Review: Following 2012's fourth volume that celebrated the existential work of Tim Maia, here we find Luaka Bop exploring the legacy of William Onyeabor. A high chief and Kenyan diplomat who allegedly refuses to discuss his music, he self-released eight albums in the 70s and 80s and these are some of the many highlights. Stretching from the New York-influenced post-punk synth funk of "Good Name" to the most authentic Afro fusion of "Why Go To War", Onyeabor's range not only reflects his clear creative skill, but also the ever-developing international language of music during the fruitful period he was active. Who is William Onyeabor? Press play and find out yourselves...
Lexy Mella - "On The Air" (Rap mix - Frankie Francis edit - bonus 7") (3:47)
Review: Soundway offer us a new compilation featuring 20 rare tracks from the currently much talked about world of Nigerian pop music; a zeitgeist of their early 1980s club culture. The country's economy was booming at the time and so was its recording industry. Strongly influenced by '70s disco and funk, this new generation were, as the liner notes explain "Eager to sound as American as possible with no hint of the fervour for afro-beat, afro-rock and afrocentric thinking that the 1970s had thrown up". The original albums that many of these singles came from go for exorbitant prices online, so here's a chance to snap up some of the periods finest music, remastered across three 12"s.
Review: Soundway surpass themselves again with this wonderful reissue from the Ghanaian artist Rob, who released two albums back in 1977 for the West African Essiebons label. Rob was a seasoned musician in the 70?s, having recorded and toured with many well known bands. The album is a somewhat Spartan, brooding affair where less is most definitely more as slow burning, hip swaying cosmic funk drenched compositions are offset by wonderful punchy brass arrangements. A slow burning pulse is present throughout with highlights being ''Loose up Yourself'' and the irreplaceable carnal conquest anthem '' Make it Fast, Make it Slow''. Songs of celebration sit alongside other pieces of introspection and socially conscious topics; some might criticise the odd duff notes and occasional raw vocal edge, but this just adds texture to the overall performance and vibe. Without question one of the best reissues of 2012.
Tierney Malone & Geoffrey Muller - "Transmission For Jehn: Gnossienne No 1" (Exclusive Spoken Word Piece) (4:58)
Review: Khruangbin might be the most logical and fitting choice for a Late Night Tales compilation in recent memory. The Texan psychedelic chill artists have always had a sense of the exploratory and unknown running through their blissful grooves, and the fundamental idea behind this series was always about opening up doors to new musical discoveries for listeners.
In many ways, the Houston trio have gone above and beyond. Melding a breadth of sounds that have emerged from an equally diverse set of cultures, we visit Hindi-disco, South Korean rock, African bass, Belarusian folk. Capped off with an exclusive version of Kool & The Gang's 'Summer Madness' conceived by the compilers themselves, it's a case of 15 gateway tracks all of which belong to artists and genres that are crying out for you to dive in.
Hafusa Abasi & Slim Ali with The Yahoos Band - "Sina Raha"
Nashil Pichen & The Eagles Lupopo - "Ng'ong'a Wa Mwanjalo"
Nairobi Matata Jazz - "Tamba Tamba"
The Lulus Band - "Ngwendeire Guita"
Mbiri Young Stars - "Ndiri Ndanogio Niwe"
The Lulus Band - "Nana"
Afro 70 - "Weekend"
The Rift Valley Brothers - "Mu-Africa"
DO 7 Band - "HO Ochiri"
Afro '70 - "Cha-Umheja"
Peter Tsotsi Juma & The Eagles Lupopo - "Kajo Golo-Weka"
New Gatanga Sound - "Thonia Ni Caki"
Sophia Ben & The Eagles Lupopo - "See Serere"
Kalambya Boys - "Kivelenge"
The Loi-Toki-Tok Band - "Leta Ngoma"
Huruma Boys Band - "Theresia"
Orchestre Veve Star - "Nitarudia"
The Mombasa Vikings - "Mama Matotoya"
The Lulus Band - "Mutumia Muriu"
Ndalani 77 Brothers - "Nzaumi"
Review: Having explored the rich heritage of Nigeria and Ghana with well researched vigour, Soundway turn to Kenya for their next adventure... A rare insight: while Lagos was churning out seminal Afrobeat compositions, Kenya took to western influences in a much subtler fashion. With heavy emphasis on the Kenyan benga and Afro-Cuban rumba there's a much deeper, local folk presentation and format throughout most of the selection. Complete with detailed notes and beautiful presentation (like all Soundway compendiums) this won't look out of place in any collection.
