Back in stock: Studio Equipment

Notes: MPC One is a total music production solution to take your ideas from concept to finalized radio-ready beats.

Don't let the size fool you. The MPC One packs a lot of features and workflow tools into one powerful punch. Beat programming, editing, mixing FX and instruments and so much more means an uncompromised creative experience.

MPC One delivers a truly empowering hands-on experience, ready for any music production task. Edit and trim samples with hand gestures on the brilliant 7" touch screen display. Express your ideas perfectly with the assigned knobs and touch keys that eliminate diving through pages of menus.

MPC One integrates into your creative space with all the ports and jacks you need. USB, MIDI DIN, CV/Gate, and 1/4" line-level audio input. With USB and SD card slots, you can save, transfer and share your music
.
Your favorite music production techniques come standard on MPC One. Tape Stop effect, Note Repeat for pulsing hi hats, and 16 Levels to play those melodic 808s plus many more.

Akai Professional's next generation standalone, multi-core powered MPC Series features MIDI Multi capability, transforming MPC into the ultimate MIDI sequencing studio center piece. Now you can simultaneously connect and route all the MIDI gear in your studio including class compliant USB Keyboards, MIDI interfaces and USB to CV modules, supercharging your I/O capability. Fuse this with deep internal MIDI routing capability across tracks, comprehensive MIDI routing to any MIDI compatible synthesizer, drum machine or sound module, and even multitrack recording capability, and MPC forms the beating heart of any production setup, unleashing the true power of all your gear.

KEY SPECS:

Pads:
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via Pad Bank buttons

Knobs:
(4) 360- touch-sensitive Q-Link Knobs
(4) Q-Link Knob columns accessible via Q-Link button
(1) 360- encoder for display navigation and selection via push

Buttons:
(31) dedicated function buttons; red-, amber-, or green-backlit

Display:
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-color LED-backlit display with touch interface

CPU:
Processor: Quad-core ARMr processor

RAM: 2 GB
Storage: 2 GB user storage, 2 GB pre-installed content

Connections:
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI outputs
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Power:
Via power adapter: 19 V, 3.42 A, center-positive, included

Dimensions (width x depth x height):
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight: 4.7 lbs/2.1 kg

Notes: The ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-12FX is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

MUSIQ
ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a
higher input impedance.

Notes: Multipurpose mixer with FX for live sound and recording.

Live or in the studio, ZED60-10FX is an ultra-portable mixer for solo artists and small bands.

Based on our top selling ZED-10FX, the new ZED60-10FX adds premium quality 60mm faders for that intuitive, tactile mixing experience.

This mixer is a guitarist's dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards.

ZED60-10FX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX.

Most important of all, ZED60-10FX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS:
1) Main Mix Left + Right (Post master Level)

2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)

3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS:
1) To Playback input (through jack socket break contacts)

2) To Stereo 2 channel (through jack socket break contacts)

ZED60-10FX features a responsive 3-band British EQ with sweepable mid frequency that is acclaimed for its musicality, even when applying extreme creative or corrective equalisation. All EQ controls have been carefully calibrated for responsiveness and smooth, precise adjustment.

ZED60-10FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

ZED60-10FX's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Our favourite module of 2019. Eight channels of audio and CV sampling with real-time editing and processing. Does basic sampling well but quickly gets creative and weird. We love it.

Supplier's notes:
The 'Squid Salmpler' is a Eurorack 8 channel audio & CV sampler. It is designed for immediate real time sampling, editing and mangling within a modular context.

Taking influence from early hardware samplers, The Squid Salmple focuses on usability and instinctive operation, incorporating a proven Pamela's Workout style user interface for minimal screen dependence and a fun, hands on experience.

With support for sampling and playback for both audio and CV, as well as CV control of all parameters, on-the-fly bank loading and saving to USB, The Squid Salmple brings a unique take on old school sampling into the modular realm.

The Squid Salmple comes with a USB Stick containing approximately 90 banks of original carefully curated royalty free samples. This includes a wide range of sounds from classic drum machines and weird synths to field recordings and CV modulations. Banks are provided by both ALM and some of our favourite artists and friends including Mumdance, Solid Blake, Russell Haswell, Lauren Flax, Dave Burraston (NYZ), Sue Zuki, Dungeon Acid, Sasha Lewis and Andrew Duff.

Notes: Protect your Octatrack! The Elektron Octatrack is one of the most important and iconic machines for performing live electronic music. If you tour or perform live with your Octatrack, this is just the case for you.

Description:

This PULSE case is custom designed for the Octatrack. It's molded to the exact length of the machine, but we've also included additional space for holding your power cable.

The top lid of the case includes a layer of dense sponge foam, to protect the delicate fader and knobs of your machine. The body of the case is reinforced with extra-thick molded EVA foam, to survive the rigors of the road.

Whether you pack this case inside a suitcase, or carry it using the spacious and comfortable handle, it's the perfect lightweight solution to keep your machine in great shape. As an added bonus, this case can also be used for the Analog Rytm MK1 or Analog Four MKI.

Specifications:

Perfect fit for your Octatrack + power supply

Sponge foam lining in top lid to protect your fader and knobs

Interior velvet lining with molded EVA foam for additional protection

Extra-large premium zipper

Spacious and comfortable handle

Interior dimensions: 14 x 9 x 2.5 Inches

Exterior dimensions: 14.75 x 10.5 x 3.5 Inches

Notes: Your powerful and lightweight KeyStep 37 will instantly become portable with a proper case to protect it during travel. From composing in your DAW to jamming with hardware, the KeyStep 37 can go with you anywhere with this PULSE Case.

Description:

The PULSE Case for the Arturia KeyStep 37 was designed by musicians to be highly versatile for all your mobile mobile scenarios, from tossing it in the trunk to packing it inside your luggage. The KeyStep 37 case is made from rigid EVA material that holds its shape, and is shockproof and water-resistant.

This PULSE Case features an interior mesh pocket that can store any extra cables, as well as an ultrasoft velvet interior lining to prevent any scratches on the surface of the KeyStep 37. With the PULSE Case, you'll never have to worry about traveling with your controller, so you can focus on making great music!

Specifications:

Perfect fit for your Arturia KeyStep 37

Comfortable molded handle

Interior pocket for holding cables

Versatile and lightweight

Interior dimensions: 22.25 x 7 x 3 inches

Exterior dimensions: 23 x 8 x 3.5 inches

Notes: The ultimate hammer action 88-note controller keyboard in black including award winning Arturia software instruments now featuring DAW pro-control for seamless workflow.

