New releases last two weeks: Ambient/Drone

Review: Zake's Drone Recordings label offers up this heartfelt collection in celebration of the label head's wife on a milestone birthday. Next to the man himself, awakened souls and Benoît Pioulard also feature with the former offering 'Valleys and Peaks' from Julia's poem which blends Cynthia's ethereal vocals and James Bernard's bass with swirling synths and guitar. Benoît Pioulard's lo-fi folk-pop 'A Heart Mirrored' and dreamy 'Our Era' reflect his signature style while Zake's cinematic pieces, including 'I Saw An Angel,' pay tribute to the inspiration of his wife. A lovely listen with a great concept

Review: After five years apart, Italian composer Eraldo Bernochi and Japanese violinist, electronica producer and current Tangerine Dream member Hoshiko Yamana return with a sequel to their much-loved 2020 album Mujo. Described by the pair's label, Denovali, as "a deeply cinematic experience", Sabi cannily combines the slow-burn, trance-inducing synthesizer sequences of Tangerine Dream, the intergalactic electronic expressiveness of ambient techno, the thematic movements of modern classical, Yamana's emotive violin motifs and the spaced-out ambient iciness often associated with Geir Jensson's Biosphere project. It's a genuinely brilliant album all told, with the pair smartly sashaying between hazy melancholia, string-laden creepiness and picturesque aural colour.

Review: Ben Lukas Boysen's Alta Ripa marks a transformative milestone in his artistic evolution as he blends introspection with bold experimentation. Rooted in the serene landscapes of rural Germany where his creativity first blossomed, the album also reflects the dynamic energy of Berlin, which reshaped his sound in the early 2000s. Boysen's fourth studio album bridges past and future, merging the reflective melodies of his youth with the innovative tones of Berlin's electronic scene. He describes it as music his 15-year-old self would admire but only his grown-up self could create. Unbound by tradition, Boysen's eclectic influences drive his constant musical reinvention.

Review: A groundbreaking document of avant-garde music from Romania, originally released in 1981 under Ceaucescu's oppressive regime, that's grown in reputation enough over the years to now necessitate a reissue. This compilation, featuring Dumitrescu and three other visionary composersiOctavian Nemescu, Stefan Niculescu and Corneliu Cezaridefies both the political climate and conventional musical boundaries. Opening with Dumitrescu's 'Movemur Et Sumus', the album immediately plunges into uncharted sonic territory. Strings are transformed through radical processing, oscillating between shimmering abstraction and visceral intensity. Nemescu's 'Combinatii In Cercuri' marries intricate ensemble writing with electronic textures added in 1980, creating a circular, evolving soundscape. Niculescu's 'Sincronie' combines composed and improvisational elements, culminating in a hauntingly dramatic exploration of stasis and movement, with Dumitrescu contributing both piano and conducting. Finally, Cezar's 'Rota' blends Balkan and Romanian folk influences with startling electronic effects and prepared instruments, evoking natural sounds like wind and waves alongside experimental timbres. Recorded in a Bucharest radio studio against all odds, this album showcases the revolutionary potential of Dumitrescu's Ansamblul Hyperion, a daring chamber group he founded in 1976. Newly remastered from the original tapes, the reissue preserves the original cover art and reintroduces these boundary-pushing works to a global audience. With its fusion of spectralism, acousmatic exploration and Eastern traditions, this release remains as daring and relevant as ever.

Review: Roger and brother Brian Eno have already assured their legacy as pioneers of experimental ambient music. Mixing Colours was their first album on Deutsche Grammophon and this reissue reminds us why the par are so well known for revolutionising music-Brian through innovative pop treatments and Roger with ambient synth/piano works. This collaboration reflects their shared genius and guides you through rich soundscapes blending mood and place into immersive auditory experiences. Crafted over several years, this poetic collection highlights the brothers' mastery and is a deep dive into ambient sound.

Review: It's the 42nd Millennium and the Era Indomitus, the Age of the Dark Imperium. Humans have launched a galaxy-wide, decade-spanning crusade to win back worlds that were lost to nemeses and save the species, and civilization, from certain doom. We don't know about you, but given current events, we can only hope things make it so far in the real world. Back to video gaming, and Warhammer 40,000: Space Marine 2 was rightly praised for its playability, scene setting visuals and score, by Nima Fakhrara and Steve Molitz. Like the third-person shooter itself, the music is thick with atmosphere and dark enough to reach out and touch the density. Moody and apocalyptic, this probably isn't for the dinner party, but there's a time and a place nonetheless.

Review: Hypnotism I is a new album from Foundation that the artist himself says has been a cherished part of his work since shortly after his previous work Mountain Ambient IV. We're told that its creation was a slow, immersive process that unfolded over months, with each layer evolving patiently. By composing intuitively, the album emerged naturally to reflect a glacial depth and subconscious growth. Its four pieces are all richly layered soundscapes with wispy melodies and dusty drones that sink you in deep and free your mind of all woes.

