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Home  Back In Stock  Studio Equipment  Studio Equipment  14 days
Subscribe here to receive our weekly roundup of the latest studio equipment products

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1010 Music USB-B Splitter Cable For Bluebox
Cat: 1000427 Rel: 05 Mar 24
 
USB-B cable splitter designed to be used with the Bluebox mixer & recorder
Notes: Use this cable to connect your Bluebox to a data source and a power source at the same time. This will allow you to stream audio over USB. The cable has a USB B male connection on one end and two USB B female connections on the other end: red for power and black for data.

Stream Audio Over USB with Bluebox

If you bought a Bluebox for desktop before September 2023, this handy adapter will make it easier to connect your device to a computer. New firmware allows you to send audio from the bluebox to the computer and back.

The adapter splits the power from the USB signal to help avoid noise from your computer. It also enables you to power the device separately in case your computer or hub is not suitable for the demanding power requirements of the Bluebox.

Connect the male end to the USB Power port on your Bluebox. Then connect your bluebox USB B power cable to the red female jack, and a USB B data cable to the black female jack and you are ready to stream audio.

Specs

Length: 3.25", 8.25 cm

Weight: 1.2 oz, 34 grams
Dimensions: 6.5 × 2.5 × 0.75 in
Read more
MRP:$10.61 SAVE 15%
! low stock $9.01
Acid Rain Technology Chainsaw Digital Super-Oscillator Module
Cat: 804567 Rel: 11 Feb 21
 
Digital/dual & stereo/oscillator module
Notes: Small but very powerful, the Chainsaw is a polyphonic digital oscillator based around the classic supersaw approach. Sizzling pads, tough leads and deep bass sounds by the bucketload.

Supplier's Notes:
Chainsaw is a powerful digital oscillator designed to bring polyphony to your rack in a compact and playable interface. We were inspired by the super-saw; a mainstay of electronic music production, and a waveform rich with harmonics for filters and effects to chew on. Chainsaw features 3 voices of 7 waves, with individual pitch control per voice. All waves morph from super saw to super square for giant hollow basslines and more.

Details:

4hp

35mm deep

110 mA on +12V, 10 mA on -12V, 0 mA on +5V
Read more
 1 in stock $268.39
Click for better price!
or call +44 20 7424 1960
quote 804567
Acid Rain Technology Maestro 6-Channel Clocked Modulation Controller Module
Acid Rain Technology Maestro 6-Channel Clocked Modulation Controller Module (clock generator/clock modulator/controller/CV modulation/envelope generator/LFO/random/sequencer module)
Cat: 804571 Rel: 22 Jan 21
 
6-channel clocked modulation module
Notes: Maestro is a 6 channel clocked modulation controller inspired by the automation lanes found in digital audio workstation software, brought into eurorack and made playable and performable. Maestro will push and pull the parameters of your other modules with rapid or slowly evolving voltages, always in perfect sync with eachother and the rest of your system.

Details:

20hp

25mm deep

65mA on +12, 18mA on -12, 0mA on 5V
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 1 in stock $402.05
Click for better price!
or call +44 20 7424 1960
quote 804571
AIAIAI Unit-4 Wireless+ Portable 2-Way Active Studio Monitors (pair)
Cat: 973245 Rel: 08 Feb 24
 
2-way active monitors featuring a 4-inch high-excursion woofer and 1-inch silk-dome tweeter.
Notes: Unique studio monitors from AIAIAI, featuring built-in battery power and high-resolution, low-latency Wireless+ streaming for fully wireless use in any setting. Compact, versatile and powerful.

Supplier's Notes:
Wireless and portable studio monitors with powerful performance and accurate sound representation. Connect wirelessly for a clutter-free setup and bring your creative process anywhere.

Experience unparalleled flexibility and truly liberating mobility in your creative process as a music producer. These studio monitors allow you to create and mix music with accurate sound representation and powerful performance wherever you are. Connect wirelessly to your devices and enjoy crystal clear audio without the hassle of cables. Take control of your creativity and elevate your music to the next level with these wireless portable studio monitors.

Complete wireless freedom

Battery powered with 20H+ of playback time
W+ Link ultra low latency wireless audio for music creation - only 16ms of latency, uncompressed audio and robust connection
Complete wireless freedom - both audio and power cables

Reference monitor sound

2 way active monitor featuring a 4 inch high-excursion woofer and 1 inch silk-dome tweeter
Precision tonal accuracy over a flat +/-2dB frequency response from 50Hz to 20kHz
Bass vent and boosting EQ tuned to provide a clean bass extension down to 40Hz
Precise soundstage and point-source accuracy provided by the minimal front panel design,
incorporating a directivity controlling tweeter waveguide
Stage monitor design enables you to place the speaker upright or angled horizontally, to
optimise your sound field in changing workspaces
Shape UNIT-4's sound to your environment or preference using the AIAIAI app customisable
5-band EQ

Portable, compact and rugged

Size and weight of only 3 litres / 2.5kg
Rear bass vent designed to be a comfortable carrying handle when on the move
Removable steel grille provides sturdy protection for the woofer and tweeter

Connect to everything

W+ Link - use the X02 transmitter for low latency wireless music creation
Bluetooth 5.2 - listen to music from your Bluetooth enabled devices
Cable - connect directly via 3.5mm mini-jack and 6.3mm balanced TRS inputs

Responsible design

Main components produced from 100% recycled plastics, from post-consumer sources
Designed for disassembly and engineered from the inside out
Mechanically assembled in a glue-free design
Take the whole speaker apart using two screwdrivers
Replaceable components including battery and drive units
Future-proofed for new technologies with upgradable wireless electronics

In the box:

UNIT-4 Wireless+ 2pcs

Portable and ultra-low latency wireless studio monitors. Includes protective steel grills and power supplies with regional cord.

X02 Transmitter - 1pcs

USB-C W+ Link transmitter. Transmits to 2 x W+ Link devices simultaneously. Includes a 0,2m USB-C to USB-C cable in neon.

Protective pouch 2pcs

UNIT-4 protective pouch in black. Made from compostable fabric material.

Tech Specs

Freq. range: 40Hz to 40kHz (-10dB)
Freq. response: 50Hz to 20kHz (+/-2dB)
Peak SPL: 105 dBSPL
Woofer: 4-inch high excursion paper cone woofer
Tweeter: 1-inch silk dome tweeter
Amplifier power: 2 x 30W continuous, 2 x 80W peak
W+ Link latency: 16 ms
Bluetooth version: 5.2
Analogue inputs: 3.5mm mini-jack + 6.3mm TRS balanced
Playback time on battery: 20 hours
Charging time: 2 hours
Battery capacity: 77 Wh
Read more
 1 in stock $728.78
Arturia KeyStep Pro 37-Key USB MIDI Keyboard Controller & Multi-Channel Polyphonic Sequencer
Cat: 762332 Rel: 20 Apr 20
 
USB MIDI keyboard & sequencer
Notes: Amazing all-rounder from one of the most creative brands in the controller market. Compact 37-key format packs in polyphonic sequencers, MIDI and CV outputs and great performance options.

Supplier's notes:
If you prefer keys to pads, you're in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips.

KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create.

Version 2.0 of the free Firmware update (July 2021) has these enhancements:

Global transpose - Transpose multiple melodic tracks at the same time

Global value offset - Apply a relative offset for any of the 5 main controls for every step across the selected track pattern

Recording Arpeggios in sequences - You can now record arpeggios into a sequence

Recording Chord Mode - You can now record 'Chord Mode chords into a sequence

Arpeggios while stopped - You can now create and play arpeggios while KeyStep Pro isn't playing

MIDI Thru - MIDI Out 2 can now be set to Thru mode

Mono Mode: The mono mode has been refactored for a smoother experience

Arpeggio swing - You can now add swing amount to arpeggios using Shift

Step Listen - Trigger sequence steps without playing a sequence so you can preview your notes

Various workflow and UX improvements

Bug fixes - Various improvements to workflow and functionality
Read more
MRP:$497.53 SAVE 16%
 3 in stock $419.02
Arturia MicroFreak Stellar 25-Key Paraphonic Hybrid Synthesiser & Step Sequencer (limited edition)
Cat: 944111 Rel: 22 Jun 23
 
A hybrid synthesizer combining digital oscillators, analog filters, quirky modulation, a flat PCB keybed and expressive sequencing.
Notes: Stellar edition of the fantastic MicroFreak adds new features as well as a limited-edition paint job. Digital voices feed into the analogue filter to create a versatile hybrid sound engine.

Supplier's Notes:
MicroFreak Stellar is a hybrid synthesizer that combines digital oscillators, analogue filters, quirky modulation, a uniquely flat PCB keybed, and expressive sequencing with a subtly out-of-this-world aesthetic design.

Interplanetary synth explorer

Discover the same loveable hybrid beast that sent the synth world into a spin, but primed for launch and ready for an interplanetary sonic voyage. MicroFreak Stellar features the same inspiring, bonkers sound but embellished with a unique space-age design.

Digital, wavetable, sampling, granular...

Treat yourself to only the weirdest & most wonderful paraphonic synth sounds with MicroFreak's multimode sound engine. Choose from numerous algorithms, including Wavetable, Chord, 4 new Sample & Granular engines and many more, and immediately customize your patches with 4 intuitive con-trols and real-time visual feedback.

Multi-mode analogue filter

Unlock truly unique hybrid tones by combining MicroFreak's digital sound engines with a crunchy resonant analogue filter, inspired by the classic Oberheim SEM. With low-pass, band-pass, and high-pass modes, you can make this 'Freak whisper, scream, or launch into self-oscillating orbit.

Modulation matrix

Quickly rewire MicroFreak's architecture and delve deep into complex sound design with its modulation matrix, offering up to 7 simultaneous destinations and 5 sources, including an ADSR envelope, cycling envelope, and 6-shape LFO.