The ultimate piano-feel master controller keyboard goes dark mode. Professional feel, deep integration, and absolute control over your performance - available with a luxurious black aesthetic for a limited time.

High quality robust metal frame construction with real wood side panels, highlight the sleek world-class design. Weighing in at only 14kg, the KeyLab 88 MkII Black Edition is perfect for studio and stage, and includes a laptop extension shelf and removable iPad/music stand.

The KeyLab 88 MkII Black Edition comes with the new Analog Lab virtual instrument featuring over 8,000 sounds from our award-winning V-Collection Series. Also included are the full versions of Piano V, Wurli V, and Vox Continental V, along with Ableton Live Lite. With plug-and-play auto-mapping, your creative workflow is quick and seamless as you browse through the included software instruments and control your DAW. The KeyLab 88 MkII Black Edition even includes unique magnetic panel overlays for the most popular DAWs and takes the guesswork out of playing, recording, and mixing.

The KeyLab 88 MkII Black Edition features CV/gate connectivity so you can also control your modular rig and vintage synths. It also includes three Aux pedal inputs, Expression, MIDI, USB, and Sustain. There's even a CV input for external analog controllers. Used stand alone, the KL88 MkII can be powered from an external power supply or directly from its USB port.

The finest feeling 88-note hammer action controller keyboard looks great, is built for the road, and comes with top-quality virtual instruments. The KeyLab 88 MkII Black Edition isn't just another MIDI controller, it's a gateway to a better music-making experience.

Included Software
Analog Lab, Piano V, Wurli V, Vox Continental V, and Ableton Live Lite
MIDI Control Center

Notes: Arturia MiniFuse 1 is a portable 1 in / 2 out audio interface audio interface designed to work for you, whatever your style. Record your vocals, guitar, podcast, or produce your track at the highest studio quality. A complete software bundle with instruments, recording software, and effects is included - recording and producing has never been easier.

MiniFuse comes from the award winning Arturia AudioFuse line of studio audio interfaces. Class-compliant & Bus-powered means you can plug in and go, and you won't need an additional power supply as it's USB powered. Recording has never been easier.

MiniFuse 1 fits right into your setup with a straightforward set of ins and outs. Its single combo input lets you easily connect either XLR or 1/4" jack cables. Plug into your computer with quick & compact USB-C compatibility. Finally, connect USB devices like your MIDI keyboard with the additional USB hub socket.

Simply the best sound

For audiophiles, MiniFuse boasts a 110db dynamic range and a class-leading equivalent input noise of -129dB. For everyone else, that means that every recording you make sounds incredible, with rich dynamics, clear noise-free signal, and studio-grade quality - you can't go wrong.

Tough, portable design

Break the mold and take your studio on the go. MiniFuse is not only compact and lightweight; its rugged aluminium casing can handle the mobile producer's lifestyle. Put it in your bag, get out there, and find the sound you've been looking for.

Fully operational

Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. Better still, with the MiniFuse Control Center app, you can control its inputs, outputs, settings, and firmware updates in one place

Inspiration on the house

Keep your creativity fresh and your inspiration flowing with step-by-step music production tutori-als, mixing hacks, and Ableton project templates designed by artists, producers, and beatmakers, featuring the software that's included with MiniFuse. Updated frequently, no subscription re-quired, and free with your MiniFuse. MiniFuse comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge.

Arturia FX

Colour your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus.

Ableton Live Lite

Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse.

Analog Lab Intro

Instantly add inspiring sounds from Arturia's award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds.

Auto-Tune Unlimited 3-months free subscription

Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month sub-scription to the industry's favorite voice tuning plugin.

GUITAR RIG 6 LE

An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones.

Splice Creator Plan

3-months free subscription Access millions of hi-def royalty-free samples and plugin presets, from lo-fi drum loops to punchy vocal one-shots, and add them to your personal collection for life.

Huge software bundle includes: Ableton Live Lite, Analog Lag Intro, 4 x Arturia FX, Auto-Tune 3-month subscription, GUITAR RIG 6 LE, Splice 3-month subscription, and more...

Included Software

Ableton Live Lite: For your recording and mixing needs

Analog Lab Intro: Classic and modern synthesizer and keyboard sounds

4 x Arturia FX: A world-class preamp, plate reverb, tape echo and chorus effects

Auto-Tune Unlimited: 3-month subscription to the leading pitch tuning software

GUITAR RIG 6 LE for guitar amplification emulations and guitar

Notes: ***B-STOCK: Box opened, product in perfect working order***


Behringer present the U-Control UCA222 USB audio interface with energyXT2.5 Compact Behringer Edition included.

If you're ready to take your projects to an even higher level, the XT Software energyXT2.5 is just the trick. This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings. The energyXT2.5 includes built-in synthesizers, which can be accessed directly via an external controller or programmed by step-write mode. There's even a built-in drum machine and internal multi-FX processor.

Notes: High-quality audio mixing in Eurorack format. Five mono input channels, each with direct outs, pan controls, aux sends, adjustable gain and clickless muting. Versatile and effective.

Supplier's Notes:
D.O.MIXX was created based on a couple of simple desires - to not only have a quality in-the-rack mixer as the last thing in the modular signal chain, but to also have an easy means to grab a Direct Output from each channel, so more detailed mixing can take place in a DAW after the fact. These Direct Outs can also be used to route the channel wherever you'd like back into the modular system - a single-channel buffered mult if you will. Beyond that, there are other standard mixer features such as an Aux Bus (with Pre/Post send switch), stereo panning, and click-less muting on each channel. All level knobs range from 8 to +6 dB of gain.

Direct Outputs are post-gain/mute.

Note this mixer is AC-coupled, and as such is only suitable for audio signals, not CV.

170 mA +12V
170 mA -12V
0 mA 5V

Width: 22HP

Depth: 3.3 cm

Power: 170 mA @ 12V, 170 mA @ -12V

Input / Aux Send Gain: 8 to +6 dB

Output Gain: 8 to +6 dB

Inputs/Outputs: All I/O is unbalanced

THD + Noise: 0.005%; 1 kHz @+15 dBu with 0 dB gain

Dynamic Range: >107 dB, A-weighted

Input Impedance: 100K ohms

Output Impedance: 300 ohms

Notes: This is an active multiple using the TL074 op amp to copy the signal and repeat the patch, using a simple design. What goes in, comes out exactly the same, and no resistors have been used to play with the ratios. A 100k to ground clamp has also been added so that you can copy even fast clocks, gates, etc and they will not 'stick' together to make one big pulse, which can be a problem with some multiples.