Review: Eight years on from its previous reissue (that time courtesy of Analog Africa's "Limited Dance Edition" series), Mr Bongo is offering up a fresh, licensed re-press of Rob's eponymous 1977 Afro-funk masterpiece. If you missed out in 2011, the set is definitely worth picking up because it's rock solid heat from start to finish. Check, for example, the heavily percussive Afro-beat/Afro-funk fusion of "Funky Rob Way", the flanged funk guitars and heavy brass action of "Boogie On", the jazz guitars and loved-up vocals of "Your Kiss Stole Me Away" and the William Onyeabor-does-James-Brown heaviness of closing cut "More".
Review: Antal has already been dropping the worldly beats on this EP which is a fine stamp of approval for Israeli DJ and collector Elado. This marks his debut on the label having won plenty of fans for his offering on Eddie C's cult Red Motorbike. The music take its cues from all over the planet - Africa, India and the Middle East - and brims with disco joy, funk richness and plenty of earthly soul. 'Big Baba' is a classy party starter with good time feels, 'Gulab Jamun' is a foreign language acid laced love song and 'Blame' is synth heavy disco funk.
Review: Mr Bongo kickstarts a new Afro 45s series with serious intention; all-girl troupe from Guinea Amazones De Guinee take the lead with a live recording from Paris, 1983. Taken from their Au Coeur De Paris album, it's the perfect example of a live recording with the balance of musicianship and crowd participation precision tuned. Flip for the previously rare 1980 recording by Ivory Coast's Moussa Doumbia whose smoky vocals and JB-level shrieks hit hard over a clam-tight Afrofunk rhythm. What a way to start a new series.
Review: Insanely funky business from Senegal's famous Orchestra Baobab (who are still touring and toiling 40 years later), "Kelen Ati Leen" is a really sweaty, heavy slab of funk that stares west for inspiration and a mild psychedelic Hendrixian sheen. "Souleymane", released three years after the A-side in 1978, takes more of a Latin influence as the horns get steamy over a rigid highlife spine to create a detailed and very physical groove.
Review: Should you stumble on an original copy of N'Draman Blintch's 1980 album Cosmic Sounds for sale, it would cost you upwards of 1,000 Pounds. This, then, is a much-needed reissue. It contains four fine cuts that showcase the Ivory Coast-born musician's distinctively intergalactic take on Afro-disco, where spacey electronics and mazy synth lines rise above bustling, high octane grooves. The album does contain one decidedly laidback and loved-up slow jam - closer "She Africa (Ton Tour Viendra)" - but it's the celebratory brilliance of the set's dancefloor workouts that most impress. Check, in particular, the anthem-like strut of title track "Cosmic Sounds" and the hot-to-trot, solo-laden Afro-disco explosion that is opener "Self Destruction".
Stephen Colebrooke - "Stay Away From Music" (4:28)
Andre Marie Tala - "Sweet Dole" (4:32)
Tyna Onwudiwe - "Lite Low" (4:04)
Rebles - "Sweetest Taboo" (Soca version) (3:26)
Ricardo Marrero & The Group - "And We'll Make Love" (2:31)
Koko Ateba - "Si T'es Mal Dans Ta Peau" (4:03)
Sookie - "Tonight" (feat Jeannine Otis) (4:58)
Raphael Toine - "Femmes Pays Douces" (5:40)
Eboni Band - "Desire" (5:09)
Robert J Riggins - "I Need You Now" (4:06)
Salero - "Teardrops & Wine" (3:07)
Momo Joseph - "War For Ground" (4:13)
Claude Genteuil - "Dreams Of Love" (3:00)
Gatot Soedarto - "Sayangilah Daku Kasih" (1:46)
Synchro Rhythmic Eclectic Language - "Pasto" (5:51)
Review: Since the Beach Diggin' compilation series launched a few years back, a number of its obscure, Balearic-minded selections have been given full length reissues of their own. We can probably expect a number of the tracks from this brilliant fifth volume to get the same treatment. As usual, the wide-ranging track list is thick with highlights, from the synth-heavy, French language reggae of Raphael Toine's 1986 bubbler "Femmes Pays Douces" (taken from the artist's frustratingly hard to find Ce Ta Ou album) and vibraphone-laden jazz-funk smoothness of Yasuko Agwa's sought-after "L.A Night", to the barely-known brilliance of Andre Maria Tole's Cameroonian gem "Sweet Dole". In other words, it's another essential selection.
