Back in stock: Studio Equipment

Notes: ***B-STOCK: Box opened, product in perfect working order***


The latest in 1010's innovative range of compact devices, the Bento is a fresh take on sampling and sequencing, offering an alternative to conventional options such as Akai's MPC series. Pure standalone creative flow.

Supplier's notes:
Sample Every Flavour

Bento is a portable, all-in-one sampling production lab that brings together flexible sequencing, expressive performance tools, and pro-level connectivity-perfect as the centrepiece of your desktop or mobile rig. Whether you're looping on the go, launching clips live, or sequencing your entire synth setup, Bento gives you the tools to shape your sound from idea to performance.

With pristine 24-bit sound quality, a bright 7" touchscreen, 16 responsive pads, and deep control over samples, MIDI, and effects, Bento offers a fast, fluid workflow in a compact and portable form. Sequence one-shots, build multi-sample instruments, and chop loops using Bento's flexible tracks, scene-based sequencing, and expansive modulation and FX engine.

Designed to replace laptops, simplify cabling, and integrate seamlessly with your gear, Bento features multiple stereo inputs and outputs, USB-C host and device ports, dual TRS MIDI I/O, and a built-in battery for up to 3 hours of mobile creativity.

Recording Capabilities

Capture loops quickly with the option to synchronize the start and stop times to the clock
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Store recorded samples as WAV files on the micro SD card

What's included

bento - sampling production lab
MicroSD card with over 160 patches and over 200 wav files
USB C power cord
USB C power and data splitter
Type B TRS MIDI To MIDI 5 Pin DIN adapter
QR Code with link to the Quick Start Guide

Technical Specs

8 tracks with multiple patch types-sample banks, multisamples, slicers, granular, loops, and external MIDI
16 pressure- and velocity-sensitive pads
7" diagonal touch screen
8 context-sensitive endless encoders
3 stereo inputs, 3 stereo outputs, 1 stereo headphone out
2 TRS MIDI inputs & 2 TRS MIDI outputs (Type A & B)
USB-C host and device ports
Internal battery with 3 hours in low power mode
Includes 155 Patches and over 5000 sample files
Expandable via microSD card
24-bit ADC/DAC
MIDI sequencing, modulation, and CC control support
Compatible with 100 x 100 VESA mounts
Product dimensions: 8" x 8.5" x 2", 2 lb (20.4 x 21.8 x 5.1 cm, 936 grams)
Package dimensions: 10.25" x 8.5" x 2.75", 2.7 lb. ( 26 x 21.6 x 7 cm, 1.2 kg)

Notes: The Nanobox series kicks off with a tiny wavetable synth. 1010music's Fireball offers eight-voice polyphony, touchscreen control, built-in effects and custom user wavetables. Small but spicy.

Supplier's Notes:
Red Hot Wavetable Synthesis

Bring some heat to your music creation workflow with Nanobox | Fireball, a polyphonic wavetable mini synthesizer with intuitive touchscreen control. Featuring eight voice polyphony, two wavetables and an oscillator, Fireball unlocks a huge array of sounds, from punchy and aggressive leads to atmospheric pads. Touchscreen X/Y control allows you to instantly morph and shape sounds with the swipe of a finger. Choose from hundreds of professionally designed presets and wav files, or quickly create your own patches with deep parameter control via the 2" touchscreen. Integrate fireball seamlessly with your existing tabletop gear or create on-the-go thanks to a compact design that fits in the palm of your hand.

What is included:

Nanobox | Fireball compact polyphonic granular synthesizer with touchscreen control
MicroSD card with presets and wav files
USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Includes 123 presets and 103 wavetables
Wavetables use 2048 samples per cycle and 256 cycles
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: Oscillators: 96kHz Rest of Engine: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type A/B selectable
Clock Input: 4 PPQ
MIDI support: Note On/Off, Mod Wheel, Sustain, Pitch Bend, Mono & poly Aftertouch, assignable CCs, and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

Notes: Great value from 4ms's twist on the Stereo Triggered Sampler module, this time capable of playing and manipulating stereo or mono WAV files from an SD card.

Supplier's Notes:
The Sampler is a variation of the Stereo Triggered Sampler.

Record, play and loop stereo .wav files with an SD Card. Includes the same 2022 Sampler Pack from the Stereo Triggered Sampler.

Features:

The Sampler plays stereo or mono .wav files from an SD Card. Samples are arranged into banks by placing .wav files into folders (each folder is a bank). A maximum of 10 samples can be loaded in a bank. There is a maximum of 60 banks (600 samples maximum total).
Sample files are limited to 4GB each, which is over 6 hours at 44k/16b/stereo.

Hundreds of samples included on microSD card
Extremely quiet, low noise and low jitter design
Stereo or Mono output

A knob and CV jack selects the Sample to play, and the Start Position knob and CV jack control where in the sample playback will begin. The Length knob and CV jack determine how much of the sample is played back: from tiny grains, to percussive hits, to longer loops... or just the entire file.

Pressing Play or firing a trigger into the Play Trig jack will play the sample. Holding the Play button down for a second will toggle looping.

There's also a Reverse button and jack for backwards playback, and an End Out jack for synchronizing loops, or cascading sample playback with other events.

To record samples, hold Play and Reverse for two seconds. Press Play again or fire a trigger into the Play/Rec Trig jack to start and stop recording. Each recording will create a new stereo 48kHz 24bit .wav file in the current bank's folder. Recordings can be as long as your card has the capacity for: a 256GB card is 18 days of continuous recording (432.9 hours). Audio data is split into maximum 4GB wav files on the microSD card.

Play button/trigger jack: Tapping the button or receiving a trigger starts/re-starts the sample
Sample CV/knob: select which sample within the channel's bank
Pitch CV and Pitch knob: playback pitch (-10 to +4 octave range)
Start Pos CV/knob: position in the sample to begin playback (loop start point)
Length CV/knob: playback time (loop end point)
Length knob at max: entire file is played
Length knob 50%-99%: 200ms - 5s of the sample is played (beginning at the Start Position)
Length knob <50%: Percussive decay envelope is applied to the playback (attack-only envelope if playing Reverse)
Length <1%: Tiny grains are played (can be used to sweep through sample file data manually)
Reverse button/jack: toggles forward/backwards
Bank button: selects channel's bank
Reverse + Start Pos button/knob combo allows for setting volume of playback
Maximum file size for playback: 4GB per file (6.7 hours per file at 44.1kHz/16b/stereo)
microSD Card is hot-swappable when Busy light is off: no power-down required to change cards.
Samples that are pre-loaded into memory can continue playing while card is swapped.

File Organization:

Using a computer, the intuitive automatic bank loading features make dragging and dropping your entire sample library a snap. No files need to be renamed. Just create folders and put up to 10 samples in each. If you want a folder to be associated with a particular colour of the Bank button, name the folder a colour name (such as "Blue - Loops").

Ships with a high-speed 16GB microSD card, loaded with hundreds of samples created for 4ms, from musicians such as Richard Devine, Wobbly, Moor Mother, Robert Aiki Aubrey Lowe, Joseph Pailo, Russell E.L. Butler, Hugo Paris & Marc Kate, Paul Barker, Baseck, Animal Collective, Cristian Vogel, Jay E, Marcus Fischer, Chris Carter, Daedelus, Nero Bellum, Anna Sitko, Thomas Fang, Bogdan Raczynski, and more (Sample List)

Intuitive bank/colour organization system; no need to rename your wav files
Record new samples directly to a bank with the Record Input jacks...
... or drag your folders of sound files onto the microSD card, and each folder will become a bank.
Folders starting with a colour name will be loaded into that colour bank
Example "Blue - Frooty Loops" will load into the Blue bank
Sub-folders are ignored, only folders in the root directory are scanned for wav files
Works best with UHS Speed Class 3 cards with |3| symbol printed on the card

Specs:

Electrical and Mechanical Specifications:
Module Size:
16 HP Eurorack format module
10-pin Eurorack power header
1.3" (33mm) maximum depth with power cable
Power consumption:
+12V: 135mA
-12V: 41mA
+5V rail: not used
Connect red stripe of power cable towards the bottom of the module, which is marked with a white stripe and the words -12V and POWER
Audio Inputs:
20Hz to 10kHz (+/-0.1dB); -6dB rolloff @ 20kHz
21V peak-to-peak maximum before clipping
Audio Outputs:
0Hz (DC) to 22kHz with maximum -1.8dB difference between file data and output
+10.5V to -10.5V maximum output
Trigger inputs:
Latency: 0.7us typi

Notes: A serious trigger sequencer for generating complex, multi-layered rhythms. Eight channels of Euclidean pattern generation meet probability, modulation and CV control for real depth and power.

Supplier's Notes:
Constellation is all about rhythm. It is an 8 channel pattern generator that works by combining multiple dense and sparse patterns to create long, complex and musically interesting trigger and gate rhythms. Constellation takes a "parametric" approach to rhythm - there is no explicit step sequencing on the module, rather the rhythms are defined by euclidean (and more) parameters that build the rhythm mathematically.

Constellation aims to evolve the concept of euclidean rhythms far beyond the useful but repetitive patterns we often think of when we hear the term "euclidean rhythm". This is accomplished by by combining up to 8 individual euclidean patterns of different lengths and density. Each pattern may provide only a small component of the final output, but together create immensely musical and varied rhythmic material over a very long time frame - up to 999 steps! If each of those steps are 1/16 note in length at 120 bpm, that's a full 2 minutes of explicitly defined, yet non repeating rhythmic material.

In addition, Constellation's parametric approach allows any of these parameters to be modulated with CV through one of 8 freely assignable CV inputs. CV modulation introduces further ability for Constellation's rhythmic output to vary over time. Paired with a Maestro or Navigators, hours of interesting morphing rhythms are possible without the need for tons of step programming or the uncontrollable chaos of a purely generative approach.