You can have two long 8 repeated outs and one four repeated out, or patch all five inputs to have five sets of four repeated outs.

Channel 1 and 3 allow for 8 output copies. When you patch into the middle section you break the internal switch jack connection and allow for independent use of the bottom sections.

Channel 2 has four outputs.

Width: 8hp
Depth: 1.5 inches
5 mA +12V
5 mA -12V

Notes: Quick and easy dual quantiser module from Blue Lantern. Two identical quantiser circuits, each offering a range of 16 scale options, adjustable independently.

Supplier notes:
This is a quantizer based on the Michael Barton simple quantizer firmware PIC. There are two identical circuits found on this module. You can select two modes using the toggle switch. The 'Stand' mode is the standard mode which includes the follow scales:

STANDARD BANK

1.Bypass - Inputted voltage is outputted

2.Major - Root, 2nd, 3rd, 4th, 5th, 6th, 7th

3.Minor - Root, 2nd, flat 3rd, 4th, 5th, flat 6th, flat 7th

4.Major Pentatonic - Root, 2nd, 3rd, 5th, 6th

5.Minor Pentatonic - Root, flat 3rd, 4th, 5th, flat 7th

6.Blues Scale Root, flat 3rd, 4th, flat 5th, 5th, flat 7th

7.Whole Tone - Root, 2nd, 3rd, flat 5th, flat 6th, flat 7th

8.Chromatic - All 12 notes



The 'OCT' mode is the Octave BANK, which includes the following:

OCTAVE BANK

1.Bypass - Inputted voltage is outputted

2.Octave - Root

3.Octave and Fifth - Root, 5th

4.Octave and Flat Fifth - Root, flat 5th

5.Major Arppegio - Root, 3rd, 5th

6.Minor Arppegio - Root, flat 3rd, 5th

7.Dominant Arppegio - Root, 3rd, 5th, flat 7th

8.Chromatic

You use the knobs to select the different scales.

Notes: The CMOS Party Logic, by Blue Lantern, is a readily patchable boolean logic module just waiting for a square wave or clock signal into its corresponding A and B inputs in order to generate a variety of output signals. The module's AND, NAND, NOR, XOR, and OR outputs ensure a variety of potential combinations.

Additionally, the CMOS Party Logic features extremely low latency and is capable of operating at audio rate.

Notes: This module gives you all the patterns needed to make percussive on the fly sequences. It is very simple to use; you just patch the trigger outputs to your external modules. There is an internal clock source.

Percussion Sequencer, Euclidean Sequencer

This product is a Gate Sequencer that uses Grids Firmware written by Emilie Gillet.

Width: 12hp
Depth: 1.5", 1 PCB Stack, Skiff Compatible
Current: Current: +25mA, -1mA

Notes: This is a VCO add on or helper. You patch a saw, square, triangle , or sine wave into the input jack. Now patch the output jack to a mixer module. For example you can use the Blue Lantern modules: Sir Mix Alot, Mix Em Up, or other third party mixers. You also patch one of the original waves from your vco (this is optional as you will still get audio results).

What you will hear with your gear is one supper fat mixture of harmonics. You have 4 knobs to mix in each harmonic.

The module can handle a full wide frequency spectrum.

The module is using CD4013 Flip Flop IC to do its 4 divider break down- there is no latency, no Atmega or STM issues

Notes: This module allows you to connect 6 channels of synth level Euro Format signals (-5/+5v) from your vco's or percussion modules. You then can pan left or right like normal desktop mixers. The final mixdown outputs are also synth level (-5/+5v). There are two send and returns which are also synth level (-5/+5v). There is no CV control of any kind. This is a basic stereo audio mixer.

Current: +37mA, -37mA

width: 24hp

Depth 1.5", PCB Stack Level: 1

D Shaft Metal Potentiometers.

Channels: 6, with panning on each channel.

Input gain: x10, synth level optimized.

Output: synth level optimized. Since there are master level knobs, one can attenuate for line levels.

Link ability: Yes, with 3.5mm stereo Y-cable. There is a jack labeled 'Stereo Link' where you can patch left and right synth level input signals.

Notes: Latest incarnation of Buchla's legendary modular synth. Massively creative with incredible sound and history stretching all the way back to the 1960s.

Supplier notes:
The evolution of the legendary modular analog synthesizer by Don Buchla. The Buchla Easel Command is the newly updated 208C in a standalone desktop form with MIDI and CV control.

Buchla's own Joel Davel led the charge to create a new version of the legendary Music Easel instrument with more modular flexibility and independence, while also providing the means to easily interface with more devices, such as the various DAWs like Ableton and MIDI controllers, including the very expressive Sensel Morph. It's still fully analog in its default configuration and provides the unique and exquisite Buchla experience with greater functionality at a lower cost.

Notes: Dimensions: 42.60x21x4cm

Weight: 230grams

Notes: This filter's unique feature is that different filter types are realized by injecting the audio signal at different points of the circuit. For this reason, the A-101-1 has three inputs with level control: one lowpass input which is normalized to the bandpass input, which itself is normalized to the highpass input. The level controls make it possible to mix the filters and to generate new filter types. e.g. with all three filter levels turned to maximum level you get a notch filter.

Furthermore, the cutoff frequency influences which filter type is "monitored". This way you can blend from LP over BP to HP with increasing cutoff, known as "frequency scanning". Interesting effects happen when three different audio signals are used because they are both morphed and filtered at the same time.

Vintage edition with black faceplate and custom knobs.

Notes: Module A-130-8 contains eight linear voltage controlled amplifiers (VCAs). Each VCA features a control voltage input (CV), a signal input (In) and a signal output (Out). In addition three mixers are included: the socket labelled "1-4" outputs the sum of the VCAs 1-4, the socket labelled "5-8" outputs the sum of the VCAs 5-8, the socket labelled "1-8" outputs the sum of all eight VCAs.

The signal inputs are able to process levels up to 10Vpp without clipping. Each CV input is equipped with a trimming potentiometer that is used to adjust the sensitivity of the CV input in question. In the factory the module is adjusted for the CV range 1...+5V but can be re-adjusted by the user for other control voltage ranges (e.g. 0...+10V).

The amplification range for each single VCA is 0...1. The signals of the sum outputs have a lower amplification to avoid distortion.

The VCAs and mixers are fully DC coupled, i.e. the module can be used for the processing of both audio and control voltage signals. The control voltage and signal inputs can be normalled by means of small solder pads (e.g. 1 > 2 > 3 > 4 and so on, or 1 > 5, 2 > 6, 3 > 7, 4 > 8 for the stereo application mentioned below).

