Review: Italian duo Nu Guinea has previously proved adept at creating humid, sultry deep house and tropical-infused electronics. Here, they focus a little more on the latter with a concept album based around the distinctive Afrobeat rhythms of legendary drummer Tony Allen. With his blessing, and that of the Comet label on which he's been releasing since the 1980s, the Early Sounds Recordings pair has cut-up and re-constructed Allen's drums, combining them with their own steamy electronics, vintage synthesizer lines and classic drum machines. It's an intoxicating and hugely entertaining blend that sits somewhere between their previous outings, Danny Wolfers' material under the Nacho Patrol guise, and the dreamy late '80s/early '90s work of forgotten Italian producer Mr Marvin.
Review: Destination Nigeria, 1975, Fela and Africa 70 are indelibly locked into a hugely prolific groove with well over 10 albums behind them. Then they release this, an LP comprised solely of two wondrously extended work outs from the troupe. "Expensive Shit" famously tells the tale of Fela's brush with the jaded law while "Water No Get Enemy" speaks - or rather sings - for itself. One of Fela's many notable and hugely influential releases; your collection isn't complete without it.
Hafusa Abasi & Slim Ali with The Yahoos Band - "Sina Raha"
Nashil Pichen & The Eagles Lupopo - "Ng'ong'a Wa Mwanjalo"
Nairobi Matata Jazz - "Tamba Tamba"
The Lulus Band - "Ngwendeire Guita"
Mbiri Young Stars - "Ndiri Ndanogio Niwe"
The Lulus Band - "Nana"
Afro 70 - "Weekend"
The Rift Valley Brothers - "Mu-Africa"
DO 7 Band - "HO Ochiri"
Afro '70 - "Cha-Umheja"
Peter Tsotsi Juma & The Eagles Lupopo - "Kajo Golo-Weka"
New Gatanga Sound - "Thonia Ni Caki"
Sophia Ben & The Eagles Lupopo - "See Serere"
Kalambya Boys - "Kivelenge"
The Loi-Toki-Tok Band - "Leta Ngoma"
Huruma Boys Band - "Theresia"
Orchestre Veve Star - "Nitarudia"
The Mombasa Vikings - "Mama Matotoya"
The Lulus Band - "Mutumia Muriu"
Ndalani 77 Brothers - "Nzaumi"
Review: Having explored the rich heritage of Nigeria and Ghana with well researched vigour, Soundway turn to Kenya for their next adventure... A rare insight: while Lagos was churning out seminal Afrobeat compositions, Kenya took to western influences in a much subtler fashion. With heavy emphasis on the Kenyan benga and Afro-Cuban rumba there's a much deeper, local folk presentation and format throughout most of the selection. Complete with detailed notes and beautiful presentation (like all Soundway compendiums) this won't look out of place in any collection.
Review: Eight years on from its previous reissue (that time courtesy of Analog Africa's "Limited Dance Edition" series), Mr Bongo is offering up a fresh, licensed re-press of Rob's eponymous 1977 Afro-funk masterpiece. If you missed out in 2011, the set is definitely worth picking up because it's rock solid heat from start to finish. Check, for example, the heavily percussive Afro-beat/Afro-funk fusion of "Funky Rob Way", the flanged funk guitars and heavy brass action of "Boogie On", the jazz guitars and loved-up vocals of "Your Kiss Stole Me Away" and the William Onyeabor-does-James-Brown heaviness of closing cut "More".
Review: Two titans of African music come together for a collaboration that will sadly never be repeated after the passing of the late Hugh Masekela. Allen's instantly recognisable drumming and Masekela's iconic trumpet are a match made in heaven - after all their paths first crossed back in the 70s thanks to Fela Kuti's galvanizing energy. Forget the throwback stuff trying to capture the spirit of the originators, this IS the originators sounding cool and deadly in every way. Funk lovers, Afrobeat heads, curious ears and dancing souls take heed - this right here is an unmissable transmission from two grandmasters in their field.