Ze Spirits Band - "Tucheza" (Esa extended mix) (5:00)
Nonku Phiri - "Sifo" (feat Dion Monti) (4:27)
Os Panteras - "Melo Do Anjo" (Outra edit) (4:54)
Pascal Latour - "Lague Yo" (Boulo edit) (5:58)
Masalo - "Yera" (feat Doussou Koulibaly) (6:24)
Esa - "Pantsula Traxx" (4:38)
Narchbeats - "Cheeks" (3:41)
DJ Spoko - "#Justsnares" (4:02)
Review: Inspired by his own experiences growing up in apartheid-era South Africa and his travels through music, Esa Williams has put together a compilation of contemporary electronic music from around the world. "Amandla: Music To The People" is well worth your attention and contains some genuine gems. Highlights come thick and fast throughout, from the percussive, chant-along sweatiness of Penny Penny's "Shilungu" and the loved-up, pitched-down dreaminess of Alaska's "Accuse (Instrumental)", to the sweet, life-affirming cheeriness of Os Panteras' "Melo Do Anjo (Outro Edit)" and the thrusting, Italo-disco style dancefloor masculinity of Masalo's "Yera". Esa's own late '80s style pitched-down South African house jam "Pantsula Traxx" is also superb.
Review: Back in 1976, legendary highlife artist Pat Thomas decided to throw his weight behind Ghanian three-piece Marjarita. Thanks to his patronage, they made quite an impact with their debut album (Pat Thomas Introduces Marjita), before striking gold with their killer follow-up, This is Marjita. Since then, the album has become something of a "holy grail" for Afro-funk collectors, with copies changing hands for astonishing sums of money. Happily, Mr Bongo has decided to license and reissue it. The album contains four superb workouts: the hard funk brilliance of "Break Through", the organ-heavy Afrobeat fuzziness of "No Condition is Permanent", the reggae-influenced wonder of "I Walk Alone" and the superior highlife of "We Live in Peace".
Akin Richards & The Executives - "Afrikana Disco" (6:25)
Tee Mac - "Nam Myoho Renge Kyo" (5:40)
Joni Haastrup - "Greetings" (6:14)
Don Bruce & The Angels - "Ocheche (Happy Song)" (5:51)
Benis Cletin - "Get Up & Dance" (5:37)
Colomach - "Enoviyin" (5:02)
Joni Haastrup - "Do The Funkro" (4:04)
Tee Mac - "Living Everyday" (feat Marjorie Barnes) (5:19)
Arakatula - "Mr Been To" (4:01)
Angela Starr - "Disco Dancing" (5:30)
Joni Haastrup - "Wake Up Your Mind" (5:58)
Jimmy Sherry & The Musik Agents - "Nwaeze" (7:00)
Benis Cletin - "Soul Fever" (5:02)
Arakatula - "Wake Up Africa" (3:19)
Review: Another work of Soul Jazz curatorial gold: Nigeria Soul Fever is a detailed gatefold trip into one of Nigeria's richest chapters in music. Heavy trade restrictions allowed them to develop their own style without too much US or European influence and the result is an array of national talent who largely remained legends within their own borders. The range is mesmerizing; the sinewy synth and playground vocal Q&A of Benis Cletin's "Get Up & Dance", the ballroom disco soul of Tee Mac's "Living Everyday", the soulful afrofunk folk of Jimmy Sherry's "Nwaeze", the gut-punching power of Arakatula's album finale "Wake Up Africa". This is a treasure trove of unreleased gems that capture a truly unique time.