When writing music, rhythmic interest is often built through the combination of repeating and non repeating elements that work together to anchor the overall feel but also keep the ear free from boredom over the duration of the piece. Constellation provides a unique set of tools to accomplish this goal and achieve rhythms that are intentional, unexpected and exciting to use as the foundation of your compositions.

28hp, 25mm deep
75mA +12, 18mA -12

Notes: Junction requires a +12V / -12v power supply with a 2x5 pin ribbon cable (included). The red line of the ribbon cable must be aligned with the -12V marking next to the module's power header and on your case's power distribution board. Junction draws 23mA from the +12 rail and 20mA from the -12 rail. Please ensure you have
enough power available before installing.

About Junction

Junction is a compact, 4 channel attenuverter, cascading mixer and multiple designed to fine tune the control voltages in your rack to the perfect range for their destinations. Junction can be used as a source of fixed voltage, offset another voltage, or mix multiple voltages together to create complex and dynamic modulation.

Features

Each channel on Junction has a knob (1) that acts as a manual control for the attenuverter. Center position (12 o clock) is 0V. The first channel input (2) is normalized to +5V when no cable is plugged into it.

A buffered copy of the input signal of the first channel is present on all of the other inputs from from the first (2) to the last (8). This duplication is "cascading" as shown by the arrow graphics on the panel - if a cable is patched into any input, it "breaks" the cascading multiple - all unpatched inputs carry the signal present at the uppermost patched input (or +5V if no inputs are patched). For example, if a signal is patched into the second channel's input (4) the third (6) and fourth (8) channel inputs would carry a copy of the second channel's input instead of the first channel input.

Junction's channels are mixed on the outputs. The output mixer is also "cascading" - when a cable is patched into an output, it carries a mix of it's own output and all unpatched channel outputs above it. For example, if only the last channel output (9) is patched, this output will carry a mix of all of the outputs. Patching the first channel output (3) would remove it from this mix.

Even though Junction's inputs cascade and outputs mix, Junction's output will clip at the Eurorack power rail voltages of +12 and -12V. It is not possible to output a voltage outside of this range, regardless of the signals patched into Junction.

23mA +12 / 20mA -12 4 HP / 25mm
Deep Reverse Power Protection

Notes: Bartender is the centerpiece of the mixer system. Four stereo channels, with two stereo aux send and two stereo returns. Each channel can be used in a mono mode where both channels are mixed. If you want to do eight channels of mono, you can put the channels in stereo mode (I know it feels backwards) and then use the pan control to control the crossfade between each channel, and then take the mono output. There is a built in cueing system so you can monitor channels in your headphones and control the blend with the main output. You can expand a Bartender with both a Barback and/or another Bartender. When connecting two Bartenders, the main level control on the 'expander' Bartender acts as a group control.

Notes: This is a buffered/active mult with LED indicator. You get two channels of 1 to 3 multiples within a 2HP module. The output of channel 1 is normalled to channel 2 so it can also be treated as a 1 to 6 multiple as well.

Active vs Passive mults:

With a passive mult you are effectively just plugging multiple things into the same jacks. This will often cause some voltage drop in each of the signals. With an active (or buffered) mult you will not get any voltage drop from the original signal.

Comes with a black and gold panel, power cable and one year warranty.

Usage note:

The red stripe of the power ribbon cable goes towards the top of this module.

Notes: uO_C

This is a new build of Micro Ornament & Crime, a variant of the popular Ornament & Crime designed by mxmxmx. The firmware is Stock by default.

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module. Eurorack power cable included.

Notes: ***B-STOCK: Box opened, product in perfect working order***


*** Update February 2025- NKS Integration available with this product ***

Native Kontrol Standard (NKS) is a technical standard that connects plugins to hardware controllers with no setup required. The NKS ecosystem includes over 2,000 virtual instruments and plugin effects by over 250 acclaimed developers.

NKS enables users to load instruments and effects, tweak parameters, browse and manage presets with tangible controls, keeping creators' minds and hands on the music. No time is wasted creating, saving, and resetting controller parameter mappings.

Key features include:
Unified Control: NKS maps plugin parameters directly to hardware controls, allowing for hands-on adjustments without navigating computer menus.
Efficient Workflow: It streamlines browsing, loading, and editing presets, enabling producers to stay focused on creativity.
Broad Compatibility: Many third-party developers support NKS, offering a wide range of compatible sounds and effects.
For Our Products: This integration allows Akai and M-Audio compatible devices to fully utilize all NKS workflow features.

Here are some key points to take note of:

Current users will receive the software bundle once they register their device.

Both existing and new owners will receive the software bundle once their hardware is registered.


NKS Software Partnerships

For years, Native Instruments has partnered with world-class software manufacturers, including Arturia, Heavyocity, Korg, Output, Spitfire Audio, and many more, to bring thousands of instruments and effects plugins into the NKS ecosystem. Together with Native Instruments' own instruments and effects, this creates the most extensive database of any auto-mapped hardware controller ecosystem.

Until now, NKS hardware controllers were only available from Native Instruments, such as the Kontrol S-Series and Komplete Kontrol A-Series keyboard controllers.

NKS Hardware Partner Program [New]

At NAMM 2025, NI announced opening up NKS compatibility for third-party, non-NI hardware, allowing millions of performers and producers worldwide to enter the NKS ecosystem.


***

Compact but powerful all-rounder for control over software, plugins and hardware. Typical high-quality Akai build, with a combination of keys, pads, rotary controllers and transport controls for versatility.

Supplier's Notes:
37-key MPK Mini keyboard with advanced connections and controls

The MPK Mini keyboard line revolutionized portable music-making for producers and beat makers all over the world. The new MPK Mini Plus builds on that innovation by empowering musicians with full creative control that delivers ultimate feel and expression, along with next generation performance tools. Advanced connectivity easily and fully unites all your favourite studio devices for complete and expanded hardware integration in a compact 3-octave design.

Full Portable Creative Control

While maintaining its compact footprint, MPK Mini Plus offers extensive controls providing deep command over a wide range of features. 8 velocity-sensitive RGB-backlit MPC drum pads are the backbone for not only playing dynamic beats and programming drums, but for also assigning pro-gram changes and triggering additional CC parameters. Dial in effects with the 8 assignable 360-rotary knobs for every function including filters, automation, pan controls, and more. For the first time on any MPK Mini, enjoy dedicated Transport controls for total integration into your DAW. Eliminate needless back-and-forth from your QWERTY keyboard or mouse and stay engaged in the creative workflow with dedicated Play, Stop, Record, Loop, and Locator buttons.

Ultimate Feel and Expression

As with all MPK Mini controllers, performance starts with the keys. MPK Mini Plus features 37 keys with the Gen 2 Dynamic Keybed for expanded melodic and harmonic creation. 3 full octaves mean more room for two-handed chords, arpeggiation, and laying down solos or soundscapes. The Gen 2 Dynamic Keybed features incredibly playable keys with a wider velocity range, delivering a world-class level of note dynamics and response. With more keys, your music will need new ways to add feel and expression, so the MPK Mini Plus adds dedicated Pitch Bend and Modulation Wheel controllers to help all keyboard performances truly come alive. Alongside the iconic Joystick Controller, there's no shortage of tactile interaction for near limitless expression.

Advanced Connectivity and Standalone Operation

For those spontaneous creative moments or quick jams sessions, MPK Mini Plus can operate with standalone functionality. The new polyphonic Step Sequencer is convenient for capturing new ideas on the fly. Record notes and drum patterns simultaneously for some serious standalone music creation. Connect to any Class-Compliant USB or 5-pin MIDI device and use the CV/Gate connectors to plug into your rack and other modular synths. The MPK Mini Plus is versatile enough for the serious beginner looking to grow their creative space, and also for those seasoned pros who want to get the most out of their studio gear.

Includes MPC Beats DAW for Mac and PC

The bundled MPC Beats software DAW for Mac and PC offers the iconic MPC workflow right on a desktop or laptop computer, and also includes thousands of sounds, drum samples, loops, and plugin instruments to create your next hit song. With more keys on the 37-note Gen 2 Keybed, MPC plugin instruments like Electric and Tubesynth will come alive with extended sonic range. Set the MPK Mini Plus on a desktop and connect with standalone MPC devices to control Mellotron and Hype plugins.

Even with 3 octaves, MPK Mini Plus will fit in your gig bag to easily transport alongside everyday music production items. It's simple math; adding MPK Mini Plus to any workflow equals expressive creativity and intuitive control for modern music creation and beat making.

Connectors
USB Type-B port
(5) 1/4" (3.5mm) CV Outputs
(2) MIDI DIN In/Out Ports
(1) Sustain input
Power Via USB type-B (bus powered or connected to wall adapter).

Dimensions (width x depth x height)
17.76" x 7.08" x 2.04"
45.11 cm x 18.0 cm x 5.2 cm

Weight
2.78 lbs.
1.26 kg

Notes: ***B-STOCK: Box opened, product in perfect working order***


ALM Eurorack cases are available in a range of sizes all including an integrated powered bus boards.

The cases all feature anodised aluminium construction, an on/off switch, rubber feet, and high quality switched powered bus boards with numerous keyed headers and ample power capacity.

These are simple and compact Eurorack cases, perfect for small, focused systems, taking along on travels, or as a tabletop addition to a larger setup.

Cases are available in 4 sizes; 3U 84HP / 6U 84HP / 3U 52HP / 6U 52HP sizes. They all offer 1 Amp on both the -12V and +12V rails per row.

Great modern cases

The ALM powered Eurorack case was originally designed for the System Coupe. Wider interest has seen it evolve into a range of different sized cases being made available by themselves.

