Got To Get Your Love (Muro Diguma edit - instrumental) (4:15)
Review: The latest set of Diguma Edits sees dusty-fingered Japanese digger-turned-re-editor DJ Muro take his scalpel to 'Got to Get Your Love' by Clyde Alexander & Sanction, a suspenseful and action-packed 1980 number from producers Peter Brown and Gary Davis. Muro first cuts down and compresses the ten-minute vocal version, making merry with the track's unusual combination of classic disco grooves, showtunes-style orchestration and eccentric vocals. Over on the flip he does a similar job on the slightly different instrumental take, in turns showcasing the track's crunchy guitars, warming electric pianos, spacey synths and grandiose orchestration.
Review: We've run out of ways to describe the Breaks & Beats series of functional, floor-friendly re-edits, though by now everyone should know what to expect, namely light-touch reworks of classic funk and soul jams that extend the drum breaks for easier mixing. The series latest missive begins with a must-have rework of Tony Alvon & The Belairs' "Sexy Coffee Pot", a rare-as-hen's-teeth 1969 B-side that wraps rhythm and blues guitars and firing horn lines around one of the greatest drum breaks of all time. Over on side B it's all about Stanley Turrentine's 1972 jazz-funk gem "Sister Sanctified" (a track that has never before appeared on a seven-inch single, even unofficially) and its attractive fusion of snappy breakbeats, hazy sax riffs and liquid electric piano lines.
Review: Steve Arrington's 'Way Out' is a classic Atlantic soul/funk re-issue, a rare release that still has the hard funk of earlier years, yet which also has Slave sweetening
up their sound in a great sort of 80s groove way. The tracks kick along with that great rolling bass sound that the group practically invented, and which has been
their everlasting legacy to mainstream funk. Steve Arrington's vocals stamp the sound and give the grooves even more. Includes original versions of 'Way Out' &
'Steal Your Heart'. Don't Sleep On This One.
Kylie Auldist & Skinny Dipp - "Back For More" (3:36)
Kylie Auldist & Lincoln Room - "Party At My Place" (3:27)
Review: "I'm like a monkey with cocaine" goes the vocal on the opening tune here but that conjures up images of quite a riotous scene. In fact, the music is superbly seductive, cool and calm, with low slung disco funk, lush cosmic chords and a laidback, almost aloof vocal all soothing the soul and making for some nice dance floor intimacy. After that collab between Kylie Auldist and Skinny Dipp, Kylie hooks up with Lincoln Room for 'Party At My Place' which has an odds school instrumental disco feel embellished with low slung grooves and lovely claps.
Who, What, Where, When & Why (Disco version) (5:10)
No Promises (Disco version) (6:46)
Review: Best Records do it again, dusting down a searing slice of robo-funk from the early 80s that will pop your lock every which way. B Funk was a one-off project from Mario Boncaldo and Tony Carrasco, best known for their incredible work as Klein & MBO. They released the "Magic Spell" album in 1983, and it was loaded with richly produced Italo disco and proto house sounds - there's a good reason the original release has been fetching such crazy prices on the second hand market. Now Best have cherry picked two of the finest cuts from the album, sought out the extended disco versions from Carrasco's vaults, and given them a glorious new pressing.
Review: The Bacao Rhythm & Steel Band was founded in 1963 by brothers Cyril and Lionel Bishop. During the 60s and 70s they played the hotel and holiday resort circuit in Trinidad and Tobago and recorded a couple of albums for local labels with the usual staple of Calypso and lounge classics. "Look A Py Py", out on Melting Pot, features some great Meters classics.
Sharon Redd - "You're The One" (Barna Sound Machine remix)
Barna Sound Machine - "It Goes Like This"
Review: New edits from Barna Soundmachine. Diana Ross 'I'm Gonna Make You Love Me' gets the rework on Side A. Side B contains 2 cuts. The classic Sharon Redd 'You're the One' receives a lengthening retreat; the old school B Boys should check 'It Goes Like This' using elements from the Dick Hyman Moog version of James Brown' Give It Up Turn It Loose', plus some other tasty riffs and melodies thrown into the mix.
