Review: Mark Ambrose brings his years of expertise in the deeper end of the techno spectrum to bear on this latest joint for Crayon, the label he founded way back in the mid 90s. "Destiny Angel" is a stomping, expansive cut with a cinematic lilt to its sound design and melodic progression - one for people to truly travel on. "Bleeps & Bits" is a more rugged workout that digs deep into intricate rhythm programming and FX processing to create a unique future-tribal flavour. "Just Tonight" keeps the beats dynamic and broken, but with a much hookier punch and some choice vocal snippets that should find favour with all kinds of DJs.
Review: Distant Worlds is a label going from strength to strength as it carries the work of underground deep techno producers celebrating that hopelessly romantic strain of UK machine music that emanated out of labels like B12 and Pure Plastic. Mihail P makes a return to the label after last year's "Multiverse EP", channeling all the right moves for a blissful trip into imagined sci-fi vistas fuelled by the box jam funk of electro and the synapse-tickling soundscapes of Tangerine Dream et al. From the dreamy delights of "Kessel Run" to the downtempo groove of "Sons Of October", this is beautifully executed music that champions electronic music with real heart and soul.
Pimping People In High Places (Woodword Ave alternative mix) (6:50)
The Medusa Touch (6:52)
Review: Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!
Review: Following outings on Echovolt, Further Electronix, Nerang, X-Kalay and Of Paradise, Gennadiy Manzhos brings his Low Tape project to Private Persons for the very first time. "The Next Summer of Love EP" is an expansive and universally impressive affair, with the Russian producer brilliantly charging between sun-kissed deep electro (melodious opener "Euphoria" and the similarly summery "No Acid For You"), raw and heavy jack-tracks ("Chicago Blues"), skittish but spacey electrofunk (the high tempo thrills of "Detroit Love"), bittersweet brilliance (the melancholic chords, non-stop machine beats and acid-style electronics of "Never Not Known You") and bass-heavy ghetto-house/ambient techno fusion ("Winter Acid Waltz").
Review: Over the course of his short career to date, Forest Drive West producer Joe Baker has developed a trademark sound that gleefully mixes and mangles elements of techno, post-dubstep bass music and vintage jungle. That trademark sound is naturally at the heart of the producer's first outing on Neighbourhood, from the smooth, spacey and slightly creepy hypnotism of opener "Un", to the deep space electronics and jazzy, off-kilter rhythms of EP highlight "Reshape". It can be heard, too, on the locked-in peak-time techno of 12" closer "Functional" and within the delay-laden blacksmith's percussion hits, moody bass and body-jacking kick-drum beat of the mind-altering "Wait". Supported by Etapp Kyle, Sigha, Ben Sims, JP Enfant - this will go fast, don't wait!
Review: Dublin techno deity Matador returns with peak time ammunition. Growing, tension building and valve-releasing stuff made for main stage rigs and darkened, sweaty basements alike. Fans of the producer will not be disappointed, especially as it has been over a year since we got last summer's 'Air' on his Rukus imprint. Digressions aside, it's hard to know which of these techno offerings will do more damage, and not just because all three have a similar approach to taking us where we want to go. Opener 'Come With Me' is all about the background synth refrain, a continuous energy build beneath acid hooks and razor sharp highs. 'Connected' re-emphasises the importance of top-end percussion, only breaking twice to allow for a quick recharge. Finally, 'Fidgit' takes those ideas up to 11- a peak time weapon make no mistake.
Review: REPRESS ALERT: relik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.
Review: REPRESS ALERT: Cisco Ferreira continues to fly the flag for rugged hardware powered techno with personality, well over 20 years since he first emerged. The Advent is rightly hailed as a mark of assured quality for good reason, and Thema make a smart move in signing up this fresh grip of tracks from the veteran producer. "Kombination 100" is a lurid, slightly unhinged acid workout from the outer limits, while "Dorian Blue" sets a more moody, aquatic tone with a dash of electro thrown in for good measure. "In Time" brings things up in tempo and attitude, sporting some surging 909 drums guaranteed to get bodies striding with purpose, and then "Rhythm" spins out into trippy electro territory for the heads-down travelers to get spiritually expanded to.
Review: Robin Ball's Memory Box dips once more into the acid-laced honey pot and comes up with the lysergic maestro Luke Vibert, who delivers a crucial gurgler in "X To C" that ranks amongst his most incisive 303 workouts in recent memory. A snappy 808 drum line and quintessential vocal chops make this an all-round masterful jam for heads down moments in the dance. Robin Ball himself steps up on the B side with two equally proficient cuts, from the big and bold peak time propulsion of "Gripper" to the punchy tech-noir of "The Edge".