Typical applications:

Any kind of VCA application (e.g. voltage controlled attenuation of audio or control voltage signals)
Two voltage controlled mixers with four channels each
Voltage controlled stereo mixer with four channels each, for this the control voltage inputs have to be correspondingly patched or internally normalled: CV1=CV5 / CV2=CV6 / CV3=CV7 / CV4=CV8
Voltage controlled mixer with eight channels
Add-on for the planned Joystick module A-174-4

Dimensions
6 HP
40 mm deep

Current Draw
50 mA +12V
50 mA -12V
0 mA 5V

Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.

Notes: Module A-154 is a supplement to the A-155 Analog/Trigger Sequencer module. It offers a lot of new features that are not available in the basic control unit of the A-155. The A-154 is used to replace the control unit of one or two A-155, i.e. the section marked "Control" with Start / Stop / Step / Reset buttons and inputs in the upper left corner of the A-155 front panel. If the A-154 is used to control the A-155 the control section of the A-155 is put out of action.

These are the features of the A-154:

Several running modes: forward, backward, pendulum, random, CV controlled step adressing. All modes are available as loop or one-shot.

LED display of the 5 different current modes and one LED for loop/one-shot display

Manual and voltage controlled selection (with attenuator) of the running mode. If no external control voltage is applied one of the 10 modes (5 modes x 2 loop/one-shot) is simply selected with a rotary knob. The CV input with attenuator is used to modulate the running mode with an external control voltage (digital high/low CV to switch between two modes or continuous analog CV to sweep through different modes). With the combination of manual control and CV with attenuator it is possible e.g. to use only two neighbouring modes (e.g. forward/backward) or sweep through all possible running modes

Manual and voltage controlled selection (with attenuator) of first and last step of the sequence. The range is step 1...8 in 8 step mode resp. 1...16 in 16 step mode

If the running mode "CV Controlled Step Address" is selected the First Step section is used to determine the active sequencer step. Consequently manual and voltage controlled selection (with attenuator) of the active step is possible: the active step can be set by hand with the first step manual control and then modulated by an external control voltage (e.g. LFO, Random, S&H, Theremin, Light CV source, Joy Stick) at the first step CV input (with attenuator).

An internal voltage controlled clock generator with manual and CV control (with attenuator) is available. The output of the clock generator is displayed with a LED and is used as sequencer clock provided that no external clock signal is connected to the Clock In socket (normalled socket). If the CV input of the Clock section is connected to one of the analog outputs of the sequencer the time for each step can be set separately. Even jumps (or skipping) will be possible as we will introduce the feature that a very short clock pulse will be generated if the control voltage exceeds a certain value. For example the gate row of the A-155 can be used to obtain skipping of steps: the gate output simply has to be conneted to the CV input of the A-154 clock generator. If the corresponding switch of the A-155 is set correspondingly in the gate row the step will be skipped.

Manual and voltage controlled (with attenuator) pulse width (PW) of the clock signal. This features can be used to obtain a different gate length for each step: e.g. one of the CV outputs of the A-155 can be used to control the PW. With a PW control voltage coming from a LFO/random/S&H the gate length will change automatically. CV coming from Theremin A-178, ribbon controller A-198, light controlled CV A-179, joy stick A-174 are other ways to control the gate length.

8/16 step mode: A toggle switch us used to select 8 or 16 steps. The "16 step" mode requires two A-155 and one or more voltage controlled switches (e.g. A-150-1 or A-150-8). The voltage controlled switches are controlled by the "A3" output of the A-154. This output remains "low" as long as the active step is in the range 1...8 and turns to "high" in the range 9...16. The voltage controlled switches are used to switch between the CV/trigger/gates outputs of the first A-155 (step 1...8) and the second A-155 (step 9...16). In the A-154 user's manual the corresponding patch is shown.

If two A-155 are used they can work in parallel (8 steps) or serial (16 steps). The 8/16 steps switch determines if the 8 step mode (one A-155 or two A-155 in parallel) or the 16 step mode (two A-155 serial) is chosen. Both modes work with CV controlled step addressing too (see below). In 8 step mode only the steps 1...8 are addressed, in 16 step mode the steps 1...16. For serial operation an additional VC switch (A-150) is required - as mentioned above.

The functions of the Start/Stop/Step/Reset buttons and inputs are the same as for the "old" control unit of the A-155:

A high level at the Start input or operating the Start button starts the sequence from the momentarily addressed step. Not working in "CV controlled step address" mode.

A high level at the Stop input or operating the Stop button stops the sequence (the last active step remains addressed). Not working in "CV controlled step address" mode.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Switchblade Pro is our deluxe switching box featuring true mechanical bypass, soft switching, high quality and low noise buffers, volume controls for all input signals, high headroom and a multitude of possible configurations for all your signal routing needs. This compact pedal is a versatile and indispensable tool!

Notes: When the original Compressor was released back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Now, based on users' valuable feedback, everything great about the original Compressor has been taken and made even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, Empress have now added a 'tilt' tone eq control, and a selectable sidechain high pass filter built into the Compressor's detection circuit.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 20Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"
Length 4.8"
Width 2.6"
Weight 1lbs

Notes: ***B-STOCK: Box opened, product in perfect working order***


Well on its way to becoming a cult favourite already, Empress's Zoia brings modular synthesis to a compact pedal format. Create effects, synths, controllers or modules to integrate with other instruments.

Supplier's Notes:

The ZOIA is basically a modular synthesizer in pedal form. Instead of being a delay effect or tremolo, the ZOIA provides the modules necessary to build a delay or tremolo from the ground up. But since you're the one building it, you can make it do whatever you want. With the ZOIA you can build your own custom effects, synthesizers, midi controllers, and virtual pedal boards. And to make life a little easier, these modules have been created for all your standard guitar effects. So for instance, if you want a phaser, you can just plop down a phaser. You don't have to break out the textbooks to learn that they're built out of all-pass filters. (Of course, if you're a nerd like us, you can use the ZOIA to build them out of all-pass filters).

Input Impedance: >= 1M ohms
Output Impedance: 100 ohms
Frequency Response (-3dB): 10Hz - 23.4kHz
Total Harmonic Distortion: 0.22%
Dynamic Range: 105.5 dBA
Input Headroom (no pad): +0.5 dBu
Input Headroom (6dB pad): +5.7 dBu
Input Headroom (12dB pad): +10.8 dBu
Output Headroom: +16.2dBu
Power Input Connector: 2.1mm Barrel Connector
Power Input Voltage: 9V DC (center negative)
Required Current: 300mA
Height (enclosure only): 1.75"
Height (including controls): 2.625"
Length: 5.7"
Width: 3.75"
Weight: 1.5lbs

Notes: Serious depth in this superb effects processor. Stereo delay, filtering and reverb are the core options, with an emphasis on hands-on control and real-time tweaking with a dedicated knob for every parameter.

