Back in stock: Funk

Review: Just three months after its predecessor was released, the second and final part of Joe Armon-Jones' epic All The Quiet album series lands in stores. Entirely written, produced and mixed by the man himself - with a few friends and high-profile guests popping up to add instruments or take to the mic - the set offers atmospheric, immersive and perfectly-pitched musical fusions rooted in his various sonic influences (think jazz, funk, soul, hip-hop and dub). Highlights are plentiful, from the deep and dreamy jazz-soul shuffle of 'Another Place' (featuring significant contributions from vocalists Greentea Peng and Wu-Lu), to the warming, dubbed-out soul of top-tier Yazmin Lacey collaboration 'One Way Traffic'.

Review: Chris Bangs' varied and eclectic musical journey is a key reason he was chosen to curate a compilation for Ace. With a background ranging from space rock with The Mighty Om to DJ residencies across London, Bangs' career spans numerous genres, from jazz, funk, to soul. Bangs' DJ sets and parties - in such time-honoured venues as Special Branch in Brentford, London - were seminal in the evolution of the acid jazz genre alongside Gilles Peterson, where "acid jazz was never meant to be more than a pisstake". His foray into production, such as the proto-acid jazz classic 'Psychedelic Jack' with Peterson on vocals, cemented his legacy, but it's curation highlights such as this that really get our gears going. Hold tight as we scour early acid jazz brilliants from Gunky to Vera Cruz to Brazilian Skies to Jubilation.

Review: Hamilton Bohannon's debut Stop & Go, first dropped back in 1973 and is a raw and essential slice of early 70s funk. Though maybe more known for his later disco hits, here Bohannon delivers something earthier-looser grooves, soulful vocals and inventive arrangements that simmer rather than explode. This album offers a deeper, more nuanced sound compared to his polished, high-energy disco work and highlights include the blissed-out 'Singing a Song for My Mother,' the deep funk of 'Happiness,' and the widely sampled 'Save Their Souls.' A crate-digger favourite and funk connoisseur's gem, Stop & Go is a percussive, spiritual, and downright nasty record that holds up start to finish.

Review: New York outfit The Budos Band return with their first full-length release on Diamond West, the new label founded by band members Tom Brenneck and Jared Tankel. VII was produced by Brenneck and engineered by Simon Guzman and has plenty of their signature taut, groove-driven tracks that blend Afro-soul, doom rock and 70s psychedelia. They were all recorded in California and feature the percussionist Rich Tarrana, who adds his own fresh texture without detracting from the raw, hypnotic MO of the band. As usual, this is music that is equal parts cinematic and visceral and is perfect for nocturnal drives and deep immersion. Now more than two decades in, The Budos Band are still able to surprise and compel.

Review: Launching their new 7" series with a bang, Small Edits enlist the shadowy figure of The Groomer for two deep-digging reworks that balance crate knowledge with pure dancefloor funk. On the A-side, 'S.a.d.e' stretches out into a blissed, slow-burn groove with smoky keys, slinky basslines and a gentle swing conjure a mood that's tender, perfect for warm-up sets or late-night wind downs. Flip it over for 'Commo', a swaggering, shoulder-rolling party starter. Tighter, faster and packed with cheeky rhythmic flair, it leans into peak-time territory with percussive funk licks and chopped vocals that radiate attitude. A low-key but high-quality debuticut loud and made for selectors who know.

Review: Two cornerstones of rare Amazonian (!) cumbia appear together on 7" for the first time, as Vampisoul resurrect these wildly sought-after versions of 'Sonido Amazonico'. On one side is a hypnotic, percussion-heavy take by Ranil Y Su Conjunto Tropical, first and only released on LP. Led by Raul Llerena, this Iquitos band helped forge the sound of psychedelic cumbia through Llerena's Producciones Llerena imprint, now a holy grail label for collectors of such trove-bound tropical rarities. On the inverse comes Los Wembler's de Iquitos - of equal stature as one of the genre's most enduring groups - bringing their stomping rhythmoids to the same track; it also just so happens to remain one of their most defining anthems. The UK's not the only "jungle scene" out there - just listen to these killer, understoried sonic forests.

Review: Pam Todd & The Love Exchange's 'Let's Get Together' dropped in the golden disco era of the late 70s and is one of our all-time top jams. The percussive breakdown at the mid-section is magic, and it all oozes funk, as well as having a proper singalong vocal up top. Mr K maintains the care of the original while tweaking the drums for modern floors across three subtly different mixes here on the Shrylden label. We found this one in the warehouse, so don't sleep, cause it won't be around long.