Review: AE Recordings turns its attention to Oculus, who they describe as a "titan of the Icelandic techno scene", famed for his live sets that have kept bodies moving for the past decade. He commits some of his sounds to wax here, maintaining the otherworldly emotional lilt that often comes from the scene orbiting AE and Thule Records, but with a bolder sound palette than some of the icy dubbed out artists he rubs shoulders with. "Nostalgia" deals in powerful, swooning chord progressions, while "Rydgad" pings a set of metallic percussion around a sturdy but crooked low end groove. "Morph" takes things deeper, while "Flod" offers up a classy take on the minimal techno aesthetic, with added sound design trysts for good measure.
Review: Silas & Snare continue the heat on Madam X's Kaizen with their second single on the label this year. As always there's no letting up in terms of aesthetic, melting pot and energy. All sitting somewhere in the techno/hardcore/dub axis, "Pressure" lives up to its name with a rolling break, and warped grime basses, "Dreamscape" creates intensity with a loopy vocal hook and densely coded sense of tension while "Whistle Blower" brings us home on a deeper, more broken tip where noises aren't all what they seem. Feeling the pressure yet?
Review: Although Clone's series of remastered Drexciya retrospectives are excellent, it's nice that Tresor have decided to reissue the majority of material the Detroit pair released through the Berlin label in its original format. This way you get the music in the manner Donald and Stinson originally intended. The four tracks on Digital Tsunami were drawn from the same recording sessions that resulted in the sublime Drexciyan document Harnessing The Storm and thankfully got pressed on an addendum 12" after not making the cut for the double LP. With Tresor having just reissued Harnessing The Storm it seems only fair Digital Tsunami should be granted the same treatment. Some 13 years after it's original release and all the music here still sounds like it was drawn from the future, with Donald and Stinson excelling at rapid fire bursts of abstract subaquatic electro, such as towering highlight "The Plankton Organisation".
Gus Gus - "Your Moves Are Mine" (Sanasol remix) (9:24)
Thor - "Black" (7:32)
Biogen - "Stream" (Sanasol Lost In Time remix) (6:39)
Review: Next up on the ever-excellent Oscillat is "Spellbound" by the supremely talented Matthew Dekay. This moving deep house jam uses a few key elements to make a soul-stirring confection for truly spine-tingling moments in the middle of the dance. From the slithers of vocal to the insistent key riff that bounces throughout, this is an outstanding slice of contemporary house music loaded with feeling. Mandar then take the original and inject it with a feisty peak time energy shot through with a little trancey magic and an acidic undertone. It's not a raging beast but rather an energizing workout for the brain and the body - just what you need in the midst of a marathon.
Review: EYA Records branch out with this crafty, wriggling slab of freaky techno diversions on new imprint Lonewolf. Meta4 twists all kinds of gnarly subversion out of "Four Body Centers," where the funk of foundational Detroit techno collides with the rampant machine messing of UK acid for stunning results. There's an eerie ghost train vibe hovering over Jorge Gamarra's "Pact", while "Langan" by Twophaseu drops a fresh UK twist on electro. Meta4 returns to bookend this ear-snagging EP with the equally catchy oddball trysts of "666blank", another devilishly deviant slice of underground party music for the ghoulish crew.
Review: In the face of all those Clone reissue compilations, Tresor are doing the right thing and digging into their own archive of seminal aquatic machine funk from Detroit electro legends Drexciya, and stepping up with the Hydro Doorways EP is the kind of power move that most labels can only dream of being able to make. From the cinematic drama of "Quantum Hydrodynamics" to the textbook boogie down synth abandon of "Polymono Plexusgel", not forgetting the heavy-on-the-one throwdown of "Lost Vessel" or the alien gurgles and peppy pace of "Species On The Pod", or the... oh you know the drill. This is timeless, essential business for anyone that takes electronic music seriously.
Review: Resurgent Welsh techno wizard DJ Guy launches his own label with a fresh batch of deep diving jams that put the soul back in the machine. From the twinkling, starry-eyed delights of "Music Is Life" to the horizontal meditation of "Interplanetary," this is immaculately executed electronica in the fine tradition of UK trailblazers like B12 that sounds as fresh as it did in the 90s. "Warmth In Rhythm" sports a nagging house groove to suck you in with ease, while "Propulsion State" fires off a dazzling arpeggio that heads skywards with a twitchy electro backbone for company. Top shelf tackle from a seriously talented cat.
Review: Gotshell is Cristian Alexander Soto: a DJ and producer from Colombia that has appeared previously on Mord, Detroit Underground and X/OZ. His new new thriller comes courtesy of the ever reliable Suara label - and he lunges straight for the jugular on this fierce new offering. Kicking off with the barrelling intensity of "Peras Cosmic" which reaches near acid moments,, this is followed by the hypnotic sonar pulse of "19 Caracteres" (which calls to mind the work of legend Sleeparchive) and on the flip we have label staple Coyu - who delivers a right punch with his remix of "The Draft" which is as steely and austere as you like it.