Rim & The Believers - "I'm Not Going To Let You Go" (3:11)
Rim & The Believers - "Peace Of Mind" (3:52)
Review: Having re-released Rim Kwaku's long lost Rim Arrives album, BBE follow it up with more dusty disco treasures from the Ghanaian hit maker's repertoire. From the blistering horns and thundering drum rolls of the near-nine-minute romp "Shine The Ladies" right the way through the looser, more Afrobeat-focussed "Peace Of Mind" by way of the emphatic Stevie Wonder-style showmanship of "I'm A Songwriter" it's a collection that still sparkles with soul 30 years after they were recorded. If you're unaware of Rim's story, you'd be wise to check it; from Quincy Jones endorsements to homelessness in the space of 24 hours, Rim's tales are as serious as his music is funky.
Review: In terms of being an afrobeat legend, Pasteur Lappe is Cameroon's Fela Kuti, an unsung hero who was ahead of the game back in the 1970s and 1980s, and one whose been famous for burning the pockets of many diggers nowadays. Luckily, Africa Seven have compiled some of his best work onto a ten-track LP, ranging from the funky oddities of "More Sekele Movement" or "Na Real Seke Fo'ya", to the future-zouk sound of "Sanaga Calypso", and plenty of jazzy, popped-out, disgruntled soulfulness to satisfy anyone from Gilles Peterson to Cherrystones. Heavy and warmly recommended.
Review: Regarded by many as Fela and The Africa 70's zenith, Confusion is 26 minutes of total Afrofunk immersion delivered over two sides. Gradually building - thanks largely to Tony Allen's dynamic drum work that's as delicate as it is powerful, Fela's dreamy, almost jazz-like keys and a rigid, spine-like rhythm guitar - the groove and narrative is developed with a natural sense of well-instrumented drama. A genuine classic, if your collection isn't blessed with this now is most certainly the time.
Review: The Budos Band are the quintessence of Staten Island Soul. Since the release of the 2005 debut, their exciting new afro-influenced take on the instrumental music has been captivating listeners across the globe. "The Budos Band II" is an amazing release on Daptone.
Ndenga Andre Destin Et Les Golden Sounds - "Yondja" (4:17)
Damas Swing Orchestra - "Odylife" (2:20)
Charles Lembe Et Son Orchestra - "Quiero Wapatcha" (2:55)
Louis Wasson Et L'Orchestre Kandem IrenEe - "Song Of Love" (3:25)
Tsanga Dieudonne - "Les Souffrances" (6:06)
Pierre Didy Tchakounte Et Les Tulipes Noires - "Monde Moderne" (3:51)
Willie Songue Et Les Showmen - "Moni Ngan" (5:09)
Mballa Bony - "Mezik Me Mema" (5:01)
Johnny Black Et Les Jokers - "Mayi Bo Ya?" (3:53)
Pierre Didy Tchakounte - "Ma Fou Fou" (4:05)
Lucas Tala - "Woman Be Fire" (4:23)
Ndenga Andre Destin Et Les Golden Sounds - "Ngamba" (4:38)
Review: We are extremely proud to announce our 32nd compilation from the Analog Africa regular serie, "Cameroon Garage Funk", highlighting Yaounde's 1970's underground music scene. The quest to assemble the puzzle-pieces of what seemed to be a long lost underground scene took us to Camroon, Benin and further on to Togo and it was in the cities of Cotonou, Lome? and Sotouboua that we managed to lay our hands on most of the songs presented in this compilation. Since there were no local labels, no producers, and almost nothing in way of infrastructure in Cameroon at that time, the artists had to be everything: musician, producer, executive producer, arranger, financier, promoter and sometimes even distributor. The sixteen tracks on Cameroon Garage Funk pulse with raw inspiration and sweat DYI mood uniting the featured diverse musicians around their willingness to do everything themselves in order to take a chance in the music scene.
Review: Nicola Conte and Gianluca Petrella follow up last year's beautiful "African Spirits / New World Shuffle" with two more lavish instrumentals. "Sun Song" lives up to its name with wave after wave of heated musicianship from the belting harmonies to the light-touch keys. "Nigeria" taps deep into the source too as it drives us through the heart of Lagos with full horns and sweeping keys. Spiritual, sun-splashed and vital.
