14 days

Notes: The Limited Edition Pumpkin Mult is here! Craft sonic concoctions with this pulp-free multiplier, exclusive for a limited time.

Mult is a 2 input, 6 output signal splitter. Channel 1 is normalled to channel 2 when no cable is present, allowing the user to split an input signal six ways, or two input signals with three outputs each.

Notes: New replacement power adapter for Access Virus Models that use 12vdc power supplies.

Converter block has figure-of-8 connector and converts a 240V UK mains current to 12V for compatible Access Virus TI models.

Notes: The AION Modular 904A Low Pass filter is an Eurorack clone of the classic Moog Modular Low Pass filter (should not be confused with the Mini Moog Low Pass filter).

The 904A Low Pass filter attenuates frequencies above the Fixed Control Voltage (cutoff frequency) point at a rate of 24dB per octave. The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Regeneration knob (resonance) varies the amount of internal feedback, creating a resonant peak at the cutoff frequency.
The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
(sets the frequency band in two-octave steps)
1- 1Hz to 5kHz
2- 4Hz to 20kHz
3- 16Hz to 80kHz

Specifications:
Power: +12 40mA, -12 25mA
Depth: 40mm
Doepfer compatible

40 mA +12V
25 mA -12V
0 mA 5V

Notes: The AION Modular 904C Filter Coupler is an Eurorack clone of the classic Moog Modular 904C.

The 904C Filter Coupler connects the 904A Lowpass and the 904B Highpass together to produce a Bandpass or a Band Reject filter response.

Bandwidth can be extended to three octaves and Center Frequency ranges from 5Hz to 20KHz. Both can be controlled manually or via control voltage.

The 904C provides a wide variety of signal processing and we strongly encourage experimentation but we advise to start with the following settings:

904A Fixed Control Voltage +6
904A Frequency Range 2
904B Fixed Control Voltage -1
904B Frequency Range LOW

The 904A and the 904B are required to use the 904C.
In the "OFF" position, the 904A and 904B are disconnected from the 904C an can be used independently.

The connection cables are provided with the module.

30 mA +12V
15 mA -12V
0 mA 5V


Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible.

Notes: The AION MODULAR 911 Envelope Generator is an Eurorack clone of the classic Moog™ Modular 911.

The 911 Envelope Generator (ADSR) generates the Control Voltage contours required for producing envelopes in conjunction with a voltage-controlled amplifier or a voltage-controlled Filter.

Attack time (T1), Decay time (T2), and Release time (T3) are all independently variable over a 2 millisecond - 10 second range, making the module suitable for very fast percussive sounds or long and evolving sounds.

The 911 Envelope Generator can be triggered by an external gate signal via the Trigger Input or manually by a push button.

Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible

Notes: The Envelope Follower produces two functions which can be used separately or in conjunction. The follower circuit Signal Input presents a control voltage output (DC) proportional to the average amplitude of the AC input signal. The second function, a Schmitt trigger, generates a V-trigger above a threshold voltage (comparator), when a slowly varying or DC voltage is introduced at the control input jack. The normalling of the control input of the follower circuit to the control input of the Schmitt trigger circuit allows both control voltage and trigger to be generated from a single variable source.

Specifications:
Power: +12 (40mA), -12 (8mA)
Depth: 40mm
Doepfer compatible

Notes: The AION MODULAR 923 Noise/Filters is an Eurorack clone of the classic Moog Modular 923.

The 923 Noise/Filters module provides a white noise and a pink noise source along with a manual Lowpass and a 6dB Highpass filter.

The two manual sweep filters, are single pole circuits with a frequency cutoff slope of 6dB per octave and a frequency range of 10Hz to 10KHz.

Any kind of noise color can be achieved using the white noise and filters together.

Specifications:
Power: +12 (35mA), -12 (35mA)
Depth: 40mm
Doepfer compatible

Notes: The 991 contains 2 passive filters, one 6dB High Pass Filter and one 6dB Low Pass Fillter switchable in 6 positions. On the lower part of the module one finds an Attenuator. No power is required.

Specifications:
Depth: 30 mm
Doepfer compatible

Notes: The 995 Attenuator panel consists of three "passive circuits", each made of a 25k potentiometer between input and output. The signal input to the top attenuator is chained to the bottom two in series. Introduction of a plug into middle or bottom input breaks the normalling system: 1 to 1-2-3, 1-2 to 2-3, 1-2-3 to 1-2-3.

Notes: Custom ALM patch cables. Small but strong, they are designed for maximum ergonomic post modern wiggling.

- 120cm (Pack of 2 + ALM branded tie)
- Colour: Red

Notes: Custom ALM patch cables. Small but strong, they are designed for maximum ergonomic post modern wiggling.

- 30cm (Pack of 5)
- Colour: White

Notes: Custom ALM patch cables. Small but strong, they are designed for maximum ergonomic post modern wiggling.

- 60cm (Pack of 5 + ALM branded tie)
- Colour: Purple

Notes: Custom ALM patch cables. Small but strong, they are designed for maximum ergonomic post modern wiggling.