A fixed solid bus board provides quality ample power and plentiful keyed power connectors. The shielded DC/DC power converter is low noise and includes overload and short circuit protection. Fixed, quality mounting rails are used over sometimes frustrating sliding nuts. The case has a great looking all anodised aluminium construction that is both strong and light.

The case proportions are designed to look great on a table or desk (not too deep, just enough) and also be easy to fit in a bag and transport.

Decksaver case covers are available currently for the 3U/84HP, 6U/52HP, and 6U/84HP cases.

3U / 52 HP

Provides up to 1 Amp power on each -12V & +12V rails.
Connections for up to 9 modules.
Includes 2 Amp power 'brick'

Notes: The Blackbox and Bluebox gives you complete recording and mixing capabilities in the palm of your hands. With a portable sampler and mixer this powerful, you're going to want a case to protect it while you're on the go.

The GLIDE case for the Blackbox and Bluebox is custom molded to fit perfectly, exactly without taking away from the amazing portability of the device. The high resolution touch screen on the Blackbox and Bluebox are great for writing full songs or applying effects with a minimal design, so a case that prevents any scratches or cracks will be a lifesaver.

The GLIDE Case is made of durable and stress tested EVA material, which will prevent any damage from drops or spills, and it also features an interior pocket to hold any cables for recording in the wild.

Custom designed for the 1010music Blackbox and Bluebox

Durable molded EVA exterior

Super-soft velvet lining

Interior dimensions: 6.25 x 5.5 x 1.5

Notes: Whether you're recording vocals, voiceover, or a podcast, don't leave home without the new GLIDE Case For The Audio-Technica AT2035! This lightweight, durable case will provide excellent protection for your microphone. The customized die-cut foam insert matches the exact dimensions of the AT2035 and accessories, so you can be confident that your mic is totally secure while you're on the move!

Description

The GLIDE Case is made using a high-quality and lightweight EVA material used in performance sports equipment. The case is molded to perfectly house the Audio-Technica AT2035, which complements the compact design and small footprint.

To keep everything together, a pocket inside the top lid is included to store cables or notes so you can keep everything together. Your AT2035 will travel safely and in style with the soft velvet interior and the durable EVA exterior. Make the most out of your portable setup with the GLIDE Case For The Audio-Technica AT2035!

Specifications

Perfect fit for your Audio-Technica AT2035 and accessories
Space for the custom shock mount
Made of durable and lightweight EVA material
Soft, velvet-lined interior
Exterior: (9.65 x 9.65 x 2.95) Inches

Notes: The perfect case for your Make Noise 0-Coast, 0-CTRL, Strega or Moog Werkstatt-01 with CV expander! Just zip it up and go make music anywhere. These lightweight and durable PULSE cases are designed for mobile electronic musicians.

Description:

PULSE cases are made from molded EVA that holds its shape and provides excellent protection. This case is designed to hold the 0-Coast along with its power supply, and it also includes a nylon mesh compartment for holding your cables.

Specifications:

Perfect fit for your 0-Coast, 0-CTRL, or Werkstatt + cables

Versatile and lightweight

Spacious and comfortable handle

High quality Analog Cases logo zipper puller

Interior dimensions: 11 x 6.5 x 1.5 inches

Notes: The GLIDE case is the perfect case for your Yamaha SEQTRAK: an ideal travel solution for mobile producers and musicians.

Expertly designed for a precise fit, this ultra-compact case packs easily into your backpack or carry-on. The rigid molded exterior will ensure your SEQTRAK remains in mint condition for years to come.

GLIDE cases are made of EVA material that is durable and lightweight, while providing excellent protection. The 100% premium materials include a water-resistant faux leather exterior, super-soft velvet interior, and an ultra-smooth zipper.

Specifications

Perfect fit for your Yamaha SEQTRAK
Premium faux leather exterior and faux fur lining
Mesh compartment for holding cables
High-quality Analog Cases logo zipper puller
Exterior Dimensions: 15.1 x 4.6 x 2 Inches
Interior Dimensions: 14.65 x 4.1 x 1.5 Inches
Weight: 9 oz / 0.6 lbs

*** Please note: The Yamaha SeqTrak is not included, it is shown for demonstration purposes only. ***

Notes: Updated take on Artiphon's unique instrument, now with built-in sample engine. Loop, manipulate and create all in the unit, with built-in speaker and expressive motion sensor options.

Supplier's Notes:
Hold out your hands and meet Orba 2, the follow-up to Artiphon's award-winning synth, looper, and controller. Orba 2 has everything you loved about the original with multiple ground-breaking upgrades. Now, you can play any sound imaginable with its unique sample engine. Listen through the built-in speaker, or plug in and get loud. Customize your instrument with the Orba App and share your creations with friends. Take your creativity to new heights as you take Orba 2 anywhere you go.

Play any sound in the world
Orba 2 features a brand new sound engine that includes sampled audio recordings. This means you can now play instruments like electric guitars and upright pianos, as well as more adventurous sounds like vocals, found sounds, and custom artist songs. Imagine conducting an orchestra in the park with no strings attached and no screens required.

Create your own instruments
Orba 2 players can also capture or import their own sounds to create completely unique instruments. With the press of a button in the Orba App, everything around you can be turned into an Orba preset. A bicycle bell, a bird singing, or your roommate's amazing voice can all be played, looped, and shared as a musical melody. Sample recording requires a cabled USB connection.

Loop songs in seconds
Orba 2 allows you to record loops right on the device itself. Using Drum, Bass, Chord, and Lead, you'll be able to layer sounds to create songs that are uniquely yours. Orba 2 also has a quantize feature that snaps your musical phrases to the beat so that every moment fits perfectly into the groove. And since Orba 2 has far more memory than its predecessor, you'll be able to make way longer songs: up to 128 bars!

Play with gestures
Orba 2's touch and motion sensors combine to capture even the most subtle micro - movements. Its improved ceramic - like playing surface simultaneously reacts to the nine simple gestures: Tap, Press, Radiate, Tilt, Shake, Spin, Vibrato, Move, and Bump. Each gesture can control the onboard synth engine or your MIDI music software of choice. With unprecedented express ive potential, you'll never play the same note twice.

MIDI control
Use Orba to control your MIDI - based software and hardware instruments (via USB - C or wirelessly via Bluetooth MIDI). Orba works with GarageBand, Ableton Live, Logic Pro, Pro Tools, Cubase , FL Studio, as well as any MIDI - compatible mobile app. In addition, Orba is fully compliant with the new standard for MIDI Polyphonic Expression (MPE), making it capable of multiple independent note expressions.

What's in the box?

Orba
USB Cable
Quickstart Guide

Dimensions

3.14" (diameter) x 2" (height)

I/O
USB-C (USB 2.0 Class Compliant Audio/MIDI)
3.5mm (1/8") TRS Analog Headphone Stereo Out


Bluetooth
Bluetooth LE MIDI (MIDI only)
Note: Windows 10 does not currently support Bluetooth LE MIDI
Speaker System
3W built-in active speaker system

Compatibility

iOS 11 and newer
Android 9 and newer
macOS 10.12 and newer
Windows 10 (64 bit)

Note: Firmware updating requires a cabled USB connection and can only be done from a desktop computer.

Note: Transferring a sample from your device to Orba 2 requires a cabled USB connection.

Notes: A new stage of sound.

The Austrian Audio Hi-X50 on-ear headphones are designed specifically for commanding the room, whether you're performing a DJ set or mixing front of house. Austrian Audio's proprietary High Excursion Drivers work in tandem with the headphone's lightweight design to give you the perfect balance of impactful sonic signature, distortion-free low end and all-day comfort.

The Hi-X50's closed-back, on-ear design-a unique combination in our acclaimed headphone line-makes sliding the headphones off and on incredibly easy, so you can alternate between engaging with people around you and getting lost in the music.

Hi-X Technology

Hi-Xcursion (High Excursion) technology drives the remarkable sound of our Hi-X headphones.

All Austrian Audio Hi-X models feature a 44mm driver and an advanced ring magnet system, delivering superior airflow and the strongest magnetic field in its class.

The ring magnet, paired with a copper-clad aluminium voice coil, reduces membrane weight for faster, more precise impulse response.

The 44mm design ensures professional performance, enhanced air movement, and eliminates diaphragm wobble. The ultra-stiff membrane effectively dampens resonance for an ultra-clear and dynamic sound.

Key Features

High Excursion proprietary drivers
Detachable cable
All metal hinges and bow
Foldable construction
Soft slow retention memory foam ear- and bow pads
100% serviceable
Made in Austria

Technical Specifications

Frequency range: 5Hz - 28kHz
Sensitivity: 118dBspl/V
THD (@1kHz): <0.1%
Impedance: 25O
Input Power: 150mV
Cable (detachable): 3m
Connector: 3.5mm (1/8")
Adapter: 3.5mm to 6.3mm (1/8" to 1/4")
Dimensions: 190 x 170 x 70 mm
Weight: 285g

Notes: When every detail matters.

The Hi-X55 is the skilled surgeon of the Austrian Audio headphone line-a mid-forward, closed-back headphone that uncovers every detail in your mix. Austrian Audio's handmade High Excursion Drivers reduce internal resonance and enhance membrane movement to give you a fully honest sonic image.

Since comfort is crucial for critical listening applications, the Hi-X55 is equipped with a pressure-reducing head bow and memory foam earpads that are perfect for strain-free, multi-hour mixing sessions. The Hi-X55 is an essential audio tool for anyone looking to explore and refine their recordings.

Hi-X Technology

Hi-Xcursion (High Excursion) technology drives the remarkable sound of our Hi-X headphones.

All Austrian Audio Hi-X models feature a 44mm driver and an advanced ring magnet system, delivering superior airflow and the strongest magnetic field in its class.

