Back catalogue: Minimal/Tech House

Review: In 2007 Juno Records is ten years old, and we've decided to celebrate by releasing 10 singles throughout the year. Each one is a classic dance track featuring new remixes from the some of the most exciting and established names in the business, including Julien Jabre, Spirit Catcher, Dimitri from Paris, Lindstrom, Troy Pierce, Cobblestone Jazz and many more. These releases will initially only be available from www.juno.co.uk and www.junodownload.com. To launch the series we have pulled out all the stops with the re-release of the timeless "In The Trees" by Faze Action, featuring remixes from the legendary Carl Craig and Jerome Sydenham & Tiger Stripes, as well as the brilliant 1996 original mix. A genuinely huge release, this could be the first of 10 future classics! ***Stop press 19/12/07: the Carl Craig mix has been voted #3 in residentadvisor.net's "Top 5 Remixes Of 2007".

Review: Back in 2008, noted experimentalist Alva Noto began a sporadic series of albums that were far more focused on dancefloor-inspired rhythms than his usual eccentric and inspiring fare. Unieqav is the third and, we're told, final part of the series. The album is apparently meant to be a sonic representation of an underwater dive, a conceptual theme which manifests itself through the storied producer's use of deep and atmospheric chords, fluid and occasionally glistening electronics, and rhythms that evoke images of ever-deeper dives into the dark, cold depths. Rhytmically, there are nods to electro, IDM, dub techno and Autechre, though the mood remains laidback and intoxicated throughout.

Review: Banyek is next up on the prolific Lithuanian label Greyscale with Alue, a new album that marks the imprint's 37th full-length overall. It is a typically expansive and immersive listen that takes inspiration from cities like Riga and Espoo. Dub techno, ambient and experimental all infuse the sound waves and the intricate craft of Banyek means you're always hooked onto some small detail as the gentle rhythms flow over you. There are stark melodies and more airy atmospheres, minimalism masterpieces and calming sounds a plenty as this most super exploration of tone, time and texture plays out.

Review: Phenomena is a rather incredible 39th full-length album from the pioneering Lithuanian dub techno label Greyscale. Like all those that went before it, it is a captivating excursion into cavernous sounds. In particular, this one delves into the wonders of nature - meteor streams and starling murmurations - and flips them into immersive soundscapes. In mixing up vintage and contemporary styles, Basicnoise navigates deep emotional depths with technical finesse. 'Midnight Dub' has lush and organic chord progressions, 'Sakura Season' pays homage to Detroit techno's smooth, futuristic spirit and 'Reduxtion II' delivers crisp production and powerful frequencies. These are just some standouts along the way of this profound musical odyssey.

Review: For the 42nd stop on the decades-long journey through worldwide DJ culture, Global Underground has pitched up in Berlin and handed over the reins to Patrice Baumel, a Dutch DJ/producer with an impressive track record. The resultant two-disc mix-up is staggeringly good, with Baumel choosing to represent a wide variety of techno and tech-house sounds with occasional diversions into more melodious or off-kilter fare. Wisely, the Dutchman has also chosen to offer up tracks that span the decades, contrasting classic material from the likes of Swayzak, Matthew Dear and Chateau Flight (whose brilliant "Cosmic Race" stands out) with newer cuts from such artists as Shlomo, Steve Moore, Adam Port, Ripperton and the ageless Phil Kieran.

Review: Having built their reputation through 12" singles for the likes of Crosstown Rebels and Poker Flat, Dan Berkson and James What deliver their debut album, on their freshly minted imprint Modelmaker. Interestingly, Keep Up Appearances is an altogether warmer, melodious and more evocative set than you'd perhaps expect, with a smattering of rich downtempo cuts joining a solid selection of dancefloor-friendly deep house. You can hear a classic dub techno influence in cuts such as "Keep Up Appearances" and "Shadow Theory", while the acid-flecked, soul-soaked "Make It True" sounds like classic Osunlade. Best of all, though, are the more forthright efforts, with the ragged "Seraphim" standing out.