Review: The wonderful Mr K is back with more edit magic on his own Most Excellent label, this time adding his own spin to 'Wela Wela', a hard edge and raw funk cut from Black Blood, a band of musicians from central Africa but who were based in Belgium. This one was never a hit back in the day for some reason but is built on a killer groove that Mr K reworks and tweaks for more suitable dance floor deployment. It was formerly on his Grass Roots record but now makes its way to a handy 7". On the flip is 'Komi Ke Kenam (Fish & Funjee)' which has tough breaks and funk bass that will ensure 'floors get down and dirty.
Feel It For Yourself (feat KOG - vocal edit) (4:14)
Feel It For Yourself (Smoove rework) (8:22)
Review: Infectious 70s Afrobeat vibes, courtesy of Kweku Sackey and his dynamic backing vocalists, pulsating with rhythmic depth - imagine Manu Dibango infused with Tony Allen's rhythmic flair and you're close. Richard Ormrod's crafty alto sax solo adds instrumental brilliance and with options like a shorter vocal version for quick hits and a DJ Smoove dancefloor remix for extended groove sessions, 'Feel It For Yourself' caters to diverse tastes and occasions. Whether spinning the extended Afrobeat masterpiece or the electrifying remix, DJs and listeners alike will find plenty to love in this vibrant, soulful release that demands to be felt.
Review: The magnificent Mukatsuku returns with another superb little package here on limited 12". It features the Afro disco sounds of Fred Fisher Atalobhor And His Ogiza Dance Band firstly on 'WTFS' which was originally released back in 1981. It's a booty-wiggling cut with myriad funky lines, squelchy synth motifs, lush chords and soul drenched vocals that bring the sunshine and party in equally playful measure. On the flip is 'Ebi Lolo' which is defined by its big brass section and loosey-goose guitar lines, bright chords and subtle funk. Two great gems once more from this on point label.
Review: Comprised of Uhuru Dance Band members Ebo Taylor and Gyedu-Blay Ambolley, The Apagya Showband only delivered a handful of releases but they're all worth digging out. Mr Bongo have started the excavation with these two 1974 vintage licks; "Tamfo" is concentrated uplift with big horns and an unescapable highlife guitar lick. "Mumude" is a deeper, drum-heavy jam that switches suddenly with the help of big organ splashes and sermonised spoken word.
Review: Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti has a vast catalogue that dates back over half a century. Roforofo Fight is one of the many standouts and it was recorded in Lagos in 1972 on the Jofabro label with the legendary Tony Allen on drums as well as Christopher Uwaifor on tenor, Lekan Animashaun on baritone and many other key players alongside the main man. The lyrics convey Fela's frustration at intolerant and violent behaviour as told through the story of a street fight.
Review: Following our 70s Peruvian cumbia compilation by Ranil last year, we decided to return to Latin America to highlight the work of one of Peru's undisputed masters of the electric guitar: Manzanita. This 13th release in our Limited Dance Edition Series includes 14 mostly instrumental compositions of electrifying Peruvian cumbia and guaracha. Manzanita's unique guitar lines rest on confident foundations that shifts gears effortlessly.
Review: A strong, strong showing from Duca Bianco after a period of relative dormancy, teaming up with Manchester's Talking Drums for a musical culture clash with maximum impact. The four tracks see a wide palate of influences being mixed up, from the cheeky Afrobeat shuffle of 'Monkey Key' to the 80s electropop of 'Voice Of Omicron' and the Nico-esque vocal delivery on Balearic groover 'Dolce Julia'. This is an EP with lots of surprises, tons of originality and musical confidence brimming over its edges.
Review: Even by the consistently high standards of Analog Africa, this release is something special. It consists entirely of previously unheard music by Orchestre Abass, an obscure outfit from Togo who released a handful of singles on Polydor Ghana in the early 1970s. Remarkably, all bar one of the tracks on "De Bassari Togo" were found on a long forgotten reel of tape that had sat on a shelf in a Ghanaian warehouse for the best part of 35 years. That was ten years ago; it's taken that long to track down the remaining members of the band and license the material. In truth, the tracks have aged exceptionally well, with the band's infectious, organ-led sound adding distinct Arabic influences (a result of the band members' time spent studying in Islamic schools) to their heavy funk rhythms and riotous Afro-funk vibes.