Ndenga Andre Destin Et Les Golden Sounds - "Yondja" (4:17)
Damas Swing Orchestra - "Odylife" (2:20)
Charles Lembe Et Son Orchestra - "Quiero Wapatcha" (2:55)
Louis Wasson Et L'Orchestre Kandem IrenEe - "Song Of Love" (3:25)
Tsanga Dieudonne - "Les Souffrances" (6:06)
Pierre Didy Tchakounte Et Les Tulipes Noires - "Monde Moderne" (3:51)
Willie Songue Et Les Showmen - "Moni Ngan" (5:09)
Mballa Bony - "Mezik Me Mema" (5:01)
Johnny Black Et Les Jokers - "Mayi Bo Ya?" (3:53)
Pierre Didy Tchakounte - "Ma Fou Fou" (4:05)
Lucas Tala - "Woman Be Fire" (4:23)
Ndenga Andre Destin Et Les Golden Sounds - "Ngamba" (4:38)
Review: We are extremely proud to announce our 32nd compilation from the Analog Africa regular serie, "Cameroon Garage Funk", highlighting Yaounde's 1970's underground music scene. The quest to assemble the puzzle-pieces of what seemed to be a long lost underground scene took us to Camroon, Benin and further on to Togo and it was in the cities of Cotonou, Lome? and Sotouboua that we managed to lay our hands on most of the songs presented in this compilation. Since there were no local labels, no producers, and almost nothing in way of infrastructure in Cameroon at that time, the artists had to be everything: musician, producer, executive producer, arranger, financier, promoter and sometimes even distributor. The sixteen tracks on Cameroon Garage Funk pulse with raw inspiration and sweat DYI mood uniting the featured diverse musicians around their willingness to do everything themselves in order to take a chance in the music scene.
Review: Since launching in 2016, Mr Bongo's Record Club compilation series has provided three essential volumes of personal favourites - many obscure and hard-to-find - selected by the label's in-house team of crate-digging DJs. Volume four is naturally every bit as essential as its' predecessors, offering an enticing mixture of Brazilian, African, soul, funk and disco with not a suspect selection in sight. This time round, they've chosen to include contemporary music as well as dusty old gems, with highlights including Kenny Dope's delicious rework of the soul-jazz positivity of 'Throwing Stones' by James Reese and the Progressions, the fast version of Ze Roberto's 1973 MPB classic 'Lotus 72D' and the samba-folk wonder that is Matthew Tavares' 2019 gem 'Self Portrait'.
Ali Birra Kan - "Ati Fettun Isani Infedhani" (4:45)
Tsehaytu Beraki - "Medjemerya Feqrey" (4:09)
Review: The first Best of on vinyl from the ethiopiques series. Francis Falcetto, the founder of the series (already 28 Cds available) and THE specialist of Ethiopian music pick up a selection of the best tracks of the series. He opened his large collection of pictures, vinyls and memorabilia to make the artwork of this double LP gatefold. The perfect introduction to the world of Ethiopian music but the specialists will also discover some rare and unknown tracks and artists.
Review: Philophon is a Berlin-based label run by Max Weissenfeldt. Part of Philophon is the Tonstudio Bluetenring in Kreuzberg, operated by Benjamin 'Stibbo' Spitzmueller. The label's essential motivation is to support any form of local culture with reason, freedom and ludic drive. North-Ghanaian singer Guy One presents his first international release here. He promises what his name is saying: he is the number one artist of Frafra music, named after his people. "Everything You Do, You Do For Yourself" is a driving Highlife rhythm and his only song having a phrase in English. "Estre" features one of the leading voices of Frafra-Gospel named Florence Adooni. She interweaves perfectly with the horn arrangements by Weissenfeldt and the drummer. Washington's Hailu Mergia, San Francisco's Idris Ackamoor and the Pyramids and the legendary Scandinavian producer Jimi Tenor have also released on the label over the last year too.
Review: Labels Hot Mule and Secousse have teamed up to deliver something special: a killer EP of "lost gems from the golden era of Zouk and Gwo-Ka" in Guadeloupe (that's 1985 to '92, fact fans). The four tracks showcased here were performed and produced by an artist whose fame in Guadeloupe sadly never spread any further, Max Rambhojan. The A-side boasts two versions of the rather brilliant and suitably cheery "Tou't Jou Pa Min'm": the jaunty, sun-kissed, whistle-sporting 1986 original mix, and Rambhojan's heavily electronic, synthesizer-heavy, calypso-tinged 1992 re-make of his biggest local hit. Over on side B you'll find the bubby dub bass, sparse synths and flute solos of the decidedly tropical "Cecilia" and a suitably breezy, sunset-ready gem entitled "On Jou Matin".
