Stereo breakout cable: 3.5mm male stereo TRS to two 3.5mm female mono TS, 15cm.
Notes: The 1010music line of stereo breakout cables are designed to connect 2 mono audio signals to a single stereo TRS 3.5 mm minijack plug. The slim plug caps fit side by side with other cables in compactly spaced input jacks, like those on the 1010music bluebox. These cables may have been designed for the bluebox, but they have a wide variety of uses with other gear as well.
Each of these cables has a male TRS stereo 3.5mm minijack plug on one end and two female TS mono 3.5 mm minijack plugs on the other end. They are 15 cm/6 in long with the 1010music logo printed on the plug caps.
This stereo breakout cable connects two 3.5mm female mono TS minijack plugs to the left and right channels of one 3.5 mm stereo TRS minijack plug. Red and black end caps on the female end differentiate the left and right channels. Each cable is 15 cm/6 in long and has slim metal caps with the 1010music logo.
Specifications:
15 cm / 6 in long
one 3.5 mm male stereo TRS to two 3.5 mm female mono TS
Nickel / 24K Gold plated connector
Highly flexible PVC / TPE Jacket Materials
Rohs, UL, CE, and FCC approved
A single black TRS cable with male 3.5mm minijacks on either end of a 30cm/11.75 cable with 1010music printed on the jacks.
Notes: Use these black cables with the 1010music logo on either end of the jack to connect your 1010music eurorack modules to other modules that also use stereo minijack connections. This is a TRS cable with male 3.5mm minijacks on either end. It is available in two lengths: 30cm/11.75" and 60cm/23.5". These cables can be used for connections between any two 1010music modules, and to any other modules that use a compatible mapping of MIDI signals to stereo minijack connectors.
Weight: 0.04 lbs
Dimensions: 4 × 3.5 × 0.25 in
Length: 30 cm / 11.75"
Pack size: single
Pack of 4 knobs used on 1010 Music Blackbox, Bluebox, Nanoboxes, Bitbox MK1, Bitbox MK2, Bitbox Micro, Bluebox Eurorack & Waverazor
Notes: These knobs fit all 1010music products. Replace your damaged knobs or just swap them for a different colour. These knobs will fit blackbox, bluebox, the nanoboxes, bitbox mk1, bitbox mk2, bitbox micro, bluebox Eurorack edition, and Waverazor Dual Oscillator. They are sold in single colour packs of 4.
These are the official knobs used on 1010music products since the release of the bluebox. They fit the stems of the potentiometers on all current and past 1010music products. They come in packs of 4, all one colour.
Each knob is 0.65" / 18 mm high with a base diameter of 0.65" / 18 mm.
Pack of 4 knobs used on 1010 Music Blackbox, Bluebox, Nanoboxes, Bitbox MK1, Bitbox MK2, Bitbox Micro, Bluebox Eurorack & Waverazor
Notes: These knobs fit all 1010music products. Replace your damaged knobs or just swap them for a different colour. These knobs will fit blackbox, bluebox, the nanoboxes, bitbox mk1, bitbox mk2, bitbox micro, bluebox Eurorack edition, and Waverazor Dual Oscillator. They are sold in single colour packs of 4.
These are the official knobs used on 1010music products since the release of the bluebox. They fit the stems of the potentiometers on all current and past 1010music products. They come in packs of 4, all one colour.
Each knob is 0.65" / 18 mm high with a base diameter of 0.65" / 18 mm.
Review: This vibrant 1969 release captures the raw energy of Latin soul and funk, a perfect snapshot of Spanish Harlem's musical melting pot. With tight grooves and infectious percussion, the ensemble delivers tracks that feel alive with cultural and rhythmic vitality. Each arrangement draws from the boogaloo era's creativity, blending soulful melodies with sharp, danceable rhythms. This reissue offers a chance to experience a key moment in New York's Latin music history with its unmistakable blend of genres.