- 90cm (Pack of 3 + ALM branded tie)
- Colour: White

Notes: Break out MIDI signals into a 3.5mm stereo jack.

- Tip = Pin 4 (Source)
- Ring = Pin 5 (Sink)
- Sleeve = Pin 2 (Shield)

Notes: The original SID GUTS took the legendary SID chip and tailored it into the eurorack modular environment. By use of a real SID chip the classic sound was taken in a new direction with the levels of direct and voltage control only a modular system can offer.

The 'SID GUTS DELUXE' improves upon the original SID GUTS 'Eurorack SID Voice' by adding both new features and further control.

The module now includes improved frequency control, a chord mode using all available oscillators and numerous other tweaks.

*SWIN SID chip included (please note - ALM & Juno do not offer any support for this product)*

Technical Specifications:
Supply: +/-12V
Current Draw: ~50-200ma (with vintage SID chip)
Size: 19 HP
Depth: 32mm (including power header)

Notes: The DTI (Dual Transformer/Isolater) is a high quality totally passive audio interface that uses a pair of high performance transformers to totally separate input and output signal grounds, thereby isolating two systems and reducing hum and ground-loop noise. The DTI's audio transformers have an extremely flat and wide frequency response and can handle high signal levels while maintaining an isolated balanced output. This gives the DTI a very clean and neutral sound with a wide variety of signal sources. The transformers are wound for 1:1 unity gain and are designed to be used with impedances from 600 Ohms to 100k Ohms.

What further sets the DTI apart from other lesser isolation boxes is its connection versatility, with XLR, 1/4" phone, and RCA type phono connections on all inputs and outputs. This allows it to easily fit into virtually any audio system and be the clean patch point between all types of systems.

Whether you need an interface between a computer based audio workstation and your monitor system, isolation on long cable runs in a fixed installation, isolation of a signal source from your recording equipment, or in many cases, just a safer connection between two audio systems, the DTI can accommodate.

The compact black anodized all aluminum case and it's passive design allow the DTI to provide years of trouble free service in Live Sound, Permanent/Fixed Install, DJ, and virtually any PA application. Its full feature set, rugged construction, and high-end specifications make the DTI the obvious choice.

Notes: The Pro VLA II is a tube driven Vactrol-based compressor/leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the Pro VLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.

Capable of delivering a far more musical natural sounding and sonically transparent compression than competitive units in its class, the Pro VLA II uses an Opto-electronic circuit rather than the more typical design VCA driven level detection circuit. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical audio applications.

Exceptional signal integrity with extremely low noise and low distortion is achieved in the Pro VLA II by utilizing a transformerless design throughout.

Unlike typical compression units that use Voltage Controlled Amplifiers (VCA's) to handle level detection, the Pro VLA II's Opto-electronic design allows a far more transparent and musical sounding compression without sounding aggressive or un-natural. This Vactrol based optical electronic circuitry is the basic component of the classic highly sought after compressors of past.

The Vactrol design allows the Pro VLA II to react to audio signal in much the same way the eye naturally adjusts to fluctuations in light levels, smoothly, quietly and almost imperceptibly.

The Pro VLA II is a soft knee leveling amplifier by design. Although capable of providing dramatic compression effects, the Pro VLA II was designed to excel in any application where transparent, expressively musical dynamics control is desired.

Large highly visible backlit analog VU meters accurately display input and output levels while extremely fast 10-segment LED's display gain reduction. For added functionality, the LED's display either average level for mastering & mixing applications or peak hold for monitoring individual sources when tracking audio.

XLR and 1/4" TRS balanced inputs and outputs are provided to ensure the Pro VLA II can connect with any audio source or hardware. A +4 dBu/-10 dBu mode switch optimizes the Pro VLA II I/O for either consumer or professional equipment.

Notes: ***B-STOCK: Box slightly damaged, product unopened & in perfect working order***


The uniquely unpredictable MicroFreak but not as you know it. 14 digital oscillator modes, velvety analog filters and heaps of modulation/randomization controls, supercharged with wild vocoding abilities.

Arturia have created an entirely new 16-band mode to transform your voice in the Freakiest way possible. The vocoder engine features 3 waveforms - sawtooth, pulse width and noise - while the Timbre and Shape knobs adjust the response of the 16 frequency bands.

MicroFreak Vocoder Edition goes beyond robot vocals. 16 new presets give you instant access to android translations, crystalline harmonies and vibrant formant sequences galore. Connect an ex-ternal sound source like a drum machine or synth via the headphone socket for glitchy sound pro-cessing. Step up to the mic A simple, removable mic attachment that lets you sprinkle your voice into the mix. A gooseneck design means quick position adjustment, with easy connection straight into the headphone socket alongside your cans. The utility menu lets you set your preferred mic gain and noise gate settings. A new dress code First impressions make a difference. MicroFreak has always been out to make a statement, and the Vocoder Edition is no exception. The control panel has been given a makeover. The center strip boasts a bold new Swan graphic, while a sleek white finish makes this limited edition Freak stand out from the crowd - as if it didn't already. The Freak within Behind the revamped appearance and microphone attachment is the same lovable maniac that set the synth world spinning. Sparkling digital and wavetable oscillators collide with warm analog filters. A unique poly-after-touch PCB keyboard combines with a distinctly freaky arpeggiator & sequencer. Bathe your mix in sonic hysterics with the erratic mod matrix or the unique Spice & Dice randomizers.