Supplier's Notes:
An incredibly powerful multiprocessor of effects with a strong ability to stimulate the user's creativity. Its sophisticated retro-futuristic soul and its powerful processor offer a completely revolutionary point of view on classic effects (Echo Space, Delay, Filters and Reverbs) with supreme audio quality.

Reminder revolutionizes the method of using audio effects allowing the user, professional or amateur, to break the creative boundaries of the instruments currently on the market. From the simple use to give color or modify the sounds, we move on to a real sound composition system based on the creativity that Reminde? can give back to the user thanks to the substantial rhythmic and harmonic increase it produces.

Smart design

Behind Reminder's smart and elegant design, it hides the essence of the meticulous study of the position of each individual knob and the relationship between the functions assigned to them. The contact with REmindE? will be remarkably surprising, and, since the first touch, you will see the simplicity of access to the desired function even when your gaze is turned to your synth in the studio, to the rest of your live set up or to the dance floor. The design is so incredibly intuitive that you can easily reach what you need at any time and place, making the perfomers bring out all their creativity.

Enjoy Electronics is a company made up of Djs, Live performers, sound designers and it is exactly for this reason that Enjoy have succeeded in creating a device that is unique in its kind, intuitive and stimulating.

Quadraphonic

Reminder is equipped with 4 output channels. In order to take advantage of all the quadraphonic possibilities, you can assign different effects to different output channels.

SPECS

Input Type: 1/4" Unbalanced TS
Input Impedance: 13,9KOhm
Max Input Level: 2.0 VRMS (+6dBu)
Output Type: 1/4" Unbalanced TS
Output Impedance: 336?
Latency (Audio in to Audio out) : 1,2 ms
Max Output Level: 2.5Vpp
Bit Depth : 24 bit
MIDI support: CC
Presets: User presets
Display: OLED

Dimensions:
Width 18.1 IN / 46 CM
Depth 6.2 IN / 15,8 CM
Height 2.2 IN / 5.6 CM

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Quadrantid Swarm is a versatile, unique instrument for sound designers and musicians looking to explore exquisite and unfamiliar timbres that range from subtle to outrageous, nebulous to shimmering. It is comprised of a digital synthesizer voice with a percussive element, 2 pole analogue filter, an LFO with 8 waveforms, and a spring reverb.

The 8 touch keys can be used as a mono keyboard, polyphonic keyboard or an 8-step sequencer. The QS interfaces with other instruments via MIDI, and CV/Trig inputs. Pre-patching allows you to get hands on immediately, but you can and should use patch cables to fully explore the potential of this instrument.

Notes: Erica Synths Black Modulator is a modulation and noise source.

The module consists of LFO/audio frequency oscillator with three simultaneous waveform outputs, Zener diode-based noise generator with three noise flavors and clockable S&H circuit.

Technical specifications:

LFO frequency: 0,2 Hz - 25 Hz
Audio rate frequency: 18 Hz - 750 Hz
LFO output level: -5 - +5
Noise output level: 10Vptp
S&H CV input level: up to 20Vptp
Power consumption: 48 mA @ +12V, 36 mA @ -12V
Module width: 10 HP
Module depth: 25 mm

Notes: The electribe has been reborn including KORG's latest technology distilled from popular products such as the KingKORG, kaossilator, kaoss pad, and taktile. The 200 preset patterns cover House and Techno as well as cutting-edge dance music genres such as Trap and EDM. Another major evolution of the new electribe is support for polyphonic playback, which is indispensable for musical styles that involve complex chord progressions such as House music.

Using the 16 pads placed on the front of the unit, you can create patterns intuitively while actually hearing and seeing the sounds. You can use the pads as a keyboard to realtime-record phrases, and also perform step recording by entering the pitch and rhythmic value one note at a time. The patterns you create can be used in alternate forms as you perform by taking advantage of the "step jump" feature inherited from the volca series, or by changing the "last step" to vary the length of each part.

There's also a "motion sequence" function that lets you record knob and button operations and use them in the pattern that you create. Either drums or synths can now be assigned to each of the 16 parts (i.e., the 16 pads). For example you could create complex rhythms by assigning drums to all of the 16 parts.

Familiar from the kaossilator is the "touch scale" function that lets anyone perform without wrong notes, just by moving a finger across the touch pad. The trigger pads that were popular on the taktile are also provided, making it easy for anyone to create phrases intuitively. The trigger pads can also be used for drum input. Settings allow you to switch velocity on/off.

For the electribe, KORG designed a synth engine that gives you the maximum sound-creating freedom and the fastest sound production. The 409 oscillator waveforms include analog modeling and PCM. The analog modeling synth engine provides a broad variety ranging from simple basic waveforms to complex combinations such as dual, unison, sync, ring modulation, and cross modulation. The PCM sound engine provides mainly rhythm sounds, but also covers multisamples for keyboard. (collaborations with Sample Magic, Loopmasters, Prime Loops are included)

The filters at the heart of the sound-shaping capabilities are inherited directly from the KingKORG, and they use filter algorithms that simulate standard synthesizers so that you can get "the sound" which was used in famous songs, just by selecting the appropriate filter type.

You can also apply filters to drums to create rhythm tracks that are rich in tonal variation. Modulation can make sound-creation more complicated, but we've made it easy by condensing it down to three parameters: simply select a template that specifies an effect and its target, and then adjust the speed and depth of the effect to suit your taste.

The new electribe provides effects such as compression and overdrive for each part, giving you uncompromising control over the nuances of individual sounds that differ subtly between genres. The groove function can be specified for each part, letting you apply a groove to your phrase simply by selecting a template.

The master effects can be controlled from the touch pad just like on the kaoss pad, and they include not only spatial-type effects that shape the overall acoustics but they also include effects that apply aggressively musical transformations such as the "Vinyl Break" effect inherited from the Kaoss pad series, and the newly developed "Seq Reverse" and "Odd Stepper" that change the playback order of the sequencer. These are also extremely effective for live performance. Insert effects can be assigned for individual parts, opening up even more complex sound-design possibilities. There's also a "pattern set" function which lets you switch patterns by pressing trigger pads, and an "event recording" function that records that performance. In addition to MIDI IN/OUT, "Sync IN/OUT" is also provided, allowing synchronized performances with the volca series, monotribe, or MS-20 mini. The unit can run on six AA batteries, so you can easily take it along with you and perform anywhere, providing on-the-go inspiration your musical ideas.