Sequencing & randomization

Blur the lines between sequencing & arpeggiation and create spontaneous melodies, motifs, and rhythmic patterns on the fly. MicroFreak encourages musical exploration, expression, and evolution with its unique Spice & Dice randomization feature, ribbon controller, and 4 lanes of automation.

A unique keybed

Change the way you play and unlock fresh musical expression with MicroFreak's distinct PCB keyboard. It's flat, it's fast, and it's fit for everything from lightning-fast solos to instant arp creation; not only is it pressure sensitive, but it offers poly-aftertouch too!

What's in the box

Box content

MicroFreak Unit
Universal PSU
Registration card
2x MIDI port adapters

Instrument dimensions

Size : 12.2 x 9.2 x 2.2 inches (311 x 233 x 55mm)
Weight : 2.3 lbs. (1.02 Kg)
Read more
MRP:$349.01 SAVE 10%
! low stock $315.05
Arturia MiniLAB 3 25-Key USB MIDI Keyboard & Pad Controller (black)
Cat: 920588 Rel: 09 Mar 23
 
Compact MIDI keyboard & pad controller
Notes: Excellent value from Arturia's hugely popular mini controller. 25-key design with pads, faders, rotary pots and transport controls for full hands-on playability of software synths and DAW features.

Supplier's Notes:
MiniLAB 3 is a compact MIDI keyboard & pad controller that let's users make music, right out the box.
Notes: Excellent value from Arturia's hugely popular mini controller. 25-key design with pads, faders, rotary pots and transport controls for full hands-on playability of software synths and DAW features.

Supplier notes:
MiniLAB 3 is a compact MIDI keyboard & pad controller that lets users make music, right out the box. With a creative plug-and-play workflow, versatile assignable controls, 500 curated sounds from Analog Lab's massive library, and a bundle of world-class creative software, MiniLAB 3 is designed to finally help beginners and professionals to get truly immersed in their music creation flow, whatever their style.

Hands-on, easy to use

From the great-feeling keyboard to the smart DAW-integrated pads & faders, to the real-time mini display, every aspect of MiniLAB 3 is designed to be intuitive, expressive, and a joy to use - for beginners and pros alike.

Creative features

Enjoy a workflow that aids the creative process, with features like a built-in arpeggiator, Chord mode, custom DAW presets, and easy transposition. Making music has never been so accessible.

Portable, compatible design

MiniLAB 3 is built to fit seamlessly into any setup, from bedroom to stage, with its compact & lightweight design, deeper DAW integration, and MIDI out & USB-C connectivity.

Eco-Designed

MiniLAB 3 is built with longevity and sustainability in mind. A rugged road-ready design, 5-year warranty, minimum 50% recycled plastic construction, and 100% recycled packaging means this controller goes the distance.

Creative software included

On top of a world-class MIDI controller, users get a full package of premium music-making software, from an industry-standard DAW to well over 500 synth & keyboard presets.

Production-ready bundle

Everything that users need to start creating their own music. Explore premium tools like Ableton Live Lite, Analog Lab Intro, UVI Model D grand piano, and Native Instruments "The Gentleman upright piano; enjoy access to millions of royalty-free lifetime loops & samples with a Loopcloud 2 months subscription + 1 Welcome pack + 1 pack of your choice; get to grips with playing keyboard, finger drumming, DAW production, and even music theory with a Melodics "unlimited" trial subscription & bonus lessons.

What's fun to play with

MIDI Control Center

Use the Midi Control Center to customize your MiniLAB. You can change the Velocity curves (keyboard and pads), the Knobs acceleration, the Pedal input type and polarity, the Message types with their Min and Max values, the MIDI Channels, and much more. Shape the MiniLAB exactly the way you need it to be.

Switch MIDI Channel - Shift + a key with a number above it will change the MIDI Channel.

Hold a note - When engaged, every note played will be held. Playing new notes will replace the previously held notes.

Chord mode- Shift + Hold will activate "Chord mode". Then, just play one note and it will play the full chord with the pressed note as the root note. You can record a custom chord by keeping Shift + Hold pressed while entering up to 16 notes.

Transposition - Transpose the whole keyboard by octaves or semitones by pressing Oct or Shift + Oct.

Transport Control - While pressing Shift, you can use the corresponding pads to Play, Stop, Record, Loop, and tap the tempo.

Arpeggiator mode - Shift + Pad#1 engages/disengages the Arp. Long press Shift + Pad#1 to enter the Arp settings. Then use the 8 knobs or the main encoder to set the Arp as you please.

Hold + Chord + Arp - Can be activated at the same time, allowing you to keep the Arp running while tweaking the parameters of a preset.

Pad banks - Shift + Pad#2 toggles between Bank A and B).

Programs - Shift + Pad#3 cycle through the programs. Arturia and DAW programs will automatically connect to any Arturia Software or DAW if there is one open on the computer. You can create and add some User Programs to customize the MIDI CCs, notes, pad colours etc.

Arturia Program - use the main encoder to browse through presets. Press the Main encoder to select a Preset. Long Press the main encoder to like/unlike the Preset. Shift + Main encoder will browse through Types. Select one, and then browse through the filtered presets.

DAW Program - use the main encoder (turn or click), and "Shift + the main encoder" (Shift + Turn and Shift + Click) to access different features depending on the connected DAW.

Back Panel connectivity
USB-C = Connect to a computer or a power source
Control Input = you can set the pedal input to be Sustain, Expression or Footswitch.
MIDI Out = Send midi through MIDI Din port
Read more
 2 in stock $91.22
Boss Dual Cube LX 10W Guitar Amplifier
Cat: 997584 Rel: 15 Feb 24
 
Guitar amplifier
Notes: The Classic CUBE, Evolved for Maximum Flexibility

For over four decades, CUBE amplifiers have brought exceptional value to musicians everywhere, offering great sound and versatile features in portable, go-everywhere designs. The DUAL CUBE LX Guitar Amplifier carries on this long tradition, evolved with the latest BOSS advancements for unmatched flexibility. This desktop powerhouse is the ultimate guitar amp for home practice and jamming with friends. And with a generous array of connectivity options, its range extends to performing, recording, and many other applications.

Meet the Moment

With its compact size and authentic BOSS tones, the DUAL CUBE LX delivers instant gratification for everyday playing at home. And its ultra-flexible design lets you go much further when you want, providing advanced features that reach well beyond the capabilities of other desktop amps.

Practice and Jam Anywhere

Indoors and out, enjoy big, immersive sound with custom-designed stereo speakers and versatile power with the included AC adaptor or eight AA batteries.

Perform On Stage

Use the stereo Line Out jacks to directly connect to a PA system and perform with pro BOSS amp sounds, complete with mic'd cab emulation and expansive stereo effects.

Record to Your Favourite DAW

Use the DUAL CUBE LX to capture mix-ready sounds in music software on a computer or mobile device via USB or i-CUBE-Link.

Elevate Your Livestreams

With the Phones/Rec jack and mic volume control, you can capture your voice with a headphones mic and send it to the USB and i-CUBE Link outputs along with your guitar sounds.

Play Along with Backing Music

The DUAL CUBE LX offers many ways to play along with backing music from a mobile device or computer, including a stereo aux input, USB and i-CUBE Link Loopback, and an optional Bluetoothr adaptor.

Authentic Amp Tones

With its finely tuned stereo speaker system, the DUAL CUBE LX produces full, punchy guitar tones that belie the amp's small footprint. Choose from eight versatile amp types, all with natural feel and organic response honed with decades of BOSS amp development. Whatever your style or skill level, you'll find expressive sounds to build techniques and deliver inspired performances. There's also a dedicated mic preamp type, allowing you to use the amp as a portable vocal PA system.

Onboard BOSS Effects

The DUAL CUBE LX includes a variety of BOSS stereo and mono effects to enhance your sound. Out of the box, you can spice up tones with four mod effect types or Heavy Octave and add ambience with delay or two types of reverb. If you want to go even deeper, it's possible to change out effects and adjust settings via the DUAL CUBE LX Editor.

Deep Sound Customization

The intuitive panel controls on the DUAL CUBE LX make it easy to craft compelling sounds in the moment. Each amp type includes three user memories, allowing you to store all the knob settings for quick recall. And with the DUAL CUBE LX Editor, there's a world of additional creative power to explore. Select different amp and effect variations, adjust detailed parameters, and more from your Mac or Windows computer.

Stereo In for Modelers and Pedalboards

The DUAL CUBE LX features a special Stereo In amp type for connecting stereo devices, complete with advanced spatial processing that makes it sound like you're playing through a much larger cabinet. By default, it provides rich, full-range sound for an amp/effects processor such as the GT-1000, GT-1000CORE, GX-100, GT-1, or IR-200. With the DUAL CUBE LX Editor, you can alternately choose a neutral guitar amp tone inspired by the famous Roland JC-120, giving you an ideal platform for exploring the stereo capabilities of pedals like the BOSS 500 and 200 series.

Expand Your Possibilities

With optional FS-series footswitches, you can operate the onboard looper and switch memories while performing.