Box contents:
MicroFreak Vocoder unit
Electret mic with gooseneck and headphone adapter
Power supply

Size & weight
Instrument size : 12.2 x 9.2 x 2.2 inches (311 x 233 x 55mm)
Instrument weight : 2.3 lbs. (1.02 Kg)

Notes: Chopping kinky is a voltage controllable, dual channel Wavefolder.

A wavefolder converts simple signals into richer and more dynamically changing ones. In contrast to a filter, wavefolding adds harmonic content to the waveform. It works by amplifying the waveform until it begins to saturate, then rather than clipping, the waveform gets folded back in on itself.

Each of the module's two channels has a unique wavefolding profile. At each input there are two CV inputs for controlling the level of waveshaping including one that passes through an attenuverter.

The CHOPPING KINKY is DC coupled allowing it to be used for both CV and audio duties; to generate harmonics on an audio signal or kinking LFOs and envelopes.

- Current needs: +12V: 65mA, -12V: 55mA
- Width: 8 HP
- Depth:30mm (inc power connector)

Notes: Somewhere between an analogue drum synth and a dub siren, the DS71 is a uniquely creative little box. Properly versatile, experimental stuff.

Supplier's Notes:
The DS71 is a synthesizer designed to easily create many different dub siren tones at your fingertips. It combines analog synth voicing circuitry with a powerful digital LFO that allows for quick access to different sounds at the press of a button. Inspired by the classic analog drum-synth modules and re-interpreted as dub siren.

Audio output: impedance balanced 1/4" TRS Jack

Trigger input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm x 5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.

Notes: Always a Juno favourite, the DT770s are a bit of a modern classic at this point. Closed back design for good isolation, making them a great choice for most studio work.

Supplier's notes:
The DT 770 Pro is a closed dynamic headphone and has been designed for critical music and sound monitoring. The single sided cable makes the handling of the headphone easy. The cushion system allows the DT 770 Pro to be used comfortably for long periods of time.

The circumaural design with velour cushions and adjustable headband makes the DT 770 headphones really comfortable, even over prolonged periods. The DT 770 250Ohm version is designed for the studio, delivering a higher impedance and a slightly more accurate response than the 80Ohm versions. The higher impedance also means you can safely use multiple headsets from the same source.

The 2 most common complaints when mixing using closed back headphones are that they are uncomfortable and don't produce enough bass, leaving mixes overly compensated (see the FAQ further down for the reasons why). The answer to first problem is to buy open back headphones, but they are no good for recording purposes and may not solve the second issue of bass response. Fortunately, the DT 770 Pro tackle both these problems, delivering an impressive nominal frequency response of 5Hz-35kHz using their innovative bass reflex system with a very large cup and velour cushions that let air through but not sound, thus reducing pressure.

Notes: Classic closed-back headphones in a low-impedance version designed to play nicely with outputs on phones, laptops and interfaces. One of the best all-round options for production.

Supplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.

Notes: Module: Accented Percussion Envelope Module (APE)

envelope generator, percussion, vca

Width: 6hp

Depth: 32mm , 1.26 inches clearance

Current: +19mA, -32mA

Circuits: Attack Decay Envelope Generator, and VCA's.

What does this module do?

This module allows you to add that dynamic 'accented' sound found in vintage gear like the Pearl SY-1 without having to build one of those kits, or hunt down the original. This module was influenced by such gear, but with modern parts. The goal was not to clone, but to get you really close results.

-There is a vca on the envelope output (DEPTH) with it's own CV Level input. This Dynamic Envelope has it's own output to give external vco's a 'pitch' ability. To do Disco 'POW' for example.



-There is another vca set up with CV Accent control just for the audio input.


If you patch up a sequencer, you can get very close results to the DFAM envelope portion.

*Gate or trigger input mode.

*3 modes for envelope time: Long, Perc (middle), and Short.

Notes: ***B-STOCK: Product opened, unused & in perfect condition***


Custom engineered in the UK for the Akai MPC Live Controllers, Decksaver's super durable polycarbonate shell protects against dust, liquid and accidental impact. Precision trimmed for an exact fit whilst accommodating cables, your MPC can sit ready for operation. Slides straight into a flight case or bag ready for transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.

Notes: The Decksaver Ashun Sound Machines Hydrasynth Desktop Cover is constructed from a polycarbonate shell for optimal protection. The cover is custom moulded to fit the shape of the Hydrasynth, and comes complete with a high-quality smoke/clear sheen. This is the ultimate choice for anyone wishing to protect their synthesizer from dirt, dust, and superficial damage. It also provides easy access to inputs and outputs at all times.

Please note: The Ashun Sound Machines Hydrasynth Desktop Synthesiser is not included in the purchase. It is shown for demonstration purposes only.

