Ivano Fossati - "Night Of The Wolf (Tema Del Lupo)" (4:00)
Review: Measured Mile records puts two classy soul tracks onto the same 7". Originally released in 1974, Act 1 - 'It's The Same Old Story' is often looked over classic of the era. Act 1 hailed from Detroit and featured Raeford Gerald, Roger Terry, Reggie Ross and George Barker. The band had two minor hits but often people recall 'It's The Same Old Story' as their favorite of their only full album. Ivano Fossati's 'Night Of The Wolf' is found on the B-side. A jam song that verges slightly into Latin music, asks for quite a sum of money for its original copy. Both tracks add up to a real gem of a 7".
Review: Tunes Delivery is a sub-label of Scruscru's Scruniversa and now it enters into the world with a fantastic first offering in the form of this six-track various artists EP. 'Hotmood' opens up with the feel-good disco-funk of 'Just Tonight,' Scruscru keeps it real with 'Funky Flute' which is a nice languid instrumental and Frank Virgilio up the ante with some big horn-laced grooves. The flip side then comes on strong with three more brilliantly musical grooves that brim with catchy riffs and fresh disco-infused rhythms. A great start to what is sure to be a great label.
Reflect (I Thought It Was Me) (feat Moniquea - remix) (4:33)
Review: MoFunk has a lovely 7"on its hand here that very much has us pining for summer, warm outdoor parties and steamy funk sessions. I Ced's 'Call Me Up' (XL Middleton remix) is all squelchy boogie bass and shooting star chords. The effortless vocals do acrobatics up top and bring soul and joy to swell your heart. On the flip is another gem - 'Reflect (I Thought It Was Me)' feat Moniquea, which is slower, with finger clicks and swirling bass all warming you through while the chords build and the withering melodies bring yet more heat.
Review: Original Gravity strides into 2025 with this electrifying debut release from I Ragazzi. The limited 45 rpm has been crafted by the talented Neil Anderson and the title cut 'Terremoto' on the A-side bursts with funky, soulful energy that promises to keep floors moving and grooving all night long. It has big drums, crashing hits and driving Hammond organ stabs that never let up. On the flip, things get a little more laid back with 'Via Appia' which is led by more great organs, this time with swirling horn sounds and an inviting rhythm.
Review: Debut release on the Canadian label imprint from two Icons Of Hip Hop with the the debut 45 with Otis . This 45 draws on hip-hop's golden moments drenched in soul samples .Up first on 'Otis', which is offered up as a vocal mix on the A-side. It's three minutes of beat-making perfection with muted horns sampled throughout, raw back-and-forth bars and dusty drums with plenty of guttural soul. Flip it over for the massive funk instrumental which is stripped of the mic-work and allows the rawness of the classic 6t's soul sample to really shine through.A great start to what is sure to be an essential label for hip-hop heads.
Review: Following their surprise reunion and Strut-release album We Be All Africans last year, Idris and The Pyramids return... This time on Max Weissenfeldt's Philophon imprint. Laying down a spiritual arrangement so frenetic and full of its own life it takes up two parts, Idris's sax plays duet with Philophon's own vocalist Guy One. Gutsy, raw and full of surprises, it's another out-of-body experience from the longstanding jazz troupe.
Review: Possibly arriving from the same source as those Originals seven inches comes the Rare imprint with a Ronseal approach to their releases i.e. this 45 slaps two highly sought after diggers delights on either side. The horn and string heavy funk disco of IMP Express's "8-1" makes a reappearance after Kon & Amir used it on a BBE comp a while back and it's joined by the equally jaunty "Keep On Moving" from Phillip & Llyod. Only 300 of these for the worldwide independent record shop network so don't sleep!
Review: The backstory to this one is great. It starts in 1978 when a New York producer was in need of some studio musicians to lay down some fast and funky rhythms for a band he was working with, The Imperials. Minneapolis talents Andre Cymone and Prince Rogers Nelson duly stepped up and recorded 'Fast Freddy The Roller Disco King'. An album from the Imperials was set to follow but it never did, leaving us with this one majestic cut. It's soul-drenched and cosmic disco with a killer vocal back with a more leggy and slow-motion cosmic wonder, 'I Just Wanna Be Your Lovin' Man.'