The ring magnet, paired with a copper-clad aluminium voice coil, reduces membrane weight for faster, more precise impulse response.

The 44mm design ensures professional performance, enhanced air movement, and eliminates diaphragm wobble. The ultra-stiff membrane effectively dampens resonance for an ultra-clear and dynamic sound.

Key Features

High Excursion proprietary drivers
Detachable cable
All metal hinges and bow
Foldable construction
Soft slow retention memory foam ear- and bow pads
100% serviceable
Made in Austria

Technical Specifications

Frequency range: 5Hz - 28kHz
Sensitivity: 118dBspl/V
THD (@1kHz): <0.1%
Impedance: 25 O
Input Power: 150mW
Cable (detachable): 3m
Connector: 3.5mm (1/8")
Adapter (included): 3.5mm to 6.3mm (1/8" to 1/4")
Dimensions: 200 x 170 x 85 mm
Weight (without cable): 305g

Notes: Serious headphones for serious sound. Designed for recording, mixing and mastering, the over-ear Hi-X60s are also suitable for audiophile-quality hi-fi listening purposes. Exceptional quality.

Supplier's Notes:
Austrian Audio has extended its highly-successful Hi-X6 headphone range with the addition of the Hi-X60 model - a professional headphone for recording, mixing and mastering.

Featuring the sonic signature of the Hi-X6 series, with its natural and spacious sound, the Hi-X60 over-ear, closed-back design is ideally-suited for use in loud environments, for example, in the studio or front-of-house (FOH).

The Hi-X60 is manufactured in Vienna, Austria, utilizing the very best design and craftsmanship. The isolation of the closed over-ear design in combination with the high-excursion driver ensures an absolutely clear sound image revealing every nuance and detail - sonic characteristics appreciated by artists, audio engineers and audiophiles alike.

The closed-back design prevents sound from escaping and provides isolation from external noise. In use these features prevent the headphone sound bleeding into the recording microphone; also, the passive noise suppression improves the signal-to-noise ratio requiring less level and therefore a healthier listening environment for the user. A distinct sonic image within safe listening-levels.

Austrian Audio's state-of-the-art Hi-X technology comes from decades of experience in pro audio research and development. By reducing all moving mass, the Hi-X60 offers impressive dynamic characteristics and a fast response. The 44mm Hi-X driver, with its lively transients and linear frequency response, reveals every sonic shade and timbre.

Distortion-free reproduction down to the lowest frequencies enables a linear and natural expression of the low bass without hype. Important workflow decisions can be made with confidence in the precision and translation to other audio systems. For your art, the sound of science "Made in Austria".

The Hi-X60's large, open soundstage is more akin to open-back headphones than closed-back and this is partly-achieved by the ear cup design which is spacious inside whilst having a relatively small external dimension.

The soft, memory foam ear cushions are a re-think of older designs; the acoustic wall that closes off the earcup is doubled so as little sound as possible can escape into the environment or enter the internal soundstage from outside.
The memory foam padding of the headband has a clever cut-out for the head seam and this radically reduces the contact pressure. In practice, the remarkable comfort and optimal fit enable fatigue-free workflow even during time-intensive audio projects.

Nowadays studio work is often done across different venues and not tied to one location or single equipment. Austrian Audio have incorporated this realization into the core design of the Hi-X60 ensuring flexibility for consistent performance across work or leisure environments. The folding design and load-bearing components are all metal for robustness and stability. A light, high-quality carry-bag protects and assists portability.

Sonically the Hi-X60 works with a wide range of players. From high-end headphone amplifiers, reference AD converters, studio interfaces, analogue mixers, mobile players to laptops; the impedance of 25 ohms ensures that appropriate power and ample reserve is always available.

Audio editing requires commitment and passion. Countless decisions and emotional-intelligence lead to success. The confidence gained using the Hi-X60 leads to consistency over time. The earpiece and ear pads, i.e. all hygienic components, can be replaced and renewed with ease, just like the pluggable cable. This means that precision, listening pleasure and comfort are maintained for a long time.

Connectedness

Whether a studio session or pure audiophile enjoyment, the Hi-X60 adapts to any situation with the included, easily exchangeable cables. High-quality 1.2 m and 3 m cables are supplied and are matched to the technical specifications of the headphones. The cables remain securely connected to the headphones thanks to the locking mechanism. The standard 3.5 mm gold-plated stereo jack plug ensures maximum compatibility with portable consumer devices.

For connection to professional audio devices, a screw-in adapter from 3.5 mm to 6.3 mm stereo jack is included. Notably the cables do not transmit vibration noise e.g. rubbing on desk or shirt collar, into the soundstage.

Specifications

Frequency range: 5 Hz - 28 kHz
Sensitivity: 110 dBspl/V
THD (@ 1kHz): < 0.1%
Impedance: 25 O
Input Power: 150 mW
2 cables (detachable): 3 m + 1.2 m
Connector: 3.5 mm (1/8")
Adapter (included): 3.5 mm to 6.3 mm (1/8" to 1/4")
Dimensions: 200 x 170 x 85 mm
Weight (without cable): 320 g

Contents of package:
1x Hi-X60 Headphones
1 x HXC3 black 3 m Cable
1x HXC1m2 black 1.2 m Cable
1x HXA 6.3 mm Adapter
1x HXB Bag

Notes: Developed with mixing and mastering in mind, this open-backed design from Austrian Audio is ideal for all kinds of studio use, including production and sound design. Ultra-precise, accurate sound.

Supplier's Notes:

Delightfully revealing.

The Austrian Audio Hi-X65 premium open-back headphones utilize multiple innovations to give you the best possible listening experience. Austrian Audio's exclusive High Excursion Drivers enhance airflow, eliminate distortion and deliver a balanced frequency response, while the open-back design provides a spacious sonic image that's ideal for mixing, mastering and audiophile listening.

The Hi-X65 features a sturdy, lightweight headbow and long-lasting memory foam ear pads for long-lasting comfort, even during long listening sessions. Every component is durable and easily replaceable, so you'll be able to enjoy pristine audio for years, if not decades to come. Handmade in Vienna, the Hi-X65 brings music to life like no other headphone.

Hi-X Technology

Hi-Xcursion (High Excursion) technology drives the remarkable sound of our Hi-X headphones.

All Austrian Audio Hi-X models feature a 44mm driver and an advanced ring magnet system, delivering superior airflow and the strongest magnetic field in its class.

The ring magnet, paired with a copper-clad aluminium voice coil, reduces membrane weight for faster, more precise impulse response.

The 44mm design ensures professional performance, enhanced air movement, and eliminates diaphragm wobble. The ultra-stiff membrane effectively dampens resonance for an ultra-clear and dynamic sound.

Key Features

High Excursion proprietary drivers
Detachable cable
All metal hinges and bow
Foldable construction
Soft slow retention memory foam ear- and bow pads
100% serviceable
Made in Austria


Specifications:
Frequency range: 5 Hz - 28 kHz
Sensitivity: 110 dBspl/V
THD (@ 1kHz): < 0.1%
Impedance: 25 O
Input Power: 150 mW
2 cables (detachable): 3 m + 1.2 m
Connector: 3.5 mm (1/8")
Adapter (included): 3.5 mm to 6.3 mm (1/8" to 1/4")
Dimensions: 200 x 170 x 85 mm
Weight (without cable): 310 g

Notes: ***B-STOCK: Box damaged, product in perfect working order***


In collaboration with 4ms Befaco have designed this custom pod to achieve the perfect match of your Oneiroi with your desktop synthesizers, effects pedals, modular synthesizer or any kind of music gear.

A small and portable modular system to exploit the full potential of Oneiroi.

Notes: High quality audio leads for exceptional sound quality and reliability. High grade twin cable comprises an insulated pure copper core and global shielding. The durable PVC sheath has a soft texture to avoid knotting. Terminated at one end with a pair of RCA phono plugs and at the other end with 2 x 6.3mm mono jack plugs.

Notes: Protective hard case for Midi Fighters

Molded case with rugged ripstop shell designed to prevent impact and scratching damage to controllers

Designed by DJ Techtools team to fit Midi Fighter Twisters, Spectras, 3Ds, and Classics.

Includes additional organization pockets and loops for cables, adapters, and more

The Chroma Case for the Midi Fighter Spectra, Midi Fighter Twister, 3D, and Classic is designed to be a high-quality protective enclosure for your controller. The lightweight design is made to be a snug fit for the Midi Fighter while also providing a few extra spots for accessories or cables.

The Chroma Case works perfectly in tandem with our Chroma Cover - an impact resistant lid that doubles as a stand for the same Mdii Fighter units.

Notes: EXP-FX, Il Sole e la Luna (eg. The Sun and the Moon) is an expansion module for Sibilla,
aiming to let you admire the same panorama under two different glows.

Depending on the Sibilla uploaded firmware, EXP-FX can either act as an actual Sibilla expander, giving you direct control on more Sibilla's parameters, or can turn your module into a stereo pitch shifting droning effect, allowing you to process your favourite oscillator the same way Sibilla processes its internal waveforms.

Every knob but the Line Gain is CV controllable and accepts i5V while the Freeze button can be activated with external triggers.

EXP, il Sole:
Everything regarding EXP is written with golden graphics on the module faceplate.
Expand your Sibilla by adding more control on the internal AR envelope and filter resonant
frequency. With the help of this firmware, Sibilla's controls stay untouched and the following

EXP commands are added:
ATTACK: sets the duration of the envelope attack stage. This is the time it takes for
the envelope level to go from zero to the maximum level when a gate signal is
received on Sibilla's trigger input. The duration is nearly zero with the knob fully
closed, and 5 seconds when the knob is fully clockwise.
RELEASE: sets the duration of the envelope release stage. This is the time it takes
for the envelope to go from its maximum level back to 0 after the gate is released
(max length is 5 seconds).
Q: sets the peak level of Sibilla's resonant LP filter (Resonance). When fully
counterclockwise, resonant peak will be rounded and become more apparent with
higher settings, depending on the harmonics created by Rise and Fall parameters of
Sibilla.

