Review: Posthuman, the duo of Richard Bevan and Joshu Doherty present the latest full length release on their Balkan Vinyl imprint titled Requiem For a Rave, where they get nostalgic about their teenage years growing up in Scotland and the north east of England. The album conjures up memories of raves in the fields, cassette recordings of pirate radio stations, mixtapes, strange warehouses, strobelights and dancefloors. Indeed you can pick up on these sentiments throughout the album, from the ruffneck ting of opener 'RMX', to the cavernous tunnel vision of 'Fontalic', the acid trance euphoria of 'Proof & Fade' and the early '90s rave throwback of 'Rushing High'. Prepare to go all the way back.
Review: Always Outnumbered, Never Outgunned sees producer Liam Howlett deliver a hook-ridden album that nods to the British rave scene with uninhibited bass and bleeps, but plenty of blazing guitars that maintain The Prodigy's bridge between rock and dance. Hollywood glamour shines with Juliette Lewis on standout track 'Hot Ride,' channeling PJ Harvey's energy. Lewis also appears on the opener 'Spitfire,' an alluringly sinister track. The Gallagher brothers bring aggression to the closing track 'Shoot Down,' with Liam on vocals and Noel on bass, showing Oasis's punk side. Howlett's battle with Kool Keith on 'Wake Up Call' and the exuberant 'Girls,' featuring disco-punks The Ping Pong Bitches, showcase The Prodigy's willingness to experiment. Fans might miss Keith Flint's ghoulish presence, but the album's flair remains strong. Always Outnumbered, Never Outgunned is a storm of apt samples, grumbling percussion, and memorable riffs, reaffirming The Prodigy's place in the dance-punk genre.
Review: While not as widely known or celebrated as those who came in his wake (and cite his work as an inspiration), Rephlex alumnus Bogdan Raczynski makes music every bit as alluring - and, like one of those he influenced, Richard D James, a fan of playful press releases and eye-catching interview quotes. He's variously described his amusingly new title as an AI-made attempt at EDM, the soundtrack to a rejected Tesla infomercial, a collection of ten-year-old tracks and a bid to crack "the lucrative coffee shop playlist market". Whatever the truth, it's a melodious, warm and ear-catching collection of cuts that flits between cheery electronica, off-kilter IDM, immersive and maximal club cuts, joyful ambient soundscapes and short, sweet numbers that refuse to outstay their welcome. Another winner from a master of his craft.
Review: "And the award for best named album of the month goes to..." No prizes for guessing, Rephlex alumni Bogdan Raczynski delivers yet another record as manifesto. A collection comprising warm melodic 'electronic sketches', to borrow from the official release blurb, You're Only Young Once But You Can Be Stupid Forever is complex lo fi businesses, and immediately engrossing. Short and incredibly sweet, the tracks here are cute and unconcerned with imposing themselves on the listener. Instead, they invite us in from the cold of pretentiousness to play and connect with our inner child. At times, it feels like we're bouncing along the levels of a platform video game. In other moments, it's less, more minimalistic. Those thinking of chip music should move on, though, as this is none of the above.
Review: Razat has made an art form of distortion and saturation. The latter is what lends its name to this new eight-tracker on Saturate. After a fuzzy and textural opener the tumbling and brilliantly fluid rhythms of 'Overdrive' get you to the heart of the dance then 'Clipping' lurches backward and forwards on low-end oscillations and 'Bit Crush' closes the a-side with eye-watering hiss and fizz over crunchy drum slaps. Two further tunes on the flip find Razart manipulating sound and bass in his own unique way with two remixes adding extra bite to an already very useful EP.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Distortion
Overdrive
Clipping
Bit Crush
Fuzz
Saturation
Clipping (Vorso remix)
Fuzz (Shield remix)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Razat has made an art form of distortion and saturation. The latter is what lends its name to this new eight-tracker on Saturate. After a fuzzy and textural opener the tumbling and brilliantly fluid rhythms of 'Overdrive' get you to the heart of the dance then 'Clipping' lurches backward and forwards on low-end oscillations and 'Bit Crush' closes the a-side with eye-watering hiss and fizz over crunchy drum slaps. Two further tunes on the flip find Razart manipulating sound and bass in his own unique way with two remixes adding extra bite to an already very useful EP.
Review: Signed by Wass Records head Smoove to inject a healthy jazz and swing flavour to the label, this debut album from Renegades of Jazz's David Hanke stays loyal to the original beats when he samples them - as on opener "Hooked On Swing" or the brass-packed "Get A Wiggle On". Pitched somewhere between electro-swing and more hip-hop orientated cut and paste samplers, this is an album full of thrills and spills, with plenty of jazz and beats to keep fans of multiple genres.