Review: The In Sound Company are in top form on this free new serve ing of 7" funk. It is heavily psyched out stuff for the heads with Yael Lavie the featured guests to kick us off on the time track. The drums splash and crash, the rugged guitar snakes below and the whole thing has a raw but real sense of seduction with plenty of subtle Turkish rock overtones, to our ears. Project Gemini's Paul Osborne plays bass on 'Our Tin Can Rocket'. It is a more driven flip side with whirring guitar pedals and hard biting drums for maximum club clout.
Review: The Incredible Bongo Band were a loose studio collective interpreting classics of the day in their own inimitable percussive fashion .They are of course most famous for their ultimate b-boy classic version of "Apache". This particular 7" however features two Incredible Bongo Band cuts that have not previously featured on any albums. "The Riot" is a frenetic drum workout and has been championed by the likes of the Chemical Brothers. "Ohkey Dokey (Part 2)" takes on a somewhat more subdued hue in comparison, but has some dope funky clavinet in the mix. Well worth checking.
Instant Funk - "I Got My Mind Made Up (You Can Get It Girl)" (T Groove remix) (4:42)
First Choice - "Love Thang" (T Groove remix) (4:52)
Review: Here are two absolute gold standard Salsoul classics given a new spruce up thanks to the remix skills of T Power. Wisely, they've chosen to take a softly softly approach to such sacred material, but there's a little extra dancefloor oomph where it counts to make these tracks pop off that little more against more modern fare. First up is Instant Funk's evergreen classic "I Got My Mind Made Up (You Can Get It Girl)", and on the flip it's the impossibly perfect "Love Thang" by First Choice. Both have never sounded better - full credit to T Power for doing this one right.
Review: Two insane slices of disco funk from the late 70s/early 80s, Salsoul and Fraternity have collaborated to release this very special 45. Not only is this the first time either track has appeared on 7", but they're also massively influential in sample culture. Instant Funk's "Funk Is On" comes complete with a lavish swinging breakbeat that most will recognise in the work of Stetsasonic but it's Gaz's "Sing Sing" that wins the most-sampled trophy, having appeared everywhere from Wu-Tang's "It's Yourz" to Wamdue Project's "King Of My Castle" to Kylie Minogue's "Speakerphone"! Two legendary slices of history, one special "7... The funk is well and truly on!
Review: Invisible Inc. have been nailing solid Afro-dance fusions since time immemorial, but one of their best and more recent claims to fame come in the form of the 'Invisible Session', an instrumental supergroup championing collaboration. This new 7", 'Africa Calling', consists of two leftover recordings from the 'Echoes Of Africa' album, and meditates on Gambian kora and guitar, showing off just how much emotion the instruments can vibrate out of each other when played in quick succession. Both steadying an electronic Afrobeat chug, the guitarry A-side sounds oddly harplike, while Massimo Napoli's kora version sounds a lot more terrestrial and has East Asian traditional music feel.
People All Around The World, Can Make It (Studio live take) (5:51)
Review: Milanese quartet The Invisible Session has a proven track record of delivering soulful nu-jazz workouts, with each successive release displaying a different range of influences (think jazz-funk, soul-jazz, Afrobeat, spiritual jazz and so on). So what do they have in store for us this time round? In its original form (side A), 'People All Around The World Can Make It' is a deliciously languid, fluid, sun-splashed number that effortlessly joins the dots between Afro-soul, soul jazz-and jazz-funk - all spiritual group vocals, Tony Allen-style drums, punchy horns and spacey synthesizer flourishes. The accompanying 'studio live take' is stripped-back affair that adds attractive delay trails to the horns, removes the vocals and prioritises the Fela-inspired groove. In other words, it's effectively their take on a reggae style 'riddem' version. Proper.
Review: Ipa-Boogie's self titled album is a super rare one that is super expensive even if you do manage to find a copy. Thankfully, for the first time ever on 7" vinyl, Acid Jazz kindly serve up short versions of 'Get The Music Now' and 'Africa', which both come from said full length. These are some of the only recordings known from this obscure band, and they first came in 1978 but still sound ahead of their time. This release, it is also worth noting, kicks off a new 45 series from Acid Jazz entitled Albarika 45, which will focus on many rare singles and unknown versions throughout the forthcoming year.