FX, la Luna
Everything regarding FX is written with white (black panel) or black (silver panel) graphics on the module faceplate.

With configurable eurorack/line stereo inputs, this firmware turns the whole duo (FX + Sibilla) into an intricate stereo pitch shifting delay droning effect. Splits your incoming sound in two separate pitch shifted tracks whose stereophony is affected by LFOs movements, white noise, delay lines and sampled bits of audio.

When installing this firmware, Sibilla's parameters perform the same functionalities as always, but applied to the incoming input audio signals:
RISE: pitch-shifts (from low to high pitch) the incoming sound on the left channel.
FALL: pitch-shifts (from high to low pitch) the incoming sound on the right channel.

As for Sibilla, the stereophony of these pitch-shifted tracks is affected by the movement of two free running LFOs with configurable waveforms and can be altered by a resonant LPF and the addition of a white noise source.

In addition, Sibilla's sampling delay network is now open and can be directly modified by the user:
BUFFER SIZE: controls the real time sampling window length. It's nearly 100ms
when the knob is fully closed and goes up to 1s with the knob fully clockwise.
FEEDBACK: controls the amount of sampled and pitch shifted audio sent back into
the sampler.
FREEZE: manually freezes the audio buffer to the last recorded bit of audio. While
frozen, the buffer size can still be modified.
GRAINS: sets the starting position of the audio bits to be recorded into the buffer
size (this feature still needs to be activated with a double tap on Sibilla's centre
button).

A small switch on the back of the module is used to shift between Eurorack and Line input signal. When Line inputs are configured, the Line Gain knob can be used to tame the incoming audio signal.

Width: 6HP Depth: 18mm

Material: 2mm anodised brushed aluminium front panel (black and silver)

Current draw: EXP-FX doesn't draw current directly from your system but relies on Sibilla's power; for this reason, depending on the uploaded firmware, Sibilla's power consumption will change as follows:
Sibilla + EXP: +12V: 140mA; -12V: 33mA; +5V: 0mA;
Sibilla + FX: +12V: 142mA; -12V: 35mA; +5V: 0mA;

Notes: The Garden Listener is a random control messages generator from biometric signals. It detects conductivity variations on living beings' surface and transforms them into MIDI notes, ranging from C-1 to C8, and CV signals (0 - 5V). Its behaviour can be tamed through the one-knob menu from which you can choose and modify:

probes' sensitivity (making it more or less sensitive to current variations);
scale (chromatic, major, minor, Indian and Arabic);
MIDI channel (from 1 up to 16);
LEDs' brightness.

Conductivity variations are detected by the Probes Input and converted into MIDI notes in real time according to the Main menu settings. Each MIDI note exits through the MIDI output, allowing you to take advantage of the sound of either any synthesizer equipped with a MIDI port or any VST in your DAW, and gets converted into an analogue signal.

Trigger and Gate are fired every time a new note is generated, their voltage output can be modified with the respective attenuator (0 - 5V).

All the MIDI notes are converted into variable voltages (0 - 5V) depending on their pitch and exit through the CV output (1V/oct).

The CV output behaviour can be modified via the Octave Selector which acts as a "CV equalizer" from which you can choose to generate CV only if the respective MIDI note lies within a certain octave range.

For once, leave those LFOs alone, and let any living conductive being modulate your signals.

The module comes with 3.5mm white probes and a set of snap-on adhesive reusable electrode pads. A MIDI-TRS type A adapter (not included) is required for the MIDI output.

The module requires calibration for a proper 1V/oct output.

Built Module, SMD pre-soldered
Width: 8HP
Max depth: 22.6mm
Current draw: +12V: 24mA, -12V: 20mA, +5V: 0mA
Panel material: 1.6mm FR4 black front panel with gold finish

Notes: Literally the size of a business card (if a little bit thicker), one of the smallest synths on the market. Simple design with a surprisingly punchy sound, plus CV and gate inputs for control.

Supplier's Notes:
The Business Card Synthesizer is a tiny synth that can be connected to a Business Card Sequencer, other synth gear, or played by itself.

Headphones can be connected directly to the output of the synth, and there are plenty of knobs to play with, so you can easily make noises anywhere. Great for learning about synthesizers!

S&H Button: Enables Sample & Hold, which disables the external CV IN jack and uses LFO1 and LFO2 to determine oscillator pitch. LFO1 sets the sample rate (SHAPE is ignored for this), and LFO2 is the wave that gets sampled.

GATE Button: Manually turns on the gate so sound comes out of the synth. This control is momentary, but you can latch it on by tapping the S&H button while holding the GATE button down.

COARSE TUNE: Adjusts the pitch of the oscillator up or down in large increments

FINE TUNE: Adjusts the pitch of the oscillator up or down in fine increments

SHAPE: Changes the shape of the wave produced by the main oscillator (VCO). Turning this control fully CW gives you a triangle wave. Start turning it CCW takes you through sawtooth/ramp, then at about the 12:00 position you get a square wave. Continue turning it CCW and you get several higher duty cycle square waves
.
GLIDE: Adjusts the rate at which the pitch of the VCO takes to go between pitches (whether changed by the COARSE TUNE knob or CV IN). Fully CCW causes the pitch to react almost instantly, while fully CW makes it take its sweet time.

LFO 1 / LFO 2 SHAPE: Changes the shape of the waves produced by the low-frequency oscillators (LFOs). The shapes are similar to those of the VCO, except that the LFOs have sawtooth/ramp waves that go both up and down (since you can actually hear the difference at LFO rates).

LFO 1 / LFO 2 RATE: Controls how fast the LFOs go.

LFO -> VCO: Routes the two LFOs to control the pitch of the main oscillator. The 12:00 position is basically "off", and the LFOs have no effect on pitch. Start turning the control CCW and LFO1 starts changing the pitch of the VCO. Maximum effect is at about 10:00. Continuing to turn the control starts to bring in LFO2 as well. All the way CCW gives you full effect from both LFO1 and LFO2.

Turning the control CW from 12:00 does essentially the same thing, but brings in LFO2 first, then LFO1.

This might seem like kind of a weird control, but it gives you quite a bit of routing flexibility with one knob. You can have no pitch modulation, LFO1, LFO2, LFO1 with a little LFO2, or LFO2 with a little LFO1.

LFO -> VCA: Routes the two LFOs to control the amplitude of the oscillator. (See LFO -> VCO control description above for more information about how the control works.)

ATTACK: Controls how fast the audio amplitude fades in when the gate is triggered. CCW is fast and CW is slow.

DECAY: Controls how fast the audio amplitude fades out when the gate is released. CCW is fast and CW is slow.

VOLUME: Controls the overall volume of the signal coming from AUDIO OUT.

FILTER: Changes the cutoff frequency of an analog low-pass filter. Turn the knob fully CW and all frequencies (that you can hear) are let through. Start turning it CCW and the high frequencies start getting cut off, until the sound becomes muddy / muffled. Use in conjunction with the SHAPE control to get the tonal quality you are looking for.

Connections:
CV IN: Accepts a 1 volt/octave control voltage to control the pitch of the oscillator. It responds from about 0-5V, but voltages outside of this range won't cause damage. The CV input is quantized, so only valid (western scale) notes are played. This input is ignored when Sample & Hold is enabled.
GATE IN: A voltage greater than about 2.5V will turn on the gate and allow audio to come out the output of the synth.
AUDIO OUT: Connect to an amplifier or another synth. The jack has both the tip and ring connected, so you can even use stereo headphones and hear sound from both ears.
Power: Connect 7.5-15VDC to this 3.5mm TS jack to power the synthesizer. The tip is positive (don't worry, there's a protection diode in case you get it reversed). You can get power from a 9V battery, AC adapter, or you may even be able to find an output on your modular synthesizer that can provide enough current.

Specifications:
Power supply: 7-15VDC (reverse-polarity protected!)
Power connection: 3.5mm phone jack, center-positive
Current draw: 15ma
Dimensions: 3.5" x 2" (the same as a business card!)

Notes: Module A-119-2 is a Dual external input amplifiers with only 4HP module width. The module contains two amplifiers with separately adjustable amplification levels. Each channel is equipped with an overload display. The module can also be used for stereo signals, e.g. the stereo output of a smartphone.

Controls and displays:

Level 1/2: manual control of the amplification in the range 0 - about 45.
Overload 1/2: overload LED, begins to light up for output levels beyond about 10Vpp (+/-5V)
In 1: audio input 1 (monophonic or stereophonic, see technical details)
In 2: audio input 2 (monophonic)
Out 1/2: audio output (monophonic)

Technical Details:

For higher amplifications the two amplifiers can be daisy-chained
Different normallling options are available via the rear of the modules with jumpers.
All inputs and outputs are DC coupled. Thus the module can be used also for the amplifications of control voltages.

Power consumption: 20mA at +12V and 20mA at -12V
Depth: 30mm
4 HP

Notes: The Four to One Mixer is the final docking station for all of your diverging sonic journeys! A simple and compact 4 channel mixer with independent level controls and selectable phase for each channel. This was primarily designed to be used with the One to Four Splitter to create 4 parallel signal paths, but it can be used just about anywhere you need to mix four different sources into a single output with your unique sound!

This high headroom device features a high 1 M Ohm input impedance and a low 100 ohm output impedance ensuring all signals maintain their sonic integrity throughout their journey, even on long cable runs. The high headroom input impedance of this device allows it to accept a variety of instruments without distortion or clipping. This was built to handle just about anything, including guitars, basses, synthesizers, drum machines, and more!

