Review: ***B-STOCK: Sleeve damaged, record slightly warped***
Primal percussions mix with burring, masc voices and telecom synths on Luke Alessi's 'After Five', a wonderful debut 12" by the Melbourne native. Going in, we're asked by the artist to picture a riotous cocktail party gone a little roguer than polite society usually may ordain, and while, of course, Barry White sultrily hoarsens in hushed baritones down below. In fact, the opener of this record samples Love Unlimited Orchestra's 'After Five', a star track from the side project which White led. Much like White's symbolic identification with sensual, smooth lovin' in the West, 'After Five' follows white's tip that 5AM is the threshold between day and night, and that, after having crossed it, any given raver should expect no less from their fellow revellers than behavioural alterity. Two remixes from Pablo Bozzi and Aldonna go on to "en-trance" the first track, implying baggy-eyed comedowns, while the wild A2 hears us emerge on the sands of a tropical atoll, where coconut castanets and foreshore marimba await to greet us.
Review: Ibrahim Alfa Jnr has been making and releasing techno ever since he was just 17 years of age. At that time he had already been playing piano for over a decade and since then he has secured a master's degree in the sonic arts. He is a live act and DJ who has played across the world and now lands on the Swiss label Acquit Records. This new and translucent red 12" opens with the sonorous bells and drones of 'Red Lights' over crispy, metallic, broken techno drums. 'Eternity' is another brash bit of broken beat techno, 'Rattle' does just that and 'Metal Mikey' cuts loose on some spangled synths and tribal drumming. 'Commodities' is a low-key drum track that will make 'floors jack.
Review: Swiss artist Chlar's last EP Optimized Grooves was a standout success across the techno world and it marked a significant step for the fast-rising producer after fine outings on labels like Iceland's NIX and Stranger's Self Reflektion imprint. His full-throttle style is continually evolving as his latest offering, the Intrinsic Drive EP shows. 'Dopamine Rush' kicks off with fast techno beats and hypnotic synths, 'Intrinsic Drive' weaves tightly packed drums, bass, and alien sound designs, 'For Marco' intensifies with darker kicks and eerie synths, while 'Steady Pace' adds swing with crisp hits and vocal fragments. 'Greedy Man' offers industrial undertones with skewed synths to end on yet another stylish banger.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Rave On Time
There's No One Left To Trust
The World Inside
Common Era
Wahr Ist Sie Dann
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
On Rave On Time, her third EP of 2020, Charlotte De Witte giddily pays tribute to the throbbing, warehouse-ready techno sound of her home city of Ghent - and particularly the intense, mind-bending brand particularly associated with R&S Records in the early 1990s. De Witte sets the tone via the razor-sharp and insanely heavy title track, where ragged acid lines and spiky synth stabs leap above a stomping techno groove, before opting for drums, drums and more drums on the restless 'There's No One Left To Trust'. Acid techno is the order of the day on 'The World Inside' and 'Common Era', while triple-time closing cut 'Wahr Ist Sie Dann' is an odd, alien-sounding treat.
Dynamic Forces are indeed on show in this slamming new slab from Arts. There is a real sense of control to the opener 'Lyra' despite its forward motion and punchy kicks, while 'Vaulting' gets much wilder and looser with its manic synth lead and raw onset of percussive pressure. Switching up things once more, 'Parallel' is a dubby techno tool and 'Shimmer' reverts to the careful tweaking of a deft lead synth over incendiary beats. 'Radiant' and 'Meraki' bring more raved-up and bouncy peak-time techno fun. This is a very useful and varied 12".
Review: Fierce electronic mavericks LNS & DJ Sotofett deliver a thrilling two-tracker that's built for serious warehouse action. The A-side is a teeth-clenching, bassline-driven beast that is raw, gritty and euphoric with static rhythms, stabbing synths and a halftime arpeggio breakdown that erupts into dreamy pads. On the flip, DJ Sotofett's 'Buzzy Breaker' starts minimal with just kicks, stabs and dubs, then morphs into a breakbeat monster with polyrhythmic tension and soaring pads underpinned with jungle-inflected drops. Both tracks harness deep, hypnotic repetition while sounding bold and system-ready so make for techno with real weight but also edge and purpose that results in high class DJ and dancer tackle.
