Review: **RAUM REPRESS** Although Ricardo Villalobos has already appeared on Raum Musik under the RiRom moniker together with Roman Flugel, the Baby EP is his first full release for the label. The title track sees a firm kick and wood block snares forming the backbone for a drifting piano chord and sensual vocals which lead to a climax of delightfully glitchy vocoder. On the flip, "hansup" takes on a tougher groove, as sprung bass and minimal house stabs are joined by ethereal chords and twisted vocal samples.
Review: There's a reflective quality at work on the latest Ellum Audio release, which finds label boss Maceo Plex teaming up with emo-tech-house stalwart Gabriel Ananda. The resulting "Solitary Daze" is laden with melancholic chords and synth sweeps, featuring a delicate drum section that buffets along the heartbreak harmonies with patience and poise. Barnt gets snapped up for a remix that injects a touch more mystery and dancefloor bite into the proceedings, using a little Eastern mysticism and a punchy bassline to make for a catchy revision that will help confirm the widespread praise the producer has been garnering of late.
Review: Terry Francis and the late Nathan Coles (who were the men behind seminal UK party Wiggle) as well as Laurant Webb, Dave Coker and Justin Bailey were Housey Doingz, a vital production outfit that lay the foundations of early tech house. Now some of their best work has been pulled together for a two-part collection called A Sillybration. All the cuts have been remastered from the original DATs, many have never been reissued since the original release, and some have never been on wax at all. They are all timeless and effective tracks that you simply cannot pass up owning.
Review: Sushitech has always done a fine job of preserving and spotlighting the roots of house and techno and some of its key protagonists. This second volume of A Sillybration does that once more by bringing together some of the most sought-after tunes and vital classics from legendary UK talents Terry Francis, the late Nathan Coles, Laurant Webb, Dave Coker and Justin Bailey aka Housey Doingz. Of these 16 plenty of them have only ever been released once so are pricey if you want an original, and some have never been on wax before, at all. They have all been re-mastered directly from the original DATs and make for a vital collection of dance floor heaters that have aged like fine wine.
Review: Thisisnegentropy's fourth outing looks all the way to Bangkok's own DOTT who runs the More Rice Record store in Bangkok and has studio skills to spare. He heads down a minimal path here with 'Dem Swing' a kinetic mix of dry hits and well swung kicks and tripped-out FX. 'Mind Designer' then gets deeper, with more lovely hits this time landing on tight drum patterns that are detailed with whirring synths and chopped-up vocals. The flip side is taken up by 'Trouser In The Heat', a more manic cut with dense percussive layers and edgy synths that never settle and always keep you guessing. Another fine statement from this top Thai talent.
Review: REPRESS ALERT!: Baby Ford is back being reissued again and we couldn't be happier about it. Few have ever matched the matter levels he achieved when it comes to deep minimal and tech house fusions. This latest on his own Trelik takes the form of three classic cuts from two much sought-after EPs - Built In and All That Nothing. The title cut is a shimmering and sublime fusion of rubbing low ends and icy hi-hats. 'All That Nothing' then picks up the pace with more dub influences and swaying drums and 'Plaza' has a tech house edge that makes for more driving grooves.
The Missing Member - "Cold Knights" (Re edit) (6:53)
Nathan Coles - "Burning Remixed" (6:46)
Flunky - "Rattlesnake" (7:45)
Review: Alongside co-founder Nils Hess, Sushitech's main man Yossi Amoyal ventures into new territory with Endell Street, a fresh imprint named after a bustling London thoroughfare that was home to the Eukatech record store. The label's focus? Reissuing gems from the Eukahouse archive. With Amoyal's expertise and dedication to curating quality releases, Endell Street is poised to make waves in the realm of deep house and beyond and it does that with this EP. Featuring a trio of no-frills, original tech house sounds that are primed and ready for the club, The Missing Member, Nathan Coles and Flunky all feature.
Review: Burnski and Kelper are two of the hottest artists in the game right now - their output is relentless, and their quality is always high. It is now on the former's Constant Sound that they appear with three fresh new collaborative cuts aimed squarely at the floor. 'Follow Me' has nice hooky drum loops and subtle synth stabs under a seductive vocal. It's fun and functional in equal measure and on the flip things get more naughty with hints of a dirty speed garage bassline under 'Frequency'. The vibe flips again on closer 'Frequency' which has disco-tinged loops and more laidback groves that bring a little warmth and sunshine.
Review: Goettingen's long standing dub techno servant XDB takes us to Chicago At Midnight with this new 12" on Pariter. 'Fenders' is one and is a deliciously elastic rhythm with rolling kick drums setting a hypnotic groove as the bubbly synths rise up through the mix. 'Cagomi', more edgy and amped up with gritty hits and swaying bass, gets a new lease of life after first surfacing on XDB's Metrolux Music back in 2009. The same cut gets a remix from Delano Smith that's more rooted to the floor in the Detroit man's usual textbook style. A classy outing from all, then.
Review: The secretive Only Music Matters label rolls out its seventh EP here and it's from an unknown producer or producers who seem to have a love of tech house. Opener 'AAA001A' is a warped cut for freaky 'floors with trippy vocal details and gloopy beats and bass. 'BBB001B' is more airy and light in its silky minimal rhythms but is detailed with some paranoid pads that keep you on edge while 'BBB002B' rides a nice gritty, propulsive beat and has some wonky, detuned keys adding colour. Another great outing from this low-key but high-quality label.