Specifications

Rated Power Output: 10 W (5 W+5 W)
Nominal Input Level: GUITAR/STEREO IN L, R: -10 dBu (1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT L/MONO, R: -10 dBu
Speakers: 10 cm (4 inches) x 2
Controls: POWER switch, AMP TYPE knob (ACOUSTIC SIM, JC CLEAN, US COMBO, BRIT COMBO, HI-GAIN STACK, METAL STACK, EXTREME, MIC, STEREO IN), MEMORY button, GAIN knob, VOLUME knob, BASS knob, MIDDLE knob, TREBLE knob, EFFECTS knob (CHORUS, FLANGER, PHASER, TREMOLO, HEAVY OCTAVE), DELAY/REVERB knob (DELAY, REVERB, SPRING), TAP button, MIC VOL knob, MASTER knob, LOOPBACK switch (i-CUBE LINK/AUX IN), LOOPBACK switch (USB)
Indicators: POWER, MEMORY, TAP, REC, PLAY, DUB

Connectors: GUITAR jack/STEREO IN L, R jacks: 1/4-inch phone type, i-CUBE LINK/AUX IN jack: Stereo Miniature phone type (Stereo, CTIA), FOOT SW jack: 1/4-inch TRS phone type, Bluetooth ADAPTOR connector: Dedicated connector, USB port: USB B type,, DC IN jack

PHONES/REC OUT jack: Stereo, Miniature phone type (Stereo, CTIA), LINE OUT L/MONO, R jacks: 1/4-inch phone type

Power Supply: AC adapter (DC 9 V), Alkaline battery (AA, LR6) x 8
Rechargeable Ni-MH battery (AA, HR6) x 8
Current Draw360 mA

Expected battery life under continuous use
Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.
Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adaptor, Power cord, Mini cable (4-pole miniature phone type)
Options (sold separately)
Footswitch: FS-5U, FS-6, FS-7
Bluetoothr Audio MIDI Dual Adaptor (MODEL BT-DUAL)
Wireless MIDI Expression Pedal: EV-1-WL
Size & weight

Width: 341 mm / 13-7/16 inches
Depth: 162 mm / 6-7/16 inches
Height: 215 mm / 8-1/2 inches
Weight (excluding AC adaptor): 3.3 kg / 7 lbs 5 oz
Read more
MRP:$192.01 SAVE 15%
 1 in stock $162.29
Boss OC-5 Octave Effects Pedal
Boss OC-5 Octave Effects Pedal (pitch/frequency effects pedal)
Cat: 996380 Rel: 16 Feb 24
 
Octave effects pedal
Notes: The New Standard in Octave Pedals

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

OC-5 Octave Sound Tryout

Get interactive with our custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.

High-Octane Octave Performance

Powered by the latest real-time processing technologies from BOSS, the OC-5 provides exceptional sound and playability for the most expressive octave experience ever. A key feature is the newly developed tracking engine, which delivers clean, accurate performance with no latency. The OC-5 also offers wider range and greater polyphonic capabilities than previous OC models, covering all your octave needs in one high-performance pedal.

Classic Tones with Vintage Mode

Introduced in 1982, the OC-2 was the world's first modern octave pedal for guitar and bass. Still loved by players everywhere, the stomp's warm-yet-present tone sits perfectly in a mix, and its characteristic voice can be heard in many famous songs. The OC-5's Vintage mode brings you the OC-2's iconic mono sound, coupled with improved response thanks to the new tracking engine. Dedicated level controls are provided for -1 and -2 octave effects and the direct sound, giving you quick access to an endless variety of sub-octave colours.

Enhanced Poly Mode

The OC-5 also features an evolved version of the smart Poly mode first introduced with the OC-3 Super Octave, letting you play full chords with octave effects. The variable Range knob restricts the effect to the lower notes on your instrument, perfect for playing octave bass lines alongside normal chords and melodies in the higher registers. And with the new tracking refinements, it's even possible to isolate the octave effect to the bottom note in a chord-just turn the Range knob to the "Lowest" setting.

Extended Range with Octave Up

Another cool OC-5 enhancement is the new octave-up effect, which is available in both Vintage and Poly modes. Simply twist the dedicated +1 OCT knob to bring in the desired effect level. Use the octave-up effect on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads.

Guitar/Bass Switch and Direct Out

The OC-5 lets you instantly optimize the performance of its tracking engine for either guitar or bass via a dedicated switch on the body of the pedal. And with the Direct Out jack, it's easy to route dry and effect sounds to different destinations, such as two stage amps or discrete channels on a mixer or audio interface.

Specifications

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls:
Pedal switch, GUITAR/BASS switch, VINTAGE/POLY switch, DIRECT LEVEL knob, +1OCT knob, -1OCT knob, -2OCT/RANGE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22), AC adaptor (PSA series: sold separately)

Current Draw: 60 mA

Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)
Options (sold separately) AC adaptor: PSA series

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb
Read more
MRP:$152.76 SAVE 12%
 2 in stock $134.72
Boss RC-1 Loop Station Effects Pedal
Cat: 996011 Rel: 19 Feb 24
 
Loop station effects pedal
Notes: The BOSS RC-1 is Boss' simplest and most user-friendly Loop Station ever, and it's a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they've been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.

On the top panel, there is a new and innovative loop indicator, which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec/Overdub/Play modes. With a maximum 12 minutes of stereo recording time, the RC-1 is capable of capturing any extended performance that you can create or imagine! The stereo in/out jacks can be used with stereo effects and amplifiers. Additionally, they allow you to connect stereo instruments, such as synthesizers. Other convenient features include battery and AC power, as well as flexible external footswitching capabilities. The RC-1 is an especially great partner to start enjoying looping!

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Maximum Recording Time: Approximately 12 minutes

Controls: Pedal switch, LEVEL knob
Indicators: CHECK indicator, LOOP indicator

Connectors:
INPUT A (MONO) jack: 1/4-inch phone type, INPUT B jack: 1/4-inch phone type, OUTPUT A (MONO) jack: 1/4-inch phone type, OUTPUT B jack: 1/4-inch phone type, STOP/UNDO jack: 1/4-inch TRS phone type, DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 430 g / 1 lb
Read more
MRP:$124.12 SAVE 11%
 1 in stock $110.32
Boss RE-202 Space Echo Effects Pedal
Cat: 997454 Rel: 01 Mar 24
 
Space echo effects pedal
Notes: Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz
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Boss RV-6 Reverb Effects Pedal
Boss RV-6 Reverb Effects Pedal (time effects pedal)
Cat: 996376 Rel: 19 Feb 24
 
Reverb effects pedal
Notes: Infinite inspiration, ready to play

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

Simply Great-Sounding Reverbs

Packing the latest BOSS DSP and updated algorithms, the RV-6 gives you eight highly musical reverb effects in one compact pedal. Add body and depth to your core tone with standards like Room, Hall, and Plate, dial up swirling richness with the Modulate setting, or surf it up with a vintage-style Spring reverb. Dynamic mode automatically adjusts the effect depth to your playing touch, providing deep, immersive reverb that won't turn your tone to mud. And modern players will love the new Shimmer and Reverb + Delay modes.

Dialled-In Sounds at Your Command

The RV-6 makes getting high-quality reverb sounds with your guitar quick and easy- just select a sound mode, tweak the knobs to taste, and play. But while its operation is simple, the RV-6's sound is rich and sophisticated. Under the hood, each mode includes a huge array of detailed reverb parameters, all perfectly tuned for guitar by the BOSS engineers with direct input from many pro players and sound engineers. Even as you adjust the selected mode with the Time and Tone knobs, many parameters are simultaneously adjusted inside to create the ideal voicing for every setting.

Analogue Dry Tone and Versatile I/O

While the RV-6's reverb effects are high-tech digital, you can rest assured that your straight guitar tone always remains pure analogue as the effect is blended in. Convenient auto-switching jacks let you integrate with any pedal chain, with support for mono, mono-to-stereo, and stereo-to-stereo operation. And by plugging into the B input only, the RV-6 outputs a 100-percent wet sound, great for working with more complex rigs that employ parallel processing chains and mixers. There's also a jack for connecting an optional expression pedal, allowing you to control the effect level in real time as you play.

Reverb Modes

+DELAY - This is reverb combined with delay. The synergistic effect provides rich reverberation.
SHIMMER- This reverb is distinctive for its sparkling high-frequency range. It produces fantasy-like reverberation wrapped in spacious overtones.
DYNAMIC- This reverb automatically sets the depth of the effect according to your performance. It produces deep reverberation without blurring the overall shape of your playing.
ROOM- This reverb simulates the reverberation of a room. It produces warm reverberation.
HALL- This reverb simulates the reverberation of a hall. It produces clear and spacious reverberation.
PLATE- This simulates a plate reverb (a reverb unit that uses the vibration of a metal plate). It produces metallic-sounding reverberation with an extended high-frequency range.
SPRING- This simulates a spring reverb built into a guitar amp.
MODULATE- This reverb adds modulation to hall reverb, producing extremely good-feeling reverberation.

Specifications


Reverb Modes:

8 modes- HALL, PLATE, ROOM, SPRING, MODULATE, +DELAY, SHIMMER, DYNAMIC
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E.LEVEL knob, TONE knob, TIME knob, MODE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors: INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, EXP jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Expression Pedal: BOSS FV-500H, FV-500L, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb
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BOSS SL-2 Slicer Effects Pedal
BOSS SL-2 Slicer Effects Pedal (modulation effects pedal)
Cat: 996671 Rel: 16 Feb 24
 
Slicer effects pedal
Notes: Fresh-Sliced Inspiration

Envelop your music in vibrant rhythmic energy with the SL-2 Slicer, an inspiring creative tool filled with colourful sonic grooves. This BOSS original chops your sound into unique percussive patterns-including many processed with internal filters and effects-and provides multiple output options that bring grooves to life across the stereo field.

Evolved from the legacy SL-20 Slicer, the SL-2 offers expanded capabilities while shrinking the size to the pedalboard-friendly BOSS compact format. Instantly elevate performances with 88 onboard patterns and tap into more via the BOSS Tone Studio app. Grab the knobs to tweak audio slices on the fly and sync to songs with tap tempo and MIDI. Fun and easy to use, the SL-2 brings fresh musical power to all types of creators, from guitarists and keyboardists to loop performers, DJs, beatmakers, and beyond.

Compact Audio Adrenaline

The SL-2 brings massive sonic groove muscle to the compact pedal format. Modern DSP takes the BOSS Slicer engine further than ever before, delivering rich, animated sounds via single and dual paths chained with multiple internal effects. Eight pattern types-each with 11 variations-will keep you armed with creative firepower for a long time. When you're ready for more, connect to BOSS Tone Studio over USB to audition and load alternate patterns into the pedal and organize memory setups for different songs.