Review: Different label artwork on this version of just 100 only copies in existence with the red A label design and the words 'Special Disc Jockey Copy'
Can - "Vitamin C" (Blackcash & Theo Thelonious Beats Gillepsie edit) (4:09)
Silver Apples - "Lovefingers" (Blackcash & Theo Thelonious Beats Gillepsie edit) (4:16)
Review: We're really loving the Galaxy Sound Co massive; the label invariably turns up with the heat required to make our heads turn. Their edits aren't just your regular edits, they're reworks of quality soul and funk gems from the creme-de-la-creme of diggers' bags. For instance, the present number nine in the series features Vitamin C's lo-fi jam reworked by Blackish and Theo Thelonious Beats Gillespie, and the result is something extra special - a driving groove to satisfy for than one sort of collector. On the flip, leftfield dance maestro Lovefingers has his "Mr Apples" tune turned into even more of an abstraction by Blackcash and TTBC himself; what you get is a singular slice of wavy psychedelia for the open-minded DJ. TIP!
Lyn Christopher - "Take Me With You" (Thelonious beat Gillespie edit) (3:28)
Review: If edits are your game then the Galaxy Sound Co is certainly the name. Along other labels like Mukatisuku, these dudes know how to repackage lost and rare soul 7"s, and this new two-headed funk bullet from Thelonious Gillespie is just painfully on target. The first edit is of "Soul Food" by Frankie Seay & The Soul Riders, a moody, dusty percussion bomb brimming with breaks and a grainy guitar accompanied by fine brass waves. Lyn Christopher's "Take Me With You" is pruned and reshaped into a glorious soul ballad with a hard edge, and a driving rhythm led by gliding electronic guitars and an inimitable bassline. Fine work right here.
Sweet Daddy Floyd - "I Just Can't Help Myself" (4:17)
Review: The popular Breaks & Beats series of light-touch, DJ-friendly re-edits of soul and funk classics has decided to reissue some of its most sought-after seven-inch singles on clear vinyl pressings. Fittingly, the first to get the reissue treatment is the label's first ever release from 2017. On the A-side you'll find a tasty extension of Melvin Bliss's warm, heartfelt, piano-heavy 1983 cut "Synthetic Substitution". While Bliss's brilliant original is largely kept in-tact, the mystery re-editor naturally makes more of the opening breakbeat. Flip for a similarly tasty rearrangement of Sweet Daddy Floyd's 1978 Blaxploitation style disco-funk shuffler "I Just Can't Help Myself", a cut rich in rolling breaks, densely layered percussion, punchy orchestration and "Shaft"-style guitar licks.
Sweet Daddy Floyd - "I Just Can't Help Myself" (extended Break edit) (4:17)
Review: This tasty, DJ-friendly 7" single boasts two extended, break-heavy reworks of obscure and in-demand soul workouts. On the A-side you'll find a tasty extension of Melvin Bliss's superb, piano-heavy 1983 cut "Synthetic Substitution". While Bliss's brilliant original - all heartfelt vocals, jaunty keys and warm bass - is largely kept in tact, the mystery re-editor naturally makes more of the opening breakbeat, which was sampled several times during hip-hop's "golden era". Flip for a similarly tasty rearrangement of Sweet Daddy Floyd's 1978 Blaxploitation style disco-funk shuffler "I Just Can't Help Myself", a cut rich in rolling breaks, densely layered percussion, punchy orchestration and "Shaft"-style guitar licks.
Review: GAMM welcome a new face into the fold in the shape of Stockholm's Seegweed, who aptly demonstrates his panache for the edit on some classic jams. Spread across the A Side, Seegweed drops a subtle take on Angela Bofill's Stylistics cover, clearly not wanting to mess with a classic like "People Make The World Go Round". Deft percussive touches and some bottom end embellishment are added to the core which takes full effect on the midpoint break. On the flip the jazz funk break delight of Ben Sidran's "About Love" gets the subtle Seegweed treatment, and he does a neat job of extending out the sweetness that is Sly & The Family Stone's "Family Affair".
Review: 'Jika Jika' is s super sassy version of Grandmaster Flash's iconic 'The Message'. This holy grail reissue from Vive La Musique has had a full remaster and features late, great South African artist Sipho Gumede in his 'Boogie Man' guise. For this one he worked alongside prolific 70s and 80s producer Greg Cutler with a Linn drum and Jupiter 4 synth recreating the famous basslines. Add in a mysterious rap vocal and you have a stone cold classic that will surely be well received in any setting. Flip it over for an extra jazzy synth version.