Review: Sol Power Sound is back in a big way with a reissue and remix EP from the legendary Nigerian Ju-Ju king, Chief Commander Ebenezer Obey. The double A-side EP features 'Eyi Yato', a tune from 1981, that captures Chief Commander and his band at their absolute funkiest. It's as if there's something in the name itself - 'Chief Commander Ebenezer Obey' - that commands an almost godlike, daresay tyrannical command over each conjunctive performance here; every one of the All-Stars' parts play back as though they've puppeteered to an autocratic degree, resulting in a funky tightness that only obedience to the most just of authorities can muster. The original, with its boinging jews' harps and wahhing guitars, is the patent highlight; but we're sure you'll be no less pleased to learn of the (double-time! dub disco!) Mad Professor flip (...!) that's on there too (winky face).
Review: Former Whiskey Barons man Bosq has enjoyed a long working relationship with Nigeria-based, Benin-born guitarist and vocalist Kaleta. We make this the pair's eleventh collaborative single in the last decade and, as with their previous outings, it trumphantly blurs the boundaries between Afro-disco, Afro-beat and Afro-funk. On side A you'll find vocal and instrumental takes on 'Meji Meji, a pleasingly live-sounding affair full of rubbery bass guitar, righteous horns, infectious drums and Kaleta's evocative guitar licks. Over on the flip, they opt for even heavier, life-affirming horn motifs, Afro-disco grooves and more sun-splashed Afro-funk guitars on vocal and instrumental versions of the similarly inspired 'Sonayon'.
Review: Shango is the name for the Yoruba 'Thunder God' in Nigeria and Ojo Okeji, the leader of the Shango Dance Band was all about injecting military power and warlike energy in his own strain of Nigerian highlife and afrobeat. However, apart from all of Okeji's cult-like stories involving him and his part in the Nigerian army during a time of civil unrest in the late 60's and through to the 70's, and his often troublesome relationship with the great Fela Kuti, the truly special aspect of the Shango Dance Band album is that it was never properly released following its production in 1974. Comb & Razor have done the right thing here and, without them, this magical LP would still be locked away in the never-ending vaults of Nigerian music. This is very personal, incredibly singular African jazz-dance with a raucous psychedelic edge that lifts it high and mighty above the competition. A truly special album - DO NOT MISS IT.
Review: American born/Colombia-based producer Ben Woods aka Bosq, and Benin-born vocalist/guitarist Leon Ligan-Majek aka Kaleta follow up on the success of their recent collaboration with Purple Disco Machine, and build on their nearly 10 years of working together with their new Afro disco number 'Ipade'. It features Kaleta's trademark chants and exclamations in a mix of Yoruba and English, over sleek rhythms, a ripping horns section and one funky bassline. Over on the flip, get down deeper into the groove with the lo-slung swagger of 'Ariya Tide'.
Akwassa - "Be Yourself (& Don't Let Nobody)" (5:17)
Mike Kounou - "My Native Land" (3:48)
Airto Fogo - "Black Soul" (2:57)
Francois Misse Ngoh - "Njonjo Mukambe" (4:49)
Review: For their latest flight on "Africa Airways", the Africa Seven collective has decided to treat us to some in-flight "Mile High Funk", all of which was recorded between 1974 and 1981. In practise, that means a mixture of disco-funk, boogie, Blaxploitation-style heaviness, Afro-disco and slap-bass-propelled goodness from across the African continent. Highlights are plentiful, with our picks including the Hammond-sporting heaviness of Akwassa's "Be Yourself (& Don't Let Nobody)", the synth-sporting highlife style revelry that is Eko's "Ndolo Embe Mulema" and the horn-heavy voodoo funk-soul cheeriness of Jude Bondeze's "Ndomo".
Orchestre Poly-Rythmo De Cotonou-Dahomey - "It's A Vanity" (4:21)
Clement Melome Et Le Orchestre Poly-Rythmo - "Nougbo Vehou (La Verite Blesse)" (4:49)
Review: The legendary Afro funk fusionists Orchestre Poly-Rythmo De Cotonou Dahomey have got unlimited amounts of big tunes in their back catalogue and the fiery 'It's A Vanity' is one of them. It has fat and chunky drums with trademark horns leading the way next to the impassioned vocals. The tune twists and turns on a vibe as it funks you up and then on the flip is the more lo-fi and stripped back, earthen funk sounds of 'Nougbo Vehou' (La Verite Blesse). Anotehr killer 7" reissue from this great collective.