Review: Still-rising new electronica artist Ben Bohmer shares his first new studio album in three years, Bloom. Coming off an ambitious world tour in support of his previous album, Bohmer made a point to take time to himself afterwards, returning to the peace and quiet of his studio; the return would also help him process the heartbreak and grief that drove the inspirations of the record in equal measure. The artist embraces his imperfect journey thus far on the forthcoming album's first single, 'Best Life', featuring Berlin-based singer-songwriter duo JONAH. "Life is short and fast," JONAH remarks on the track. "You try, you fail, and sometimes we lose a special person along the way who is irreplaceable, but the memories stay with us, shaping who we are. 'Best Life' is all about that rollercoaster ride of trying, failing, and a reminder of the importance of living each moment to the fullest." The album features a swathe of styles and tempos that earlier tracks in his career feel like breadcrumbs to.

Review: BT Gate X-138 returns to Greyscale with Gravitational Grooves, deepening his relationship with the label following 2023's kV Pylon. Ten sousing sonorities hear him reshape his signature dub techno sound with growth-mental finesse, emitting foggy atmospheres and slicing percs. 'Inertia' leans into soft chords and faint crackle before giving way to the stripped-down shuffle and understated melodic turns of 'Gravity', while 'Orbit' builds over and delay-heavy phrasing; 'Float' offers a breather with its ambient drift, while an embossed 'Mass' sears the ears with churlish mood-texture. Touchstones such as Konigsforst and In Moll are alluded to most subtly.

Review: By the stuffy standards of German techno, Bulent "Butch" Gurler is something of a maverick - an eccentric whose seemingly never-ending output regularly pulls techno in a variety of different directions. Certainly, he's a great choice to mix the latest instalment of Berlin club Watergate's excellent mix series. Beginning in a deep and contemplative mood, Gurler works through a range of micro-genres in an undulating, entertaining, 22-track trawl through various contemporary inspirations. Along the way, you'll find cuts by The Horrorist (as remixed by Ricardo Villalobos), Redshape (the thrilling broken techno of "Goom"), and Shifted and Sigha. There's also a couple of exclusives from the man himself and regular studio partner Hohberg, including the exotic, Arabic pulse of "Thai Cubensis".

Review: Cabanne, Agnès, Seuil, Ultrakurt, as unyielding Minibar bedrocks, offer new deep and shaky cuts. Inviting John Thomas & Barbara Goes for an exceptional funky time that will surely sparkle in 2008. Cabanne, digging up the woods on Zip and Dan Bell's lands, met amazing inhabitants. You'll love Your Mad Friend and Linc's fine and striking funksters. Only Spasm, Copacabannark, Ditch and Gregorythme were missing for 'compléter' La Cène (1)! It's all about house, minimal twists and tricks Minibarians love. Put a hand on the first minibar cd release. You'll enjoy the free bonus cd home-mixed by Cabanne, and really cool illustrated Minibarians' stories!

Review: With a name like Global Underground, we're left starry-eyed at a fanciful idea: a vast, interconnected network of tunnels, reticulating every nightclub in the world. Who wouldn't want that? While the possibility of such a thing is most likely inexistent in our human lifetimes, the eponymous international record label at least aim to make a "global underground" real in spirit with their City Series of mixes. Their latest full-length from Montreal native Joseph Capriati captures this fervent mood: with the initiate DJ repping the jubilant Canadian city, the mix segues between Ame, Len Faki, Deetron and Louie Vega highlights, and is a modern house and techno showstopper.

Review: Argentina's Hernan Cattaneo has long championed deeper, mellower sounds, and here Balance Music invite him to give full rein to those laidback tendencies. CD1 starts out in deep house/minimal pastures, then moves closer to the prog/melodic end of the spectrum as it goes on, and that's where we stay for most of CD2 (bar the inevitable downtempo close) - though, to be clear, we're talking about the very deepest of prog here, with not a cheesy Euro synth riff in sight! It's an album that's really best enjoyed in full, but if you want to know where to dip your toes, try Mike Griego's 'Headspace' or Kevin Di Serna & Graziano Raffa's 'System Era'.