Dimensions:
Length: 44.3 cm
Width: 23.8 cm
Height: 6.5 cm

Notes: Soft fit protection for your gear. The Decksaver Behringer Neutron, K-2 & Pro-1 Cover, Soft Fit is ideal for protecting your precious synthesizer from the rigours of the tour. This unique version of the Decksaver utilises "Soft-Fit" technology for maximum protection for the wooden panels on the side of the synth.

Decksaver covers provide great protection from dust, liquid, and accidental impact - using them means you get ample security from the dangers of the road. Don't settle for less.

Please note: The Behringer K-2, Neutron & Pro-1 Synthesiser Cover is not included in this purchase. It is shown for demonstration purposes only.

Weight: 0.35 kg
Dimensions (LxWxH): 42.6 x 14.8 x 6.6 cm

Notes: Module A-103 is a voltage controlled low pass filter with 18dB/octave slope. The circuit is based on a modified transistor ladder (Moog ladder) and is a reproduction of the legendary TB303 filter.

As for the rest the A-103 is identical to the A-120 Moog low pass filter (same controls, inputs/outputs) only the filter sound is different.

Notes: Queen of Pentacles is a complex 7 voice analog drum/percussive synthesizer module based around:

3 analog discrete TR-909 circuits with advanced noise spectrum animation

4 zero latency microSD card sample players - including a set of freshly recorded samples for modern electronic music using handcrafted Paiste 602 15" and 18" cymbals

Effect processor as found in famous Grand Terminal/Milky Way/Blck_Noir

The new Queen of Pentacles covers the range of Dance/EDM/Techno music styles and is inspired by the famous TR-909.

The module offers seven drum sounds. Three drums are analog - bass drum, snare drum and clap. The other four drums are sample-based. Just .wav files playback directly from a microSD card with additional volume envelope, decay and pitch control. Those are simple modifiers but help you to shape the sounds played as one-shots.

There are 7 sounds in the drum kit. 3 drums are analogue - bass drum, snare drum and clap. These 3 are generated analogue for the following reason: each sound has its own binary noise generator and really - each time they are triggered the flavor is unique - they simply never repeat. At the same time they don't phase out each other as in the original 909, which is great - for example in the situation when reinforcing the clap on 2nd and 4th with an additional beat of the snare.

The other 4 drums are sample-based. Just .wav files playback directly from a microSD card with additional volume envelope, decay and pitch control. Those are simple modifiers but help you to shape the sounds played as one-shots.

Back then when Endorphin.es launched BLCK_NOIR, they introduced the next product line with black panels, as people liked the new styling. Now, along with continuation of the black panels comes another leap forward: New aluminum knobs suit the design perfectly.

Notes: Professional Sync:
The multiclock solves your sync issues in the studio and on stage once and for all.
Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter.
Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks.

Shift & Shuffle:
To compensate for any time lag of connected gear, you can shift each output channel individually and in realtime back and forth relative to the master clock.
The shift range is completely configurable and has a maximum of i400ms, the resolution is 20us.
If you have set your machines up to be on the spot, start playing with shuffle. Again, individually for each channel and in realtime.

Midi, Din, Modular & LFO:
Each channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock.
Analog clock signals are configurable in polarity, start/reset behaviour and feature a flexible clock divider. An analog LFO is available with various waveforms and a range of 0-5V.
If you got them configured, channel settings can always be named and saved as a preset for later recall. Just in case you have a lot of gear.

USB Add-On
If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On.
This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock.
There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock.

Notes: More knobs than you can shake a stick at. Add hands-on control to pretty much any MIDI-equipped hardware or software. Upgraded version of the classic PC44, featuring a whopping 72 rotary pots and 12 buttons.

Supplier's notes:
PC12 as successor of the PC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine two or more NEW MODULE devices to create a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the pot controller also with your DAW like a classical 12-track-mixer.

The device has 72 standard pots and 12 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...

Notes: The 4 Channel Mixer is a basic DC coupled mixer with 4 inputs and 4 attenuators. DC coupled means that it will accept both DC and AC (Audio) signals. As with all Hungry Robot "Modular Boxes" the 4 Channel Mixer can be powered with a simple 9V DC, Negative Center power supply.

PATCH POINTS
-IN (x4): Patch in any audio or CV signal to any of the 4 inputs. (NOTE: Avoid mixing CV and Audio)
-OUT: This output is the sum of the four channels

KNOBS
-LEVEL (x4): Each input has its own attenuator that allow you to bring down the level of the inputs

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel

Notes: The Buffered Multiples is a simple utility that allows you to patch in a cable and split it to three locations without any signal loss. A common problem with stackable cables or passive multiples is signal attenuation. The Buffered Multiples uses 4 high quality buffers to provide 4 banks of lossless splitting. There is nothing groundbreaking or sexy about the module, but it is an extremely useful utility for any modular rig. As with all Hungry Robot "Modular Boxes" the Buffered Multiples can be powered with a simple 9V DC, Negative Center power supply.