Brenda Boykin - "All The Time In The World" (4:05)
Step Three - "A Dream" (feat B More - instrumental) (5:51)
Review: This split release offers two laid-back tracks from the depths of Brazil. On the A-side, Brenda Boykin (a jazz vocalist with a rich, creative voice which was nominated for a BAMMY Award in 1997 for Best Vocalist) delivers a soulful cover of Louis Armstrong's seminal 'We Have All The Time in the World,' the theme for George Lazenby's one-time portrayal of James Bond as well as a real karaoke favourite. The B-side features Step Three's 'A Dream,' a funky instrumental track with B. More which became a dance floor favourite following its 1993 release. Pressed on red 7" wax, this one beautifully captures some timeless Brazilian rhythms.
Review: The latest drop of 'coffee shots' from Italian imprint Caffe Cornetto is another impressive affair showcasing re-edits and reworks by a quintet of artists. Label regulars BPlan and Fab-O join forces on opener 'Miscela Segrata', a lightly beefed-up and subtly quantized tweak of a heavyweight disco-funk jam, before rising star Reece Johnson slaps down 'Groove Espresso', a percussion-rich, all-action take on what sounds like a West African Afro-disco smasher from the mid-to-late 1970s. Over on side B, Shamarko offers-up an expert rearrangement of a low-slung, flute-sporting disco workout rich in gritty, funk-fuelled low-end heaviness, while Brazilian favourite Joutro Mundo lowers the tempo on the sun-baked, synth-sporting early evening gorgeousness of languid boogie jam 'Vem Obata'.
Review: The eighth volume of the Big M's sample heavy series gives some old school classics the dirty breakbeat treatment. First up sees Breakbeat Junkie and DJP take on Tag Team's "Whoomp! (There It Is)", while DJ Kid Stretch re-imagines the legendary "Rapper's Delight" by Sugarhill Gang, laying down some funky as hell strings and killer drum programming. Flip over for the twisted synth carnival that is "Disco Monster" by Niko and the wobbling "Kingston Funk" by Stickybuds, which samples Basement Jaxx's evergreen "Do Your Thing".
Review: Here's a killer reissue from the Soul Jazz archives which is finally getting a repress. It's hardly surprising when the reissue becomes as sought after as the holy grail original jam from 1970, a sublime instrumental anthem of soulful, skanking perfection with Cedric Im Brooks flexing his sax in glorious style over a beautifully rough n' ready rhythm. It was shortly after this recording was laid down Brooks went on to form The Mystic Revelation of Rastafari with Count Ossie, which tells you all you need to know about the heritage we're dealing with here.
Review: The unequalled Soul Jazz label is serving up some monster funk this month and they don't come much bigger than these two cuts from Chuck Carbo. Opener 'Can I Be Your Squeeze' is a super catchy, break heavy and funk fulled party jam to destroy the floor. Written and produced by the celebrated Eddie Bo, it comes with big drums from New Orleans stick man James Black. On the flip is the ever so slightly more mellow but not less dance 'Take Care Your Homework Friend.' These have long been hard to find and now come pressed nice and loud on fresh wax.
Review: Ten Lovers always manage to find a perfect sweet spot between jazz and house on the music it serves up. This new various artists' effort proves the point well: Marcello Cassanelli lunches the trip with groovy and nodding bass synths and airy vocal cries on 'Fantasia.' Zarenzeit then sinks into a bubbly groove with killer drums and sun-worshiping synths before Stefano De Santis drops some excellent broken beast on his squelchy synth workout 'Song For George D.' Future Jazz Ensemble takeoff into the cosmos and Caruso gets romantic on 'Vestimenta'.
Review: Japanese trio Cat Boys are busy right now. In February they return with a nice and deep beatdown tune in the form of 'Fly' that came as a couple of remixes by DJ Snuc and now comes this new limited 7" on Cony. It opens with the Brit funk sounds and jazzy grooves of the lush and musical 'Parachuter' which will have you on your toes, then 'Let's Stay Together' channels the Al Green classic but utterly reworks it into an upbeat jam with hard rim shots, raw funk sounds and warming organ tones that all light up the most vibey groove.
Stephanie Mills - "What'cha Gonna Do With My Lovin" (Danny Krivit re-edit)
Review: Mr K takes on two boogie tracks here, giving them the extended Krivit golden touch. Side A features an edit of change's "Hold Tight", taken from their 1981 Atlantic LP "Miracles" and featuring Jocelyn Brown on vocals, with a super loud pressing - mid tempo disco soul doesn't get much better. Over on the flip he re-edits the classic Mtume/Lucas-Penned track "What'cha Gonna Do With My Lovin" by Stephanie Mills, originally out on 20th Century in 1979, and delivers a handy 9 minute edit perfect for DJ use.