Review: EEE is many things - a huge part of Yorkshire dialect, a rather fun party prescription (apparently) and also the name of a low key but high class label that deals in hand-stamped 12"s that pair fun with function. This 16th such outing is another testament to that. The A-side is a nice deep and dusty tech house cut with cheeky samples that hook you in, and the A-side also has just one track on it and it is built on a chunk y low end, peppered with hits and looping bass and topped with classic vocals Missy samples that you can imagine will do damage in Ibiza the summer.
Review: Since re-emerging earlier this year, mid-90s Leeds label Hard Times (a spin-off from the now legendary club night of the same name) has released some killer material from Steve 'Silk' Hurley and Eddie Leader. Here they tap up another US house legend, Chicago's inimitable DJ Sneak, for an EP of typically loopy, funky and hard-edged workouts. Sneak lets us settle in with the groovy and attractive loop jam 'You're Mine', before wrapping alien disco strings and held-note chords around a bumpin' beat on 'This One'. He opts for a crunchier, tech-tinged house sound on the gently twisted 'Body Slangin', before rounding off a rock-solid EP via the hybrid acid/deep house/disco-house pressure of 'Deep Undercover'.
Review: The Politics Of Dancing label hits release number 30 here with a suitably fresh new offering that finds the eponymous label head stepping up with three balmy new tunes. 'Let's Do This' is fresh as you like house music with deep drums and heady pads circling round in cosmic fashion. Boris Werner's Bleep remix is a little more driving and thumping for the later hours and then 'Mamma' again gets its head up amongst the stars with more colourful synth work before the liquid and loopy house pumper 'Never Stop' closes out a lively and vibrant EP.
Review: Selected Pieces from Berg Audio is a fantastic EP that features four standout tracks, each offering a distinct flavor of deep house, perfect for the dancefloor. On Side-1, Kolter kicks things off with 'What A Day,' a track that embodies deep house with its soulful build, warm atmosphere, and uplifting vibes. The clever use of a vocal sample adds an extra layer of emotion, making it an instant crowd-pleaser. Traumer follows with 'Don't Stahp,' a classy, more techy cut that still maintains deep house roots. The dubby chords inject extra depth, turning it into a smooth, dancefloor groover. Side-2 opens with Mihai Popoviciu's 'Waitin,' which features rich, soulful chords that envelop the listener, creating a laid-back yet engaging vibe. Moor closes the EP with 'Kashif,' an uptempo track that stands out with its energetic keys and undeniable party feel. Selected Pieces is a versatile EP that offers something for every deep house enthusiast.
Review: The next release from Mindhelmet features another stellar cast of operators in the more playful end of the minimal tech house sphere. Kolter leads the charge with the full-fat, punchy 90s stylings of 'New Generation' before Agustin Barbei brings some sassy energy to the table on the shoulder-shaking 'Altare'. Henry Hyde shifts the focus to broken beat rhythms without losing the upfront melodies on his cut 'Covered In Purple', and Wink drops some cheeky organ chords and boxy drums aplenty on 'Cod, Chips N Curry Sauce'. If you like your 4/4 up for it and more than a little bit naughty, this record is a must-check.
Review: Courtesy Of Balance is the tasteful house label run by Brawther and it was back in 2019 in Lviv during an underground warehouse party that he first made contact with Laconica label founders Ocean and Sasha Pervukhin. They all hit it off and so were invited to showcase the deeper side of the house sounds of Western Ukraine, and the results make up this new EP with the artists taking one side each. Ocean T's opener is a psychedelic, trance-infused cosmic trip while 'What If' rides on crisp beats with some lush dubbed-out synths. On the flip, Pervukhin's 'I Hate This DJ' is balmy, heady deep house from up amongst the stars and 'TR 18 Blues' is a nice kinetic, lithe minimal house cut.
Review: Functional house experts Toolroom are back with Toolroom Sampler Vol 11 which is again packed with maximal club cuts for big dancefloors. Martin Ikin's 'Make U Sweat' is indeed sweet tech that never stops pumping under libidinous vocals. Flashmob's 'My Body' is loopy and manic tech with peak time intent and Nathan Barato and Matheo Velez offer up the macho grooves of 'Weapon.' Last of all, Jenn Getz & Alfie offer another slight tweak on try Toorloom sound with the grey and gritty white knuckle beats of 'Vibration.' A great EP for working DJs looking for instant impact.
Review: Ame's Innervisions label has joined forces with Philomena here for a 15th release in its series. This one kicks off with an Ivory remix of Fever Ray's 'Shiver.' The leftfield electronic artist who is also part of The Knife has a distinctive voice, to say the least, and that shines out here as shimmering chords radiant around it and over a proggy groove. The flip side offers up and unknown artist with 'Track 2' which has a familiarr vocal left to hang in the air above a cold, snappy tech rhythm. It's the sort of quietly anthemic cut Ame are known for dropping at special moments.