PATCH POINTS
-IN: Patch in what you want to split (can accept any voltage or audio source)
-OUTPUTS: Patch out with zero signal loss

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel

Notes: The Hungry Robot Sample & Hold provides basic S&H functionality with some added bells and whistles. It uses an internal clock dialed into a very useful range. If the internal clock rate is not to your liking, you can bypass the Rate knob by patching a clock signal into Clk In. The Sample & Hold has a built in attenuverter giving a bit of added control over the random voltages that are outputted. White noise out for uses elsewhere. Traditionally a S&H samples voltages from chaotic white noise, but E.In allows you to bypass the white noise and patch in your own sample source (i.e. patching an LFO in for a bit crushed LFO). As with all Hungry Robot "Modular Boxes" the Sample & Hold can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-MINUS/PLUS: Attenuverter for output. Allows you to sweep between positive and negative voltage outputs.
-RATE: On board clock source ranging from approximately 25ms to 1000ms.

PATCH POINTS
-E.IN: Bypasses internal white noise as a sample source. Patch in any CV source that you want to sample from
-STATIC: Taps into white noise output (0-5V range)
-CLK IN: Bypasses internal clock with your provided external clock
-S&H OUT: Two buffered outputs of S&H voltage

Dimensions: 4.7" x 2.6" x 1.5"
Power: 9V DC - Negative Center - 2.1mm Barrel

Notes: The Borderland is an advanced digital reverb with a versatile tap tempo LFO/modulation section. At its core, is a reverb algorithm designed specifically with an ambient player in mind. It has an adjustable low-pass filter to alter the character of the reverb, ranging from small room reverb to a cavernous, dark hall reverb.

There are 8 LFO waveforms to choose from and 4 unique modulation modes (tremolo, chorus, triple octave tremolo, and octave slide). Set the LFO rate manually by using the "Velocity" knob or using the tap tempo option (right footswitch).

The left footswitch sends the pedal into near infinite sustain with the trails teetering on the edge of self-oscillation. The "Effect" and "Clean" knobs allow you to independently dial in the perfect ratio of wet and dry signals. Adjusting the "Ambiance" and "Brilliance" knobs sets the length of decay and the cutoff frequency of the onboard low pass filter.

The Borderland is the perfect pedal for creating lush, modulating, ambient textures.

Modulation Modes

The four modulation modes can be accessed through different toggle switch combinations.

Tremolo
Left Toggle - dB / Right Toggle - OFF

LFO affects the volume of the reverb signal, creating a tremolo effect

Chorus

Left Toggle - HZ / Right Toggle - OFF

LFO affects the pitch of the reverb signal, creating a chorus effect

Triple Octave Tremolo

Left Toggle - dB / Right Toggle ON

Three Octaves of Reverb, LFO affects volume of reverb, creating a vintage organ effect

Octave Slide

Left Toggle - HZ / Right Toggle ON

LFO crossfades between original pitch and octave up, creating an octave slide effect

Knobs

"Clean" - Sets the volume of the original dry signal
"Ambiance"-Sets the overall decay of the reverb trails

"Brilliance" - Sets the cutoff frequency of the low pass filter

"Effect" - Sets the volume of the wet reverb signal

"Velocity" - Manually sets the LFO rate

"Modulation" - Sets the depth of the modulation

"Waveform" - Sets the waveform type. The 8 waveforms are listed on the back of the pedal.

Footswitches

Left - Sends the pedal into near infinite sustain

Middle - Master On/Off

Right - Tap Tempo


Other
"Secret Mode" - There is a secret mode that can be selected internally by way of a dipswitch. This mode replaces the reverb code with delay code. The LFO section applies the same 4 modulation types to the delay section. The "Ambiance" knob is now delay feedback and the "Brilliance" knob is now delay time.

"Clock Input" - The clock input can received traditional tap tempo or 5V modular clock signals (gates/triggers).

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: The Wardenclyffe is a lo-fi ambient modulator. It emulates the magical lo-fi textures of early audio recordings.

Inspired by Nikola Tesla's Wardenclyffe Tower, the pedal attempts to capture the essence of one of the most mysterious and odd scientists of the century.

The Wardenclyffe wears many hats: it is a pitch modulator, vintage low pass, high pass filter, & ambient pad reverb.

Depending on knob positions, it can be used subtly as a vibrato, chorus, or pad reverb... or by cranking the filter, depth, and wet knobs you can get into extremely nauseating lo-fi territory.

All elements combined, it provides all the tools you need to get that beautifully broken lo-fi texture you've been dreaming of.

Knob and Switch Description
WET: Controls volume of wet signal. At full turn, this goes above unity gain.
DRY: Controls volume of dry signal. At full turn, this matches unity gain.

HP/LP: Switches between High Pass Filter (UP) and Low Pass Filter (DOWN)

FILTER: Blends between filtered signal and clean signal. Filters have a fixed cutoff frequency.
PAD: Switches on a "below-the-mix" ambient reverb that sits just at the edge of infinite sustain.

LFO/GLITCH: Selects modulation source for pitch-bending. LFO is a standard SINE wave. Glitch is a how a SINE wave acts after a few drinks.
DEPTH: Controls the depth of the pitch-bending modulation.
SPEED: Controls the speed of the pitch-bending modulation.

