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Notes: Revised take on the excellent Benjolin dual oscillator and filter from Rob Hordijk, featuring the 'rungler' stepped CV generator and extensive output options.

Supplier's Notes:
Benjolin V2 - Rob Hordijk's latest revision of the classic Benjolin. The core of the Benjolin continues to be two oscillators, the rungler (stepped CV generator), and a multimode filter.

This latest revision adds:

Reworked oscillator and filter sections

All levels are adjusted to eurorack standards

Two different steps modes (8/16 and 127)

Double and single clock rate

Externally clockable

External filter input with blend control

Notes: A true all-rounder from Mackie's ONYX range. 12-channel analogue mixer with built-in USB audio interface, allowing you to record your multi-tracks to a DAW or a stereo mix to built-in SD card.

Supplier's Notes:
Incredible sound quality, multitrack recording, and professional built-in effects make Onyx Premium Analog Mixers with USB the ultimate compact, affordable solution for live audio, home recording, and content creation.

If there's one thing Mackie engineers can do in their sleep, it's design a mixer that sounds great, is easy to use, and is packed with flexible features. Sounds pretty good right? So if you mix live sound, record in your home studio, or live stream, this is the heart of your audio.

Onyx Series mixers feature bright, easy to read buttons that shine bright in the darkest places so you will always know whats going on with your mix. On top of that, the full-color display of Studio Command makes it easy to adjust effects and SD card recording/playback.

To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology - a very musical design inspired by the hallowed "British" desks of the 60s and 70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (i15 dB) without excessively narrowing the "Q" or bandwidth of the filters.

Line inputs: 10
Mic inputs: 4
Aux sends: 1
Compressors: 2
USB I/O: 12x4

Notes: Serious stereo reverb action in a compact pedal format. Studio-quality Spring, Hall, Plate, BFR, Refract and Air modes with customisable parameters and MIDI control.

Supplier's Notes:
Walrus Audio MAKO R1 is an extremely powerful and versatile multi-function stereo reverb that can quickly go from small intimate room sounds to massive washes of experimental euphoria with six customized, studio-quality programs - Spring, Hall, Plate, BFR, RFRCT (Refract), and Air. Every program can be tuned and tweaked and then saved to one of nine on-board presets.

The R1 boasts a volume swell effect that can be applied to any program, sustain and latching momentary features, stereo in and out, MIDI control, and up to nine on-board presets (128 via MIDI). Players of all styles and genres will be able to find eternal inspiration with the R1.

Programs

Spring - The Spring program emulates an excited spring reverb commonly found in tube amps with loads of transducing drip. Easily go from subtle to full-on surf rock. Experiment with the decay knob to get more than average amounts of reverb not found in traditional amp spring reverb tanks.

X knob adds a warm grit to the reverb decay.

Hall - The Hall program provides the acoustics of large live sound spaces like concert halls to arenas. Longer decays and higher X knob settings result in a massive wash of ambiance. Shorter decay and lower X settings allow for a more intimate reverb expression.

X knob controls the room's size; smaller at lower settings to larger room sizes as you increase X.

Plate - The Plate program emulates a smooth analog plate reverb with nice even diffusion inspired by famous plates like the EMT 140.

X knob adds in gentle warm grit to the front end of the program simulating driving a hot signal into the plate.

BFR - This is more than a giant arena reverb. It's a hall-esque reverb with rich and lush decay in a vast cavern filled with choirs of angels.

X knob controls the amount of diffusion applied to the multi-tap delays used to form the program. At lower X settings, you'll hear these delays bouncing around for a more textured sound. As you increase the X knob, the delays are diffused, creating a smooth texture, and lifting your riffs and chords into the atmosphere. See ya.

RFRCT (Refract) - The RFRCT program allows for lovely, charming, and glitch-like textures hovering over a largely diffused reverb. The Rate controls on RFRCT change how often the glitch effects occur while Depth controls the overall volume of the glitch effect.

X knob is used to shape the tone of the glitch effect. At zero, the glitch effect will have a lo-fi, almost tape-like sound to them. Increasing the X knob brightens these elements with more pristine details.

Air - The Air program offers a larger diffused reverb with a subtle shimmer but has a more "crisp" clarity to its decay. Explore slow-building sounds that don't get in the way of your playing. Air complements keys and synths as well.

X knob controls the amount of the wind and shimmer elements in the Air program. At zero the effect will be off. Turning clockwise will increase the volume of the air effect.

Presets
The R1 can save up to nine on-board presets, and up to 128 are accessible via MIDI. On-board presets are accessible with the bank switch. Cycle between presets in each bank by pressing Bypass and tap at the same time. You will see the right LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple, indicating you have edited the preset. The R1 employs a powerful reverb engine that allows for the true preset spill over. When you switch presets, the new preset loads, and the previous preset is allowed to decay naturally.

Tune
Use the Tune knob to shape the amount of low and high frequencies in the reverb signal. The X position is unique to program-specific features listed above.

Tweak
Each program can be fully customized to your taste and playing style with the Tweak knob.
Rate: Controls the rate of the LFO applied to the wet reverb signal.
Depth: Controls the Depth of the LFO applied to the reverb signal.
Pre Delay: Controls how long it takes after you play for the reverb to become audible.

Bypass Modes
The R1 has three different bypass modes.
True Bypass
DSP+True Bypass (trails)
DSP Bypass (trails)

Momentary Functions
Press and hold the SUS/LATCH (Sustain/Latch) switch to momentarily sustain the current reverb and continue to play over it through the same reverb algorithm. No dry signal here! Clicking the SUS/LATCH switch lets you latch the present reverb decay while you play over it.

6 Unique Reverbs
Spring
Hall
Plate
BFR
Refract
Air

Notes: The BeatBuddy is a drum machine in a stompbox, or a drummer pedal for short. Use this drum pedal for guitar and many other instruments. Further, we've meticulously recorded professional drummers and paired their samples with an algorithm that results in the best sounding drum machine you've ever heard.

In addition to being the most realistic drum machine on the market, it's also the easiest guitar drum pedal to use. That is to say, there's no fussing around with sequencers, and controlling the beat during a live performance is as easy as stomping on the pedal to add fills, transitions, and outros.

Notes: Nicely thought out four-voice sample playback module from Parisian innovators Squarp. Load up a microSD card with samples (up to 2600 kits), then trigger and process. Neat.

** Firmware update- February 2024 ***

Thanks to a major rework of the OS, this upgrade includes an overall better sound quality and an improved latency.

Moreover, the effects Freeze and Bitcrusher have been redesigned, and the parameters Start and Sample Length are now exponential to facilitate the fine-editing of your samples.

Supplier's Notes:

Rample waves system

Eurorack 4-voice sample player & audio processor

Versatile sample machine

From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :

These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.

Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms.

Effects rack

Each voice has its own "rack" of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!

pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.

bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.

filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.

freeze - sample and loop a fraction of the played waveform, creating a glitching effect.

levels - decrease the gain or drive the signal.

It's also possible to edit 'advanced parameters' like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.

Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!

Multi-layer sampling

One of the key feature is the ability to "multi-sample" your kits, multiplying Rample's potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It's a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).

As an example, Squarp are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.

Another kind of multi-layered acoustic drum kit is also provided, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.