Osayomore Joseph & The Creative Seven - "Africa Is My Root" (6:46)
Akaba Man & The Nigie Rockets - "Ta Gha Hunsimwen" (6:01)
Akaba Man & The African Pride - "Popular Side" (7:26)
Sir Victor Uwaifo & His Titibitis - "Iranm Iran" (5:34)
Sir Victor Uwaifo & His Titibitis - "Sakpaide No 2" (6:28)
Akaba Man & The Nigie Rockets - "Ta Ghi Rare" (7:21)
Osayomore Joseph - "My Name Is Money" (4:50)
Akaba Man & The Nigie Rockets - "Ogbov Omwan" (9:21)
Sir Victor Uwaifo & His Titibitis - "Aibalegbe" (3:51)
Osayomore Joseph & The Ulele Power Sound - "Who No Man" (8:38)
Sir Victor Uwaifo & His Titibitis - "Obviemama" (4:34)
Osayomore Joseph & The Ulele Power Sound - "Ororo No De Fade" (8:01)
Review: Analog Africa have put together their 31st compilation here, and it's another essential, well curated overview of a fantastic funk sound, focussing on the genre's greatest originators, namely Osayomore Joseph, Akaba Man and Sir Victor Uwaifo. All of these artists' primary skill was to strip down funk down to its core essence and use it as a foundation to rebuild their own unique interpretations. Each one is imbued with the spirit of the Edo culture and all 12 cuts here pulse with driving rhythm and raw musicianship, bright keys and tripped-out guitars that bring the funk in utterly fresh and thrilling ways.
Review: Please welcome new LA Afrofunk troupe Mestizo Beat. Previously known as Soulfire Collective, this debut 45 marks a clear line in the sand and an exciting future. Sweaty, energetic, tightly woven instrumentals we kick off with "Featherbed Lane", a boogie-based jam with spiralling sax leads and a guitar solo so hot you could cook a banquet on it. "Handcuffed To The Shovel", meanwhile, gets to work with a rawness, persistence and infectious rhythmic motion. We know you're going to dig this!
Review: Having previously reissued Pasteur Lappe's sought-after 1979 sophomore set, No Man Pass Man, the crew behind the Africa Seven label has turned its attention to the Cameroonian artist's similarly impressive debut, We The People. It's a vibrant and hugely entertaining six-track set, with Lappe offering up a range of dancefloor-ready cuts that variously touch on heavy Afro-disco ("More Sekele Movement (Papa Ni Mama)"), horn-heavy tropical funk ("Dora"), saccharine English language ballads ("Watcha Get Ma Day Dreams"), thrusting disco-funk righteousness (Clav-happy smasher "Sekelimania (Nku Bilam)" and "The Sekele Movement") and laidback, Steely Dan style West Coast jazz-rock ("As Far As I Can Remember").
Review: There's a slightly different feel to the latest instalment of the fantastic "Africa Airways" compilation series. While previous instalments have largely focused on heavy Afro-funk and Afro-soul, this fifth edition showcases material recorded during the disco and boogie era (1976-82). The ten included tracks are superb, with highlights including the fuzzy, Clavinet-driven thrills of "Sweet Sidney (Edit)" by Black Bells Group, the heavy grooves and dancing synth lines of Gyedu Blay Ambolley's "Highlife", the spacey Afro-boogie badness of Fotso's "French Girl" and the flash-fried disco-funk celebration that is Jide Obe's spacey, Moog-sporting "Too Young". As the old cliche goes, this is all killer and no filler.
Review: It's taken a while, but Philophon chief (and in-house producer) Max Weissenfeldt has finally managed to finish the album he started working on with Ghanaian Frafra-gospel singers Alogte Oho & His Sounds Of Joy. It's a set that has been promised for the best part of five years, so it's fantastic to see it finally materialize. Musically, it explores similar sonic territory to Oho's previous singles on Philophon (all of which featured music from Weissenfeldt), effortlessly joining the dots between traditional Ghanaian styles, local interpretations of funk and soul, dub-wise reggae rhythms and occasional nods towards contemporary electronic beats. The results are superb, making this a must have for those who love a bit of West African musical positivity.