Review: Floorspeed is a fresh Washington, DC label that brings funky techno and hardgroove from North America's heart for its debut release which taps up two standout US producers: Los Angeles' 1morning on the A-side and Detroit's 2Lanes on the B-side. 'Lifeform' opens the A1 slot with a hard-hitting Beltram-inspired beat and uplifting chords, perfect for peak-time energy. The A2 track, 'Thought Pattern' delves deeper with a hypnotic groove, highlighting 1morning's techno finesse. On 'Follow The Rabbit, the producer delivers an intense, hardgroove journey while 'The Bounce Route' closes with playful bass, lively samples and dub sirens for continuous dance floor thrills.
Review: Just like Ronseal does exactly what it says on the tin, The Original 4 Skins serves up a compilation of every known studio recording from the original line up of homegrown oi! punk legends The 4 Skins. Boasting a whopping 19 tracks including an alternative version of 'A.C.A.B.' originally intended to be included on the Oi! The Album compilation, as well contributions to other quintessential Oi! collections Strength Thru Oi! and Carry On Oi!, this gatefold pressing is limited to 1000 copies and arrives complete with lyrics, press clippings from the era plus previously unpublished photos of the band. An essential grab for any Doc Marten sporting skinhead with more Fred Perrys in their closet than your mother has handbags.
Review: Japanese ambient dub maestro 7FO creates his very own niche brand of ambient, dub, and experimental music, his mastery of which has thoroughly justified in this latest 7" vinyl release. Just two new tracks adorn its twin sides, 'Healing Sword' and 'Snake (Live)'. The former track sounds like a malleted plod through a surreal Christmas market, backed up by electro-reggae instrumentation at a dancehall tempo, plus haunting vocal fly-bys. The B is equally weird, like a wintry paean for a swords-and-sorcery fantasies and the healing power of escaping into them.
Review: A Place to Bury Strangers' seventh album, Synthesizer, is a celebration of spontaneous and natural sounds and features a new lineup with John and Sandra Fedowitz. Frontman Oliver Ackermann describes the album as chaotic yet human, pushing the limits of gear to create an "epic sound journey." Tracks like 'Fear of Transformation' deliver a snarling gothic techno-punk experience, while 'Have You Ever Been in Love' offers hypnotic, tribal rhythms. Recorded in their Queens studio, Synthesizer is one of the band's most live-sounding records, capturing the raw energy of their performances. The lead single, 'Disgust,' epitomises this with its open strings and high-pitched guitar cry. Ackermann's playful approach and dedication to the DIY ethos shine throughout, echoing the collaborative spirit of his Death By Audio venue. In Synthesizer, A Place to Bury Strangers melds extreme noise with catchy hooks, creating a record that is both wild and beautiful inside the experimental rock genre.
Sun Is Away (feat Knoel Scott & Cecil Brooks) (8:52)
Shango (Chant To The God Of Thunder) (4:55)
Greeting Mother Sea (outro) (1:06)
Review: Hungarian producer and keyboardist Szabolcs Bognar, known as Abase, explores cosmic unity through his music, now based in Berlin at the forefront of the city's burgeoning jazz scene. His latest album, Awakening, released by Analogue Foundation and Oshu Records, reflects a period of personal milestones and introspection. Recorded swiftly at Berlin's Brewery Studios, it blends influences from Afrobeat, Hungarian folk, Yoruba rhythms, and more, infused with Coltrane-esque improvisation. Tracks like 'Destruction Everywhere' and 'Menidaso' merge spiritual jazz with Afrobeat, featuring vocalist Eric Owusu. 'Awakening' marks a profound musical journey, emphasising unity, dialogue, and self-reflection in a transcendent listening experience.
Review: Here's a precious reissue of a 12" single by Abbashantie (not to be confused with UK sound system giant Aba Shanti) and Neville & Jerry. Both were Jamaican reggae vocal duos who recorded for Wackie's, a still-going-strong US label and studio founded by Lloyd Barnes aka Wackie's or Bullwackie. The single was originally released in 1980 and features two utter groundshakers: 'Break Down The Walls' by Abbashantie and 'Abbashantie Rock' (with Wackie's Rhythm Force).