Review: Aussie minimal house man Litmus turned heads with his outing on Up The Stuss last year and now is likely to do so again with another fresh offering, this time via the Aesthetic label. His sound taps right into what is hot right now - spaced out breaks, tech and minimal. 'Round & Round' is a vocal laced broken beat tech cut with slamming drums. 'Profiterole' keeps it tightly coiled with infectious and bouncy drum funk and 'The Rippers' then slips and slides with all the evasive skills of a master boxer. 'Talkie Walkie' closes out with a more busy and trippy mix of synths and percussion.
Out Of The Present, Out Of The Future (version) (6:20)
Review: The legendary and ever-green talent that is Satoshi Tomiie is back with more of his house excellence. 12B Dub highlights Tomiie's versatility and innovative production style as he nudges at fresh territory here on Phonogramme Records. Opener 'Haus Muzik' blends deep grooves with experimental flair, 'Shakedown' is dubby, stripped back and raw but packed with feeling and 'Out Of The Present, Out Of The Future' is a beautiful track that all have you gazing off into the middle distance, happy to be lost in its balmy pads swirls.
Review: Burnski's Constant Black kicks with yet more robust tech house for considered dance floors. This one comes from the ever-present underground stalwart Diego Krause and he opens with 'Bound', a perfectly driving and deep cut with slinky drums and smart vocals that are brought to life with sci-fi synth effects. 'Munro' is brilliantly lithe and elegant, with wispy synth motifs peeling off a super smooth and slinky groove. 'Phantom' ups the pace with a little more tech house urgency but still plenty of deftly designed cosmic pads. 'Flux' shuts down with kinetic, tightly coiled drum funk and popping neon colours. Great work all around from Krause.
Review: Sushitech excels at preserving and spotlighting the roots of house and techno and now it is offering up this superb compilation on coloured vinyl alongside the standard black. The second volume of "A Sillybration" continues this tradition by compiling sought-after tracks and essential classics from UK legends Terry Francis, the late Nathan Coles, Laurant Webb, Dave Coker, and Justin Bailey, also known as Housey Doingz. This 16-track collection includes many tunes that were previously released only once and are now rare, alongside some that have never been pressed on vinyl. Re-mastered from the original DATs, these tracks form a vital collection of timeless dance floor anthems.
Review: Gideon Jackson and Eddie Richards are bona fide tech house titans who have more than helped to shape the genre since day dot and the All Rise EP sees three of their finer past glories gathered together and remastered and pressed on lovely red wax. The excellent 'Biscuit Barrel Blues' opens with exactly the sort of compelling drum work you would expect and it is imbued with some prying synths and sultry vocals. There is an irresistible glitch and dryness to 'Pull Tab 2 Open' and its smeared pads that make it perfect body music then 'Crying' (Gideon Jackson remix) brings a more heavy tech house sound with extra dub weight. Perfection.
Review: Brian Leeds is the US outsider behind the well known Huerco S project, and also behind other alases like Royal Crown of Sweden, Pendant, and Loidis. One Day is a new album from that last moniker on the revered Incienso label and it taps into minimal, dub and tech in stylish fashion. These often dusty and perfectly undercooked beats have heady pads and locked in grooves that travel to the cosmos on 'Wait & See', subterranean worlds on 'Wait & See' and to breezy open air dances on 'Sugar Shot'. It's a smooth and seductive work.
Review: As well as a black version coming later in the year, Sushitech has cut this brilliant coloured vinyl compilation featuring some of the best work from Terry Francis and the late Nathan Coles (who were the men behind seminal UK party Wiggle) as well as Laurant Webb, Dave Coker and Justin Bailey, known collectively as Housey Doingz. As far as key players in early tech house go, few are better than this lot. Their work is now compiled in a two-part collection titled A Sillybration. Each track has been remastered from the original DATs, with many not reissued since their initial release, and some making their vinyl debut. These timeless and powerful tracks are essential additions that you won't want to miss.
Review: A welcome return to action from Studio Barnhus boss man Axel Boman, who has been surprisingly quiet since the release of his excellent Luz/Quest For Fire double album in 2022. On the Space Drag EP, Boman showcases the depth, variety and imaginative eccentricity of his deep house productions to the full. For proof, check side A, where the ghostly, stab-happy hedonism of 'Acid Left and Right' - all bubbly TB-303 motifs, synth-strings, digital woodblock lines and repetitive bleeps - is followed by the druggy, dubby and percussively dense Latin house quirkiness of 'Forever Latino'. He throws in a fine curveball in the shape of 'Space Drag', where looped-effects laden Swedish vocal samples and woozy chords ride a tight kick-snare pattern and deep, warm bass, before closing things out via the picturesque breakbeat house deepness of 'Ohh Baby'.
Review: RFXN kicks off life with a new single from David Agrella which has seen early support from Ricardo Villalobos. First off he offers up his own Acid Mix of 'Perro Balearico' and it's a supple, deep and dubby track with liquid synths and prog chords that sound both retro and future all at once. The original is a more dreamy and spaced-out sound for 5 am sessions. On the flip is a more punch but still silky and warmly melodic remix from Mario Liberti before last of all, Gabriel Rai gets darker. His drums hit harder and the synths are moodier as he takes dancers down a late-night path of mystery and intrigue.
Review: Spanish techno duo make their second appearance on Ellum Audio after a two year hiatus in releasing music, and it shows a return to their melodic, big room approach that feels right at home on Maceo Plex's label. "Teach The Wind" packs a mean line in grinding electro synths over a solid tech house beat with plenty of anthemic nous to get hands raised aloft in sunny climes. Meanwhile the label boss opts to remix "Learning To Fly" from the pair, making a pop-laced tech-house roller loaded with melodrama and autotune soul that should get plenty of radio play alongside the warm up slots in more mainstream dances.