Review: On the A1 Chekov follows up their moves on Peach Discs and Timedance with a proper peak timer, they've been described by Ben UFO as 'king of the build up' and that's evident on this one. At the A2 London's Doppelate makes their Cong Burn debut with an elegant tech-house roller. Fresh from Russia's underground is Camin, on this, his debut 12" release he drops a useful tool which squeezes between electro and techno. Cong Burn founder Howes closes the B side with some warm hypnosis that could have landed in the golden era of Workshop.
Review: LFT has already made a sizable impact on his gnarly, muscular brand of weathered electro and techno, and now he's been snapped up by Zement to deliver another four rowdy roundhousers. "Nucleon" channels the best of minimal wave and gives it a deadly dose of modern acid revelry that will incite fevered responses on the floor, while "Wounds" takes things in a spookier B-movie direction without shaking off those powerful 303 demons. "The Cure For My Kind" manifests as a kind of nightmarish electro, and "Hypno Haniwa" takes another route into machine funk for malevolent souls, with stunning results.
Review: Last time we heard from James Ruskin, it was in collaboration with fellow UK techno veteran Mark Broom. Here he flies solo on Blueprint - the label he co-founded way back in 1997 - for the first time in five years. Title track "Reality Broadcast Off" is thrillingly wonky and unsettling, with Ruskin peppering a sturdy late night techno groove with waves upon waves of minor-key arpeggio lines and seemingly out of time motifs. It's great, all told, and most likely capable of inducing hallucinations in suitably refreshed dancers. He continues on a similarly off-kilter theme on the slightly more positive sounding - but no less mind-mangling - "We Are Everywhere", before rounding off a rock solid EP via the squelchy acid motifs and rumbling bass of "Disaffection".
Review: The fourth release from London-based label Eya continues to shape out an intriguing identity that nods to classic techno tropes while charging ahead with their own agenda. Label boss Jos' "Planet Eya" sets a lively pace with its forthright drum machine jack offset by warm synth licks. Evil Knebel matches the tempo and weaves in a cosmic set of tones, which Poten then cosigns with the equally trippy, propulsive "Intransigence". Jos is back at the helm for closing track "Purify", which strikes a darker tone without losing that raw, vintage techno flavour that makes this label one to watch.
Review: Second instalment from Belgian electro-label ZwaarteKracht, once again assembling a dream team of international producers to bring together this extraordinary selection of dancefloor tracks with dark sci-fi moods. All dynamically mastered by Karel De Backer to keep those subs moving like they should. Features Arsonist Recorder with the hard hitting retro futurism of "Brain Mode",
Deemphasis going deep on "In My Mind" with its underwater acid, Datawave served up our favourite on the darkly dystopian electro bass of "Quadrant" while Francois Dillinger's "Moon Prison" provides the abstract and minimal vibes.
Review: Asad Rizvi's Silverlining return to form (and archive purge) continues unabated with this latest instalment on his label. The tech house originator kicks off this ninth part in the Silverlining Dubs series with a fresh production, the stripped back and highly technical "Groundhog Rave". It's followed up by an older jam originally released on Eukahouse back in 1997. "Stolen Baggage" is a sweet, poignant club track with lingering keys that positively melt between the snaking beats. "Spinach, Mystery & Insult" brings things back to the here and now with a shimmering set of drums and sonar bleep synths aimed squarely at the deep end. Brief diversion "Sticky Snails" completes the package with a surprise foray into kosmische-inspired territory, pointing to the diversity tucked away in this seasoned producer's repertoire.
Review: Trustworthy techno outpost Chronicle are the kind of label you can still get behind when they drop an unnamed artist. Whoever's behind Cycle De Motifs, the bar remains reassuringly high for those wanting fresh firepower in the serious techno game. "GPS" is a fist-shaking piledriver, but it's not without its cerebral nuances between the surging low end. Who needs a kick when you can have a relentless sub to carry you through the night? "C-Signature" darts out into equally intriguing territory with a creeping, insectoid array of sound design working around a minimal beat. "Gateway To Infinity" piles the eerie, looping figures on and continues spiraling outwards, and "Nepthys" plies an old-skool drum machine jack in the finest Plastikman tradition.
Review: Although Emile Facey has been producing as Plant 43 for roughly six years, the UK producer appears to be in a rich vein of form right now. Having debuted in impressive fashion on Dutch label Frustrated funk earlier this year, Plant 43 resurfaces on Semantica with this equally worthy five track 12" The Sentient City Awakens. No stranger to Svreca's label having first graced Semantica last year, this record will please Plant 43 fans no end, with "Inward Stream" and "Hydro Subway" showing equal reverence to melody and booming percussion that few other current electro practitioners can match. Concluding production "Frond Of Stars" is beautifully epic.