Of course, it's very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats, ...

CV/Gate and Midi interface

Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.

You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a 'stereo jack to midi DIN' and 'stereo jack to jack' adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

SD card preloaded with 200+ kits from artists and sound designers, covering a large range of audio samples

Notes: Highly sought-after utility tool that always sells out quickly. Full colour display gives visualisation as an oscilloscope, spectral analyser, spectograph, tuner and more. Waveform and clock generator options too.

Supplier's Notes:
The Ultimate Eurorack Utility Module (and a whole lot more!)

The DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.

Use the DATA's scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA's dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform's frequency "note mode" to effortlessly make dyads (two note chords). Use the DATA's clock program as a master clock or to divide or multiply an incoming clock signal, sending four different clock outs to gate modules directly or as control to sequencers.

The possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA's firmware and we can continue to refine and create new programs.

Notes: The Ultimate Eurorack Utility Module (and a whole lot more!)

The DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.

Use the DATA's scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA's dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform's frequency "note mode" to effortlessly make dyads (two note chords). Use the DATA's clock program as a master clock or to divide or multiply an incoming clock signal, sending four different clock outs to gate modules directly or as control to sequencers.

The possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA's firmware and we can continue to refine and create new programs.

Notes: In the 15 years since they were introduced, the HS Series powered studio monitors have become a favourite in professional, project and home studio environments.
The new special edition HS5 MP Set includes two HS5 monitors, both manufactured using a unique process and both utilising specially selected parts. The result is a pair of monitors, each as closely matched to one another as is possible.

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter
54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response
45W LF plus 25W HF bi-amp system for high-performance 70W power amplification
ROOM CONTROL and HIGH TRIM response controls
XLR and TRS phone jack inputs accept balanced or unbalanced signals

The HS Series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time and with paired serial numbers, the HS MP models can play a valued role in your recording, mixing, and mastering work.

Yamaha Pro Audio's history of aspiration and innovation goes back to 1969. Since the creation of Yamaha's first pro audio products (the VA120 and VA180 vocal amp systems), they've repeatedly aspired and innovated to create a wide-ranging lineup for applications including broadcast studios and commercial spaces, such as mixing consoles, power amplifiers, speakers, processors, and immersive sound solutions, each with the aim of becoming the new standard in their respective market.

Monitor speakers are one of the product areas that must be mentioned when speaking of Yamaha Pro Audio's fifty-year history. The NS10M STUDIO which went on sale in 1977 was a studio monitor speaker loved by numerous engineers, and earned a role in studios around the world. In 1998 came the MSP5 powered monitor speaker which focused on providing the painstakingly faithful playback of the original sound that is demanded from nearfield monitors. Subsequently, the MSP/MSP STUDIO series that appeared during the period 2000 through 2008 benefited from a full measure of the know-how and technology that has been accumulated in the field of pro studio monitor design, going on sale as a flagship model that boasted a stunning degree of perfection.

Yamaha have insisted on complete fidelity to the original sound and the ability to reproduce the subtle changes of tone and position in the mix, and these principles are exemplified in the HS series that appeared in 2005 with its bright white cones. As high-bit and high-sampling-rate continue as trends in the field of music production, leading to an increasing need for high-quality nearfield monitors, these speakers deliver the high-quality sound and accuracy that are ideal for the studio environment. In 2013, fusing the know-how and cutting-edge analysis technology that has been developed through many years of studio monitor design, and carefully rethinking every element, the next-generation HS series have been announced, adds yet more polish to the accuracy of these speakers.

Notes: A multi-VCA module on steroids, the Morph 4 is designed as a modulation hub for an entire Eurorack system, capable of working in coutnless different ways. Proper versatile business.

Supplier's Notes:
Modulation is the core concept of modular synthesis: parameters changing over time, adding movement and musical interest to what would otherwise be merely static sounds. Being able to control the amplitude of signals throughout a patch is therefore essential, and one can never have too many voltage controlled amplifiers (VCAs).

Designed as a fully-featured modulation hub for Eurorack synthesisers, Morph 4 takes the basic concept of the multi-VCA module to the next level.

Four linear amplitude modulators are controlled by a master 'morph' parameter. The response of each modulator to this parameter is completely variable, both manually and under voltage control, and can be overridden if desired. Each response is triangular, with the 'position' parameter setting the maximum point along the morph axis, while 'span' determines the width of the triangle's base.

In addition to separate signal inputs and outputs, a variety of combined outputs is available as well: A+B, C+D, add (unity gain) and averaging mixes, and instantaneous minimum and maximum. Input normalisation makes it easy to send the same signal to multiple modulators, while output and modulator response LEDs provide essential visual feedback.

The combination of master control, fully flexible modulators and multiple combined outputs creates a module truly embodying the spirit of 'patch programmable' modular synthesis. Use Morph 4 as a voltage controlled mixer, dual crossfader, dual panner, interpolating scanner, interpolating distributor, quad VCA, quadraphonic controller, slope modifier, rectifier, complex waveshaper or something in between any of those- the choice is yours.

Notes: Amazing all-rounder from one of the most creative brands in the controller market. Compact 37-key format packs in polyphonic sequencers, MIDI and CV outputs and great performance options.

Supplier's notes:
If you prefer keys to pads, you're in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips.

KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create.

Version 2.0 of the free Firmware update (July 2021) has these enhancements:

Global transpose - Transpose multiple melodic tracks at the same time

Global value offset - Apply a relative offset for any of the 5 main controls for every step across the selected track pattern

Recording Arpeggios in sequences - You can now record arpeggios into a sequence

Recording Chord Mode - You can now record 'Chord Mode chords into a sequence

Arpeggios while stopped - You can now create and play arpeggios while KeyStep Pro isn't playing

MIDI Thru - MIDI Out 2 can now be set to Thru mode

Mono Mode: The mono mode has been refactored for a smoother experience

Arpeggio swing - You can now add swing amount to arpeggios using Shift

Step Listen - Trigger sequence steps without playing a sequence so you can preview your notes

Various workflow and UX improvements

Bug fixes - Various improvements to workflow and functionality

Notes: Ultra-characterful 80s grit from this unique stereo delay. The BIM's 12-bit circuitry gives all that vintage colour with modern features like perfect stereo balance, MIDI control and tap tempo.

Supplier notes:
BIM is a 12-bit stereo delay unit inspired by some studio delay processors built in the early 80s. These monophonic processors have been renowned for the quality and musicality of their sound. The processing was mainly analog (companders, limiters, low-pass filters, feedback path,...), and the signal was converted to digital just for the delay section, using 12-bit AD/DA converters and some RAM memory chips.

The advantage of this technology is particularly obvious when the sound is feedbacked many times through the whole analog and 12-bit circuitry. You'll hear a sweet degradation and dark damping that the 100% digital delay boxes can't offer. BIM was designed with the purpose of creating a unique, modern and versatile effects processor based on this 80's technology.

The sound of an old 12-bit digital delay has been mixed with modern features such as stereo processing, extra FXs, many user presets, MIDI control, tap tempo, compact size- therefore BIM is the best of both worlds!

BIM is the perfect companion for the musician, producer, sound engineer or live performer who is looking for a unique, warm and musical delay processor.