Review: Back in 2022, James Burnham aka Burnski started a White sub-series of his much-hyped Instinct label and the first one sold out as quick as a flash. Now he is finally back with a follow-up that will likely do the same. This limited one-sided 12" slab of sonic filth features just one tune, but what a tune it is. '02' is a house cut with elements of garage percussion, old-school dirty bass, and even some trance-infused chords that chime with what's going on in the dance world right now. Some return horns at the breakdown really send it into overdrive and it's not hard seeing this one blow the roof off many a club this summer.
Review: The fledgling but already notable UFO Series now looks to Italian producer and prodigious underground innovator Riciar Ghir for a captivating journey through the more energetic house realms, all with an outer space feel. 'Niriba Shuttle' opens with tribal percussion and progressive synths that are coloured by subtle acid lines. 'Silenzio' is slow, heavy and persuasive with its old school piano acting lighting up your soul. There's a twisted tech funk to 'Platter Dreams' that makes it perfect for 2am cruising and 'Bad Egg' sets down with plenty of colour. These cuts will all work several different moments on the dance floor making it a hugely useful 12".
Review: This is the thirrd release by the amazing Italian producer Ivan Iacobucci for the Perlon label. The previous two were so well received, this next one was destined to come out sooner than later. Perlon fans know what to expect from their label of choice and Ivan delivers the goods. Those addictively quirky and fonky jackin' minimal techno jams. The title track is that and then some! We especially like the sexy jam 'Waiting For My Love'. Expect the unexpected when you flip over the record as 'Close the Door' is a full-on acid banger that combines high energy techno into what sounds like a video game soundtrack theme song! Closing things out is the wild sounding 'Fear & Madness in the Desert'. We are smiling at the thought of someone playing out these corkers to audience. Expect to see WTF typefaces everywhere!
Treat You Right (feat Cheshy - Classy dub mix) (5:54)
Review: PIV Limited is one of those white-hot labels that has its own universe of artists, dedicated fans, and even parties soul in places like Ibiza. The vibes are rooted in house with a slick future feel. Dennis Quinn is behind this new one which has a serious nod to the deep house don Kerri Chandler on opener 'Treat You Right (feat Cheshy)' with its bulky kicks, chord vamps and diva vocal. 'Impressions' has a more heady and blissed out feel with sunny chords and Roy Ayers style vibes. 'Touched' brings some raw, heavy house sounds for the warehouse and a Classy dub mix of the opera brings things to a sweaty close.
O Superman (Robag's Pumper-Nikkel 2008 RMKS) (6:48)
Review: M.A.N.D.Y and Booka Shade's creative collaboration brought us some of the most inspired tech-house and off-kilter house anthems of the noughties, not least 'Body Language' and 'O Superman', a Laurie Anderson-sampling number that was one of the most recognisable club cuts of 2008. Here it gets a fresh vinyl pressing, with the German outfit accompanying a freshly remastered take on their original mix (A1) with various old and new reworks. The fresh Man Power revision (A2) is the standout - a slow build delight that sees the long-serving Geordie producer reach for boisterous jazz-house breaks, raw TB-303 trickery, weighty bass and tidy tech-house stabs. The EP also boasts SIS's 2020 deep tech-house rub and Robag Wruhme's brilliant 2008 minimal techno re-wire, which remains one of the German's most impactful and off-kilter revisions.
Review: A rich exploration of minimal and tech house sounds with a nostalgic twist. The EP kicks off with 'Istinto,' blending futuristic techno with elements of house music and early 90s bass vibes, all wrapped in spacey sounds that evoke a sense of cosmic adventure. Next, 'Aura' delivers a stomping, darker beat designed to capture attention and drive energy on the dancefloor. Side-2 features 'Potenza' which channels raw techno reminiscent of 1991, incorporating trance elements for a nostalgic feel. The track's energetic vibe and vintage touches make it great for old skool sets. 'Essenza' ends the EP with a great groove and atmospheric feel good melody. A devastating blend of beauty and brawn. Dynamic, engaging tracks that will resonate with techno enthusiasts.
Review: Che dropped this x-rated EP back in 1994 with production from the one and only Mr Fingers himself. It came with a warning about the scene expressed in the recording being "a fantasy in the age of promiscuity" and advice to "always wear a condom''. The four cuts are hardcore deep house with classic Heard synths and chords which originally came with four mixes on Trackmode Recordings. They are all included next to a newly unearthed version from the archives of Alleviated and each of them hits a super sweet spot where cosmic pads and dynamic drums meet in harmony under the sleazy vocals.
Review: If you've kept up with K-Lone in any capacity, you've probably clocked his affinity for minimal beyond the bassier tones he came up with and the delicate melodics he often deals in. This release on Aus Music confirms what we all suspected in no uncertain terms, carrying a hint of his garage tendencies but applying them to sleek, bumping micro house styles as classy as they are crafty. 'Wait 4 U' is pure stripped-down pleasure, warm and inviting with the sparsest of elements, while 'What I Want' tilts into dubbier territory, but why pick favourites? This EP is loaded with gold from start to finish.