Review: Following acclaimed contributions from Mandy, DJ T, Dixon and Jesse Rose, the fifth instalment of Get Physical's "Body Language" mix series comes courtesy of Chateau Flight (aka Gilbert Cohen and Nicolas Chaix). "Body Language Vol. 5" is a discerning, rich and tasteful celebration of the best in disco, techno, electro and house in all it forms and it's a joy to listen to, from start to finish. This is one Get Physical chartered flight you should not miss.

Review: The fully mixed version of Confidence Man's debut Fabric mix record is here on CD. In contrast to the selectors' LP version - also sold by us - this full version is a seamless, singular slab of optical laser-read musical licence, espousing the central vibe-theme of Confidence Man's message: have confidence. Well, except for want of a receiving ear, we find ourselves tentatively able to confide in Confidence Man's Fabric mix ("better than therapy" joke happily dodged) as a substitution in the meantime; for it too shows us that real, authentic, and boundless confidence can, believably, indeed, be found in bouncy dance exclusives available on CD only. Among these are Patrick Prins' kitsch chipmunk banger 'Fiesta Conga' and Cygnus X's steezy-cheesy trance stutterer 'Positron'03'. With both many a throwback and a present promo in tow, Confidence Man dice up and dole out a small slice of their huge stash of their patented auricular confidence dust.

Review: As a paid-up member of Seth Troxler's extended Visionquest family, it's perhaps no surprise that Detroit new-schooler Lee Curtiss's contribution to the Watergate club's mix series is brimming with warm, touchy-feely tech-house. From start to finish, Watergate 08 sounds like an audio advert for the Visionquest sound; that pleasingly melodic fusion of heavy low-end, off-kilter synth pop posturing and tactile, MDMA-friendly electronic grooves. It's the sort of effortlessly delicious sound that lends itself well to a mix album, and as a result Watergate 08 is a lovely listen. With superb contributions from Footprintz, Maceo Plex, No Regular Play, Kim-Ann Foxman and Curtiss himself, there's plenty to get excited about.

Review: Celebrating 25 years of Der Dritte Raum, pioneering producer Andreas Kruger presents 25 EINS, a collection of classics and hits, all reconstructed (except "Plasmatica," 1992). This release marks the first in a series of anniversary albums, set to continue with ZWEI. Released on Sven Vath's iconic Harthouse label, 25 EINS captures Kruger's signature blend of techno, trance, electro and house. With timeless tracks and modern productions like "Polarized Echoes," Kruger's distinctive sound continues to captivate generations of ravers worldwide.

Review: Though his career has taken many turns over the last decade, DJ Koze has remained that most illusive of creatures: a minimal-minded producer with an ear for a melody. This fourth full-length, packed to the rafters with big-name collaborations (Apparat, Caribou, Ada and Matthew Dear all feature), continues his move towards the home-listening sphere. So, while many of the heady rhythms and shuffling grooves hark back to his stripped-back past, Amygdala impresses with its woozy songs, genre-straddling fusions (see the modern soul meets deep house of "Homesick" or the steppy, tropical vibes of "Marilyn Whirlwind") and homely atmosphere.

Review: British singer-songwriter Elderbrook is best known for the vocals on 2017's 'Cola', a Grammy-nominated single with CamelPhat, but now he shows a much broader range of sounds with his new album Another Touch which he bills as "a journey of personal discovery." It builds around themes of life's love, loss, ups and downs but essential is a collection of very accessible and feel-good dance-pop hits for large-scale clubs. The production takes the form of lots of catchy and melodic house and tech grooves while his vocals are a mix of falsetto and more moody sung-spoken deliveries. It's an album that very much chimes with the crossover dance sound of now.

Review: Floating Points' new album, Cascade on Ninja Tune pushes the cult producer's sound into all new territories. The eight tracks, each up to eight minutes long, allow his to explore sounds and grooves in full form while a subtle homage to Manchester runs through the album. Tracks like 'Afflecks Palace' featuring harp melodies and electronic bleeps, and 'Key 103,' named after a beloved local radio station, is another delight. Nearly a decade after his debut Elaenia, Floating Points has masterfully integrated his experimental ventures beyond club music into these expressive dance floor creations and remains in a class of one as a result.