Notes: BAM is a stereo reverb processor inspired by the late 70s / early 80s digital reverberator units.These units are sought after by sound engineers, producers and musicians for their grainy, warm and musical reverberations.

The audio signal was severely high-cut filtered (10 kHz was standard at that time) because of the limited sample clock. Some units used 12 bit gain stepping converters to achieve a 15 bit resolution and others used the first 16 bit converters. Then the samples were digitally processed through a 16 to 20 bit fixed-point CPU with limited memory. The algorithms had to be simple but efficient to create the most musical and versatile reverberation from these limitations. And the hardware itself added grain and warmness to the sound.

The technology used in BAM is very close to the one used in these early digital reverberator units : 16 bit converters, 20 bit fixed-point processing, analog filtering and even an input transformer transient simulator. Some of the 7 reverb algorithms are influenced by the early structures, and some are brand new.

BAM is a very musical and unique reverb processor. It combines the sound quality of a vintage reverb processor with the playability of a desktop effect in a compact format with MIDI control and 36 user presets.

Notes: Super-versatile quad envelope generator and LFO source from the Vancouver Eurorack brand. All CV controllable and with tons of shaping options.

Supplier's notes:
The Intellijel Quadrax consists of four independent, CV-controllable channels, each of which can be configured to perform any one of the following functions:

- An AD (Attack, Decay) envelope
- An AHR (Attack, Hold, Release) envelope
- A cycling envelope (resulting in a unipolar LFO)
- A pulse burst generator (Finite repeated functions that ascend or descend in amplitude)
- A morphing, bipolar beat syncable LFO

The envelopes all feature a continuously variable response curve, ranging from logarithmic through linear to exponential, and each stage can be as snappy as 0.3 ms to as lengthy as 20 seconds.

When set to Burst mode, the channel generates a rising or falling burst of pulses, with full control over the length of the pulse burst, the number and shape of the bursts within it, and whether the bursts increase or decrease in amplitude over the burst.

AD, AHR, Cycling and Burst modes all feature a user-selectable maximum output level of either 5V or 10V.

LFO mode offers control over the frequency and waveshape, while providing a unique morphing feature that creates numerous variations of the selected waveshape. LFOs can be either free-running or beat-synchronized using the channel's TRIG input.

Channels can be chained together to create complex multi-stage envelopes, with each channel triggered by the previous channel's trigger input, end-of-rise, or end-of-fall. This enables multiple function generators to fire simultaneously, or it enables the creation of complex multi-stage envelopes by allowing the linked function to fire either at the end of the previous function's rise time, or at the end of its fall time.

Four freely-assignable, step-attenuverted CV inputs are capable of modulating any or all of the various parameters across all four channels using the built-in CV matrix, and built-in attenuversion for each assignment.

Quadrax remembers its current state (Mode and CV assignments, channel links, etc) and retains that state even if power is removed, meaning Quadrax will always turn on in exactly the same state as you last left it.

Notes: The Ar Merc'het Brao pedal is comprised of two filters and two overdrive sections.

The filters are resonant with a slope of -12dB. A switch allows to switch each filter from LowPass to HighPass. The filter cut-offs are voltage controlled thanks to dedicated CV inputs. Additionally, the Ar Merc'het Brao features global controls for cut-off and resonance.

It can be used with a stereo signal or with two mono signals. The module is modular as well as guitar friendly.

Both overdrive sections offer the classic and well known TouellSkouarn distortion sound.

Notes: From basslines and rave sounds to massive drones and drums - the Erica Synths Bassline DB-01 synthesizer lets you explore new territories of sound and performance techniques and go from a melody to noise and back in no time. The DB-01 packs an analogue Erica Synths signature sound engine with an advanced sequencer on top of it.

Features:
All analogue sound engine
Aggresive acidbox filter design
One knob overdrive for even more destructive sound
Transistor based sub-oscillator
Independent amplitude, filter cutoff and pitch envelopes
BBD based detune for massive swarm sound
Syncable LFO with multiple waveforms for FM and VCF modulation
Noise source
Intuitive, easy to use sequencer for up to 64 step patterns
Sequence transposing
Pattern randomization
Arpeggiator
Modulation track with VCF cutoff automation
Built in and user defined scales with micro tonal possibilities
Analogue clock in and out
CV/Gate output/input
MIDI IN and THRU - play it with a keyboard!
8 banks of 16 pattern memory
Compact, durable aluminium enclosure

Notes: The Serge Dual Universal Slope Generator (DSG) is probably the most versatile module of a Serge Modular system, incorporating a wide range of functions for both CV and audio. Some functions for which one Slope Generator can be used: VC Transient Envelope Generator, VC LFO, VC Portamento device, Envelope Follower (Detector), VC Pulse Delay (Monostable), Sub-Harmonic Series Generator (Divider), Audio Oscillator with variable waveform symmetry (saw to triangle), Non-Linear Audio Processor (low-fidelity VCF).

From the catalog: "The Universal Slope Generators are unity gain voltage followers with voltage controllable slopes. The range of control is exponential, extremely wide, and the Rise and Fall times can be controlled independently. The range of the Slope Generator is from sub-sonic to high audio frequency. Trigger inputs and trigger outputs allows each section of this dual module to function as a transient (envelope) generator, pulse delay, or in a "cycling mode" (to produce an LFO or clock). Since the Rise and Fall times are voltage controllable, this adds another dimension to the above functions.

The DSG mk2 version has been optimized for audio performance and speed/precision. The top section covers a frequency range up to more than 10kHz. It also offers improved tracking and some temperature compensation.

Dimensions
26 HP
40 mm deep

Current Draw
90 mA +12V
80 mA -12V

Notes: The Variable Q VCF (or VCFQ, for short) from Random Source is a skiff-friendly Eurorack adaptation of what is perhaps the most famous Serge filter. It is an effortlessly thick and colorful 12dB/oct multimode filter with ultra-smooth resonance that never ceases to amaze. Amazing tonal variety comes from combining outputs, automating resonance settings via CV, and adding grit using its adjustable-gain input.

Simple filtration is only one of the VCFQ's many uses, however. Its amazing trigger input turns rising-edge pulses into thick analog kicks and toms which roughly track notes thanks to a dedicated 1V/oct input. This module also becomes an ultra-powerful modulator in "Lo" mode, with decaying/syncable LFOs well within grasp using the trigger input, along with free-running oscillation when self-patched. When fed stepped sequences, sample and hold, or other LFOs, the VCFQ can even function as an effective slew limiter. And that's not all: for those lucky enough to own two VCFQs, dual-peak resonance and an ultra-thick 24dB/oct low-pass mode offer some of the most rewarding synth sounds in existence. In short, adding a VCFQ to one's Eurorack system is always worthwhile.

Features

Analog multimode filter designed in collaboration with Serge Tcherepnin
Automatic Gain Compensation and Variable Gain audio inputs
Trigger input
1V/oct and attenuverted frequency CV inputs
Attenuated Q CV input
Low Pass, Hi Pass, Bandpass, and Notch outputs
Hi/Lo range switch
This is the skiff-friendly, SMD version of the Random*Source VCFQ

Under licence from Serge Tcherepnin
Designed for High-end VCAs (THAT2180)
No matching of transistors required
No wiring needed

Dimensions
14 HP
26 mm deep

Current Draw
52 mA +12V
52 mA -12V

Notes: Four-channel version of the hugely popular TRM-202 rotary mixer. Solid sound quality with three-band isolator section and two-band EQ per channel. Killer value for money.