Pre-Loaded Pattern Types:

Single (1 and 2)-Rhythmic patterns that use a single Slicer effect.
Dual (3 and 4)-Rhythmic patterns that use two Slicer effects.
Tremolo (5)-Patterns with a traditional tremolo effect.
Harmonic (6)-Rhythmic patterns with pitch-shifting effects.
SFX (7 and 8)-Rhythmic patterns with different effects applied.

Shape Your Groove

With the SL-2's efficient interface, you can dial in sophisticated textures in seconds. Use the Attack control to shape the edge of the waveform for everything from hard-chopped slices to soft, fluttering movements. Then tweak the waveform's length with the Duty control, going from sharp, percussive transients to longer, fuller audio blocks. Adjust the tempo with the dedicated knob or hold the pedal switch to engage tap tempo mode for hands-free control. And with the Balance knob and +/-12 dB of output level adjustment, you always have complete control of the mix.


Set the Stage

The SL-2 dishes up loads of impressive sounds with a standard mono setup. But things get even better when using the two outputs and seven different output modes. Send direct and effect sounds to different destinations for recording and performance. Or surround yourself and listeners in animated movement using a variety of stereo and 3D processing options. You can also feed the SL-2 with your favourite stereo pedals to bring further magic to your grooves.


Stereo Output Modes:

Fixed (Default)-Sends the same direct/effect mix to both outputs.
EFX/Direct-Sends the effect sound to Output A and the direct sound to Output B.
Random-A stereo effect that randomly outputs the Slicer sound to the left, right, or center.
Ping-Pong-A stereo effect that alternately sends the Slicer sound to Output A or Output B.
Auto-A stereo effect that smoothly pans the Slicer sound between Output A and Output B.
3D Cross-Advanced spatial processing moves the Slicer sound in left/right and forward/back patterns in 3D space.
3D Rotation-Advanced spatial processing rotates the Slicer sound in 3D space.


Expand Your Creative Flow

With its generous external control options, the SL-2 flows with your creative needs. Plug in an external footswitch to instantly tap in the tempo or engage the effect with momentary presses. Or connect an expression pedal to control knob parameters or the overall level as you perform. With the TRS MIDI input, you can sync your SL-2 grooves to a drum machine, DAW, or any other device that sends MIDI clock. It's also possible to control expression, tempo, and bypass functions via MIDI CC messages.


Specifications
Sample Rate: 48 kHz

AD Conversion
24 bits + AF method
AF method (Adaptive Focus method)
This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.

DA Conversion: 32 bits
Patterns: 88
Nominal Input Level: INPUT A (MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A (MONO), INPUT B: +7 dBu
Input Impedance: INPUT A (MONO), INPUT B: 1 MO
Nominal Output Level: OUTPUT A (MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A (MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A (MONO), OUTPUT B: 1 kO
Recommended Load Impedance: OUTPUT A (MONO), OUTPUT B: 10 kO or greater
Bypass: Buffered bypass
Controls: TYPE knob, VARIATION knob, ATTACK knob, DUTY knob, TEMPO knob, BALANCE knob, Pedal switch
Indicator: CHECK indicator (Used for indication of Tempo and check battery)

Connectors:
INPUT A (MONO) jack
INPUT B jack
OUTPUT A (MONO) jack
OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
MIDI IN jack: Stereo miniature phone type
USB port: USB B
Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22, commercially available), AC adaptor (PSA series: sold separately)
Current Draw95 mA

Expected battery life under continuous use: Alkaline: Approx. 2.5 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Dry battery (9 V, 6LR61 or 6LF22)

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb
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 1 in stock $128.59
Buchla Music Easel (Modern) Modular Analogue Synthesiser
Cat: 956175 Rel: 06 Feb 24
 
The development of Don Buchla's legendary modular analogue synthesiser.
Notes: Celebrating the 50th anniversary of this truly iconic synth, the 'modern' take on the classic Buchla Music Easel doesn't mess with a winning formula, paring the 208C sound source with 218e touch-sensitive keyboard.

Supplier's Notes:
The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."
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quote 956175
Cre8audio NiftyCASE 84HP Powered Modular Synthesiser Case (silver/wood)
Cat: 825939 Rel: 08 Nov 21
 
A powered modular case with MIDI to CV
Notes: At 84hp wide the NiftyCASE isn't super tiny or super huge, in fact, it's just right for all of the cardboard boxes bought to ship it to you in. Aside from the 84hp width NiftyCASE features ample +12v -12v and +5v power for your modules. It will also take Din MIDI from any DIN MIDI device and USB MIDI from your computer and turn it into eurorack compatible CV, gate, mod, and clock.

MIDI to CV, gate, clock, and mod

It's all built into the case. Make your instrument and don't waste precious hp (space for modules) on power and MIDI tools. you can plug NiftyCASE into your computer via USB or 5pin MIDI DIN device and send it MIDI. It will convert it into CV, gate, mod, and clock. Sequence with your DAW, jam with your controllers, or do something wacky, NiftyCASE has got you covered.

Power

Built-in power saves space for more of your modules, and keeps things good and easy.

As is, you can plug up to 10 modules into NiftyCASE's 10 gang flying bus that provides a peak 1500mA of +12v, 500mA -12v, and 500mA +5v, covering all industry standard power requirements

Specs:
Useable case area = 84hp
Internal depth = 55mm
Weight = 1.8kg
6.8cm x 44.6cm x 18.6cm
Range of cv out 1 = 0-10V
Range of cv out 2 = 0-10V
Voltage output gate 1 - off =0 on =5(off = 0 on = 4.65)
Voltage output gate 2 - off =0 on =5(off = 0 on = 4.65)
Voltage output mod = 1-10V
Voltage output clock - off =0 on =5
Power output for modules
+12V - 1500mA peak output**
-12V - 500mA peak output**
+5V - 500mA peak output**
1/4" ts mono output on rear
MIDI in via USB and 5 pin Din
MIDI thru via 5 Pin Din and USB

Included in the box:

NiftyCASE
NiftyCASE switching power supply with blades for NA, EU, UK, and AU

* Please note that the right and left sides of NiftyCASE fit very flush. It is recommended to favour a module with a pcb 1mm or more narrower than it's front panel for use on the left and right sides of the case (this amount or more of tolerance is fairly common on many modules).

** The NiftyCASE power supply is designed only to power modules that are being used in the NiftyCASE. Modifying the case or using it otherwise to power external cases & external modules is not advised.
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Cre8audio NiftyCASE BigEARS Stand
Cat: 839517 Rel: 08 Nov 21
 
A slick way to put 2 NiftyCASES together and make a Nifty Stack for double your NiftyCASE fun.
Notes: The Cre8audio NiftyCASE BigEARS is the simplest solution for expanding your modular Eurorack synthesizer, by allowing you to connect two Cre8audio NiftyCASE's together seamlessly. Elegant and classy, the BigEARS is made from wood to match the design and aesthetic of the NiftyCASE to create a cohesive look, while providing an immense amount of stability and rigidity. When two cases are connected, you'll have a huge 168HP of rack space to add to your collection that can unlock your true creative potential.
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Decksaver Ableton Push 3 Dust Cover
Decksaver Ableton Push 3 Dust Cover (MIDI controller dust cover)
Cat: 965227 Rel: 05 Oct 23
 
Dust cover designed for Ableton Push 3.
Notes: Introducing the ultimate guardian for your prized Ableton Push 3 - the Decksaver cover! Unlock the full potential of your music production powerhouse while ensuring it remains in pristine condition for years to come. Crafted with meticulous precision and unrivalled expertise, our lid is designed to complement the brilliance of your Ableton Push 3.

The Ableton Push 3 is more than just a controller; it's a gateway to a world of limitless creativity. Its seamless integration with Ableton Live empowers you to bring your musical ideas to life with unparalleled ease. However, with great innovation comes the responsibility to protect your investment from the challenges of the studio and the stage.

This Decksaver cover is built to provide an impenetrable shield against dust, dirt, liquid spills, and accidental knocks. Made from premium-quality polycarbonate (to our own unique recipe), this cover ensures your Ableton Push 3 remains immaculate and free from wear and tear, so you can focus solely on the creative duties of making music.

Designed with precision, the custom-fit mould embraces your Push 3 like a second skin. Whether you're performing live, producing in the studio, or taking your music on the road, our cover ensures your creative flow remains uninterrupted.

As pioneers in protective solutions for musical gear, Decksaver takes immense pride in our stringent quality standards. The design for the Ableton Push 3 Decksaver cover has been rigorously tested to meet the highest level of fit, durability and reliability, ensuring it withstands the demands of your musical journey.

Join the league of top-tier music producers and DJs who trust Decksaver to safeguard their musical instruments. Elevate your music production experience with the confidence that your Ableton Push 3 is cocooned in some of the finest protection available.

Seize the opportunity to explore new sonic dimensions and compose your musical opus without worry. Choose Decksaver, choose excellence, and choose to take your music production to new heights with the Ableton Push 3 Decksaver cover.

Your journey to sonic greatness starts here!

Dimensions

Weight: 0.7 kg
Length: 38.8 cm
Width: 32.5 cm
Height: 4.5 cm

Material: Smoked clear polycarbonate.
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 3 in stock $45.61
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Der Mann Mit Der Maschine Droid M4 Motor Fader Controller Module
Cat: 913511 Rel: 07 Dec 22
 
DROID M4 motor fader controller with 4 faders
Notes: This module provides you with four motorised faders (aka flying faders) to be attached to your DROID master. You can attach up to 16 of these units (or any other DROID controllers) to one master, so the maximum number of faders on a DROID is 64. Below each fader is a touch button and an LED.

You can use the faders, the buttons and the LEDs in very flexible ways to control all parameters in your DROID patches, like steps of a sequence, volumes of channels of a digital mixer (controlled via MIDI with the X7), parameters of a large bank of envelopes, CV values that are organized in presets and much more.