Switching: True-Bypass

Current Draw: 105mA

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: The Wash is a dream come true for ambient player and ushers in a new chapter in the world of delays. It accomplishes the arduous task of creating an organic, below-the-mix wash. Normally this requires stacking 3-4 reverb and delay pedals at the end of your chain. The unique "Wash Circuit" creates the perfect wash with only one pedal.

For the new version (V2), Hungry Robots worked hard to squeeze the circuit into a smaller enclosure while keeping the build quality and tone quality identical. The circuit that hundreds of users have fell in love with is unchanged. The new versions are 2 inches smaller left and right. In addition to the smaller enclosure, the new option for top mounted jacks can save you a lot of board space.

At its most basic utility, The Wash is an outstanding analog-voiced, tap-tempo delay with just over 1000ms of delay time.

The Wash circuit is what makes the pedal stand out from other delays on the market. The Wash circuit adds reverb to the signal and through a complicated network of internal feedback loops, subtle multi-head Binson effect, and what is known as "ripple effect," It works to add a hauntingly beautiful wash to your signal in ways that can't be accomplished by stacking a reverb and a delay in series. It does all of this while keeping the clarity and presence of your original signal without getting lost in the soup of decay.

The Wash reacts to your playing unlike the common DSP reverb/delays with an infinate sustain function. There is a dynamic quality to it that is hard to replicate with any other single pedal.

The "Ripple" knob controls The Ripple Effect. The Ripple Effect is a feature in which each successive delay trail slowly scatters and transforms into reverb. The "Resonance" knob is to fine-tune the resonance and decay of the wash. The Middle "The Wash" knob controls the mix/level of the wash.

Current Draw: 92-93 mA

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: The new, 2nd generation Audio Jacks Board comes pre-installed in every Intellijel 7U case manufactured since early 2019. Because this board is more fully featured than the previous generation, it's available as a stand-alone component for anyone who wishes to update an older 7U case.

You can tell which board you have by looking at the connectors. The new Audio Jacks Board has a large shrouded header flanked by two smaller shrouded headers, flanked by two link connectors at either end. Older boards have only one connector along the bottom edge.

The board holds four Neutrik TRS jacks, each of which can be configured as either an input or an output depending on the modules you connect. This allows you maximum flexibility when configuring your case - whether you wish to use the audio jacks as outputs, inputs, sends & returns; or some combination of these.

The jacks carry different audio signals depending on what you connect to the Audio Jacks Board. Please refer to the manual for more details on the many options available.

Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult

Notes: This module has 1/8" jacks to accept either mono or stereo audio signals from your modular gear.

It features input level indicator LEDs, and contains all the gain control circuitry necessary to drive external audio gear at the proper levels.

A ribbon cable is included for connecting it to either the Stereo Out Jacks 1U module, or a compatible Intellijel case with 1/4" jacks (e.g. 7U x 104HP, 7U x 84HP, or Palette 62).

Notes: The Volca Mix is a four-channel analogue performance mixer that lets you construct a live setup combining multiple Volca units.

Volume faders are easy to control, plus crisp-sounding LO/HI CUT filters, and a master chain that radically transforms the sound. In addition to the sync function found on all Volcas, there are also DC output connectors that can supply power for up to three Volca units. Numerous functions to facilitate your on-stage Volca performances have been packed into a high-quality aluminium-panelled body, reminiscent of a high-end DJ mixer. The Volca Mix will unlock the maximum potential of the Volca series.

An analog mixer for performance:

The Volca Mix is a four-channel analog mixer with an intuitive interface and plenty of connectivity. It provides two mono inputs and one stereo input, perfect for connecting three Volca units. The jacks are mini-jacks, allowing you to make connections with just one stereo mini-cable from the headphone out of each Volca unit. The channel volumes use vertical faders that allow precise control. The gain can be boosted to adjust the mix balance, and mute buttons are also provided. Each channel is also equipped with a LO/HI CUT filter that lets you control the low and high frequency ranges with a single knob. The pristine, natural-sounding filters that you expect from analog gear give you complete control over the character of your sound.

Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability:

The output section provides RCA stereo line outputs to ensure stable connection. There's a master volume with LED VU meter for adjusting the output level, as well as a headphone output that can be used simultaneously with the line output, providing a reliable monitoring environment on stage. Speakers are also built-in for excellent portability. The stereo speakers are placed at both sides of the front, and while compact, deliver SPL levels that are even greater than the built-in speakers on previous Volca units.

Powerful master chain:

The Volca Mix is equipped with master effects powered by all-analog circuitry. In addition to an expander that broadens a mono source into a stereo sound image, there's a dynamic range compressor that compresses the high-frequency range according to level changes of the low-frequency region, as well as a side chain effect that's indispensable for dance music. Use these to dynamically vary the mix, adding a professional feel to live performances with the Volca.