Supplier notes:
The 2-channel version of this mixer, the TRM-202 MK3 from Omnitronic, was particularly popular with DJs of electronic music all over the world. With the TRM-402 4-channel rotary mixer, the popular concept is extended by 2 channels: Now nothing hinders a creative 4-deck DJ set or a flying change during a gig. Of course, this version also incorporates the classic features of a rotary mixer in the form of ALPS rotary controls (Blue Velvet RK27) and a 3-band frequency isolator.

Smooth transitions:

The high-quality components of the TRM-402 ensure an appealing sound image. The large rotary knobs of the 4 channels allow the DJ to create very smooth transitions, which are so difficult to set with a conventional mixer (with faders). All channels can be switched between line & phono inputs or sources. A microphone input is also available. The kill characteristic of the isolator ensures the complete elimination of bass, midrange and treble and thus creative mixing.

Recording your own set:

The TRM-402 is equipped with a booth output and a separate volume control. So the use of the mixer in the club is no problem at all. Thanks to the record out, it is also possible to record your own DJ set.

Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

Notes: Erica Synths Acidbox III brings you the core of the famous Polivoks VCF in stereo version with a unique audio signal overdrive circuit, built in LFO and envelope follower in a compact, full aluminium case.

The Acidbox III has adjustable input gain, therefore it works with various sound sources - guitars, units with line level signals (synthesizers, grooveboxes, etc.) and modular synths. Configurable control input allows you to connect a bypass footswitch, expression pedal, external cut-off control voltage source and LFO synchronization trigger. This makes the Acidbox an ideal companion in almost every production or live performance setup.

Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.

Notes: Mimetic Digitalis is a 10HP step sequencer optimized for live use. MD includes four individually editable CV outputs and a trigger out. Each step can be manually programmed or use MD to live record CV sequences using the encoder. The zero button mutes the CV at a step and shred randomizes the voltage. Save and load up to 16 patterns. Edit a pattern and use undo to return to the unedited version.

Notes: The Stereo Triggered Sampler can record high quality stereo files, while simultaneously playing two different stereo files. A maximum of 600 samples can be loaded from the removable/swappable microSD card, in a variety of formats up to 96kHz/32-bit/stereo WAV. All sample parameters (1V/oct pitch, sample file selection, length, and start position) are CV controllable.

600 Samples:
A maximum of 600 samples can be loaded at once, arranged into banks of 10 samples each. Samples and banks can be re-arranged on the fly using the simple on-board Edit features. Newly recorded samples can be instantly played back and re-pitched, reversed, chopped up, etc... the result of which can even be bounced down and re-recorded to as a new sample! Sample files are limited to 4GB each, which is over 6 hours at 44k/16b/stereo.

Two Stereo Playback Channels:
Each playback channel has a knob and CV jack for Sample File selection, as well as a Start Position knob and CV jack for controlling where in the sample playback will begin. The Length knob and CV jack determine how much of the sample is played back: from tiny grains, to percussive hits, to longer loops... or just the entire file. These are powerful tools for re-arranging a sample, joining multiple samples, and creating dynamically re-sized loops within a larger sample. Combined with the Play Trigger jack and the 1V/oct jack, the STS can be two complete multi-timbral pitch-tracked stereo voices!
There's also a Reverse button and jack for backwards playback, and an End Out jack for synchronizing loops, or cascading sample playback with other events.

Looping and Sync:
Looping is easy: just hold the PLAY button down for two seconds to toggle loop or one-shot. The loop timing clock will output from the End Out jack. Or, send a clock into the Play Trig jack to sync the loop to external timing.

Stereo Recording:
Whether you patched 47 modules to create the ultimate percussive blast, or you want to capture your four hour ambient performance, recording high-quality .wav files on the STS is simple. Just hit the REC button or fire a trigger and a new stereo .wav file will be created on the SD card. Do as many takes as you need: the STS never deletes your files. Re-ordering or re-arranging samples into banks is easy, even without a computer.
You can even fill a bank with 10 different variations and immediately use them for playback.
By default the STS records at 44.1kHz/16-bit, with an option for 24-bit (a future update may increase the sample rate to 96kHz)

Easy sample loading:
Using a computer is completely optional with the STS, since samples can be recorded directly to the module and placed into the bank of your choosing. But for users with large existing sample banks, the intuitive automatic bank loading features make dragging and dropping your entire sample library a snap. You never have to rename your files again!

Notes: Killer physical modelling module collab from two of the biggest names in their respective fields of hardware and software. Generates a huge range of percussion instruments plus synths and bass tones.

Supplier's notes:
Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds - both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements - the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it's percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mould and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object - real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static - any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk's built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems - physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.

Notes: Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.

Notes: Immerse yourself and go beyond the boundaries of what is possible with a conventional guitar or synth pedal. GHOST PEDAL brings you new possibilities of tone shaping with its state of the art flexible audio routing chain, allowing you to jump between dimensions with a single press of a button.

From earth shaking subharmonics and distorted drones to angelic shimmer reverbs and anything in between, GHOST is a PEDAL for the adventurous sound designers and the most demanding guitar and synth players. Intuitive UI coupled with hands-on control and preset storage allows you to stay in the now and focus on your performance.

Unique user interface showing parameter values and real-time modulations

Line or high-impedance JFET guitar inputs with cabinet simulator

Full MIDI control over every parameter incl. MIDI clock over LFO and delay

True relay stereo, buffered and trails bypass modes

Bipolar LFO and expression pedal assignments to any parameter

3 reverb and 3 filter types, incl. comb with resonator, six possible routing variations

Reverb freeze, delay looper, spring reverb with virtual spring excite

Three footswitches let you change assignable parameters (tap tempo/freeze/spring excite), select presets and bypass with your feet

Notes: Roucha Legio is a 12 dB /octave state-variable stereo multimode filter available on the Legio DSP+oscillator platform.

Noise Engineering received tons of requests for NE filters over the years, and Roucha Legio is their first dedicated release. The filter features lowpass, bandpass, and highpass settings and tracks frequency via the dedicated encoder and extremely accurate 1v/8va CV input. Roucha Legio's CV-controlled resonance parameter can go from clean to acidy-squelchy for bassline joy. Add CV for filter sweeps that will knock your socks off. Of course, because it's a Noise Engineering module, there's a Fold knob. Add wavefolding to the signal chain before, after, or both before and after the filter.

Noise Engineering have made it easy to carry out dramatic buildups and cuts with Roucha Legio. Just tap the encoder to bypass; tap again to turn the filter on again. Want to automate it? Send a gate into the Bypass input. The filter will remain bypassed as long as a high gate is present.

Roucha Legio is also a DSP and oscillator platform: users can change the firmware on any Legio module, 100% free, to any other firmware in the Legio series.

Dimensions
6 HP
38 mm deep

Current Draw
140 mA +12V
22 mA -12V

Notes: The Morphor Ensemble is an 8-voice fully analogue chorus effect module. The module can truly upgrade any input audio into a sound with body. Transform your creations into warm and full sounds as if a whole orchestra is playing them.