Review: Route 77, the third album from Mirror System, Steve Hillage and Miquette Giraudy's chillout project, offers a serene sonic journey through spacious, dreamy soundscapes. A mellower counterpart to their work as System 7, Mirror System's music blends soft tech-house rhythms with lush electronics and Hillage's signature guitar. With a travel theme inspired by the vast American Southwest, Route 77 is rich in atmospheric grooves. The album features contributions from The Orb's Alex Paterson, Dan Donovan and Marv Brookes, adding to its laidback yet intricate vibe. Standout moments include reimaginings of Manuel Gottsching's 'Sunrain' and Ry Cooder's 'Paris, Texas', which fit seamlessly into the album's flowing textures. The closing track, 'Sonora Desert Edge (The Abyss)', incorporates a poem by Allen Ginsberg, creating a vivid, immersive auditory experience. Route 77 is an engaging blend of ambient trance and chillout music, perfect for deep relaxation or reflective listening.
Review: This mysterious, limited-edition techno release strips everything back to pure sound, delivering four futuristic tracks that span electro, techno, house and acid. Side-A kicks off with 'U Like It Raw (Red Hot)', a deep, rolling techno cut infused with raw energy and a hypnotic house vocal that keeps the groove locked in. 'Red Eye Drive' follows, channeling old-school acid techno with minimal, atmospheric production. Dubby and stripped-down, it's a heady, late-night journey through misty soundscapes. On Side-B, 'Wannado' embraces electro and acid, with a futuristic, spacey feel that twists and turns through intricate layers of sound. Closing out the release, 'Headz Vol 3' drifts into floaty, ambient-acid territoryialien, ethereal and deeply immersive. With its varied but cohesive vision, this record is a great example of the depth and range in underground electronic music. A true gem for those who seek something beyond the ordinary.
Review: CREDO label head and respected German DJ and producer Alex Bau offers up his first sounds under new alas Stoering here on the Dub Wax label. And the location of the music hints at what he is looking to explore with his new project, namely deep and dubbed-out techno soundscapes. They are steeped in the Basic Channel school with dusty hi-hats and fuzzy pads stretched out over frictionless drums. The pace remains steady and seductive throughout and the EP reaches its pinnacle with 'Taupo' thanks to the pairing of a gently bumping rhythm and scattering of metallic hits that widen the scope of the groove.
Review: Aksel Schaufler has undertaken an ambitious effort this year with his Golden Ravedays concept, where over each month throughout 2017 he has released another respective edition. We are almost at the end - but as sad as it is, we do have the music to celebrate which is the main thing, right? Golden Ravedays 10 features another couple of long and epic cuts. The A side features the slo-mo rock 'n' roll swagger of "Rock 'N' Roll Baby" featuring Schaufler's creepy vocals over a hypnotic and at times esoteric sounding arrangement. On the flip, we have something entirely different in the form of "Shining" an early '90s IDM sounding journey which we must admit was our pick on this release - it reminds us of the glory days of Peacefrog and Planet E way back when: when electronic music had soul! Volume 10 does not at all disappoint and for those of you who've not been paying attention thus far: we'd highly recommend you catch up on previous editions: you won't regret it!
Review: Following on from the first various artists E 'Outer Base' on Boomstraat 1818 comes Pollurian, another vital collection of 7 minimal techno tools. There really is something for every occasion here with Casual Treatment one with some mind-melting 90s synth madness and DBFB then laying down quick, urgent and paired-back dub techno that takes you to another level. Itzaac twists squeaky synths and broad synth smears over a linear groove on 'Elasticomanae' and Stefan Vincent & Stroef aim to melt your mind with their percussive and high cerebral workout "2bm1ib1ia'. Jerome From shuts down with a more atmospheric and slower sound that provokes introspection.
Review: Greek producer Stelios Vassiloudid has been making techno moves since the turn of the millennium under a range of different aliases. Here he appears as himself with four supercharged dub techno cuts for Dubwax. 'Lie In Wait' is a really tight, taught affair with pinging kicks and icy hi-hat ringlets. 'MIA' is more warm and vibes with a soulful core and underlapping bass waves. There is a more minimal and abstract sound to the curious dub bumps of 'Reverse Engineer' that encourage you to be at your most fluid. 'Grains' shuts down with grainy lo-fi pads, vinyl crackle and sparse kick that soundtrack an underwater jaunt. There is plenty of subtle variation to these rhythms which makes it a dead handy dub EP.
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