Review: Abdul Raeva's 'No Risk No Reward' EP captures the spirit of minimal and tech house with four dynamic, dance-ready tracks. Side-1 kicks off with 'Spazza', a lively, upbeat tech house track primed for the dancefloor with an infectious groove. It's followed by 'Eurotech', which brings in a high-tech, acid-tinged vibe, nodding to the ravey energy of the 90s with an irresistible, driving beat. Side-2 transitions to a more introspective energy with 'Phaselock', a melodic and flighty piece that leans into late-night techno territory, with a hypnotic, trance-adjacent sound perfect for deeper, immersive moments. Closing the EP, 'Crystal Palace' dives into heavy acid rhythms, blending elements of acid trance to create a powerful, pulsing finish.
Discourse On The Samadhi Of The Jewel Emperor (3:32)
K Heart Sutra (3:44)
Thousand Hands Sutra (17:46)
Review: Ahn Chi-haeng, a towering figure in Korea's gayo scene, made his mark in the 1960s through the 8th US Army entertainment circuit, later leading the popular 1970s soft rock band Young Sound. By the early 90s, he was a powerhouse in the music industry, known for his Midas touch as a producer. At the age of 60, Ahn shifted gears, embracing his Buddhist faith through a series of experimental sutra recordings. Unlike traditional sutra renditions, Ahn infused these spiritual texts with hip-hop beats and guitar riffs, making them both spiritually resonant and musically engaging. The 2004 release of these recordings, originally meant for a small Buddhist audience, found a second life a decade later when younger listeners discovered them online. This reissue, part of Beatball's effort to spotlight Ahn's extensive catalog, selects six standout sutras from the 2004 double CD. The tracks, including 'Hip Heart Sutra' and 'Mantra of Avalokiteshvara', are meticulously remastered by Dave Cooley, bringing new energy to the beats and ensuring these unique pieces resonate with both Ahn's original intent and today's listeners. This vinyl release offers a rare opportunity to experience Ahn's innovative fusion of spirituality and modern music.
Review: For their latest trick, the Rawax crew has taken a deep dive into the back catalogue of Roman Flugel and Jorn Elling Wuttke's work as Acid Jesus - the project with which they made their name before morphing into Alter Ego. Lead cut 'Radium' dates from 1995 and wraps alien electro sonics, proto-minimal techno motifs and pots and pans percussion around a deep bassline and hypnotic machine drums. The pair's passion for heads-down hypnotism and metallic noises is further explored on the superb 'Uranium Smuggle' (which originally appeared on the flip-side of 'Radium'), while 'Hibernation Drive' is a punchy and evocative electro number first released in 1997.
Cotton, Tsuyama, Kawabata - "L'ambition Dans Le Miroir" (11:22)
Review: Riot Season's vinyl reissue campaign brings new life to Acid Mothers Temple's 2004 album Mantra of Love. Makoto Kawabata and the band deliver an intense journey where layers of heavy white noise are met by cosmic effects and powerful guitar solos in a fearless fusion of psych-rock and experimental sounds. The vinyl comes in a limited edition cream colour and includes carefully restored archival photos held in Acid Mothers Temple's Osaka vaults. With fresh remastering by James Plotkin, this release revives a standout in AMT's catalogue for devoted fans and new listeners alike.
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***
Maestro is a 6 channel clocked modulation controller inspired by the automation lanes found in digital audio workstation software, brought into eurorack and made playable and performable. Maestro will push and pull the parameters of your other modules with rapid or slowly evolving voltages, always in perfect sync with eachother and the rest of your system.