Morphor Ensemble features extensive control over your effect with number of voices selection, CV-able spread, two full-featured LFOs and control over the amount of dry-add signal. This way it is possible to create a wide range of effects, from subtle broadening or humanisation of your sound up to pitch-bending craziness.

The module features a true analogue audio path based on eight BBD devices, known for their authentic and warm timbre. In summary, the Morphor Ensemble is a high-end, flexible chorus module for every analogue lover.

Weight: 167 g
Dimensions: 128.5 × 60.6 × 40 mm
Width: 12 HP

Notes: OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing.

Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA

Notes: One of our favourite DJ turntables, courtesy of German DJ brand Reloop. Classic Technics-inspired design updated with nice features like reverse mode, 78rpm setting and second start/stop button.

Supplier notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.

Sturdy Casing Construction:

By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:

The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:

As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.

High-Resolution Pitch Section with Digital Fader:

Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

High-Quality Connections and Integrated Phono Pre-Amp:

Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.

Powerful Motor with Extensive Adjustment Possibilities:

The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.

Notes: Two-channel DJ mixer from one of our favourite brands. Ultra-simple design with three-band full-cut EQ and sweet sound on a par with much more expensive boutique mixers. One for the purists.

Supplier's notes:
The NUO 2.0 mixer is a 2 channel analogue mixer addressed to the professional DJ of any kind, in despite of the music style.


The NUO 2.0 mixer features the professional characteristics that made its predecessors acclaimed worldwide and it equips the best analogue components available in the market place in order to obtain the highest sound performance.



Whether you play house, techno or hip hop, perform smoothly or as a scratch DJ, the NUO 2.0 mixer will please all your needs thanks to its versatility and plenty of features, such as the precise and ergonomic full cut EQ, FX Send control per channel in pre or post fader mode, faders curve adjustments and suitability for the awarded magnetic Eternal crossfader for the professional scratch DJ.

Its superb sound quality and robust format, plus balanced XLR master output and booth output for monitoring make it also a perfect mixer for small installations.

Notes: Really nice take on an arpeggiator module here. Four-channel design features editable arpeggio patterns, CV control and transposition. Real-time performance meets customisable melody generation.

Supplier's Notes:
Four-channel arpeggiator with customizable patterns and CV control

Opp Ned is a four-channel arpeggiator designed for creating patterns that can be modified with CV. Opp Ned ships with 12 of Noise Engineering's favourite arps, including tetrads, major, pentatonic major, minor third, and pentatonic minor, but you can edit and save custom arpeggios to twelve memory slots. Recall your custom arpeggios manually or with CV using the Ptn input. If you ever want to restore the factory arps, just head to the Noise Engineering Customer Portal.

The transpose input makes it easy to combine Opp Ned with external sequencers, too!

Arps have never been easier than with Opp Ned.

Features

Size and Power
8HP Eurorack
+12v: 60mA
-12v: 10mA

Opp from Norwegian Opp for "Up"
Ned from Norwegian Ned "down"
"Ups and downs"

What's in the box

Module
Power cable

*** Noise Engineering no longer include screws with newly packaged modules. Bulk screws are available for purchase. ***

Notes: Universal drum synthesizer with roots in the analog world on a swappable oscillator platform

Basimilus Iteritas Alia is a parameterized digital drum voice with its roots in the analogue world. At its heart, the BIA is a simple six-oscillator additive and FM synthesizer with waveform, harmonic spread, and envelope controls. An adjustable noise oscillator and an extreme take on a wavefolder round out its synthesis abilities. Its straightforward controls make sound design fun and performable: create sub-shaking kicks, snares, hats, and unique drum hits with just a few tweaks.

BIA is a classic percussion module but you'll be blown away by how much more it can do. Use it for leads, basslines, or build a whole drum kit with some external CV. Plus, the envelope output means you can use the BIA for shaping and modulating other parts of your patch.

Basimilus Iteritas Alia is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Digital delay meets analogue filtering in this versatile little effects box. Single-tap delay with loop option and clever time multiplication, plus low-pass and high-pass filters.

Supplier's Notes:
Digital delay settings combined with analog sound shaping

SPECIFICATIONS:

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

12VDC 1A power supply included.

Notes: Unlock your creativity anywhere

Introducing SEQTRAK, the ultimate music creation station that empowers you to capture, create and connect with fans - from anywhere you happen to be.

Capture

Capture ideas as quickly as they come.

All-in-one system

Drums. Synths. Sound design. Sequencing. All included. With an array of features, all loaded in a compact, lightweight design, SEQTRAK allows you to start producing right away - no matter where you are. It's got everything you need. And more.

Lightning-fast workflow

SEQTRAK makes capturing ideas simple with a clear 3-part user interface and real-time, hands-on controls. You'll produce your music without menu-diving or waiting for boot times. Seize moments of inspiration and unleash your creativity in no time at all.

Extensive sounds

SEQTRAK extensive library contains over 2,000 presets. You'll find a vast collection of professionally crafted sounds - from rich pianos, to shimmering synths and thundering drums. More will be available with updates to the SEQTRAK app.

Onboard sampling

Capture your own unique sound samples effortlessly. SEQTRAK's sampler offers seven sound slots and a variety of effects, allowing you to shape and transform your samples with ease. Say a phrase, tap a spoon, or record your favourite pet - then customize to create polished Tracks - all in high-quality 44.1 kHz/16-bit format.

Make music on the go

With its compact size, lightweight design, built-in speaker and microphone, as well as a rechargeable battery, you can take SEQTRAK anywhere - from the studio, to the stage, to the sofa. No need to worry about power outlets or tangled cables. Create, perform, and share your music - anytime, anywhere.

Create

Turn your ideas into original music.

Sound engines + effects

Double your creative potential with two versatile sound engines. AWM2 (Advanced Wave Memory 2) boasts an impressive 128-note polyphony and specializes in authentic sounds like pianos, strings, and guitars, while the four-operator FM engine produces stunning synth pads, leads, FM electric pianos, and more. Additionally, SEQTRAK includes powerful effects for a polished sound.

Sequencer

SEQTRAK's advanced Sequencer allows for intuitive and seamless composition, arrangement, and playback of musical Tracks. With its user-friendly interface, you can easily navigate and control various parameters, such as tempo, swing, and track settings.

Sound editing

Inside the included SEQTRAK app you'll find an intuitive graphic user interface that lets you quickly dive into each Track and shape your sounds with precision. Editing includes a comprehensive set of functions, including envelopes, filters, and effect manipulation, enabling you to refine your compositions with meticulous detail.

Connect

Share your music. Connect with your fans.

Performance

Take centre stage with the SEQTRAK's powerful performance features. Create arrangements on-the-fly by combining Tracks and Patterns, remixing beats, and muting/unmuting Tracks in real-time. Add polish and sparkle to your music using global effects - then control these sounds live while you perform.

Visualizer

The SEQTRAK app has a Visualizer mode that transforms your music into a captivating visual experience. With this free performance and production feature, you'll bring your music to life with stunning visuals that sync perfectly with your songs. Customize and tweak Patterns, motion effects and more, however you see fit. There's even an Augmented Reality (AR) mode that allows you to integrate 3D virtual objects into real-world live videos.