Notes: 15 pack of purple 6", white 12", and black 24" patch cables for modular synths.

3.5mm mono jack connectors.

Notes: 20 pack of purple 6", white 12", blue 12", and black 24" patch cables for modular synths.

3.5mm mono jack connectors.

Notes: Mooer Stage Power Supply PDNT9V2AUK makes the ideal accessory for powering your favourite Mooer guitar effects pedals. Mooer Stage Power Supply PDNT9V2AUK can deliver up to 2 Amps at 9-volt (DC) 2 and features a pedal board style design. PDNT9V2AUK power supply when used with either the "Power Cable Daisy Chain" PDC-5A (for 5 x pedals) or the PDC-8A (for 8 x pedals), can drive up to eight Mooer FX pedals.

- 9v UK power supply
- Suited for stage use

Notes: Now in black! MicroSequence b is functionally the same as the original silver MicroSequence.

Hands-On SequencingWith a simple, performance focused interface, the feature set of the Lifeforms Micro Sequence module speaks for itself. Eight sliders with integrated channel mute. Eight quantized scales. Eight sequencer direction modes. Sequences up to 8 steps. Four external modulation functions. Integrated tap tempo clock. Eight step external clock divider. Run/Stop transport button. Sequence reset button. Dedicated analog CV output. And more....

Micro Sequence Functions and Controls

One of the strengths of the Micro Sequence is direct access to all of the features. The simple interface lets the user combine functions quickly to create a complex musical tool.

Channel Sliders
The channel sliders control the output voltage of both the quantized pitch output and the analog CV output. Placing the slider in the down position enables the channel mute functionality for the quantized output. When a muted channel is active, the gate output does not trigger and the quantized pitch output does not change from the previous active channel. The output of the analog CV jack is not affected by the mute functionality and will output a voltage corresponding to the position of the slider.

Direction Modes
The direction button determines the direction mode of the sequencer. Press once to show the selected direction. Press again to cycle through direction options. After selecting a new direction mode, the change takes effect on step 1. The first step of the cycle.

Forward - The sequence steps between channels 1 to 8 in order. Channel 1 represents step 1.
Reverse - The sequence steps between channels 8 to 1 in reverse order. Channel 8 represents step 1.
Pendulum - The sequence steps between channels 1 to 8 then reverses direction. Channels 1 and 8 are triggered twice to create a 16 step sequence length. Channel 1 represents step 1.
Stagger - The sequence steps between channels 1 to 8 in order with a 25% chance that the sequence will stagger back 1 step or ahead 2 steps. This creates a sequence that staggers back and forth as it steps between channels. Channel 1 represents step 1. Step 1 may be staggered past on any given cycle.
Skip - The sequence steps between channels 1 to 8 in order, skipping a subsequent channel each cycle. This creates a complex sequence of 56 steps. The first time through channel 1 is skipped, the second time through channel 2 is skipped, and so on. Channel 2 represents step 1 because Channel 1 is skipped on the first sequence cycle.
Transpose - Transpose splits the sequencer into two sets (channels 1-4 and channels 5-8). The top sequence (channels 1-4) is transposed by the bottom sequence (channels 5-8) running at 1/4 the rate as the top sequence. Channel 1 and channel 5 active represents step 1.
Random 1 - The active channel is selected randomly. There is no step 1 tied to random. Program changes happen immediately.
Random 2 - The active channel is selected randomly with the chance of a rest. There is no step 1 tied to random. Program changes happen immediately.

Sequence Length
The length button assigns the number of steps in the sequence. Press once to show the number of steps. Press again to cycle through and assign the number of steps in the sequence. When Transpose Direction Mode is active, the length button sets the number of steps in the bottom transposing sequence.

Scale Modes
The scale button sets the quantized pitch output scale. Press once to show the current scale. Press again to cycle through scale options.

Micro - Fine grained access to 250 note intervals per octave.
Chromatic - 12 step scale with note intervals at 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11.
Major - 7 step scale with note intervals at 0, 2, 4, 5, 7, 9, 11.
Minor - 7 steps per octave scale with note intervals at 0, 2, 3, 5, 7, 8, 10.
Blues - 6 steps per octave scale with note intervals at 0, 3, 5, 6, 7, 10.
Phrygian - 7 steps per octave scale with note intervals at 0, 1, 3, 5, 7, 8, 10.
Lydian - 7 steps per octave scale with note intervals at 0, 2, 4, 6, 7, 9, 11.
Dorian - 7 steps per octave scale with note intervals at 0, 2, 3, 5, 7, 9, 10.

Module Specifications
Panel size: 10hp
Depth: 24mm
Power Usage: +12v 56mA, -12v 8mA. Does not require +5v. Reversed power polarity protection.

Notes: Really great value monitors from PreSonus, packing a punch from 4.5-inch woofers despite their compact overall dimensions. Bluetooth connectivity for added versatility.

This monitor comes with free Studio One Prime and Studio Magic plug-ins.

Supplier's notes:
PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E4.5 BT employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Clean overall sound, smooth high end, and a wide sweet spot:

Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E4.5 BT's 4.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear an accurate stereo image. With 25 watts per side of onboard power, the Eris BT-series monitor speakers pack a serious punch, while still delivering clear, accurate audio.

Easy-to-use controls:

A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E4.5 BT active media reference monitors offer controls to adjust the high- and low-frequency content, so your Bluetooth speakers always sound their best. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier's level.

Convenient wireless Bluetooth connectivity:

With four different types of audio inputs, it's easy to feed audio to your Eris E4.5 BT monitors from almost any source. Fast, reliable, stereo Bluetooth 5.0 connectivity lets you go wireless, streaming sound from a smartphone, tablet, laptop, or other Bluetooth source. Play games, listen to music, and even create content wirelessly. When you want a wired connection - say, from a computer, turntable, TV, or other line-level source - the Eris E4.5 BT has you covered with rear-panel, left and right 1/4-inch TRS and RCA inputs and front-panel 1/8" stereo inputs. A loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:

Like all PreSonus speakers, the Eris E4.5 BT offers consistent, accurate listening, with the smooth and even frequency response that has made Eris studio and media reference monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space. Want extra-deep low end? Pair compact Eris E4.5 BTs with PreSonus' powerful Temblor T8 active subwoofer for a truly full-range sound system that fits almost anywhere.