Phase selector switches for each channel will make sure to correct any issues you might have from mixing multiple different signals with opposing polarities. Sometimes mixes can sound out-of-phase, leaving the resulting signal sounding thin or tinnier. Adjusting the Phase on the Four to One Mixer will help you avoid these issues. When used in conjunction with the Four to One Splitter or the Flexi Loops, you can create wild parallel signal paths at the flip of a switch! Use it to mix 4 instruments into one amp! Run four synths into a single channel! Put the whole band through your wall of amps! The possibilities are still nearly endless.

Phase: Use this to select the output phase of the channel. Sometimes other pedals and various instruments will invert the phase of the signal which causes major problems when mixing with other non-inverted signals. If you have a signal that is inverted, flip the phase switch to "-" and the polarity will be corrected. In most cases this switch should stay in the "+" position.

Level: Adjusts the output volume of the channel.

Dimensions

4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw

50 mA

Input Impedance

1 MO

Output Impedance

100 O

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. EQD always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Notes: A truly super tremolo with powerful controls and signal routing.

Sculpt the tremolo's shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity.

Create your own rhythmic patterns and store them.

Save and recall up to eight customized preset programs.

Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation.

Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves.

*UK 230V power adapter included*

Notes: ***B-STOCK: Box opened, product in perfect working order***


Unlock Limitless Creativity.

Experience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.

Redefined sensitivity.

ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.

The most playable surface yet.

ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.

A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.

Complete musical articulation.

Add polyphonic portamentos, slides and after-touch to your musical creative process.

Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.

Expressive looping.

Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.

Every gesture recorded on the fly is replayed visually, creating a show for the eyes.

Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.

Modular mastermind

Multi-dimensional connectivity.

ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!

Different skins.

ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.

This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.

Expressive Controller Looper

Erae Touch is a polyphonic MIDI Controller & Looper.

Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.

Built with unrivalled sensitivity and offering infinite configurability.

User-friendly configuration

No more back & forth menu diving.

Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.

The ERAE Lab

Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.

ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.

Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.

An open canvas.

This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).

A new kind of arpeggiator.

Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).

Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!

What's in the box:

Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable

Notes: The 3U Skiff 84 HP is a compact and lightweight Eurorack case made of powder coated aluminum.

Perfectly suited for small modular systems

Lightweight and sturdy: The anodized aluminum construction ensures high durability while maintaining a featherweight of 920 grammes . it is one of the lightest 3U 84hp available.

Integrated power supply: The Eowave 3U Skiff 84 HP integrates "source d'energie" power supply, capable of providing stable and reliable power to your modular system. It has the power capacity of 1.8A+12V 1.5A -12V 1A 5V . the power supply block is also delivered with the case.

Flexible installation depth: The maximum installation depth of 5,5cm cm offers space for a wide variety of modules.

Elegant finish: The aluminium as a sanded texture and side panels of the case are Acrylic black. if you need to later make a larger custom case, behind the metal eowave sticker is a hole made to run a power ribbon cable through and connect two cases.

lightweigth and slick

A total of 84HP
PSU included/
Source d'energie included : 1.8A+12 1.5A -12 1A 5V
17 available keyed power bus slots
Dimensions : 44,4 cm (L) x 13,5 cm (W) x 6,5cm (H)
Weight: 920g

Notes: The 6U Studio 104 HP is an Eurorack case made of powder coated aluminium hi grade rails and wooden sides.

With its angle, it is well suited for a studio modular systems, it offers a useful width of 104 HP and a height of 6U.

Sturdy: The powder coated aluminium ensures high durability. The case weight 2,4kg. The woodsides

Integrated power supply: The Eowave 6U Studio 104HP integrates "source d'energie" power supply, capable of providing stable and reliable power to your modular system. It has the power capacity of 1.8A+12V / 1.5A -12V / 1A 5V . The power supply block is also delivered with the case.

Flexible installation depth: The maximum installation depth of 5,5cm cm offers space for a wide variety of modules.

Elegant finish: The aluminium as a sanded texture and side panels of the case are Acrylic black. if you need to later make a larger custom case, behind the metal Eowave sticker is a hole made to run a power ribbon cable through and connect two cases.

A total of 208HP
PSU included/
Source d'energie included : 1.8A+12 1.5A -12 1A 5V
34 available keyed power bus slots
Dimensions : 55,5cm (L) x 29 cm (W) x 10,6cm (H)
Weight 2,4kg

Notes: The 6U Flat 104 HP is an Eurorack case made of powder coated aluminum hi grade rails and wooden sides.

Sturdy: The powder coated aluminum ensures high durability. The case weight 2,4kg. The woodsides

Integrated power supply: The Eowave 6U Studio 104HP integrates "source d'energie" power supply, capable of providing stable and reliable power to your modular system. It has the power capacity of 1.8A+12V / 1.5A -12V / 1A 5V . The power supply block is also delivered with the case.

Flexible installation depth: The maximum installation depth of 5,5cm cm offers space for a wide variety of modules.

Elegant finish: The aluminium as a sanded texture and side panels of the case are Acrylic black. if you need to later make a larger custom case, behind the metal eowave sticker is a hole made to run a power ribbon cable through and connect two cases.

A total of 208HP
PSu included/
Source d'energie included : 1.8A+12 1.5A -12 1A 5V
34 available keyed power bus slots
Dimensions : 55,5cm (L) x 27 cm (W) x 7 cm (H)
Weight: 2,4kg

Notes: Flying Bus Board for up to eight Eurorack modules.

Notes: The Source D'Energie is a power supply module designed to power up to a 6U case with +/-12v and 5v rails. Wall wart plugs can be used for a skiff or case with few modules, but for anything more than that, Eowave recommend a 4A power supply.

The Source D'Energie has two 16 pin headers, perfect for powering two rows of your system. LED's on the panel indicate the health of each rail at a glance.

15 VDC Input
+12V 1.5A
-12V 1A
+5V 0.5A

Depth: 40mm
5 HP

Notes: Supamix is a compact Eurorack mixer designed to fuel your sonic adventures. This versatile module as 6 channels and a unique mute automation engine into 10HP, making it perfect for live performances, space-conscious setups, and creative mixing.

Mix with Precision and Expression:

Dedicated Pan Controls: Craft your stereo image with 2 individual pan knobs for manual placement.

Dynamic Panning: 2 CV-controlled pan inputs let you add movement and dynamism to your sources.

Seamless Integration: Stereo inputs with dedicated gain allow effortless connection of stereo modules.

Dedicated Mute Buttons: Take instant control with individual mute buttons, featuring a freeze function for sustained muting when using the swap engine.

Automate Your Mutes with Creativity:

Supamix feature a unique swap engine made to control the mutes states manually or via cv to Build Evolving Patches.

12 modes of for controlling your mutes are available:

1A: Trigg Invert: Instantly flip mute states with a trigger.

1B: Gate Invert: momentary flip mute states with a gate.

2A: Turn Off: Momentarily silence all channels with a gate

2B: Wave On: Progressively unmute channels as a CV rises.

3A: Binary Counter: trigger to increment a 6-bit binary sequence, turning mutes on/off.

3B: CV to Binary: Transform a CV signal into a 6-bit binary pattern, precisely controlling the state of each mute based on the CV value.

4A: Trig Rotate: Shift mute positions with a trigger. each trig shift the mute position one step further.

4B: CV Rotate: Shift mute positions with CV control. at 0V the mute are in their original position, at 5v mute will be shifted 6 position forward.

5A: Trig Sequencer: Control a step sequencer who invert the mute state where the playhead is. each trig will move the playhead one step further

5B: CV Sequencer: Control a step sequencer who invert the mute state where the playhead is. at 0v, the playhead is on the first mute, at 5 V on the 6th

6A: Randomize: Shake things up with a trigger that scrambles all mute states.

6B: Random solo:each trig will turn off all the mute exept one selected randomly

Beyond the Modes:

Freeze & Override: if you long press one off the mute, it will be freezed on bypassing the swap function on this track

Module Expansion: Connect Supamix to the "O" line/phone output module for additional functionality (sold separately).

More Than Just Mixing:

Subtle Saturation: Crank the level pots for a hint of distortion to add bite to your sound.

Notes: The Tempete Magnetique is a fully analogue complex filter/synthesizer module designed as an evolution of the Fluctuation Magnetique. More than an mk2, eowaves designed it to encourage you to play with one of the most interesting things in modular synthesis: diverting the primary use of a module to create unexpected and new sounds (aka this is not just a filter).

The circuits feature high-pass, band-pass and low-pass modes with a slope of -12 dB per octave. Routing options allow serial or parallel operation. Level potentiometers at the input stages make it possible to generate asymmetrical distortion. By connecting several of the VCFs in series, users can create filter types with a slope of up to -48 dB per octave. For modulations, there are several CV inputs.
The basic character of the Tempete Magnetique is gentle and very musical. However, with high input level settings, it is also possible to achieve beefy, rather rough results. The circuits can't self-oscillate, unless the user patches a feedback loop. Parallel routing allows, in combination with a VCO, VCA and some modulators, lively, very expressive basses, leads and pads. Atmospheric stereo processing and vocal sounds are other areas of expertise.

The pairs sections, of course, can filter an incoming signal, But can be transformed to synthesis voice, percussion engine (exited by the ping input) and way more.