Review: Mighty big-room house label Toolroom Trax is back with a sampler EP to showcase what it is all about and where it is at right now. It's a no-frills affair full of tough grooves starting with the Spanish vocal flair of Nausica's 'Se Pone Loca'. D Ramirez shows he still has the skills to pay the bills with the electro house energy of 'Yeah Yeah' then Sllash & Doppe offer up some trippy and hooky vocal sounds on 'Kyrenia'. Saison closes down with a nice vocal roller in the form of the hands-in-the-air gem 'Satisfy The Need.'
Review: FUSE London may be 16 years old, but this 12" inch is - somewhat remarkably - the label's first multi-artist EP. To kick-start their new compilation style series, the much-loved imprint has gathered up a quartet of cuts from an eye-catching array of artists. Heist regular Nachtbraker steps up first with 'Banda', an intergalactic-sounding hybrid of tech-house, deep house and nu-disco sounds, before Rob Amboule steals the show with the bleeping electro-meets-twisted electronic funk brilliance of 'Capnhat'. Rising star Reflex Blue joins the dots between sub-heavy UK tech-house and turn-of-the-90s bleep & bass on the superb 'Life's a Bleep', while Mario Liberti reaches for mutilated rap samples and heady organ stabs on the 'Plastic Dreams'-inspired 'We Are The N&B'.
Review: Mindhelmet releases always tend to cover plenty of ground and offer something for all heads. This 15th such outing is no different and has six stylish sounds across one vital 12". Kesh Loi opens with the brightly coloured and neon tech house party starter 'Sunshine Riddim' then CESM gets more direct with 'Without Party There Is No Paradise.' Elsewhere Max Stedeford's 'Cutz' is an old school flavoured cut with bleeps and blips and breakbeat laced grooves. Lemonphase's 'Clutture Soft' ups the ante with more punchy tech drums and Katia Curie & Nizar Sarakbi shut down with the twitchy, percolating tech funk of 'Go & Get It.'
Review: Omakase, which is the name of a style of Japanese dining that means literally 'I leave it up to you' and gives full control of a meal to the chef in question, is also now an ever more vital minimal label. This is its third outing and one with Antraum at the helm. It kick off with 'Hyaku' with its bluesy vocal samples and lazy, infectious drum loops, then has 'Shichi' has more silky and spaced out pads and smooth grooves. 'Rei' is a dreamy one with balmy chords making for a trippy late night day dream and is the sort of track that will zoned out dance floors at 5 am. A tasteful EP for sure.
Review: The long-running Politics Of Dancing label returns with more dancefloor weaponry from a fine selection of artists who all explore distinctive takes on tech and minimal. Podjeb's 'Sexy MF' is a lithe, crisp tech cut with a libidinous vocal looped next to balmy pads. Kerouac's 'Poon Tang' is irresistibly fun - a pumping cut with funky bass notes and molten synths that cannot fail to get you locked in. Or24k's 'tO gO' is a more physical jam with old school scratching and rapped vocals, then 2Vilas cruises on a cool house groove, La Nena De Ibiza,' to shut down a characterful EP.
Review: Munir Nadir has been breaking through in the past few years with essential releases on 4Plae, Nuts On Board and Outcast Planet. Now he's minting a new label called Odd One Tape out of Italy, and bringing his playful, synth-rich sound with him. There's a nod to Italo and 80s electro in the sampling and throbbing, analogue groove of 'Rhythmistic', while 'Bass Jam' tips more towards the early 00s electro house boom a la Tiefschwarz and Tomas Andersson. 'Urban Whispers' has a more jackin' flavour with some low down sub freakiness thrown in for good measure, and 'Binary Technologies' brings the heat on the B2 with a powerful arpeggio and hard-slapping drums.
Review: Ben Bohmer's upcoming album Bloom marks a significant milestone in his musical journey, offering a reset from the pressures of his previous successes. The album, shows his growth as an artist, emphasising spontaneity and a return to his improvisational roots. The lead single, 'Best Life,' featuring Jonah, explores themes of life's fleeting nature and the importance of cherishing each moment. 'Best Life also represents a sonic departure for Bohmer, signaling his intention to break free from predefined musical boundaries. The album promises a diverse range of styles and tempos, featuring collaborations with artists like Lykke Li, Oh Wonder and Enfant Sauvage. Overall, Bloom appears to be a deeply personal and musically adventurous project that reflects Bohmer's evolution as a musician.
Review: Just when you think you've heard the last of Covid in music, along comes this Covid 2020 EP from Yotsume Music label head Saki Hiroaki, indicating that it was written during those most weird and dark times, specifically in the city of Kurashiki. 'I Say' (part 2) is a seriously silky deep house with wispy and liquid chords rippling out to an infinite horizon as the persuasive drums get you into the groove. 'Improvisation' is a more crisp tech cut but is still unhurried and detailed with nice deft synth curlicues and the trio of escapist gems is completed with 'TRAP'. This one again sinks you into a pillowy and gentle groove with muted chords drifting up top like clouds.