Notes: The Eris Sub8 is the first subwoofer to join the lauded and best-selling Eris studio monitor line. This product was named Eris because it's been designed from the ground up to be part of the family; it compliments the voicing and frequency response of the modern Eris classics. Of course, they'll play nice with other monitors, too, but if you've got a pair of Eris in your home or studio already, the Eris Sub8 is the single best subwoofer you can get to put a little boom in your room.

The surprisingly loud 100-Watt Eris Sub8 drops down to a molar-rattling 30Hz- a full 50Hz below the Eris 3.5s. This allows you to both rock harder and produce better mixes, as you'll be hearing an accurate representation of your work. For EDM and hip-hop producers in particular, a sub is a must-have. The Eris Sub8 lets you naturally extend the reach of your Eris E3.5 or E4.5 monitors in a manner appropriate to smaller rooms; exactly where these monitors excel.

Thanks to robust configuration and I/O, you'll be able to tailor your Eris Sub8 configuration exactly to your mixing and listening needs. You can connect your existing monitors via 1/4" TRS or RCA, set the input level to your liking, and even invert the polarity. Most importantly, you get a High Pass Filter and a Low Pass Crossover control that ensures your Eris Sub8 starts working at the precise low-frequency point where your main monitors stop working. This makes sure you avoid the flubbery, smudged, low-end mess that one hears in redundant, duplicate, redundant bass reproduction that occurs without a crossover.

While the Sub8 has been designed to compliment our smaller-form Eris media reference monitors, gamers, partiers, and movie buffs alike still all enjoy some room-rattle now and again. So rest easy knowing that the Eris Sub8s will upgrade the performance of any powered speaker configuration in a home theatre or gaming rig.

When you hear the low-frequency foundation of your mix accurately, you can make more informed decisions and create more translatable mixes. You'll also have more fun.

Inputs:
2- Balanced 1/4" TRS

2- Unbalanced RCA

Outputs
2- Balanced 1/4" TRS (full range with 80 Hz HPF option)

2- Unbalanced RCA (full range with 80 Hz HPF option)

Performance:
Frequency Response: 30 Hz - 200 Hz
Low Pass Filter Frequency: 50 - 130 Hz (variable)
Signal-to-Noise Ratio: >95 dB (A weighted)
THD: 0.05%
Amplifier Power: 100W peak, 50W RMS
Power Consumption: 100W
Amplifier Type: Class AB
Peak SPL at 1m: 113 dB
Woofer: 8" paper-composite with high-elasticity rubber surround, front-firing
Acoustic Port: Front-firing bass reflex

User Controls:
Input Gain Range: -30 to +6 dB
Polarity Switch: 0- or 180-
Low Pass Filter Control:50 Hz to 130 Hz
High Pass Filter Switch: On/Off

Protection:
RF interference

Output-current limiting

Over-temperature

Turn-on/off transient

Subsonic filter

External mains fuse

Power:
100-120V ~50/60 Hz or 220-240V ~50/60 Hz

Cabinet:
Vinyl-laminated MDF

Physical:
Width: 9.8" (250 mm)
Depth: 12.75" (324 mm)
Height: 11.6" (295 mm)
Weight: 16.3 lbs (7.4 kg)

Notes: Professional Broadcast Boom Arm

The PBA-2 Professional Broadcast Boom Arm gives you a sturdy, highly articulated solution for a hands-free streaming setup with nearly any microphone-while keeping your cables tidy and your broadcast looking good.

Rugged boom arm with adjustable tension is suitable for for use with light or heavy microphones; Five articulation points make precision mic placement easy; Cable channels keep your microphone cable hidden and tidy; 5/8" male to 3/8" female adapter included for use with standard mic mount threadings.

Create a hands-free recording and streaming environment while simultaneously isolating your voice from the sounds of your mouse and keyboard. The PBA-2 Professional Broadcast Boom Arm gives you a sturdy, adjustable solution to get your mic up off your desktop and in front of your attractive face where it belongs. No more hunching over your desk to reach your mic!

The PBA-2 sports five points of articulation, so you'll always be able to position your mic exactly where you need it to be. It also includes an adjustable tension control, making it suitable for use with both heavy and lightweight mics, and the built-in cable channels hide your XLR cable within the boom arm itself, keeping your steams looking tidy and professional. Thread adapters for standard microphone mounts are included.

Notes: Designed with mixing and mastering in mind, Sennheiser's HD400 Pros are a competitively priced pair of open-backed headphones with excellent clarity and fatigueless sound.

Supplier's Notes:
It's all in the mix.

When working at home or in the studio, you need your mix to sound as it does when your listeners hear it. The HD 400 PRO reference headphones are your everyday tool to get the job done. Its open-back design provides a natural and accurate listening experience for fine tuning your signature sound. The core of the HD 400 PRO is the 120 ohm transducer developed by Sennheiser engineers, featuring a specialized polymer blend in its diaphragm. The drive magnet offers high power while its damping system manages ventilation - this combination yields deeper bass while mitigating the distortion that otherwise impacts clarity - a difference our professional users will appreciate. This makes the HD 400 PRO a precise monitoring tool which reveals your mix in every detail. Velour earpads and a distinct lightweight design provide the comfort you need during long sessions. The robust housing endures everyday wear and tear regardless of your application, whether editing, mixing or mastering. A single-sided and coiled cable gives you the freedom to operate. For convenience, a straight cable is also included in the delivery. In addition, open ear cups and angled transducers allow for a wide and transparent soundstage, recreating the optimal listening position found in high-end recording studios. Artifacts of a confined space are a thing of the past. The HD 400 PRO is a true reliable companion for those who put quality and precision above all else.

Specifications:

Acoustic principle dynamic, open
Ear coupling circumoral
Ear pad material Velour
Jack plug 3.5 mm jack plug with 6.3 mm adapter
Impedance: 120 O
Frequency response: 6 Hz to 38 kHz (-10 dB)
Sound pressure level: (SPL) 110 dB (1 kHz / 1 V RMS)
THD (total harmonic distortion): < 0.05 % (1 kHz / 90 dB SPL)
Weight (w/o cable): 240 g
Temperature
Operation:
Storage:
-15 -C to +55 -C (5 -F to 131 -F)
-55 -C to +70 -C (-67 -F to 158 -F)
Relative humidity = 90 %

Included in the box:

HD 400 PRO Studio Reference Headphone
3 m coiled cable with 3.5 mm jack plug
3.5 mm jack plug to 6.3 mm adapter
1.8 m straight cable
Quick Guide
Safety Guide

Notes: ***B-STOCK: Box opened, product in perfect working order***


The BeatBuddy is a drum machine in a stompbox, or a drummer pedal for short. Use this drum pedal for guitar and many other instruments. Further, we've meticulously recorded professional drummers and paired their samples with an algorithm that results in the best sounding drum machine you've ever heard.

