms that should appeal to the likes of Rhadoo or Petre Inspirescu - legends of the Romanian scene who themselves have lent their deft hand to the French producer's work as remixers in the past, too.
Review: Lauren Lo Sung's star continues to rise as the talented minimal house producer and DJ partners up with the mighty Lazare Hoche. This four track EP is packed with bombs, from the shimmering, metallic deep house finery of "Running" to the cheeky acid wriggle of "Dusty Pink". Things take a darker, deeper turn on the fierce "Fixate," and then lift into fluttering after hours tones for the sublime and ever so slightly trippy "Lara's Dub". Now firmly entrenched in the cut and thrust of the European minimal house scene, Lo Sung's talents spill out in abundance on this assured pack of highly workable and versatile floor filling 4/4 burners.