Review: Damian Lazarus's Crosstown Rebels kicks on with more useful house fuel here, this time from the fast-rising Airrica whose playful sounds have begun to make a mark in the same way as have her DJ sets across some of the UK's most notable events. There is a garage vibe to 'Hi Speed Lover' with its dusty drums and old school melodies, while Nick Morgan remixes it into a deep-cut house groove for late nights. With 'Cherries', Airrica layers up floating beats and pads with sensual vocals to make for something that will encourage dance floors to zone out. A Kinahau reworks it into even more dreamy territory.
Review: UK house mainstays Audiojack are well entrenched in the house scene and have been forever. They have landed on plenty of key labels, established their own fine outlet, and now land on the respected Crosstown with a fresh deep house offering. 'Play With My Mind' is a nice bubbly cut with 90s chords and deft little vocal sounds. 'Casual Verve' brings some US garage style snares and a gritty, grinding bassline and 'Connect' is oozes cool from the neon synth patterns that bounce over the stripped-back beats. 'Delirium' shuts down with a libidinus vocal hook over turbo charged tech grooves.
Review: Damian Lazarus's Crosstown Rebels shows it very much still has its finger on the pulse with this new and garage-tinged outing from Bullet Tooth. If opens with the pitched-up vocals and rugged drums of 'If I Can't Be Yours' before 'You Think You Can Fix Me' has more floating grooves and waif synths keeping you suspended above the dance floor. Enamour then steps up with a remix that strips it back and reworks it into smooth deep house groove for beachy fun. Last of all is a Sicaria remix which is emotive, punchy and built on glitchy broken beat loops.
I've Learned That (Dino Lenny & Fred Conti remix) (6:15)
I've Learned That (Shadow Child Classic mix) (6:51)
I've Learned That (Jonathan Kaspar remix) (7:22)
Review: Crosstown Rebels shows something of a different side to usual here - where it normally deals in steely late-night tech, this new one from Dino Lenny - an Italian veteran who has done it all in his time - is a more lush and deep vocal house offering. 'I've Learned That' rolls with a carefree vibe and soulful male and female vocals next to lush strings. A Dino and Fred Conti remix pairs it back to a more funky minimal house vibe and then Shadow Child brings some catchy and juicy garage moves to his remix while Jonathan Kaspar swings low and dubby with his artful rework.
Review: New to Crosstown Rebels' 12"s encampment is producer HoneyLuv, who impresses on her debut release for the Damian Lazarus-run label with the fresh heat that is 'Right Spot'. Corralling remixes from Dennis Ferrer and Byron The Aquarius, HoneyLuv's palette is watery, polyrhythmic, hip-housey and fast-moving, channelling every smart move from transitional 'wubs' to tambaleironautic drum progressions, which back up the beats firmly, and move so fast that they could probably snap an ossified hipbone if played back loud enough. The track's central vocal is also an original vocal, pleading with the listener that they meet HoneyLuv at the correct rendezvous, aka. the 'spot', in order to catch the right rave-wave.
Review: Sometimes it's wise not to over-attach oneself to a set of four walls and a roof and call it "home". Joeski and Troy Dillard prove to know it as much on 'Music Is My Home', a brilliantly soulful Afro-house roller of tearjerking proportions, and which comes backed by an wildout dub mix on the B. We'd not be surprised if this one did well in the charts; Dillard's vocals unfold over and above Joeski's static shuffles like elysian sobs, singing of safe places to go and defiant personalities to adopt, in stark contrast to what or who anyone else thinks Dillard should be. Brooklyn-Queens emigre Joeski says of the song, "This is a continuation of my collaboration with Troy Dillard from over 20 years ago when we worked on 'Hold on to Your Love', which went on to become my biggest record. Reuniting with Troy and working on this project has been special" - we don't doubt it - could it become his second biggest, even?
Review: Few in electronic music have the wizardry on synths as Mathew Jonson, the classically trained jazzman who brings endless invention and rich design to his tracks. Many of them over the years have come on the Crosstown Rebels label and that is where he lands now. 'Tako Tako' kicks off with inquisitive leads that come with a sense of uncertainty and paranoia over thudding deep techno drums. On the flip side is 'Just A Little Bit' with its snappy finger clicks and bubbling drums that are lithe and rubbery. It's another terrific two-tracker from this legend of the scene.