Review: While he is still thought of as a God of a DJ to many, Welsh wizard Sasha is a dab hand in the studio too. Airdrawndagger, his second studio long player, is proof of that and a real masterpiece with co-productions by Charlie May, Junkie XL and James Holden. It is a hugely complex world of sound with progressive melodies, wavy electronic drums and immersive synths capes that all add up to one smooth and serene trip. This luxury reissue comes on limited, numbered trifold 180 gram audiophile silver & black marbled vinyl. A vital collector's piece.
Mind Over Rhythm - "Kubital Footstorm" (Global Beatmix) (6:14)
Dream Frequency - "Dream The Dream" (5:48)
As One - "Isatai" (5:01)
UVX - "Elevator (Trancefloor Transporter)" (5:11)
Review: Dance Music From Planet Earth is a new sub-label from Ransom Note that kicks off with a heritage compilation, Dream The Dream. It looks back in great detail at UK Techno, House and Breakbeat 1990-1994 with Richard Sen as the man in control. He was a DJ back in those days, playing the most epic raves around Europe and taking some of the photos which now form the artwork for this collection. His obsessive record collecting from those days is reflected here across a series of sometimes obscure but always brilliant UK tunes for the worlds of ambient, techno, tribal house, breakbeat and early trance.
Mind Over Rhythm - "Kubital Footstorm" (Global Beatmix)
Dream Frequency - "Dream The Dream"
As One - "Isatai"
UVX - "Elevator (Trancefloor Transporter)"
Centuras - "Tokyo" (CD2: DJ mix By Richard Sen)
Bandulu - "Amaranth - Love Lies Beneath"
Strontium 90 - "Rave On The Congo"
Orr-Some - "We Can Make It"
Biff'Um Baff'Um Boys - "Bombing"
Epoch 90 - "VLSI Heaven" (Zone mix)
Mind Over Rhythm - "Kubital Footstorm" (Global Beatmix)
Dream Frequency - "Dream The Dream"
As One - "Isatai"
UVX - "Elevator (Trancefloor Transporter)"
Review: All-round powerhouse Ransom Note - label, promoter and publication - are veterans on the scene, having promoted nearly every facet of the dance music scene since the early 2010s. This new compilation hears the Ransom Note core outfit team up with Richard Sen, an equally battle-scarred DJ and producer active since the late 80s. The project is Sen's tribute to the UK rave scene of the early 1990s, featuring rare and obscure tracks by artists not normally cited among nostalgists: Centuras, Bandulu, Strontium 90, Orr-Some, Biff'um Baff'um Boys, Epoch 90, Mind Over Rhythm, Dream Frequency, As One and UVX. Techno, house, breakbeat, acid and hardcore collide to synthesise a sonic zeitgeist, which occupied a brief but spectacular four-year period in dance music's early golden decade.
Review: The next level beat maker and sound designer that is Skee Mask returns to long-time home label Ilian Tape with another bold and brilliant album, Resort. It's an album that expands on the artist's usual sound with fusions of celestial ambient, IDM sound design and lithe, rhythmic techno drums. There are breakbeats on 'Reminiscrmx' backlit by heavenly pads, 'Schneiders Paradox' is marbled with zippy pads and raw drum hits, 'BB Care' glistens with a futuristic glow and 'Holzl Was A Dancer' slips into a shuffling, UKG tinged dub house pumper. It's a wild, wonderful ride that reaches all new levels for this already accomplished producer.
Review: Munich based producer Bryan Mueller aka Skee Mask presents his latest album titled Pool, via local imprint Ilian Tape which follows up his LP Compro which came out three years ago. There's an extensive collection of sonic experiments on offer on this one, such as opening cut 'Nvivo' which goes down an IDM route, to the glassy eyed rave euphoria of 'LFO', the intelligent drum and bass reductions of 'Rio Dub' and UK influenced steppers like 'Crossection'.
Review: Skream has shown over the years he was never content to just rest on his reputation as one of the pioneers of dubstep's early days. His swerves into house, techno, disco and other sounds have been determined enough to push him into the position he holds today as a multi-genre maven free to indulge any tempo or style he pleases, and Skreamizm Vol. 8 celebrates that in no uncertain terms. There's plenty of the man's swagger on the production, while guest bars from the likes of Trim up the ante in terms of party-starting prowess, but there's also space for vulnerability on the likes of 'Not Ready Yet'. If the Skreamizm series has always been a marker for where the artist is at, then get ready for a heavyweight update.