Review: Wilson das Neves was is a legendary Brazilian percussionist most well known for being part of Os Ipanemas.
His cover of Average White Band's 'Pick Up The Pieces' recorded with his 'conjunto' ensemble, takes the track into funky samba territory, laden with percussion and horns.
Originally released on his 'Wilson Das Neves E Conjunto - O Som Quente E O Das Neves LP in 1976. Previously unreleased on 7".
Som Tres - Tanga
A Mr Bongo all-time Brazilian Funk favourite. Tearing drums, vocals and piano packed into just over 2 minutes. Killer.
Som Tres were a trio formed by prolific pianist, arranger and producer Cesar Camargo Mariano. Originally appeared on the 'Um E Pouco, Dois E Bom, Este Som Tres E Demais' LP on Odeon Brazil in 1971. Previously unreleased on 7".
Review: Mr Bongo restock a brilliant 7" in their signature Brazil 45s series. The nineteenth to grace it, this blue-starred slice of small wax shone a light on Wilson das Neves' brilliant cover of Average White Band's 'Pick Up The Pieces' on the A, as well as a Mr Bongo fave on the B, Som Tres' potent samba-funk overflow 'Tanga'. The former flexes the historic muscles of a mythic Brazilian percussionist and vibesman, lending fidgety soft feels to AWB's already lull-lifting concoction; then 'Tanga' contrasts to this sense of measuredness with pure animal verve, as Tres' calls out to his bandmates commandingly amid whirlwinds of piano and drums.
Review: Lisa Decker makes a return with two new singles here that are taken from her upcoming album which is due in May of this year. It comes two years after her debut with the Japanese jazz trio Nautilus and marks something of a conceptual shift in her sound. 'Love & Hope' finds her turn in a stylish jazz vocal with funky bass loops and organic drums and percussion that straddle many different genres. 'Summer Child' then sinks into a nice smooth jazz-funk vibe with soft focus chords bringing a touch of class to her breezy vocals.
DJ Deviant & Swamburger - "Get On The Floor" (3:33)
DJ Deviant - "Where's The Party" (3:47)
Review: DJ Deviant and Swamburger join forces for a double-sided serving of feel-good hip-hop and r&b on this 7" release. 'Get On The Floor' is a surefire party starter, its infectious beat and catchy hooks practically demanding movement and setting the tone for a night of good times. The track is a vibrant blend of classic hip-hop elements and contemporary production, with DJ Deviant's cuts and scratches adding a layer of turntablist flair. On the flip, 'Where's The Party' sees DJ Deviant flying solo, keeping the energy high with a smooth groove and feelgood vibes that are reminiscent of 90s r&b classics. The ever enduring appeal of hip-hop and r&b in full effect.
Review: Sometimes a record drops and you just know it's going to be hot. This is one of those records, an essential 7" from Bloom and Japanese talent DJ Koco aka Shimokita, who has been spinning 45s since 2011 and can juggle beats like Messi can juggle a ball. He is a favourite with the likes of Gilles Peterson and is likely to win many new fans with this one. 'World Famous (feat 45Trio)' is a gloriously jazzy, soulful sound with funk drum breaks and warm, organic percussive tumbling next to natty chords and a killer bassline. Add in the equally irresistible 'Re Create #01' on the flip and you have a sure-fire future classic, so do not sleep.
Review: Japanese talent DJ Koco aka Shimokita is a hardcore 45rpm devotee. They are his chosen tools as a beat-juggling DJ who can do logic-defying things with his grooves. He is a regal on Bloom and already dropped serious heat in January with 'World Famous'. This time he is back with a fresh take on 'Made In New York' which is a 1985 classic by renowned Brazilian funk and jazz pianist Tania Maria. He brings his signature hip-hop flair and creativity with his trusted crew, 45trio, and enlists the dynamic saxophonist King TJ (DA-Dee-MiX) to elevate things further.
