Transmigration Germany Vinyl & CDs

Review: Robbert Heynen aka Exquisite Corpse served up one of last year's finest EPs with his Integration 12". Now though he has opened up his superb archives and invited the one and only Greek maestro Anatolian Weapons to set to work reworking it for this fresh new four-track EP on Transmigration. It's a deep and dubby affair to start with on 'Honeymoon' (Definitive mix) while 'Calling The Quarters' (Beauty Below mix) is awash with trippy electronic lines and shimmering pads. 'Outlandis' (Deep Anatolian mix) is a heavy, percolating bit of elongated electronic dub with 'Chalice' (Secret Acid mix) closing down the EP with another slow and captivating rhythm made from jumbled parts and tribal drums.

Review: For their latest deep dive into mid-90s electronic music history, Transmigration has decided to explore the slim but perfectly formed catalogue of Mark Lloyd and Mark Richardson's Isomise project. The pair released two 12s under the alias in 1995, and 'Intersections' features remastered versions of tracks plucked from both. A-side 'The Intersection' is simply superb: a sparse, minimalistic, intergalactic excursion that presents nine minutes of hissing tech-jazz cymbals, broken techno beats, dubby bass, creepy melodic motifs and whispered vocal samples. On side B you'll find wayward, mind-mangling acid techno throb job 'Ketama' and the percussion-heavy, acid-flecked psychedelic techno hedonism of 'Kolo'. In a word: essential!

Review: Way back in 1995, the late Susuma Yokota joined forces with Ray Castle, an Australian producer then based in Japan, for an album of 'tribal-ritual ambient' tracks as Mantaray. For whatever reason, the trippy, partially mixed patchwork of effects-laden percussion, mind-altering electronics, dreamy chords and mind-altering vocal samples was not released on vinyl first time round - hence this edition from archival release specialists Transmigration. It's a genuinely unique album that's alternately becalmed and unsettling, offering a psychedelic drift through hallucinatory, dawn-ready soundscapes that features plenty of subtle nods towards Japanese and Indigenous Australian musical culture. It's basically a slept-on 90s ambient classic, so this vinyl reissue is well worth picking up.

Review: For years, this record remained a genuine collector's piece - an impossible-to-find, early-to-mid 1990s collaboration between AO Records founder Obi - a Japanese producer then based in London, and a member of an ambient dub act called Subsurfing - and Drum Club/Spiral Tribe sort Charlie Hall. It's fantastic that it has finally been reissued, because all three tracks are brilliantly odd, immersive and intoxicating. A-side cuts 'La Bamba' and 'House Pod' mix elements of digi-dub, ambient techno and what was once called 'worldbeat' in thrilling, hard-to-describe ways, while flipside 'Dreamtech' is an epic slab of psychedelic ambient dub techno that expertly incorporates elements of tribal house. An original copy would cost you hundreds of pounds, so don't sleep on this 2022 edition.