Connect an external effect unit for further variety:

The Volca Mix provides a stereo mini-jack send out and AUX in jack, and send level knobs for each channel. This allows you to use it with an external effect unit in a send/return connection. When used in conjunction with a unit such as the mini Kaoss pad 2S, you can also enhance your live performances using standard effects such as reverb, delay, filter, and break. The AUX in jack can also be used as a stereo input channel for a fourth Volca unit, an iOS app, or any other gadget, instrument, or device.

As the master of your Volca live setup:

The Volca Mix features an analog sync out jack that can easily be connected to many pieces of KORG gear for tempo sync, and also a play button and tempo knob to control that sync signal. By using the Volca Mix as the sync master device of your live setup, you can easily enhance your live performance, such as simultaneously playing sequences from multiple synced units, and combining mute and volume control to create performances that use your Volca units in even more ingenious ways.

Notes: Ears is Mutable Instruments' take on Tom Whitwell's open-source Mikrophonie module - a contact microphone and amplifier.

A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case - even speaker feedback.

With its built-in envelope follower and gate detector, it can also be the gateway between external audio sources and your modular system.

Ears for your modular:

- Built-in contact microphone soldered right under the front panel, turning the panel and your entire case into a microphone.

- Increasingly spaced ridges on the panel, generating sonically interesting pulses or impulse combs when rubbed. Strike, pick or scratch digital resonators like Rings, Elements or the 4ms SMR.

- High-quality amplification stage suitable for external contact microphones, electro-acoustic instruments like guitars, or plain line-level signals.

Notes: Komplete Audio 1 is a simple, great-sounding audio interface with all the software you need to put ideas into action. From recording songs, to mixing down and playing out - it helps you go from a spark of inspiration, to finished results you can be proud of.

For the songwriters:
Easily record vocals, guitar, or any other instruments straight into your DAW in high quality. With Ableton Live 10 Lite, synths, and effects included, you've got everything you need to create songs.

For your story:
Whether it's a beatmaking vlog or a podcast you're creating, the interface give you everything you need. Record speech in high quality, then give it a pro touch of mastering with the included plugins.

For the performers:
Take your music to the bar, club, or anywhere else. Bag-friendly sized - it's a simple way to incorporate a laptop into your performance. Make quick, on-stage level adjustments using the big volume dial.

For the producers:
Break out of the box - bring synths, effects, and other gear into your productions. Flip samples from stereo sources. And polish your productions with studio-grade instruments and effects included.

Komplete Audio 1 - recording made simple:
Perfect for recording mono sounds like vocals and guitar at the same time. It gives you two different inputs - XLR for vocals, and jack for guitars or other line-in sounds. Plus, stereo RCA outputs let you connect directly to hi-fi speakers and play everything out loud.

Notes: Horologic Solum is a 4HP voltage-controlled clock generator. Three speed modes allow a wide range of rates. Horologic Solum also includes three divisor modes for offsetting up to four outputs. Use the internal clock or chain to an external clock to sync multiple HS.

Size and power: 4 HP

+12v: 50ma

-12v: 5ma

+5v: 0ma

Horologic - Discrete time; from Latin horo "time" and Latin "logic": "Logical time"

Solum - Live usage; from Latin "ground": "sequence"

Uter - Either; from Latin uter: "Choice of"

Horologic Solum: "Time divider"

Horologic Uter: "Time choices"

Notes: Horologic Uter is an optional expander for Horologic Solum that offers an extra seven outputs at fixed, musically useful, divisors.

Notes: Quantus Pax is a four-channel precision adder, buffered multiple, and polyphonic transposition utility. Each channel has two CV inputs and can be further modified by the three Xpose inputs. QP is made with high quality low-tolerance resistors for unbeatable accuracy. Patch-wide key changes, polyphonic movement, mathematically derived melodies, and more are all to be had with this simple but useful utility.

Notes: The NuX MG-300 is a compact yet powerful live multi-effects processor, recording tool and practice companion for guitar players. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NuX TSAC algorithm, which delivers high definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations. For live or rehearsal backing, the built-in Jam function has a fully featured drum machine and phrase looper. To integrate with a DAW studio suite, the USB also functions as a high quality audio interface, completing the studio-ready guitar rig. The main output has options for guitar amplifiers, D.I to studio equipment or straight to a pair of headphones. On-the-fly controls and a full colour display complete the package, providing a comprehensive and affordable guitar workstation in a very portable format.

The box for this item contains :
NUX MG-300 multi-FX pedal
9Vdc UK power adaptor

Specifications:
Power supply: 9Vdc, 260mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB: portMicro-USB for audio interface and PC/Mac editing
Sampling format: 48kHz, 24-bit
Frequency response: 20Hz - 20kHz (i1dB)
Output: 6.3mm jack to mixer, amp or headphones
THD: +N<0.03%
Dynamic range: 110dB
Input level: -20dB
Output level: -10dB
Dimensions: 230 x 160 x 58mm
Weight: 754g

Notes: NUX Mighty Lite BT is a new standard for the mini class amplifiers. It's lightweight and literally small all-in-one portable guitar amplifier. It's a low-watt practice amp that you can use in any room at your home, put on a desk or take it wherever you want and jam, via the battery-powered operation or USB to power bank connection. It features 3 channels, built-in digital reverb, and delay, Nux user-friendly interface design. It also offers an Auxiliary line-in and Bluetooth connection for jamming along to your own music... You can improve your jamming skill along with built-in drums and metronome as well.