Review: Undoubtedly one of the most anticipated releases of 2020, legendary UK producer DJ Krust makes a comeback with his first release in 14 years, and rather surprisingly on Crosstown Rebels - of all labels. While we all know Damian Lazarus' established imprint is anything but drum and bass, it is well known that he was an early champion of the sound, long before his tenure at City Rockers in the early '00s when he embraced 'electroclash' - but that's another story. It's clear that Krust created some of the most seminal records in the genre throughout the nineties and noughties, and he is back in fine form on The Edge Of Everything, having explored radical new philosophies and creative processes. Minimalist arrangements as heard on tracks like 'Constructive Ambiguity' hark back to his signature sound of the aforementioned period, while he also explores more experimental minded beats as heard on 'Antigravity Love' and proper darkside rolling drama exemplified on 'Deep Fields Of Liars'.
Review: Damian Lazarus returns to Crosstown Rebels with 'Sunrise Generation', featuring the celebrated vocals of singer-songwriter Fink. Set for release on November 8, 2024, this highly anticipated track marks Lazarus' first solo material on the label in over a year, following his Grammy-nominated collaboration with Diplo and Jungle. 'Sunrise Generation' captures the euphoric energy of sunrise, blending emotive soundscapes with Lazarus' signature atmospheric style. Norwegian talent Meera, a rising star within the Crosstown Rebels family, contributes a deep, textured remix, adding fresh layers to Fink's haunting vocals. This release reaffirms Lazarus' position as a visionary force within the electronic music scene.
Devil's Hands (Lunar Disco & Taya dirty club mix) (6:58)
Devil's Hands (Luciano remix) (7:38)
Devil's Hands (Anthony Middleton remix) (7:07)
Review: If you ever doubted that Crosstown Rebels put out a genuine eclectic range of underground electronic sounds than check this one out - Lunar Disco bring some sleazy indie disco vibes to this one. 'Devil's Hand' has filthy bass and bumping drums with steamy vocals from singer-songwriter Kate Elsworth. DJ and composer Nicolas Blistene is behind the beats and a host of remixers add their own spin. The standout is from Swiss-Chilean master Luciano who does his textbook string and percussive thing. AudioFly's Anthony Middleton remixes with a more late night tech feel.
Review: If you were into house and techno around this time a decade ago, you surely wouldn't have been able to avoid Maceo Plex's acclaimed debut album Life Index. The Valencia-based, Miami native finally hit the big time after many years as an underground artist, with this impressive merging of minimal/tech house with disco/soul-funk influences that would go on to be constant throughout his work ever since. This worthy reissue as part of Record Store Day 2021 features all the hits that soundtracked a rather memorable 2011, such as the lo-slung rolling funk of 'Sleazy E', the druggy and sax-led euphoria of 'Silo' and the blissed-out summertime groove of 'Dexter's Flight'.
Review: Damian Lazarus's Crosstown Rebels label has ridden out many different waves of popular sounds and always remained relevant. Right now it looks to Made By Pete for a new 12" that has a gritty, low slung and sleazy tech house vibe. 'Fires' has menacing basslines and steamy vocalisations that make for an unsettling mood. UK tech house titan Bushwacka! then remixes with his signature sense of drive thou with slithy more deep and pensive pads than usual. A dub mix is also included as is a rework from Victor Calderone & Mykol that is full of late night mischief.
Review: Irish man Matador has become a new school minimal techno champion with his own label Rukus part of the vanguard. Here he makes a move across the street to Damian Lazarus's Crosstown Rebels. He kicks off with 'My Yellow Coat' which is a brilliantly atmospheric cut with rolling drums and indie vocals that come over like a confessional. It's intimate and tender and perfect for late nights in a back room. On the flip is a remix from New York's techno terminator Levon Vincent who flips it into something bulky and raw, with scratch claps and grainy kicks all powering through a late-night urban landscape.