Connectivity

- Bluetooth MIDI: Connect wirelessly to the SEQTRAK App & Visualizer, enhancing convenience and mobility.

- Wi-Fi: Transfer WAV samples wirelessly, eliminating the need for cables.

- MIDI In/Out: Connect to other hardware synths, MIDI controllers, or a computer; expanding your sound options and enabling integration with external devices.

- USB-C: Establish a single cable connection for MIDI and stereo audio to a computer simplifying setup and streamlining workflow.

- AUX In: Connect to drum machines, synths, and other external sources, expanding and diversifying your sound.

*Wireless functions may not be available depending on your area. Check with your Yamaha dealer. Windows PC cannot use wireless functions.

Specs
Tone Generator: AWM2, FM: 4 operators
Maximum Polyphony: AWM2: 128, FM: 8
Wave: Preset: 800 MB (when converted to 16-bit linear format), User: 500 MB
Effects: Reverb × 12 types, Delay × 9 types, Master Effect × 85 types, Single Effect × 85 types, Master EQ 5 bands, LP-HP filters for each track

Tracks

Track Types: DRUM, SYNTH, DX, SAMPLER
Number of Tracks: 11

Sounds

Number of Sounds: Preset Sound: 2032 Preset Sampler Sound: 392 *Can be added from the SEQTRAK app
Connectivity


USB: USB Type-C (power, MIDI to host, MIDI to device, audio)
Headphones: [PHONES] (stereo mini jack)
A/D INPUT: [AUDIO IN] (stereo mini jack)
MIDI: [MIDI] IN/OUT *Only included cable can be used.

Functions
USB audio interface: [Sampling Frequency = 44.1 kHz (quantization bit depth: 24-bit)] Input: 2 channels (stereo 1 channel), Output: 2 channels (stereo 1 channel)
Bluetooth: MIDI transmission/reception (wireless capability varies by country)
Wi-Fi: Data transmission/reception with dedicated app (wireless capability varies by country) The highest SAR value: 1.11 W/kg

Sound System

Speakers: 2.3 cm, 1 W
Microphone: Internal MEMS microphone

Power Supply

Power Source: Rechargeable lithium-ion battery (2,100 mAh, 7.6 Wh) USB Power Delivery (PD) (Output voltage: 4.8 V to 5.2 V, Output current: 1.5 A or greater)
Power Consumption: 6 W
Battery life for continuous use: 3-4 hours
Battery charge time: 3-5 hours

Size/Weight

Dimensions

Width: 343 mm (13-1/2")
Height: 38 mm (1-1/2")
Depth: 97 mm (3-13/16")
Weight: 0.5 kg (1 lb 2 oz)

Packing Box

Width: 420 mm (16-9/16")
Height: 90 mm (3-9/16")
Depth: 165 mm (6-1/2")

Included accessories: USB-C to USB-C cable, dedicated MIDI Converter Cable, Quick Operation Guide, Safety Guide
Dedicated Software: SEQTRAK app
Sequencer Block - Maximum Steps: 128

Notes: Part of Mackie's excellent ProFX series, the 12v3+ combines a 12-channel analogue mixer with built-in USB audio interface for quality recordings. Includes GigFX+ digital effects, colour LCD screen and Bluetooth input.

Supplier's Notes:
12-channel professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with award-winning Onyx preamps, channel EQ and analogue compression. Upgraded GigFX+ effects enhance your sound, plus you can edit and save your presets on the fly via the full-colour display. Switch between recording modes to track dry or include the FX, or use loopback mode to stream video games or perform over backing tracks without feedback. You can even bring in podcast guests over the phone via Bluetooth on a dedicated channel. With easy connectivity, the warmth of analogue and an upgraded FX engine, Mackie ProFX12v3+ is the perfect centrepiece for your studio.

Mackie ProFXv3+ Series is a professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with Onyx preamps and channel EQ, add computer audio via loopback, bring in calls via Bluetoothr and enhance your sound with upgraded GigFX+ effects on a colour LCD screen.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetooth channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Features

7 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance
High-resolution GigFX+ effects engine
Full-colour LCD display for editing and saving effects presets
24-Bit / 192 kHz 2x4 USB-C audio interface
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetoothr for music playback and caller integration
3-band EQ on all channels
One-knob compression on channels 1-4
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 11/12
Separate FX, monitor and subgroup busses
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line Inputs: 12
Mic Inputs: 7
Aux Sends: 1
Subgroups: 2
Compressors: 4
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording Modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Cursus Iteritas Alia

Dynamically generated wavetable oscillator using orthogonal functions on a swappable oscillator platform

Cursus Iteritas Alia is Noise Engineering's take on a wavetable-inspired additive oscillator. Cursus creates sounds from a dynamically generated wavetable, then gives the user spectral controls to sculpt and modulate. Cursus has three different algorithms, based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. All that math is hidden behind a set of friendly controls that produces an extremely wide variety of harmonic sounds, perfect for melodic sound design. Cursus has long been regarded as the gentlest Iteritas, but if you need some beef and extra low end, try mixing the suboscillator output into your patch.

CIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Notes: Built for comfort as well as top-notch sound quality, Sennheiser's HD 490 Pros are a premium open-backed model for all production tasks. The Plus package includes a 3m cable, carry case and spare headband pad in addition to the standard bundle.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m/3m

Notes: Incredible value as always from the latest version of Arturia's Essential 88-key MIDI controller. Pads, faders, rotaries and a large LCD screen. Excellent integration with DAWs and the included Analog Lab V plugin.

Supplier's Notes:
Control your DAW, play with MIDI hardware, and get hands-on with your own style of music-making with KeyLab Essential mk3 88. This full-range keyboard controller removes barriers and makes creativity simple, with expressive semi-weighted keys, idea-sparking creative functions, and the most inspiring music software included as standard.

The streamlined piano range keyboard

Expand your musical horizons with a semi-weighted 88-note keyboard that removes barriers and makes your creative life easier. From studio to stage, DAW to MIDI hardware, KeyLab Essential 88 mk3 keeps things simple so you can focus on your music with full piano-range expressivity.

Your essential ingredients for creativity

KeyLab Essential provides an array of useful & intuitive controls that'll get the job done. Enjoy a comfy keybed, tactile faders/encoders/pads, and thoughtful layout that'll make sense for your setup. Enjoy a hands-on instrument experience balanced with software flexibility.

The best DAW integration

Get creative right out the box with KeyLab Essential's custom DAW scripts, bringing pre-mapped controls into your workflow with any major DAW. Not only that, but the KeyLab Essential controls work seamlessly with Analog Lab V, the included sound anthology plugin - letting you freely explore thousands of sounds, old and new.

Your musical workhorse

For when you want to get experimental, find a new sound, or just need a bit of extra inspiration, KeyLab Essential has a few tricks up its sleeve. Create fun ever-changing melodies with the Arpeggiator, weave rich chord voicings with Chord play, and always stay in key thanks to Scale mode.

What's new compared to the previous version?