The special thing about the motorized faders is that each fader can be assigned several functions or presets. When you switch the function, the fader moves to the exact position that corresponds to the current value. The usual Eurorack "picking up" of potentiometers or faders, where you never know exactly which value is currently set, is now a thing of the past.

Another unique feature is the "haptic feedback". If a fader is used, for example, in a sequencer to select a note from a scale, you can feel each individual note like an artificial notch. The fader intelligently creates these virtual grooves with its motor. This is very useful and very intuitive whenever you use the fader to select one out of several discrete values. Other examples are clock divider settings, the number of a preset, a waveform, a clock offset and much more. Due to the haptic feedback you don't need any display for seeing what you are doing. You can concentrate on making music and play very intuitively.

Another kind of haptic feedback is a kind of "pitch bend wheel", where the fader always pushes back to the center position by itself. Here the motor creates an artifcial spring. When setting analog values such as a volume or a filter cutoff, the fader then runs freely, of course.

Applications

The DROID plus the faders can be used for various applications - and due to the possibility of switching even at the same time! Here are some example:

A multi track performance sequencer
Use a MIDI controllable digital audio interface as mixer
Control a bank of four envelopes with A, D, S, R each with just four faders
Use the faders for CV presets
Use the faders and their haptic feedback for live performing with pitch bends, ratcheting and all other crazy stuff
Power
Motor faders need much energy. Theoretically one single fader can draw up to 800 mA when at full power. That seems to be the main reason why nobody dared in bringing motorised faders into Eurorack so far.

Der Mann Mit Der Maschine have solved that challenge by making use of the fact that the fader need their power always just for a very short time. The M4 unit comes with four big power tanks (called super caps) that are loaded with a low current but provide the full power when the faders need them. That way the maximum current of one M4 unit is limited. With jumpers on the back you can choose between a peak current of 350, 450, 500 or 600 mA.

Dimensions
14 HP
42 mm deep

Current Draw
350 mA +12V
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 1 in stock $480.54
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Dtronics DT-RDX-V2 Yamaha Reface DX Controller
Cat: 990612 Rel: 31 Jan 24
 
Hardware controller for the Yamaha Reface DX
Notes: Updated version of the DT-RDX controller features a built-in MIDI merger. The approach is the same, with hands-on control of all Yamaha Reface DX parameters, making it easier than ever to unleash the power of FM synthesis.

Supplier's Notes:
Dtronics DT-RDX-V2 for Yamaha Reface DX

The Dtronics DT-RDX-V2 is a hardware controller for the Yamaha Reface DX and the successor to its older brother the DT-RDX. The difference between the two is that the RDX-V2 has a hardware MIDI merger on board for even better performance.

With all its parameters the FM synthesis is a challenge control.

The DT-RDX has all parameters directly accessible with its 41 knobs and 9 switches.

All you have to do is select the desired operator. You can also edit multiple operators with the same parameters at the same time.

The controller is mounted on a stylish holder.(included)

Specifications

Holder: steel
Casing : high grade plastic
Power splitter cable to power-up the RDX and the Yamaha Reface DX is included
MIDI cable to connect the DT-RDX to the Yamaha Reface DX synthesizer is included.
The pictured Yamaha Reface DX synthesizer is not included
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 1 in stock $316.12
EBS ICY-30 Y Type Insert Cable & Connectors for Billy Sheehan Drive Loop Functions (30cm)
Cat: 628956 Rel: 02 Dec 16
 
6.3 mm stereo plug to dual 6.3mm mono jack - 30cm length
Notes: The new Y-type insert cable is designed to be used with the Billy Sheehan Signature Drive loops. It features a 1/4" stereo connector at one end that splits into two 1/4" mono connectors at the other end representing TIP and RING on the stereo connector. The cable can of course be used with other products that call for an insert cable too.
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 1 in stock $8.48
EBS PCF-18 Flat Patch Cable (18cm)
Cat: 628643 Rel: 02 Dec 16
 
Flat patch cable - 18cm length
Notes: The EBS new flat design patch cables make possible to tighten up your pedal board and feature as many pedals you need.
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 3 in stock $6.10
Elta Music QVJ Quantum VJ 8-Bit Glitch Style Electronic Pendant/Audio Visualiser/Video Generator
Cat: 960989 Rel: 26 Jul 23
 
8-bit glitch style electronic pendant, audio visualiser and video generator.
Notes: Quantum VJ is an 8-bit glitch style electronic pendant, audio visualiser and video generator. You can connect any sound source to this device via a mini jack (synthesizer, player) or pick up external sound on the built-in microphone (random conversations, wind or music). It can also visualise some electromagnetic interference. There are 9 display modes that can be switched with a button. This is a great pendant decoration for techno parties.

Specifications:

Size: 54 x 17 mm;
9 display modes.
Display: 128 x 64 monochrome OLED;
Power: CR2032 battery (not included). Enough charge in active mode for about 24 hours.
Two 3.5mm TRS jacks. Audio input, and audio output.
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MRP:$59.41 SAVE 18%
 1 in stock $48.79
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quote 960989
Eowave 3U 104HP Synth Module Black Enclosure Case With Power
Cat: 614713 Rel: 20 Jun 16
 
Eurorack synth module case, with built-in power supply - 104HP wide
Notes: Desktop Eurorack moduile case 3U - 104HP with power supply on the left side.

Plexiglas side panels 5mm thick.

Aluminium chassis.

6cm deep, but only 4cm deep all along the 5HP of the power supply. Check your modules before!

Tech specs:
- Width : 104HP
- Depth : 6cm
- Depth all along the 5HP of the power supply : 4cm
- Current Consumption : +12V : 2.4A ; -12V : 1.2A ; +5V : 0.5A
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 1 in stock $217.47
Eowave 3U 40HP Synth Module Black Enclosure Case With Power
Cat: 725949 Rel: 15 Apr 19
 
3U 40HP compact skiff case including PSU
Notes: The Mini Case offers 40 HP for mounting modules. A power supply is built-in.

208 mm long x 45mm deep.

PLEASE NOTE: Comes with EU 2 pin plug only - UK adapter may be required.
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 2 in stock $146.38
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Eowave Classic Colours Modular Patch Cables (pack of 10, 30cm long)
Cat: 641800 Rel: 05 May 17
 
Pack of 10 patch cables - classic colours
Notes: 30cm x 10 Classic Colours (2 Black, 2 Yellow, 2 White, 2 Red, 2 Orange).
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 6 in stock $16.97
Eowave Classic Colours Modular Patch Cables (pack of 10, 80cm long)
Cat: 641803 Rel: 24 Mar 17
 
Pack of 10 patch cables - classic colours
Notes: 80cm x 10 Classic Colours (2 Black, 2 Yellow, 2 White, 2 Red, 2 Orange).
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 9 in stock $16.97
Eowave Party Colours Male Mono Modular Patch Cables (pack of 10, 15cm long)
Cat: 695370 Rel: 10 Jul 18
 
Pack of 10 patch cables - party colours
Notes: 15cm x 10 Party Colours (2 Blue, 2 Pink, 2 Green, 2 Purple, 2 Fuscia).
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 8 in stock $16.97
Eowave Party Colours Modular Patch Cables (pack of 10, 50cm long)
Cat: 641805 Rel: 24 Mar 17
 
Pack of 10 patch cables - party colours
Notes: 50cm x 10 Party Colours (2 Blue, 2 Pink, 2 Green, 2 Purple, 2 Fuscia).
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 7 in stock $16.97
Eowave Party Colours Modular Patch Cables (pack of 10, 80cm long)
Cat: 641806 Rel: 24 Mar 17
 
Pack of 10 patch cables - party colours
Notes: 80cm x 10 Party Colours (2 Blue, 2 Pink, 2 Green, 2 Purple, 2 Fuscia).
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 More than 10 in stock $17.24
Eowave Zone BF Dual LFO Module With 16 Waveforms
Eowave Zone BF Dual LFO Module With 16 Waveforms (clock generator/dual/stereo/LFO/CV modulation module)
Cat: 553624 Rel: 19 Nov 14
 
Dual low frequency oscillator module - 5HP
Notes: The ZONE B.F. module is an element of the Capsule TITAN. Zone basses frequences stands for low frequency zone. This module is composed of 2 LFOs, both LFOs have 16 sync-able waveforms.

Speed : speed of the LFO, range from 0.1 Hz to +/-200 Hz
Wave (LFO 1 & 2) : 16 Syncable waveforms

The ZONE B.F. (black edition onwards) now features an additional mode. On the back of the PCB you will find two jumpers, marked as JP1. CV1 is LFO channel 1 and CV2 is LFO channel 2. By moving the jumper so it sits on one leg (rather than 2 as when you have received the module), the Sync input for either LFO channel now becomes LFO speed input, controllable via CV.

Tech Specs

- SYNC 1 & 2 : LFO waveform is reset when an impulse signal is received
- OUT 1 & 2 : LFO signal outputs 1 & 2
- Voltage swing is -/+5V
- LEDs display LFO activity
- Eurorack 5 HP
- Metal pot, panel mounted, screwed
- Consumption: +12V 40mA, -12V 10mA
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Tags: LFO module
 2 in stock $102.90
Erica Synths 90cm Braided Patch Cables (white, pack of 5)
Cat: 838024 Rel: 21 Jul 21
 
Braided patch cables: white, 90cm, pack of 5
Notes: Set of 5 high-quality braided & soft 3.5mm patch cables for use with eurorack modules. The braided patch cables have a soft touch & are perfect for traveling with your eurorack system patched as they are super-bendable and much less likely to get tangled even with your case lid closed. Pleasant & practical for a better patching experience.
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 1 in stock $13.26
Erica Synths Cymbals Distinct Topology Digital/Analogue Cymbals Module
Cat: 712709 Rel: 10 Dec 18
 
Distinct topology digital/analogue cymbals module - 10HP
Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed thru AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.