Notes: NUX Masamune is a sound-crafter pedal. It forges your dry-signal, enhancing your sound before sending your signal to your amp, and/or any effects unit. The Booster adds beneficial color to your signal, and, if necessary, after you adjust the boost & drive levels, you can cut high frequencies on your Input signal with the Hi-Cut Toggle Switch. Masamune's Kompressor does a remarkable job managing and enhancing your signal: Komp Level knob adjusts the final Output level for the Compressor, perfectly balancing your Input and Output signals. Sustain knob adjusts the compression ratio, and increases sustain. Higher sustain levels will squash your signal harder when you hit the strings and creates a longer, richer sustain. Blend knob adjusts the compressor transparency from 50% to 100%, so you can dial-in the exact amount of compressed dry-signal blend you want.

Notes: Welcome to the Eurorack Drum Machine:
The Pittsburgh Modular Lifeforms Percussion Sequencer is a seriously featured, 4 channel eurorack beat programmer with a classic drum machine style interface. The familiar interface allows for quick mastery of all the features leaving the focus on the music. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Easily create new patterns using the live performance or step recording modes, then add one of the powerful pattern effects to each channel to take the sequence to a new level. Designed to integrate into any size eurorack system, simply patch 4 audio signals through the integrated high quality VCAs to create a set of unique percussion voices. Eurorack drum programming has come to life.

Anything is a Drum:
Traditionally, patching up a modular drum kit was constrained by the amount of envelope and VCA modules in a system, restricting the number and complexity of percussion voices in most systems. Another option was to use dedicated drum modules that offer a limited sonic palate and few modulation options. The Lifeforms Percussion Sequencer breaks through these barriers by including a percussion tuned analog envelope and VCA on each channel. Patching anything from a basic sine wave to heavily modulated and processed noise sources through the Lifeforms Percussion Sequencer will quickly create a distinctive drum kit that takes full sonic advantage of the unique synthesis options available in any system.

The Mind of a Modern Drum Machine:
At the heart of the module is a 4 channel, 32 step beat sequencer designed for live performance. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Create and store up to 32 sequences using live performance or step mode recording with pattern lengths varying from 1 to 32 steps. Patterns can be copy and pasted to easily create multiple versions of a beat. The sequencer is driven by an internal tap tempo or external clock source. A dedicated clock in/out jack syncs the sequencer with other modules.

Four Integrated Analog Envelopes and VCAs:
Instead of limiting the drums to a few onboard voices or lo-fi samples, the Lifeforms Percussion Sequencer uses an analog envelope and VCA built into each channel to shape any audio source into a percussive instrument. The envelopes are designed with a razor sharp attack and variable decay/release allowing for maximum control over the output of each channel. The envelopes can also be used externally. A short envelope creates a trigger while longer envelopes can be used as a modulation source for oscillators, filters, or anything at all.

6 Adjustable Pattern Effects:
The Lifeforms Percussion Sequencer includes 6 unique pattern effects to expand the musical possibilities of traditional grid style beat programming. Effects include everything from swing and beat shifters to glitch and generative algorithms designed to manipulate the sequencer pattern. Each channel can run a unique instance of one pattern effect at a time. A master pattern effect channel is also available that affects all 4 channels of the sequencer. The combination of the channel effect and the master effect allows for up to two effects at a time on each channel. Each effect has one parameter that can be adjusted to dial in the perfect response.

- Shift Effect
Delays the trigger output of a channel by small divisions of the tempo. Use this effect to create half-step or stutter-step drum triggers. Effect knob controls the amount of channel shift. The range of shift is 1/8th to 7/8ths of a beat.

- Glitch Effect
Probability based glitch effect that creates chaotic gates based on a cascading chance algorithm. The resulting patterns are always in sync with some division of the clock, allowing for stuttering but not disjointed patterns. The probability is set using the effect knob. The range of the glitch effect is minimal to absolute chaos.

- Density Effect
Sets the number and timing of triggers created for each active step. The result can be anything from a doubling of the trigger to a rolling effect. The effect knob controls the trigger density.

- Morph Effect
Create evolving patterns. The morph effect is a probability based algorithm that modifies an existing pattern by adding or removing active steps. The effect knob sets the probability that the pattern will morph.

- Swing Effect
A classic drum machine effect meant to mimic the feel of a real drummer by shifting the timing of every other step. The effect knob controls the amount of swing.

- Add/Drop Effect
Temporarily add or drop steps from a pattern. The results are similar to the morph effect but changes to the pattern are not compounded as the pattern plays allowing the resulting pattern to stay anchored to the original sequence. The effect knob sets the probability that a step will be modified.

Notes: Eight-voice modular synthesis? Yes please. Updated version of the Poly splits your MIDI signal to CV and gate for fully polyphonic action. Chain multiple units for even more multi-voice madness.

Supplier notes:
The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.