Review: The unstoppable, irrepressible and untouchable Mr G has got a few bits dropping the smooth and one of them is on his own Phenix G label. This one pretty much does what it says on the tin - Some Dutty Beatz is an EP of raw, heads-down backroom house sounds that are as gritty and dusty as you can imagine. 'Love Appetite G's Out Dub' has a well-deployed vocal in amongst the grimy groove to bring a touch of soul and 'When Ya Bad (Trus Mi)' then brings a little more of a funky and playful rhythm with dubbed out drums and rippling chords. 'Same Ole Sound' is full throttle and raw deep house that thuds on heavy kicks and has impassioned vocal cries for that expert finish.
Review: Subb-an's latest EP on the Sub Series imprint, titled Conscious, marks a dynamic return for the artist, displaying an evolution towards heightened musical and spiritual awareness. The EP features five equanimous club tracks, each distinct in its style and vision. 'Liquid Sun' kicks off the journey with a blend of deeper vibes and uplifting tones, offering a track that appeals to a wide audience. 'Contact' follows with its chord-driven, house-styled groove, adding a layer of depth to the EP's sonic landscape. Other highlights include, 'Wobble', which dives into a late-night deep groove, exuding a playful energy that keeps the dance floor moving. Throughout the EP, Subb-an demonstrates his ability at making intricate rhythms and hypnotic basslines, creating an immersive experience for listeners akin to his amazing DJing sets. From garage house to brooding acid, each track is carefully crafted to leave a great experience on the dancefloor.
Review: Damian Lazarus's Crosstown Rebels label has ridden out many different waves of popular sounds and always remained relevant. Right now it looks to Made By Pete for a new 12" that has a gritty, low slung and sleazy tech house vibe. 'Fires' has menacing basslines and steamy vocalisations that make for an unsettling mood. UK tech house titan Bushwacka! then remixes with his signature sense of drive thou with slithy more deep and pensive pads than usual. A dub mix is also included as is a rework from Victor Calderone & Mykol that is full of late night mischief.
Review: Noah Skelton returns to Daydream with a fresh new excursion into the itchy shuffles of the deep tech variety, tempered with a one-off contribution in the vein of dreamy breaks. Examples of the first style include the tracks 'Hammajang', 'Blind', and 'First Remark', all of which bring an extra slice of texture to an already minimal headroom, which is still maintained despite the textural decorations. 'Aurora' is the wildcard, opting for sizzling breaks constructions, breathy vocal segues and a resonant pad line.
Everybody Wants To Be Somebody (instrumental) (6:00)
Review: US label Nervous played a key part in shaping emerging hue sounds of the 90s and beyond. It is as active now as ever, working with new artists but also reissuing the classics. One of those classics is 'Everybody Wants To Be Somebody' which here gets offered up as a new version by Classmatic vs Ruffneck feat Yavahn. The original hooky vocals feature with some piano stabs and turbocharged tech beats. It's likely to do damage this summer and comes as an instrumental for those who like it more paired back.
Review: Meera's Stikk on Crosstown Rebels delivers a dynamic journey through minimal and tech house, blending energetic rhythms with moody atmospheres. Side-1 starts with the title track 'Stikk,' a techno builder that grabs attention right away with its powerful drive. The piano elements elevate the track, adding a dramatic flair that sets it apart. The Tripolism remix follows, offering a more techy and uptempo take. It feels like a dub version, retaining key elements of the original while infusing Tripolism's unique style, making it a versatile addition to any set. On Side-2, 'Sykkelkurv' shifts the mood to a deeper, dubby techno vibe. The melodic chords and eerie, soundtrack-like ambiance create an otherworldly experience. Dennis Cruz's remix takes this track even further, adding a sci-fi edge that intensifies the futuristic feel. Stikk is a well-rounded EP that showcases Meera's ability to craft engaging, multifaceted tracks that come complete with a strong remix for extra depth.
Review: RAWAX welcomes Janeret to their artist bank, also delivering the EP 'Muba' in the process. From the entrancing, tropical greens of 'Kan' to the agri-synth undulations of 'Huk', Janeret paints a distinctively future-organic sonic picture, in which posthumans speak in monosyllabic tongues (as of the track titles) whilst biomech bots handle the entire food commodity production process, from tilling to threshing to logistics to stocking. The music here is like the minimal-tech scrimmage call of a bird of paradise to its flock, all of whom together find themselves happily locked, but still aviatory, inside one of many of these future greenhouses. 'Yubu' and 'Muba' soothe the soul further, the latter especially with its abstracted funk, its synthetic gazes outside casements, through to the world outside.
Review: R&S Records return with a dazzling new rerub record from Dino Lenny, whose 'Lose Control', recently released in original mix form, now also gets the remix treatment from Tea With Quincy, alongside a fresh '4am' mix of the former record's B-side, 'Washington Street'. The latter steals the show via a fantastic set of urbanomic trance-jazz impressions, lending overlaid synth to sax to a beguiling uptempo undulator unafraid of the chromatic or ghost notes. Tea With Quincy's version is a much more surreal experience, with muted group chants juxtaposing salient "burning down the dancefloor" vocal samples and what sound like strange Konnakol scats, making for an otherworldly jazzdance experience to say the least.
Review: German producer Sidney Charles likes his beats chunky and his grooves heavy. He heads up the Heavy House Society which is named in reference to that fact and that is where he steps up now with a new 12", Reso Riddim. The lithe title cut gets things underway then 'Objection' offers up super smooth and irresistible rhythms run through with deft synth work and nice swirling cosmic overtones. 'Rawline 98' taps into a throwback house sound for all passion and sweatiness and last of all 'Charles List' is an all our jacker with snappy snares, yelping vocals and Boo Williams-style house heat that will get any floor going.