Features
10 sets of custom cymbal samples
Analogue VCA and EG
Tune and Decay controls
CV control with an attenuators over Tune and Decay
Sample loop for Crash and Ride
Manual triggers
Accent for better expression

Audio output level: -5...+5V
CV level (full span): -5V - +5V
Accent CV level: 10V
Tigger level: 5V
Trigger time: 1ms
Power consumption: 95mA @ +12V, 36mA @ -12V
Module width: 10HP
Module depth: 45mm
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 1 in stock $202.61
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Erica Synths Pico VCO Digital Voltage Controlled Oscillator Module
Cat: 686634 Rel: 30 Apr 18
 
Digital voltage controlled oscillator module - 3HP
Notes: Erica Synths Pico VCO is a great, deep sounding VCO with 32 selected waves: classical, fattened with sub-oscillator, FM synth and others.

Features
2 banks, 16 waves each
VCO/LFO mode
Voltage controlled wavesurfing
Wave morphing in LFO setting
Typically you would need several rather expensive modules to generate similar sounds, besides there's an extra feature: flip a switch, and you have a versatile LFO.

With Pico Series we challenged ourselves - can we make ANY superior functionality synth module 3HP wide and affordable? Yes, we can.


Technical specification:

VCO frequency range: 30Hz - 5kHz
LFO frequency range: 0,1Hz - 20Hz
1V/Oct input signal amplitude: 0V - +10V;
Output amplitude: 10V ptp
Power consumption: +26 mA, -4 mA
Module width: 3HP
Module depth: 35 mm
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 1 in stock $113.25
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ESI Neva Duo 2x2 24-bit/192kHz USB 3.1 Audio Interface With USB-C Connector
Cat: 993711 Rel: 26 Jan 24
 
2 input/2 output 24-bit/192kHz USB 3.1 audio interface with USB-C connector
Notes: Unleash your creativity!

Whether you're about to stream your story, build your beat, track, or do anything beyond that - with Neva Duo you're ready to go instantly and as easy as never before.

Coming at a super affordable price, Neva Duo offers superior audio quality, elegant design and an extensive software package while retaining a compact form. Equipped with professional pre-amplified microphone and guitar inputs as well as two line inputs, it offers everything you need to get started right away. The USB-C port makes it easy to connect to your computer or mobile device. Neva Duo comes with professional ASIO drivers including DirectWIRE loopback function and more, so you can focus on your creativity.

Features
2 input / 2 output 24-bit / 192kHz USB 3.1 audio interface with USB-C connector
2x XLR microphone preamp with +48V phantom power support
2x Hi-Z inputs with 1/4" connector
USB bus powered (no additional power adapter needed)
Line output with balanced/unbalanced 1/4" TRS connectors
Headphone output with 1/4" Stereo connector and separate volume control
ADC with 97dB(a) dynamic range
DAC with 107dB(a) dynamic range
Zero latency hardware direct input monitoring activated by switch
Master output volume control
Supports Windows 10, Windows 11 with ASIO 2.0, MME, WDM and DirectSound
Supports macOS via the native CoreAudio USB audio driver from Apple
Stereo hardware loopback channel for internal recording
Includes Bitwig Studio 8-Track DAW
Includes Steinberg WaveLab LE audio editor license
Works with Cubasis LE from Steinberg for iPhone / iPad
Includes 3 month (up to 9000 minute) subscription to JackTrip Virtual Studio
Dimensions: 13cm x 9cm x 4cm

Connectors & Functions

LINE HI-Z SWITCH 1 for input 1 to switch between Line / Microphone signals and Hi-Z guitar signals.

LINE HI-Z SWITCH 2 for input 2 to switch between Line / Microphone signals and Hi-Z guitar signals.

+48V PHANTOM POWER SWITCH to provide power for condenser microphones.

DIRECT MONITORING SWITCH to enable or disable input monitoring to listen to the input signals.

GAIN KNOB 1 to change the input gain / input level for input 1. The LED ring indicates the signal level.

GAIN KNOB 2 to change the input gain / input level for input 2. The LED ring indicates the signal level.

HEADPHONE VOLUME KNOB to change the output volume for connected headphones.

MASTER VOLUME KNOB to control the master output volume of the main line output signal.

XLR / TRS COMBO INPUT 1 to connect a microphone via XLR cable, a line signal via 1/4" TRS connector or an electric guitar with 1/4".

XLR / TRS COMBO INPUT 2 to connect a microphone via XLR cable, a line signal via 1/4" TRS connector or an electric guitar with 1/4".

HEADPHONE OUTPUT to connect headphones.

OUTPUT LINE 1/2 to connect the stereo master line level output signal via 1/4" TRS cables for left and right channels.

USB-C CONNECTOR to connect the audio interface to a PC, Mac, tablet or mobile phone.

Small, flexible and ideal for entering the world of digital audio recording

This stylish 24-bit / 192 kHz USB-C audio interface is so small, it will instantly become your new companion on the go and in your studio. Neva Duo is USB bus powered and Plug & Play, just plug it in and start working! It works with any modern Mac (Intel or M1 CPU or better), PC (Windows 10 and higher) and with many portable devices (iPhone, iPad, etc.). No additional AC adapter is needed. You can use the integrated 2 preamps with 48V phantom power for condenser or dynamic microphones with up to 50dB gain using XLR inputs or connect an electric guitars via 1/4" Hi-Z inputs. On the output side, there is an integrated headphone amplifier and there are stereo TRS outputs with master volume control allowing you to connect a mixer, amplifier or active speakers. You can monitor incoming audio signals with zero latency, just push the direct monitor button. The total of 2 inputs with 97dB(a) dynamic range and 2 outputs with 107dB(a) dynamic range can be used for line level signals as well.

Neva Duo is compatible with virtually all common audio software thanks to ESI's professional low latency ASIO 2.0 driver for Windows and CoreAudio compatibility on the Mac. There is even a DirectWIRE hardware loopback function that allows you to route and mix different sound sources internally: perfect for podcasting or live streaming applications.

All this turns Neva Duo into an ideal device to get started in the world of digital audio recording, no matter if you create your own music, if you want to mix and edit audio, if you work on your podcast or even for live streaming. And yet there is more: Bitwig Studio 8-Track and Steinberg WaveLab LE are included. On the iPhone and iPad, you can use Cubasis LE from Steinberg.

An alternative to Neva Duo is ESI's even more compact Neva Uno with one microphone preamp.
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 1 in stock $72.13
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Focal Listen Professional Closed Back Studio Headphones (B-STOCK)
Cat: 1006536 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Listen Professional circum-aural closed back headphones are the essential work tool for music production. Their tonal balance and precision in terms of audio spectrum make them perfect to evaluate the sound work quality. In addition, their comfort and accessories will make them very attractive for people travelling on business trips. The sound quality and the dynamics of these headphones are very surprising considering that this quality is usually found on more expensive items. The attention to detail of these headphones can be also shown thanks to the various patents and technologies which belong to Focal. Hence, a brand-new driver membrane was developed. The main goal was to propose a solution which would keep all the dynamics from the original track while reproducing accurately every single detail on the whole audio spectrum. Even if Listen Professional headphones are closed, they produce a very lively sound, giving the feeling of semi-open headphones while still providing the isolation of closed headphones.

Focal's core expertise:

The speaker driver has been given a 100% Mylar suspension, whereas the central dome is composed of a Mylar-titanium alloy to provide more rigidity and extended frequency response in the upper end of the spectrum. Thus, the moving part is extremely light, enabling the transducer to exceed 40kHz on a flat baffle. The reproduction of the bass and sub-bass registers also received a great deal of attention. The team of engineers managed to combine two factors which are hardly compatible: a tuning frequency which is as low as possible and extremely low distortion (0.3% at 1kHz - 100dB).

Ear cushions - the ideal acoustics:

The size of the ear cushions (height, width and depth) gives them a volume which makes it possible to achieve a great tonal balance. Microfiber provides a more linear bass response providing a better acoustic output, whereas the acoustic tissue, which is closer to the speaker driver, offers great absorption and linearity in the 3-9kHz register. The bass and lower mid-range sections benefit from remarkable tonal balance and excellent articulation: where compression and frequency response generally suffer on closed-back headphones.

For a frequent and intensive use:

Listen Professional is also equipped with a headband boasting a unique design to ensure comfort and durability. Its curve remains consistent, regardless of the shape or size of the user's head. Combined with the layer of silicone underneath the headband, this ensures that the weight is spread out evenly over the head, preventing the user from feeling any pressure in certain areas, which can be very uncomfortable during long working sessions. The horizontal and vertical rotation of the ear cups operate thanks to one single part: a joint integrated into each one. The ear cups also feature a black structured covering, making them resistant to impacts and scratching.

Provided Accessories:

Rigid carrying case. Thermoformed shell in the shape of the headphones. Can store one cable and an iLok key (not provided), all within its compact dimensions. Two OFC copper 24AWG cables with a very low resistance.

- 5m spiral for domestic use
- 1.2m cable fitted with a 3.5mm stereo jack connector
- 3.5mm and 6.35mm jack adapter
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MRP:$200.50 SAVE 18%
 1 in stock $164.57
Herzlich MMI Maxima Experimental Performance Controller Module
Cat: 958737 Rel: 30 Oct 23
 
Experimental performance controller module - 30HP.
Notes: The MMI Maxima is the final word in MMI technology. Beautiful gold patterns form gradients of touch sensitive surface areas, each connected to an input/output. Drag, rub, pinch or tap your fingers across to form connections, and create evocative and unique performances. Utilize the various pattern densities and shapes in your performance, or create installations with whatever conductive material is to hand.

Operation is easy: simply plug any audio, LFO, CV, trigger, gate, offset or clock into any of the inputs on the front panel, and connect one or several outputs to destinations in your system. The symbols near the sockets correspond to the shapes on the panel, and all that remains is for you to form the connection between the desired symbols with your hand, or any other conductive object you may have. Connect multiple at the same time to achieve liquid, gradual mixing, evolving rhythmic patterns, mixed LFOs and more. Furthermore, touch the pressure plates more firmly or in more dense areas to form stronger connections - in practice, this means a signal will pass with more or less intensity, based on the pressure you apply.

