Review: The 45 Kings return with Vol 12, delivering two essential cuts from Nas's legendary Illmatic album. On Side-1, 'N.Y. State of Mind' captures the raw spirit of New York with its darker, jazz-influenced beats, perfectly complementing Nas's gritty lyrical flow. Side-2 features 'Represent'. a timeless track, exuding class with its sharp production and quintessential boom-bap vibe. Both tracks showcase why Illmatic is hailed as one of the greatest hip-hop records of all time. This 45 is perfect for any vinyl collector or fan of classic hip-hop, encapsulating the golden era with two undeniable gems from Nas's breakthrough masterpiece.
Review: Tokyo-based hip-hop producer Southpaw Chop teams up for the first time with rapper A.G. D.I.T.C. for a fatal coup de grace in the vein of chop-up-chintzy and scratch-sampling hip-hop. "The mood is definitely deadly", goes the pre-chorus of this gangsta rap heater, as D.I.T.C. both muses on an gripes after the many changes seen in his local LA ends, Laurel Canyon. Exchanging cryptic wordplays - Canon for firearm, for example - we har lyrical shots fired ("I drop the clues but it's too deep to mention" / "who put you on billboard, who made you a demon, with a career to kill for") against those contemporary rappers who'd buy careers with drug or blood money, while Chop the main man deftly juxtaposes 50s jazz with psycho strings.
Review: With Slow Burn, Baby Rose showcases a remarkable evolution from her previous album, expanding her sonic palette into a raw and sprawling exploration of American music. Teaming up with BADBADNOTGOOD, Rose delves into progressive r&b, infusing elements of Muscle Shoals, psych, jazz, and Americana to create a mesmerizing collection of songs. The collaboration with BADBADNOTGOOD proved to be an instant and fruitful partnership, with lead single 'One Last Dance' capturing the essence of Rose's vision from the very first meeting. This track, disguised as a love song, is actually an ode to lost friendship, with Rose's vocals layered into a hypnotic lullaby over Chester Hansen's dreamlike bassline. Throughout Slow Burn, Rose draws inspiration from her experiences driving between the chaos of DC and the tranquility of the Carolina countryside, allowing her mind to wander and explore internal dialogues. The title track exemplifies this introspective journey, with soft, ambling drums and lyrical repetitions evoking patient desire. Overall, 'Slow Burn' exudes a sense of intimacy and mystery, with each song arriving on tiptoe, inviting listeners into Rose's world of introspection and emotion. As a vocalist and lyricist, Rose demonstrates boundless potential, supported by the synergy of her collaboration with BADBADNOTGOOD. This album marks a significant step forward for Baby Rose, hinting at even greater heights to come in her musical journey.
Review: The Bacao Rhythm & Steel Band has become the latest jewel in the Big Crown. Lead by Bjorn Wagner, they have stopped several essential recordings not he label, all defined by their famous steel pan sound. Often they turn to covers of the classics such as they did back in March and this time around they take aim at the much loved and low slung hip-hop classic 'Nuthin' But A G Thang' by Dr Dre. In their hands it becomes something else entirely but still delightfully low slung and sleazy. This one is backed with 'How We Do' which is another loveably fresh sound.
Review: Blockhead is New York producer Tony Simon, a revered talent who has put out a wealth of crucial albums. They are all getting reissue treatment now as some are almost 20 years old, but they have weathered that time well. Music By Cavelight is another of his masterful takes on broken beat and nu-jazz and this one comes on nice orange-marbled wax. It peaked at number 43 on the UK Independent Albums Chart back in 2004 when it first landed and it only came to be on Nina Tune after its original label stopped answering the artist's calls.
Review: Polish experimentalists Bloto consider themselves indebted to the hip-hop and trip hop of the 90s, particularly the atmospheric cuts that stuck out of the ends of otherwise harder-hitting records. Staying true to the work ethic of the titans that preceded them, the band laid down three full-length records in 2020 before then jetting off on tour; only now in 2024 does Grzybnia follow as its the fourth prong on what was originally thought to be a trident. 'Grzybnia' is the Polish word for mycelium; this record is just as decidedly decompository in sound, its ad-hoc use of electronic and live drumming - wherever each might be needed best - sounding like the sinewy, by-any-means-necessary action of a fungal hypha, rootling deep into soils to unearth what might still lie dormant there. The live jazz, trip-hop and hip-hop admixture here is a real Frankenstein, 'Shiitake' standing out amongst the chitinous caps; Bloto consider it a response to an "unstable modern world that is breaking apart into pieces", and in which mycelium offers a powerful model of the potential resilience of life despite it.