Review: Despite the dystopian and post-apocalyptic aesthetics, some electro music stuanchly refuses to let up on the fun. Acidulant, Dima Gastroler, Pozek and Johnfaustus' new collab V/A for Zodiak Kommune is one such firelighter: 'The Electro Guilde III' seems to say, "you'll have fun on the floor, or else us mecha-cops will come for you!" Acidulant's 'Collateral Funk' leads the charge with a persistent drive to "identify" some lost subject of misdemeanour and/or truancy, as rapidfire snare snaps and licking bass stabs scour the lower terrain for a heat-sought outline of the perp. Dima Gastroler's 'We Will Survive' depicts an unstoppable robotic invincibility, the track's searing robo-voices seeming to portray the last stragglers of a cyborg race battling their way through fire thanks to a bioengineered, adaptively fireproof armour. B-siders 'Ept' and 'Oberon' from producers Pozek and Johnfaustus let up on the voicework for two melodic, yet corruptingly authoritarian air-raiders.
Quad wavetable-based low frequency oscillator module - 14HP
Notes: The WT-QUAD-LFO module consists of four individual, digital, wavetable based low frequency oscillators (LFO) with an easy and intuitive featuring a 1.8" OLED color display. The module can be updated easily by inserting a flash drive with the firmware files in the USB port on the front panel.
The oscillators and their respective controls, inputs and outputs are organized in four channels. The frequency of each oscillator can be linearly or exponentially (1V/Oct.) controlled through the voltage applied to the corresponding CV input.
Each LFO channel can output one of the predefined waveforms (including sawtooth, ramp, square, sine, triangle), morph between two different waveforms or generate a random waveform. It can be externally reset through the sync input.
Each trigger output can be set to output a specific phase of the corresponding waveform.
The module offers cross frequency modulation (FM) and internal sync between LFO channels. It features also phase distortion and phase spreading of the outputs, including a classical quadrature mode (90- phase spread). Frequency relationships between the four LFOs can also be set.
Hardware
4x CV inputs -5 V to +5 V
4x Sync inputs 0 V to 5 V, active low or active high
4x Clock inputs 0 V to 5 V, active low or active high
4x LFO outputs -5 V to +5 V
4x Trigger outputs 0 V to 10 V, active low or active high
1.8" OLED Display with 160 x 128 pixel
4x push encoder
USB port for firmware update
Size: 14HP
WT-QUAD LFO - Features list:
Wavetable based, 4 channel LFO
Default waveforms: SAW, SQUARE, SINE TRIANGLE
Random waveform generation
Custom wavetables can be loaded using USB flash drive
LFO output: offset and attenuation programmable
LFO Frequency range from 0,0032 Hz to 4 kHz
Frequency free (Hz) or quantized (note)
Presets can be selected through CV input
LFO channel can be internally synced and cross modulated
Single shot modus
Review: Acusmouse and Ab Show's collaboration on Line Conductor offers a deep dive into the intricacies of minimal and tech house. While grounded in familiar rhythms, the EP brings forward an unpredictable flow, with each track layering textures that evolve with each listen. Acusmouse's 'Topass' anchors the release, its unyielding pulse driven by a hypnotic bassline, allowing the surrounding elements to form fluid, almost organic movements. Ab Show's side introduces a more cerebral take, with 'Subminimal Message' building tension through sparse percussion and unsettling atmospherics. Together, the two push the boundaries of the genre, never fully conforming but always offering something compelling, fresh, and deeply engaging.
Review: As well as this one coming on pink wax, Adam F is also dropping it on nice classic black vinyl. It features his classic track 'Brand New Funk,' which emerged after he acquired a second-hand Fender Rhodes Electric Piano, Vocoder, and Clavinet D6 Honerikey instruments of the funk era. This track pays tribute to its predecessors by blending classic funk elements with intense drum patterns, merging the vintage funk spirit with modern sonic complexity. Revived and refreshed, 'Brand New Funk' represents one of Adam F's most innovative and enduring sounds.