Review: Golden Ivy's new transcendent single marks a celebrated return to the label after time spent with other imprints. Rooted in a sample from Sinnenas Dans by Scanian folk legend Ale Moller, the track evolves into a fourth-world masterpiece that layers in flute melodies with synthesised explorations and rather industrial leaning motorik rhythms. With Moller's blessing, the result is both meditative and grand and on the flip, you will find Philipp Otterbach's post-punk dub reinterpretation. it's rich in deep, sculptural and contrasting soundscapes and invites mindful, low-tempo dances that will resonate on all manner of diverse 'floors.

Review: In 2005, Jan Jelinek "pitched" his electronica/kosmische vision to the potent collective fan by way of ten ecosystemically-informed, prepared ambient numbers. Spanning Bibio-esque reversy guitar and sloshing exotica, this one existed for an inordinate period as a digital download, in which much time elapsed until now, its 20th anniversary - at which point we hear it available again, arriving for the first time on vinyl. Modelled on the sonic prototypes of his German rock forbears, this early electronica work from Jelinek amounts to a fearsomely intricate revue, expanding on krautrock's organic textures and unremittingly restless feel.

Review: Pieter Kock shows us how it's done with The End II, a fantastic new experimental beats LP manifested on the Macadam Mambo label, in a move that has been described as "quite unexpected". A doyen of post-10s German kraut-tronics, Kock first found his savvy as a releaser of retrofutural cassette tapes for various outlets - the likes of RIO, Meakusma and Moonwalk X - all of which assumed album form (to date, Kock has not released a single single or EP). Macadam Mambo offer a suggestion as to why this is: "all the demos that he sent were so good that there was no question about doing something." If by "doing something" you mean releasing over 16 strident club-churners in the style of far leftfield dub, synthpunk and krauty Krankenschaften, you've made no mistake. Dive into any one of these exotic exo-treats, and your eyes will just as surely turn helical.

Review: The makings of Murcof's new album Twin Colour were first germinated in 2020, shaped by the early days of the pandemic lockdowns. The first volume in a new multidisciplinary project between Fernando Corona (Murcof), his daughter Alina Corona, and his colleague Simon Geilfus, Twin Colour is born of less conception and more studio heuristics, though it draws many of its inspirations from some of the 80s material that Murcof had laid down at the start of his career. As such, an impressive combo of tape-hissed coldwave and modern, progressive ambient is heard here, straying from Murcof's trickier material for something much more roughshod, tawny and dramatic.

Review: Murcof's latest album offers a journey through soundscapes that feel both deeply personal and cinematic. Known for his pioneering approach to minimal electronic music, this new work explores a more layered, orchestral sensibility. The opening track unfolds slowly, a sparse but deliberate arrangement that evokes vast, uninhabited spaces. As the album progresses, rhythmic structures emerge, subtly guiding the listener into more dynamic territories. By its midpoint, the tone darkensidroning strings and fragmented melodies that intertwine, shaping a space of quiet introspection. The closing piece stretches its wings, expansive and evocative, a fitting resolution to an album that balances restraint with grandeur. Murcof's control of mood and texture remains unparalleled here, delivering a nuanced exploration of ambient and electronic fusion.

Review: The Scavengers Reign soundtrack, composed by Nicolas Snyder, in its first physical format is now released to the delight of fans. This 140-gram vinyl comes in a sleek gatefold sleeve with an acetate slipcover, accompanied by a folded A2 poster showcasing striking artwork from the series. The Mondo-exclusive colour variant is inspired by a memorable moment from Season 1, Episode 3, adding a special touch for collectors. Set on the alien world of Vesta, Scavengers Reign required a score that could capture the planet's eerie beauty and the characters' survival journey. Snyder's 18-track collection expertly balances lush orchestral arrangements, intricate piano motifs, ethereal synths, and haunting vocal layers. His music nods to classic sci-fi scores while creating an entirely new atmosphere, perfectly fitting the show's unique setting. Snyder describes the project as deeply rewarding, with the music designed to reflect both the internal emotions of the characters and the alien environment they inhabit. Collaborating with sound designer Axel Steichen, Snyder weaves the planet's soundscape directly into the soundtrack, adding an extra layer of immersion. This carefully crafted album, mastered by Darren Page, blends nostalgia and innovation for an unforgettable audio journey.

Review: Sunfear is a project from Turkish multidisciplinary artist Eylul Deniz who now returns to Dark Entries with her sophomore album. Deniz has been making waves in sound since 2017 when she debuted her blend of ambient and experimental music using piano, guitar, voice and synths as tools for storytelling and self-expression. Inspired by Dante's Love That Moves the Sun and Other Stars, Pessoa's poems and Turkish poet Lale Muldur, this darker follow-up to Octopus channels some of her own personal loss and grief. Tracks like 'Above' pair sparse guitar riffs with swirling electronics, 'Bright and Wild' contrasts lush drones with jagged feedback and there are also hints of hope in the likes of 'Form Changed.' A great return.