Review: Fraud's third full-length of 2024 is another example to his unparalleled consistency in street rap. Partnering with producer Harry Fraud, the album marries Fraud's dynamic, loop-based production with Boldy's gritty, introspective lyricism. Fresh off the success of the The Alchemist and Nicholas Craven, The Bricktionary solidifies Boldy's legacy as a steady force in hip-hop, crafting vivid, haunting street tales with every verse. Fraud's production is a perfect match for Boldy's style, blending chipmunk soul, trap beats and atmospheric soul samples to create a backdrop that's both complex and accessible. Tracks like 'Shadowboxing' show Boldy's lyrical dexterity over airy, 1980s-inspired loops, while 'Speedy Gonzales' pulses with a bouncy drumbeat, driving the track forward with intensity. Guest features like Tee Grizzley on 'Cecil Fielder' and Benny the Butcher on 'Rabies' add flair to the album, but it's Boldy's nuanced storytelling that shines throughout. On tracks like 'Harvey Grant' and 'Fish Grease', Boldy reflects on his journey, blending the mundane with the profound as he recounts struggles and triumphs with masterful clarity. The Bricktionary proves that Boldy James, alongside Harry Fraud, remains a force in the game, offering yet another standout project in a year already brimming with stellar releases.
Review: Kendrick Lamar's 'King Kunta' and Kelis' 'Milkshake' hear an unlikely pairing on the perfunctorily named Edits series. The former track - some might agree its dust is still settling, as it was released in 2015 - sounds almost twice as lively here, its "oh, yes, you can, oh, yes you can!" ad-lib sounding about as squeezed as a hand-wrung lime steeped in its own juices and then dried out in Saharan heat. There's a diatonic, electric piano hook added on top too; Kelis' flip has a similar feel, mashing up the noughts teaser hit with a dash of easily identified r&b goodness - we're 99% sure you'll recognise the instrumental, its having also originated somewhere in the familiar fires of pop musical preeminence.
Review: While many of today's biggest and most well-known r&b stars have got in-your-face bars and brash, confrontational personalities, Erika De Casier is a throwback to the quiet bedroom aesthetics of Aaliyah. Her tender, intimate vocal delivers convey power through their emotion as she muses on break ups, inner strength and general life woes. The beats are soft and moonlit with captivating melodies throughout. The Danish star is very much a cult favourite in the underground but this album might well help her break through to the next level.
Cool Breeze On The Rocks (The Melted version) (0:15)
Can U Keep A Secret (1:40)
Jenifa Taught Me (Derwin's Revenge) (3:25)
Ghetto Thang (3:43)
Transmitting Live From Mars (1:11)
Eye Know (4:08)
Take It Off (1:54)
A Little Bit Of Soap (0:53)
Tread Water (3:50)
Potholes In My Lawn (3:52)
Say No Go (4:22)
Do As De La Does (2:06)
Plug Tunin' (Last Chance To Comprehend) (4:13)
De La Orgee (1:13)
Buddy (with Jungle Brothers & Q-Tip From A Tribe Called Quest) (5:02)
Description (1:35)
Me Myself & I (3:38)
This Is A Recording 4 Living In A Full Time Era (LIFE) (3:15)
I Can Do Anything (Delacratic) (0:45)
DAISY Age (4:42)
Review: De LA Soul's debut album gets a reissue in multiple formats this year. Among them, the most likely curiosity is this limited edition magenta LP, celebrating the trio's colourful aesthetic - a courageous move to take back in the 1990s, in a surrounding world of hip-hop darkness. Featuring such hits as 'Me, Myself and I', 'The Magic Number' and 'Eye Know', these are playful songs from hip-hop's veritable straight-and-narrow trifecta.
Review: 'Debes Llorar' is the second of two super limited 7"s being dropped by Dez Andres on the fledgling Future Rootz label this month. Like the other one, this 45 pulls out plenty of the Cuban influences Dez is known for. A-side 'Debes Llorar' is all life-affirming chords that fans of his classic 'New 4 U' will recognise, but stitched over ticking and raw drum beats with a Latin shuffle and Spanish vocals. 'Aqui Estamos' takes things down a notch with a more sunset sound, hip-hop flecked deep house beats and seductive vocal sounds next to gorgeous little acoustic guitar riffs.