A bigger display with 4 contextual buttons
5 dedicated DAW scripts, plus MCU & HUI protocols, for controlling any DAW
Enhanced integration with Arturia Software
Creative features: Scale mode, Chord Play, Arpeggiator (with presets), Hold function
2 Pad Banks (for finger drumming, clip launching, or User configuration)
Bigger software bundle (Analog Lab V, Ableton Live Lite, NI The Gentleman, UVI
Model D, Loopcloud & Melodics)
Multi-purpose pedal input (Sustain, Footswitch or Expression)
USB-C
Eco-designed

Included Software

You'll also get 6 titles giving you everything you need to make music your own way - here's

What's included:
Analog Lab V software with 2000 synth & keyboard sounds
Ableton Live Lite
UVI Model D & Native Instruments The Gentleman pianos
Loopcloud subscription
Melodics subscription

Box content
Quick Start
Registration card
USB Cable (C/A)

Notes: Pulse 2 Analog Synthesizer is proof positive that good things can come to those that wait. For ever since this high-quality synthesizer developer discontinued its original rack-mountable Pulse and Pulse+ programmable analogue monosynths boasting ballsy bass tones and legendary leads beyond compare, those Nineties electronic musicdominating sounds have been severely sought after by those in the know. Which was exactly what drove us into development overdrive to produce an all-new Pulse fit for the 21st Century.

As an all-new, all-analogue synthesizer design, Pulse 2 flawlessly delivers exactly what synth connoisseurs around the world have been truly craving for quite some time - three analogue oscillators living in perfect harmony with a VCF (VoltageControlled Filter), yet we did not stop there: the fresh filter circuits in the Pulse 2 now offer 12dB Highpass and Bandpass modes in addition to 24dB/12dB Lowpass for strengthened sound-sculpting flexibility, while we added analogue Filter FM, two Overdrive circuits, and Ring Modulation from OSC 3, together with Paraphonic and Unison modes allowing up to eight-voice chords - a fantastic feature found on our recently-released Rocket Synthesizer.

Pulse 2 is housed in a sturdy metal desktop casing. Alongside its generous 128x64-character backlit LCD, eight eye-catching stainless steel knobs are available to nimbly navigate through the parameter matrix - logically laid out across the front panel for all to see at all times, set the master Volume, and easily edit display-accessible parameters.

Connectivity comes well catered for courtesy of USB, MIDI In, MIDI Out, Ext In (external analogue signal input), line OUT, and headphone output - not forgetting, of course, CV Out (supporting both the V/octave and Hz/V standards) and Gate Out (V-Trigger- and S-Trigger-compatible), allowing a myriad of suitably equipped older (or newer) synths to be connected to the Pulse 2 to mirror whatever MIDI 'note' information is being played by the Pulse 2, including the output of its powerful ARP (arpeggiator). And if that's not enough to be getting on with, the CV Out can even be modulated in the eight-slot modulation Matrix, making for even more tantalising tone colours and performance possibilities!

Alongside analogue must-haves like a noise generator, Pulsewidth modulation, and hard Sync, other notable features include an Alternating Pulsewidth Modulation mode new to the Pulse 2 (offering a dense PWM sound without affecting perceived loudness), and an XOR Osc mode (that is a binary XOR combination of two PWM oscillators with two distinct output levels - high and low only - capable of producing inharmonic spectra unlike anything associated with any analogue synthesizer other than the original Pulse) - all of which, of course, contribute to kickstarting those still soughtafter sounds right here, right now in the 21st Century. Speaking of which, 500 onboard sound programs should be more than
enough to keep the most diehard synthesist smiling! What's more, all are backwards-compatible with the original Pulseseries, so original Pulse owners can quickly transfer their favourite sounds to their new Pulse 2 via MIDI (dump).

Notes: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comes supplied in a custom carry case with windshields and mounts.

NT5 - Matched Pair Box Contains :

As of 2022, the updated packaging is made from engineered cardboard instead of foam or plastic blister, making it more environmentally friendly, and they all share a unified look to further enhance brand consistency.

RODE have also made a change to the box contents removing the hard cases and including a zip case instead. This has meant that the new dimensions of the packaging are significantly smaller than the original packaging.

2 x NT5
2 x RM5 (mic clip)
2 x WS5 (windshield)
1 x ZP1 (zip pouch)

Notes: Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.

Notes: The second batch of Animal Factory's dual-valve saturation all-rounder features hand-matched 6J32P valves for a faster, slightly more precise take on this unique blend of mixing, VCAs, distortion and wave folding.

Supplier's Notes:
Orobas is a dual tube amplifier that is composed of two identical units.

Each channel has two audio inputs with dedicated gain controls and one output volume control.
Thanks to clever routing, a wide variety of sounds can be created. The two channels can be connected in parallel or in series (Parallel / Series). In series connection, the output of channel 1 is still active, good for parallel signals (note: each channel output is phase-inverted in relation to the opposite input). This way, feedback can be generated by feeding back the signal from output 1 to e.g. a control voltage input.

The screen control voltage input determines the gain and the sound characteristics. Additionally, the input is normalized to INPUT 1 of the respective channel.

The Suppress control voltage input is normalized to the input signal if nothing is connected. The purpose of this input is to direct electrons reflected from the anode back to the anode. Turning the knob to the positive does not change as much, turning it to the negative slightly attenuates overtones. With a positive control voltage the change is minimal, but with a negative control voltage you can realize e.g. ducking effects and effectively switch off the tube. Audio Rate Modulation is also possible here and a bit milder than with the Screen CV, but still effective.

The evocation potentiometer controls the feedback of the second output into the first channel. The sonic performance is very much dependent on the Plate Bias switch. The Plate Bias switch effectively controls the headroom. This allows you to use the tubes in three different settings, from fuzz sound to full distortion.

*This version is equipped with other tubes than in version 1.

Tube length: 55mm

Depth: 45mm

Notes: Ultra-high quality portable recording courtesy of this premium model from the ever-reliable Tascam. Ideal for podcast recordings, video soundtracks or interviews. Includes stereo mics and multi-track options for external sound sources.

Supplier's Notes:
Discover the Subtle Differences in High-Quality Content Creation

You don't have time for long set-ups if you regularly create new audio content on the go. And sound quality must meet the highest standards if your productions are to be successful. With the Portacapture X8 from Tascam, high-quality recordings are now even easier. Thanks to its app- like operation via a large colour touch screen, this field recorder can be quickly adapted to the situation at hand to record up to six signals plus a stereo mix in impressive 32-bit/192-kHz resolution. Enjoy the built-in mixer with EQ, dynamic processing and effects, use the USB mode later to process the material on a computer with minimal loss, or stream your show directly to the Internet.

The Portacapture X8 makes all the difference.

The Portacapture X8 isTASCAMs New Generation High Resolution Adaptive Multi-Recorder.Featuring 192kHz/ 32-bit floating point recording technology for highest audio quality.

Combined with the recorder's intuitive Launcher system and the incorporated 3.5-inch color touch panel display, the Portacapture X8 provides users with more time to focus on the actual recording without having to struggle with complicated settings. It uses an app-like set of configurations that optimize the unit for various recording tasks, including multitrack recording, voice capture for interviews, podcasts, music recording, field recording, and ASMR (Autonomous Sensory Meridian Response) for capturing those unusual / sensory related sounds.