Review: SUED co-pilot SW offers up a six track MyDefinition of techno on Kalahari Oyster Cult that is utterly fresh. He starts with dubbed out rhythms and percolating percussion before getting tripped out and break-y on 'Moonnewso On', with its alien effects and squelchy bass. 'Goiossee' is another slow motion braindance the 'Massless' recalls the early work of Two Loneswordsmen. There are hectic rhythms and wild detuned chords tumbling all over the place on 'J JustMUST4y' before closing salvo 'VFXpeaksTWIN' is an ambient piece pairing church chords with breaking waves. Weird and wonderful.
Review: TSHA's new album 'Sad Girl' i due for release on September 27th on Ninja Tune i contains her most danceable work to date. This is heard as much on the recent summer single 'Sweet Devotion', featuring Caroline Byrne: the first track she's been confidently able to slot between the New York and Chicago house and techno grooves of her acclaimed DJ sets. This danceability forms the backbone of the entire record, as we witness TSHA welcome in a new era, one in which she ushers in a new vocal order, and continues to carve out a sense of creative independence, rather than seeking approval from her musical peers. From the sizzling progressive future-powerpop of 'Girls' to the string-doused, motoric breaks ballad 'Drive', this is a glisteningly urbane record, one for authentic and sophisticated pop heads.
J-Shadow & Phrixus - "Return To The Endless Void" (4:45)
J-Zbel - "Jazzy Jazz" (3:55)
Treega - "Fire Flare" (5:15)
Odd Shy Guy & Rose Again - "Super Friends" (5:00)
Review: Kreggo's Art-Aud label is a reliably unpredictable bastion of post-modern rave madness which takes a sideways glance at all the genre fluctuations and places fun front and centre alongside experimentation. As a result, this latest instalment of their Secret Rave series comes as a welcome treat - a madcap rip through tempos and styles with upfront energy as a constant. From Slacker's moody, finely tuned breakbeat excursion to J-Zbel's low down, nasty drum funk on to Treega's on-point rave stabs, it's a wild ride, make no mistake. If you take your neo-rave gear seriously, you won't want to sleep on this deadly compilation.
Review: In Order To Dance 4.0 is along, long overdue follow up to the Belgian label's last legendary entry into this series many decades ago. In the years since, the prancing horse logo has become synonymous with cutting edge techno and electronic music from names as revered as Aphex Twin, Derrick May and Joey Beltram. This instalment shows that label founder Renaat Vandepapeliere's curation skills remain as sharp as ever, with a mix of new school names and enduring pioneers all contributing fresh sounds. Hyphen's 'Winter Sky' opens in lush melodic fashion, veteran Dino Lenny impresses with his 'Did This' and Dharma's 'Structured Chaos' is a more soulful moment of chord-led calm.
B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition
Ben J'ammin M - "Evolvic" (8:15)
Uncle 22 - "Pain" (4:37)
Point Zero - "Coastal" (6:05)
Escape - "Escape" (The Optical mix) (4:44)
Ike - "Euphoria" (5:02)
Minimal Man - "Outside The Window (Track 1232)" (6:49)
Mad Musician - "Jazz Out" (5:29)
Savel - "Sunflower" (5:47)
Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***
The third in Switzerland's best and truest retro dance throwback series; here the Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene. Only the best, brightest and most effulgent of house, techno, bleep and analog jams are heard on this series, bringing that heady, yet much sought-after, cross-section of dreaminess and rawness to our wanting ears. From the dreamy breathalizings and Himalayan hollerings of Uncle 22's 'Pain', to the deep ficus-bathed melodic blossomings of Point Zero's 'Coastal', it's clear that the ability to portray wateriness and fluidity in the otherwise (stereotypically) arid drum machine and sequencer form was something extant; a superpower shared collectively in the Swiss psyche of the time.
B-STOCK: Sleeve damaged but otherwise in excellent condition
100hZ - "Catching Spyders (In This Place)" (6:06)
Airtight - "Housewerk FXTC" (5:41)
Detroit Diesel - "Dreams For Santiago" (7:24)
Techno Grooves - "Hiawa" (4:13)
The Moody Boys - "Jammin'" (Ital mix) (5:21)
Shaka - "Pussyfooter" (6:24)
Fortune & Fame - "Is This Your Life" (5:14)
Nagai Eri - "Delta" (5:28)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
The Mental Groove Classics is a new series of reissues documenting the sweats and oversights of Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene. Ducret's Mental Groove label collected and discographized many of the 90s' brightest and yet roughest gems of the time; as both Volume 1 and this follow-up demonstrate, there is an unabashed rawness shared by the likes of Airtight's 'Housewerks FXTC' and Techno Grooves' 'Hiawa' here, the kind of rawness in sound that the various music-makers of today may only emulate, yet may never truly fully replicate, if not for the simple fact of overproduction and/or the all-too-easiness of overindulgence and possibility enabled by digital audio tech. To contrast, this one's simple, drum-machinic grooves mesh rather effortlessly with a transcendent trance, one which reaches a dubby apogee on The Moody Boys' C-sider 'Jammin', not long before a wonky French touch leaves a lasting tactile impression on Nagai Eri's D2, 'Delta'.