Review: Athens dub techno producer Fluxion debuts their latest LP on Vibrant Music, riffing on his earliest days as a member of the trailblazing Chain Reaction crew whilst also bringing said early pioneering stirrings into the present moment. Recorded between 2023-24, this record plays back like an impression of back-roomed delirium; blackout moments in intra-club corridors, where one's sense of time is lost. Louder music may pump away in the room next door, but that's OK, because nothing comes close to this affective hotbox. Branching out from "dub techno" in its strictest sense, 'Touch' adds superluminal, vacuumed Whammy guitar to a swelling, motionless chord repeated throughout the track, and bluesy dub crackler 'Reflections' indulges mournful piano above a scape-squinting mix; 'Desiderium' is the third highlight of ours, powerfully evoking the sense of something irrevocably lost.

Review: The impeccable Lithuanian label Greyscale is a real leader when it comes to dub techno and already they are racing into 2024 in fine style with a first full-length of the year from label head Grad_U! The sublime and immersive Sustain has eight larges ambient soundscapes that are detailed with field recordings from another planet. Each one is alluringly empty and beautiful, intriguing and unsettling to make for an escapist trip to another dimension. The way the producer manages to conjure up what feel like familiar emotions in such a faraway world is second to none and will leave you wanting to do it all over again the second it ends.

Review: To celebrate 15 years in the game and coming via Lithuania's Greyscale label, Gradient delivers Dub Stories, a two-CD masterpiece that focuses on his evolution. CD1 opens with 'Dub Story 1,' setting a vibrant tone that flows into the airy 'Dub Story 2.' Tracks like 'Dub Story 3' and 'Dub Story 6' pay homage to classic dub roots, while 'Dub Story 4' and 'Dub Story 8' push creative boundaries with dynamic melodies. CD2 continues the journey with the deep, evocative 'Dub Story 11' and the celestial 'Dub Story 13.' Tracks like 'Dub Story 16' offer serene, minimalistic breaks, while 'Dub Story 19' delves into deep, contemplative layers. The album closes with 'Dub Story 20,' a grand finale that leaves a lasting impression. Dub Stories is a fitting tribute to Gradient's legacy and a shining example of quality in the dub techno realm.

Review: Much missed Detroit techno legend Mike Huckaby created The Down Under Kit for the Australian leg of the Red Bull Music Academy's world tour and it's so much more than a simple sample pack, as Huckaby gives a narrated tutorial on creating templates and generating ideas, a fascinating glimpse into his philosophy and techniques. Obviously, there are lots of thumping kicks, distinctively trademark pianos and pads and more to load up, but this pack not only gives you the means of production, it also gives you a guide to how to put it to its most effective use.

Review: In April 2017, regular collaborators Oliver Koletzki and Niko Schwind shipped the contents of their Berlin studio to a small cottage in Cape Town's Noordhoek area. Over the course of the month that followed, and inspired by the stunning beauty of their surroundings and the heritage of the region's indigenous people, the German duo produced an album they say forms "a contemporary narrative on ancient dance rituals". Notably more musically expansive with greater use of bold melodies and a range of rhythmic approaches, Noordhoek pairs percussive, tech-tinged deep house shufflers and heavier, early morning dancefloor workouts with slower cuts that variously touch on eyes-closed ambient and mid-tempo Balearic chuggers.

Review: It's been over ten years since Thomas Melchior made his bow on Perlon, and the house and techno fusionist has released most of his best work on the imprint since. Here he returns to the acclaimed German label with a series of six "meditations" - long, drawn out compositions that variously doff a cap to hypnotic tech-house (see the excellent, jazz-flecked "Meditation 5"), tribal-influenced, spaced-out grooves ("Meditation 6") and woozy, evocative deep house ("Meditation 3"). Best of all, though, are the album's more melodious moments, with opener "Meditation 1" - a loopy, picturesque concoction that sounds like an unlikely collaboration between Terry Riley, Steve Reich and Ricardo Villalobos.