The Portacapture X8 comes with two large 14.6mm diameter built-in condenser microphones. With the TASCAM developed HDDA mic preamps, these microphones are well suited for high quality audio recording and can easy be set for A-B and X-Y microphone patterns.

The TASCAM Portacapture X8 provides a wealth of DSP capability that include Compressor, Limiter, Low-Cut Filter, Noise Gate, Reverb, Auto Gain Control, and more.

Wireless remote control is possible via the TASCAM Portacapture Control using the optional AK-BT1 Bluetooth dongle with your Android or iOS device.

With its 2 built-in large format stereo mics, 4 XLR inputs with support for both mic and line-level, AUX-IN, LINE OUT, and CAMERA IN/OUT terminals, the Portacapture X8 provides an abundance of IN/OUT choices for multiple recording scenarios. The 3.5mm CAMERA EXT/IN connector also supports audio input of wireless microphones and more. Additionally, the Portacapture X8 is equipped with a CAMERA/LINE output with an attenuation function that allows for sending audio to external devices such as cameras.

Together with its multitrack record capability of 8 tracks (6 tracks plus 2 mix) and its 8-IN / 2-OUT USB Type C audio interface with support for USB bus power, the Portacapture X8 is a full-featured powerful handheld recorder both on its own or with a computer. Audio monitoring is possible via either the unit's headphone output or the built-in speaker and the recorder also provides both mark and slate tone functions. Supported recording media includes micro SD, micro SDHC, and micro SDXC cards up to 512GB capacity.

Includes
Portacapture X8
Included mics × 1 (left/right pair)
AA alkaline batteries × 4
Owner's Manual(including warranty) × 1
TASCAM ID registration guide × 1

Optional accessories
Bluetooth Adapter AK-BT1

Specifications

Recorder Specification

Recording Media: SD/SDHC/SDXC cards (64MB to 512 GB)
Recording/playback formats: Wave Files (BWF) 44,1/48/96/192 kHz
Input Channels: 6
Max. Recordable tracks:8 tracks (6 track + Stereo Mix)
Analoge Audio inputs/ outputs
Mic inputs (balanced)
Input jacks 3-6(input set to "MIC")

Connectors

XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD)
6.3mm (1/4") standard TRS jacks

Input

(Tip: HOT, Ring: COLD, Sleeve: GND)
Note: phantom power supported by XLR only
Input impedance: 2.2kO or higher
Maximum input level: +2 dBu
Minimum input level: -75dBu
Input jacks 3-6(Input set to "LINE")

Dimensions: 83 x 205.6 x 41.5mm (W× H× D, including protrusions)
Weight: 472g/381g (with/without batteries)

Notes: Desmodus's Aggressive Reverb/Delay Counterpart.

Not quite a reverb, not quite a delay, it's Desmodus's more aggressive clocked counterpart. More distortion, more in-your-face atmospheres, and synced delays for creating your tails in a whole new way. Use Electus Versio as a spacey clocked delay, as a reverb that starts with some synced echoes, or as a completely new way to create evolving spaces.

Notes: Desmodus's Aggressive Reverb/Delay Counterpart.

Not quite a reverb, not quite a delay, it's Desmodus's more aggressive clocked counterpart. More distortion, more in-your-face atmospheres, and synced delays for creating your tails in a whole new way. Use Electus Versio as a spacey clocked delay, as a reverb that starts with some synced echoes, or as a completely new way to create evolving spaces.

Notes: All the modulation effects you could dream of in a compact pedal. Chorus, Phaser, Tremolo, Vibe, Rotary and Filter programs give you plenty of sonic options with nice tweakability and superb sound quality.

Supplier's Notes:
The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibe, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets. A sound explorers delight, the M1 features a dedicated lo-fi knob allowing you to mix various lo-fi parameters to every program. Add subtle movement and texture to float under your playing or make a massive statement with a thick swirling chorus to choppy panning tremolo. Write your sonic story in any style and genre with the M1 High-Fidelity Modulation Machine.

Programs

Chorus - Find subtle chorus to be vibrant and lush tri-chorus that will instantly teleport you to the 80s. Type I is a traditional chorus great for tight smooth chorus tones. Type II adds a second chorus with an offset rate and depth. Thanks to the constructive interface, it has a more dramatic character caused by essentially running two chorus pedals in series. Type III finds its roots in the classic tri-chorus effect running three chorus units in parallel for a lush multi-dimensional chorus.
X knob controls Lag to set the maximum allowed amount of pitch detuning.

Phaser -Classic 70s phaser sounds we all know and love, with added features that you wouldn't expect. Similar to the Lillian, Type I is a 2-Stage Phaser that produces a single notch to the classic mild phaser. Type II is a 4-Stage model producing 2 notches for a stronger effect. Type III is a phaser modeled after the unique tuning and LFO shape found in a Uni-Vibe.

X knob introduces Feedback for a more dramatic phaser effect.

Tremolo - This program emulates a tremolo with three algorithms containing all the bells, whistles, and even a cherry on top. Type I is excellent for traditional sounds similar to optical and bias tremolos that raise and lower the entire frequency range - similar to the Monument in standard mode. Type II is a warm and cozy harmonic tremolo - similar to the Monument in harmonic mode. This unique sound is formed by raising and lowering your high and low frequencies opposite each other. Type III offers several predefined patterns for rhythmic sequenced pulsing tremolo. X knob manipulates the phase of the left and right volume modulation for a wide stereo panning effect. Shape and Symmetry in Type III (pattern Trem) select the pattern group and patterns within each group.

Vibrato - Make good parts great with detuned, warbly, and vintage sounds that harken back to the 60s. Type I focuses on traditional vibrato sounds like those found in Julia and Julianna's "V" mode. Old record players inspire type II with classic RPM's on the rate knob and some noise character you'd find in your dad's old dusty Speedwagon LPs. The rate knob can select 33rpm, 45rpm, and 78rpm speeds in this mode. Type III is our take on the wow and flutter pitch characters found in old tape players. Warm and charming with a hint of nostalgia. X knob manipulates the phase of the pitch modulation when connected with stereo outs in Type I and Type II and controls the amount of "flutter" modulation applied in Type III.

Rotary - Because you can't fit a Leslie speaker on your pedalboard, type I aims for that traditional watery sound of a well-oiled Leslie speaker. Type II only spins the horn but still plays the sound out of the drum. Type III only spins the drum but still plays sound from the horn. X knob controls the drive of the horn.

Filter - Add tone-shaping movement to your signal with different modulated filters. Type I is a lowpass filter good for modulated darker tones. Type II is a highpass filter used to creatively modulate your low frequencies. Type III is a bandpass filter forming a sliding "window" of frequencies. Drive the filter frequency with the main LFO or do things like set the depth to zero and turn up the LO-FI envelope control to drive the filter frequency with your playing dynamics.

X knob controls filter resonance, bringing a more aggressive sound to the selected filter.

Tone controls the filter's center frequency or starting frequency where the modulation is applied.

Specs:

The M1 comes in a dark blue finish with red, orange, cream, gold, green, purple and blue ink.
The enclosure's exact size with knobs is 4.9" x 2.52" x 2.64". Power requirements are 9VDC (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
USB firmware updates can be done via www.walrusaudio.io