Leave The Bells (feat Halfcut & Ghettosocks) (3:16)
All Or Nothing (feat Adam Bomb, Merkules, Fortified Mind & Halfcut) (3:33)
Review: Calgary's DJ Cosm, scar-faced veteran of hip-hop, has been immersed in the culture since toddlerhood. Longtime host of The Main Ingredient mix show on CJSW 90.9, he's furthermore half of the celebrated rap duo Dragon Fli Empire. On his latest 7", Cosm merges golden era influences with modern boom bap production, drawing from his digital album Natural Within; kicking off with the hard-hitting 'Rome', which corrals fellow rappers Daniel Son and Saipher Soze, then moving on to the funky boom-bapper 'Leave The Bells' with Halfcut and Ghettosocks, we're in good company with Cosm's signature scratches. On the B, 'All Or Nothing' brings a fierce break, with Adam Bomb, Mercules, Fortified Mind, and Halfcut laying down sharpened verses.
Review: Alligator Bites Never Heal sees Doechii at her most introspective and ambitious, a 19-track mixtape (and now LP) where vulnerability takes centre stage. Departing from her club-ready bangers she explores raw themes of loss, pressure and self-worth. Opener 'Stanka Pooh' dives deep into spiralling anxieties but Doechii's wit keeps things balanced as she snaps back with her signature humour. Tracks like 'Bullfrog' and 'Nissan Altima' are drenched in Tampa's humid, swampy vibes while moments like 'Bloom' and 'Beverly Hills' highlight her melodic strengths. Navigating between raunchy bravado and emotional honesty, Doechii proves she's an artist defying any box.
Review: Alex "Landy" Hill was the producer for and founding member of the 80s r&b and disco group Timex Social Club. This gem is the result of a deep dive into his archives and is an unreleased 1990s Bay Area demo project. The collection features nine original tracks created in collaboration with vocalist Jordana and songwriter John Pruitt all written and recorded in Hill's modest apartment studio. As you would expect of him, the tunes capture the raw, soulful energy of the era's underground r&b and funk scene with a nice lo-fi edge and plenty of analogue sounds from the time. Long tucked away on ageing cassette tapes, the recordings have now been carefully restored by PPU to offer a great look at Hill's post-Timex era.
Review: Secretly Canadian comes through agin with a superb new album of emotive hip-hop from Wesley Joseph. This is a record of love, loss, joy, anxiety and coming-of-age struggles that arrive on lovely and lively translucent green vinyl. Joseph shows off his wordplay, lyrical intricacy and songwriting skills as he sings in his unique falsetto about a time of change. It follows his well-recorded latest single 'Sugar Dive' and is paired with plenty of low-slung bass, snappy rhythms and percussive drums. As he moves from rapping to singing with real raw honesty and some fine character studies along the way, Joseph really announces himself here.
Review: Scaring The Hoes was the 2023 collaborative record by unequivocal avant-hip-hop crown bearers Danny Brown and JPEGMAFIA. The album was almost instantly met with widespread critical acclaim, most notably for its weird use of contemporary political imagery in music videos (frequently Donald Trump and Kim Jong-Un, for some reason) and its staunch defiance of the misogynistic injunction to "stop scaring the hoes" with weird, left-of-centre music. Now comes the 'DLC' and/or 'expansion pack' version of the album, which includes four exclusive new mixes from the album sessions; Brown shines on an ultra-kooky, SFX-laden intro, 'Guess What Bitch, We Back Hoe!', followed by the crackly soul-bap of 'Hermanos' and the crossticking lo-fi of 'Tell Me Where To Go'. Closer 'No! No! No!' presents an incredible gospel timestretch-spaghettification, over which a medley shared between both MCs makes their enduring talents ever more apparent.
Mrs Officer (feat Bobby Valentino & Kidd Kidd) (4:53)
Let The Beat Build (5:10)
Shoot Me Down (feat D Smith) (4:23)
Lollipop (feat Static Major) (5:04)
La La (feat Brisco & Busta Rhymes) (4:24)
Pussy Monster (5:15)
You Aint Got Nuthin (feat Juelz Santana & Fabolous) (5:30)
Dontgetit (9:58)
Review: Now legendary American rapper Lil Wayne dropped his sixth studio album Tha Carter III back in 2008. On the occasion of its 15th birthday it is getting this special reissue featuring appearances from dons like Jay-Z, Fabolous, Robin Thicke, Busta Rhymes, Babyface and Kanye West, among others. The album came after a series of strong mixtapes and Lil Wayne features on other seminal hip hop and r&b records but served as a fine reminder that he is never better than when in full creative control. The beats and bars have all aged remarkably well and very much stand up in 2023.
Review: New York singer-songwiter Amber Mark makes a stunning debut album appearance, almost 4 years on from her second EP 'Conexao'. Chronicling the three disparate emotional states she tends to swing between - without, withheld and within - the album reactively channels each of these moods in 3 acts, reflecting on Mark's anxieties stylistically through funk, soul, R&B and hip-hop. From 'Softly' to 'You've Got To Feel', Mark's vocals span the regional and international accents she picked up while travelling with her mother in childhood; expect summery pop enjoyment for all to enjoy.