Applications:

Four independents or linkable multi-modes 12 db filter
Envelope follower who can act as end decay envelope sensible to the velocity - Cross modulation engine who modulate both pair of filters
Ping input
Outputs with phase correction to be fed to inputs

Technical details

22hp
Skiff friendly
Reverse power protection

Notes: The ZONE B.F. module is an element of the Capsule TITAN. Zone basses frequences stands for low frequency zone. This module is composed of 2 LFOs, both LFOs have 16 sync-able waveforms

Speed : speed of the LFO, range from 0.1 Hz to +/-200 Hz

Wave (LFO 1 & 2) : 16 Syncable waveforms;
- Triangle
- Sine
- Dome
- Ramp down
- Ramp up
- Stepped ramp up
- Square
- Short impulse square'
- Short impulse triangle
- Stepped square ramp down
- Random stepped
- Growing random ramp up (staircase)
- Random impulse size squares
- Random impulse size triangles
- Noise
- Pitched noise

The ZONE B.F. (black edition onwards) now features an additional mode. On the back of the PCB you will find two jumpers, marked as JP1. CV1 is LFO channel 1 and CV2 is LFO channel 2. By moving the jumper so it sits on one leg (rather than 2 as when you have received the module), the Sync input for either LFO channel now becomes LFO speed input, controllable via CV.

2 LFOs
16 waveforms per LFO
sync or speed CV control

5 HP
40 mA +12V
10 mA -12V
0 mA 5V

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Developed in conjunction with Dutch software dons 112dB, the Echolocator brings precise, ultra-controllable delay to the hardware realm. Full stereo design with filter and shimmer modes, freeze function and foot switch input.

Supplier's Notes:
The Echolocator is a hands-on precision tool that lets you take manual and very musical control over small nuances. Like a bat navigating its environment in the dark, you can feel your way through your live performances and shape the delay response and character on the fly. Featuring 12 parameters for detailed sound design, save/recall functions for all parameters, MIDI control over all parameters and a sleek aluminium case to match our lineup of compact desktop units, the Echolocator will let your setup take flight in any live show, studio or sonic experiment.

Notes: MIDIMATE eX is a convenient USB 2.0 MIDI interface cable with up to 32 input or 32 output channels for PC and Macintosh systems. With MIDIMATE eX you can obtain perfect MIDI timing and performance at an extremly affordable price.

MIDIMATE eX is a simple, stylish and very powerful adapter cable that connects the USB port of your computer to any MIDI Input or MIDI Output labelled connector on an external MIDI device. Two MIDI connectors are provided by MIDIMATE eX and using them with your applications could not be easier. If you connect the MIDI cable to a MIDI Output of an external device, signals will appear via MIDI input in your software. If you connect it to a MIDI Input, you can send signals to the external device via the MIDI playback function of your software. All these functions are provided with perfect MIDI timing and best performance.

Features/specifications

USB MIDI interface with 2 MIDI connectors, each can work as independent input or output
high-speed connection optimized for USB 3.0 and 2.0 port of PC or Mac, downwards compatible to USB 1.1
bus powered, requires no external power supply
no driver needed for Windows XP, Windows Vista, Windows 7, Windows 8.1, Windows 10, Windows 11 and Mac OS X (32 and 64 bit)
optional ESI MIDI Port driver for multi device / multi client operation under Windows available

Notes: Simple, solid performance is the order of the day with this MIDI controller from ESI. 16 pads, six rotary encoders and plug-and-play USB compatibility all housed in a classy aluminium unit.

Supplier's Notes:
Developed for Beat Makers, Finger Drummers and DJs

The Xjam is a small, full-fledged plug-and-play MIDI controller. Due to its solid aluminum chassis, the Xjam is wonderfully portable and ideal for use outside of the studio on mobile devices.

With a 4x4 pad matrix, the 6 endless encoders and the smooth 16 pads, it provides a pleasant and expressive playing experience. In addition, the Xjam offers 48 configurations instead of the usual 16 scenes to save.

Its smooth and ultra-sensitive pads with polyphonic aftertouch are as versatile as the Xjam is in general. The 16 RGB pads also send MIDI CC, MIDI Program Change or MMC messages. There are also 6 high-quality endless encoders on board, which can be used in a variety of ways. In addition to controlling MIDI CC messages, the encoders can be assigned to send pitch, MIDI program change messages or even aftertouch messages. The Xjam comes with a powerful editor software for perfect adaption to your needs. There is also a TRS-MIDI Out socket to send signals to external sound generators.

Connectors & Functions

CTRL BANK let you control up to 18 independent parameters
360- ENCODER knobs to send continuous controller messages to your software or external MIDI device
SCENE BANK let you access up to 48 different scenes
PAD BANK let you access up to 48 different pads
PADS polyphonic aftertouch and velocity
USB-C port connects to the computer or mobile device and used to send and receive MIDI data
MIDI OUT for connection and transmission of MIDI data to an external device
FOOT SWITCH input for sustain pedal
EDIT each pad and encoder can be edited independently
SETUP adjust the global settings and the repeat parameters
TYPE allows to choose from different types (MIDI CC, PITCH, PROGRAM, AFTERTOUCH)
REPEAT with two different modes available, temporary and static

Portable

Great for the road & any mobile applications or where space constraints are an issue. Play drums & control effects with the Xjam. Everything's right there for building any style of track, anywhere you feel the inspiration.

Great For Live Shows

The velocity & pressure-sensitive pads are great for playing virtual instruments live onstage. Plus, the pads offer aftertouch that adds a whole different level of expression & control for that extra element to live or studio performance.

Bundled Software

In order to get you started right out of the box, Xjam ships with a powerful software package for professional recording, creation of your own songs, mixing of any audio content and much more. The following applications are currently included:

Bitwig 8-Track

Bitwig Studio 8-Track - the trim and effective DAW to start producing, performing, and designing sounds like a pro for use on up to eight tracks of audio / MIDI, incl. the Bitwig Essentials Package, a versatile selection of handpicked presets and sounds. Record instruments, create your arrangements, design new sounds, or just jam - every feature has been developed by musicians, for musicians!

Steinberg Cubasis LE

Cubasis LE is the compact version of Steinberg's mobile multitouch sequencer, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze, no matter where you are, right there on an iPhone or iPad when connecting Xjam.

Steinberg WaveLab LE

Whether you are a hobby musician, home studio owner, freelancer or podcaster - WaveLab LE helps you to bring your music, voice and sound recordings to a more professional level. This easy-to-use mastering and audio editing software from Steinberg turns your computer with Xjam into an audio analysing, editing and publishing studio.

Specifications

MIDI Pad controller
6 velocity-sensitive pads
3 colour pad indicators for velocity and edit/setup operation
6 MIDI encoder knobs, all programmable
Sustain pedal input
48 user-programmable scene presets, available for instant recall
Sends and receives MIDI data
Bus powered: needs no batteries or AC adapter
Size: 200mm (7.87 in) x 135mm (5,3 in) x 23mm (0.59 in)
Weight: 371g (0,8 lb)
3.5mm TRS jack to female 5-pin DIN MIDI cable available separately

Notes: The ultimate MIDI keyboard

Meet Xkey - the ultimate mobile MIDI keyboard, able to go wherever the music takes you. Featuring an ultra-slim lightweight design, Xkey is made for creation wherever inspiration strikes you. From the studio to your living room and everywhere in between, this keyboard brings professional performance anywhere. Simply plug Xkey into your device and play along with the best apps and recording software. Xkey is a fully class compliant, USB MIDI controller that works with all MIDI apps on virtually all platforms.

Connectors & Functions

The Xcable connects to the left side of Xkey 37. It provides a MIDI output with 5-pin DIN connector and two 1/4" connectors for SUSTAIN and EXPRESSION pedals.

The OCTAVE+ and OCTAVE- buttons allow you to move the octave range up or down

The pressure sensitive MODULATION button sends MIDI modulation controller data

The pressure sensitive PITCH BEND+ and PITCH BEND- buttons allow you to pitch the sound up or down via MIDI pitch bend data

The SUSTAIN button allows you to enable or disable the MIDI sustain functionality

FULL SIZE KEYS - 37 full-sized fully velocity sensitive keys with polyphonic aftertouch

USB-C port connects to the computer or mobile device and used to send MIDI data

Unlimited possibilities with all MIDI apps

Compatible with any MIDI application and featuring a professional, ultra-thin 37-key design with polyphonic aftertouch, the Xkey is the ideal tool for musicians who demand precision and portability. Whether for Mac, PC or mobile devices, the Xkey gives you everything you need to control your music software and devices. Unleash your creativity wherever you go!

Full Size Keys

Xkey comes with 37 full size, velocity sensitive keys that follow exactly the width of traditional piano keys.

Portable

The ultra-slim lightweight design of Xkey makes it easy to travel with. It fits into your luggage or backpack, so you can play on-the-go.

Aluminium Body

Robust, high quality construction: the ultra thin stylized anodized aluminium body gives Xkey a solid and stylish design.

Velocity Sensitive

The velocity sensitive keys make it possible to play Xkey with the same expression as a professional stage piano.

Xcable Adapter

The included Xcable adapter adds a 5-pin DIN MIDI output and 1/4" connectors for Expression and Sustain pedals.

USB and Standard MIDI

Xkey works with standard MIDI data making it compatible with all MIDI compatible apps on Mac, PC and mobile devices.

Polyphonic Aftertouch

Your pressure on the keys can control the sound effects individually - a professional studio standard feature.

Smart Buttons

Durable rubber smart buttons provide features like Pitch Bend, Modulation, Sustain and allow changing of the Octave range.

Studio Ready

Simply plug & play with all common operating systems: macOS, Windows, iPhoneOS, iPadOS, Linux, Android.

Bundled Software

In order to get you started right out of the box, Xkey 37 ships with a powerful software package for professional recording, creation of your own songs, mixing of any audio content and much more. The following applications are currently included:

Bitwig Studio 8-Track - the trim and effective DAW to start producing, performing, and designing sounds like a pro for use on up to eight tracks of audio / MIDI, incl. the Bitwig Essentials Package, a versatile selection of handpicked presets and sounds. Record instruments, create your arrangements, design new sounds, or just jam - every feature has been developed by musicians, for musicians!