John Barry-Moore - "Abertura De "Os Inocentes"" (1:45)
Willy Chirino - "Sing A Song (Canten Mi Cancion)" (4:24)
Malouma - "Nebine" (4:39)
Yasuaki Shimizu - "Kakashi" (4:40)
Mariah - "Shinzo No Tobira" (4:45)
Mave & Dave - "You Are Delicious" (4:40)
Pamoja - "Oooh, Baby" (3:40)
Mark Capanni - "I Believe In Miracles" (3:02)
Admin - "Step Into Light" (4:39)
Phillip Malela - "Tiba Kamo" (3:14)
Gyedu Blay Ambolley - "Let's Be Happy" (Disco mix) (7:01)
Tyrone Evans - "Rise Up" (Discomix) (7:18)
Stimela - "I Hate Telling A Lie" (7:38)
Eamon - "Ready For War" (3:03)
Sven Wunder - "Mosaic" (2:59)
Hiroshi Suzuki - "Romance" (5:48)
Tete Da Bahia - "Duplo Sentido" (5:03)
Review: When a new instalment in Mr Bongo's Record Club series lands, it's always worth checking. Featuring selections from different members of the Brighton-based label's dusty-fingered staff, each volume is packed to the rafters with sought-after and little-known gems in a variety of interconnected styes. This fifth edition is naturally packed to the rafters with righteous fare, with the many highlights including (but not limited to) the suspenseful instrumental disco of John Barry Moore's 'Abertura De Os Inocentes', the dubbed-out, jazz-funk-flecked proto-Balearica of Yasuaki Shimizu's 'Karachi', the funky grooves and glassy-eyed soul vocals of Mave & Dave's 'You Are Delicious' and the driving, dub-flecked reggae-disco hedonism of 'Rise Up (Discomix)' by Tyrone Evans. In a word: essential.
Review: South African jazz-influenced sounds take the lead on this new companion from the tireless Brownswood label. The collection explores the linage of the sounds and communities who helped it evolve as is spread across the country meaning plenty of subtle synths are taken in. The eclecticism is what makes this so essential as the music ranges from the hugely spiritual (from The Brother Moves On) to more late night and inmate (tasks to a fine entry from Sibusile Xaba) via the neo-soul drenched styles of Thandi Ntuli's beautiful 'Dikeledi' which is a particular highlight.
Review: Initially discovered by the label via cassette tapes picked up in Jo'burg's Kohinoor store back in 1995, The Movers feature on the 35th in Germany's Analog Africa's series of band spotlights. As its title suggests, this captures the band's work across the lion's share of the 70s, and tracks like 'Hot Coffee' and '2nd Avenue' are irresistibly, instantly groovy, but also a fascinating sonic crossroads where African jit music meets the funk and soul of the US and the funkier end of the guitar music coming out of the UK and Europe at the same time. All executed In the most natural, free flowing, as well, which makes this package even harder to resist.
Review: In a stroke of ingenuity Noori found a neck of a guitar whilst rummaging through a Port Sudan scrapyard along the Red Sea Coast in the 90s. Using their welding talents they fixed it onto a traditional four stringed tambour, creating what may be the only tambo-guitar hybrid in the world. Beja Power! Is a love letter to the Beja culture, inherently political and almost erased by the former Sudanese leader. This historically rich niche of Afro-Jazz is both nostalgic and mystical. Elements of surf rock, electric blues and psychedelia can be heard in these instrumental tracks, a 6-track capsule of a powerful identity nearly lost to the sands of time. Noori & His Dorpa Band's style is authentic and evocative and is a joyful proclamation and demonstration of the magic that is Beja sound and aesthetic.
Review: Soundway's debut Sierra Leone exploration introduces us to Muyei Power who toured their country (and, on occasion, the US) throughout much of the 70s. With only a handful of 45s recorded, their sound has been largely unheard for the last 30/40 years. Until now. Complete with detailed liner notes and artwork, this album is a fantastic document. More importantly, it sounds fantastic: stretching from the more western influenced funk dynamic of "Bi Loko" to the frenetic percussive fusion of "Be Patient" via the smoky, mournful horns on the folky "Ben Ben Bee" there's a unique sound that resonates with everything else you know and love about African music during the ever-fertile 70s, yet rings and stamps with a life of its own.
Review: Those with a deep knowledge of Berlin's Ghanaian ex-pat "burger-highlife" scene may already be familiar with Lee Dodou, a singer who recorded a number of classic singles and albums during the 1980s as part of bands Georg Darko and Kantata. He retired from music in 1991, but has been persuaded to return to action by the Philophon team. This comeback single is pretty impressive all told, with A-side "Basa Basa" - a triumphantly celebratory chunk of 1960s "concert party" highlife rich in punchy horn lines and Dodou's full-throated vocals - being joined on the flipside by the slower, synth-laden "Sahara Akwantou". Brilliantly, the label describes this as "kraut-life" due to its unique (and rather good) fusion of highlife and German kosmiche.