DJ Ransom - "This Is The "B" Side Plus Bonus Beats & Cuts" (12:25)
Spankie Hazard - "Records Are Your Best Entertainment Value Plus Bonus Beats & Cuts" (12:35)
Review: The Japanese label Sedgwick is back with a second summer sizzler, this time in the form of a split between iconic DJ and producer Ransom and Spankie Hazard. Ransom goes first with his epic 12-plus minute 'This Is The "B" Side Plus Bonus Beats & Cuts' which is all about the body-popping drum breaks, percussive shakers and lively vocal cries. On the flip is another long one, this time from Spankie Hazard who offers up 'Records Are Your Best Entertainment Value Plus Bonus Beats & Cuts' which has rolling funky bass and silky drums that make for a delicious funk groove.
One Question (feat SLIMKID3 - Jim Sharp remix) (3:07)
Review: This all-star collaboration features SlimKid3 from Pharcyde, Hamburg DJ and producer Schmiddlfinga as well as DMC Champion DJ Robert Smith. The uplifting party track 'One Question' is result of their talents. This jam gives off a classic 90s sound with the sampling, scratching and production. All three members work in harmony to create an amazing jam for the summer. If this gets in the right hands, expect it to blow up. Jim Sharp on the remix offers a great alternative version that hits just as hard. This 7" packs a punch for the hip-hop heads!
I'm So Strong Now (Fred Spider & Made In Africa remix) (3:48)
Hook It Up (Simbad & Fred Spider Dico Jazz edit) (4:34)
Hook It Up (DJ Turmix New York Boogie rework) (7:07)
Review: Reissued from a 1981 album known as 'I Feel It Rising', Doctor Rhythm's most infectious single ever, 'I'm So Strong Now', hears a reissue on Voom Voom South. "What does it matter to you, if you hurt my pride?" sings the 80s South African supergroup's lead singer, as a lumbering slow string-centric soul bit unveils itself for the humble listener. Following that up are three remixes, one of the A track and two of the group's hustling disco number 'Hook It Up'. A varied, though unmatchably energetic disco release for the heads out there.
Dr No & The Cuban Mafia - "007 Mambo" (Texas Toni Skyfall re-edit)
Sundance Kid - "South American Getaway" (Texas Toni Jazz Dance re-edit)
Review: Two dancefloor bombs which should make tasty additions to your record box. Dr No & The Cuban Maffia are a six piece outfit from Central Havana who recorded this tribute, ''007 Mambo'' as a nod to Ian Fleming's Mr Bond back in the late 1970s, along with dozens of other cover versions to assist their own compositions in their live repertoire. This version was originally only 90 seconds long, so Texas Toni extends the journey with some funky Latino peak time pressure. On the flip, Sundance Kid drops an infamous soundtrack and Texas Toni re-edits the original parts, disposing of the downtempo elements to concentrate purely on the dancefloor potential.
Review: The first Island Disco 12", released earlier in the Spring, was something of a must-have for those who like their funk, soul and disco served with a healthy dollop of tropical flavour. Predictably, this second installment in the bootleg series is similarly essential. There's some Clavinet-heavy disco-soul swing in the shape of Duke's superb "Is It Groovy Now", a thrillingly percussive, Hammond-heavy boogaloo workout from Tremille & The Jamals, a frankly bizarre - but brilliant - fusion of Cajan violins and disco rhythms from Shadow, and a certified disco banger from Gerald PJ Browne (the hustlin' brilliance of "Sexy Lady"). All Killer, no filler.
Review: Way back in 1999, Acid Jazz Records launched an offshoot dedicated to disco edits: Original Sound Track Recordings. The best of the series' many superb reworks were later gathered together on a compilation album on EMI that now changes hands for significant sums online. Happily, they've decided to reissue some of their early releases, beginning with this 7" of Family Tree featuring Sharon Brown's "Family Tree". You'll find the peerless original - a breakbeat-driven chunk of lolloping funk brilliance - on Side A, with the label's 2002 "Super Disco Break Beat" version on the flip. Inspired by hip-hop DJs doubling up the track's brilliant drum breaks, it's a killer percussion workout with a few quick blasts of funk energy and carefully placed special effects (think flanged drums, reversed sections and so on).