Cubasis LE is the compact version of Steinberg's mobile multitouch sequencer, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze, no matter where you are, right there on an iPhone or iPad when connecting Xkey 37.

Whether you are a hobby musician, home studio owner, freelancer or podcaster - WaveLab LE helps you to bring your music, voice and sound recordings to a more professional level. This easy-to-use mastering and audio editing software from Steinberg turns your computer with Xkey 37 into an audio analysing, editing and publishing studio.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Meet Xkey Air - the ultimate mobile MIDI keyboard, able to go wherever the music takes you. Featuring an ultra-slim lightweight design, Xkey Air is made for creation wherever inspiration strikes you. From the studio to your living room and everywhere in between, this keyboard brings professional performance anywhere. Simply link Xkey Air to your device and
play along with the best apps and recording software. Xkey Air is a fully class compliant, USB and Bluetooth MIDI controller that works with all MIDI apps on virtually all platforms.

Notes: The E-OR is a passive 2HP 'selectable gate mixer,' which means that you can choose between two different gate sources, two trigger sources or BOTH using the three way switch per channel. Great for choosing between various rhythms, clocks, gates, etc. Perfect for manual fills and variation in your set! Matte black panel with white ink. The E-OR is diode protected, so combining two trigger or gate sources is what it is meant to do!

Notes: 3xVCA offers three high class amplifier circuits with linear characteristic. Thanks to AC / DC compatibility, a very low noise floor and basically no distortion, the module is not only a great partner for control voltages, but audio material as well. Besides a signal input and output, each VCA has its own CV input. The dual potentiometers regulate levels and bipolar CV attenuation values of all amplifiers. Using these rather unusual, yet very practical components, it was possible to equip the 3x VCA with a front panel that is only 6 HP wide. Switches allow the user to feed the results of one amplifier to the output of the next amplifier, so we can get 1+2, 2+3, and 1+2+3 outputs mix. Two-colored LEDs visualize CV and output signals.

60 mA +12V
60 mA -12V
35 mm Depth

Notes: 1/4" TS to 1/4" TS

This snake is designed to interconnect pro audio gear with unbalanced phone jacks. It is ideal for use with mixing consoles and patch bays. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4" TS to 1/4" TS

Notes: 1/4" TRS to 1/4" TRS

This snake is designed to interconnect pro audio gear with balanced phone jacks. It is ideal for use with mixing consoles and patch bays. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4" TRS to 1/4" TRS

Notes: The PDR-369 XLR Patch Bay by Hosa Technology is designed to provide 12 channels of balanced audio throughput for any situation. It is ideal for making rear-panel microphone mixer inputs easier to reach. Features include:

- Rolled-steel chassis for rugged durability and ease of repair
- Gold-plated contacts for corrosion resistance and superior signal transfer
- Shielded, Oxygen-Free Copper conductors for enhanced signal clarity

Connectors: XLR3F to XLR3M

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Deeper. Louder. More accurate.

iLoud MTM MKII offers sonic perfection and volume levels previously unavailable in this class of reference monitors. Maintaining its iconic form, MTM MKII sports more efficient drivers and twice the processing power under the hood to turn any space into the ideal mixing and mastering setup.

Enjoy clear, neutral sound with the deep, controlled low end you'd expect from a speaker twice the size and linear phase response that rivals speakers twice the price. Its MTM design and precise time alignment make hours of fatigue-free listening possible while minimizing acoustic interactions, which is ideal for desktop use.

With advanced ARC auto-calibration, MTM MKII guarantees improved acoustic performance in any space in seconds. Connected to a computer, award-winning X-MONITOR software adds deep customization and breathtaking emulations of 20+ top studio monitors and other playback systems to A/B your mixes instantly for the perfect translation.

MTM MKII is like having an entire suite of precision-tuned monitoring tools.

Ultra-nearfield monitors for critical mixing

iLoud MTM MKII features a pair of 3.5" high-performance woofers and one 1" high-definition, back-chamber loaded tweeter with improved speaker drivers for superior volume and low end, plus improved clarity and articulation in the midrange. The Midrange-Tweeter-Midrange symmetrical design (D'Appolito configuration) provides ultra-precise, defined, point-source sound that can't be achieved by traditional 2-way systems at close distances, meaning you'll mix better and with less ear fatigue.

Designed to work faster in more situations

In addition to improved speaker drivers, iLoud MTM MKII maintains tight vertical dispersion, minimizing the acoustic impact of desktop placement and ceiling and floor reflections to ensure the most accurate possible sound. MTM MKII offers a wider horizontal dispersion, creating a broader sweet spot for easier mixing than other MTM designs while maintaining the smoothest in-room response. Better power efficiency and extended max SPL mean iLoud MTM MKII also offers superior performance as an FOH mixing monitor, immersive speaker or other volume-dependent tasks.

Next-generation ARC room correction

iLoud MTM MKII adds a deeper, more comprehensive ARC auto-calibration derived from IK's flagship iLoud Precision series. Connected via USB to a Mac/PC with X-MONITOR, this 4-space measurement offers an unmatched definition and reliable translation in virtually any environment, so your mixes will always sound their best. A rapid, single-point measurement option can be done anywhere without a computer. Connect an ARC MEMS microphone (sold separately) to each speaker's mic input, and you'll be up and running in moments.

X-MONITOR integration

Also inherited from IK's flagship iLoud Precisions, iLoud MTM MKII now offers full X-MONITOR integration. This exclusive, award-winning software gives you complete control over every speaker element beyond the rear controls. Also, it allows for precise delay compensation between units for improved stereo imaging.

A single solution to A/B mixes

In addition, X-MONITOR allows you to switch between virtual monitoring voices, emulating the frequency and phase response of other top studio monitors and reference systems. With 4 buttons to quickly recall various voices, X-MONITOR with MTM MKII becomes an entire reference monitoring system in one elegant solution.

Stereo to immersive sound anywhere

IK Multimedia packed all this technological sophistication into a compact format that takes up 30% - 50% less space than comparable designs and weighs just 5 pounds. With tilting desktop mounts included, it's the ideal desktop solution for home, project or mobile recording. There's also an included isolation pad for horizontal placement wherever needed.

Bottom mic stand mounts securely position iLoud MTM MKII behind a console for studio or FOH use or even on boom arms to create immersive setups anywhere quickly with no tools required. A custom mounting bracket is also available to easily install MTM MKII as overheads or wall speakers in any studio.

The ideal immersive audio solution

All these amazing features, plus a selectable 80 Hz low-frequency cutoff, also make iLoud MTM MKII the ideal monitor for today's immersive studios.

Specs

iLoud MTM MKII Specifications
Type: 2-Way/3-speakers bi-amped, digitally controlled studio monitor
LF drivers: 2 x 3.5" composite cellulose fiber, custom-made mid-woofers
HF drivers: 1" low distortion, back chambered silk dome tweeter
Acoustic design: DSP tuned bass reflex
Number of amps per speaker: 2
Amplifiers type: High efficiency Class-D
Total power: 100 W RMS
LF power: 70 W RMS
HF power: 30 W RMS
Crossover type: Digital, linear phase
Crossover frequency: 2.8 kHz
Frequency response: 48 Hz to 28 kHz +/- 2 dB, 36 Hz to 32 kHz @ -10 dB
Phase response: System remains coherent within +/- 15- from 200 Hz to 20 kHz
Sensitivity at +4 dBu: -6 dBu signal generates a 94 dB SPL @ 1 m
Sensitivity at -10 dBV: -17 dBu signal generates a 94 dB SPL @ 1 m
Continuous, long term SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 97 dB
Peak SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 110.5 dB
Peak SPL, half space, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 112.5 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
LF extension switch: Sets -3 dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -4 dB at 160 Hz and +1 dB at 1.8 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Total Latency (TOF): 2.44 ms
Connectors: 1x combo XLR-1/4" TRS balanced input; 1/8" TS ARC microphone input, 1 x USB type-B, AC POWER socket
Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 120 W max power consumption

Dimensions

Size: 264 mm/10.39" x 160 mm/6.3" x 130 mm/5.12"
Weight (per speaker): 2, 5 kg/5.5 lbs (speaker + foot)

Package includes

1 x iLoud MTM MKII monitor
Power cord
Tilting stand
Horizontal support feet
Locking key
USB-B to USB-A 2.5 m/8.2 ft. cable

Notes: Presenting the new CTRL CASE EP-133 K.O. II - the ideal safeguard for beat makers and producers on the move. Specifically crafted to hold the new Teenage Engineering EP-1330 K.O. II, this compact and lightweight case ensures your sampler is transported safely to your upcoming studio sessions. With a durable Durashock moulded EVA shell and high-density foam interior, it also boasts a mesh pocket for tidy storage of audio cables, spare batteries and more.

Crafted from 6 mm thick and rigid Durashock molded EVA foam and water rejecting polyester exterior shell
Sturdy zipper
Including mesh pocket for cable storage
Incl. removable egg-foam padding to protect knobs, faders and pads
Compatible with Decksaver cover

Fits:

Teenage Engineering EP-133 K.O. II

Specs

Outer measures: 29 x 23 x 6 cm
Inner measures: 25 x 18,5 x 3,5 cm
Weight: 0,3 kg

Colour: black

*** Please note: the Teenage Engineering EP-1330 K.O. II & accessories are not included, they are shown for demonstration purposes only. ***

Notes: Now slimmed down to 2HP! The '07 is a precision buffered multiple, perfect for your 1V/O sources. An LED on each channel indicates positive or negative incoming voltage: red is positive, green is negative. Channel one cascades into channel two, giving you up to 7 outputs.

Specifications:
Current draw: +12V: 15mA, -12V: 15mA
Depth: 22mm
Width: 2HP