Orchestre Poly-Rythmo De Cotonou Dahomey - "Minsato Le, Mi Dayihome"
Super Eagles - "Love's A Real Thing"
Moussa Doumbia - "Keleya"
Manu Dibango - "Ceddo End Title"
Sorry Bamba - "Porry"
Orchestra Number One De Dakar - "Guajira Ven"
William Onyeabor - "Better Change Your Mind"
Ofo & The Black Company - "Allah Wakbarr"
Gasper Lawal - "Awon-Oise-Oluwa"
Bunzu Sounds - "Zinabu"
Tunji Oyelana & The Benders - "Ifa"
Orchestre Regional De Kayes - "Sanjina"
Review: Back in 2005, the Luaka Bop and Stones Throw labels jointly issued World Psychedelic Classics 3: Love's A Real Thing - The Funky Fuzzy Sounds Of West Africa with the former releasing the CD edition and the latter a double LP version. As the elongated title suggests, the third edition of Luaka Bop's World Psychedelic Classic series swung the focus to West African music from the seventies and really opened people up to the psychedelic sounds of Manu Dibango, William Onyeabor, Gasper Lawal and a whole other host of artists from West Africa. Luaka Bop have evidently secured the rights for a vinyl reissue of the compilation, and anyone who indulged in their popular fifth volume focused on William Onyeabor will relish the opportunity to pick this up again.
Review: Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti has a vast catalogue that dates back over half a century. Roforofo Fight is one of the many standouts and it was recorded in Lagos in 1972 on the Jofabro label with the legendary Tony Allen on drums as well as Christopher Uwaifor on tenor, Lekan Animashaun on baritone and many other key players alongside the main man. The lyrics convey Fela's frustration at intolerant and violent behaviour as told through the story of a street fight.
Review: She may be best known as a TV and radio presenter, but Nigerian star Julie Coker also enjoyed a short but successful music career. She released two albums of note - highlife-focused 1976 debut "Ere Yon (Sweet Songs)" and 1981's more disco-centric "Tomorrow" - both of which now fetch eye-watering sums online. This fine retrospective showcases cuts from both of those sets, with the many highlights including the spacey, delay-laden highlife cheeriness of "Re Hese", the Clavinet-sporting disco-funk-goes-pop bounce of "It's All For You", the low-slung but rising, gospel influenced brilliance of "Gossiper Scandal Monger" and the heavily percussive, off-kilter goodness of album closer "Iyo-Re". You might also notice the intro of 'Ere Yon', which was recently sampled to great effect in Anderson .Paak's "Saviers Road"!
Review: A lesson in how to follow up an incredible album: Tomorrow followed Onyeabor's incendiary Atomic Bomb immaculately. The title track instantly set the scene with more emphasis on electronic elements and studio techniques as William sermonises without pomp. "Why Go To War" is as insistent as its message thanks to a dense lolloping groove of highlife guitars and spiralling keys. "Fantastic Man", meanwhile, takes a leaf out of Parliament's playbook, rolls it up and smokes its own and "Try & Try" closes the show with country subtlety thanks to its slide guitars and blushing keys.
Review: Afro 45's / Mr Bongo show no signs of stopping their tireless run of form and, 7" after 7", they just keep on producing the goods. There's yet more '70s goodness with this new little scorcher: the A-side is 1973's "Tessassategn Eko" by Bahta Gebre Hiwot, a pensive Ethiopian pop hit for all sorts of music fans to enjoy, but "Ayalqem Tedqem" by Alemayehu Eshete on the B-side is where it's at... just listen to that bass and you'll instantly recognize this wonderful little cover.
Review: Even by the consistently high standards of Analog Africa, this release is something special. It consists entirely of previously unheard music by Orchestre Abass, an obscure outfit from Togo who released a handful of singles on Polydor Ghana in the early 1970s. Remarkably, all bar one of the tracks on "De Bassari Togo" were found on a long forgotten reel of tape that had sat on a shelf in a Ghanaian warehouse for the best part of 35 years. That was ten years ago; it's taken that long to track down the remaining members of the band and license the material. In truth, the tracks have aged exceptionally well, with the band's infectious, organ-led sound adding distinct Arabic influences (a result of the band members' time spent studying in Islamic schools) to their heavy funk rhythms and riotous Afro-funk vibes.
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