There are countless possibilities here: the shapes make it easy to memorize your patch, and the many inputs and outputs allow for enormous creativity. Eight inputs and one output? No problem. Maybe you want eight outputs sharing one input? Also no problem. Why not patch in an offset voltage, and then use the pressure sensitivity to sweep a filter with the offset patched into the filter resonance CV control? Or maybe create volume swells by patching audio into a VCA, or even an effect, for reverb or delay swells. Maybe you want to create chords, crescendos or chaotic and swiftly changing drum patterns?

Although practice helps, there are no rules for playing the MMI Maxima. Use it upside down or downside up, rack it, tape it to your body or drill it into your guitar and use it with the expression input on your pedals (yes, this is actually possible. Seriously.) With no external power needed, it makes an excellent performance companion for any system, big or small, modular, semi-modular or even not-modular-at-all.

Intended as a controller for musicians and non-musicians alike, the purpose of the MMI Maxima is to put emphasis on your performance and expression, rather than your competence at the ivory keys or dexterity at a drum pad. Let your hands, slices of pickled cucumber or other conductive everyday objects do the talking, through a combination of clever patching and expressive play - with the MMI Maxima, you have a performance tool unlike any other at your disposal.

The MMI Maxima comes in a custom case, and does not require external power to operate. Enjoy the Maxima either as a standalone controller, or rack it in your system if you desire.

Dimensions
30 HP
30 mm deep

Current Draw
Module does not draw current
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 1 in stock $169.73
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Herzlich psATT Passive Stereo Attenuator Module
Herzlich psATT Passive Stereo Attenuator Module (dual/stereo/attenuator module)
Cat: 961017 Rel: 30 Oct 23
 
Passive stereo attenuator module - 2HP.
Notes: In recent years, stereo signal paths have increasingly found their way into the wonderful world of Eurorack synthesis - so naturally, utilities should follow suit. Introducing psATT, a simple solution to a problem you might not even realise you had. Far from just useful as an attenuator for audio sources in mixdowns, the psATT can also be used to bring stereo audio signals down to more manageable levels (such as line level), attenuate multiple signals simultaneously (like increasing the modulation depth of two LFO's at the same time! It's like having two hands, but with one hand!) and is even normalled, so if you only have a mono signal, the attenuated signal will be present at both outputs. That's what utility is all about!

There's not much else to say, except that it's passive, and draws no power - and it looks very classy in black and gold; and it's also only 2hp.
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 1 in stock $46.15
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quote 961017
Hosa 3.5mm TS With 3.5mm TSF Pigtail To 3.5mm TS Hopscotch Patch Cable (mixed lengths & colours, pack of 5)
Cat: 670809 Rel: 20 Nov 17
 
5 x patch cables, 3.5 mm TS with 3.5 mm TSF Pigtail to 3.5 mm TS
Notes: Hopscotch Patch Cables are the perfect solution for modular synthesizers equipped with mono mini jacks. The pigtail mono mini jack gives users the ability to "jump" the signal to another input point while keeping the original patch intact. Features include:

- Easy-access pigtail jack for quick signal splitting
- Slim housings to fit crowded spaces
- Nickel-plated plugs for rugged durability and efficient signal transfer

Connectors: 3.5 mm TS with 3.5 mm TSF Pigtail to 3.5 mm TS
Conductor: 26 AWG OFC
Shield: 85% OFC Spiral
Quantity: 5 pc
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 1 in stock $29.44
Hosa CSS-803 8-Way 1/4" (6.3mm) Jack Balanced Snake Cable Loom (3m)
Cat: 559404 Rel: 19 Jan 15
 
1/4" TRS jack snake loom cable, 3m
Notes: 1/4" TRS to 1/4" TRS

This snake is designed to interconnect pro audio gear with balanced phone jacks. It is ideal for use with mixing consoles and patch bays. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4" TRS to 1/4" TRS
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 1 in stock $53.57
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Hosa MID-301 5-Pin DIN To 5-Pin DIN MIDI Cable (1ft)
Cat: 824638 Rel: 19 Apr 21
 
MIDI Cable, 5-pin DIN to Same, 1 ft
Notes: The low-cost, high-quality Hosa MIDI cable is designed to interconnect MIDI devices. Unlike other cables, the Hosa MIDI cable is wired 5-pin discrete and compatible with all MIDI standards, including SysEx. These durable MIDI cables come in several lengths, from 1 foot to 25 feet, so you can get the right length for your needs.

Features include:

Nickel-plated plugs for rugged durability and efficient signal transfer
Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
OFC spiral shield for effective EMI and RFI rejection and flexibility

Connectors: 5-pin DIN to Same
Color: Black
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 1 in stock $7.17
IK Multimedia iRig USB Digital USB-C Audio Interface
Cat: 975783 Rel: 24 Oct 23
 
24-bit, 48 kHz digital USB-C audio interface
Notes: The bestseller goes digital

iRig USB gives guitar and bass players an affordable and easy way to practice, play and record at home or on the go. This digital version of IK's widely popular iRig 2 features a sleek new enclosure with USB-C connectivity and comes bundled with IK's latest amp and effects modelling technology.
Easily record ideas or jam along to your favourite backing tracks with killer tones and without the need of any other gear. When it's time to play out loud, iRig USB offers a dedicated Amp Out so you can use your device tones with a real rig for playing and performing.

Whether it's through headphones or loudspeakers, iRig USB makes playing fun again and inspiring wherever you go.

Key features

Compact audio interface for guitar or bass
Works with iPad, Mac, PC and iPhone 15*
1/8" headphones out for silent practice
1/4" Amp out connects to your amp or pedalboard
Works with your favourite learning, practice and recording apps
Packed with AmpliTube & TONEX amp modelling apps
Powered by your device, no batteries required
*Lightning devices require Apple's Lightning to USB 3 Camera Adapter

Ultra-compact with big sound

iRig USB is small enough to fit in your pocket, yet features a wide frequency response and dynamic range on the instrument input to work with any guitar or bass, active or passive. Setting your level is quick and easy using the large gain control knob with clipping indicator. And for listening back, both the Headphone Out and Amp Out offer exceptional sound quality for a device this size.

Play more, learn faster

Practicing should be fun and inspiring. Use iRig USB anywhere and connect to the most popular learning apps while playing through the best amp models. Use the included TONEX and AmpliTube apps to load one of your go-to tones then launch your preferred app to study music, tabs or the original song. It's never been easier to make progress on your guitar journey.

Rcording ideas

Next time inspiration hits, launch your favourite app and start recording in seconds. iRig USB is recognized by all desktop and iOS** recording apps. TONEX and AmpliTube for Mac/PC both work standalone or as plug-ins inside your favourite DAW so it's easy to record a DI or a processed guitar part. On mobile devices, you can use iRig USB to record a DI or record a processed guitar part with the included TONEX or AmpliTube CS for iPhone and iPad.

**with iOS lightning device, the iRig USB will require a CCK connector/adapter.

Exclusive software included

iRig USB is ideal for exploring new sounds for guitar and bass. With Mac/PC and iOS versions of both TONEX and AmpliTube included, you'll always have your dream rig with you for practicing and recording.

TONEX SE gives you the power of AI Machine Modelling and comes loaded with 200 Premium Tone Models, which are captures of real amps and pedals, plus you can browse, demo and download unlimited Tone Models from ToneNET. You can even use TONEX software for capturing your own amp and pedals to use at home, on the go and inside AmpliTube 5.

AmpliTube 5 SE for Mac/PC plus AmpliTube for iOS offer the ultimate tone processing and recording studio. Both versions give you essential amps, effects and speaker cabs to create amazing guitar and bass tones. Play, practice and record on your desktop or mobile device with the most authentic and hyper-realistic gear models ever made.

Jamming out with friends

No more lugging a pedalboard to rehearsal spaces or someone's garage. Access to all your favourite tones is right in your pocket. Just show up, connect iRig USB's Amp Out jack to an external amplifier or powered monitor and start playing incredible-sounding AmpliTube presets or TONEX Tone Models from your iOS device (or laptop).

Grow wherever you go

Whatever your level and style of music, iRig USB will keep you connected to the newest and best tools for sounding great, learning new songs, advancing as a player and recording ideas. Sound better, play more and improve faster throughout a lifetime of guitar with iRig USB.

Common

AD and DA resolution: 24-bit
Sampling rate: 44.1 kHz and 48 kHz
Host connection: USB Type-C socket

Instrument Input

Input impedance: 500 kOhms
Maximum input level: +13.5 dBu
Frequency response: From 20 Hz to 20 kHz within 0.5 dB (48 kHz sample rate)
Dynamic range: 90 dB(A)

Amp Output

Configuration: Unbalanced
Output impedance: 3.3 kOhms
Frequency response: From 10 Hz to 20 kHz within 1 dB (48 kHz sample rate)
Dynamic range: 97 dB(A)

Headphone Output

Output impedance: 22 Ohms
Maximum output level: approx 6mW into 50 Ohms load
Frequency response: From 10 Hz to 20kHz within 1 dB (48 kHz sample rate)
Dynamic range: 94 dB(A)

Package includes

iRig USB interface
USB-C to USB-C cable (60 cm/23.62")

Dimensions

Size: 99 mm/3.9" x 42 mm/1.65" x 25 mm/0.98"
Weight: 54 g/1.9 oz.

Compatibility

Computers

Mac: macOS 10.6 or later. One free USB port.

Windows: Windows 10 or later. One free USB port. For low latency, the IK Multimedia's iRig audio driver must be installed.

iOS Devices

Compatible with iPhone and iPad devices with USB-C connector.

Also compatible with iPhone and iPad devices with Lightning connector using Apple's Lightning to USB 3 Camera Adapter.