Review: Frost and Einzelkind's Pressure Traxx captures the evolution of minimal tech house over the past ten years, as the rigour of functional 4/4 gave way to different rhythms and motifs from the wider dance music lexicon. It was a smart move which helped reinvigorate the scene, and while they didn't do it on their own they absolutely fuelled the fire. Ten years in, their label is certainly due a retrospective which stretches out over eight sides of next-level workouts for long blends and marathon sets. The cast of characters hardly needs explaining - from Tobias and Villalobos to Edward and John Dimas, the quality never lets up and in one smartly arranged box set you're going to be gifted with the finest minimal in recent circulation.
Sandy Gaye - "Watch The Dog That Bring The Bone" (2:16)
Betty Wright - "Mr Lucky" (2:42)
Marva Whitney - "Daddy Don't Know About Sugar Bear" (2:26)
The Trinikas - "Remember Me" (2:29)
Betty & Angel - "Honey Coated Loving" (3:15)
Arelean Brown - "I'm A Streaker Baby" (3:54)
The 20th Century - "Hot Pants" (part 1) (3:30)
Promise - "I'm Not Ready For Love" (2:45)
Pearl Dowdell - "Good Things" (2:37)
Fay Cooper - "Closer Together" (2:41)
Lolla Collins - "Save The Children (If There Is To Be A Tomorrow)" (2:55)
Soul Revival - "Do What You Gotta Do" (2:46)
Mae Young - "You Got Me Under Your Spell" (2:24)
The Ba-Roz - "Come Back Boy" (2:26)
Sonics Band - "Second Avenue" (3:52)
Review: 'Beehive Breaks' is a new curveball from the Numero label, pitting together 15 'feminine funk' fixtures for your listening pleasure. All sourced from the label's back catalogue, we're met with an impressive array of funky-drummed, double-X'ed ditties, from Sandy Gaye's Cruella-synched 'Watch The Dog That Brings The Bone' to James Brown's soul sister #1 Marva Whitney; from teenage girl gangs The Trinikas and Promise, to Miami's queen of soul, Betty Wright; and to top it all off, there's even a previously unissued belter from Chicago's Sonics Band on there.
Sandy Gaye - "Watch The Dog That Bring The Bone" (2:14)
Betty Wright - "Mr Lucky" (2:40)
Marva Whitney - "Daddy Don't Know About Sugar Bear" (2:25)
The Trinikas - "Remember Me" (2:30)
Betty & Angel - "Honey Coated Loving" (3:12)
Arelean Brown - "I'm A Streaker Baby" (3:53)
The 20th Century - "Hot Pants" (part 1) (3:32)
Promise - "I'm Not Ready For Love" (2:45)
Pearl Dowdell - "Good Things" (2:36)
Fay Cooper - "Closer Together" (2:37)
Lolla Collins - "Save The Children (If There Is To Be A Tomorrow)" (2:55)
Soul Revival - "Do What You Gotta Do" (2:46)
Mae Young - "You Got Me Under Your Spell" (2:20)
The Ba Roz - "Come Back Boy" (2:21)
Sonics Band - "Second Avenue" (3:52)
Review: Numero Group brings together a slew of desirable and very rare soul and funk songs together for one fantastic compilation. Many of these tracks in their original physical release form - you'd be looking at hundreds of dollars for the first pressings, so thank Numero Group for gathering these together and saving the fans from spending a lot of money and a lot of time finding them. Tracks like the amazing 'Mr.Lucky' by Betty Wright - which sounds fit for a blockbuster movie soundtrack - Trinikas' 'Remember Me' and the James Brown-like funk 'Good Things' by Pearl Dowdell are must have scarce tracks, but there's a host of yet to be discovered gemes here too, like Fay Cooper's 'Closer Together' and Betty & Angel's 'Everlasting Love'.