In addition to being the most realistic drum machine on the market, it's also the easiest guitar drum pedal to use. That is to say, there's no fussing around with sequencers, and controlling the beat during a live performance is as easy as stomping on the pedal to add fills, transitions, and outros.

Notes: This module was designed with a very specific purpose in mind. Born out of a need to find the space in between tones; to achieve pulsing; wider droning; wanting to be able to fit the power of many oscillators into a little package.

It isn't a crazy CV laden feature monster. But it doesn't need to be. It does what it is asked to do over and over and again.

This has a very different sound than a squarewave based multi-oscillator. The Dronebank breathes and moves. Create chords, gate the tones, filter them, ring modulate.

Use it as an FM source, combine it with delay, let it hypnotize you. Most importantly, make music with it. Or use it for mind control experiments.

Notes: Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications:

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS or TRS (balanced) jack
Output resistance: 100 Ohm
EXT IN: 1 v 0-to-peak
EXT IN connector: 6.3 mm TS jack
HOLD GATE: full HOLD volume +5 V
HOLD GATE connector: 6.3 mm TS jack
CV DELAY : unipolar, range of 0 to +5 volt
CV DELAY connector: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 2 watt
Dimensions: 266 x 266 x 62 mm
Weight (without power supply and packaging): 2.5 kg

Notes: PULSAR-23 is an organismic drum machine designed by Vlad Kreimer. It has a semi-modular structure and consists of 23 independent modules. PULSAR can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage and powerful analog FX processor.

The PULSAR functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination.

Additionally, PULSAR offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations. PULSAR continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.

PULSAR available in orange, black and white colours.

Please note that Pulsar is an experimental analog synth that means that it has some small noise and bleeds that can't affect your studio production or live performance but can be hearable in some modes. If you need a perfect silence and isolation of sound modules, using digital hardware is 100% recommended.

Specs

Range of input and output CV and audio signals: 0 to + 10V
Main output voltage swing: 2V
1/4 inch jack: 7 total
Mini-jack (for Eurorack connection): 8 total
MIDI input: standard DIN socket
Headphone output: 3.5 mm mini-jack
Supply voltage: 12 volts (plus in the center)
Consumption current: 0.3 amperes
Weight: 4 kg
Dimensions: 380 x 280 x 80 mm

What's in the box:

PULSAR-23
PSU
22 multi-colour cables with alligator clips 65cm
8 multi-colour cables with alligator clips 30cm
High-quality handmade bag for transportation

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Synthrotek DLY is a PT2399 bucket-brigade delay module. The PT2399 IC delivers warm and lush analog-sounding tones (the IC is partially digital). The DLY is similar in tone to our ECHO Eurorack module, but its features make it unique in its own right.
Unlike the ECHO which always has a wet signal (i.e. the output is always mixed in with the input), the DLY offers a true wet/dry Mix knob. When the Mix knob is fully counter-clockwise, you get a dry signal. When it is fully clockwise, you get a fully wet signal. This allows the user to plug this delay into effects loops. Also, the DLY allows for CV over Feedback and has an internal Feedback amount trimpot for precise adjustment.

Another added feature is the delay Rate range internal trimpot, which allows you to dial in the delay range of your choice. Turn the Rate knob all the way up to get the extreme, chaotic sounds of an over-clocked PT2399 chip.

Notes: This stand has been precision-machined and hand finished. The panels have been recessed for your Push 2 to make sure its held firmly in place. A much nicer working angle has been added for your studio setup.

The stand is assembled by connecting the side panels with 4x Confirmat Screws. All the fixings and an allen keys to assemble your stand ready for use are provided.

Please note: you will get only the oak stand, you must purchase your own Push 2.

The item will need assembly as it is sent flat packed- all screws and tools are provided, this includes the small rubber feet.

Notes: This new version of the Korg Volca stand has been precision machined with a CNC Machine using Oak Veneered MDF.

A recess for each volca has been cut into the sides, so once assembled this stand becomes very strong and has great stability for live performance, giving you the piece of mind that your gear is safe and won't fall out or move during use.

This stand is made from Oak Veneered MDF and is connected via 12x allen head Confirmat screws (Allen Key & Screws Provided) into an MDF wood bar.

The stand can also be painted with ease, or stained with wood stain to suit your studio.

This item will need assembly as it will be sent flat packed. All screws and tools are provided; this includes the small rubber feet. However, you must buy your own Korg Volca.

Notes: This stand has been precision CNC machined and hand finished from FSC Certified European OAK, the panels have been recessed for your Maschine MK3 to make sure its held firmly in place which is perfect for live and studio use.

A slight working angle has been added for your studio setup, which certainly helps when on a desktop.

The stand is assembled by connecting the side panels with 4x Confirmat Screws. All the fixings and an allen keys to assemble your stand ready for use are provided.

Please note: you will get only the oak stand- you must purchase your own NI Maschine MK3.

The item will need assembly as it is sent flat packed. All screws and tools are provided, this includes the small rubber feet.

Notes: Oak Veneered Roland Boutique Custom Made Stand / End Cheeks for the JX03, JP08, JU06, SE02, TR09, TB03, TR08 etc.

This new Oak Veneered version of the stand holds 3 Roland Boutique synths. This will also fit the the tr09, tr08, se02. sh01a and tb03 etc. However, you will need to remove them from the additional case that they come with.

This stand has been made from Oak Veneered MDF wood, and is connected via 12x allen head Confirmat Screws (Allen Key & Screws Provided) into an mdf wooden bar.

These are a great addition to the Boutique synths, and give a much nicer look and better working angle.The Boutique Synths are gripped in place by the sides of the stand, so do not fully tighten screws until the units are placed inside- then tighten screws to hold firmly in place.

Make sure you do this on a flat surface to ensure the feet are correctly aligned.

The item will need assembly as it will be sent flat packed. All screws, tools and rubber feet are provided, however you must buy your own Roland Boutique Synth.

Notes: The end cheeks have been made from solid OAK Wood, and are connected via 4x confirmat allen head screws (Allen Key Provided) into a MDF bar.

The Oak has been oiled and should stay looking beautiful for a long time.

These are a great addition to the Roland Boutique range of synths, and give a much more expensive look and feel.

The Boutique fits snugly into the stand, so do not fully tighten the screws until the synth is placed inside, then tighten the screws to hold in place firmly.

This item will need assembly as it will be sent flat packed, all the screws are provided however you must buy your own Roland Boutique Synth.