Android Devices

Compatible with Android devices running Android 5 or later and with USB digital audio capabilities.
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MRP:$74.26 SAVE 14%
 1 in stock $63.64
Industrial Music Electronics Bionic Lester Mark III Dual Morphing Multimode Filter Module
Cat: 742141 Rel: 01 Nov 19
 
Dual morphing multimode filter module - 15HP.
Notes: Incredibly powerful two-channel filter module capable of much more than just filtering. State-variable digital filters with built-in VCAs designed to overdrive beautifully. Sounds great.

Supplier's notes:
BIONIC LESTER MARK III is a 2-channel 2-pole state-variable digital filter with an unusual amount of good sonic character. The filter mode is continuously variable under manual or CV control, smoothly fading from lowpass to bandpass to highpass to notch to allpass with a single motion. The resonance stops just short of self-oscillation. A digital VCA controls the amplitude and the distortion of the input signal pre-filter. The filters have independent inputs and outputs, and an additional Mix output with balance control. The filter design was initially inspired by the best of late-1990s "virtual analog" filters and has gone far beyond.

The audio input controls have dual behavior. When the control (or CV input) is turned from zero position to the center, it operates as a simple gain control for that input. When turned past the center position towards the maximum, the signal will begin to soft-clip, adding hard clipping as the maximum is approached. This smooth and subtle distortion adds violence to otherwise unremarkable input material, generating additional harmonic content for the filter to process. The digital VCA that controls the gain and distortion functions is aware of the input signal's zero crossing, eliminating "clicking" noises when the gain is modulated.

Each filter section has three CV inputs. The first is a high-speed input hardwired to the filter's cutoff frequency, appropriate for snappy envelopes and slow moving voltages alike. The other two inputs (one with attenuverter control) are freely assignable to any of the filter parameters (cutoff, resonance, mode, gain), storable in a preset. The Mark III preset system stores eight fully programmed panel setups, instantly recalling everything under the harshest demands of performance. The Morph mode allows smooth fading between all of these presets.

Activate Filter B's LINK control for patch-free routing of the filter's control or audio signal. You can achieve dual-peak resonance, cable-free series routing, cascaded 4-pole filtering (with two stages of distortion), and full stereo using only one set of filter controls. The input normalization, LINK settings, and parallel mix output further reduce cable clutter while rapidly patching an elaborate signal flow.

The controls are arranged for maximum tweakability and minimum cable interference, with metal-shaft potentiometers attached to the panel on the large knobs. The Mark III OLED display displays the cutoff frequency in Hertz, resonance amount, and filter type morph. The CV inputs process all input voltages between -10 to +10 volts. Panel size is 15HP.
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 More than 10 in stock $474.18
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Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (black)
Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (black) (digital/LFO/oscillator/dual/stereo/noise/quantizer/ring modulator/random synth module)
Cat: 951618 Rel: 26 Feb 24
 
Voltage-controlled dual VCO, LFO and random module - 8HP.
Notes: Two oscillators independently set as VCO, LFO, or random generator

This new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)

Features in VCO mode:

V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter

Features in LFO mode:

Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module

Dimensions
8 HP
21 mm deep

Current Draw
52 mA +12V
17 mA -12V
0 mA 5V
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MRP:$306.58 SAVE 24%
 3 in stock $234.44
Koma Elektronik Attenuator Cable (black, single)
Cat: 608838 Rel: 02 Dec 16
 
Attenuator cable with 3.5mm jack socket to 3.5mm jack plug
Notes: The Attenuator Cable is a cable with one jack input socket on one side, an output socket on the other side and a slider in the middle that gives the user the opportunity to attenuate both CV and audio signals traveling between modules. You simply connect a 3,5mm patch cable to the input socket of the Attenuator Cable and connect the output jack plug to any input of your liking. You can use the slider in the middle of the cable to attenuate and adjust the signal, easy peasy! The cable design has been optimized to function with any CV or audio signal and with all known and widely available 3,5mm jack cables.
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 2 in stock $10.35
Koma Elektronik Field Kit Contact Microphones (pair)
Cat: 926733 Rel: 14 Mar 23
 
Contact microphones (pack of two).
Notes: A pack of a smaller and bigger contact waterproof microphone with mono 3,5mm connectors, cable length 120cm.
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 1 in stock $21.74
Koma Elektronik Field Kit Electromagnetic Pick-Up
Cat: 927271 Rel: 14 Mar 23
 
Electromagnetic pickup for use with the Field Kit.
Notes: Electromagnetic pickup for use with the Field Kit.

Use this to pick up electromagnetic signals from anything that has an electromagnetic field, like electronics devices, screens, power adapters, lamps, displays, phones, motors, laptops and so on.

There is a whole world of sound hidden all around us in those fields that you can make audible by placing this pickup next to the source.
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 1 in stock $10.82
Koma Elektronik Field Kit FX Spring Tank (cables included)
Cat: 927541 Rel: 14 Mar 23
 
Spring tank for use with the Field Kit FX.
Notes: Spring tank for use with the Field Kit FX. This is a 8BB3C1B tank with 3 springs (23.5cm length each) and long decay time of up to 4s. Input isolated, output grounded.

The short and shielded RCA cable offered with the tank is recommended. If you have a cable of your own, take the shortest one that fits your needs and make sure it's properly shielded.

Keep the cables and tank away from noise sources as much as you can, especially power adapters and power cables.
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 1 in stock $30.76
Koma Elektronik Field Kit FX Spring Tank (cables not included)
Cat: 927538 Rel: 14 Mar 23
 
Spring tank for use with the Field Kit FX.
Notes: Spring tank for use with the Field Kit FX. This is a 8BB3C1B tank with 3 springs (23.5cm length each) and long decay time of up to 4s. Input isolated, output grounded.

A short and shielded RCA is recommended (available elsewhere). If you have a cable of your own, take the shortest one that fits your needs and make sure it's properly shielded.

Keep the cables and tank away from noise sources as much as you can, especially power adapters and power cables.

Please note: there is no cable included with this product.
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 1 in stock $30.76
Koma Elektronik Field Kit Solenoid Motor
Cat: 927294 Rel: 14 Mar 23
 
Solenoid push-pull motor for use with the Field Kit DC interface.
Notes: Solenoid push-pull motor for use with the Field Kit DC interface. Use this to get sounds out of objects by hitting them. Who doesn’t like hitting objects?

The DC interface of the Field Kit gives you the possibility to trigger the solenoid rhythmically and control its force.
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 1 in stock $13.56
Koma Elektronik Komplex Sequencer
Cat: 570602 Rel: 05 Feb 16
 
Step sequencer built around four 16-step sequencers communicating via both MIDI and CV/Gate.
Notes: Powerful step sequencer built around four well-equipped full-featured 16-step sequencers communicating via both MIDI and CV/Gate. There are no screens or submenus.

All features have their own dedicated controls and have their own dedicated in- and outputs on the large 87-point patch bay. Every aspect of this sequencer is CV-able. Lastly a seven bank CV Recorder is on board and can output up to 5 banks at once!

The Komplex Sequencer opens up a whole new world of creative possibilities and starts where other sequencers have stopped!

Our step sequencer lets you construct complex musical patterns, via both MIDI and CV/Gate. Built around four full-featured 16-step sequencers in a compact and light enclosure, the Komplex Sequencer is a powerful tool both live and in the studio. All features have their own dedicated controls; no screens or submenus, and all features have their own dedicated in- and outputs on the large 87-point patch bay. By patching both internal and external CV sources through the patch bay of the Komplex, you can control any parameter of the sequencer immediately and "sequence the sequence." Controls include Speed, Sequence Length, Gate Length, Play Mode, Glide, Division, Transpose, Repeat, Sequence Start Point and Skip. Additionally, the sequencer can vary output range and also has a quantizer on board operable in different scales.

And not only is the sequencer compatible with almost any synthesizer with CV/Gate, MIDI note, velocity and CC information can also transmitted by any of the four sequencers. Lastly a seven bank CV Recorder is on board and can output up to 5 banks at once! The Komplex Sequencer opens up a whole new world of creative possibilities and starts where other sequencers have stopped.

CV Inputs
Clock, Rec Clock, Transpose, Start, Stop, Skip Step, Sequence Start Point, Repeats, Seq Length, Gate Length, Play Mode, Glide, Division, CV Recorder (CV In, Clock, Start, Bank Up/Down)

CV Outputs
CV Out, Gate Out, Start Of Sequence, End Of Sequence, Clock, CV Recorder CV Out (A, B, C, D and CV)

Sequencer Controls
64 Sliders and Step Select Buttons, Speed, Sequence Length, Gate Length, Play Mode, Glide, Division, Quantizer and Scale, Output Range, One-Shot Mode, Play/Pause and Stop, Global Play/Pause and Global Stop

Section Controls
Repeat Set, Mode Menu, Skip Step, Glide, Sequence Start Point, Gate

MIDI
MIDI In, MIDI Out, MIDI Clock Out (1 trigger per quarter note)

CV Recorder
Banks A, B, C and D available at corresponding sequencer patch bay outputs. All 7 banks selectable at CV Recorder CV Out by the Select control or Bank Up/Down inputs. CV is recorded and clocked through the CV Recorder CV and Clock inputs or Sequencer Rec Clock inputs.

Extra Features
Mode Menu (Skip Step Mode, Repeat Mode, Unipolar/Bipolar CV Output, MIDI Message, MIDI Channel, MIDI CC) and Firmware Updates

Casing:
Powder coated aluminum casing, silk screened printing and wooden side panels.

Dimensions
46.2 cm x 29 cm x 4 cm (L x W x H)
18.2" x 11.4" x 1.6" (L x W x H)

Net Weight
3.2 kg / 8.8 lb

Shipping Weight:
4.5 kg. / 9.9 lbs including power adapter and instruction manual.

Power Requirements:
9VDC power adapter. Only use the KOMA adapter shipped with the unit.

Accessories
Included: dust cover, manual and power supply unit.
Rackmount kit available separately
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 3 in stock $1,828.88
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