Review: We haven't heard any new music from super soul group The Ironsides since back in 2020. Boy, how the world has changed dance then, Anyway, their sound has not and is just as life-enriching as ever across these two new tunes. First up is the glorious 'The Changing Light' with its lush sounds and catchy melodies and then on the flip is 'Sommer' which is just as able to melt your heart. The good news is they also have a new album coming on the label either next year or the year after so keep those eyes and ears peeled.
Review: From soul to disco, pop to balladry, Athens Of The North can do it all, and often much better than most. Another exhibit to back that up now comes in the form of this 7" from Isabr'm and his 'If I Had You.' It's a straight up bit of boogie fire, with soul overtones good enough to suit the L850 plus you will pay if you try to get an OG copy. Next to that superb a-side is 'Nothing At All' on the flip, a sombre track with aimless sax leads conveying a sense of romantic loss.
Review: Repress time: released last year on a limited run of 45s, Chet Ivey's double-A "Dose Of Soul" / "Get Down With Greater" returns to the relief of collectors and funk lovers who missed out. Two of many swelteringly funky gems on his Sylvia Funk Recordings album curated in 2017, "Dose Of Soul" has a raw edge and looseness that's held together with Ayers-style vibraphone chords, while "Get Down With Greater" is much more of a traditional funk jam, with the organ player and bassist playing at their fullest of flavours and Ivey leading in his inimitable 'poisonous' style. Don't sleep!
Igor Gonya & Crack D - "Two-Piece Orchestra" (6:34)
The Funk District - "Watcha Gonna Do" (6:11)
Paul Older - "Love" (6:35)
Review: Super Spicy is a new Mexican label committing some serious heaters to wax. Helmed by Monsieur Von Pratt, the label boss himself sets the tone with opening track 'Forever Funk' on this various artists 12". The vibe is clear from the outset - classic disco-flavoured house music with oodles of soul and good vibes by the bucketload. Igor Gonya & Crack D get busy with the filters on 'Two-Piece Orchestra' and The Funk District take a more delicate edit approach to stomping peak-time burner 'Watcha Gonna Do'. Paul Older's 'Love' is the perfect swooning closer to the record, romantic and triumphant in equal measure for a proper hand-waving release of energy.
Ike Turner & The Kings Of Rhythm - "Getting Nasty" (3:30)
Review: Originally released back in 1968, Freddie Scott's "(You) Got What I Need" is a US soul staple that went on to be sampled by late '80s rapper and beat boxer Biz Markie on his breakout track "Just A Friend." Scott's track came some five years into a successful singing career and featured production from celebrated duo Kenny Gamble and Leon Huff. It's paired up on this 7" with another track that was later popularised in hip hop, Ike & Tina Turner's "Get Nasty". Depending on your view of late '90s hip hop, you'll either fondly remember how Jurassic 5 sampled this track for "Concrete Schoolyard" or jolt at being reminded of Chali 2NA's somewhat grating vocal delivery.
The Truckin' Company - "Got The Feeling" (Massimo Berardi edit) (5:41)
Izk Eyes - "Ton Of Groove" (The Funk District re-edit) (6:30)
Review: Fledgling label Daje Funk is sure to turn heads with their second sizzling offering of edits, with Rome's Massimo Berardi and Mexico's The Funk District both stepping up to the buttons. Truckin' Company's "Got The Feeling" is a loopy and rolling funk gem that keeps the energy up as strings soar to the skies and a squelchy bassline keeps you locked. The Funk District takes care of the flip with a top tweak of Izk Eyes's "Ton Of Groove", which is an appropriate title: big brass sections to shake your booty, a buttery male vocal and busy guitar licks all drive it forward through big breaks and killer drops.
Review: Famed for their thrilling, dancefloor-friendly fusions of West African funk and disco, American electrofunk and post-punk pop, Ibibio Sound Machine is one of the most exciting and essential bands of recent times. It's for this reason that "Doko Mien", the Eno Williams fronted band's first album for two years, is so hotly anticipated. Happily, we can confirm that it's another stunning set, with Williams and company charging through a set of sizzling songs that wrap kaleidoscopic synths, rubbery bass, fiery horns and off-kilter funk-rock guitars around grooves that variously doff a cap to '80s electro, Italo-disco, jazz-funk, Tony Allen and thrusting, mind-altering mutant disco. In other words, it's another must-have collection of cuts from the London-based band.
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