Review: Photek's masterpiece for the new millennium Solaris catches a repress on Proper recordings. From propulsive, metro-setting opener 'Terminus' to the elegiac, trouble-in-paradise closing synth meditation 'Under The Palms ', Rupert Parkes casually shakes off all expectation with a flurry of infectious head boppers channeling everything from the fragmentary half-step of the nascent broken beat stylie- read: 'Juno' (sic), to the snarling Valve-era techstep of Dillinja and Lemon D on 'Infinity' via Larry Heard's late 90s deep lounge leanings on the peerless 'Mine To Give' (note the similarity in artwork with Heard's Genesis). Solaris is very much a product of its time, the highest praise possible given the early 00s was one of the most amoebic and fluid periods in UK dance music history. It speaks to the undying british dancefloor tendency to allide tempo and atmosphere, casually felling boundaries in genre to create something as reverential as it is innovative. Classiq.
Review: New label Alt Dub debuts with this drop from Federsen and Hidden Sequence, who operate in different formations across the four tracks to spell out some supremely reduced, subliminal minimal techno. Their sound is schooled in the dub abstractions from labels like Background and ~scape, a little warm but ultimately reduced to an elegant murmur which becomes profound the harder you listen. Hidden Sequence's 'Switch' has a steady-ticking thrust while Federsen's 'Polarity' splashes around in deep chasms of delay and reverb, before they switch stance to remix each other in complementary ways.
Octave & Nicolas Duvoisin - "Wanna Be Down" (6:53)
Zenk - "Dreaming In A Shell" (7:53)
Review: Purple Print has become a strong player in the minimal scene in a short space of time, with the likes of Sepp, Delaj, Bisharat and Vid all offering their considerable wares into the growing catalogue since 2021. Their compilation 12" was just as on-point in 2023, and now they're back with a second volume which is not to be missed. Avidel leads the way with the seductive, vocal laced groover 'Someone', while Lukea follows up with a dub techno-tinted workout entitled 'Crescent Moon'. Octave and Nicolas Duvoisin do some smart r&b sampling for undulating roller 'Wanna Be Down' and Zenk creates a sparkling sunrise reverie with 'Dreaming In A Shell', a stripped back but detailed and distinctive workout which ends the record on a high note.
Review: The unstoppable and always innovative Derek Carr returns with a new outing on Trident that is as potent as thew UK's weapon defensive system of the same name. It kicks off with the bumping beats and vamping chords of 'Ill Met By Moonlight"' then takes in 'Skeksis II' which is a more brain frying and acid laced techno cut. There is a super sweet garage feel and soulful house edge to the liquid grooves of 'Going Thru Life' then 'Nod' shuts down with some Detroit style hi-tek soul to round out Carr's most diverse and effective EP for a while.
Review: Fuse is one of those labels and parties that has a very distinctive sound and hardcore following for it. Spearheaded by Enzo Siracusa and now a real institution of the underground, here it looks to Admnti for three fresh new sounds. 'Vibrations' is kinetic future music that twists together wiry synths and tight tech drums into something irresistible. 'Infinite Function' is another brilliantly infectious mix of tech and dub that makes for high-speed groove-thrills and 'Original Sin' then takes a more spaced-out approach with warped acid lines. Malin Genie remixes the opener with a cool sense of deep house smoothness.
Review: Short Attention Records makes a welcome return here with a new drop of wax that fits the label head into its roots in deep techno sound worlds. This one takes the form of a various artists' EP crafted with an intake feel for cosy floors and who better to kick off in that vibe than the revered Lawrence whose 'Hawser' is a groovy and melodious track. Next, New Jersey don Joey Anderson sets a slow and deep tone with 'Human Kind' which has moody vocals and Japanese artist Takuya Matsumoto follows with 'Three Flowers', a more potent and driving cut with a fine acid bassline. Rounding off the EP is 'Desired Spring' by R/K, a loop-driven deep house gem designed for both listening and dancing.
Review: Rawax welcomes ARAPU for a third release on the label and this time the minimal maestro taps into open-air dancing vibes with a nice organic and summery sound, but still plenty of direct grooves. 'Take It Deep Down' has dreamy vocal coos swirling up top next to soft synth patterns as the percussive beats drive down low. On the flip, 'The After' is a deep cut with rubbery, thudding kicks and organic percussion next to more smart vocal sounds that bring human emotions to the moving beats.
Review: CULTED return in trademark force with five wild psych-bangers from luminaries Simple Symmetry, Thomass Jackson, Orchid, Ayala, and Multi Culti boss Thomas Von Party teamed up with Oltrefuturo. A sense of weirdness exudes from these tunes, refusing the common pitfalls of twee chord progressions or underproduction hidden behind rawness; these ones are as high-qual, watery, poured-over as can be, yet also bring with them a real sense of exploration and eccentricity of mood. The utmost case in point is Thomas Van Party & Oltrefuturo's 'Kookoo', a chugging machine-elven carnival of doffed conical hats and gated cute vocals.