Review: Italian label Suoni Incisi launched in 2020 with a mission to offer up hugely emotional electronic music that fuses experimentation with multi-genre explorations. The boss that gave their name to the label takes charge of this third transmission and it is a deep techno journey into sustained chords, mysterious pads and the sort of muttered vocals that add real atmosphere. 'Track 2' on the flipside is similar in make-up with liquid rhythms, cavernous and dubby bass and subtle musings, this time with some eerie flute melodies drifting up top.

Review: The late Edgar Froese-fronted German band Tangerine Dream are cult heroes to those of us who enjoy proto-electronic sounds. From kosmisch to prog, new age to kraut, they did it all and then some and were still going by 2011 when they released Mona Da Vinci. The album showcases the band's signature mystical soundscapes and was created by Froese before his passing with a mix of ambient, electronic and cinematic elements and plenty of his pioneering synth work. The album remains a standout in the band's vast catalogue and has been remastered for this release so its ethereal textures and evocative melodies sound superb and stand as a testament to Froese's enduring influence.

Review: Vangelis best-of compilations have been a fixture of the popular music landscape since at least the late 80s, owing to the fact that this sagaciously bearded bard fulfils something of the visual archetype of the multi-talented film compositional genius. But you'll likely find that most of them exist on cassette, and'll be languishing sadly in bargain bins, given decades of wear. That all changes with Music On Vinyl's new reissue of the first ever vinyl comp to essentialise Vangelis' skyscraping career, 1993's Best Of: which reaches the highest firmament point of the late composer's repertoire. From compositional climaxes like 'Alpha' and 'To The Unknown Man' to prog-adjacent collabs such as 'Long Ago, So Clear' (featuring Jon Anderson from the band Yes), the album impresses all the best themes and motifs in the annals of latter-20th Century directorial greatness, including Blade Runner, Alexander, Chariots Of Fire, Antarctica, and The Bounty.

Review: This project began in 2018 when Jonny Campos was on a break from playing guitar with Grammy-winning Lost Bayou Ramblers and recorded ambient pedal steel passages at Kirkland Middleton's house. The resulting tracks are named after vanished Southern Louisiana waterways and evoke a sense of impermanence. The music flows like a dream, slipping into consciousness as a serene, meditative experience or a deeply resonant one. The album first came digitally and on cassette via Nouveau Electric Records in 2020 but now lands on vinyl thanks to DFA.

Review: Reissued on Important Records comes Agartha, which forms part of a long wave of easy listening and new age music made popular in the 1980s and 90s. Meredith Young-Sowers joins a class of musicians, from Eliane Radigue to Steven Halpern, who made music as utilities for meditation. Young-Sowers' work, however, may share an aesthetic with these knowns, but otherwise nurtures an eerier vibe. Agartha was originally released in 1986 on cassette, and is made up largely of unnaturally sustained sine tone unfurlings laid in harmonic or minor keys, as if to decouple the unsettling atmosphere of the music from their meditative capacity. Though it sounds like it, the record is not aleatory, rather it is composed expressly to sound like it has been transmitted from an extimate point outside of human consciousness. No wonder it is named after a mythical land said to lie deep below the Earth's crust!

Review: It is now six years since Past Inside The Present label head zake dropped this debut album and in that time he has put out a steady, high-quality stream of sounds that have furthered honed in on ambient perfection. This latest album to start off 2025 is Caelum, an eight-track collection which features two versions of four originals, with the second half being Slow Blink Decayed takes that rework the first four cuts. It's another immersive work of frayed analogue synths, sweeping soundscapes, delicate drones and ambient beauty.

Review: zake has written a new album to get 2025 underway in his usual prolific fashion, and it comes as both a triple CD set with the same tracks in different versions, but also as this special vinyl release with five different pieces from his Caelum series, limited to just 200 copies. As you would expect from this most masterful ambient leader, this is another immersive work that blends shifting synthscapes with melancholic chord work, beautiful keys with more lingering feelings of sadness. Another triumph if you ask us.

Review: To wish good-quality REM sleep for oneself is a wise wish indeed and Polish artist Zaumne aka Natalia Panzer knows it. A new record made for Warm Winters Ltd., this is a dazed nine-tracker, crossing between taciturn bedroom pop and somnambulant MPC beats. Contrasting to the "heavy air" that hung over Zaumne's earlier releases, the fog is said to have lifted on this one. It's also an ode to many travel trips, undertaken by the artist between Zurich, Milan, Antwerp and Warsaw. A crud-caked sleepwalk, designed for, and best deployed on, the rainy days when plans fall through.