Review: Meera's Stikk on Crosstown Rebels delivers a dynamic journey through minimal and tech house, blending energetic rhythms with moody atmospheres. Side-1 starts with the title track 'Stikk,' a techno builder that grabs attention right away with its powerful drive. The piano elements elevate the track, adding a dramatic flair that sets it apart. The Tripolism remix follows, offering a more techy and uptempo take. It feels like a dub version, retaining key elements of the original while infusing Tripolism's unique style, making it a versatile addition to any set. On Side-2, 'Sykkelkurv' shifts the mood to a deeper, dubby techno vibe. The melodic chords and eerie, soundtrack-like ambiance create an otherworldly experience. Dennis Cruz's remix takes this track even further, adding a sci-fi edge that intensifies the futuristic feel. Stikk is a well-rounded EP that showcases Meera's ability to craft engaging, multifaceted tracks that come complete with a strong remix for extra depth.
Reinvention (feat Zoot Woman - Alan Dixon remix) (5:45)
Review: By his previously prolific standards, Disco Halal founder Chen Moscovici AKA Moscoman has been rather quiet of late, choosing to release low-key digital singles on his own label. Here he breaks cover and returns to wax after two years away. Title track 'Adventura' is as atmospheric, off-kilter and druggy as you'd expect, with minor-key melodies, trippy electronics, buzzing effects and psychedelic guitar flourishes riding a chugging, arpeggio-driven groove. Over on the flip he joins forces with Zoot Woman on the pleasingly wayward, new wave-goes-indie dance creepiness of 'Reinvention', which rising star Alan Dixon then turns into a sparkling slab of dark nu-disco with added loose-limbed drums.
Review: Crosstown Rebels continues its spell of dance albums releases with a fresh one from Oceanvs Orientalis (Safak Oz Kutle), Portrait Of The Obscure. After three superb singles on the label over the past four months, this nine-track LP offers a comprehensive exploration of the Istanbul-based talent's rich, globally-infused, captivating sound. As if to bottle the essence of the awe of travel, either everyday-real or astral - and the personal developments and realizations that come of it - onto a single record, Portrait Of The Obscure skirts the possible limits of progressive dance, fleshing out a talent for layering that we'd wager many artists only ten years or so ago would've thought impossible. Just listen to the hullabaloo that is 'Neutrality'; despite the name, it's hardly neutral at all, coming as an immense positivisation of moving parts and godlike sonic entities, which sound to dance around a central kick axis, one that we're surprised Oceanvs was still able to fit into the mix.
Review: The left of centre musical universe of Crosstown Rebels ushers in this lively new EP from Oceanvs Orientalis. 'Neutrality' features on the A-side and is a spiritual fusion of steely tech house beats and spine tingling chords, angelic distant vocals and lots of loose percussion all with a slightly psychedelic feel. On the flip is a Nick Curly remix which pairs whitings back and settles the beats into one of his signature tech house frameworks with hooky little pads and late night allure. Good stuff.
Review: The long-running and always quietly assured Crosstown Rebels kicks off yet another new year with some deep offerings from Oceanvs Orientalis featuring Idil Mese. 'Heart Pieces' is a delightful coming together of organic trumpets and loose percussion with a languid house groove, funky little riffs and heavenly vocal coos. The Mustafa Ismaeel remix brings some grit to proceedings for more of a club-ready sound and then Ibiza-based Leeds man Nightmares On Wax offers his typically laidback and sun-kissed take on things with a deep one to start and a dubby once to finish.
Review: The Pale Blue project brings together Italians Do It Better's Mike Simonetti and Silver Hands' Elizabeth Wright, and the pair have done a fine job thus far exploring a club-ready kind of pop noir. On this single, the original version of 'No More Words' is present in its moody, subtly acidic form, Wright's coquettish vocal sitting atop the warm analogue backdrop oh-so comfortably. DJ Tennis steps up with a remix which edges a little more tech house bite into the rhythm section, and then on the B-side Perel offers up two much wilder versions which nod to Italo and industrial as much as anything contemporary.
Review: Crosstown Rebels are always dependable for that sound which sits somewhere between big room tech house and slinky, flamboyant Euro minimal, and that comes through in abundance on this essential collaboration from Parallelle and Nicolas Masseyeff. 'Surrender' is a stripped down workout which leans on punchy bass and a slithering rhythm section as the perfect vessel for the catchy vocal mantras. 'She Says' is a techier affair with some subtly shape-shifting synth lines in amongst the crafty beat constructions, which gives maverick maestro Axel Boman plenty to work with for his remix which spreads itself across the B-side.