Review: Chris Stussy's Up The Stuss is a label very much defining the underground house sound of now. It's 19th EP comes from the accomplished SAM who bring hardcore deep house and space tech vibes to four new tracks. 'Check It Out' is packed with pent-up energy and high-speed drum patterns that are topped with a warped vocal. 'Race To Lose' cuts a more loo-embed rhythm with smeared pads, wet claps and great bell melodies. 'Tiger Balm' is physical, driving deep house at its best and 'Forever Rhodes' celebrates the sound of the famous piano by building warm house grooves around lush chords.
Review: Nick Beringer has always had a slick and stylish sound no matter what niche he is working in. This new outing on Daydream is a four-track exploration of deep and dubby house and tech. Opener 'Hang Time' is fresh tech with painterly synth work. 'Auto Answer' is then loopy and silky with infectious drums and balmy pads, 'Nine To Five' then layers up deft pad work and wispy sic-fi motifs with lush neon colours and 'Intercom' kicks on with groves that exude cool as they journey late into the night.
Review: Evasive Records are still going strong after an initial founding in 1999. Run by DJ and producer Rob Pearson, a staple figure of Southeast London's tech house scene at its underground apogee, Evasive's take on the style is an authentic, diversive example of the genre's truest origins. Lovable Rogues is Pearson in collaboration with fellow tech pioneer Lee Humphreys; this is their second EP together, a special follow-up release (now reissued), not least since it logically follows on from the very EP that launched Evasive, 'Look Into Your Eyes / Chica / Twilight Manoeuvres'. Made by the pair in the deepest rural German sticks, the 'Interger' EP betrays tech house's early indebtedness to broken beat, acid jazz and electro, the B2 'Thursday' coming as the tricky favourite here.
Review: We're not going to apologise for once again declaring our love for the work of UK veteran Steve O'Sullivan. His work in the dub techno sphere is right up there with celebrated Berlin brethren's like Maurizio. This new single 'Secret Chamber' comes on Salon in three different forms. Up first is the Dark Mix which is powered by icy cold hi-hats and drums that flap in a cavernous chamber of warming chords. The original is fuller and comes with some deft paranoid vocal touches and watery droplets of synth while the closing Pressure dub leans into the groove more and has an eerie edge.
Review: Man of many aliases Ron Wells is undoubtedly an under-appreciated British dance music hero - a producer who delivered a string of innovative jungle-techno releases in the early 90s and has been serving up killer cuts in a variety of styles ever since. Here he dons the Jack Smooth alias (a moniker he debuted way back in 1991) for a collaborative four-tracker alongside fellow storied veteran Anthony Wilson AKA Chicago Loop. They begin in sensational fashion via the bleep-sporting analogue acid house of 'Waverider', before opting for warehouse-ready early UK techno sounds on the gnarled and nasty 'Innervision'. 'Blunderbuss' adds warped hardcore rave sounds to a sweat-soaked jackin' house beat, while 'Under The Influence' sounds like a long lost, loved-up tech-house blueprint from 1994. Stellar stuff all told.
Review: Ray Mono, who first came onto the scene as a resident at well regarded Leeds party Mono_Cult more than a decade ago, is now helming the label of the same name. After a notable first outing, he is quickly back with another of his supple and subtle minimal workouts. 'Synchronicity' is a brilliantly warm and bubbly opener with balmy pads and sci-fi signifiers, while 'Awakenings' picks up the pace for a more driving and late-night tech house vibe that oozes drum funk. 'Synchronicity' then comes as a Nu Zau remix with more chattery percussion and textured bass rumbles, and Sepp's remix of 'Awakenings' is deep, bumping minimal house. A super fresh EP once more.
Review: Cristian Sarde (aka. Mamosato, Samo) teams up with fellow techno tussler Bakked for an off-piste non-label release, sharing inverse sides of a single furtive black label record. Veering minimal, moving, and moribund, both staples of the Italian dance musical underground share what is implied to be their deepest, darkest and most exclusive thoughts, strictly for heads only; 'Love Tea' is an unusual track, fusing an almost early-noughts dubstep wriggle against an otherwise taut house groove; a move we don't see coming. Bakked meanwhile brings 'Effect171', on which a raw MPC-style jam - pleated with analogue rimshots and backsliding chords - is sown as the underlying field line onto which a dreamy sampled vocal admission, "I don't mind talking about it", may be heard. Both artists sound to have indulged a weirder side to their crafts, hence the labelless aside, and we love to hear it.
Review: The Scissor & Thread label is a deep house outlet with plenty of class. Will Young is next to add his sound to the conversation with this new 'Too Much' single. As always it is a sophisticated sound that is unhurried and artful assembled with cuddly drums and synths that lodge deep in your brain. On the B-side, it is label co-founder Francis Harris who steps up with his mix and serves up some of his usual sublime sound designs. Last of all, DJ Aakmael brings his signature smoky soul and dusty deep house depths to a gloriously heartwarming remix of his own.
Review: UK mainstay Subb-An makes a welcome return with this fresh new EP on Aesthetic. It finds him in great form with opener 'Seeing Colours' heading off down a nice liquid minimal route with crisp tech drums and twinkling synths up top to bring the magic. On the flip side is 'Plants', a rather serene and sublime cut with more rolling drums and plenty of deft synth designs that bring a certain celestial charm to the fizzing leads. Snad's remix then shuts things down with a more driving sense of tech house rhythm to complete a tasteful EP of heady sounds.
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