Review: That the word 'funk' should take on an almost entirely new meaning under the aegis of drum & bass is telling, but that shouldn't deter us from interrogating the ideaistic chain connecting the funk of the 1960s and 70s to today's modern, 170BPM+ *neuro*-funk, *drum*-funk etc.. Take, for example, Adam F. His classic track 'Brand New Funk' came about after he bought a second hand Fender Rhodes Electric Piano, Vocoder and Clavinet D6 Honer. All staples of the funk era, the ensuing track paid solid homage to that era, combining compelling collieries with dastard drums and, in so doing, effortlessly fusing the spirit of the former funk with the synaptic sonic overloads of the latter. Now rebooted and revitalised, 'Brand New Funk' bespeaks a timeless retelling of one of Adam F's most ingenious eureka moments.
Review: Made and released way back in 1958, Somethin' Else is a classic jazz album by the American alto saxophonist Cannonball Adderley, notably his only ever album for the esteemed Blue Note label. It famously hears Adderley enlist the help of trumpeter Miles Davis as one of its sidemen, and this was an ongoing relationship that later paved the way for popular jazz as a whole; without Somethin' Else, we wouldn't have Kind Of Blue, for which Adderley would contribute his sax playing just a year later. Though it is a testament to the unity of two great core musicians, we also hear the piano stylings of Hank Jones, bassist Sam Jones and drummer Art Blakey.
Review: Afrorack is a Ugandan producer whose self-built modular synthesis approach to making music has lent him much credo over the years, but perhaps none will lend him so much as The Afrorack, which comes as the latest and least deniable expression of his sound to date. Four tracks of traditional African rhythmatics merge with live sound synthesis and ghost-powered CV noodlings, producing an incredible foray into avant-garde electronics few could argue has ever been heard before. Whether it be caused by the trance-intoned 'Inspired' to the grit-covered 'Bass', Hakuna Kulala must be chuffed to have Afrorack form part of their catalogue, as his music is certainly among their best for representing the lesser-trodden and most criminally unsung corners of African electronic music.
8-channels audio or modulation over ethernet modules
Notes: 8 channels of audio or modulation over ethernet. There are two modules and a 3' CAT7e cable to connect them together. There are 8 total channels that are unbuffered and bi-directional. The primary usage is to connect two cases or just send a bundle of signals from one part of your larger case to another. You also get the option of buffering up to four channels on each side. This gives you a local copy of the signal and sends buffered copy to the other module, saving you from having to use a MULT to keep a local copy.
Some notes:
When one side of the Light Rail is in buffered mode, you cannot send signals from the opposite side on those 4 buffered channels (the other 4 channels can still be used in bi-directional mode)
If you are after a different longer/shorter cable, you will get the best performance with CAT7e as it offers the shielding, which is used for the ground.
While the cross channel bleed is minimal, you will notice some very minor cross talk between the channels.
Review: This is a reissue of a 7" single by Bobby Aitken and The Carib Beats, a Jamaican ska and rocksteady band active mainly during the 1960s. 'One Way Street' comes as a jubilant instrumental number topped off with a chromatic piano and prominent saxophone glidings from Val Bennett. 'Ska Mary', meanwhile, hears Roy Man croon over a bustling dive bar mood, slapping rims and shoulder-raising swings aplenty.
Djay (algoriddim) team up with the scratch power house that is the I.S.P ( D-Styles / Shortkut & Q-Bert) to give you The Fugitives of Funk 12" control vinyl
Notes: Djay (algoriddim) team up with the scratch power house that is the I.S.P ( D-Styles / Shortkut & Q-Bert) to give you The Fugitives of Funk 12" control vinyl. With original scratch samples on side A all produced by the Invisibl Skratch Piklz and the Djay control tone on side B.
Allows full control of djay on iOS devices via professional analog turntables using special time code vinyl
Two turntables and an iPhone - Bypasses the need for laptops, computers, or hard-drives in the DJ booth
DJs can now connect their iOS device directly to their mixing system, optimized user interface automatically adapts when DJ hardware is connected
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