Review: Harry Romero returns to Crosstown Rebels as he links with vocalist Shyam P for 'Mind Games'. With a catalogue as rich as any and continuing at the top of his game two decades after his emergence within New York's fabled nightlife scene, Romero continues to serve up his own take of Latin-inspired and percussive-driven house music via a long list of the industry's leading imprints. Crafting a slick and heady groove before launching into a hypnotic haze accenting by a bubbling bassline, 'Mind Games' is an infectious and vibrant house cut as Shyam P's alluring vocals take hold amongst emotive builds and breaks. 'Mira', after, is a classic Romero offering as the focus shifts to crisp organic percussion arrangements, carnival-esque whistles and hooky Latin vocals for a bustling terrace number, before 'Analog Bugz' takes cues from its title as crisp drum shots and sharp stabs unite to create a no-nonsense builder made for the main room.
Bring My Beat Back (Zombies In Miami remix) (6:20)
Review: Mexican supergroup Secret Echoes make a strong debut on Crosstown Rebels with their single 'Bring My Beat Back'. Comprising the talents of Estefani Brolo, Diego Cevallos and Marco Balcazar, this trio blend their diverse musical backgrounds into a unique fusion of sound that promises to resonate with electronic music fans globally. The main track is a compelling mix of house music foundations, elevated by Brolo's mesmerising vocals, shimmering synths and polished percussion grooves. The result is a silky production that balances classic house elements with modern, dancefloor ready touches. The origins of Secret Echoes trace back to the pandemic, where Cevallos and Balcazar began working on a long-envisioned album. After Brolo joined, the project flourished, leading to the creation of 11 tracks, with 'Bring My Beat Back' catching the eye of Crosstown Rebels founder Damian Lazarus. Adding to the release, Zombies In Miami deliver a remix that infuses the track with neon-lit synths and hazy tones, perfect for late-night sets. An exciting preview of what's to come from Secret Echoes for sure.
Review: Damian Lazarus's Crosstown Rebels continues to serve up top tech tools for jobbing DJs with a new one from Ben Sterling. It's very nearly the label's 300th release and one that does damage from the off: 'Don't Truss' (feat Caitlyn Scarlett) may or may not be referring to one of the shortest-ever prime ministerial chapters in this country's rich history, but what it does do is lock you into the steamy and sweaty drum funk and melt your heart with its superbly angelic vocal. On the flip is 'Bring Me To The Surface' which is a more wonky workout with whirring machines, beeps and squeaks over a punchy tech beat.
Review: Jaden Thompson broke through at a mad young age and has backed up his early potential ever since, not least as a resident at fabric in London. Here the still-young tastemaker lands on Crosstown Rebels with a summer anthem in the form of 'Downtown' with its emotive, pitched-up male vocals and slapping tech house grooves. The HoneyLuv remix is a more cut-up and wonky workout with bulky drums and bass, and last of all is a Ghoulish Remix which makes the cut more freaky, edgy and late-night, most probably for some after-party madness.
Made By Pete & Zoe Kypri - "Horizons" (Black Coffee remix) (9:26)
Adam Ten & Yamagucci - "The K Dance" (5:39)
Maceo Plex - "Together" (2011 mix) (8:39)
Guti & Dubshape - "Every Cow Has A Bird" (Tibi Dabo remix) (8:22)
Review: Many congratulations to Crosstown Rebels, a pioneering tech-house and big room dance music imprint that this year celebrates its 20th birthday. To mark the occasion, founder and creative force Damian Lazarus has dipped into the archives and come up with a collection of rarities and previously unheard remixes. Starting with his own Jem Cooke collaboration 'Into The Sun', an atmospheric, deep tech-house excursion smothered in twinkling pianos and trance-inducing electronics, Lazarus offers up an enticing mix of chunky goodness (Art Department remixing Jamie Jones), percussion-rich after-hours wonkiness (Dennis Cruz reworked Pier Bucci), pulsating neo-trance (Audiojack re-imagined by Michael Mayer), tech-tinged deep house hypnotism (Black Coffee tweaking Made By Pete vs Zoe Kypri) and saucer-eyed Ibiza anthems (Maceo Plex).
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