Review: Beastie Boy Mike D Edit has decided to rework Malian artists Idrissa Soumaoro and L'Eclipse De L'I.J.A. and their track 'Nissodia' - from the 1978 album Le Tioko-Tioko - for this new one on Brighton label Mr Bongo, the second time it has landed on the label, having previously been on The Original Sound Of Mali in 2017 Both tunes are pumping, full flavour Afro jams with screeching melodies and big, jangling, angular guitars all powered by funky beats. Each one is guaranteed to light up any cultured dancefloor.
Review: After 3 months holed up in the studio Blair French has emerged to bring you Genes / Space Conductor 7" in support of his forthcoming album The Art Of Us on Rocksteady Disco. The A-side holds the "Loose Fit" mix of "Genes", where Blair channels his inner Tony Allen for an expertly executed modern psychedelic Afrobeat cut featuring a heavyweight cast of Detroit characters including Todd Modes, John Arnold, and Paul Randolph. On the flip is "Space Conductor", a cosmic afro broken beat joint with heavy drums, a huge bassline, kora, and Blair's vocals, exclusively available on this 7" only. Housed in a full color jacket, cut loud to lacquer, and pressed heavy with pride at Archer on Detroit's east side.
Review: Rahaan is a Chicago legend and master of the most soulful sounds in the studio. His new EP for BBE, 'We Are The Ones,' sees him joining up with a whole host of top musicians such as Marcus J. Austin and Nancy Clayton on vocals, Carnell C. Newbill on keys, Todd Swope on guitar and Lou Terry on bass. Between them they bring real dance floor adventures that are steeped in proper musicality. Ohio Players' Kenny Anderson on the horns brings some real soul to these four-to-the-floor cuts which mix up disco and house in the finest of fashion.
Review: Originally released in 1972, Shakara is a shining example of Fela Kuti & The Africa 70 in full flight. Made up of two 13-minute long pieces, the definitive Afrobeat sound is laid out in undulating, impossibly funky form. Tony Allen holds it down on the drums and the brass section from Tony Njoku, Igo Chico, Lekan Animashaun and Kuti himself punches out with urgency. This 50th anniversary release does things a little differently by inviting the excellent Ezra Collective to deliver their own versions of each track, each getting their side to lay down expansive reflections on the trailblazing groundwork laid by Kuti and his bandmates half a century ago.
Review: Spanish reissue label Rocafort present this wonderful slice of highlife from Konkolo Orchestra, this time on nice blue wax as well as a plain black version. It's not exactly clear where, or indeed when, exactly the band came from, but their sound is all you need to worry about. 'Blue G' is a lilting, shuffling message of love and support for future generations, and from the message to the effervescent musicality, it's a no-brainer. On the flip, 'That Good Thing' is an instrumental that spirals outwards on the sweetest keys, joyous brass and dreamy guitar, driven by a pattering drum section to radiate good vibes wherever it's played.
Review: After forming from the ashes of a lauded jazz group in 1972, Sierra Leone's Afro National went on to release countless killer singles and albums that effortlessly joined the dots between jazz, highlife, funk and more traditional West African sounds. Here, the laudable Africa Seven label celebrates the band's legacy not by gathering together their most famous tracks, but rather cuts with the most insatiable dancefloor chops. The hits come thick and fast, from the punchy Afrobeat/highlife fusion of opener "Jokenge" and the rolling, low-slung goodness of "Mr Who You Be", to the jaunty, celebratory brilliance of the Juju-influenced "Sonjo" and fuzzy sweetness of the compilation's closing track, "Mother In Law" (which, incidentally, is far more enjoyable than any weekend visit from the in-laws).
Review: We love RSD only for one thing, and that's providing us with inaccessible records that have been snapped-up by Discogs sharks over the years. This timely reissue of Pat Thomas second LP from 1976, the wonderful Marijata, is one such record that has become impossible to find in its original format, and one which allows us to have some access to the highlife beat, one of our biggest loves. While much of this album rests in classic soul and funk, Pat Thomas' Ghanaian influences are loud and present, whether through the guitars, the aesthetics of each instrumental and, of course, the quality of the recording itself. Funk out to some ORIGINAL STYLE. Cop it quick!
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