Speedometer feat Ria Currie - "Answer To Mother Popcorn"
Review: Freestyle serve up 2 James Brown tributes as a sampler for the recent Modern Funk compilation. It has been argued that 2007
was the year that the underground funk movement finally started to make its presence known in the mainstream. Huge selling
artists such as Mark Ronson, Kanye West and Amy Winehouse spearheaded a movement towards a more organic and authentic
sound, selling thousands of records in the process and whisking bands, who have been gigging in small sweaty clubs in the UK
for years, off on world tours. The music itself harks back to the golden years of Motown, Watts and Stax, as well as hundreds of
unknown smaller labels, but given the all important production values of the 21st century, making it perfect for the dancefloor -
hence the tag 'Modern Funk'. The a-side finds The Fantastics (previously known as Reverend Cleatus and The Soul Saviours)
getting busy with The Godfather's 'Give It Up Or Turnit A Loose', sticking pretty close to the original but slapping their unique style
all over it. Over on the flip Speedometer and Ria Currie take on 'Answer To Mother Popcorn', originally a Vicki Anderson number,
giving it a update for the dancefloor in 2008.
Review: 5 Borough Breaks always serves up the working DJ with the sort of vital tools they need to get beat loving floors jacked up and moving. Here a load more iconic of the ages are chawed up and spat out on a new two track 7 " that features none other than legendary MC KRS One as well as American champ Fat Joe and Sammy Nestico. 'Bronx Tale' goes first with a nice laid back beat, funky bass and some edgy breaks that build a vibe while the KRS One rhymes come hard. Flip it over for 'Shoreline Drive' which is a soul led tune with soaring wind sounds, big cinematic drama and a hint of 60s style.
Review: Mr Bongo's gold-standard Brazil-45 series turns up more irresistible musical goodness here with steamy underground bubbler 'Quero Ver Voce Sambar'. This is thought to be the only ever recording by Homero Franca and it came originally on a 7" in 1976. It's warm, soulful, quite deep for Latin music and has great vocals. On the flipside is the more fiery Silvinha tune 'Mas Nao Deixe De Ir' with the raw vocals and big horns all making for a great call and response chorus with soulful samba sounds to spare.
Review: The Originals crew has decided to end 2020 in the same way as it began the year, by delivering fresh "DNA Edits" of two classic, in-demand floor-fillers. On side A they presented a tightened up, chopped-down, "45"-friendly revision of Freedom's 'Get Up & Dance', a 1979 disco-funk number that has been sampled countless times by hip-hop producers. The edit makes much of the party-hearty feel of the original version, flitting between the lolloping, horn-laden breaks (the portion most often heard in rap records), and the lesser-celebrated vocal parts. Over on the flip they provide a dope re-edit of one of the many tracks that samples 'Get Up & Dance': SWV's 1994 R&B classic 'Anything', featuring rap verses from none other than the Wu-Tang Clan.
Review: When it comes to reissuing vintage soul and funk, Germany's Tramp label is second to none. For them, a new week means a new beauty to reissue, and this particular week in October is no different; in fact, this magnetic little 7" is fabulous in every way. First up is 1971's "Funky You" by The Fugitives and Archie, a group who only released a handful of EPs under that moniker, but whose most famous tune is here for you to own, and cause serious levels of angst among the collectors (as you can imagine, the original is rather hard to find). On the flip, the same outfit team up with Scottie for a more classic, sensual love ballad called "Love Come Down", the sort of song which makes your head turn and spin to ask the DJ: "mate, what's that!?".
Review: DJ KOCO AKA Shimokita and Southpaw Chop join forces once more for a tidy new vinyl only 7" under their Funky Soul Brother alias for Southpaw Chop's eponymous label. 'Kiwami' is a raw funk tune with razor sharp hi hats over spy theme-like 60s synths and bi claps. It's brilliantly retro and filled with dance floor drama. On the reverse, Southpaw Chop goes it alone for 'Chocolate Sunday' which his a more deep cut and languid tune that lazes on drawn out funk riffs and cosmic synth explosions.
Golden Boys - "Segura Na Cintura Dela (O Gaviao)" (2:38)
Silvio Cesar - "Beco Sem Saida" (2:21)
Review: Mr Bongo's essential Brazil 45s series notches up release number 89 via a blast of heavy dancefloor pressure that touches on both Brazilian funk and samba-rock. On the A-side you'll find Golden Boys' 1975 gem 'Segura Na Cintura Dela (O Gaviao)', an irresistible slab of full-throttle, orchestra-sporting, Hammond-heavy samba-funk marked out by strong group vocals and some superb musical arrangements. Over on the flip you'll find another classic from the same producer (Milton Miranda), Silvio Cesar's 1971 carnival masterpiece 'Beco Sem Saida' - an infectious excursion that found fame in the 2000s when Drumagick sampled it on 'Sambarock'.