Review: Just a month after dropping their first 7" in the form of a sweet and funky version of classic hip-hop joint from the 90s, Alloy Cuts is back. Once again, Booty Hall is involved this time facing off against Carla Marshall, a known talent from the roots and reggae world. The resulting sounds start with 'All Night Champion', which has raw and dusty breaks, old school stabs and funky drums topped off with a mix of early hip-hop vocals and soulful coos. 'Champinstrumental' on the flip cuts back the vocals to a more direct dance floor instrumental.
The Alan Parsons Project - "Eye In The Sky" (4:33)
Two Lone Swordsmen - "You Are" (4:17)
Tonto's Expanding Head Band - "Cybernaut" (4:30)
Pete Drake - "Forever" (2:40)
Appaloosa - "The Day (We Fell In Love)" (3:47)
Kate & Anna McGarrigle - "Complainte Pour Ste Catherine" (2:47)
Herman Dune - "Winners Lose" (4:48)
Cat Power - "Werewolf" (3:58)
Paul Morley - "Lost For Words" (part 4 - Exclusive Spoken Word Piece) (10:13)
Review: Joe Mount of lovable scuzz pop outfit Metronomy mans the latest volume in the long running Late Night Tales, a series who always seem to get the best results out of an unexpected cast of participants (Belle & Sebastien, MGMT, Trentemoeller and Midlake being recent inductees). It's hard not to get sucked in from the sugar sweet opening of Outkast's "Prototype", which is the first of several tracks that demonstrates Mount has a penchant for slow bumping R&B and outsider hip-hop with Tweet, Sa Ra and a Dr Octagon classic also appearing. A typically far reaching approach to genres applies here with the cosmic jazz of Chic Corea happily mingling with Autechre and Two Lone Swordsmen, and American synth oddities Geneva Jacuzzi and Appaloosa mingling for attention with The Alan Parsons Project and Herman Dune. The de-rigueur cover version arrives with a Metronomy rendition of Jean-Michel Jarre's "Hypnose" while Paul Morley ends the selection with a spoken word piece. This vinyl edition has 18 of the tracks spread separately across two plates as well as the mixed CD and a booklet!
Review: Mk.gee is the stage name of prestigious producer Mike Gordon who has credits with big hitters, including Dijon, Omar Apollo, Kacy Hill and Fred Again. Having worked so closely with these names and having the likes of Dijon say in interviews that it's like Gordon is "creating or transmitting from an alien planet", it's set him up nicely for his solo career. Riding the crest of the wave this successful debut album Two Stars & The Dream Police, he's now selling out big venues all over the globe and has a feverish cult fanbase who hang onto his every word. It's easy to see why he's such a phenomenon - his lo-fi post-genre mixes of pop, rock and soul, which echo the likes of Frank Ocean, Connan Mockasin and Dean Blunt, are a riveting listen. A superstar who clearly has the musical chops and production taste to justify the hype.
Hold My Hand Up (feat David Harrow - Tight Chest EP) (4:59)
ModSnap (feat David Harrow) (4:19)
Lucky Strike (feat David Harrow) (4:28)
Tight Chest (feat David Harrow) (4:55)
Review: Red Snapper return with Barb And Feather, celebrating 30 years since their debut album. Liquidising the band's signature jazz, funk, and electronic grooves into a prostrate puree of vivid, electronically augmentable sound, we once again hear Rich Thair, Ali Friend, Tom Challenger and new addition Tara Cunningham perform a brilliant post-punk-dub-disco dramaturge, mullioned at the midpoint by a cracking instrumental redo of David Bowie's 'Sound And Vision', upheld by a true Balearic trestle. The second half, on the other hand, hears a four-track collaboration with the legendary David Harrow, pushing Red Snapper ever further towards unsnapped chunks of dietetic punk-disco delight.
Review: Nearly three decades of intertwined history have led Brooklyn rappers Rock and Ruste Juxx to their first full-length collaboration. Crownsville is a raw amd reflective rap with hints of record born of loss and legacy. With roots in the Boot Camp Clik and close ties to the late Sean Price, the pair channel their Brownsville and Crown Heights origins into a gritty, 33-minute showcase. Opener 'Crownsville' begins things on an icy, creeping and stark note, as we cruise the backstreets of the frosty city so named. 'Black Out', meanwhile, leans into soul-tinged pride. Vinny Idol's production on 'Vehicular Manslaughter' and the grimy 'Crash Ya Whip' raises the stakes early, shortly before a spectral boom-bap tribute, 'Sean Lives On', follows a touching skit from Bernadette Price.
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