Sleepwalker - "Age Of Aquarius (No Surrender, No Retreat)" (LD remix) (6:00)
Hedgehog Affair - "Parameters" (5:43)
DJ Mayhem - "Inesse" (7:52)
Luxury - "Twirl" (4:12)
The Invisible Man - "The Flute Tune" (7:52)
Escape - "Escape" (The Optical mix) (4:45)
Skanna - "This Way" (6:04)
XRAY Xperiments - "Techcore" (4:00)
Review: We're not sure where the phrase "blissed out" but whatever its origins, London's Blank Mind Recordings have caught on to its signification of a certain kind of jungle and breakbeat hardcore, prevalent in and around the given timeframe, 1991-1994. This new compilation charts just eight tracks of miasmic atmospheric breaks pressure-releases from the likes of DJ Mayhem, Luxury and Skanna from the time, with the star track in point being Mayhem's 'Inesse', around which the rest of the compilation was put together. Linking the record to a turbulent political climate, with 1994 being the year in which the harsh anti-rave Criminal Justice Act was passed, the record and the juddering pieces making it up are reframed in a resistant, socially just light.
Review: London-based label For Those That Knoe returns with a terrific release by underrated Slovenian producer Vid Vai. He's been slowly yet steadily honing his craft over the last 12 years with releases on respected labels such as Assemble Music, Tvir, Gilesku and Oskar Offermann's White to name but a few. Laminar Flow also happens to be his first full-length, taking in a wide variety of moods and grooves along the way. From the evocative and acid-laced flow of 'Incubation Theory', the sci-fi electro of 'Oort Cloud' to the sublime ambient offering 'Dusk By The Bay' and the saucer-eyed sunrise breaks of 'Shifting Sands' - the result is a timeless piece of liquid-smooth sonic art.
Review: Long-cherished underground stalwart Claus Voigtmann finally serves up his long-awaited new album Life Miles after many years of essential sounds on labels like Assemble and Intermission. He really shows his range here with a record that draws on his experiences of playing around the world in all sorts of different settings. 'Pinfire' and 'Transitory Moments' open up and take you to the heart of fabric, a club he has played so often, while 'North of the Sun' heads off into space on sleek electro rhythms while the likes of 'Abundance' bring cosmic melodic fun to a lively and inventive rhythm. Elsewhere there is the high-speed electro-funk of 'Flight Of Fancy' and the introspective downbeat trip 'Send Love To The Future' making this a varied and vital affair.
Review: Real-deal 90s ethereal breaks from the electronic music duo Way Out West. First released in 1997, this was not their best-known outing: only when this Bristolian duo was later joined by singer Omi (Emma Everett) did this happen, and this Deconstruction debut had only seen their instrumental incarnation so far. Nevertheless, this is a distinctly of-its-time record, offering blinding, game soundtrack-informed fusions of chillout flourishment with ascendant breaks-phoria and only vaguely touching on the theme of the wild West, ironically separate from the electronic music enthusiast's main imaginary. The record's non-breaksy moments are well worth noting too, with the slidden guitars of 'Earth' and chattering dub atmospherics of 'Dancehall Tornado' serving as the two most out-there numbers.
Get Loose (feat Dr Syntax & Professor Elemental) (2:29)
Watch Me Walk (feat Carys Abigail) (3:14)
Gimme Soul (3:15)
Bap Bap (2:39)
Love Inside (3:10)
Talkin' (2:33)
Review: X-Ray Ted's debut album, Moving On, is a tremendous journey through the realms of Funk, Soul, Hip Hop, and Breaks. With meticulous attention to detail and a keen ear for hidden musical treasures, X-Ray Ted delivers a collection that seamlessly blends vintage sounds with modern flair. From the infectious guitar riffs to the irresistible beats, each track on the album exudes an infectious energy that is guaranteed to get listeners moving on the dancefloor. What truly sets Moving On apart is the stellar lineup of collaborators, including hip-hop luminaries like Afrika Baby Bam and Fullee Love, as well as the soulful vocals of Carys Abigail. Together, they create a musical tapestry that effortlessly bridges the gap between retro vibes and contemporary beats, offering listeners a timeless experience that celebrates the rich history of music while embracing the future.
Review: Yo Speed has been making moves on the likes of 83 and Distorsion Records, and after several standout EPs, now makes his full-length debut with Colores. Across four sides of vinyl he explores every facet of breakbeat, starting with the sort of emotionally, architecturally grand cut that has defined Sasha's approach to sound for many years. 'Fucsia' gets more down and dirty with howling basslines from drum & bass and soulful r&b vocal hooks. Elsewhere are gems like the sun-kissed and serene 'Esmeralda' and masterfully melodic, tightly sequenced arps of the potent 'Escarlata'. A real widescreen trip.
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