Review: Funkyjaws Music comes though with more of that lovely loose-limbed disco goodness that is never going to fail in energising a decent danc floor. Let's Dance Volume 4 is another various artists affair that launches with James Greenwood & Aniello's feel-good 'Look Of Love' which has it all - the sweet female vocal, the florid strings, the rolling bassline and big brass leads. Scruscru & Los Protos's 'Corason' brings some Latin flavours with a more deep and seductive groove and Jkriv and Love Drop offer up two b-side jams packed with soul and irresistible rhythms that effervesce with uplifting vibes.
Review: Izipho Soul has got another release together here that is sure to fly off the shelves as quickly as all their others. It's two tunes taken from a now hard-to-find 2007 album by prolific musicianship and sometimes Diana Ross collaborator Richard Hartley & Soul Resurrection called Face II Face. Phil 'Phillet Of Soul' Ward is the man who has selected them and he's picked real doozies. 'Jesus Makes Me Happy' is a slow motion and sentimental rhythm for dancing at sundown while 'Heart & Soul' is a sentimental ballad.
Review: Another 5 Boroughs Breaks release means another gold standard hip-hop banger. This one is from
The High & Mighty duo who hailed from Phillie and were active in the nineties. Their 'Dirty Decibels' is a sleazy joint with prying bass and sliding drums that get under your skin. The rhymes flow smooth and the samples are sweet. Flip it over and you'll find where they come from - a rare library music tune by Simon Haseley called 'Hammerhead.' It's a 60s gem with harps, horns and serene strings that make for a luxuriant sound.
Review: Crazy collection of beats, breaks and samples of many classic tunes all mixed together for your pleasure! Based around the "Battle Breaks" DJ tools... Will appeal to every DJ who likes to add a bit of fun into their set!
Review: Just the way we like it; contemporary and obscure. First recorded in an indeterminate year in the 1970s but only released for the first time in 2015, Hot Stuff Band's 'Juju Man' and 'Big Splash' are twin slices of elusive yet legendary Brazilian funk. Better known by the name Azymuth, the band come from an era wherein the South American nations were not too fussed about the persona of singers, and were more concerned with how hot and tight the instrumentals could be. First appearing as part of the compilation Secao Ritmica, the two tracks from this sadly lesser-known alias now get a reissue with the band's original vouchers, Atemoya Records.
Review: Tunes Delivery is a sub-label of Scruscru's Scruniversa and now it enters into the world with a fantastic first offering in the form of this six-track various artists EP. 'Hotmood' opens up with the feel-good disco-funk of 'Just Tonight,' Scruscru keeps it real with 'Funky Flute' which is a nice languid instrumental and Frank Virgilio up the ante with some big horn-laced grooves. The flip side then comes on strong with three more brilliantly musical grooves that brim with catchy riffs and fresh disco-infused rhythms. A great start to what is sure to be a great label.
Review: Although they've collaborated a lot over the last decade, the two tracks on this seven-inch single date back to Stefan Ringer and Chris Irvin's first joint studio session. Remarkably given their friendship and long working relationship, it's also the pair's first collaborative release. A-side 'Callin' Me', which features vocals written and performed by Voyce Lashae (real name Alicia Leshik) is particularly potent - a squelchy, deep, soulful and off-kilter chunk of broken beat/souful electrofunk fusion rich in jazz-funk synth sounds, undulating electronic bass and crunchy machine percussion. The pair's jazz-funk and P-funk influences are even more evident on flipside 'Heels On', a similarly soulful, house-style number that sits somewhere between Kaidi Tatham and Prince.
Review: Jayse and Steve P deliver a couple of groovy gems with their latest 7" release. On Side-1, 'Atlantic' channels the spirit of early Prince with its funky disco vibes. The track is an instrumental delight, combining a spacey atmosphere with a groove that keeps the energy flowing. It's a perfect blend of classic disco elements and a futuristic edge. Side-2's 'Dr Jam' takes a dive into West Coast funk, reminiscent of Midnight Star. This track is all about classy, futuristic grooves, making it an irresistible choice for those who appreciate the finer nuances of funk. The rhythmic flow and slick production make it great for any dancefloor or laid-back listening session. The essence of funk and disco with a fresh, modern twist.
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