Review: A double CD celebrating the iconic award-winning UK electronic duo's 30th birthday, featuring reworks and remixes from the deep Orbital discography, as well as the well-known live improvisation tracks, featuring techno, acid house and electro contemporaries such as ANNA, Eli Brown and Shanti Celeste to name a few. With the actual 30th birthday delayed by the pandemic the duo concocted a physical compilation release with highlights all over the track list, especially Shanti Celeste's rendition of 'Are We Here?' and Eli Brown's update of the classic track 'Chime', lending the track more traditional house sensibilities. You can even find Professor Stephen Hawking lending vocals on CD1s hardcore techno banger 'Where is it Going?'. This compilation is a one stop shop for fans of Orbital's three-decade career, and the perfect starting point for those unfamiliar.

Review: Orbital's debut and self-titled album (also known as the green album) is a classic example of the UK rave sound in 1991. Featuring the hits 'Belfast' and 'Chime', this important piece of electronic music gets some loving attention in the form of being remastered for the first time since release. But that's not the only thing - this CD edition also comes with a bonus CD featuring rarities and remixes from the time. What better way to celebrate 25 years of this amazing band and its cherished history for their role in helping create the sound of techno.

Review: Stiroll's Sofia marks the Ukrainian artist's return to Greyscale Records with his first full-length album, painting a sonic portrait of a day in the life of a suburban area. The album invites listeners to experience the subtle intricacies and layered sounds of a community awakening, bustling, and finally resting as night falls. The journey begins with 'Intro - Dusk,' a brisk and atmospheric opener that evokes the early morning stillness before a city stirs to life. The full chord remnants and distant echoes set the stage for the day ahead, capturing the anticipation of the morning. 'Standbye' follows, offering a more airy and purposeful vibe, moving away from minimalism to suggest the first signs of activity, as if the world is slowly beginning to wake. 'Foundamental' continues this progression, riding along with gentle sounds punctuated by flares of static, hinting at the humidity and energy building in the air. The track flows effortlessly, mirroring the natural rhythm of a day gaining momentum. As the day matures, 'Sequence To None' introduces more serious, conflicting chords, perhaps reflecting the push and pull of daily routines and interactions. The crisp production and deep bassline ground the track, offering a sense of structure and direction. Midday arrives with 'Vidlunnia,' a sparse, downtempo piece that feels like basking in the warmth of the sun. The chords wash over the listener like rays, creating a relaxing, chill-out atmosphere with a broken rhythm that invites reflection. The pace slows with 'Interlude - Fall Moon,' where a churning, almost mechanical heartbeat drives the track forward, building tension as the day begins to wane. The ominous mood that emerges in the second half hints at the challenges that often accompany the close of a day. 'Nulle Part' shifts the mood with a more pronounced beat, offering a straightforward yet catchy rhythm that feels both harmonious and conflicted. The hypnotic quality draws you in as it moves toward a positive, yet complex resolution. 'Fall Control' then soothes with heavily processed sounds, offering a brief moment of respite before the album's closing tracks. 'Hope' stands out as the most original dub track on the album, blending strings with a lofty melody that soars before plunging into deeper, more uncertain territory. The track feels otherworldly, capturing the complexities and contradictions of hope itselfia fitting theme as the day begins to wind down. Finally, 'Outro - Dawn' signals the end of the day and the album, with ambient washes that gently alert like a clock, leaving the listener with a sense that it is time to close. Sofia is a meticulously crafted album that encapsulates the ebb and flow of daily life in a suburb, bringing together the sounds of different people and languages into a unified, sonic narrative.

Review: The creative partnership between Tiga & Hudson Mohawke expresses a mutual love of "hardcore romance," a liminal state where the bounds between euphoria, melancholy and the raw power of friendship disintegrate completely. Recorded in Los Angeles from 2019-2023, these commonalities ebbed and flowed through various recording sessions, culminating in their debut album - L'Ecstacy - the sounds in which "all come from the same place, the same musical universe," in Hudson Mohawke's own words. Referencing the album's locus of bouncy elasticity and cinematic gloss - "we're building a particular kind of zone where it all fits together. A place lost in time." With guest appearances by luminaries like Abra, Channel Tres, and Jesse Boykins III, as well as album artwork by Wolfgang Tillmans, the result is delivered with "no apology, no cynicism, no irony, no winking."